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Literary Criticism Class #1

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Literary Criticism. Class #1. What Is Theory?. “a reasonably systematic reflection on our guiding assumptions” (Terry Eagleton, After Theory , p.2). Why Study Critical Theory?. Why Study Critical Theory?. To acquire tools for analysis - PowerPoint PPT Presentation

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Page 1: Literary Criticism

Literary CriticismClass #1

Page 2: Literary Criticism

What Is Theory?• “a reasonably systematic reflection on our guiding assumptions”

(Terry Eagleton, After Theory, p.2)

Page 3: Literary Criticism

•Why Study Critical Theory?

Page 4: Literary Criticism

Why Study Critical Theory?• To acquire tools for analysis• To understand the most dominant “grand-

narrative” of our time• To enter a “discourse community” (Whose theory are we talking about?

Western? French? Continental? American? )

Page 5: Literary Criticism

Structuralism

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• “Linguistics is not simply a stimulus and source of inspiration but a methodological model which unifies the otherwise diverse projects of structuralists.”

• (Culler, Structuralist Poetics, 4)

Page 7: Literary Criticism

• Barthes: “I have been engaged in a series of structural analyses which all aim at defining a number of non-linguistic ‘languages’”

• (Essais critiques, 155; qtd in Culler, Structuralist Poetics, 4).

Page 8: Literary Criticism

Food for Thought• What are the advantages and

disadvantages of using linguistics to study other cultural phenomena?

Page 9: Literary Criticism

Ferdinand de Saussure

(1857-1913)

Page 10: Literary Criticism

The SignThe Sign Signified

(signifié): a concept

Signifier(signifiant): a sound-image (or a written mark)

“Arbor”

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I.• "The bond between the signifier and the signified is arbitrary” (Saussure)

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I.• “The meanings we give to

words are purely arbitrary, and . . . these meanings are maintained by convention only” (Barry 41).

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Equusㄇㄚˇ Horse “Mimi”

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• Against “reference,” essentialism, or mimetic representation, namely, one-to-one correspondence between words and things

Page 15: Literary Criticism

woman woman woman woman

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Possible exceptions• 1. Onomatopoeia: “shatter,”

“clash,” “tick-tock,” “drip-drop”

• 2. Interjections: “哎呀 !” “Ouch!” “Damn!” “Gosh!” “Shit!”

Page 17: Literary Criticism

II.• "In language there are only diff

erences" (Saussure, Course in General Linguistics).

• “The meanings of words are . . . relational” (Barry 42).

Page 18: Literary Criticism

• The definition of any given word “depends for its precise meaning on its position in a ‘paradigmatic chain,’ that is, a chain of words related in function and meaning each of which could be substituted for any of the others in a given sentence” (Barry 42).

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syntagmatic chain

Paradigm

atic chain

Horizontal axis

Vertical

axis

Page 20: Literary Criticism

mat bat• I bought my hat in an antique store. cat rat

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hovel shed hut• Ms. Su lives in a house. apartment mansion palace

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• Saussure’s example: “we feel the 8.25 p.m. Geneva-to-Paris Express to be the same train each day, though the locomotive, coaches, and personnel may be different. This is because the 8.25 train is not a substance but a form, defined by its relations to other trains. It remains the 8.25 even though it leaves twenty minutes late, so long as its difference from the 7.25 and the 9.25 is preserved. Although we may be unable to conceive of the train except in its physical manifestations, its identity as a social and psychological fact is independent of those manifestations” (Culler 11).

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Binary Oppositions• “Indeed, the relations that ar

e most important in structural analysis are the simplest: binary oppositions” (Culler, 14).

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• good / eviloriginal / copy

primary / secondaryinside / outside

reality / appearanceessence / accident

• http://www.lawrence.edu/dept/english/courses/60A/handouts/binaries.html

Page 25: Literary Criticism

• soul / bodypure / corrupted

father / sonmale / female

speech / writing

• http://www.lawrence.edu/dept/english/courses/60A/handouts/binaries.html

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• center / marginsnormal / deviant

natural / unnaturalstraight / gaywhite / blackself / other

• http://www.lawrence.edu/dept/english/courses/60A/handouts/binaries.html

Page 27: Literary Criticism

• truth / fictionphilosophy / myth

sciences / humanitiesclassical / romantic

modern / postmodernpoet / critic

http://www.lawrence.edu/dept/english/courses/60A/handouts/binaries.html

Page 28: Literary Criticism

• sex / gendermaster / slave

high culture / pop culture base / superstructure

waking / dreaminglatent content / manifest content

the library / the web• http://www.lawrence.edu/dept/english/courses/60A/handouts/binaries.html

Page 29: Literary Criticism

http://www.aber.ac.uk/media/Documents/S4B/sem05.html

Page 30: Literary Criticism

IBM AppleStructure Repetition Non-repetition

Disconnected lines

Joined lines

Color Monochromatic Polychromatic

Cold Warm

Form Substance (“bold”)

Outline

Straight Curved

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“面子”• Group work: Identify the binary opposites.

Page 32: Literary Criticism

L’Homme Sans Tête

• (directed by Juan Solanas)• Group work: Identify the binary

opposites.

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the paradigmatic chain

• “What goes without saying” → ideology

• What is “conspicuous by its absence” → flout conventional expectations → value

• (Daniel Chandler, “Semiotics for Beginners,” http://www.aber.ac.uk/media/Documents/S4B/sem05.html)

Page 34: Literary Criticism

III.• “Language constitutes our

world . . . Meaning is always attributed to the object or the idea by the human mind, and constructed by and expressed through language: it is not already contained within the things” (Barry 43).

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• Problems with Descartes’ idea: “I think therefore I am”?

• World language Imediator

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Langue vs. Parole• Parole: an individual remark (specific, diachronic)• Langue: a wider containing str

ucture (synchronic, ahistorical)

Page 37: Literary Criticism

Noam Chomsky• Competence → Langue• Performance → Parole

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武松打店• Group work: (1) Identify binary

oppositions (2) Discuss how language

constitutes our world.

Page 39: Literary Criticism

Claude Lévi-Strauss(1908-)

Page 40: Literary Criticism

• "Structuralism is the search for unsuspected harmonies..."

• (Lévi-Strauss, qtd. in http://www.mnsu.edu/emuseum/information/biography/klmno/levi-strauss_claude.html)

Page 41: Literary Criticism

Myth = Language

Similarities Made of units that are put together based on certain rules

Binary opposition as the basis of structure

Myth mythemes nature vs. culture; the raw vs. the cooked; patricide vs. incest

Language phonemes,morphemes,sememes

“good” //“not good”; “good” //“bad”; “good” //“evil”

Page 42: Literary Criticism

Discussion• The method in “Incest and Myth”

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Lévi-Strauss

• “[T]he individual tale (the parole) from a cycle of myths did not have a separate and inherent meaning but could only be understood by considering its position in the whole cycle (the langue) and the similarities and difference between the tale ad others in the sequence” (Barry 46).

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• “A structural anthropologist may examine the customs and rituals of a single group of people in some remote part of the world not simply to understand them in particular but to discover underlying similarities between their society and others”

• (Dobie, Theory into Practice, 140)

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“口吐蓮花”• Group work: (1) Identify binary oppositions. (2) Similarities with “面子” ?

Page 46: Literary Criticism

•The End