Culture Hack panel SXSW 2013

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Slides for Culture Hack panel @SXSW2013 : Some slides re-used from Harry Verwayen ( and Julia Fallon


<ul><li>1.Culture HackLibraries, Archives and Museums Open for Making Tag: #lodlam Questions: #asklodlam</li></ul> <p>2. IntroductionsDigital Public Library of America @dplaEmily Gore @ncschistoryEuropeana @EuropeanaEU Antoine Isaac @antoine_isaacOpen Knowledge Foundation @openglam Sam Leon @noel_mas 3. Digital Public Library of America The Digital Public Library of America (DPLA) will makethe cultural and scientific heritage of humanity available,free of charge, to all. The DPLAs primary focus is onmaking available materials from the United States.Code where possible make use of existingfree and open source code; built on openstandardsMetadata shareable; available under CC0license to allow for unrestricted reuse; goal tooperate as part of global linked dataenvironment; resolves to digital objectsContent incorporate all types of contentbeginning with green lighted &amp; public domaincontent that resolves to digital objectsTools &amp; Services provide tools andservices for enhanced use of content andcontent creationCommunity participatory platform WE arethe DPLA 4., Europes cultural heritage portal26M objects from 2,200 European galleries, museums, archives and librariesLibrariesNational Aggregators Regional AggregatorsArchives Audiovisualcollections Thematic collections 5. What types of objects does Europeana gives access to?Text Image Video Sound 3D 6. A global movement to open up knowledge around the world and see it used and useful 7. Todays Points of Discussion Copyright and open licensingInfrastructure to enable Open business modelsWhat are we building? Community as resource 8. Copyright and open licensing 9. Copyright and open data licensing Large institutions making $ selling data? Rights not always clear or known byinstitution Creative Commons has developed licensingtools now being widely adopted by CHinstitutions for their data 10. Copyright and Open data in DPLADPLA Policy Statement on Metadata1) The Vast Majority of Metadata is Not Subject to Copyright Restrictions2) The DPLAs Partners Share the DPLAs Commitment to Open Data = CC0 license for all metadata3) The DPLA asserts NO Rights Over its Database of Metadata and Waives all Claims for Infringement Thereof. 11. What Europeana makes availableMetadataLink to digitalobjects online 12. Two categories of rightsMetadata (descriptive object information)CCContent (digital objects on the site of the provider) Different options 13. Rights Statements for contentOpenNot open butclearNotopen 14. Infrastructure to enable 15. APIs and interoperability DPLA API - Available under AGPLv3 Europeana APIo Europeana Linked Open data piloto 16. Data model and interoperability From dozens of metadata formats to one Europeana Data model Consolidated with partners who re-use it DPLA! Licensing framework Metadata AND content Licensing campaign Give better rights data for more content! campaign 17. 18. Crowd CraftingOpen Enablers The Timeliner 19. Open (business models) 20. Value Proposition Activities Relationship ResourcesStakeholders Partners ChannelsCosts BenefitsThe business model describes the logic of our organization to create and deliver value 21. Case 1Europeana 22. We had aggregated millions of objects and made them availablethrough one specific interfaceBut the portal setup didnt cater to the needs of wildly differing customersegments... 2008-2012 23. Who have their own workflows and preferences for accessing information2008-2012 24. The key to this was changing the licensing frameworkBut how does this affect the business model of our partner institutions? 25. Case 2National Archives of the Netherlands 26. The project made 400 photos available on Flickr-The Commons 27. 1M page views photos on flickr were viewed 160 times as much as on own site...2000 comments, 14000 tags 28. Case 3Rijksmuseum Amsterdam 29. 30. The Rijksmuseum found out that yellow copies ofVermeers Milkmaid became so persistent on the web thatvisitors started to believe the original was a fake... See: White Paper, The Problem of the Yellow Milkmaid on 31. Case 4Walters museum 32. What are we building? 33. Visualising the Humanities Mapping the Republic of Letters the history of philosophy Linked Jazz 34. TEXTUS Annotation Tools OHMS online/DM2E Pundit 35. 36. Community building 37. Competitions now! 38. 39. Become an Ambassador 40. Questions?Emily Gore @ncschistoryhttp://dp.laAntoine Isaac @antoine_isaacwww.europeana.euSam Leon @noel_masopenglam.orgSome slides re-used from Harry Verwayen( and Julia Fallon </p>