filmmakers' films and lists of award records

231© The Editor(s) (if applicable) and The Author(s) 2019 I. I. Chang, Taiwan Cinema, Memory, and Modernity, https://doi.org/10.1007/978-981-13-3567-9

Appendix A: HigHest grossing Movies in tAiwAn’s Box office sAles up to 2012

1 2009 Avatar NT$1.1 billion2 1997 Titanic NT$789 million3 2011 Transformers: Dark of the Moon NT$762 million4 2012 Marvel’s The Avengers NT$600 million5 2009 Transformers: Revenge of the Fallen NT$570 million6 2012 Life of Pi NT$550 million7 2008 Cape No.7 NT$530 million8 2011 Seediq Bale NT$472 million9 1993 Jurassic Park NT$460 million10 2009 2012 NT$450 million

From https://zh.wikipedia.org/wiki/%E5%8F%B0%E7%81%A3%E6%9C%80%E9%AB%98%E9%9B%BB% E5%BD%B1%E7%A5%A8%E6%88%BF

Appendices: filMMAkers’ filMs And lists of AwArd records

of filMs discussed in tHis MonogrApH

https://doi.org/10.1007/978-981-13-3567-9

https://zh.wikipedia.org/wiki/%E5%8F%B0%E7%81%A3%E6%9C%80%E9%AB%98%E9%9B%BB%E5%BD%B1%E7%A5%A8%E6%88%BF


232 APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD …

Appendix B: HigHest grossing filMs MAde in tAiwAn up to 2015

1 2008 Cape No. 7(海角七號)

NT$530 million

2 2011 Seediq Bale: Part 1(賽德克·巴萊(上):太陽旗)

NT$472 million

3 2013 David Loman(大尾鱸鰻)

NT$430 million

4 2011 You're The Apple Of My Eye(那些年,我們一起追的女孩)

NT$425 million

5 2015 Our Times(我的少女時代)

NT$410 million

6 2014 KANO (KANO) NT$340 million7 2011 Seediq Bale: Part 2

(賽德克·巴萊(下):彩虹橋)NT$318 million

8 2012 Din Tao:Leader of the Parade(陣頭)

NT$317 million

9 2013 Zone Pro Site(總舖師)

NT$310 million

10 2007 Lust, Caution(色,戒)

NT$280 million

11 2014 Café·Waiting·Love(等一個人咖啡)

NT$270 million

12 2010 Monga(艋舺)

NT$260 million

13 2015 The Wonderful Wedding(大囍臨門)

NT$250 million

14 2013 Beyond Beauty—TAIWAN FROM ABOVE (看見台灣) NT$220 million14 2014 Twa-Tiu-Tiann

(大稻埕)NT$220 million

From https://zh.wikipedia.org/wiki/%E5%8F%B0%E7%81%A3%E6%9C%80%E9%AB%98%E9%9B%BB% E5%BD%B1%E7%A5%A8%E6%88%BF

Appendix c: filMs directed By edwArd yAng

1982 In Our Time1983 That Day, on the Beach1985 Taipei Story1986 Terrorizers1991 A Brighter Summer Day1994 A Confucian Confusion



APPENDICES: FILMMAKERS’ FILMS AND LISTS OF AWARD … 233

1996 Mahjong2000 Yi YiFrom https://en.wikipedia.org/wiki/Edward_Yang

List of Award Records of A Confucian Confusion

• Cannes Film Festival 1994NomineePalme d’Or

Edward Yang

• Golden Horse Film Festival 1994WinnerGolden Horse Award

Best Supporting ActorBosen WangBest Supporting ActressElaine JinBest Original ScreenplayEdward Yang

From https://www.imdb.com/title/tt0109685/?ref_=fn_al_tt_1

List of Award Records of Mahjong

• Berlin International Film Festival 1996WinnerAlfred Bauer Award—Honorable Mention

Edward Yang

NomineeGolden Berlin Bear

Edward Yang


Best Supporting ActorChi-tsan Wang

NomineeGolden Horse Award

Best Makeup & Costume DesignChi-Chien Chao

• Nantes Three Continents Festival 1996WinnerAward of the City of Nantes

Edward Yang

NomineeGolden Montgolfiere

Edward Yang

https://en.wikipedia.org/wiki/Edward_Yang

https://www.imdb.com/title/tt0109685/?ref_=fn_al_tt_1


• Singapore International Film Festival 1996WinnerSilver Screen Award

Best Asian DirectorEdward Yang

From https://www.imdb.com/title/tt0116962/?ref_=fn_al_tt_1

List of Award Records of A One and a Two

• Awards Circuit Community Awards 2000NomineeACCA

Best Foreign Language Film

• Bodil Awards 2003NomineeBodil

Best Non-American Film (Bedste ikke amerikanske film)Edward YoungTaiwan

• Boston Society of Film Critics Awards 2000NomineeBSFC Award

Best FilmBest DirectorEdward YangBest Foreign Language Film

• Cannes Film Festival 2000WinnerBest Director

Edward Yang

NomineePalme d’Or

Edward Yang

• Chicago Film Critics Association Awards 2001NomineeCFCA Award

Best Foreign Language FilmEdward Yang

• Chinese Film Media Awards 2002WinnerChina Film Media Award

Best Film—Hong Kong/TaiwanBest Director—Hong Kong/TaiwanEdward Yang


Best Film

https://www.imdb.com/title/tt0116962/?ref_=fn_al_tt_1


• Chlotrudis Awards 2002NomineeChlotrudis Award

Best CastBest MovieBest Original ScreenplayEdward Yang

• César Awards, France 2001NomineeCésar

Best Foreign Film (Meilleur film étranger)Edward Yang

• European Film Awards 2000NomineeScreen International Award

Edward YangTaiwan/Japan

• French Syndicate of Cinema Critics 2001WinnerCritics Award

Best Foreign FilmEdward Yang

• Fribourg International Film Festival 2001WinnerGrand Prix

Edward Yang

• Hong Kong Film Awards 2002NomineeHong Kong Film Award

Best Asian FilmTaiwan

• Indiewire Critics’ Poll 2009NomineeICP Award

Best Film of the Decade3rd place

• Karlovy Vary International Film Festival 2000WinnerNetpac Award

Edward YangFor the perceptive and sensitive portrayal of a generation and cultural gap

in Taiwan and the … More

• Los Angeles Film Critics Association Awards 2010NomineeLAFCA Award

Film of the Decade6th place


• Los Angeles Film Critics Association Awards 2000WinnerLAFCA Award

Best Foreign FilmEdward Yang

• National Society of Film Critics Awards, USA 2001WinnerNSFC Award

Best Film

NomineeNSFC Award

Best DirectorEdward Yang

• New York Film Critics Circle Awards 2000WinnerNYFCC Award

Best Foreign Language FilmTaiwan/Japan

• Online Film & Television Association 2001NomineeOFTA Film Award

Best Foreign Language FilmTaiwan

• Online Film Critics Society Awards 2001NomineeOFCS Award

Best Foreign Language FilmTaiwan/Japan

• Sarajevo Film Festival 2000WinnerPanorama Jury Prize

Edward YangTied with Topsy-Turvy (1999)

• Southeastern Film Critics Association Awards 2001NomineeSEFCA Award


• Valladolid International Film Festival 2000NomineeGolden Spike

Edward Yang

• Vancouver International Film Festival 2000WinnerChief Dan George Humanitarian Award

Edward Yang

• Village Voice Film Poll 2009NomineeVVFP Award

Best Film of the Decade4th place. Tied with La commune (Paris, 1871) (2000) and Zodiac

(2007)


• Village Voice Film Poll 2000WinnerVVFP Award

Best DirectorEdward Yang

NomineeVVFP Award

Best Film2nd place

From https://www.imdb.com/title/tt0244316/awards?ref_=tt_awd

Appendix d: filMs directed By Ming-liAng tsAi

1992 Rebels of the Neon God1994 Vive L’Amour1997 The River1998 The Hole2001 What Time Is It There?2003 Goodbye, Dragon Inn2005 The Wayward Cloud2006 I Don’t Want to Sleep Alone2009 Face2013 Stray DogsFrom https://en.wikipedia.org/wiki/Tsai_Ming-liang.

The List of Award Records of The Wayward Cloud

• Berlin International Film Festival 2005WinnerAlfred Bauer Award

Ming-liang Tsai

WinnerFIPRESCI Prize

CompetitionMing-liang Tsai

WinnerSilver Berlin Bear

Outstanding Artistic AchievementMing-liang Tsai

NomineeGolden Berlin Bear

Ming-liang Tsai

• Chicago International Film Festival 2005NomineeGold Hugo

Best FeatureMing-liang Tsai (director)

https://www.imdb.com/title/tt0244316/awards?ref_=tt_awd

https://en.wikipedia.org/wiki/Tsai_Ming-liang


• Golden Horse Film Festival 2005NomineeGolden Horse Award

Best Feature FilmBest DirectorMing-liang TsaiBest Leading ActressShiang-chyi Chen

• Nantes Three Continents Festival 2005WinnerAward of the City of Nantes

Ming-liang Tsai

WinnerSpecial Mention

Kang-sheng LeeFor his performance


Best FilmMing-liang Tsai

• Russian Guild of Film Critics 2005NomineeGolden Aries

Best Foreign FilmMing-liang Tsai

• Sitges—Catalonian International Film Festival 2005WinnerBest Actor

Kang-sheng Lee

WinnerJosé Luis Guarner Critic’s Award

Ming-liang Tsai

NomineeBest Film

Ming-liang Tsai

• Taipei Film Festival 2005WinnerFestival Prize

Best Narrative FilmMing-liang Tsai


Best Undistributed Film5th place. Tied with Kamyu nante shiranai (2005)

• Yoga Awards 2006WinnerYoga Award

Worst Foreign FilmMing-liang Tsai

https://www.imdb.com/title/tt0445760/?ref_=ttawd_awd_tt

https://www.imdb.com/title/tt0445760/?ref_=ttawd_awd_tt


The List of Award Records of What Time Is It There?

• Asia-Pacific Film Festival 2001WinnerBest Director

Ming-liang Tsai

WinnerBest Film

Ming-liang Tsai

WinnerBest Supporting Actress

Yi-Ching Lu

• Brisbane International Film Festival 2001WinnerNetpac Award

Ming-liang TsaiFor its unique use of time space and traditional culture in expressing

loneliness and separation in… More

• Cannes Film Festival 2001NomineePalme d’Or

Ming-liang Tsai

• Chicago International Film Festival 2001WinnerSilver Hugo

Grand Jury PrizeMing-liang Tsai

Best DirectorMing-liang Tsai

WinnerSpecial Jury Prize

CinematographyBenoît Delhomme


Best CinematographyBenoît Delhomme

• Cinemanila International Film Festival 2002WinnerBest Actor

Kang-sheng LeeTied with “Alejandro Trejo” for Taxi para tres (2001)

WinnerKodak Vision Award

Ming-liang Tsai

WinnerLino Brocka Award

Ming-liang TsaiTied with Atanarjuat (2001)


• Golden Horse Film Festival 2001WinnerSpecial Jury Award

Ming-liang Tsai


Best Feature FilmHomegreen FilmsBest DirectorMing-liang TsaiBest Supporting ActressYi-Ching LuBest Original ScreenplayMing-liang TsaiPi-ying YangBest Sound EffectsDuu-Chih TuShiang-Chu Tang


Best Film7th place

From https://www.imdb.com/title/tt0269746/awards?ref_=tt_ql_op_1

The List of Award Records of I Don’t Want to Sleep Alone

• Asian Film Awards 2007NomineeAsian Film Award

Best CinematographerPen-Jung LiaoBest DirectorMing-liang Tsai


Best DirectorMing-liang Tsai

• Taipei Film Festival 2007WinnerTaipei Grand Award

Grand PrizeMing-liang Tsai

• Venice Film Festival 2006Winner“CinemAvvenire” Award

Cinema for Peace AwardMing-liang Tsai

NomineeGolden Lion

Ming-liang Tsai


https://www.imdb.com/title/tt0269746/awards?ref_=tt_ql_op_1



Appendix e: filMs directed By te-sHeng wei

1995 Face in the Evening1996 Three Dialogues1997 Before Dawn1999 About July2008 Cape No. 72011 Seediq Bale2017 52Hz, I Love YouFrom https://en.wikipedia.org/wiki/Wei_Te-sheng

The List of Award Records of Cape No. 7


Best Supporting ActorJu-Lung MaBest Original Film ScoreSheng-Fei LuChi-Yi LoOutstanding Taiwanese Film of the YearBest Original Film SongVan Fan (performer)For the song “South of the Border”


Best Feature FilmBest DirectorTe-Sheng WeiBest New PerformerChie TanakaBest New PerformerJohnny Chung-Jen LinBest Sound EffectsDuu-Chih Tu

• Hawaii International Film Festival 2008WinnerHalekulani Golden Orchid Award

Narrative FeatureTe-Sheng Wei

• Hong Kong Film Awards 2009NomineeHong Kong Film Award

Best Asian FilmTaiwan

https://en.wikipedia.org/wiki/Wei_Te-sheng


• Houston Film Critics Society Awards 2009NomineeHFCS Award


• Shanghai Film Critics Awards 2009WinnerFilm of Merit

• Taipei Film Festival 2008WinnerAudience Award

International New Talent CompetitionTe-Sheng Wei

WinnerFestival Prize

Best MusicChi-Yi LoSheng-Fei LuBest CinematographyTing-chang ChinGrand PrizeTe-Sheng Wei

• Vesoul Asian Film Festival 2009NomineeGolden Wheel

Te-Sheng Wei


Appendix f: filMs directed By Zero cHou

1996 A Film About The Body2004 Splendid Float2006 The Road On The Air2007 Spider Lilies2008 Drifting Flowers2009 Wave Breaker2012 Ripples of Desire2017 The Substitute2017 We are GamilyFrom https://en.wikipedia.org/wiki/Zero_Chou


https://en.wikipedia.org/wiki/Zero_Chou


The List of Award Records of Spider Lilies

• Bangkok International Film Festival 2007NomineeGolden Kinnaree Award

Best FilmZero Chou

• International Film Festival 2007WinnerTeddy

Best Feature FilmZero Chou


Best Original Film SongChien-Hsun Huang (composer)Zero Chou (lyrics)Tom Lin (lyrics)Rainie Yang (performer)

• Taipei Film Festival 2007NomineeFestival Prize

Best Narrative FilmZero Chou


The List of Award Records of Splendid Float


Best Taiwanese Film of the YearBest Makeup & Costume DesignJean ChenBest Original Film SongJeng-Yu Chang (composer)Zero Chou (lyricist)James Chen (performer)Chien-Chi Chen (composer)For the song “Liu Shui Yan Guang”


Best Original Film ScoreGeorge ChenJeng-Yu ChangYu-Wei ChangJung Guo DongBest Art DirectionChuong-ren HuongBest New PerformerJames Chen





Appendix g: filMs directed By tso-cHi cHAng

1996 Ah Chung1999 Darkness and Light2002 The Best of Times2007 Soul of a Demon2009 How are you, Dad?2010 When Love Comes2013 A Time in Quchi2015 Thanatos, Drunk2019 The Beloved StrangerFrom https://en.wikipedia.org/wiki/Chang_Tso-chi

The List of Award Records of Darkness and Light

• Fribourg International Film Festival 2000NomineeGrand Prix

Tso-chi Chang


Best Original ScreenplayTso-chi ChangBest Film EditingPo-Wen Chen

WinnerJury Award

Chang Tso-chi Film Studio


Best Feature FilmTso-chi ChangBest Leading ActressKang-i LeeBest Sound EffectsThio Hugo-PanduputraBest DirectorTso-chi Chang

• Singapore International Film Festival 2000WinnerFIPRESCI/NETPAC Award

Tso-chi ChangFor its affective and beautifully composed evocation of

love within and beyond the family, pain of … More

WinnerSilver Screen Award

Best Asian Feature FilmTso-chi Chang

https://en.wikipedia.org/wiki/Chang_Tso-chi



Best FilmTso-chi ChangThe Most Promising TalentKang-i Lee

WinnerTaipei Grand Award

Jury’s Special Award

• Tokyo International Film Festival 1999WinnerAsian Film Award

Tso-chi Chang

WinnerGold Award

Tso-chi Chang

WinnerTokyo Grand Prix

Tso-chi Chang


The List of Award Records of Soul of a Demon

• Taipei Film Festival 2008NomineeFestival Prize

Grand PrizeTso-chi Chang


The List of Award Records of The Best of Times


Best Film—Hong Kong/Taiwan


Best Feature FilmBest Taiwanese Film of the Year

WinnerViewer’s Choice Award





Best DirectorTso-chi ChangBest Leading ActorWing FanBest Supporting ActorMeng-Chieh KaoBest Original ScreenplayTso-chi ChangBest CinematographyYi-Min ChangBest Film EditingChing-Song LiaoBest Original Film ScoreYi ChangBest New PerformerMeng-Chieh Kao

• Singapore International Film Festival 2003WinnerSilver Screen Award

Best Asian Feature FilmTso-chi ChangBest ActorWing Fan

• Venice Film Festival 2002NomineeGolden Lion

Tso-chi Chang


Appendix H: filMs directed By Mong-Hong cHung

2006 Doctor2008 Parking2010 The Fourth Portrait2013 Soul2016 GodspeedFrom https://en.wikipedia.org/wiki/Chung_Mong-hong

The List of Award Records of Doctor:


Best DocumentaryCream Film Production


https://en.wikipedia.org/wiki/Chung_Mong-hong


• Hawaii International Film Festival 2007NomineeHalekulani Golden Orchid Award

Documentary FeatureMong-Hong Chung

Taipei Film Festival 2006WinnerTaipei Grand Award

Best DocumentaryMong-Hong Chung


The List of Award Records of The Fourth Portrait

• Asia Pacific Screen Awards 2011NomineeAsia Pacific Screen Award

Best Children’s Feature FilmShao-chien Tseng

• Asia-Pacific Film Festival 2010WinnerAPFF Award

Best CinematographyMong-Hong Chung

• Five Flavours Film Festival 2012NomineeNew Asian Cinema

Best FilmMong-Hong Chung (director)

• Golden Horse Film Festival 2010WinnerFIPRESCI Prize

3 Ng FilmCream Film Production

WinnerGolden Horse Award

Best Supporting ActressLei HaoBest DirectorMong-Hong ChungOutstanding Taiwanese Film of the Year3 Ng FilmCream Film Production


Best Feature Film3 Ng FilmCream Film ProductionBest New PerformerShiao Hai PiBest Original ScreenplayMong-Hong ChungHsiang-Wen TuBest CinematographyMong-Hong Chung



• Locarno International Film Festival 2010NomineeGolden Leopard—Filmmakers of the Present

Mong-Hong Chung

• Mar del Plata Film Festival 2010NomineeBest Film

International CompetitionMong-Hong Chung

• Nantes Three Continents Festival 2010WinnerAudience Award

Mong-Hong Chung


Mong-Hong Chung

• Taipei Film Festival 2010WinnerAudience Award

International New Talent CompetitionMong-Hong Chung

WinnerFestival Prize

Best Narrative FeatureMong-Hong ChungBest ActorShiao Hai Pi

NomineeInternational New Talent Competition—Grand

Prize

Mong-Hong Chung


The List of Award Records of Parking:

• Cannes Film Festival 2008NomineeGolden Camera

Mong-Hong Chung

NomineeUn Certain Regard Award

Mong-Hong Chung

• Golden Horse Film Festival 2008WinnerFIPRESCI Prize

WinnerGolden Horse Award

Best Art DirectionShih-hao Chao


Best Supporting ActorLeon DaiOutstanding Taiwanese Film of the Year



• Hong Kong Asian Film Festival 2008WinnerNew Talent Award

Mong-Hong Chung


Best DirectorMong-Hong ChungBest ScreenplayMong-Hong ChungBest New TalentPeggy Tseng

WinnerInternational New Talent Competition—Special Jury Prize

Mong-Hong Chung

NomineeInternational New Talent Competition—Grand Prize

Mong-Hong Chung

NomineeTaipei Grand Award

Grand PrizeMong-Hong Chung


The List of Award Records of Soul

• Black Movie Film Festival 2014NomineeCritics Prize

Mong-Hong Chung

• Chicago International Film Festival 2013NomineeAudience Choice Award

Mong-Hong Chung


Best Sound EffectsDuu-Chih TuLi Chi Kuo


Best DirectorMong-Hong ChungBest Leading ActorYu WangBest CinematographyMong-Hong ChungBest Art DirectionShih-hao Chao




Best Narrative FeatureMong-Hong ChungA well-executed attempt at a genre that is rare in Taiwanese cinema. The

contribution from all of … MoreBest ActorYu Wang (as Jimmy Wong)This is a delicate and well-crafted performance in which the acting is sub-

tle and minimal, … MoreBest CinematographyMong-Hong Chung (as Nagao Nakashima)The composition of every frame convincingly expresses the atmosphere

and the environment of the … MoreBest MusicSeu-ming TsengCompared to the often excessive use of overwrought music in many

Taiwanese films, the music here … More

From https://www.imdb.com/title/tt3091254/awards?ref_=tt_ql_op_

https://www.imdb.com/title/tt3091254/awards?ref_=tt_ql_op_


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———. Huáyǔ Diànyǐng Zhōng de Guójiāyùyán yǔ Guózúrèntóng (華語電影中的國家寓言與國族認同 The National Allegory and National Identity in Chinese Language Films). Chinese Taipei Film Archive, 2009. Print.

———. “Táiwān de Měilì Yǔ Āichóu yǔ Yīwèi Diànyǐng Zuòzhě de Zìhuàxiàng: Zhōng Mènghóng de Dì-sì Zhāng Huà” (台灣的美麗與哀愁與一位電影作者的自畫像:鍾孟宏的《第四張畫》 Taiwan’s Beauty and Sadness and the Self-Portrait of a Film Author: Chung Mong-hong’s The Fourth Portrait). Film Appreciation Academic Journal (電影欣賞學刊) 144 (July–September 2010): 60–62. Print.

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Liu, Kate Chi-wen (劉紀雯). “Family in the Postmodern ‘Non-places’ in the Films by Atom Egoyan and Ming-Liang Tsai” (艾騰‧伊格言和蔡明亮電影中後現代「非地方」中的家庭). Chung Wai Literary Quarterly (中外文學) 31.12 (2003): 117–52. Print.

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Sing, Song-yong (孫松榮). “Xuánfú zhī Chéng, Báowù zhī Guāng: Jièyú (Fēi) Xùshìxìng yǔ Yǐngxiàngxìng de Hēiyǎnquān” (懸浮之城‧薄霧之光:介於(非)敘事性與影像性的黑眼圈 The City in Suspense and The Light in the Mist: The

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262 WORKS CITED

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Tsai, Tzung-hsien (蔡宗憲). “Sānqiān Fēng Jìdào ‘Hǎijiǎo Qīhào’, Lèihuài Zhēn ‘Màobó’” (三千封寄到「海角七號」,累壞真「茂伯」3,000 Letters Were Sent to Cape No. 7: Exhausting Real Old Mao). Liberty Times (自由時報). 16 October 2008. Web. http://www.libertytimes.com.tw/2008/new/oct/16/today-south7.htm.

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Wang, Ching-ling (王鏡玲). “Kuayue Jinji De Fanli: Wo Kan Yanguang Sishe Gewu Tuan” (跨越禁忌的藩籬──我看《艷光四射歌舞團》Transgressing Taboo: My Review of Splendid Float). 30 January 2005. Web. http://on.star-blvd.netcgi-bin/bbsmsg.star_comment.

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WORKS CITED 263

Wang, Fu-chang (王甫昌). “Consensus Mobilization of the Political Opposition in Taiwan: Comparing Two Waves of Challenges, 1979–1989” (臺灣反對運動的共識動員:一九七九至一九八九年兩次挑戰高峰的比較). Taiwan Political Science Review (臺灣政治學刊). No. 1 (1996): 129–209. Print.

Wang, Hong-kuo (王鴻國). “Hǎijiǎo Qīhào Rèmài. Wú Niànzhēn: Mínzhòng Qíngxù Zhǎodào Chūkǒu” (海角七號熱賣,吳念真:民眾情緒找到出口 Cape No. 7 Is Hot; Wu Nien-Chen: People Have Found an Emotional Outlet). Central News Agency (中央通訊社). 15 October 2008. Web. http://au.ep-ochtimes.com/b5/8/10/15/n2297759.htm.

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Wei, Cheng-tong (韋政通). “Shì Wénhuà-Wēijī, Yìshì Wénhuà-Chóngjiàn? ‘Táiwān Wénhuà-Zhǔtǐxìng Wèntí’ Chūtàn” (是文化危機、抑是文化重建?──「臺灣文化主體性問題」初探 Cultural Crisis or Cultural Transformation? A Preliminary Study on ‘Question of the Taiwanese Cultural Subjectivity’). China Tribune (中國論壇 Zhōngguó Lùntán) 31.8 (1991): 97–102. Print.

Wong, Edmond (黃建業). Rénwéndiànyǐng de Zhuīxún (人文電影的追尋 In Search of Art Films). Taipei: Yuan-liou, 1990. Print.

———. Yáng Déchāng Diànyǐng Yánjiū: Táiwān Xīndiànyǐng de Zhīxìng Sībiànjiā (楊德昌電影研究:台灣新電影的知性思辨家 A Study on Edward Yang: The Thinker in Taiwan New Cinema). Taipei: Yuan-liou, 1995. Print.

Wu, Isabelle Pei-tsz (吳珮慈). “(Níngshì Bèimiàn: Yī Yī de Xùshì Jiégòu yǔ Kōngjiān Biǎoshù Tǐxì Chūtàn” (凝視背面—《一一》的敘事結構與空間表述體系初探 Gazing at the Back: A Study on the Narrative Structure and Spatial Layout in A One and A Two). Film Appreciation Journal (Academic Section) (《電影欣賞》學術單元) 128 (2006): 83–96. Print.

Yang, You-chang (楊祐彰). “Wèi Hǎijiǎo Jìniàn Chuō: ‘Hǎijiǎo Qī Fān Dì’ Yú Bāqiān Fēng Xìnjiàn Jǐbào” (為海角紀念戳──「海角七番地」逾八千封信件擠爆 Just for a ‘Cape No. 7’ Postmark: Over 8,000 Letters Thrust to ‘Cape No. 7’). ETTV (東森新聞). 28 October 2008. Web. http://www.nownews.com/2008/10/28/11472-2356691.htm.

Ye, Yung-chien (葉永騫). “Píngdōng-Kèyùn Dài Nǐ Qù Hǎijiǎo Qīhào Jǐngdiǎn” (屏東客運帶你去海角七號景點 Ping-Tung Bus Takes You to a Tour of Cape No.7 Attractions). Liberty Times (自由時報). 26 October 2008. Web. http://www.libertytimes.com.tw/2008/new/oct/26/today-south8.htm.

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264 WORKS CITED

Interview with Chung Mong-hong, Director of Parking). iLook Diànyǐng Zázhì (iLook電影雜誌 iLook Movie Magzine). November 2008.

Yung, Chi-chung and Jo-yun Lee (雍志中、李若韻). “Huānyíng Guānglín Cài Míngliàng Bówùguǎn: Lùn Cài Míngliàng Diànyǐng Hēiyǎnquān zhōng de Cánpiàn Zhǎnshì Měixué” (歡迎光臨蔡明亮博物館:論蔡明亮電影《黑眼圈》中的殘片展示美學 Welcome to the Museum of Tsai Ming-liang: The Aesthetics of Fragments in Tsai Ming-liang’s I Don’t Want to Sleep Alone). Paper Presented in The Annual Conference of Chinese Communication Society. Taipei: Tamkang University, July 4–5, 2008.

filMogrApHy

A Confucian Confusion (獨立時代). Dir. Edward Yang (楊德昌). Perf. Chen Shiang-chyi (陳湘琪), Ni Shu-chun (倪淑君), Wang Wei-ming (王維明), Wang Bo-sen (王柏森), Danny Teng (鄧安寧), and Richie Li (李芹). Atom Films and Theatre, 1994. DVD.

A One and a Two (一一). Dir. Edward Yang. Perf. Wu Nien-Jen (吳念真), Elaine Jin (金燕玲). Atom Films and Theatre, 2000. DVD.

Cape No. 7 (海角七號). Dir. Wei Te-sheng (魏德聖). Perf. Van Fan (范逸臣) and Chie Tanaka (田中千繪). ARS Film, 2008. DVD.

Darkness and Light (黑暗之光). Dir. Chang Tso-chi (張作驥). Perf. Lee Kang-yi (李康宜) and Robert Fan (范植偉). Chang Tso Chi Film Studio, 1999. DVD.

Doctor (醫生). Dir. Chung Mong-hong. Cream Film, 2006. DVD.I Don’t Want to Sleep Alone (黑眼圈). Dir. Tsai Ming-liang (蔡明亮). Perf. Lee

Kang-sheng (李康生), Norman Atun (諾曼奧圖), and Pearlly Chua (蔡寶珠). Home Green Films, 2006. DVD.

Mahjong (麻將). Dir. Edward Yang. Perf. Virginie Ledoyen, Ko Yu-luen (柯宇倫), Tang Tsung-sheng (唐從聖), Chang Chen (張震), and Wang Chi-tsan (王啟讚). Atom Films and Theatre, 1996. DVD.

Parking (停車). Dir. Chung Mong-hong (鍾孟宏). Perf. Chang Chen (張震), Leon Dai (戴立忍), and Jack Kao (高捷). Cream Film, 2008. DVD.

Soul (失魂). Dir. Chung Mong-hong. Perf. Joseph Chang (張孝全) and Wang Yu (王羽). Cream Film, 2013. DVD.

Soul of a Demon (蝴蝶). Dir. Chang Tso-chi. Perf. Zeng Yi-zhe (曾一哲), Chen Pei-jun (陳佩君), and Cheng Yu-ren (程毓仁). Chang Tso Chi Film Studio, 2007. DVD.

Spider Lilies (刺青). Dir. Chou Zero Meiling (周美玲). Perf. Yang Cheng-lin (楊丞琳), and Leong Isabella Lok-sze (梁若施). Vision 3 Films, 2007. DVD.

Splendid Float (豔光四射歌舞團). Dir. Chou Zero Meiling. Perf. Chen Yu-ming (陳煜明), Chong Yi-qing (鍾以慶), Wang Xue-ren (王學仁), Lai Yu-qi (賴昱錡), and Wang Ming-zhang(王明璋). Cimage Films, 2004. DVD.

WORKS CITED 265

The Best of Times (美麗時光). Dir. Chang Tso-chi. Perf. Robert Fan, Kao Meng-chieh (高盟傑), and Tsai Ming-shiou (蔡明修). Chang Tso Chi Film Studio, 2002. DVD.

The Fourth Portrait (第四張畫). Dir. Chung Mong-hong. Perf. Bi Xiao-hai (畢小海), Hao Lei (郝蕾), and Leon Dai (戴立忍). Cream Film, 2010. DVD.

The Wayward Cloud (天邊一朵雲). Dir. Tsai Ming-liang. Perf. Lee Kang-sheng, Chen Shiang-chyi (陳湘琪), Yang Kuei-mei (楊貴媚), Lu Yi-ching (陸弈靜), and Sumomo Yozakura (夜櫻李子). Home Green Films, 2005. DVD.

What Time Is It There? (你那邊幾點). Dir. Tsai Ming-liang. Perf. Lee Kang-sheng, Chen Shiang-chyi, and Lu Yi-ching. Home Green Films, 2001. DVD.


Anderson, John, 24androgyny, 144anthropological place, 11, 90, 106,

107antihero, 178Anti-Japanese sentiment, 92Anti-Japanese War, 114anxiety, 43, 49, 87, 106, 131, 143any-space-whatevers, 10, 44, 66, 70,

77, 78, 218, 222, 227Anzaldua, Gloria, 153Appadurai, Arjun, 116apparatuses, 12, 50, 113, 115, 126,

135, 155Asian, 3, 28, 68, 92, 95, 99, 153, 192Augé, Marc, 11, 90, 148auteur film, 2, 3, 22, 85autonomy, 93à-venir, 71, 77

BBabanalidu, 14, 182, 183Babuscio, Jack, 53banalities, 2, 85Banana Paradise, 2, 85

Aabjection, 135, 176, 201aboriginal, 5, 14, 84, 100, 109, 115,

177, 182absurdist, 197, 224, 225, 227activism, 130actual, 9, 45–47, 49, 51, 62, 66, 70,

75, 105, 108, 110, 128, 136, 217, 218, 222

adolescence, 46, 206aesthetic, 1, 3, 9, 15, 21–23, 35, 39,

43, 45, 87, 116, 139, 190, 210aesthetic of unease, 14aesthetics of violence, 13, 220affect, 10, 44, 50, 70, 73, 77, 78, 100,

112, 126, 138, 139, 150affection-image, 10, 73, 77, 78alienation effect, 24, 34Allen, Woody, 30alter ego, 33, 75, 182alternative home spaces, 227alternative modernity, 1, 7, 112amateur, 82, 98ambivalence, 4, 8, 11, 28, 86, 89, 91,

131, 139, 155Analects, 24

index

https://doi.org/10.1007/978-981-13-3567-9

268 INDEX

Beautiful Duckling, 84Bei-dao, 69, 70Berlin Wall, 94Berry, Chris, 7, 14, 64, 170, 175, 176The Best of Times, 13, 14, 161, 162,

169, 170, 172, 173, 175Bih, Herng-dar, 118bildungsroman, 189bishojo, 12, 132, 134–136, 138, 155black humor, 199, 221blackout, 29, 167–169, 175blind, 22, 25, 36, 162–165, 169, 198,

204, 210Bloom, Michelle E., 66, 67400 Blows, 48, 66, 67body, 9, 10, 23, 34, 35, 44, 47–51,

53, 55, 59, 62–64, 67, 71, 72, 74–77, 131–136, 173, 196, 201, 217–220, 222, 226, 227

borderland, 10, 82, 83, 90, 153A Borrowed Life, 2, 85, 86BOT, 11, 90, 110, 111boundary, 61, 63, 85, 103, 115, 116,

135, 150, 202bourgeoisie drama, 35Boys for Beauty, 140The Boys from Fengkuei, 162, 189Brecht, Bertolt, 45A brighter Summer Day, 2, 30Bruised Eye, 67, 68Buena Vista, 87Bungeishunjū, 95butch, 141butch/femme, 127, 129, 133Butler, Judith, 50, 134, 136, 139

Ccacophony, 114calamities, 43, 48, 69camp aesthetics, 50, 53Cantonese, 74, 197, 198, 202

Cape No. 7, 4, 5, 10, 11, 81, 82, 84, 87, 88, 90, 91, 97, 98, 102, 107–110, 112, 118

capitalism, 1, 6–8, 12, 14, 19–21, 28, 29, 33, 36, 92, 94, 197, 205, 211

capitalism-centered, 111Case, Sue-Ellen, 133the categories of life, 44cathexes, 147ceremonial body, 9, 43, 47–51, 64,

65, 72, 77Chang, Chien-wei, 88Chang, Ching-ru, 107Chang, Hsiao-hung, 48, 66, 69, 154,

218, 219Chang, Ivy I-chu, 22, 47, 68, 74, 114,

115, 141Chang, Tso-chi, 161–163, 167, 169,

170, 178Chang, Wei-fang, 206, 208Chang, You-chi, 170Chao, Antonia Yen-ning, 127, 129,

141, 154Chao, Daniel Ting-huei, 144Chao, His-yen, 142Chen, Chen-ying, 31Chen, Chi-yen, 107Cheng, Chao-you, 109Cheng, Ryan Ping-hung, 162, 163,

167, 169, 183Chen, I-chung, 91Chen, Kuan-Hsing, 92, 93Chen, Li, 87Chen, Mickey, 140Chen, Robert Ru-shou, 2, 3, 84, 85Chen, Shui-bian, 88Chen, Tzung-yi, 5, 82, 83Chiang, Hui-chen, 5, 84Chiang, Kai-shek, 51, 114Chiao Tung University, 31, 55, 149Chien, Chia-hsin, 130Chien, Ching-hang, 142

INDEX 269

Children Trilogy, 189Chinese Culture Renaissance

Movement, 114Chinese nationhood, 85Chiu, Ruo-lung, 106Chou, Zero, 1, 12, 125, 126, 129,

134, 139, 140, 143, 148–150, 153, 155

Chow, Stephen Hsing-chi, 4, 81Chung, Mong-hong, 1, 3, 14, 189,

196–198Chu, Wei-cheng, 154cinema-body-thought, 44cinema of body, 43–45the cinema of the body, 9city film, 8, 21City of Sadness, 2–4, 83, 85, 86, 162,

211cityspace, 9, 23, 34, 35, 74civil war, 6, 14, 92, 112close-ups, 15, 36, 58, 61, 73, 75,

76, 103, 144, 167, 168, 170, 172, 183, 190, 199, 206, 212, 215–217, 221

coexistence, 43, 46, 48, 49, 66, 67, 74, 77

Colonial Eye, 97, 99colonial legacy, 4, 5, 7, 84colonial reminiscence, 10–12, 113,

115, 116, 119colonizing modernity, 112comedy, 23, 25, 30, 84, 86, 87, 200,

226coming-of-age, 30, 185commodity, 93communist, 6, 114A Confucian Confusion, 8, 19, 23, 26,

27, 30Confucius, 24, 26, 114crane shot, 143, 183, 185crisscrossing, 21, 50, 183

Cronos, 9, 43, 45, 47, 48, 50, 62, 63, 75, 77

cross-dressing, 141, 143, 194cross-ethnic narrative, 162cross-strait, 1, 14, 15, 25, 27, 197,

198Crystal Boys, 154crystal image, 45, 46, 48–51, 65, 67crystalline circuit, 43crystalline seed, 45, 64cultural artifacts, 11, 89, 90, 110cultural envy, 7, 118cultural gap, 89cultural inheritance, 7, 111, 119cultural problem, 24, 28cultural revolution, 114, 117cultural transference, 11, 90custom, 171, 178

DDarkness and Light, 13, 161–163, 169decadence, 13, 14, 179, 186dechronologization, 9, 77decolonization, 92deep focus, 2, 3, 29, 85, 171déjà-la, 10, 49, 78Deleuze, Gilles, 9, 43–47, 64, 72, 73,

218, 227Delhomme, Benoît, 65dematerialize, 173denaturalize, 136deontological, 135, 139desire, 7, 10, 12, 13, 15, 16, 21, 43,

49–51, 53, 55, 59, 62, 68, 76, 77, 91, 96, 99, 100, 111, 117, 119, 125, 126, 128, 130–133, 135, 136, 138, 141–144, 146–155, 193, 202

detachment, 15, 34, 192, 204, 215, 222

270 INDEX

deterritorialization, 9, 66, 73, 77, 219, 227

Diajiaolou, 170dichotomy, 8, 136, 143didacticism, 22, 23, 26, 30diegesis, 2, 14, 35, 75, 85, 126, 162,

166, 177, 179diegetical, 29, 71differ, 84différance, 195difference, 24, 33, 38, 46, 64, 97,

100, 113, 117, 118, 131, 134, 139, 218

Ding, Naifei, 129disidentification, 50, 134disjuncture, 2, 6–8, 20, 115, 176displacement, 10, 44, 55, 59, 61, 100,

107, 191, 199, 223, 226disposability, 7, 20dissolves, 64, 162, 167, 169, 170dissonance, 218, 219diversity, 30, 119, 140, 141Doctor, 14, 15, 189–193, 196, 206,

207documentary, 13, 15, 48, 88, 140,

162, 171, 176, 190, 192, 193, 195, 196, 206

double, 45, 49, 50, 56, 62, 64, 65, 68, 70, 74, 76, 114, 131, 140, 179, 196, 202, 204, 222

double-gendered, 143double tablet, 152, 153Douglas, Mary, 201drag, 12, 13, 51, 53, 76, 140–145,

147–156Dragonfly Ya-Ju, 109, 110dream, 14, 38, 45, 49, 51, 53, 70, 75,

76, 82, 86, 87, 176, 183, 193, 207, 212, 213, 216, 221–223, 225–227

duality, 202, 212, 219

durée, 9, 10, 22, 43, 47, 48, 65, 69, 71, 77, 78, 170, 172

Durian Durian, 201Dust In The Wind, 2, 85dynamism, 13, 22, 23, 35, 161dysfunction, 191, 216

EEat, 45Edward Yong, 1–3, 8, 19, 22, 27, 30,

38, 83, 85, 190, 197, 211ego, 26, 147, 181ego-libido, 147, 181Eight and Two Quarters, 226emancipatory imagination, 11, 116Emperor Huang, 113entertainment, 37, 82, 116erotic, 128, 131, 135, 138, 144, 149,

153everyday banality, 14, 22, 47, 48, 51everyday body, 9, 43, 44, 47–51, 53,

63–67, 69, 77, 163, 172everyday life, 11, 22, 32, 86, 90, 117,

148–151, 178excess, 58exhibitionism, 139, 144

Ffading in, 29, 64, 71fading out, 29, 33, 64, 168, 169false narrative, 10, 43, 46, 47, 50, 64,

65, 73, 75, 77, 78falsifying narration, 46fantasy, 10, 13, 49–51, 53, 62, 63,

131, 134, 145, 146, 148, 149, 155, 161, 163, 167–170, 172, 173, 175, 176, 183, 185, 224

fantasy space, 167feeling thing, 73Fellini, Federico, 30, 46, 226

INDEX 271

female perspective, 13, 161, 163femininity, 12, 53, 135, 147, 155Feminism, 139femme, 12, 133fertility, 76fetish, 7, 8, 11, 59, 89, 90, 100, 105,

106, 111, 112, 118, 131, 132, 136

film noir, 224, 225Films about Body, 140film-within-the-film, 10, 49, 55, 77,

145fin-de-siêcle, 8, 20flashback, 101, 204float, 102, 140, 144, 148, 150,

152–154, 212flow, 4, 7, 8, 20–22, 30, 84, 89, 97,

99, 103, 105Foucault, Michel, 149fourth-century B.C. ideology, 24The Fourth Portrait, 189, 191, 206,

208, 211fragmented images, 15, 190framed perception, 10, 22, 59, 61, 62,

77, 168frame-within-the-frame, 8, 15, 22, 23,

35, 39, 190, 208Frontera, 153Fruit Chan, 201futile, 10, 50, 55, 76, 197, 205

Ggang film, 169, 173, 178gangster, 1, 13, 29, 75, 161–163, 165,

166, 172, 174, 175, 178, 179gang trilogy, 161, 176, 185gay representation, 126, 140–144,

150, 155gaze/gazed, 8, 12, 15, 58, 61, 76,

108, 126, 132–134, 136, 143, 145–147, 155, 179, 190, 204

gaze-desire circuit, 58, 59, 62gender reversal, 98gender roleplay, 192genre, 10, 51, 55, 77, 84, 162, 169,

176, 178, 189, 224genuine, 10, 12, 26, 49, 55, 59, 111,

129, 209, 222gest, 45ghost, 9, 63, 64, 90, 91, 129, 131,

133, 149, 153, 202, 212, 218Giddens, Anthony, 6, 20Gillain, Anne, 67global flow, 6, 7, 21globalization, 2, 6, 7, 19, 20, 89, 92–

95, 97–99, 106, 111, 115–117, 170, 190, 198

glocalization, 1, 7, 11, 15, 99, 100, 105, 116, 118, 119

GLQ, 138Goethe, Johann Wolfgang von, 91,

101Gopinath, Gayatri, 155grassroot imagination, 7, 10–12, 16,

92, 111, 116–119Guishan Island, 173

HHades, 127, 149, 153Hakka, 87–89, 115, 162, 170, 173Hall, Stuart, 97, 99, 117Han-centered, 151, 179, 182hand-held shots, 15, 143, 190, 208handicappe, 165Han dynasty, 114Happy Rice, 96hari, 95hara-kiri, 183Harvey, David, 7, 20, 89, 105, 106Hasumi, Shigehiko, 27haunted, 127, 174, 175, 217, 223haunted-ness, 176

272 INDEX

haunted realism, 7, 14, 170, 175, 176Healthy Realism, 84, 85Heidenroeslein, 11, 90, 91, 101–103Hengchun, 10, 11, 82, 88, 90, 96, 97,

105, 107–113hero, 178, 210heterochronics, 150heterosexual, 12, 13, 50, 51, 53, 125,

128–130, 133–136, 139, 142, 144–146, 148, 150–152, 154, 155

heterosexual matrix, 10, 134, 136heterosexual representation, 12, 53,

126, 155heterosexual temporality, 50, 63heterotopia, 149, 150high angle shot, 185historical, 2, 5, 7, 11, 14, 69, 85, 86,

89–92, 100, 101, 103, 105–107, 111–115, 117, 177, 191

historical violence, 191Hobsbawn, Eric J., 113Ho, Hwei-wen, 93, 95Hole, 43, 49Hollywood, 1, 2, 4, 5, 81, 84, 86, 169homeland, 172, 173, 182homophobia, 13, 135, 154, 155homosexual, 125, 129, 134, 139, 142,

153Honda Shiro, 99Hong Kong, 4, 14, 28, 29, 37, 127,

129, 201Hou, Hsiao-hsien, 2, 3, 34, 83, 85,

162, 176, 189, 210, 211Hsin-tien, 170Hsin-yi District, 170Hsu, Chie-lin, 90, 91Huang, Yi-mei, 196–198, 224Huang, Ying-fen, 4, 83Hung, Yue-ching, 19Huwei, 107hybrid, 14, 51, 153, 176, 183

hybridization, 8, 13, 21, 139, 155hyperbolic, 10, 12, 29, 49, 53, 77,

135, 138, 145, 155hyperbolic realism, 64

IIbrahim, Anwar, 68identification, 8, 12, 16, 50, 105,

106, 111–113, 117, 119, 126, 133–135, 147, 165, 167, 180, 181

identity, 7, 8, 13, 20, 85, 86, 92, 106, 115, 116, 135, 138, 139, 155, 181, 192, 197, 201, 217

I Don’t Want to Sleep Alone, 9, 10, 43, 78

image, 7, 8, 20, 22, 26, 36, 45, 47, 51, 62, 66, 67, 71, 96, 105, 106, 109, 111, 115, 116, 129, 131, 132, 134–136, 143, 152–154, 169, 173, 219, 223

imagery, 9, 13, 15, 22, 23, 26, 33–35, 48–50, 58, 66, 70, 77, 172, 173, 178–180, 182, 185, 190, 199, 201, 204, 218, 227

imaginary, 9, 53, 55, 63, 65, 66, 92, 113, 114, 218, 227

the imaginary/symbolic, 10, 13, 46, 58, 66, 70, 131, 135, 149, 151, 154, 155, 218, 222

imitation, 136impersonation, 53, 141, 194implosion, 9, 36, 37incongruity, 22, 26, 53, 178independence, 14, 87, 113, 114, 119,

183industrialization, 93In Our Times, 2, 85instantaneity, 7, 20inter-Asia, 129internal colonization, 92

INDEX 273

internalize, 13, 151, 155intertextuality, 9, 66, 67, 78, 105–

107, 111, 118intimacy, 10, 26, 49, 55, 59, 140,

149, 152–155inversion, 217invisible, 8, 23, 35, 39, 129Island Etude, 96isomorphism, 201Iwabuchi, Koichi, 92, 95, 99

JJameson, Frederick, 28, 97Japanese, 4, 5, 8, 10–12, 14, 31, 32,

38, 49, 55, 82, 84–88, 90–103, 106, 111–115, 119, 127, 134, 177, 182, 193, 219, 220

Japanophilia trend, 10, 11, 94, 96jianghu, 13, 161Jones, Kristin Marriott, 65, 66

KKaohsiung, 109, 112Keelung, 11, 13, 90, 102, 106, 112,

149, 161, 163, 164, 168, 185Kenting, 11, 90, 96, 111The Kings of Hades Governing Ten

Palaces, 152Korea, 86Kristeva, Julia, 201Kung Fu Hustle, 4, 81Kuomingtang (KMT), 6, 20, 88, 91,

92, 94, 112–115, 172

LLan, Tsu-wei, 86, 87, 101Lanyu, 177, 182, 185layer, 34, 45, 66, 70, 218, 222, 227Léaud, Jean-pierre, 48

Lee, Ang, 4, 81Lee, Hsiu-chuan, 34Lee, Jo-yun, 68Lee, Ming-Tsung, 94Lee, Tain-dow, 93, 95Lee, Teng-hui, 115Lee, Vivian, 53, 61Legislative Yuan, 94Leigh, Alphonse Youth, 30lesbian, 12, 13, 50, 64, 125–136, 138,

139, 141, 149, 153, 155Liao, Hsue-hsien, 107libidinal cathexes, 147, 181libido, 125, 133, 147, 148Li, Chi-she, 68the lifting of martial law, 87Li, Hsing, 84, 85Li, Jerome Chen-ya, 30liminality, 149, 168, 212, 227liminal space, 167, 218, 222, 227Lim, Kien-ket, 68Lin, Chi-ming, 162, 173Lin, Wan-yi, 88Lin, Wen-chi, 21, 30, 217Liou, Liang-ya, 130Li, Ruo-yun, 68Li, Ta-yi, 4, 84Little Cheung, 201Liu, Jen-peng, 129Liu, Kung-chun, 170, 173localization, 89, 93, 98long shot, 29, 75, 143, 166, 167, 185,

210, 211long take, 2, 3, 85Love Song of Soul Transcendence,

153low angle shot, 171, 179, 183lower rank, 162Lu, Feii, 162, 167Lumpur Kuala, 10, 49, 69, 78Luo, Eric Ching-yao, 142lust, 4, 20, 29, 55, 58, 76

274 INDEX

Lu, Xun, 30

Mmacabre, 161, 173, 175, 194Made in Taiwan, 5, 6, 84, 217Madman’s Diary, 30Magic Flute, 50, 69, 71, 72, 74Mahjong, 8, 19–21, 28, 30, 83, 190Mainlanders, 86, 91, 92, 114, 115,

162, 165, 170, 172, 205mainland veteran village, 170Malaysia, 49, 67, 69male bonding, 13, 161, 163, 176male sociality, 163Mandarin, 74, 85, 87, 170Mandarin-speaking movement, 114manhood, 13, 161, 172, 193, 207margin, 13, 83, 149, 161, 162marginality, 117Martial Law, 6–8, 19, 94, 110, 114,

162Marxism, 114masculine, 129, 130, 144, 147, 151,

193, 207masculinity, 129, 130, 147, 172masquerade, 12, 49, 125, 126, 135,

145, 146, 151, 1552/28 Massacre, 115materialize, 134, 150, 217maternal, 165mediated-body, 10, 77medium close-up, 29, 166, 173, 174medium shot, 29, 76, 143, 166, 167,

174, 179, 202melancholia, 12, 125, 126, 131, 139,

140, 147, 155, 181melancholic, 127, 139, 147, 180, 181melancholy, 51, 147, 179, 180melodrama, 8, 22, 126

memories, 2, 5, 11, 12, 14–16, 22, 45, 46, 74, 86, 89, 90, 92, 96, 103, 105, 111, 117, 119, 125–127, 131, 132, 149, 190, 192, 195, 204, 221, 223

Mencius, 114merging, 202meta-narrative, 105, 113metonymy, 9, 23, 28, 29, 34, 50, 63,

77Metro Rapid Transit (MRT), 19, 22,

28, 29microcosm, 48, 170, 197micro-histories, 117micro movement, 71mirror image, 31–33, 215mise-en-scène, 4, 59, 83, 189, 208mobile, 148, 149, 154mobility, 22, 23, 35, 135, 148modernity, 1, 2, 4, 6, 7, 11, 12, 14,

20, 90, 97, 111, 175, 176modernization, 2, 3, 6–8, 15, 20, 21,

85, 89, 92, 93, 95, 97, 98, 109, 112, 119

monopolization, 109–111Mon, Ya-feng, 177, 178mourning, 12, 13, 125, 126, 131,

132, 135, 139, 140, 145, 147, 149–151, 155, 156, 181, 182, 192

movement, 2, 5, 12, 44, 45, 47, 48, 64, 65, 82, 85, 92, 112, 114, 115, 129–131, 135, 140–143, 167, 194, 212

movement-image, 43, 44Mozart, 10, 50, 69–73, 75, 101mukokuseki/no nationality, 99multi-ethnic, 13, 74, 161, 170,

176–178, 185multifaceted, 70, 198, 227multilayered image, 66, 218

INDEX 275

multi-lingual, 74, 170multiple colonization, 11, 14, 183multiple modernities, 7, 176Mulvey, Laura, 136musical, 10, 49–51, 53, 72, 77, 86

NNanfang’ao, 13, 161, 177, 179, 185narcissism, 12, 138, 144, 145, 155narcissistic, 138, 144–147, 180, 181national allegory, 28, 29, 68, 91, 97,

98, 113, 114nationalist boundary, 12, 115national narrative, 113, 115–117near-placelessness, 66Nestle, Joan, 133new colonization, 92new ethnicity, 117NHK, 95Nietzsche, Freidrich Wihelm, 46No Exit, 196, 197non-desire, 49, 72nondiegetic, 26, 178, 179, 199non-diegetical, 71, 103non-linear, 2, 43, 150non-mainstream, 82Non-no, 94non-place, 11, 90, 148non-professional actor, 43, 44, 47, 48,

67, 77, 162, 172non-subject, 125, 133, 135, 139nostalgia, 8, 11, 89–92, 95, 96, 100,

101, 106, 162Nowell‐Smith, Geoffrey, 21

Oobject, 10–12, 15, 21, 45, 55, 58, 61,

73, 100, 105, 106, 114, 125–127, 131, 132, 135–140, 142,

147, 149, 155, 169, 172, 180, 181, 191, 194, 199, 221

objection, 55object-libido, 147, 181oblique angle shot, 167Ode to Formosa, 112Oedipus, 226off-screen sound, 22, 30, 32, 36, 169A One and a Two, 8, 19, 30, 190opsigns, 10, 44, 62, 70, 77original equipment manufacturing

(OEM), 6, 20Orphan of Asia, 91Our Neighbor, 84Ou, Su-ying, 102out-of-field, 44, 45overlap, 23, 33, 50, 67, 179overlapping, 9, 10, 23, 33, 34, 44, 48,

49, 55, 58, 61, 77, 173, 204, 211over-the-shoulder shot, 103, 167, 215Oyster Girl, 84

PPai, Hsien-Yung, 154Paiwan, 100, 110paradoxical commonplace, 65parallelism, 31Paris, 9, 48–50, 62–67Parking, 14, 15, 189–191, 196, 197,

202, 204, 212, 223parody, 2, 8, 10, 12, 25, 32, 37, 51,

53, 63, 77, 85, 138, 145, 146, 155

Parry, Amie, 133pathological, 125patriarchal, 12–14, 48, 131, 135, 137,

150–153, 155, 165, 166, 176patriarchy, 136, 165, 176, 181patricide, 14, 177, 181–183, 226performativity, 12–14, 126, 134, 138,

150, 155, 176

276 INDEX

phallocentric, 134, 135phallus, 51, 131Ping Ke, 87place-based, 6, 11, 16, 20, 44, 109,

112, 116, 119place-based transnational spheres, 12,

115pleasure, 136, 140, 154, 194plebeian memory, 103poetic realism, 169, 170poetics, 14, 129, 179point-of-view shot, 35, 38, 58, 164,

167, 169, 174, 199, 225points of present, 43, 46, 47, 49, 75,

77political ideology, 119porn, 10, 49–51, 55, 56, 59, 62, 132,

136, 137pornography, 126, 127, 132, 133, 136post-colonial, 98, 99postmodern, 7–9, 11, 20, 69, 89, 97,

105, 106postmodern opera house, 69, 70post-modern simulacrum, 7, 11, 105,

118Post-Taiwan New Cinema, 5, 162POV, 180PTT, 82publicity, 87, 107Pudu Jail, 69Pu-fen, 130

Qquasi documentary, 162queen, 12, 13, 53, 140–145, 147–155queer, 10, 12, 13, 44, 49–51, 53, 63,

68, 70, 73, 76–78, 125, 126, 129, 130, 134, 135, 140, 141, 145, 146, 148–156, 176, 194

queer act, 152

queer performativity, 10, 12, 50, 53, 77, 126, 137–139, 145, 151, 155

RRapfogel, Jared, 53reaction shot, 168, 169, 174realist, 14, 29, 167, 169, 170, 175,

176, 183, 185, 224Rebels of the Neon God, River, 4, 47,

48, 83reconceptualization, 198reconstruction, 97, 195redemption, 14, 27, 30, 161, 163,

179, 192, 195, 222rediscovering Hengchun, 111, 112rediscovery, 117religious, 14, 31, 63, 70, 114, 179,

222, 227religious practice, 7, 14, 172, 175,

176, 179Renaissance, 9, 50, 92, 95, 114replicate, 36, 206, 209retard, 162, 163, 172reticence, 129return from the fringe, 15, 191revealer, 15, 43, 45, 48, 72, 172reverse-shot, 199Rich, Adrienne Cecile, 133Robertson, Roland, 99romance, 10, 29, 31, 37, 84, 86, 90,

96, 100, 103, 115, 118, 126, 128, 218

ruin, 10, 49, 68–71, 73, 77, 78, 127, 179, 180

Ssadism, 181samurai, 183, 193, 206screens, 8–10, 25, 29, 33, 35–37, 70,

132, 168, 169, 175

INDEX 277

secular modernity, 1, 7, 14, 170, 175, 176

Sedgwick, Eve Kosofsky, 137–139, 145

Seediq Bale, 82, 86self-reflexivity, 26, 64, 68sensory-motor link, 44, 62sentiments, 95, 100, 109, 116seppuku, 194shaman, 125, 140, 149, 151, 152the Shaman Governing Three Spheres,

151shame, 12, 13, 21, 125–128, 130,

131, 137–140, 145, 151, 152, 155

shamisen, 112, 113sheets of past, 43, 46, 48, 49, 66, 67,

74, 77Shen, Shiao-ying, 30shifting perspective, 15, 190shot-reverse-shot, 13, 15, 26, 64,

167–170, 173, 174, 190, 199Shu, Kuo-chi, 117, 118simulacra, 9, 11, 36, 37, 90, 111simulacrum, 34, 37, 105–109simulation, 35, 36Singapore, 163, 164Sing, Song-young, 48, 70, 71, 162,

164, 169, 170Smith, Anthony D., 113soft power, 98, 99sonsigns, 10, 62, 77Soul, 13–15, 173, 177, 179, 189–191,

218, 219, 223–227soul consoling ritual, 152soul invoking ritual, 151Soul of a Demon, 161, 170, 176, 182,

183“Soul Transcending Song”, 153soundscape, 74soundtrack, 103Soviet Union, 94

space, 6, 9, 11, 13–15, 20, 22, 24, 32–34, 47, 61, 65, 66, 71, 73, 89, 90, 94, 97, 99, 102, 105, 107, 108, 114, 117, 125, 139, 140, 148–150, 153–155, 163, 164, 168–171, 176, 178, 186, 191, 192, 196, 202, 205, 209, 218

spatial layout, 8, 13, 22, 167spatial manipulation, 23spatial pattern, 61spectacle, 12, 14, 49, 58, 143, 155,

178Spider Lilies, 12, 13, 126–128, 131,

132, 134, 155Splendid Float, 12, 13, 126, 139, 140,

142–155stereotype, 53, 116, 130, 178, 193,

205stigmatize, 130, 140, 141, 154subculture, 63, 126, 131, 140, 141subject, 13, 14, 58, 61, 87, 91, 117,

125, 126, 128, 137–140, 145, 147, 155, 180, 181, 195

sub-station, 92, 95, 97substitutions, 10, 49, 59, 77Subversion, 139A Summer at Grandpa’s, 2, 85, 189Sung, Yao-kuang, 109Sun, Rui-sui, 112, 113Sun, Yet-sun, 114superstitious, 114suppressed memories, 212symbolic, 38, 105, 107–109, 112,

139, 150, 152, 153, 201, 227

Ttablet, 152taboo, 114, 115, 128, 131, 132, 146,

149–151, 153, 183, 195Taichung, 106, 107Taipei Trilogy, 8, 19–23

278 INDEX

Taiwan, 1–8, 10–15, 19, 20, 24, 25, 28, 29, 31, 32, 37, 51, 69, 81–87, 89–97, 99, 101, 102, 108–110, 112–115, 119, 127, 128, 130, 134, 135, 140–143, 148, 153, 154, 161–163, 170, 172, 176–179, 181–183, 185, 189, 192, 194, 197, 198, 205, 210, 211, 217

Taiwan Cinema, 1, 2, 4, 7, 15, 21, 83Taiwanese, 1–5, 7, 8, 10–14, 25,

27–29, 32, 81–96, 98, 101, 110, 112–116, 118, 130, 134, 140, 148–150, 155, 165, 170, 171, 177, 182, 183, 198, 205

Taiwanese grassroots imagination, 81Taiwanese-Japanese reconciliation, 91Taiwanese-Japanese romance, 91Taiwaneseness, 8, 12, 111, 113Taiwanese New Wave Cinema, 85Taiwanese representation, 109Taiwan Post-New Wave Cinema, 83Taiwan’s Miracle, 6, 20Tang dynasty, 114Taoist, 13, 140, 142, 144, 149–152,

155tattoo, 126–128, 131, 132, 137, 205technology, 6, 29, 32, 35, 36, 38, 93Tendencies, 135Teng, Shu-fen, 30The Terrorizers, 3, 30, 85tilt, 183tilt point-of-view shot, 166time-image, 2, 9, 43–46, 48, 62–64,

66, 67time-space compression, 1, 2, 7, 20,

21, 89, 105–107A Time to Live, A Time to Die, 2, 85,

162, 189tiredness, 45, 47, 51T-lesbian, 129, 130, 132tolerance, 28, 86, 118, 129

Tomlinson, John, 11, 90topological transformation, 46T-Po, 127, 130transform, 10, 13, 78, 138, 149, 152,

155, 169, 176transformer sub-station, 92, 95, 97transgender, 129, 141–143transgress, 150transnational landscape, 8, 12, 115transnational social sphere, 2, 11, 12,

15, 16, 116, 119transvestite, 50, 140–143, 145, 148,

151trauma, 2, 13, 85, 86, 115, 126, 127,

130, 155, 174, 180, 196, 226traumatized, 161trespass, 15, 190, 202trilogy, 22, 48, 161, 186, 189Truffaut, François, 3, 9, 48, 66, 77Tsai, Ming-liang, 1, 3, 4, 9, 43, 55,

69, 74, 83Tsai, Tzung-hsien, 108Tsunoyama, Sakae, 92, 95, 99Tungzhi, 12, 140–142TV video puppet show, 153Tzeng, Hung-wen, 109Tzou, Nien-tzu, 110

Uultra-sonic scanner, 35Umass Zingrur, 110uncanny/haunted, 191underpriviledge, 210un espace quelconque, 44, 218unhomeliness, 191, 204unification, 28, 87, 91, 113, 119unreliable narrative, 15, 190urbanization, 6, 20urban satire, 9, 24, 27utopia, 106, 148, 150

INDEX 279

Vveteran, 162, 165, 170–173violence, 7, 14, 21, 22, 29, 35, 36, 68,

116, 162, 168, 177–180, 185, 205, 209, 215, 224, 225, 227

violent, 7, 14, 161, 166, 176, 178, 179, 198

violent disjuncture, 170, 173, 176virtual, 9, 10, 36, 45, 47, 48, 51, 55,

61, 66, 70, 73, 75, 77, 78, 107, 132, 135, 136, 195, 218, 222

virtuality, 75, 227visible, 23, 39, 61, 142, 190visual parallelism, 10, 32, 56, 166visual similarity, 38Vive L’Amour, 48, 49, 64voiceover, 13, 14, 36, 37, 161, 173,

178, 179, 182voyeuristic, 43, 49, 58, 59, 62, 126,

128, 133–136vulgar aesthetics, 15, 200

WWang, Chi-hung, 154Wang, Ching-ling, 151Wang, Fu-chang, 114Wang, Hong-kuo, 88Wang, Tung, 2, 85Wang, Wan-jui, 162Wan-Nien, 94Warhol, Andy, 45Wayward Cloud, 9, 10, 43, 48–51, 53,

55, 61, 77

Wei, Cheng-tong, 114Wei, Te-sheng, 1, 4, 5, 10, 11, 81–84,

86, 89, 101, 106, 107Wen King, 114What Time Is It There, 9, 43, 62, 77White Terror, 114, 115“The Wild Rose”, 11, 90, 91,

101–103Wong, Edmond, 24, 28Wood, Robin, 75word of mouth, 87Wu, Isabelle Pei-tsz, 32, 34Wu King, 114Wu, Nien-jen, 2WWII, 112

XXimending, 31, 32, 94

YYang, You-chang, 108Ye, Yung-chien, 108Yi-yi, 190yueqin, 89, 98, 101Yu-fen, 127, 129Yung, Chi-chung, 68

Zzongzi, 171zoom, 2, 85

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