ISSUE #1

FAITH, FAMILY & FOODAVION BLACKMAN

JENNIFER HOWLAND

CHRISTAFARIMUSIC WITH A

MISSION

PLUS MUSIC REVIEWS & MORE

JOURNEYDUBTEACHINGS OF

HIS MAJESTYSELASSIE ON CHRISTIANITY

INTO

SILENTHOLOCAUST

US $1.99/CAN $1.99/UK $1.50

The Premier Gospel Reggae Booking Agency

Contact us today to book your event! (310) 539-9009

Chief Editor: Mark Mohr / Editors: Mark Mohr, Kristin Morris, Edward Mohr,Margaret Mohr and Kevin McIntyre / Contributers: Mark Mohr, KristinMorris, Bryan Kemper and Aimee Herd / Layout & Graphic Design:Solomon Jabby for GR Designs and Mark Mohr / Printed in the USA by:Jay Press for pressgraphix.com / Cover: Photograph of Jennifer Howlandby Avion Blackman / Contributing photographers: Avion Blackman, MarkMohr, Jessi Marri, Waldyr Oliveira Jr. and Obie Obien / Marketing,Distribution and Advertising: Kevin McIntyre for GospelReggae.com

4 You Say You Wanta REVOLOTION

28 Teachings ofHis Majesty

32 AlbumReviews

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Issue #1

YOU SAY YOU WANT A REVOLUTION?

Welcome to Reggae RevolutionMagazine! Back in the summer of ʻ94 Irecall visiting a Southern CaliforniaBible bookstore and finding a delightfulsurprise on the music shelf:Christafari's “Reggae Worship” cas-sette. At the time, gospel reggae wassuch a unique concept and only a fewartists like Scaterd Few and Amarachiwere dabbling in island sounds andreleasing them to an internation-al audience. Eventually, I learnedof Jamaican artists like Change andLester Lewis, Floridaʼs DJ Stereomanand Bermudaʼs Geneman.

I am sure that many initially thoughtGospel Reggae was a novelty thatwould eventually go the way ofChristian grunge, ska, or techno. Theywere wrong. Over fifteen years later thegenre is not only surviving, itʼs thriving!In fact many would argue that the bur-geoning sound of gospel reggae is cur-rently stronger than its secular counter-part. With around a thousand gospelreggae artists worldwide, it may evenbe the fastest growing subgenre ofChristian music.

Over the years more and more sec-ular artists and producers like PapaSan, Stitchie, Junior Tucker, CarleneDavis, Judy Mowatt, Twiggi, DannyBrownie, Tommy Cowan, Mr. Vegasand Chevelle Franklyn have switchedover to the gospel side. Many main-stream artists like Luciano, Sanchezand Elephant Man are also trying toride the gospel bandwagon while main-taining their secular careers.

However, Gospel reggae is far morethan just reggae music with a positive

message. This vibrant musical genremarries native Caribbean sounds withthe good news of Jesus Christ.Gospel reggae invites participation,not just passivity; it demands aresponse. Through percolatingrhythms, bouncy beats and inspiredlyrics, these songs present a distinctclarion call to action -- an outcry ofinternational artists challenging you to

surrender your life to JesusChrist, the true King of all Kings

and beckoning you to worship beforeHis throne.

This is why weʼve started this pub-lication. In these pages lie far morethan mere articles on Caribbeanmusic, culture, food and lifestyle. Thismagazine contains stories of lives thathave been forever transformed byGod and music that has the power tochange. For this isnʼt just your typicalrun-of-the-mill Reggae, Itʼs GospelReggae and we are starting a ReggaeRevolution. The dictionary defines“Revolution” as “a drastic and radicalchange in ways of thinking and behav-ing.” So buckle your seatbelt, hold ontight and get ready for the revolution!

“gospel reggae is currently stronger than its secular counterpart.”

Papa San

Once upon a time, on the small Caribbean Isle of Jamaica,studio engineer Osbourne Ruddock (AKA King Tubby), satbehind the mixing board and dared to stretch the limits of reg-gae music. It was an era when there were no rules, no formu-las, and no corporate deadlines--just musical creativity in itspurest form. Dub was born and reggae has never been thesame since. To a novice, dub is simply instrumental reggaemusic with little or no lyrics – but to an aficionado itʼs somuch more.

Classic dub makes extensive use of analog studio gear like tube powered pre-amps, spring reverb units, tape echoes, reel to reel decks and analog phasers toexplore and highlight the sonic possibilities of any given record. In this genre,the producer (with knobs and fader in hand) actually becomes the artist.

The dub sound was pioneered in the 1970's (the golden age of dub) by the likesof King Tubby, Scientist, Prince Jammy, Augustus Pablo, Bunny Lee and the out-rageous Lee “Scratch” Perry. Interestingly, these primarily instrumental record-ings were actually ambient reworkings of crucial roots tracks from the bestsingers of the day, with an occasional vocal line thrown in thatʼs drenched indelay. Given this, Rastafari ideology and pro-ganja(marijuana) lyrics are still pervasive in mainstream dub.

A DUB REVOLUTIONThe first gospel reggae group to explore the realms ofsanctified dub was Christafari. From their inauguralalbum “Reggae Worship” in the early nineties, the bandbegan dabbling in dub with instrumental sections onsome of their recordings. The first full-fledged gospeldub album was arguably Christafariʼs “Dub Sound &Power.” The CD contains creative & ambient strippeddown instrumental mixes of songs found on the bandʼscritically acclaimed "WordSound&Power" album plus afew bonus tracks. It was mixed by Jim Fox, who hasdubbed legendary albums for the likes of Black Uhuru,

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Israel Vibration, Yellow Man, Big Mountain, Gregory Isaacs and Culture.

Following the success of “Dub Sound & Power,” Christafari brought us“Gravitational Dub.” Produced by Mark Mohr, it is an imaginative reworking ofthe bandʼs award winning “Gravity” CD. Rumor has it that Mark is currently inthe studio working on Christafariʼs third Dub offering.In 2001 Solomon Jabby came on the scene with “Rootical Revelations.” Heearned notoriety as the first gospel reggae artist thatʼs strictly dub. Not only didJabby record and dub the songs himself, but he also played every single instru-ment! Since then heʼs released two more dub CDs, “Zion Gates” and “FirmlyPlanted in Dub.” The latter was a follow-up to “Firmly Planted,” Solomonʼs firstfull vocal album.Gospel Dub is on the rise as more and more roots artists like ʻImisi, Zema,Nengo Vieira and Edward Holland Junior continue to include dub versions oftracks on their releases. Other artists to record full-length Dub albums includethe Daily Bread Dub Band, Mention, Jah Servant and Rogé Abergel andKingdom Culture. Rogéʼs initial War EP included 3 dubs, and his most recentrelease “Dubs of Glory” contains 13 glorious dubs mixed by Mark Mohr andSolomon Jabby.In dub albums the virtual absence of vocals createsthe perfect empty canvas providing a way for thelistener to meditate on God, sing the lyrics to thesong as they remember them or let their imagina-tions flow and create new lyrics and melodies overthe music. Dub is also great listening music fordriving long distances, chilling out/winding downor background/atmosphere music at parties.Gospel dub takes you on a journey thatʼs not forthe weak-of-heart, with very few staccato likeinjections of vocals and other elements. Eachunique mix is dominated by in-your-face drumsand bass, heavy reverb and eternal echoingdelays forever proclaiming the goodness of the Lord.

“IN DUB ALBUMS THE VIRTUAL ABSENCE OFVOCALS CREATES THE PERFECT EMPTY

CANVAS PROVIDING A WAY FOR THELISTENER TO MEDITATE ON GOD.”

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JAMAICAN MUSIC TERMINOLOGY:Before you hit the studio or jump on stage with a reggae band, you may wantto brush up on some key Jamaican music phrases:

RIDDIM: 1. A musical instrumental that a host of artists ride. In reggae it is verycommon for a producer to record a riddim and have hundreds of different artistssing/deejay their own original lyrics and melodies over this version. It is also

common for entire albums to bedevoted to various artists riding

the same riddim (i.e. RiddimInvasion, Riddim Driven). The

“Sleng Teng" riddim, (dancehall'sfirst digital hit) is by far the most

recycled instrumental to date as literally thousands of original songshave been sung over it. 2. Usually

a command given by the leadvocalist of a reggae band.

"Riddim!" is when the band breaksdown into a section that just has

keys and guitar hitting the song chords on the two and the four.

DUBPLATE: A one-of-a-kind recording performed by a reggae/dancehall artist fora sound (soundsystem). On a dubplate (or "special" as it is also called), asinger/deejay voices a brand new recording of one of his original songs over theinstrumental (or version) while incorporating adlibs that boast about the specificsound that he is representing. A soundsystem usually wins a soundclash if theyhave the best dubplates by the biggest artists singing the most popular songs.

DUBWISE: A musical section that is heavy on drum and bass and dub effects withvery sparse rhythm (keys and guitar).

ONE DROP: 1. Mellow and sparse style of roots reggae with a snare/side-stickaccent on the three. Note: all "one drop" is "reggae", but not all "reggae" is "onedrop". 2. A simple mix hit on the one performed by a live band when backing adancehall deejay so that the audience can clearly hear the artist's lyrics.

PULL-UP: Most commonly found in the Jamaican phrase, "Haul and pull up!!" Areggae deejay/vocalist calls this out to his band (or deejay) in a live performancesituation as a cue to abruptly stop the music in a free-jazz sort of way. The songis usually started again from the top. This is done either because the song did notstart right in the first place, or because they want to give the tune to the audienceonce more. "Wheel!" or "Wheel and come again!" are also phrases used to accom-plish the same musical response.

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CRUCIAL DUB PICKS

Rogé Abergel &Kingdom CultureDubs of Glory

ChristafariGravitational Dub

ChristafariDubSound&Power

Solomon JabbyFirmly Planted in Dub

Solomon JabbyRootical Revelations

Solomon JabbyZion Gates

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ESSENTIAL ROOTS RELEASES

GenemanLong Time

Edward Holland Jr.I & I Tunes

Edward Holland Jr.Virtual Reality

Solomon JabbyFirmly Planted

ZemaJubilee

ʻImisiForward

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Itʼs been mixtape mania lately at GospelReggae.com.Get in the mix with these 12 essential mixtapes:

Monty GKing Of The Jungle

Monty GKing Of The Jungle 2

Monty GNo Stoppinʼ Mixtape

Dane-Jah-RusDanger Zone Mixtape

VariousStreetlight Mixtape

Vol. 4

VariousStreetlight Mixtape

Vol. 3

VariousStreetlight Mixtape

Vol. 2

VariousStreetlight Mixtape

Vol. 1

AvalancheeAll Out Mixtape

St. MatthewTrilogy Mixtape

Vol. 3

St. MatthewStreetz DiscipleMixtape Vol.2

St. MatthewReadyback Mixtape

Vol. 1

11

Check out these 12 essential dancehall releasesavailable now at GospelReggae.com:

St. MatthewTrodding Dis Road

SherwinGardnerBorderless

SherwinGardner

Leaning

Monty GWorld Domination

Monty GRevolution

Tiko & GittaRoyal Priesthood

VariousTo The King

VariousDancehall Baptism

Vol. 1

VariousDancehall Baptism

Vol. 2

VariousSoca Baptism

VariousGospel Brigade

Omalie DurandNo Apology

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IINN TTHHEE LLAASSTT SSEEVVEENN MMOONNTTHHSS WWEE ’’VVEE HHAADD TTHHEEHHOONNOORR OOFF SSEEEEIINNGG OOVVEERR 33 ,, 550000 GGIIVVEE TTHHEEIIRRLLIIVVEESS TTOO CCHHRRIISSTT AATT OOUURR CCOONNCCEERRTTSS!!

MUSIC WITH A MISSION

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CHRISTAFARI are trailblazers, continually pioneering the genre of Gospel reg-gae in the U.S. and throughout the world. They have performed in 46 states,50 nations, at two Olympic Games and even before the President of the UnitedStates of America. This multicultural 9-member group is lead by vocalist andfounder, pastor Mark Mohr. With their blend of traditional roots and contempo-rary dancehall reggae, they proclaim an uncompromising message of hopeand salvation to a lost generation. After two decades, the band is goingstronger than ever with a new album and a relentless tour schedule. Wecaught up with Mark as he was about to depart for the 2010 Marlin Awards inNassau, Bahamas (where he is a nominee for multiple projects). RR: Mark, can you give us a little background on Christafari, for those whoare unfamiliar with it, how did you get started?MM: Christafari started at a talent show back in 1989, just two weeks after I trulysurrendered my life to Christ. It was at a Christian camp and the Lord gave me asong during my devotional time. I asked the worship team if they could back mefor a reggae song and they said “Sure, so youʼre not a Rastafarian anymore,youʼre a Christafarian.” The name stuck and I eventually formed my own band. RR: You started Christafari over 21 years ago, Iʼm sure a lot has changedsince then.MM: Yeah, a whole lot has changed. It used to cost $70,000 to cut a record andwe used to track everything in whole takes to analog tape with only 24 tracks. Thegiant tape machine has been replaced by a computer. I own my own studio andthe possibilities are endless. Touring was also very different before the age of theGPS and the cell phone. RR: How have you changed?MM: Iʼve grown up a lot. As I get older and start to see a few grey hairs, I amreminded of the Proverb that says they are a sign of wisdom. I wouldnʼt changethat wisdom for anything. The seventeen-year old Mark of 1989 was an arrogant,impatient and zealous punk. I guess I felt like I had to be that way because at thetime, I was leading a band full of guys that were much older than me. Things havechanged over the years. Now everyone in my band is younger than me. Obie (gui-tar) was four when I started the band! Iʼve learned to lead in a different way. I tryand trust in the Lord and not wrestle with Him when I canʼt have things the way Iwant them. After all, the Father does know best.

RR: What has remained the same?MM. My love for Jesus. The calling on my life. My mission, passion and love forreggae music burn just as bright two decades later. RR: Last year when you released “No Compromise” you gave away theentire CD and all artwork for free for the first 3 months—what inspired this? MM: Keith Green, hence the title. After twenty years I wanted to bless our fans andtry something different.

RR: How was the response?MM: Overwhelming! It crashed our servertwo times and brought us about 150shows in around 20 countries. Initially itwas a daunting task to give 6 monthsworth of work away for free just 24 hoursafter the recording was finished. And wetook a major financial hit for it. But I amconfident that itʼs what the Lord was call-ing us to do. The gospel is free and thisalbum needed to be free as well.

RR: What have you done since then? MM: Immediately after tracking “NoCompromise” we toured Europe for amonth with Dominic Balli and then SouthAmerica for thirty days with Nengo Vieira.It was a blast! You gotta see some of thevideo blogs from that tour on our YouTubechannel (ChristafariBand). Two majorthings happened in Colombia during thattour: Jabby met his wife Jacquie (the sax

player for the gospel reggae band Ziudad Real) and I resolved to record anotherSpanish album. Six months after returning from that tour “Reggae De Redención”was complete and we started touring again. Since then weʼve been all over theworld singing in both English and Spanish. In between these tours three of ourband members have gotten married, (Carlos, Jabby and Dannie), I producedGenemanʼs “Long Time” CD and we just finished Jennifer Howlandʼs solo debut,“Daughter of the King.” Weʼre currently working on some new music videos, anddubbing the next Christafari album. Then we gotta tour these albums!RR: Wow, thatʼs incredible! It sounds exhausting. You go nonstop and neverseem to lose your drive or focus, concert to concert, nation to nation; whatverse strengthens you most when you weaken and tire physically?MM: Yeah, just watch my video blogs and youʼll get exhausted! Itʼs insane operating on only two hours of sleep with all the flights, driving, six-hour sound checks and three-hour concerts. When times are tough, which they usually are, I rely on

2 Corinthians 12:9: “My grace is sufficient for you, for my power is made perfectin weakness.”

RR: What are your shows like? MM: High energy and a whole lot of fun. But I am an evangelist first and an artistsecond. So at every single show I give a clear presentation of the Gospel of Christwithout stopping the music. In the last 7 months weʼve had the honor of seeingover 3,500 give their lives to Christ at our concerts!

TTHHEE SSEECCRREETT TTOOCCHHRRIISSTTAAFFAARRII ’’ SS BBIIGG LL IIVVEE BBAASSSS SSOOUUNNDD

Reggae is all about bass! Avion tourswith a Steinberger Synapse XS-15FPA Custom 5-String Bass. Sheuses flat wound strings and EQʼs thebass and cabinet just right to get thatround FAT sound. Standard reggaebass EQing involves rolling off the top(hiʼs), boosting the midʼs and pump-ing up the low end. Add some tubedrive to an active bass and youʼll getthat big sound thatʼll rattle yourmomʼs China cabinet and break a fewsound ordinances. “Most of it is in thetechnique, EQing and laidback deliv-ery.” Says Avion Blackman, “Withreggae itʼs all about relaxing and fit-ting into the groove. If it were a car,the bassist would be in the trunk orhanging off the back bumper!”

RR: Can we expect another worship album any time soon?MM: Iʼm not sure how long it will take, but our next studio project is going to be areggae worship CD. Weʼll have some original stuff in there, but I also plan to dosome roots reggae interpretations of todayʼs hottest worship anthems. Iʼm surepeople are going to flip out when they hear this insane one-drop reggae groovewith thunderous bass only to realize that itʼs a Hillsong cover!

RR: Have you had any unique worship experiences on tour?MM: Yeah, weʼve seen some incredible things over the years. I remember duringone worship service that we played at in Holland, a deaf girl received her hearingback from the Lord. It was just a typical service for us, and after we played ourband had a group Bible study. During the study we were reasoning over whetherthe Lord still does miracles like Christ did in the Gospels. The next day we wereapproached by the girl who had received her hearing and our eyes welled up withtears as she shared her story of how the Lord healed her during the worship serv-ice. God is still in the miracle business!

RR: How have you managed to deal with opposition to your music ministryby Christians who should've been supportive?MM: I keep my focus and try not to get distracted. In most cases, our detractorsare not who we are trying to reach anyways. I donʼt believe I am called to arguewith modern day Pharisees or convince an old traditional bloke tolike reggae—theyʼre not our core audience.

RR: I think sometimes people have trouble distinguish-ing Christian Reggae from the Rastafari move-ment...can you talk about that a little?MM: While reggae may now be known for its associationwith the Rastafari faith and promotion of Ganja(Marijuana), its true foundation is the Christian church inJamaica. The first reggae artists began in the churchsinging popular hymns in this infectious style. Listento early Marley and youʼll hear it plain and clear.Virtually every single secular reggae artisttoday started singing in the church. Theproblem is that back in the day, Jamaicanchurches rejected the musical style and

insisted on sticking with their traditions(regrettably this is still the case in manychurches). When this happened, theartists were not welcome in their owncongregations. In search of a new spiri-tual fellowship they found the all-embrac-ing Rastafari faith.

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In short, many Rastas believe that Emperor Haile Selassie was Christ incarnate.They worship him as the King of Kings and believe that Ethiopia is Zion and oftenuse marijuana as a holy sacrament. In contrast, Christian reggae artists use theWord of God to bring the light of Christ to Rastas and the rest of the world overheavy drum and bass. Gospel reggae is growing fast. At my last count there areover 1,000 Christian reggae artists now singing redemption songs for the Lord!Gospel reggae is the fastest growing style of reggae. We are truly starting a reg-gae revolution!

Reggae DeRedención

To TheFoundation

Reggae SundaySchool

GravitationalDub

Gravity

Palabra, SonidoY Poder

No Compromise

Dub, Sound &Power

Word, Sound &Power

Valley ofDecision

Soul Fire

Reggae WorshipFirst Fruits

AVAILABLE AT WWW.GOSPELREGGAE.COM!

W W W . C H R I S T A F A R I . C O M

Back in the 80's Reggae musicwas all about “freeing Mandela” and“abolishing Apartheid.” Of all the musi-cal genres in the world, reggae has thelongest history of raising a voice for thevoiceless, exposing social injusticesand fighting for the downtrodden. Asthings settle in the wake of hurricaneKatrina and the earthquakes in Haiti, thecrime of indifference to human sufferingcontinues. What if I told you that there was a mas-sacre taking place on each continentthat is far worse than Darfur, the Congoor the killing fields of Caracas? “Whereis this genocide taking place?” You mayask. In the womb. It's abortion, one ofthe most common surgical proceduresin the world. This atrocity has claimedeven more lives than the JewishHolocaust of WWII.

The gas chambers of Auschwitzwere known for their “efficiency”when it came to the destruction ofinnocent people.A similar “efficiency” occurs in clin-

ics and hospitals that claim (just likethe Nazis did), that such killings arein the best interest of society. Everyday, approximately 4,000 innocenthuman beings are killed in the worstgenocide this planet has ever seen. In Psalm 82:4 we are commandedto “Rescue the weak and needy”and “deliver them out of the hand ofthe wicked.” Will you join us in tak-ing a stand?“This is a silent holocaust. Who isgonna mourn the loss of 50 millioninnocent gone?” (Protesters, Christafari &the Gospel Reggae All-Stars)

THE

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In the Spring of last year, 30 gospel reggae artists united to speakout through music for these innocent victims. The song was called“Protesters,” (released on Christafari's “No Compromise” album) and it fea-tured many of the top names in gospel reggae. We chose to use this song asan anthem for the Pro-Life Day of Silent Solidarity. This event (that takes placeevery October) is not your typical rally with picket signs or a Sunday concertin the park.

The concept for this day is simple: People from all over the world take a vowof silence for a day to stand up for these children. Red armbands and ducttape identify them as taking part in the Pro-Life Day of Silent Solidarity. Theycarry fliers explaining why they are silent and educate others about the plightof the innocent children we are losing every day.

When asked about the Pro-Life Day of Silent Solidarity, one participant said “Ispoke to about 6 or 7 pregnant girls and 4 of them told me that they were think-ing about getting abortions but after we talked they changed their minds. Itwas just an awesome day.” Each year, an average of 250,000 students partic-ipate on over 4,700 campuses in 25 countries. In the last seven years over400 lives have been saved!

When Christafariʼs Mark Mohr talked to me about writing a song for the Pro-life Day of Silent Solidarity, I was ecstatic! Christafari had first becomeinvolved with me in 1993 for a Rock for Life concert that was featured on MTVNews. Since then, many bands who were once unashamedly pro-life haveshied away from this message because itʼs just too controversial. ButChristafari has never once been afraid to lend a voice against this evil that iskilling almost 4,000 innocent human persons every day in America alone.

I was happy to see that Mark and so many other Reggae artists recognize thatabortion is truly an act of homicide; they are willing to take a stand when somany others cannot see the truth. Allowing abortion to fall into a more “politi-cally correct” category is akin to Nazi powers calling their mass genocide a“Final Solution,” rather than simple murder.

We have done the same thing. Callingabortion a “choice” or a “private matter” issimply giving homicide a less offensivename. Abortion is not a different act; it is adifferent method of committing homicide. Itis one person killing another person.

So many of us are compelled to take action tostop acts of homicide such as those in Darfur,the Congo or anywhere else; shouldn't wealso take action to stop the homicide thattakes place in abortion clinics?

Bryan Kemper, speaker & author of“Social Justice Begins In The Womb.”

Abortion is the killing of an innocent person. It is up to the living to speak outagainst this modern-day holocaust that has already taken the lives of over 52millions babies in America alone. Find out how you can be a voice atStandTrue.com

Three things you can do to make a difference: 1. Educate yourself. If you contact info@StandTrue.com and men-tion this article, they l̓l send you a free starter-pack of pro-life literature.2. Wear a pro-life T-shirt from prolifeworld.com or donate to a pro-lifeministry like StandTrue.com3. Pray for change and ask God for opportunities to share with others

“Rescue those who are being taken away to death;hold back those who are stumbling to the slaughter.If you say, ʻBehold, we did not know this,ʼ does nothe who weighs the heart perceive it? Does not hewho keeps watch over your soul know it, and will henot repay each man according to his work?”(Proverbs 24:11-12)

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What do Jennifer Howland, Whitney Houston, Mariah Carey

and Amy Grant have in common? They all started off as back-

ground vocalists. For the last 3-½ years Howland has been

honing her skills as an integral part of the band Christafari, per-

forming over 300 shows in 34 countries. As a lead vocalist

sheʼs been featured on Christafariʼs “Reggae Redemption

Songs II” and “No Compromise” albums including a solo in the

bandʼs hit video “Try Jah Love.” After years of experience and

positive audience responses to her songs, Christafari is now

backing Jennifer on her stunning solo debut. We caught up with

Jen on one of her final days of recording and she was brimming

with excitement over the project.

What do Jennifer Howland, Whitney Houston, Mariah Carey

and Amy Grant have in common? They all started off as back-

ground vocalists. For the last 3-½ years Howland has been

honing her skills as an integral part of the band Christafari, per-

forming over 300 shows in 34 countries. As a lead vocalist

sheʼs been featured on Christafariʼs “Reggae Redemption

Songs II” and “No Compromise” albums including a solo in the

bandʼs hit video “Try Jah Love.” After years of experience and

positive audience responses to her songs, Christafari is now

backing Jennifer on her stunning solo debut. We caught up with

Jen on one of her final days of recording and she was brimming

with excitement over the project.

21

“One of the most important things ina Christianʼs life is learning to walk

with the Lord on His terms, not ours.”

22

RR: To some youʼre new on the scene, but youʼve been doing gospel reggae for years. Give us an idea of who Jennifer Howland is?JH: Iʼm from Louisville, Kentucky, and was raised in a typical African Americanfamily. I learned how to sing from my dad and was raised in the Church, so Igrew up around gospel music. When I was 24, I had the opportunity to move toCalifornia where I eventually joined Christafari, and Iʼve been on the road eversince.

RR: Musically, what does this album sound like?JH: The foundation of the album is roots reggae and loverʼs rock. It also hassome dancehall vibes with elements of hip-hop where I both deejay and sing-jay.Thereʼs even one Brazilian acoustic song where I sing in Portuguese! So muchfun!

RR: Tell us about the lyrics on this project.JH: On this album I take the listener on a journey through the eyes of a misdirected young girl and follow her transformation to become a Daughter of the King. This project is my opportunity to

give an honest testimony about my experiences as an unbeliever and share the changes that have taken place

in my life since I came to the Lord.

RR: Are there any themes on the album?JH: The main theme for the album is knowing

your true identity in Christ. We chose the title “Daughter of the King” not to say that

Iʼm royalty, but to bring attention to the fact that we are all children of

the Most High God. If every believer recognized their true identity in Christ, the world

would be a very different place.

RR: Any guest appearances? JH: Several gospel reggae all-stars

have blessed the album including Christafari, Sherwin Gardner, Monty G,

Lynette White, Solomon Jabby, Avion Blackman, Geneman, BenJah and

Dillavou (Lovʼd Ones).

23

RR: Of course all your bandmates Mark, Avion and Solomon are on it andthe band backed you. What has it been like touring with Christafari for thelast three years?JH: Touring with the guys has been such an amazing experience. We are reallya family and I love seeing the world with the band. There are some restlessnights and long days but we really pull together as a team and get the job done.

RR: What was the recording process like for you?JH: The Song writing process was the most difficult for me. I wanted the songsto be my personal testimony. My goal was to address many issues that I strug-gled with in the past. I believe that we shouldnʼt forget where we come from, andshould use our experiences to help others get out of similar situations. One ofmy favorite parts of the recording process was working with the talented musi-cians of Christafari. Each of the guys has an amazing talent and really camethrough with professional skill.

RR: In your debut single, “No Other Man” you talk about how there is noother man that compares to Jesus. What is your message to singlewomen?JH: I would just like to encourage single women, no matter what age, to trustthe Lord. One of the most important things in a Christianʼs life is learning to walkwith the Lord on His terms, not ours. He wants us to seek after Him with ourwhole heart. Often times I repeat the beginning of the 23rd Psalm to myself,“The Lord is my Shepherd, I shall not want.” It helps me to remember that theLord is the only One Who makes me whole.

RR: Amen! Tell us an experience in your life that you know without a doubtthe Lordʼs hand was moving.JH: There was a time in my life where I was into very self-destructive behavior.Drugs and other things had such a hold on me, I was literally enslaved to sin.But when I was about 24 years old, I got the opportunity to move to Californiaand I didnʼt know it at that time, but this was an “appointment” by the Holy Spirit.The Lord called me out of my hometown and called me unto Himself. When Iarrived in California, thatʼs when my life of faith really began. Thatʼs a time in mylife where I can look back and say that the Lordʼs hand was moving and makingplans for me and I didnʼt even know it.

RR: What does BEING a Christian mean to you?JH: Being a Christian means being a follower of Jesus Christ. We learn how tolive by looking at Jesusʼ life and ministry, no matter the cost, obeying Godʼs wordand keeping a close communion with our Father in heaven.

RR: Describe your relationship with the Lord?JH: Everyday I am learning how to love the Lord with my whole heart. There isa daily renewal process that must occur in the life of a believer. For me, themost important thing is to withhold nothing from Him. I pour out my heart dailybefore the Lord. In doing this, I believe it builds an intimacy that I take with meeverywhere that I go.

���

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SHARES ABOUT MUSIC, FAITH, FAMILY & FOOD

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Hailing from the twin-island Caribbean Republic of Trinidad and Tobago,Avion Blackman was raised in the jungle by her mother Claudette Blackmanand father Ras Shorty I, the inventor of Soca Music (an original beat wasborrowed by dancehall and Reggaeton). Avion was brought up in a verylarge musical family with 24 brothers and sisters! Every single one of themis a musician and most have recorded albums (including her youngestbrother Isaac Blackman). They were all raised on a healthy diet of worldmusic and the Word of God. Avion is now living in California and married toChristafari front-man Mark Mohr. In addition to her solo work, she plays bassand sings with Christafari. We caught up with Avion in San Diego to ask hersome questions about her upbringing, her father, music, fashion and food.

RR: You have a very famous father. Tell usa little bit about his career.AB: In the 60s and 70s, his singing name wasLord Shorty. He was a famous Calypso singer;he used to travel all around the world doingmusic. Around 1978 major changes startedtaking place in his life. During that time hebegan to do a lot of soul searching. It was along journey. He went into Buddhism lookingfor God. He didnʼt find the Lord there. He wentto Hinduism, he tried Islam, philosophy,Rastafarianism and then he finally foundChrist in Christianity.

RR: So what happened after he came toChrist?AB: Major transfomation. He went through a drastic change, from being rich withall these things, then all of a sudden he just didnʼt want any more of it. He took allof his earthly riches, fancy jewelry and stuff and threw it into the sea! He just gaveaway all of his nice clothes and started wearing sackcloth. He was walking withbare feet in the streets of Port of Spain and everybody thought he was crazy! Ittook a lot of Trinidadians years to realize he wasnʼt. He was just an extremist. Wewere living in a big house in the city and he suddenly moved us all out into the jun-gle. He ripped us out of the school system and we were home schooled from thenon. Life was tough for us because we basically lived off the land.

RR: What was it like being raised in the Jungle? I canʼt imagine what it wouldbe like living without electricity, television, a phone and all the other crea-ture comforts that weʼve grown accustomed to. AB: At times it was peaceful without the distractions of city life. When I became ateenager it drove me crazy because we were so isolated. When my dad neededto make a phone call heʼd climb to the top of a mango tree with his cell phone.There was always an instrument being played or a song being sung. We used toconnect our radio to a car battery and rock out to the hits when our parents werenʼtaround. Weʼd swim in the river every day, and truly lived off the land, growingalmost everything that we ate.

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RR: When would you say you became a Christian in the real sense?AB: At 12 years old. Thatʼs when I personally said this was my decision and I tookJesus as my Lord and Savior.RR: How did you get into music?AB: During the change that my father went through he said, “You know what, Iʼmgoing to spend time with my family and teach everybody music.” It was a lot ofwork. We practiced every day, but we had a lot of fun. We performed as a familyband called “The Love Circle” and my dad had me singing solos on stage beforethousands by the age of 4. We used to perform all over Trinidad and theCaribbean and then started going to Europe and some parts of America.RR: What are you trying to communicate in your solo albums?AB: Some people might think there is a whole lot of Jesus in it. And Iʼm like “Well,thatʼs how I feel about God: I love Him and if I love somebody, I talk about them awhole lot.” There are certain parts of my albums where I talk about struggles anddisappointments that we all face in life. Then there are songs where I sing aboutlove and my relationship with my husband and how much I love him.RR: You've lived quite an eventful life, based on your bio; are your songsstill influenced by your childhood spent in the jungle?AB: Definitely, I had such a rich upbringing. Though we had little (no runningwater, electricity, etc…), with 24 brothers and sisters, all playing music, the funnever ended. It still continues in my life today, and I often draw from my earlierrelationships and heartbreak when writing tracks such as “You.” RR: How did your music end up being used for General Hospital, One Lifeto Live and other TV shows? AB: My friend who produces a bunch of songs for ABC called me out of the blueone day. He had heard my first album and thought of me when ABC requestedsomething “romantic.” Since then, theyʼve been very receptive to our work andpicked up over a dozen songs so far. I was even featured in Soap Opera Digest.Theyʼve given us complete creative freedom to write from our hearts--Itʼs a greatrelationship!RR: Tell us something that we donʼt already know about Avion. AB: I am actually a pretty quiet person and very shy. I donʼt like public speaking--who does)? I am uncomfortable in most interviews. I spend most of my free timeon fashion. I love collecting images of cool outfits like the “Sartorialist,” sketchingideas, then cutting and sewing my own designs. RR: So you sew your own outfits for stage from scratch?AB: Yeah, most everything that I wear on stage and in videos is my originaldesign. Back in Trinidad I used to have my own clothing line and shop called“Jamoo Designs.” Iʼd clothe my whole family, other artists and even held regularfashion shows. RR: Wow, you sound like a real “Proverbs 31” woman -- sewing outfits forthe whole family. Did you do any cooking also? AB: Yeah, sometimes I used to feel like Cinderella with all the sewing, cleaning,laundry and cooking that I did as a kid. I started helping in the kitchen before my

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teens. By the time I was14, I was cooking most ofthe meals myself. It was awhole lot of mouths tofeed—a never endingcycle!

RR: Do you still cookmuch now that youʼreliving with your hus-band in LA?AB: Yes, I love to cook; itis one of the few waysthat I can ensure that weare eating healthily. Wealso have a juicer and Ilove making my own natu-ral juices. I've alwaysenjoyed eating fresh andhealthy foods. When Iwas a kid I loved eatingtomatoes right off thevine. If you asked mewhat I wanted to be whenI grew up I would say “Avegetable!” When my dadwould go out on tour andask “What do you wantme to bring home for youAvi?” I would answer “ATomato.” I usually got adoll instead.

RR: Thatʼs hilarious!Would you be so kindas to share your favoriterecipe with the readersof Reggae Revolution?AB: Sure. Iʼd love to showyou how to make someproper Trinidadian CurryChicken. Itʼs my hus-bandʼs favorite recipe anda hit at band practicesand our private parties.���

AVIONʼS TRINIDADIAN CURRY CHICKEN

YOU'LL NEED...10 boneless chicken thighs1 tbsp. minced garlic3 tbsp. green seasoning (If you can't find it in astore near you, order it on Amazon.com or make itfrom scratch with this recipe:http://caribbeanpot.com/tag/trinidad-green-seasoning

1 tsp salt (or to taste)1/2 tsp. of hot pepper (black pepper) or (Caribbeanpepper)2 tbsp. vegetable oil4 tbsp. curry powder (preferably Chief CurryPowder. Order online at: Amazon.com1/2 cup chopped tomatoes1/2 cup chopped onion1/2 cup hot water

DIRECTIONS...1. Cut chicken into small pieces and season withgarlic, green seasoning, salt and pepper.2. Marinate for 30 minutes or longer.3. Heat oil in skillet or deep non-stick pot.4. Mix curry powder with 1/4 cup of water untilsmooth; add to hot oil and cook for 2-3 minutes.5. Add chicken and stir to coat in curry; allow allwater to dry out; stir well about 10 minutes).6. Add tomatoes and onion, cook for a minute; stirin 1/2 cup of hot water.7. Lower heat to medium; Cover and cook untilmeat is tender; Add more water if you want moresauce.8. Adjust salt and pepper to taste.Serve with Rice and roti/naan bread

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Since its inception, Reggae music has been the primary medium for spread-ing the message of the Rastafari faith worldwide. While there is no set beliefsystem that all rastas share in common, the veneration of Haile Selassie I(Ras Tafari) is one point that all believers of the faith can agree on. Many seeSelassie as God on the Throne, others as Christ returned and some viewhim as the personage of Christ (or Christ in His kingly character). If you consider yourself Rastafarian, the name alone implies that you are a follow-er of Ras Tafari. And if you truly follow someone, it stands to reason that you wouldstudy their teachings, words and actions and make sure that your life aligns withtheir precepts. The same way that Muslims study the writings of Muhammad, or aBuddhists adhere to the teachings of the Buddha, it only makes sense that a truefollower of Haile Selassie would carefully dissect his speeches, interviews andautobiography. Thankfully Selassie left us a plethora of teachings to follow. Hereare just a few of his statements of faith...

TT HH EE BB II BB LL EE"We in Ethiopia have one of the oldest versions of the Bible, but however old theversion may be, in whatever language it might be written, the Word remains thesame, It transcends all boundaries of empires and all conceptions of race. It iseternal... from early childhood I was taught to appreciate the Bible, and my lovefor it increases with the passage of time... Today man sees all his hopes and aspi-rations crumbling before him. He is perplexed and knows not whither he is drift-ing. But he must realize that the Bible is his refuge and the rallying point for all humanity. In it man will find the solution to his present difficulties and guidance for this future action, and unless he ac-cepts with clear conscience the Bible and its great message, he cannot hope for salvation. For my part I glory in the Bible." Haile Selassie I (The Bible Speech)

RR AA SS TT AA FF AA RR II AA NN SS"Man cannot worship man." Haile Selassie I(Interview with Bishop Yesehaq)"I met certain Rastafarians. I told them clearly that 'I am a man,' that 'I am Mortal,' and that 'I would be replaced by the oncoming gener-ation, and that they should never make a mistake in assuming or pretending that

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the human being is emanated from a deity." Haile Selassie I (Interview with BillMc Neil)

CC HH RR II SS TT && CC HH RR II SS TT II AA NN II TT YY"With the birth of the Son of God an unprecedented, an unrepeatable, and along-anticipated phenomenon occurred. He was born in a stable instead of apalace, in a manger instead of a crib. The hearts of the wise men were struckby fear and wonder due to His majestic humbleness. The kings prostrated them-selves before Him and worshipped Him. "Peace be to those who have goodwill." This became the first message. When He sacrificed Himself at Golgothafor the atonement of our sin, He prayed with his last breath for the forgivenessof those who had tortured Him, saying, "Father, forgive them for they know notwhat they do." Shame on those of us who are Christians and do not follow theway of the Savior of the world, Whose life was filled with kindness, humility, andmartyrdom!" Haile Selassie I (Tradition of Roots Christianity)

SS II NNWhen Jesus Christ was born of the Virgin Mary, from that time on He lived anexemplary life, a life which men everywhere must emulate. This life and the faithwhich He has taught us assures us of salvation, assures us also of harmony andgood life upon earth. Because of the exemplary character of the life of JesusChrist it is necessary that all men do their maximum in their human efforts to seeto it that they approximate as much as they can the good example that has beenset by Him.... From time to time we make mistakes. We do commit sins, buteven as we do that, deep in our hearts as Christians we know we have a chanceof forgiveness from the Almighty. He taught us that all men are equal regardlessof sex, their national origin, and tribe. And He also taught us all who seek Himshall find Him. To live in this healthy life, a Christian life, is what makes me fol-low Jesus Christ." Haile Selassie I (Interview with Dr. Oswald Hoffman, 1968)

SS AA LL VV AA TT II OO NN"I would tell a person who was considering the claim of Christ for the first timethat it is necessary to have faith in the Almighty, that it is necessary to have love,and that it is necessary to conduct oneself in a manner that we have been taughtto do in the Bible." Haile Selassie I (Interview with Dr. Oswald Hoffman, 1968)

"However wise or however mighty a person may be, he is like a ship without arudder if he is without God. A rudderless ship is at the mercy of the waves andthe wind, drifts wherever they take it and if there arises a whirlwind it is smashedagainst the rocks and becomes as if it has never existed. It is our firm belief thata soul without Christ is bound to meet with no better fate. The love shown by ourGod to mankind should constrain all of us who are followers and disciples ofChrist, to do all in our power to see to it that the message of salvation is carriedto those of our fellows who have not had the benefit of hearing the good news."Haile Selassie I (Address to the World Evangelical Congress, 1966)

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EE VV AA NN GG EE LL II SS MM"The propagation of the Christian Faith among the nations has become a task ofparamount importance in this age.... We have labored that the Holy Scriptures andthe books left to us by the Church Fathers be multiplied by means of modern print-ing techniques and be distributed to all.... We have helped and will continue tohelp the missionaries who are sent from other lands to preach the Gospel to thoseof our people who have not come to the knowledge of God's saving grace.... [T]hisage above all ages is a period in history when it should be our prime duty topreach the Gospel of grace to all our fellow men and women. The love shown inChrist by our God to mankind should constrain all of us who are followers and dis-ciples of Christ to do all in our power to see to it that the Message of Salvation iscarried to those of our fellows for whom Christ our Savior was sacrificed but whohave not had the benefit of hearing the Good News... Therefore, O Christians, letus arise and, with the spiritual zeal and earnestness which characterized theApostles and early Christians, let us labor to lead out brothers and sisters to ourSavior Jesus Christ, Who only can give life in its fullest sense!" Haile Selassie I(Address to the World Evangelical Congress, 1966)Haile Selassie was a godly man-but according to his own testimony he was notGod. He was a Christian man, but denied being Christ. By his own admission hewas a sinner who heavily relied on the grace and forgiveness of his Savior JesusChrist. Selassie was an avid Bible reader and devout follower Jesus Christ. If you consider yourself a Rastafarian I implore you to follow whom he followedand pray to whom he prayed. For the Bible clearly states that Christ is Lord, andthe only One that can save you."Salvation is found in no one else, for there is no other name under heaven givento men by which we must be saved." (Acts 4:12)"That at the name of Jesus every knee should bow, in heaven and on earth andunder the earth, and every tongue confess that Jesus Christ is Lord, to the gloryof God the Father." (Philippians 2:10-11)"Which He exerted in Christ when He raised him from the dead and seated Himat his right hand in the heavenly realms, far above all rule and authority, power anddominion, and every title that can be given, not only in the present age but also inthe one to come. And God placed all things under His feet and appointed Him tobe head over everything for the church..." (Ephesians 1:20-22) The Bible also states that God loves you. "For God so loved the world that Hegave His one and only Son, that whoever believes in Him shall not perish but haveeternal life." (John 3:16)

The Word of God further declares that you are a sinner and this sin separates youfrom God. "For all have sinned and fall short of the glory of God." (Romans 3:23)

The punishment that you have earned for the sin you have committed is death andhell, "For the wages of sin is death..." (Romans 6:23). But God loves you so muchthat He took your place, and died for you. He paid your price as a substitute. "But

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God demonstrates his own love for us in this: While we were still sinners, Christdied for us." (Romans 5:8)As sure as the Wages of sin are death, the FREE, yes, I said FREE gift of God iseternal life in Christ Jesus our Lord." (Romans 6:23). You cannot earn this gift, orwork to receive it in any way. You need only to receive it and believe in His name."That if you confess with your mouth, "Jesus is Lord," and believe in your heart

that God raised him from the dead, you will be saved. For it is with your heart thatyou believe and are justified, and it is with your mouth that you confess and aresaved." (Romans 10:9-10)

T O D A Y I S T H E D A Y F O R Y O U R S A L V A T I O NDo you desire to be saved from the punishment of your sin? Do you wish to haveall of your sins forgiven and cleansed? Do you believe in Jesus and wish to makeHim the Lord and Savior of your life? Do you desire to follow Him for all eternity?If so please pray the following prayer with your heart focused on Jesus:Jesus Christ, I realize that I am a sinner. I thank You Lord for dying on the crossfor my sins. Please forgive me of all my sins, and cleanse me of my unrighteous-ness. I thank You for raising from the dead three days later. In that same wayplease give me new life. Holy Spirit come inside. Take control of every aspect ofmy life. Jesus I make You Lord and Savior, help me to follow you all the days ofmy life. I love You Lord, Amen.If you just prayed this prayer please let us know! We would love to hear from you: info@christafari.com

‘Imisi’s New EP

Soothing gospel roots and loverʼs rockstraight from the South Pacific

Available Now atiTunes &

GospelReggae.com!

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JenniferHowlandDaughter of theKing

While Jen has been described as“Beyonce meets Bob Marley,” hersound is far more versatile than this.Her “Daughter of the King” album is amulti-faceted recording that adds ele-ments of dancehall, hip-hop, R&B,Gospel, acoustic and Samba to itsroots reggae foun dation. Over percolat-ing rhythms and bouncy beats, thespunky Howland is genuinely captivat-ing. Whether she softly sings, raps (inJamaican Patois) or passionately wails,Jen is both sweetness and power inone beautiful package.

This CD Features a lively reggae ver-sion of Amy Grant's #1 Mega Hit, “BabyBaby” and guest appearances byBenjah, Christafari, Avion Blackman,Sherwin Gardner, Tiago Costa, MontyG and Solomon Jabby. Overall, Jen is apowerhouse and her sound is bestdescribed as ʻreggae got soulʼ thatʼssure to win souls for the Kingdom. Onething that separates this project fromothers is Jenʼs candid testimony thatpeppers the songs. On “No Other Man”she raps; “I used to pop pills and thenIʼd smoke weed… but out of ashes Hemade beauty. He gave me some loveand some self esteem—And now I ama daughter of the King.” Sounds Like: Tanya Stephens,Lady Saw, Rihanna, Diana King,Beyonce, Chevelle Franklyn andLynette White

Rogé Abergel& KingdomCultureOnward andUpward

When thinking of African reggae, thefirst artists that come to mind are AlphaBlonde, Majek Fashek and LuckyDube, but this vast continent has somuch more to offer. Born in Morocco(North Africa) and raised in the IvoryCoast (West Africa), Rogé Abergel(pronounced Row-jay Aber-jel) provesthe old adage that you should neverjudge a book by its cover. While Rogémay not look like your typical reggaeartist, his sound is undeniable. Onwardand Upward is an organic offering ofgospel reggae with a nostalgic soundreminiscent of Bob Marley and BurningSpear with a 21st century twist.

It is rustic roots reggae with a relevantmessage. Rogé isn't just a talentedsinger, he's also a pastor of a vibrantchurch in Van Nuys, CA. On the albumthis gifted artist draws inspiration fromhis genuine faith, echoing the cries forspiritual liberation often associated withthe genre. Standout tracks include"Righteous Warrior," "Go Ye," and"Jerusalem." Backed by members ofthe Christafari crew and recorded byMark Mohr and Solomon Jabby, this issoul shaking roots and dub at its best!For more info on Rogé, his CDs, MP3downloads and everything else that isgospel reggae check out gospelreg-gae.com. Sounds Like: Burning Spear,Alpha Blonde, Christafari, SolomonJabby and Bob Marley

All CDs available in stores and online at www.GospelReggae.com

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AvionBlackmanSweet Life

Sweet Life is a beautiful follow-up toAvion's award winning solo debut,Onyinye (ALBUM Of The YEAR).Unlike her previous album that was pri-marily acoustic, this time around thisstaple member of the group Christafaripaid tribute to her Caribbean heritage.Sweet Life has been described as “Abreezy blend of organic roots reggaewith echoes of folk, worship, World,soca, R&B and neo-soul.” It's theWailers meet Sade with an urban flare!In addition to reggae (thatʼs predomi-nant throughout), there are touches ofNeo Soul (Sweet Life), R&B (Strengthto Strength), World Music (As WeTumble), and Worship (Yeshua).

Her soothing songs on love and rela-tionships are truly inspirational andbrimming with honesty. This is a gor-geous album that is sure to calm yourmind and inspire your soul! Avion'ssmile and spirit shine through hermusic as she sings sunny songs ofhope and faith over reggae infusedsoulful ballads.

Sounds Like: Ayo, Sade, Asa andNorah Jones

ChristafariReggae deRedencion

While theyʼve beendescribed as "Bob Marley and SteelPulse meets Sean Paul and BujuBanton," Christafari has truly carved

out their own signature sound over thelast 21 years. "Reggae De Redención"is the band's 12th studio release andsecond Spanish album. It includesguest appearances from Rescate(Argentina), El Soldado (Costa Rica),Ziudad Real (Colombia), 'Imisi (Tonga),Rogé Abergel (West Africa) and S.O.G(California). Other noteworthy contribu-tions come from Christafari membersSolomon Jabby, Jennifer Howland andAvion Blackman. Avion (who playsbass and is married to Mohr) is fea-tured on four tracks including the megahit "Yeshua."

Themes on this album vary from pas-sionate worship (Yeshua, Mesias andBrilla Sobre Mi) to powerful evangelism(A Puro Grito, Cualquiera and PruebaSu Amor). On "El Paso De La Libertad,"Mohr sings of how the Lord set him freefrom drug addiction. The "El Prodigo"track alludes to his journey from livingon the streets as a runaway youth toreturning home.

The impetus for this project came inlate 2009 while the band was touringColombia, Ecuador and Peru.Christafari front-man and founder MarkMohr decided to transform 7 songsfrom the group's 20th Anniversaryrelease "No Compromise," 5 songsfrom their top selling "To theFoundation" and add in AvionBlackman's "Yeshua" for good meas-ure. The end result is an incredible col-lection of hits that range from roots todancehall while touching on elementsof loverʼs rock, niyabinghi, rock, hip hopand ska—All performed in Spanish.

Sounds Like: Bob Marley,Gondwana, Cultura Profetica andSteel Pulse

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GenemanLong Time

Hailing from thesunny Atlantic isleof Bermuda,Geneman is oneof gospel reggae's original pioneers.His first international hit was onChristafari's award winning"Emancipation Proclamation", a songthat galvanized him as one of the root-siest vocalists in reggae. His first twoalbums were "Righteous in Christ" and"The Light." It's been a Long Timesince his last studio recording and thistime around he joined up with awardwinning producer Mark Mohr andtransformed his digital soundscapeinto something far more organic. Theend result is his most foundationalproject to date. Backed by the musi-cians of Christafari this CD containsonly live instruments and is full ofheart-pounding bass-lines and full-bodied horn melodies. It's primarilyone-drop roots reggae with elementsof loversʼ rock dancehall nyabinghiand dub. With the most animated anddistinct voice in the genre, Genemanpassionately sings about his love forthe Lord and heart for the worldthrough lyrics packed with the Word ofGod and full of the Spirit's power. Oneword to describe Geneman is genuine.He is the real article; an authentic soulwith an unparalleled passion for theLord. Geneman's love for Jesusbleeds through every single track onthis album and undeniably ministers toeveryone that he comes into contactwith.

Sounds Like: Culture, Groundation,Eek-A-Mouse, John Brownʼs Body andIsrael Vibration

Monty GWorldDomination

Ask any GospelReggae fan to name some of theirfavorite artists, and Ramont “Monty G”Green is sure to top the list. Born inthe cultural melting pot of Miami,Florida and raised in the sizzlingCaribbean city of Freeport, Bahamas,Monty G is no stranger to the GospelReggae arena. In 2002, he connectedwith Christafariʼs record label, Lion ofZion Entertainment, to release“Revolution,” a truly revolutionary mix-ture of authentic dancehall, reggae,and hip-hop. Since then, Monty G hasfirmly established himself as one ofthe most fervent leaders in the GospelReggae movement, not only as a top-selling artist, but as producer, engineerand head of his very own record label,Lion of Judah Sounds. Now, onceagain, Lion of Zion Entertainment isproud to re-connect with Monty G andhis Lion of Judah imprint to release“World Domination.”

“World Domination,” finds Monty Gcontinuing to refine his sound, mixinghardcore hip-hop, upbeat pop hooksand authentic dancehall into his veryown signature sound. Itʼs clear thatMonty is equally comfortable along-side the likes of Kanye West or LilWayne, as he is Beenie Man orDamian Marley. What, however, is thekey defining factor? Song after song,Monty G is able to communicate hismature Christian faith through similes,metaphors and lyrics that are easilyunderstood by todayʼs youth. Perhaps,thatʼs why “World Domination,” is sucha fitting title: Monty Gʼs hybrid hip-

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hop/reggae style is such that it tran-scends the reach of Gospel Reggaeand can seamlessly cross over intothe secular arena.

Sounds Like: Lil Wayne, SeanKingston, Kanye West, Nas andDamian Marley

DominicBalliPublicAnnouncement

With a signature flat-pick guitar lineand a triumphant cry, singer extraordi-naire Dominic Balli burst on the scenewith "Rebel Movement," the militantcry of a revolutionary. This explosivesong kicks off Public Announcement, astunning solo debut by the SouthernCalifornian native.

Public Announcement fuses reggae,rock, and hip-hop flavors to create asound that is truly refreshing andinspirational. Full of soulful melodies,pounding bass lines, spitfire raps andinfectious hooks, this album is capti-vating from top to bottom. The projectis brimming with passion and authen-ticity as Dominic sings heartfelt songsof freedom, hope, love and salvation.With empowering lyrics, addictinghooks and brilliant arrangements,Public Announcement is a sonic per-fection that is sure to stir your spirit!

Sounds Like: 311, Matisyahu,Sublime and Wyclef Jean

PositiveNever Let Go

From the sunnyCaribbean shores ofTobago comes thehottest new voice ingospel reggae. From his onset as anartist, Positive, (born Joel Murray), hasseen unprecedented success in thegenre. Every one of his singles hasdominated the charts (on bothChristian and secular stations)throughout the Caribbean. "Never LetGo" is 14 heartfelt songs of modernroots and lovers rock with a touch ofniyabinghi. Guest appearances includetop gospel reggae sellers like MontyG, Sherwin Gardner and Mr. Lynx.This album is a partnership betweenLion of Zion (Christafari's label) andMonty G's Lion of Judah imprint. Itembodies all there is to love abouttoday's positive reggae. With crispproduction by DJ Frost this stunningdebut is sure to put the talented andsincere Positive on reggae's top shelf!One look at the song titles and you'llrealize that these are songs of a sur-vivor who even in the toughest oftimes has refused to give up hope. "In2003 my only sister died from menin-gitis and in 2007 my mother died ofcancer." Said Positive. "Through allthis I've remained faithful to the min-istry and have been able to findstrength from God through the musicHe gave me." While many of his lyricswere penned from a place of pain andloss, Joel Murray insists on remainingPositive and recording upliftinganthems that encourage others to per-severe.

Sounds like: Gyptian, Jah Cure, IWayne and Gentleman

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SolomonJabbyFirmly Plantedin Dub

For well over adecade, roots/dub artist SolomonJabby has been studying and perfect-ing his craft of classic dub and rootsreggae. After releasing two full-lengthdub albums (Rootical Revelations andZion Gates), Jabby took a bold stepforward with 2007's "Firmly Planted," afull length vocal album that showcasedthe pinnacle of his artistic develop-ment: a resounding work of expertmusicianship classic roots-centeredvocal style and authentic spiritualdepth.

With “Firmly Planted in Dub,” Jabbyrevisited this body of work with thetask of creating something completelynew; an album that invites the listenerdeep into the heart of the songs, high-lighting each instrumental performancein true dub fashion. This exciting newwork finds Solomon refining his oldschool dub talents and adding severalnew dubs that didn't make it onto theoriginal Firmly Planted release.

Sounds Like: King Tubby, PrinceJammy and The Scientist

SherwinGardnerBorderless

Sherwin Gardner,Trinidad andTobago's favoritemusical son, is about to electrify theGospel music world again with the

highly anticipated release of his CDBorderless. Created as a testament tothe vastness of God, Borderless is setto blaze a trail of glory for Christ.Though just in his early thirties,Gardner is a veteran in the musicindustry. According toGospelReggae.com, heʼs the 2ndbest-selling Gospel Reggae artist inthe history of the musical genre. Nowwith this newly intensified mission andministry in hand, this multi-award win-ner is determined to use Borderless tocross all boundaries including age,class, economic status and race toshare the message about the omnipo-tent power and authority of God.

This CD features artists like DamitaHaddon, Jonathan Nelson and MarvinWinans, Jr. Its sound is an internation-al fusion of Gospel, Reggae,Dancehall, Hip Hop, R&B andReggaeton. Through each song, hereveals the layers of man's daily walkwith God, and from it, the lessons offaith, perseverance, submission,redemption and revelation learned.Borderless is truly aligned withSherwin Gardner's personal ministry.He believes this CD will "show today'syouth the limitless power of God. Nomatter where they come from or whattheir present situation looks like, Godcan and will use them to impact livesin ways they canʼt even begin to imag-ine".

Sounds Like: Israel Houghton,Sanchez and Sizzla

All titles available at WWW.GOSPELREGGAE.COM

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Mr. LynxSeeds YouSow

Hailing from theBahamas comesMr. Lynx, a versatile vocalist with ananimated sound and original flow. Eversince he exploded on the scene in2001, he's been one of the mostprominent voices in the genre and fea-tured on over 30 albums. Mr. Lynxwas given his name for his small size,prowess and amiability, as he is soeasygoing. It's been said that heeffortlessly "links" up with others." On"Seeds You Sow," Lynx gives us bothhis patented gruff DJ sound andsmooth sailing vocals with meditativemelodies. He has an uncanny ability toeffortlessly switch from singer to dee-jay in the blink of an eye. The wealthof diversity that this gifted father of twobrings to the table doesn't just stop athis vocal style.

Lyrically, the album addresses a hostof subjects from love (I've Got Love)and loss (Not Forgotten) to encour-agement (Live Your Life For Christ)and judgment (Put We Down). For 16tracks Lynx is a distinguished word-smith, cleverly syncopating his thickBahamian patois lyrics over the kickand snare. Whether he is worshippingthe Lord (Love You In Truth) or rebuk-ing sin (Not Going Down, featuringMonty G), Mr. Lynx never ceases tocaptivate with every note and inspirewith every word. The overall theme ofthe album is that the seeds we sowtoday we will reap on judgment day.This theme is apparent in his captivat-ing choruses throughout as he chal-

lenges all listeners to "Choose this daywhom you'll serve" and to "Live yourlife for Christ."

Sounds Like: Red Rat, Mr. Vegas andCapleton

JermaineEdwardsDestiny

JermaineEdwards is one ofJamaicaʼs mostbeloved praiseand worship artists. He has a soulfulvocal tone similar to John Legend andhis own distinct smooth gospel reggaesound that instantly puts the listener atease. The best tracks are “Johnny,” aprofound song to be penned by thispastorʼs kid, “Love and Devotion,” anintimate worship track and “Make YouSmile,” the sweetest lyrics that a fol-lower of Christ can sing at the end ofthe day.

Every time you play this album, in par-ticular “Rain Down” and “Peace In MySoul”, your soul will be set on fire. Likethe Prophet Jeremiah said "I feel likefire shot up in my bones." If you wantto dance and praise you have songslike “Lift Jesus Higher” featuring DJNicholas and “Thank You” featuringJason Mighty. Destiny is a divinealbum and a great addition to any col-lection.

Sounds Like: John Legend, WyclefJean, Israel Houghton and FredHammond

Ronakam Music & Amir-Omega Corp. present

the highly anticipated s ophomore release from

AQUANNETTEChinnery

Ronakam Music & Amir-Omega Corp. present

the highly anticipated s ophomore release from

AQUANNETTECChhiinnnneerryy

AVAILABLE NOW IN STORES AND ONLINE AT GOSPELREGGAE.COM & ITUNES.COM!

For booking, contactTel: (340) 201-4347Email: ad2@aquannette.comWeb: aquannette.com | facebook.com/AChinnery | twitter.com/AChinnery

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