call for entries - campaignbrief.com work 2012 call for entry.pdfcall for entries entry deadline...
TRANSCRIPT
CAMPAIGN BRIEF’S ANNUAL 400+ PAGE PRESTIGIOUS HARDBACK 2012 RECORD OF THE BEST ADS FROM ASIA, AUSTRALIA AND NEW ZEALAND. COMES COMPLETE WITH TWO HIGH QUALITY DVDS
WITH OVER 100 TVC, INTEGRATED AND RADIO ACCEPTANCES.
CALL FORENTRIES
ENTRY DEADLINEFRIDAY 12TH OCTOBER
FREETO ENTERTheW rk
2O12
Last year over 150 of the most awarded agencies from around the region entered work for consideration to be published in The Work 2011. A record 460 ads and campaigns made the cut. Each year, since 2002, The Work has grown as a publication and it serves as the only truly regional record of creativity from Asia, Australia and New Zealand. What sets The Work apart is our unique judging criteria. Entry is free to any agency in the region - our only proviso for entry is that the ad must already have passed judgement and won an award at an existing national, regional or international awards show. The reaction to The Work has been nothing short of spectacular and The Work 2012 will continue to impress. Be a part of this prestigious record of the region’s best work and enter now.
• ELEVENTH EdiTioN ouT EARLY 2013 • SENd iN YouR BEST WoRk NoW • FREE To ENTER • oNLY THE BEST WoRk AccEpTEd •
ABOUT CAMPAIGN BRIEF
Campaign Brief has been publishing creative advertising trade magazines in Australia since 1984. In 1996 Campaign Brief Asia was launched. Both titles are considered “The Bible” of creativity in the region... but don’t just take our word for it...
“What I love about Campaign Brief is the absolute lack of confusion. It’s a magazine about creativity, for creative people by creative people. While the majority of industry press tries to be everything to everyone, Campaign Brief remains true to its origins. An unadulterated, hedonistic, up to the minute commentary on ads and creative people. With loyalty to ideas, not agencies or countries. We spend our whole careers fighting compromise and politics. Worrying about deadlines and agency stability. Campaign Brief represents everything that keeps us sane. Producing great work, having a laugh, inspiring one another, celebrating success, discovering new talents and of course a bit of mindless gossip. And the added bonus, is that it is run by people who actually care about advertising. Its success is a barometer of our success.”
DAVID DROGA, CREATIVE CHAIRMAN, DROGA5 USA
“The Work is the best produced award’s annual in the world. Finally, an award’s Annual that recognises its readers may actually want to read the copy on the print ads!” GRAHAM WARSOP, CHAIRMAN & ECD, THE JUPITER DRAWING ROOM, SOUTH AFRICA
InsIde The Work 2012
16 S P O N S O R : D D B 17T H E W O R K 2011
Magazines
Campaign
Client Mattel
ProductPictionary
TitleT-RexJet-Fighter (over page)Wrestler (over page)
AgencyOgilvy & Mather Malaysia
Creative DirectorsGavin SimpsonTan Chee Keong
Art DirectorsYee Wai KhuenTan Chee KeongGavin Simpson
CopywritersAdam ChanDonevan Chew
Photographic StudioStudio DL
DesignerLian Ee Wern
IllustratorMilx
Account SupervisorsAmy YepJoanne Lee
Account ManagerSharon Khor
• ELEVENTH EdiTioN ouT EARLY 2013 • SENd iN YouR BEST WoRk NoW • FREE To ENTER • oNLY THE BEST WoRk AccEpTEd •
204 S P O N S O R : D D B 205T H E W O R K 2011
Integrated
Campaign
ClientZoo Records
ProductZoo Records
TitleHidden Sounds
AgencyLeo Burnett Hong Kong
Executive Creative DirectorConnie Lo
Creative DirectorsBrian MaAlfred Wong
Art DirectorsBrian MaKenny IpLeo YeungTommy Cheung
CopywritersAlfred WongWen LouieJoey ChungCyrus Ho
DVD
89
Campaign
ClientDiageo Australia
ProductBundaberg Rum
TitleWatermark
AgencyLeo Burnett Sydney
Chief Creative OfficerAndy DiLallo
Creative DirectorTim Green
Art DirectorTim Green
CopywriterRupert Taylor
DesignerJohn-Henry Pajak
EditorAngus Forbes
In January 2011, the state of Queensland was nearly wiped out by massive floods. Bundaberg Rum is a much-loved Queensland brand that has been lifting the spirits of Queenslanders for over 100 years. When that spirit came under threat from the rising waters, Bundaberg felt a duty to raise it up once again. Like the rest of the state, the Bundaberg
distillery was underwater and in a state of crisis. Our solution was to create a product that would become a symbol of Queensland resilience and defiance, and rally the support of the nation. The product is Watermark: a rum crafted to mark the point where the floodwaters peaked, and to mark the spirit in the towns on the road to recovery.
Campaign
ClientACON
ProductACON
TitleWear it with Pride
AgencyM&C Saatchi/Mark Sydney
Executive Creative DirectorBen Welsh
Creative Director Gavin McLeod
Art DirectorsHanes CiattiBen Huxter
CopywritersGenevieve HoeyHamish Stewart
Agency ProducerRod James
DirectorJan A. Reichle
Digital ProducerJacquie Ford
Interactive DesignerChristos Roussos
PhotographerJulia Schauenburg
ProgrammersBecc RoachGilmore DavidsonCaleb Wong
DVD
90
Campaign
ClientLion Nathan
ProductSteinlager
TitleBelieve
AgencyDDB New Zealand
Executive Creative DirectorToby Talbot
Creative DirectorRegan Grafton
Head of CopyPaul Hankinson
Art DirectorsDamian GalvinBen Barnes
CopywritersRory McKechnieMatt Webster
Digital Creative DirectorAaron Goldring
Digital ProducerDov Tombs
Agency ProducerTania Jeram
Agency TV ProducerJudy Thompson
Production CompanyRobber’s Dog
DirectorAdam Stevens
Production Company ProducerMark Foster
DOPGinny Loane
DVD
91
346 S P O N S O R : B B D O 347T H E W O R K 2011
Television
Single
Client VB
Product VB
Title VB Cry
Agency Droga5 Sydney
Creative ChairmanDavid Nobay
Executive Creative DirectorDuncan Marshall
Senior TV ProducerPaul Johnston
Creative TeamCam BlackleyMatty Burton
Business DirectorJamie Clift
Planning DirectorSudeep Gohil
Senior PlannerChris D’Sylva
DirectorSteve Rogers
Executive ProducerMichael Ritchie
Production CompanyRevolver
CinematographerRussell Boyd
EditorJack Hutchings
Music Production CompanyNylon
Sound DesignerSimon Lister
DVD
1
DVD
2
Recently, Australian men have become far more interested in their image. But while superficiality engulfs the world around them, there’s still a real desire to be authentic.
VB’s always been the REAL beer. And for guys who have strayed too far from their real selves, it’s the perfect way back to reality.
The Flyboy TVC portrays the life of a boy born with wings. We share his poignant moments, from his birth to his school days to him finding fame with his flying ability. The film ends with a twist as he sacrifices his wings to be able to drive the Jetta.
DVD
3A guy and his friends walk into a bland bar. It is a crappy place. Then he meets the bartender, who is cool, and sees the dude is in need of some character, so takes him to this really sweet place where they drink Bundaberg 5. Awesomeness ensues. So it goes.
DVD
4
DVD
5
Russell and his dog Wilson are sailing across the Indian Ocean when Russell discovers he’s won Lotto. They need to get home, but fate has other plans. This is a tale of loyalty, betrayal and the epic journey of a lucky lotto ticket.
Saridon works against persistent headaches. The TV spot shows such a headache coming to life, aggravated by our market’s already tough working environment. The headache is attacking the carpenter non-stop, while he’s working non-stop.
DVD
6The world’s pretty unAustralian. So we had Sam Kekovich appointed Australia’s first official Lambassador. He petitioned the United Nations to create International Australia Day. Because if mankind stopped fighting, and got together over a Lamb barbie – just like we do Down Under - the world would be a far, far better place.
Single
ClientDiageo Australia
ProductBundaberg Five
TitleAin’t No Nancy Drink
AgencyLeo Burnett Sydney
Chief Creative OfficerAndy DiLallo
Creative Director Tim Green
Art DirectorsTim GreenRupert TaylorAndy DiLallo
CopywritersRupert TaylorTim GreenAndy Diallo
Agency ProducerRita Gagliardi
Production CompanyMJZ Los Angeles
DirectorTom Kuntz
EditorGavin Cutler
Post Production CompanyThe Mill Los Angeles
Sound StudioSong Zu Sydney
Single
ClientVolkswagen India
ProductVolkswagen Jetta
TitleFlyboy
AgencyMudra Communications Mumbai
Chief Creative Officer Bobby Pawar
National Creative DirectorRajeev Raja
Creative DirectorsSreejith Kodoth Ranjit Sasidharan
Agency ProducerMichael Remedios
Production CompaniesGoodoil FilmsNomad Films
Director Hamish Rothwell
CinematographerCrighton Bone
Executive ProducerAmitabh Bhattacharya
ProducerSam Long
EditorPeter Sciberras
Post Supervisor Paul Butterworth
Post ProductionFuel VFX Sydney
Single
ClientNew Zealand Lotteries
ProductLotto
TitleLucky Dog
AgencyDDB New Zealand
Executive Creative DirectorToby Talbot
Deputy Creative DirectorRegan Grafton
CopywriterNatalie Knight
Art DirectorsGavin SiakimotuRegan GraftonBrett Colliver
Agency ProducerTania Jeram
Agency Executive ProducerJudy Thompson
Production CompanyThe Sweet Shop
DirectorSteve Ayson
Production Company ProducerClaire Kelly
EditorJack Hutchings
Post Production CompanyAnimal Logic
Sound DesignLiquid Studios
Dog TrainersCaroline GirdlestoneJames Delane
Single
ClientMeat and Livestock Australia
ProductMeat and Livestock Australia
TitleLambassador
AgencyBMF Sydney
Executive Creative DirectorWarren Brown
Creative Director/CopywriterDennis Koutoulogenis
Creative Director/Art DirectorJake Ruszynak
Agency ProducerJenny Lee-Archer
Group Account DirectorKaren Martin
Strategic PlannerGerry Cyron
Production CompanyJungleboy
DirectorsTrent O’DonnellScott Pickett
ProducerNicola Patterson
Account DirectorsRebecca BoothLouise Mawer
CinematographerHugh Miller
EditorPaul Swain
Sound StudioSound Reservoir
Sound EngineerPaul Taylor
Single
ClientBayer Philippines
ProductSaridon
TitleHammer
AgencyBBDO Guerrero/Proximity Philippines
Creative DirectorsDavid GuerreroBrandie TanRey TiempoGary Amante
Art DirectorsGary AmantePeepo David
CopywritersRey TiempoDavid Guerrero
Agency ProducerIdda Aguilar
Production CompanyRevolver Philippines
DirectorJoel Limchoc
Account ServiceCindy EvangelistaIking Uy
162 S P O N S O R : J W T 163T H E W O R K 2011
Public Service
Campaign
ClientBreast Cancer Foundation
ProductBreast Cancer Awareness
TitlePimple, Big Bottom, Bad Hair Day
AgencyDDB Singapore
Chief Creative DirectorNeil Johnson
Executive Creative Director Joji Jacob
Creative DirectorThomas Yang
Art DirectorsThomas YangAndrea Kuo
CopywritersJoji JacobKhairul Mondzi
PhotographerAllan Ng
Photographic StudioThe Republic Studios
Digital ImagingAgnes Teo
Account Manager Rowena Bhagchandani
Account SupervisorsDominic Lee Ling Kai Ng
IllustratorAndy Yang
Single
ClientWWF Indonesia
ProductWWF
TitleCircle of Life
AgencyGrey Group Singapore
Chief Creative OfficerAli Shabaz
Art DirectorsAlex TanAng Sheng Jin
CopywriterJoseph Cheong
PhotographerKin Yee
Photographic StudioTeo Studio
IllustratorFelix Wang
30 S P O N S O R : D D B 31T H E W O R K 2011
Magazines
Campaign
ClientSuper Rich 1965
ProductSuper Rich Currency Exchange
TitleElizabethMao (over page)Lincoln (over page)
AgencyOgilvy & Mather Thailand
Executive Creative DirectorsWisit LumsiricharoenchokeNopadol Srikieatikajohn
Creative DirectorGumpon Laksanajinda
Art DirectorsWisit LumsiricharoenchokeNopadol SrikieatikajohnThongrob ChantarakKomson Yamshuen
CopywritersNopparat WattanawarapornKris Garford Spindler
Agency ProducerPaiboon Suwansangroj
PhotographersAnuchai SecharunputongNok Pipattungkul
Photographic StudioRemix Studio Bangkok
248 S P O N S O R : F B I 249T H E W O R K 2011
Cyber
Single
ClientMars
ProductPedigree Adoption Drive
TitleDoggelganger
AgencyColenso BBDO Auckland
Creative DirectorsNick WorthingtonLevi SlavinAaron Turk
Art DirectorJae Morrison
CopywriterLevi Slavin
Agency ProducerHaydn Thomsen
Account ServiceScott ColdhamKarla FisherDave Munn
Digital Creative DirectorsAaron TurkLevi Slavin
Digital Art DirectorJae Morrison
Digital DevelopersColin WilliamsPaul Headington
Digital DesignerAaron Turk
The Pedigree Adoption Drive developed Doggelgänger: Human to canine pairing software, to connect homeless dogs to their human doubles.
www.ourshowroom.co.nz/doggelganger/
Single
ClientOrcon
ProductOrcon Business
TitleThe Living Office Banner
AgencySpecial Group Auckland
Creative DirectorsTony BradbourneRob Jack
Agency ProducerMahsa Willis
Managing PartnerMichael Redwood
Account DirectorAnnabel Rees
Interactive CompanySalt Interactive
Interactive DesignerMichael Chalberg
Technical DeveloperLee Burrow
Interactive ProducerStephen Williams
Production CompanyExposure
DirectorChris Clark
ProducerCraig Henderson
We filmed 15 actors in a custom built office and shrunk it down to fit into a banner ad. The office grew across the screen and filled up with people.
http://www.cre072.co.nz/13_BusinessBanner/
BROADBAND. PHONE. MOBILE. NO FIXED TERM CONTRACTS.FREEDOM TO CHANGE AS YOUR BUSINESS DOES.
Single
ClientFedEx
ProductFedEx
TitleChanging World
AgencyBBDO Guerrero/Proximity Philippines
Creative DirectorsDavid GuerreroJoel LimchocSimon WelshBrandie TanDrew Ungvarsky
Art DirectorsBrandie TanDale LopezJoe BrantonPeter McCallum
CopywritersDavid GuerreroSimon WelshPia Ocampo-Roxas
Interactive ProducerEric Green
Digital ProducerDoug Stivers
Interactive CompanyGrow Interactive
Digital StrategistMark Himmelsbach
Technical DevelopersLuke BilgerJosh McDonald
Flash DevelopersJeff PenanoRicky WilliamsDarius Pilapil
http://checkitout.ph/changingworld
Campaign
ClientCoopers
ProductCoopers
TitleThe Order of Coopers
AgencyWhybin\TBWA\Tequila Sydney
Digital Creative DirectorRuss Tucker
Art DirectorAndy Fergusson
Agency ProducerStafford Bosak
Model DesignAliza Nordin
Technical DeveloperDanny McGillick
HTML DevelopmentRob Harris
Flash DevelopmentAndrew Vernon
Digital ProductionSean GardnerLead DesignPete Chen
Everyone knows diamonds are a girl’s best friend, and beer is a guy’s best friend - so we hid three handcut diamonds worth over $10,000, and a heap of smaller prizes, in packs of Coopers Clear. We wanted to give girls a reason to buy beer, and give guys a solid excuse.
URL: www.coopers.com.au
Campaign
ClientThe Coca-Cola Company
ProductBurn Energy Drink
TitleBurn
AgencyPublicis Mojo Sydney
Chief Creative OfficerCraig Davis
Executive Creative DirectorMicah Walker
Senior CopywriterIan Williamson
Senior Art DirectorAndrew Ostrom Ruth Bellotti
Agency ProducersCorey EssePhilippa Smart
StrategySimone EllisWill Davie
Production CompanyExit Films Melbourne
Digital PartnersThe Rumpus Room London
Creative Technical Director Tomas Roope
ProductionSteve Wyles
Lead DeveloperKentaro Yamada
Head of Community StrategyJessica MacCormick
http://awardentry.info/thework/burn/campaign/
hoW To enTer InformaTIonThere have been some changes to the entry procedures so please read this carefully.
This is the 11th edition of The Work - a hardback, high-quality book showcasing the very best advertising in Asia, Australia and New Zealand. The Work is published by Campaign Brief Asia and Campaign Brief Australia. First published in September 2002 The Work has a distribution of 4000 copies throughout the region and the world. The Work 2012 will again judge shortlisted and winning advertising from national and regional awards programmes in Asia, Australia and New Zealand plus major international shows, and select the very best to appear in the 400+ page annual. To be in The Work 2012 will be to be remembered and revered for years to come. Two DVDs with all TV, Integrated and Radio ads are also included.
WHO CAN ENTER
Agencies, production companies, individuals and suppliers who are based in Singapore, Australia, Thailand, Hong Kong, China, New Zealand, Japan, Malaysia, India, Vietnam, Taiwan, The Philippines, Indonesia and Korea.
CATEGORIES
There are 16 categories for entry (On every entry form make sure you nominate the category you are entering):
1. Magazines 2. Newspapers 3. Posters 4. Outdoor (incl. taxi/bus)
5. Business to Business 6. Public Service Print 7. Public Service TVC 8. Direct
9. Integrated 10. Ambient/Guerrilla 11. TV & Film 12. Radio
13. Craft in Print 14. Craft in TV 15. Cyber 16. Miscellaneous
CONDITIONS OF ENTRY
Very simple:
EVERY entry to The Work 2012 must have already “passed the test” and been a WINNER or a FINALIST at a recognised national, regional or international award show between June 1st, 2011 and October 1st, 2012.
EVERY entry should be good. Very good. PLEASE BE VERY SELECTIVE WITH YOUR ENTRIES. Also be realistic as you are competing against the best from Asia, Australia and New Zealand. A finalist at your easy to win local award show very rarely makes the grade!
Ads that have already appeared in The Work can not be entered again.
There is no need to enter the same ad/campaign in different categories (craft excepted). Ads and Campaigns which are entered into more than one category will only be accepted in the strongest so as to avoid the inevitable repeats you find in many annuals (craft excepted).
DEADLINE FOR ENTRIES
Entries must be in Campaign Brief’s Western Australian offices by FRIDAY OCTOBER 12TH, 2012. Please clearly mark your parcel as “ENTRIES TO THE WORK”. Courier to: Campaign Brief, Level 1, 14-16 Rowland Street, SUBIACO 6008 WA, AUSTRALIA. Tel: +618 9380 9044.
HANDLING FEE
There is a Handling Fee of AUD$400 for any agency entering MORE than 15 Ads/Campaigns. The reason for this is that in past years many agencies have not been selective with their entries and have entered up to 100 ads/campaigns each. Please be selective - ONLY ENTER YOUR VERY BEST WORK.
COST OF ENTRY
Free. This is not another awards show. The Work 2011 is all about recording and recognising the best ads from our region. Be selective with your entries - you are competing against the best from Asia, Australia and NZ. Successful entries to The Work will be subject to an acceptance fee of AUD$280 for each single entry and AUD$550 for each campaign to cover production costs of the book. In this way there are no wasted entry fees! If none of your entries are selected to appear in The Work there is no fee to be paid. Similarly if your budgets this year only stretch to 3 acceptances - just enter your best 3 pieces of work. Accepted entrants will be notified by email. Material and credits for publication will be requested at the same time.
Your first step is to cull down your entries to the very best. Try and keep your entries down to under 15 ads/campaigns. THERE IS A HANDLING FEE OF AUD$400 FOR ANY AGENCY ENTERING MORE THAN 15 ADS/CAMPAIGNS. The reason for this is that in past years many agencies have not been selective with their entries and have entered up to 100 ads/campaigns each. Please ONLY ENTER YOUR VERY BEST WORK. If you decide to enter more than 15 ads/campaigns then please include with your entries a Bank Draft (made out to Campaign Brief Pty Ltd) or enclose Credit Card payment details for the AUD$400 handling fee.
PRINT, POSTER, PRESS & PRINT CRAFT CATEGORIES
DO NOT MOUNT YOUR ENTRIES ON ANY BOARD OR FOAM. The completed Entry Form must be taped securely to the back of each entry. PLEASE DO NOT SEPARATELY WRAP UP EACH INDIVIDUAL ENTRY - it is a waste of paper - just put all your entries loosely in one folder and send them to us. If your ad ran as Press, Posters and Print there is no need to send in three sets of ads. Just submit one set of proofs and write the categories on the single entry form. If successful we will select the entry to appear in the strongest category.
OUTDOOR (INCLUDING TAxI/BUS) & AMBIENT/GUERRILLA
Photographs or colour print outs only. No slides. DO NOT MOUNT YOUR ENTRIES ON ANY BOARD OR FOAM. The completed Entry Form must be taped securely to the back of each entry. PLEASE DO NOT WRAP UP EACH INDIVIDUAL ENTRY - it is a waste of paper - just put all your entries loosely in one folder and send them to us.
TELEVISION, CINEMA & TV CRAFT CATEGORIES
Please provide Quicktime Movie files (.mov) for all entries. These should be under 20MB each. Burn all the Quicktime files on to ONE single CD and clearly mark the entrant/agency on the outside of the CD. Supply a running order of what is on the CD and CLEARLY mark which category the commercial is being entered into (ie Television/Film, Public Service TVC or TVC Craft). TAPE this securely to the CD cover. Fill out an Entry Form for each entry and include them with the CD. Please be very selective with your TV entries.
RADIO
Supply all of your entries on the ONE single CD and supply scripts for each entry. Clearly mark the entrant/agency on the CD. Supply a running order of what is on the CD and TAPE this securely to the CD cover. Fill out an Entry Form for each entry and include them with the CD.
INTEGRATED
Supply a printed proof that clearly presents the idea. You may also include a CD or supply a website URL that explains the idea (3 minutes maximum). If these are professionally presented and the idea is clearly demonstrated, these will be accepted on the DVDs that accompany The Work 2012.
PUBLIC SERVICE PRINT
Public Service press, print, poster and outdoor will appear in The Work 2012 together. Entry requirements are as per the Print, Poster, Press and Outdoor categories. Public Service TVC and Cinema will appear in The Work 2012 in their own section. Entry requirements as per the Television and Cinema categories.
CYBER
For each entry please provide an entry board that shows/describes the idea. A website URL for each entry must also be provided.
MISCELLANEOUS
If you have an entry that does not fit in other categories enter it here (with an explanation).
IF YOU HAVE ANY QUERIES
Email: Dee Ashby on [email protected]
hoW To PresenT your enTrIes
Product or Service:
Example: Toyota
Example: Oral B
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Title/Headline:
Ultra Safe
Teeth
Category:
Outdoor
Television
This Master Form must be filled out and sent in with your entries to The Work 2012. Attach your Master List to this Master Entry Form. Ensure the ECD, CD and Creative PA’s name and email are provided (if ECD and CD are the same replace CD with another senior creative from the agency). These are the people who will be notified of acceptances to The Work 2012. Please list all the entries you are submitting below.
Note: More than 15 entries incurs a AUD$400 Handling Fee. Please be selective.
Agency/Company:
Telephone: Fax:
Entrant’s Name:
Entrant’s Email:
Postal Address:
Country:
Executive Creative Director:
Executive Creative Director’s Email:
Creative Director:
Creative Director’s Email:
Creative Secretary/PA:
Creative Secretary/PA’s Email:
masTer enTry form
List the National, Regional & International Awards this ad/campaign won between June 1st, 2011 and October 1st, 2012. Specify below. Provide full details ie: Cannes 2012 Bronze Lion, AdFest 2 Silver and 1 Gold etc. This information must be supplied as a condition of entry.
This is the form to be taped to the back of each entry you submit. Copy this form for the number of entries you are submitting and tape to the back of Print entries or supply with DVD or CD for TV and Radio entries. Please note, we are not asking for full credits - if your entry is accepted for The Work 2012 you will be notified and asked to supply full credits with your material for publication.
Category Entering:
Title of Entry:
Product:
Client Name:
Ad Agency Name:
City/Country:
Entrant’s Contact Name and Phone Number:
Executive Creative Director:
Creative Director(s):
Art Director(s):
Writer(s):
Full credits will be asked for should this entry be accepted in The Work 2012.
THIS SECTION BELOW MUST BE FILLED OUT
enTry form
Production Company:
Director:
Post Production Company:
Sound Studio:
Photographic Studio:
Digital Imaging Company:
Copy this form for the number of entries you are submitting and paste to the back of Print entries or supply with DVD or CD for TV and Radio entries. VERY IMPORTANT: YOU MUST NOMINATE WHICH CRAFT YOU ARE NOMINATING THE AD FOR (e.g. Direction, Cinematography, Editing, Special Effects, Copywriting, Typography, Photography etc. Example: “Print Craft - Typography” or “TV Craft - Direction”). If your entry is accepted for The Work 2012 you will be notified by email and asked to supply full credits with your material for publication.
Category Entering:
Title of Entry:
Product:
Client Name:
Ad Agency Name:
City/Country:
Entrant’s Contact Name and Phone Number:
Executive Creative Director:
Creative Director(s):
Art Director(s):
Writer(s):
CrafT enTry form
Full credits will be asked for should this entry be accepted in The Work 2012.
THIS SECTION BELOW MUST BE FILLED OUT
List the major National, Regional & International Awards this ad/campaign won between June 1st, 2011 and October 1st, 2012. Specify below. Provide full details ie: Cannes 2012 Bronze Lion, AdFest 2 Silver and 1 Gold etc. This information must be supplied as a condition of entry.
TheWOrk
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HOW MUCH FOR THE WORK?
Prices in Australian dollars. Prices include packaging & airmail courier delivery. Special discounts on previous editions of The Work. Asia, Australia & New Zealand - AUD$90 (includes GST in Australia). USA, Europe & Rest of World - add AUD$30 to above prices.
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