place - lecture2
DESCRIPTION
Second lecture for the project - technical info + conceptsTRANSCRIPT
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MattWG 3.02
Tuesday 2-3pm
JamesWG 3.02
Friday 3-4pm
YanaWG2.02
Tuesday 4-5pm
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Best of exercise 1
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pattern
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shape
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form
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line
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Contrasting colour
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Similar colour
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Pale tones
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Dark tones
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High angle
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Low angle
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landscape
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portrait
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Extreme close up
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Front lit
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Back lit
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In shade
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Assignment OnePlace
Anne Noble
Defining Location
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• Slow down1st Shoot Feedback
• Carefully consider framing• Think about light
• Not just details - need a sense of space
• WHAT ARE YOU TRYING TO SHOW?
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• No setting up/manipulation of space• No Photoshopping• Edit to eliminate repetition• Alleyways are hard
• Keep camera angles consistent and relevant
• Keep horizons straight
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Technical Considerations
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• Sensitivity (ISO rating)
• Intensity of light (time of day, etc)
• Amount of light allowed in (size of opening = aperture / f:stop)
• Duration (shutter speed)
Ways to Control Exposure
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Detail in the shadow and highlight areas
Correctly exposed image
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ExposureShutterDevice which opens and closes, controlling the amount of time the camera chip is exposed to the in-coming light.
Shutter speeds are fractions of a second and usually have a range of:
1 sec 1/2 1/4 1/8 1/15 1/30 1/60 1/125 1/250 1/500 1/1000
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ExposureApertureDiaphragm inside the lens, made up of a series of metal blades that can be adjusted to vary the size of the hole.
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ExposureApertureOn the aperture are a series of set points known as f:stops.
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ExposureCombining the Shutter and Aperture:controls how much light will affect the film or image sensor (the focal plane).
Both the f:stops and shutter speed can be interchanged, but the changes to one must be compensated by changes to the other, to maintain balance, i.e. result in a correct exposure.
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ExposureThese combinations below will produce the same exposure.
f:1.7 f:2.8 f:4 f:5.6 f:8 f:11 f:161/500 1/250 1/125 1/60 1/30 1/15 1/8
If you reduce the aperture to half its original size (stop down) then you must double your shutter speed to obtain the same amount of light.
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Creating an Image
Anything with a small hole can cast an image – a lens isn’t required.
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Creating an Image
The smaller the hole, the smaller the overlapping circles and therefore the sharper the image.
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Creating an Image
But nothing is truly sharply focused. However, with very small holes, our eyes perceive it to be.
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Circles of Confusion
photo
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Depth of Field
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Depth of Field
Range of acceptable sharpness
Always 1/3 in front and 2/3 behind the critical plane of focus
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Depth of Field
f:3.2 f:4.0 f:5.0 f:6.4 f:9.0
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Depth of Field
f:9.0f:3.2
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Depth of Field
f:9.0f:3.2
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Small Depth of FieldAperture is large
Only point that is focused on appears sharp
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small depth of field
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Large Depth of FieldAperture is small
Large area is acceptably sharp
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large depth of field
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Freezing or Blurring Movement
Slow shutter speed blurs movement
e.g. 1/4 , 1 sec
Fast shutter speed freezes movement
e.g. 1/1000
N.B. speed of subject also factor
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ExposureChoose the best combination for your situation.
Do you want:• more of your image in focus?• to freeze a moving subject?
f:1.7 f:2.8 f:4 f:5.6 f:8 f:11 f:161/500 1/250 1/125 1/60 1/30 1/15 1/8
All these combinations let through a small amount of light
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Camera Shake
Difficult to hold camera steady when using slow shutter speeds
1. Avoid shutter speeds slower than 1/60 sec
2. Use a tripod
USE A TRIPOD!!!
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This Week’s Exercise
Using Shutter Priority and Aperture Priority Modes Experiment with depth of field and subject movement
TV = Shutter Priority Mode(“T probably stands for “time” and “V” for “value”)
AV = Aperture Priority Mode
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This Week’s Exercise
Camera Settings Image quality - small or low ISO 100 White Balance – Daylight or cloudy for outside;
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This Week’s Exercise
Aperture Priority Mode experimenting with depth of field.
Shutter Priority Mode
experimenting with freezing or blurring movement.
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There’s No Place Like Home
Alec Soth
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Eugene Atget, Staircase Hotel de Brivilliers, rue de Charles V albumen print, 1900
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Andrew Ross, Kitchen, 262 Riddiford St, silver gelatin print, 1996
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Andrew Ross, Where Alice Kavalous Lived, Rintoul St, silver gelatin print, 1999
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Consumerism and Place
Edward Burtynsky
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Lars Tunbjörk, Civic Administration, Toyko, 1996
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Lars Tunbjörk, Car manufacturer, Goteburg, 1997
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Lars Tunbjörk, Lawyer’s Office, New York, 1997
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Phillip Toledano, from the series Bankrupt
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Phillip Toledano, from the series Bankrupt
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Phillip Toledano, from the series Bankrupt
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Tim Davis, Shell 3, from the Retail series, 2001
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Tim Davis, McDonalds, from the Retail series, 2001
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Miles Coolidge, Police Station, Toys-R-Us, McDonalds, from Safetyville series, 1994
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Miles Coolidge, Industrial Buildings from Safetyville series, 1994
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On the Edge
Steven Smith
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Glenn Sloggett, Love Me from series Lost Man, 2003
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Glenn Sloggett, Toys on Sticks from series Lost Man, 2003
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Dan Holdsworth, Untitled from series A Machine for Living, 1999
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Dan Holdsworth, Untitled from series A Machine for Living, 2000
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Toshio Shibata, Onakami Village, Gunma Prefecture, 1994
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Toshio Shibata, Morrow Point Dam, Gunnison County, CO, 2000
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Toshio Shibata, Kikuchi City, Kumamoto Prefecture, 1999
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Significant Sites
Laurenz Berges
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Joel Sternfeld Taylor Hall Parking Lot, Kent State University, Kent, Ohio, May 1994 from the book On this Site
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Joel Sternfeld from the book On this Site
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Joel Sternfeld from the book On this Site
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Joel Sternfeld from the book On this Site
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Joel Sternfeld from the book On this Site
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Shao Yinong and Mu Chen, Shanchuan from series Assembly Hall, 2002
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Shao Yinong and Mu Chen, The Charitable Temple from series Assembly Hall, 2002
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Laurenz Berges, Altenberg, 1992
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Laurenz Berges, Potsdam V, 1994
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Cindy Bernard, Vertigo (1958/1990)from the series Ask the Dust, 1990
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Andrea Robbins, Max Becher, Dachau Doorway to Gaschamber, series Dachau, 1994
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Andrea Robbins, Max Becher, Dachau Drain in Crematorium Complex, series Dachau, 1994
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Andrea Robbins, Max Becher, Dachau East Wall of Gas Chamber, series Dachau, 1994
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Andrea Robbins, Max Becher, Dachau This Gas Chamber WAS Used, series Dachau, 1994
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Ordered Space
Michael Schnabel
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Neil Pardington, Postmortem Room #4 from series The Clinic, 2004
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Neil Pardington, Dissection Room #2 from series The Clinic, 2005
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Sites of Power
Jono Rotman
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Lucinda Devlin, Electric Chair, Greensville Correctional Facility from series The Omega Suites, 1991
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Lucinda Devlin, Lethal Injection Chamber, Texas State Prison, from series The Omega Suites, 1992
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Lucinda Devlin, Witness Room, Broad River Correctional Facility S.C., from series The Omega Suites, 1991
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Jason Oddy, Untitled, Pentagon, Arlington, Virginia, 2001
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Jason Oddy, Untitled, The United Nations, Building, New York,2001
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Jason Oddy, Untitled, The United Nations, Building, New York, 2003
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Transitory Space
Adam Bartos
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Martha Rosler, Public Passage from the series In the Place of the Public: Airport Services, 1980 to present
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Martha Rosler, Munich from the series In the Place of the Public: Airport Services, 1999
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Martha Rosler, Untitled (J.F.K.), 1990, from the series In the Place of the Public: Airport Services, 1980 to present
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Martha Rosler, Untitled (O’Hare, Chicago), 1989, from the series In the Place of the Public: Airport Services, 1980 to present
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Doug Hall, X Corridor, 1989
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Doug Hall, Non-place, California #10, 1991
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Doug Hall, Non-place, California #31, 1991
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Psychological Space
Mihai Manguilea
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Panos Kokkinias, Alikos, 2007
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Luisa Lambri, Untitled from series The Blind Room, 2002
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Luisa Lambri, Untitled from series The Blind Room, 2002
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Rut Blees Luxembourg, Caliban Towers I, 1997
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Rut Blees Luxembourg, Liebleslied, 1997
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For next week• Work for interim presentation (20%
of the project grade)• Don’t forget workbook with
research, etc• Answer questions to readings and
be prepared to discuss them in class