dominantes y contradominantes eng

5/26/2018 Dominantes y Contradominantes Eng

1/7

Sunday lessons Lesson # 16(March 29, 2009)

Published by Erika M. Karohs, Ph. D., Ed. [email protected]

DOMINANT VERSUS COUNTER-DOMINANTThe French graphological school coined the term dominant. It refers to group ofindicators which

1. complement each other;2. are conspicuous by the frequency of their occurrence thus dominating the

psychological profile of the writer.

An example of a group of dominant features would look like the following:

garlanded letters, right slant, medium to large size lower loops, well-rounded ovals, moderate spaces between letters and words.Taking these indicators collectively, we identify a friendly, responsive person, extraverted,open and willing to become involved.Saudek demonstrates, however, that many handwritings exhibit an additional feature that

stands out prominently but is in complete contrast to all other indicators. He says that weare forced to consider it as a dominating contradiction, to which we assign the term ofCounter Dominant, and that this feature leads more quickly to the real source ofpersonality than any...examination...by circuitous methods. (The Psychology of Writing,1926, p. 143)Let us assume that in the above-mentioned writing, we also found unusually regulatedleft and right margins giving evidence of extraordinary overcontrol. Such over-restraint isdefensive and would be an internal contradiction to the other features, which in no wayoppose each other. It would unquestionably be a counter-dominant revealing to us theessence of the personality: constantly recurring restriction of extraverted tendencies and

self-protectiveness resulting in frustration and tension and/or anxiety.

Literature: Erika M. Karohs, Encyclopedia for Handwriting Analysts, Pebble Beach, 1986.

DOMINATING
mailto:[email protected]:[email protected]:[email protected]


2/7

The writer exercises control over others through the force of his will. Skilled at influencingothers, he usually gets them to do things his way.The writers place is in front and he does not like working under others. Happier givingorders than taking them, he has the ability to command and organize. Authority comeseasily to him and he excels in delegating responsibilities. As far as he is concerned he is in

charge and has the final say. He is able to handle groups of people with an authority thatothers seldom think to question. Being able to influence others to do as he wants themwithout causing resentment makes him a more effective leader.Progress is usually guaranteed because the writer has a talent for marshalling all availableforces into one combined effort. If necessary, he does not mind pitching in and doingsome of the labor himself. Likewise, he expects others do their job without excuses.The writer prefers that affairs be in his hands rather than anybody elses. If he cannot beboss, he wants at least an important position in the group. He will take orders while hedeems it necessary but in reality, he considers his job an important stepping stone in hisdrive to take over and be in charge. The thought never leaves his mind for an instant.

It is unlikely that the writer will change his position easily and he rarely backs down fromconflict. Proud of his drive and his ability to work hard, he tries harder than is needed,most of the time. He pushes action rather than letting things unfold. A go-getter, heknows what he wants and will go all out to get it done. All of his drives are focused on aspecific goal and nothing matters but getting the job done.Rarely thinking his way around difficulties, he pushes against and through obstacles withall the energy at his command. He is inclined to force issues and people. And if he feels heis not getting through, he steps up the pressure. More demanding than accommodating, itis difficult for him to cooperate.Efficient and self-directed, the writer is well suited for the business world. Others are

bound to feel the effect of his forceful personality. He knows how to get what he wantsand has the drive to make things pay off. Unwilling to be ordered around, he has theability to direct, control and steer.In a relationship the quickest way to lose him is to make the first advance. He must be aleader here as everywhere else.The writer would be well qualified for a position in management where dynamic force isneeded. He would be a natural in high pressure sales, law enforcement, crime prevention,disaster crews, or the military.

Graphic indicator for dominating:Downslanted t-bars that retain pressure (not thinning out).

Literature:Erika Karohs, Comprehensive Descriptions for 100+ Personality Traits.


3/7

DOMINEERING(A domineering attitude is a defense against inner feelings of inadequacy.)

The writer lacks true leadership ability. Frustrated by his inability to put his plans into

action, he compensates with a domineering attitude.Unable to direct others effectively, he tries to control people and situations throughbossiness. He often makes immoderate requests. Whether in a conversation or on the job,he usually makes excessive demands on others time and resources. He expects his ownwishes to be granted and his orders obeyed, without question and as quickly as possible.Pushy and demanding of others, he expects them to jump to do his bidding immediately.Selfish and inconsiderate, the writer tends to have trouble getting others to cooperate. Hedoes not seem to know how to be d tactful even when he would like to be. His get-someone-else-to-do-it approach always involves a mixture of aggression and hostility.To gain his own ends, the writer uses different strategies. He smiles, ingratiates and

flatters others into serving him or granting him special privileges. If this method fails, hemay nag, whimper or whine until they do his bidding. He domineers with a poor meattitude and he is not above feigning sickness to elicit sympathy. He fails to realize that hiscomplaints and his whining get on everybodys nerves.Basically, the writer wants love, comfort and companionship. Yet his domineeringdemeanor gets him only frustration and rebuff.Professionally and personally, the writer tries to control other peoples lives. But aftergaining anothers affection, he ruins things by being domineering and bossy. He wants tomake decisions for those with whom he is involved and he wants them to do things hisway. Thinking he knows what is best for everyone, he tries to reform others for their own

good, but in reality, he only creates resentment.Rather than drawing others out, the writer states his views. What he says sounds likejudgment and he offends others by his tone. Critical and demanding, he tells others whatto do. He may do this under the guise of showing others better ways of doing things, eventhough they manage in ways that better suit their traits. With his instructions usuallysounding abrupt and lacking in courtesy, he is especially curt when he is irritated orupset.The writer creates much ill will with his attempt to run other peoples lives. The effect onother people is that they become exasperated. While his domineering approach mayproduce outward conformity, it also gives rise to rankling resentment. It makes others allthe more eager to get away from the domineering individual.

Graphic indicator for domineering:Downslanted t-bars that are fading or thinning out.


4/7

Literature:Erika Karohs, Comprehensive Descriptions for 100+ Personality Traits.

DOUBLE CURVESWe have to thank Margarete Ivanovic for the discovery and interpretation of doublecurves. She had an unequaled perception of uncommon graphic indicators (she alsodiscovered the air stroke or immaterial stroke).Double curves can provide much insight about a personality. Unfortunately, thesesignificant indicators are widely neglected because (a) not much is written about them in

the more popular graphological works and (b) recognizing them takes a trained eye andthorough knowledge of the graphological meaning of the various configurations. Oncegraphologists have familiarized themselves with these signs, however, they will realizehow much additional information they can glean from them for a much more thoroughanalysis.

Double curves are delicately curved lines consisting of either

one convex and once concave portion one concave and one convex portion two concave portions or

two convex portionsThe direction can be vertical, horizontal, leftward, or rightward.

Important!The double curve has to be an individual addition to a letter. It cannot be partof a copybook letter formation; for instance, the letters Sor L are not comprised of doublecurves.

Double curves of creativity and musicThe musical and the creative curves consist of one smaller convex and a larger concavecurve.

The musical and creative curves are similar, except that in the creative curve pressure ison the larger curve, in the musical curve, pressure is on the smaller curve.

creative musical


5/7

Double curve of creativityThe writer has the ability to create without precedent. His mind functions inventively,reaching conclusions that are not the norm. He has an original approach to things andputs his personal stamp on whatever he does. He adds creative thinking to his work. Hiscreativity may be expressed in small ways or on a larger scale. His need for self-

expression may find an outlet in the creative field, and he is probably gifted in poetry.

Double curve of musicMusical aptitude is indicated by this formation. If they writer does not have musical talenthim/herself, he will show appreciation for the musical field.

Double curve of insincerityAccording to Magdalene Ivanovic, the double curve of insincerity consists of two unrelatedcurves.

These formations are additions to the letter formations. They are not part of theactual letters themselves. While ideally these signs should be supported by additionalevidence in the writing they are strong evidence of insincerity by themselves.

The writer is an individual who intentionally deceives and misleads people with whom hedeals. He deliberately tries to obscure his real intent from others. He hides andmisrepresents and he may lie and evade the truth. There exists a real risk in dealing withhim. His leading motivation is for personal advantages at others' expense.

Double curve of pretense

The double curve of pretense also consists of two unrelated curves.Once graphologists are aware of this indicator, they will be surprised at its frequency inhandwriting. Double curves of pretense can occur in initial or final position. The eightdifferent possible positions of this formation are:


6/7

Basically, the writer feels less than others around him. To counteract this, he often name-drops, or boasts. His basic fear is that someone would see through the facade and detecthis inner insecurities. He does not want anyone to discover how he truly feels abouthimself. In an effort to hide his inferiority he conceals the feelings of inner helplessness.

He puts up a false front to keep others from seeing him as he really is.

The writer gives himself an air of importance he does not possess and makes a franticattempt to project an appearance of fortitude. Because he feels inadequate, he puts on ashow of extra determination for all to see. He uses this form of pretense to handlethreatening situations without losing face.

He may try to intimidate with idle warnings that he cannot follow up on. In order to gainadvantages for himself, he may be saying one thing and doing another. He may be usingexcuses or alibis to avoid liability. In any case, he cannot be counted on to act in goodfaith. Others have to take everything that is said with a grain of salt.

Double curves of tactDouble curves of tact consist of two even-sized related curves.

Double curves of tact can occur in initial or final position in letters or words.

The writer possesses an instinctive mastery of the art of diplomacy. He has an intuitivesensitiveness for the feelings of others, the skill of not hearing certain things that couldcause others embarrassment. At all times, he is tactful in dealing with people. He doesexactly what is suitable and possesses the skill of saying the proper thing to avoid giving


7/7

offense. He conserves energy by avoiding friction during social encounters and he makessituations smooth and comfortable for all involved.The writer reflects before speaking and expresses himself in such a way as to decreaseapparent threat. He says and does what lessens friction and prevents others from losingface. He can appease opposing sides and settle disagreements on the job. He is skilled at

smoothing things over between irate customers in a store, for example, or between twoworkers who are at odds. He gets along with both superiors and peers. He shares hisideas without upsetting those whose support he needs. This is valuable were feelings andegos are involved. As a perfect host, he tries to seem interested in the conversation of hisguests even if the topic does not captivate him at all.The writer would make a natural arbitrator. Tact would be a valuable quality in socialservice work or sales. He could be a nurse, doctor, teacher, or funeral parlor employee.

Literature:

Erika M. Karohs, Encyclopedia for Handwriting Analyts, Pebble Beach, CA. 1986.

Copyright (c) 1999 2009 Erika M. Karohs

dominantes y contradominantes eng

Documents