nov. 10, 2010

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E EL L V V AQUERO AQUERO Glendale College Glendale College E EL L V V AQUERO AQUERO November 10, 2010 November 10, 2010 Power Power Soccer! Soccer! Glendale’s two power Glendale’s two power soccer teams host an soccer teams host an invitational tournament invitational tournament drawing teams from as drawing teams from as far as Hollister, Calif. far as Hollister, Calif. and Mesa, Ariz and Mesa, Ariz. . See See related story and related story and photos pages 8-10. photos pages 8-10. Photo by Louis Roche Photo by Louis Roche

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Power Soccer! Elections; math; Denise Hamilton, author of L.A. Noir; KROQ Blood Drive; "Community;" Dance Dept.; Sports

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Page 1: Nov. 10, 2010

EELL VVAQUEROAQUEROGlendale CollegeGlendale College

EELL VVAQUEROAQUERONovember 10, 2 0 1 0November 10, 2 0 1 0

Power Power Soccer!Soccer!Glendale’s two power Glendale’s two power soccer teams host an soccer teams host an invitational tournament invitational tournament drawing teams from as drawing teams from as far as Hollister, Calif. far as Hollister, Calif. and Mesa, Arizand Mesa, Ariz. . See See related story and related story and photos pages 8-10.photos pages 8-10.

Photo by Louis RochePhoto by Louis Roche

Page 2: Nov. 10, 2010

EL VAQUEROGlendale Community College

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EDITOR IN CHIEFLouis Roche Jr.

DESIGN ADVISERCharles Eastman

El Vaquero accepts story ideas in news, features, profi les, sports and entertainment from the public. To submit an idea or an article, e-mail the editor at [email protected] or call (818) 240-1000, ext. 5349.

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ADVERTISINGJeff [email protected](818) 240-1000, ext. 1427

COPY EDITORAgnes Constante

STAFF WRITERS Nik Brkic Aaron Carlos Vanessa Duffy Brandon Gardner Rachel Mills Adriana Orellana Luis Rodriguez Derek Stowe

El Vaquero is always looking for interesting story ideas. Do you know of anyone on campus with a compelling life story? Are you involved with an innovative campus program that the whole campus should know about? Do you have any ideas for improving the campus experience? Have you witnessed a possible news story that we may not know about? Please contact us at:[email protected] or call (818) 240-1000, ext. 5349.

California voters chose Attorney General Jerry Brown governor for the third time Nov. 2, in an

election which also returned to offi ce incumbents Sen. Barbara Boxer and Rep. Adam Schiff. Brown previously served as governor from 1975 to 1983. Mike Gatto was reelected in the 43rd Assembly District and Anthony Portantino in the 44th.

After months of campaigning, Brown defeated Republican Meg Whitman by a margin of 53.4 percent to 41.5 percent. With many issues facing California, the new governor will have to make decisions dealing with the state’s economy, creating jobs and reducing the unemployment rate, immigration, health care, as well as the budget and California’s fi scal crisis.

In debates with Whitman, Brown said he would begin to balance the budget this month, as well as fi nd ways to improve the economy.

In regards to immigration policies, Brown proposed an immigration reform bill to be implemented on a federal level that would offer a path to citizenship, but that business that hired undocumented workers should be held responsible for hiring illegal immigrants.

“Brown’s election will make it a little easier for bills that pass the legislature to be signed into law, since he is a Democrat as is the majority of both houses of the legislature,” said John Queen, political science professor at Glendale Community College.

“Brown, however, is not predictably liberal on all issues,” Queen said. “The budget will be easier to adopt since now it only requires a majority vote from both houses, but raising taxes still requires two thirds of each chamber, so it will be hard to match tax revenue to the state’s budgetary expenses.”

Brown also intends to work with California’s

community college system and has said he will try to keep the burdens on students graduating at a minimum. “Transfer courses should be closely aligned with, and accepted by, the CSU and UC systems,” said Brown.

“Students are often forced to take redundant courses to graduate from the CSU and UC systems, although they have completed the coursework at community colleges.”

“Brown said that when he was governor in the ’70s and ’80s, funding was increased for the community colleges, but also said that money can be saved by ‘prudent management,’ ” said Queen.

“Given that the economy is still weak, I don’t expect to see a fl ood of money go into community colleges. I do think that he will be less inclined than the Schwarzenegger administration to cut Cal Grants,” said Queen.

Queen also said that Brown had resisted taking specifi c positions on a lot of issues including community colleges.

For more of Brown’s proposals and solutions as governor visit www.jerrybrown.org

U.S. Senator Barbara Boxer was re-elected with 51.8 percent of the votes to her Republican challenger Carly Fiorina’s 42.8 percent.

Democrat, and San Francisco mayor, Gavin Newsom was elected Lieutenant Governor with 49.9 percent of the votes over Republican incumbent Abel Maldonado’s 39.6 percent.

Democratic incumbent Debra Bowen was reelected Secretary of State with 53.6 percent of the votes to Republican Damon Dunn’s 38.8 percent of votes.

The election result for Attorney General was still undecided at the time of print due to the tight race of the candidates and the uncounted votes.

The state ballot measures that passed included

STAFF PHOTOGRAPHERS Richard Kontas Peter Moyes Isiah Reyes

On the Cover:Glendale held its fi rst-ever Invitational Power Soccer Tournament last weekend. Local teams the Glendale Rough Riders and the Glendale Wild Wheelers played host to teams from Hollister, Santa Barbara and Mesa, Arizona. Rough Riders Captian Joey Wells, No. 22, rolls in for a goal as the crowd cheers. See story and more photos pages 7-9.

News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 -4Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 -7Center Spread . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 -9Entertainment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 -11Sports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12-14Calendar. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

IN THIS ISSUE

NOVEMBER 10, 2010VOLUME 96 NUMBER 5

[See Election Results, page 3]

2 Wednesday, November 10, 2010 www.elvaq.com

NEWS

California Voters Stick With Incumbents, Simplify Budget

In the last issue of the El Vaquero, there was an article about the race for Congress in California’s 29th Congressional district. I took issue with the article, because it only mentioned two out of the three candidates who were looking to represent Glendale and surrounding cities in the House of Representatives.

While it mentioned Democratic incumbent Adam Schiff and his Republican challenger John Colbert, it made no mention of the Libertarian candidate, William “Bill” Cushing.

I know it is common to assume that third-party candidates aren’t worth mentioning because they

“won’t win anyways,” but that is a silly thing to think, when you consider the fact that a Republican has not represented CA-29 since 1957, and the Democratic candidate has not won under sixty percent of the vote since 1968.

— Morgan Brykein

Ed: Libertarian candidate, William “Bill” Cushing received 4,313 votes or 3.1 percent of the total vote. Incumbent Adam Schiff was the winner with 89,863 votes or 65.1 percent of the total vote and John P. Colbert followed with 44,001 votes or 31.8 percent of the total vote.

Letter to the Editor:Don’t Forget Third-Party Candidates

By Adriana OrellanaEL VAQUERO STAFF WRITER

Page 3: Nov. 10, 2010

www.elvaq.com Wednesday, November 10, 2010 3

NEWS

And the winner is...Governor

Jerry Brown (DEMOCRAT) U.S. Senator

Barbara Boxer (DEMOCRAT)Lieutenant Governor

Gavin Newsom (DEMOCRAT)Secretary of State

Debra Bowen (DEMOCRAT)Controller

John Chiang (DEMOCRAT)Treasurer

Bill Lockyer (DEMOCRAT)Attorney General (Still Counting)

Kamala D. Harris (D) Steve Cooley (R)Superintendent of Public Instruction

Tom Torlakson (DEMOCRAT)Congressman for District 29

Adam Schiff (DEMOCRAT)Assembly Member for District 43

Mike Gatto (DEMOCRAT)Assembly Member for District 44

Anthony Portantino (DEMOCRAT)

NO -PROP 19: Legalize and Regulate Marijuana YES - PROP 20: Redistricting of Congressional DistrictsNO - PROP 21: $18 Vehicle License Fee for State Parks and Wildlife ProgramsYES - PROP 22: State Government Prohibited from Taking Local FundsNO - PROP 23: Suspends Clean Energy and Air Pollution StandardsNO - PROP 24: Repeal Allowances of Lower Owner Business TaxYES - PROP 25: Simple Majority Vote for BudgetYES - PROP 26” Two-Thirds Vote for Some State/Local FeesNO - PROP 27: Eliminates State Commission on Redistricting

Adriana Orellana can be reached at [email protected]

Mid-Term Election Resultsis a difference in fi ghting for the good government reforms that we need against the problems that have marked government in the past years.”

Democratic incumbent Adam Schiff won the 29th Congressional District, which comprises Glendale, Burbank, and Pasadena, with 65.1 percent of the votes over 31.8 percent received by Republican challenger John Colbert.

One of Schiff’s main goals is to have more effi cient and cleaner sources of energy, which will also create more jobs, as well as reduced energy costs.

“Unless action is taken soon we will lose the treasure of California’s environmental beauty,” said Schiff.

For more information on the Nov. 2 election results visit www.vote.sos.ca.gov.

[Election Results, from page 2]

Photo by Louis RocheLOVE RIDE: Jay Leno, right, and Lorenzo Lamas check out a two-wheeled rocket at Sunday’s Harley-Davidson Love Ride. Founded in 1984, the annual event raises money for children’s charities. This year more than a thousand riders are expected to ride from Glendale to Malibu.

20, 22, 25 and 26. Prop. 22 will prohibit the state from taking local funds and from delaying the distribution of tax revenues during times of severe fi scal hardship. The passing of Prop. 25 means a simple majority vote is needed to pass the state budget, and through Prop. 26 a two-thirds vote is needed to pass some state and local fees.

The propositions that did not pass include Prop. 19, which would have legalized marijuana in California; Prop. 21, which would have added an $18 vehicle license surcharge to obtain money for state park funding; Prop. 23, which would have suspended the Air Pollution Control Law (AB 32), which will reduce the state’s level of greenhouse gases emission by 2020; Prop. 24, which would have repealed the allowance of lower business tax liability and stopped corporate

tax breaks; and, Prop. 27, which would have eliminated the state redistricting commission.

On the State Assembly level, incumbent Anthony Portantino (D) won for the 44th District with 64.2 percent over Anthony Day’s (R.) 32.3 percent. Portantino, who is very active in public education, opposes raising community college fees. Portantino wants to raise the minimum wage to help low and middle-class workers, and believes in families having affordable health care.

The 43rd State Assembly District, composed of Glendale, Burbank, and parts of North Hollywood, was won by Democratic incumbent Mike Gatto, who obtained 66 percent of the votes, while his Republican challenger, Sunder Ramani, obtained 34 percent of the votes.

Gatto, who feels that the involvement of small businesses growing in California will help fi x the economy, said, “The big issue

Page 4: Nov. 10, 2010

Federal Student Aid Gets an Overhaul

BETTER OFF DEAD: Olvera Street was the place to be for Los Dias de Los Muertos, Nov. 1 and 2, the Mexican Day of the Dead. Crowds thronged to see the calavera, like the Vaquero at right, who return to visit the living when the margin between the two worlds is at its thinnest point — or so the belief goes.Families traditionally build altars to honor their deceased relatives.

The United States Department of Education issued on

Oct. 28 a set of rules that will strengthen federal student aid programs, ensure only eligible students and programs receive aid, and will protect students from misleading recruiting practices to obtain loans.

The statement released by the Obama administration said the strengthening of federal student aid programs will be aimed at all institutions. Students at for-profi t institutions represent 11 percent of all higher education students, 26 percent of all student loans, and 43 percent of all loan defaulters. The median federal student loan debt carried by students earning associates degrees at for-profi t institutions is about $14,000. The majority of community college students do not take out loans.

The Department of Education also worked on the development of proposals around 14 specifi c issues that will strengthen the integrity of the federal student aid program that will also ensure that taxpayer funds are being used properly. More than a quarter of the for-profi t institutions receive 80 percent of their revenues from taxpayer money fi nanced federal student aid.

“This new set of student aid rules will protect the students and the taxpayers because there won’t be any more false promises for students who take out high amount loans, which are often unnecessary,” said Sara Gast, U.S. Department of Education spokeswoman.

The rules, which go into effect July 1, 2011, will target bad recruiting practices aimed at students who take out loans. Gast said there is pressure on recruiters to enroll students so that students have to take out a loan. Recruiters do not give students the complete information of how the career they are choosing is doing in relation to job placement and payment, and just enroll students because recruiters receive a bonus for however many students they enroll.

“These new rules will help ensure that students are getting from schools what they pay for: solid preparation for a good job,” said Arne Duncan, Secretary of Education, in a Department of Education press release.

The rules will require institutions of higher education and postsecondary vocational institutions to provide prospective students with each eligible program’s graduation and current job placement rates. Colleges will also be required to provide the Department of Education with information that will allow it to determine the levels of student debt and the students’ incomes after they complete the program.

It will also protect consumers from overly aggressive and misleading practices. The new regulations will strengthen requirements designed to protect students and taxpayers. The Department of Education has received many complaints from students who were enrolled in programs where they felt they had been misled on what was and was not being offered, the way the programs could be paid for, and the jobs prospects offered upon completion.

“Colleges and universities will have to release the data about their programs and the students will be able to make informed decisions

about the careers and programs that they choose to obtain,” said Gast. “The current law has too many loopholes where recruiters rush students into loans just to obtain a bonus. We intend on setting the blueprint so that these problems stop and help students, rather than take advantage of them taking out unnecessary amounts in loans, and have the state and local institutions enforce this so that it stops.”

Gast said that currently some students aren’t obtaining their degrees and drop out, not paying back their loans that they took out. When students do not pay their loans back, it is a loss of taxpayers’ money, and the new regulations will make more reasonable loans that students will be able to pay, and if they stop paying will be a smaller loss of unused money.

The Department of Education was also informed of aggressive recruiting practices that resulted in students taking out loans that they could not afford or enroll in programs where they were unqualifi ed or could not succeed in. Current laws prohibit

By Adriana OrellanaEL VAQUERO STAFF WRITER

Adriana Orellana can be reached at [email protected]

institutions from compensating recruiters, but there are provisions known as “safe harbors,” which allow for questionable practices.

Currently, students are eligible to obtain fi nancial aid if they have a high school diploma or pass an “ability to benefi t” test, and are required to have satisfactory academic standing. The regulation will require institutions to develop and follow the procedures and evaluate the validity of a student’s high school diploma, if there is reason to believe that the diploma is not valid. The regulations will also extend eligibility for federal student aid to students without high school diplomas after successful completion of six credits of college work.

Loopholes also complicate the measure of how much federal funding must be paid back if a student drops out of a program, and the regulations will eliminate the problems and clarify the calculation of returning the funds to the Department of Education.

For many students, receiving their federal student aid funds late does not give them enough time to buy their books, especially

before school starts, and the ruling will make sure that the neediest students, mainly Pell Grant recipients, can get books and supplies by the seventh day of their payment period.

“We are taking additional time to strike the right balance between holding these programs accountable to protect students and taxpayers from abuse and making sure we keep whole those programs that are doing a good job,” said Duncan in a statement.

One of the biggest picture changes that this regulation will make is that students will be able to make informed decisions about the programs that choose and that will lead to their employment. Institutions will be required to report information about students who started and completed the program, as well as the costs, debt levels, graduation rates, and placement rates.

For more information on the new regulations, visit www.ed.gov.

4 Wednesday, November 10, 2010 www.elvaq.com

NEWS / FEATURES

Around Town...

Photos by Louis Roche

Page 5: Nov. 10, 2010

Denise Hamilton Takes Command of L.A.’s Dark Side

Award-winning author-editor Denise Hamilton articulated

how she compiled her collection of 17 noir fi ction short stories, “Los Angeles Noir,” to a receptive auditorium on Oct. 27.

In this One Book/One Glendale series lecture, Hamilton, a former Los Angeles Times journalist who authored six noir novels, won the Edgar Allen Poe award for best fi rst novel “The Jasmine Trade” (2001), and was a fi nalist for the WILLA (Willa Cather) Award in contemporary fi ction.

A Fulbright Scholar, she has also received the Macavity Award and the Anthony Award.

“Los Angeles is indeed a city of angels and demons,” said Hamilton. Journalism gave her a reason to survey the inner workings of the city, go behind the scenes of the crimes, and interview everyone who wanted to talk and anyone who didn’t.

As a child, Hamilton was a voracious reader and fond of writing. She wrote about her dog, fi nding Atlantis, and traveling to Mars. After receiving a bachelor’s degree in economics from Loyola Marymount, she knew what she wanted: a master’s degree in journalism, which she earned at Cal State Northridge.

As an L.A. Times intern, Hamilton was young, polite and she submitted a story a day. She said the editors liked her because unlike the veteran writers who complained, she did not argue about how the editors rewrote her words.

“I would have probably done it for free,” said Hamilton. But within one year she was hired on as a reporter and for the next 10 years, interviewed “thousands of people; wrote thousands of stories; and interviewed millionaires, mayors, and people living in tents along the L.A. River.” She had found a profession where she could “get paid to be nosy, ask questions and then write stories.”

“All you have to do is go out and talk to people and you will fi nd the most surreal, bizarre, tragic, funny, wacky human stories,” said Hamilton.

Then Hamilton got the itch to write in a way that journalism did not allow. She said one good thing about writing fi ction is “you can show offi cial corruption without the proof.”

The voices of those she had met kept right on talking in her head about their murder cases, police corruption and incredible stories. For example, Hamilton told the story of how the town of San Marino was full of Asian kids living alone in huge mansions with only their mom and a housekeeper while their fathers worked overseas.

“Reporters are kind of like gumshoe private eyes,” said Hamilton. “Somebody gives [us] information and then we go talk to someone else.” Like private investigators, reporters fi nd witnesses that the police fail to interview, and sometimes there are people who have witnessed the crimes but are criminals themselves and don’t want to go talk to the police.

These experiences were fodder for Hamilton’s six crime novels. Five of them feature a young woman reporter who solves crimes in the San Gabriel Valley, Pasadena, Glendale and the Silverlake area, “not the rich, white Westside.” She prefers to write about the ethnic diversity of Los Angeles.

Growing up on the Eastside and reading mysteries, biographies and history helped Hamilton imagine “tales of heartbreak and triumph, survival — despite incredible odds — and tragedy as horrifying as any from ancient Greece.”

“It’s nice to give a voice to people who are on the wrong side of the law,” said GCC Librarian Nancy Getty. “They’re human, too. Some of them have good qualities as well as bad.”

Getty, a self-professed noir fan, said Hamilton was accurate, knowledgeable and “just great. Noir is where you see the humanity of bad guys acknowledged.”

When a new publisher, Akashik Books, asked Hamilton to put together and edit a short story anthology of 21st century works, how could she say no? It was to be the next in the series of over 20 titles including: “New Orleans Noir,” “Baltimore Noir,” “Las Vegas Noir,” “Manhattan Noir,” and “Trinidad Noir.” She set out to fi nd 10 well-known local noir writers and ten L.A. writers who were new to the medium of noir. They would all have to be intimately connected to the city and capable writers in their own right.

Hamilton has been meeting up with a group of nine women writers for 15 years, who read and critique each other’s work. Fortunately the literary community in L.A. is rather tight. The writers meet up at literary conventions, cafés and bars.

Hamilton wanted writers who could really show the skill and diversity of Los Angeles such as Janet Fitch, author of “White Oleander” (1999) and Héctor Tobar, columnist for the L.A. Times. They said, “You mean I have to kill someone?”

Hamilton said, “Yes, if you can do it in 15 pages or less; and please pick a neighborhood that hasn’t been used before; and don’t use a detective in a trench coat.”

“What is noir?” Hamilton had to explain. Noir means black in French, so L.A. noir means “dark tales from Los Angeles.” Some of her infl uences were Raymond Chandler, Susan Straight and Albert Camus.

“Bad people do bad things,” said Hamilton remarking that Mulholland drive, the L.A. River, and Commerce are great places to dump a body. She also suggested watching all the traditional noir movies such as “The Maltese Falcon” (1941), “Double Indemnity” (1944), and “Sunset Boulevard” (1950).

Los Angeles was the birthplace of noir in the late 1920s thanks to the prohibition of alcohol.

“Crooked cops were on the take from speak-easies and night-clubs. You had gangsters, femme fatales, fl appers, the jazz age,” she said.

“Black Mask Magazine” was the fi rst publication for short stories of noir crime fi ction. James M. Cain was probably the fi rst one to write noir fi ction in Los Angeles. Raymond Chandler was also published in Black Mask. Characters who swore in Compton slang were a shock to the establishment. But the writers would not allow the editors to pretty up the language.

“Why would we want to read about the ugly parts of society?” asked Hamilton. “For the same reason that we slow down to see the car-crash on the freeway: we can’t not look.”

Humphrey Bogart in a trench coat played the original detective, and many of fi lm noir’s architects were refugees from Hitler’s Europe, “steeped in expressionism and existential despair, and they brought that sensibility to the shadows, silhouettes, urban labyrinths and hard-boiled plots of their movies,” she said.

The beauty of the landscape had the white sandy beaches, green orange groves, and white mountain peaks. Many beauty queens and cowboys had come to make it big in modeling, music or show business. “Hollywood dreams and scandals fi lled the headlines, and everybody was

pretending to be somebody they were not,” said Hamilton.

Hamilton said noir can be about “good people who take one step down the wrong path and say, ‘I’m just going to take this bag of money that’s not mine,’ or ‘I’ll just sleep with this one woman who is not my wife,’ or ‘I’ll just kill this one person.’ Then they rationalize doing it and plan how they are going to get away with it. They take one step, and then they have to take another step onto a downward spiral. ‘I just have to kill these three last people who saw what happened.’”

Almost a century later, Hollywood continues to “cast a giant shadow…the seductive blur of artifi ce and reality,” said Hamilton. But, noir does not have to be a crime story. The short story “Fish,” for example, is “haunting in the way of Christopher Isherwood as is Susan Straight’s ‘The Golden Gopher,’ whose female narrator returns to L.A. to tell one childhood friend about the death of another.”

Like Hamilton, Straight is a Southern California native. She writes with “penetrating insight, spinning worlds and characters into a vista of enormous sadness where past meets present,” said Hamilton.

“L.A. is now more noir than ever,” said Hamilton in concluding. When Chandler was

By Derek StoweEL VAQUERO STAFF WRITER

Photo by Frank GuandiqueNOIR AND BLUE: Author Denise Hamilton writes about life on the dark side of Los Angeles.

[See Hamilton, page 6]

www.elvaq.com Wednesday, November 10, 2010 5

FEATURES

Page 6: Nov. 10, 2010

Give Some Blood. Get Concert Tickets.

Cedars-Sinai Medical Center teamed up with KROQ radio for a blood drive last Thursday at the Globe Theater in Universal Studios Hollywood.

A bright red carpet lead the guests to the hall where their blood would be sucked out of them.

KROQ host Ralph Garman did a live broadcast in the morning. Other KROQ hosts Kat, Stryker, Nicole and Sluggo entertained and supported the guests throughout the event.

Dave Keys organized the blood drive for Cedars-Sinai. Known as Dracula Dave, he had blood dripping from his lip along with a pale white face and a brilliant red and black cape.

“Donating blood is the most organic and beautiful thing a human being can do,” said Keys. His passion for helping lives doesn’t just stop at donating blood; he has also donated platelets and granulocytes through a process called apheresis, where blood is fi ltered

Radio Station Hosts Halloween Blood Driveto extract needed components.

After signing in to donate, the guests sat in the waiting area where there was a KROQ music booth and a Universal Studios zombie ready to greet them with moans and groans. Snacks, beverages and coupons for Carl’s Jr. were available for those who wanted them.

The blood was drawn on the other side of theater. There were eight hospital seats and two huge projector screens that were playing the horror movie “Saw.” The event was sponsored by SAW 3D.

“I used to think I couldn’t donate blood because I’m diabetic,” said Mark Heisler, a donor at the blood drive.

Another donor at the event, Victor Valdez, is in the army and was inspired to be a more active blood donor after returning from deployment.

Many families came together and took turns watching the kids while others donated.

After blood has been donated, there is a rest area with refreshments and a booth where they can pick up their rewards.

Aaron Granger, KROQ’s promotions assistant, sat at the

booth with T-shirts, new CDs, movies, books, Universal Studios tickets, and concert tickets for Brandon Flowers, Stone Temple Pilots, Pennywise and more. The giveaways were sponsored by KROQ and Universal.

“I’m very proud of the brave KROQ fans who donated,” said KROQ host Sluggo, “Even the ones that passed out.”

Cedars-Sinai is the largest non-profi t hospital in the West. All blood donations go to the hospital.

“The hospital uses about 60,000 units of blood annually,” said Keys. He encourages everyone to help save lives by donating and is more than willing to work with anyone who wants to organize a blood drive.

“I have gone to major business buildings in L.A. where there are over 1,000 employees and I’ll be lucky if 30 people donate,” said Keys. “It’s disheartening.”

For those who have not donated before, the donor is given a mini physical to check their temperature, pulse and blood pressure. The blood extraction is an eight to ten minute process. Refreshments are then provided during the 15 minute rest

period. Blood can be donated every two months.

Only 38 percent of all Americans are eligible to donate blood and of those only 8 percent do, according to the American

Photo by Vanessa Duffy

BLEED IT OUT: Donors watch “Saw” and donate blood at KROQ event.

By Vanessa DuffyEL VAQUERO STAFF WRITER

Red Cross. That amounts to only about three out of every 100 people. Donating helps save lives.

writing in the 1940s, L.A. was mostly orange groves and bean fi elds. “L.A. is an inspiration: devilish, puzzling, entrancing. L.A. is like a bad boyfriend: I know he’s no good for me and I’ve been trying to leave him for years; and just when I’m ready to move on, he woos me back.”

Also in attendance were anthropology professor Victoria Buresch and English instructor Sarah McLemore. McLemore said she thought it was interesting how Hamilton coaxed writers who were new to the genre to contribute noir fi ction stories. Buresch, who loves old noir movies like “Double Indemnity” and “They Shoot Horses, Don’t They?” (1969) said, “The talk was fantastic; [Hamilton] sure used a lot of colorful words to describe what noir is all about.”

History instructor Kristin Leaf, who also thought the

Noir Flourishes on Campus[Hamilton, from page 5]

talk was impressive, summed up the noir concept nicely: “Film noir and noir fi ction has been conceptualized and sold to the rest of the world as glamorous, romantic utopia and cruel, menacing dystopia.” What would entertainment be without it?

All in all, the audience members were very attentive, often nodding their heads in agreement and eager to have their books signed afterward. Many were students assigned to read Hamilton’s selection of short stories for homework. Others were just there for the love of noir.

Hamilton’s other books are “Sugar Skull” (2003), “The Last Lullaby” (2004), “Savage Garden” (2005), “Prisoner of Memory” (2006), “The Last Embrace” (2008), “L.A. Noir 2” (2010) and, due out Sept. 2011, “Damage Control.”

Derek Stowe can be reached at [email protected]

Vanessa Duffy can be reached at [email protected]

6 Wednesday, November 10, 2010 www.elvaq.com

FEATURES

Page 7: Nov. 10, 2010

Lecture Explores the Math of Decision-Making

In his PowerPoint lecture on Oct. 26, calculus professor

Michael Allen examined a leading mathematical theory behind decision-making when risk is involved.

“People take risks at the casino but also in life,” said Math Professor Sid Kolpas in introducing Professor Allen and his topic “Choice Mathematics: The Casino of Life,” based on a 2010 article by Nicholas Barberis that had been circulating a year before it was published. Allen, 45, began studying the mathematical modeling of decision-making in high school.

Addressing a classroom full of very attentive students and faculty, Allen, who holds master’s degrees in both math and philosophy, hoped that his complex theories would not go right over their heads. To impress some of the biggest brains at GCC, he maintained a rapid-fi re presentation.

“Even if you know the future pretty well, there are a lot of facets to making the right choices,” said Allen. “How are you going to feel after you take one path versus another?”

The PowerPoint slides gave explanations, formulas and graphs of the decision-making nature of certain types of gamblers. As the returns on bets fl uctuate, so does the gambler’s mood and betting strategy.

How a human gambler responds to gain and loss is not symmetric like it is for Homo œconomicus, an imaginary being Allen dreamed up to demonstrate the rational, predictable decision-maker. “Homo œconomicus has only one desire: to increase his wealth.”

Instead of subscribing to the law of diminishing returns, for example, a human gambler may risk even more wealth to recoup previous losses and wind up in big trouble.

“Homo œconomicus has an unwavering readiness to take a risk as long as the odds of succeeding are greater than 50 percent,” said Allen. In other words, he is not overly concerned about taking a risk nor is he overly attracted to gambling.”

The St. Petersburg paradox coin toss illustrates a game where the odds are 50 percent or better.

“If the fi rst toss is heads, you lose your bet. If tails, you’re still in,” said Allen. “As soon as the coin comes up heads, the game is over. If the second toss is heads, you win your bet back. If you survive three tosses, you’ll receive two times your bet; four tosses, four times your bet; fi ve tosses, eight times your bet.” In other words, winnings can increase exponentially as long as the coin doesn’t land on heads.

Homo œconomicus would never play the lottery because the odds of winning the lottery are about one in 100 million, which is 0.000001 percent. “With the lottery, I have virtually the same chance of winning if I buy a ticket or if I don’t buy a ticket,” said Allen.

Whereas Homo sapiens may gamble just for the fun of it or “for the joy of torturing an enemy,” joked Allen, all that Homo œconomicus gambles for is wealth. “He can fl awlessly assess what choices are available and which course of action has the best probability of success,” he said. “And he will seek the greatest good for the greatest

The “fair” gambler has unwavering readiness to make a bet. He has the same gambling behavior as Homo œconomicus.

The “reckless” gambler is risk-seeking. He feels gains more strongly and brushes off losses more readily. A reckless gambler should plan ahead for casino play by leaving the bulk of his cash with his wife to prevent gambling all of it away.

The “cautious” gambler is risk-averse. He feels losses more strongly and feels gains less strongly than Homo œconomicus.

The “poor” gambler will not be that happy until his winnings really mount up. Losing a little is not so upsetting, but big losses are devastating.

The rich gambler is the opposite of poor — he will be very happy with a fi rst win and soon tire as the winnings keep rolling in. A small loss is quite upsetting, yet large losses don’t make that much of a difference to him. He is rich.

The most “common” type of gambler is thrilled with a small win but less and less excited with larger and larger winnings.” He

[See Math, page 10]

is not upset with a small loss, but very upset with bigger losses.

The “winning” gambler has discontinuity — he is obsessed with winning but can’t bear to lose even a penny. He must win at least a certain amount or he won’t be excited at all.

The “desperate” gambler must win at least a certain amount — usually to pay off a loan shark. His satisfaction is fi xed in the negative unless he wins the amount needed to pay off his debt and presumably remain alive.

Every casino knows that in

the long run, it will always win because all the gaming odds are rigged in the house’s favor. The house also knows that the average gambler will continue to bet with the hope of getting back to his break-even point so as to avoid having to say to his friends, “I lost.”

“Naifs gamble about twice as long as they should [in the casino],” said Allen. Prospect theory, which describes the odds involved in risky decisions, predicts that inexperienced casino play is perilous. Some will gamble and gamble until they have lost everything. “Sophisticates,” on the other hand, know that they can stick to a quitting plan or else they will never start.

“If you have a proper level of preparedness, wording and emotions should not affect your choice, only the fi nal goal is important,” said physicist Poghos Kazarian.

By Derek StoweEL VAQUERO STAFF WRITER

FIGURE 2: The different types of gamblers.

Graphic by Susan Cisco

FIGURE 1: Risk neutral vs. risk averseGraphic by Michael Allen

number,” said Allen referring to the concept of utilitarianism, a philosophical theory of ethical decision-making.

As a gambler’s bets pay off, utility increases. As his wealth decreases, his satisfaction goes down too.

Allen then fl ipped through a series of graphs showing the different types of gamblers comparing them all to Homo œconomicus. To avoid making irrational gambles in life, it helps to identify what kind of gambler one is.

People tend to overreact to small probability events. It’s easy to imagine winning the lottery and this overreaction leads people to buy a ticket. Likewise, people are now afraid to go in the ocean after the recent fatal shark attack off the coast of Santa Barbara.

Allen’s good friend, Glendale geography professor Michael Reed, said, “Did you know that in 2008, less than three people were killed by sharks worldwide, whereas 190 people were killed by falling coconuts?” His comment got a lot of laughs.

“I’ve never spent more than $20 in Vegas in my whole life,” said Reed after the talk. “What I’m interested in personally are the other types of gambles we have to make: who to marry, which house to buy and when to buy it, whether society can afford to ignore global warming.”

Reed said Allen’s graphs of

Utility of wealth functions that deviate from the Homo æconomicus model

www.elvaq.com Wednesday, November, 10 2010 7

FEATURES

Page 8: Nov. 10, 2010
Page 9: Nov. 10, 2010

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Page 10: Nov. 10, 2010

Rough Riders, Wild Wheelers Host Tourney

Glendale hosted its fi rst power soccer invitational

tournament last weekend, drawing teams from as far away as Hollister, Calif. and Mesa, Ariz.

Glendale now has two power soccer teams, the Rough Riders, and the new Wild Wheelers. Finding other teams to play has been a challenge. For the invitational, the Hollister Free Wheelers, Santa Barbara’s Rollin’ Rebels and Rollin’ Gauchos, and the Arizona Heat 3, of Mesa, Ariz., came to play against our local favorites.

The tournament revolved around competitive power soccer matches and also around the concept of inspiration for those who are not aware of the growing sports for disabled people.

Michael Brady of the Arizona Heat broke his neck playing softball. “I made a lot of new friends,” he said.“It gives you something to be competitive in. You’re not just a bystander; you’re actually out there participating.”

Many Glendale residents may be unaware of the city’s

newest team, the Wild Wheelers. According to Gordon Cardona, team captain of the Glendale Wild Wheelers, the split was a natural progression.

“Glendale Power Soccer grew over its fi rst year. So much so, that we had enough players to split into two teams after the fi rst year and I was named team captain. During our fi rst year, we only won one game at Santa Barbara. It was huge for Glendale Power Soccer,” he said. “Both Glendale teams have a great relationship and we work well together. However, once on the court, we get into it.”

The game is played much like standard soccer, but with a few exceptions.

“On the court, each team has a center, a goalkeeper and two wingmen. As in regular soccer, the object is to get the ball into the opposing opponent’s goal. All players use power chairs which are outfi tted with a metal guard in front of the chair,” explained Cardona.

The rules of power soccer are simple. The game is played on a basketball court. During a game, the objective is to maneuver the soccer ball into the opponent’s goal by dribbling and passing.

Like able-bodied soccer, the game incorporates a wide open, passing style and uses corner, penalty and goal kicks. The fouls and penalties that are enforced in power soccer are also similar to the able-bodied game and also use red and yellow cards.

Power soccer, one of America’s fastest growing sports, attracts all kinds of disabled athletes.

“Players have to be somewhat aggressive and don’t mind the occasional rough play, said Cardona. “Individuals with any disability are welcome to try out, as long as they have a power chair. On my team, the Glendale Wild Wheelers, most of our players have cerebral palsy and there’s one with a spinal cord injury. The Glendale Rough Riders consist of players with muscular dystrophy, mostly.”

“Cerebral palsy, car accidents, some have been shot, driving accidents, people have been beaten,” continued Cindy Wells, head coach of the Rough Riders, recounting some of the reasons her team members became disabled.

“Some of them walked and played football and eventually ended up in a wheelchair.”

The benefi ts are immeasurable.

According to Wells, the sport allows the disabled athletes to show what they really have and it brings them confi dence. She explained that it is like any other team sport. Most of these people thought that they would never be able to play sports.

Wells’ son, Joey, is one of the founding players of the Rough Riders and she stated the benefi ts of him playing power soccer.

“My son has gotten physically and mentally stronger,” Wells said.

“It’s not an easy sport. I’ve tried playing the sport before,” Wells said. “You get in a chair and try to do what they’re doing and it’s really hard.” The sport requires a certain amount of accuracy when trying to steer the ball into the goal and passing the ball to another player.

The players agree. “The game does require skill to maneuver the chair to push and guide the soccer ball and to defend,” said Cardona. “ It isn’t like operating the chair for daily use. It takes a lot of practice and an understanding of what you can do in a power chair. Also, rear-wheel drive chairs are better for power soccer, rather than mid-wheel drive chairs, for guiding the ball and spin-kicks.”

Hosting the tourney was an organizational challenge, according to Program Coordinator Laura Matsumoto.

“The team was asked to go

out in the community and request sponsorship,” said Matsumoto. “We were fortunate enough to get some generous donations from local businesses, especially Rocky’s Pizza and Quiznos,” Matsumoto added. Options on different local hotels were given to each team as far as lodging. “The distribution of medication is all independently handled,” said Matsumoto.

There were teams who came from Northern California and Arizona. Each team played fi ve games during the two-day tournament. Awards were given at the end of the tournament on Sunday.

Glendale showed its talent throughout the tournament, but the Santa Barbara Rollin’ Gauchos won and took fi rst place. Trailing behind the team in second place were The Glendale Rough Riders. The Hollister Freewheelers came in third. The Glendale Wild Wheelers came in at fi fth place, and The Santa Barbara Rollin’ Rebels fi nished last.

Power soccer gives all athletes an opportunity to compete. As Brady said, “Just because you’re in a wheelchair doesn’t mean you have to sit on the sidelines.”

concepts were illuminating, and his conversational explanations helped clarify what kinds of decision-makers we are and why.

“The audience was really hard to read,” said Allen three days after his lecture. “But I got a lot of positive e-mails afterwards, so apparently it went over better than I had

Science Lecture Series[Math, from page 7]

thought. Math department chair Kathy Holmes said she “enjoyed every minute of it.”

For information on upcoming lectures, the math department can be reached at (818) 240-1000 ext. 5657.

Derek Stowe can be reached at [email protected]

Brandon Gardnercan be reached at [email protected]

By Brandon GardnerEL VAQUERO STAFF WRITER

Cover Story

See related photos pages 8-9.

10 Wednesday, November 10, 2010 www.elvaq.com

SPORTS/FEATURES

Have you seen our new magazine?

Online Exclusives at:

gccinsider.com

Page 11: Nov. 10, 2010

‘Community’ Creator Inspired by GCC

Former Glendale College student Dan Harmon,

creator of the NBC Television’s “Community,” spoke about the origins of the show in Kreider Hall on Nov. 3 after screening a future episode.

The setting on the stage was similar to the “Inside the Actor’s Studio” setup, with mass communications professor Sharyn Obsatz taking the place of James Lipton.

Harmon began by talking about his life and the origins of the show. During his time at Glendale College he took a biology class in which he consistently got A’s on tests. As a result, two students took notice and asked if he wanted to create a study group with them.

Harmon said he didn’t really have an incentive to join a study group but teamed up with two students anyway. He ended up caring about how the two students did.

“I was 32 years old and I gave a crap about whether or not these two strangers passed a test,” Harmon said. He said that his experience in his biology study group inspired the idea of “Community.”

The show is a comedy that revolves around students from different walks of life who are brought together because they

create a study group.A current GCC biology

professor asked Harmon who his biology professor had been at the time. He said that it was Professor Robert Mauk and he admitted that he had a “man crush” on him. He did an impersonation of Mauk that had the whole audience laughing.

He talked about how he was met with some uneasiness when he fi rst pitched the idea to network executives. When he told them it was going to be set in a community college, he received questions like, “Is this going to be depressing? Are the roofs going to be leaky?”

Harmon said he loves the community college setting because “it is a fun place that doesn’t have to be populated by one group of people.”

Harmon also mentioned a time when he went on NPR to talk about his show and the announcer of the show tried to “get sound bites” by asking him tricky questions about the setting of the show. Harmon stressed that his goal was not to make fun of community colleges.

The talk shifted to a more inspirational speech as Harmon gave advice to students. He told students to follow their laziness. He tried to tell the audience that they should pursue something they love to do.

“There is something all of us

By Nik BrkicEL VAQUERO STAFF WRITER

Nik Brkic can be reached at [email protected]

HANDSHAKE FAIL: “Community” creator Dan Harmon, left, based his NBC sitcom on people he met in a GCC study group. Among the students who attended his presentation was Michelle Nissing, who is playing the role of Bea-trice in “A Servant of Two Masters” at the Auditorium Mainstage Theater through Sunday. See photos on page 16.

would do for free,” Harmon said, “I can say with my hand on a stack of bibles, I would do this without getting paid.”

Harmon tried to rally some of the “writers of color” toward the end of the speech. “There is a serious lack of diversity in

writing,” Harmon said. He talked at length about how he felt that there is a need for more diverse writers in television.

The writer said there was a program at NBC that allowed shows to hire a minority writer for a season for free to help promote

the blending of ethnicities on the writing staff. “I think that is very admirable of them.”

Photo by Isiah Reyes

www.elvaq.com Wednesday, November 10, 2010 11

ARTS AND ENTERTAINMENT

The Phanatics Dance Showcase brought creativity and

dazzling performances to the Oct. 23 presentation choreographed by current and former students and the Dance Department faculty.

The free presentation, which was held in the Sierra Nevada Gym and hosted by GCC Dance instructor Alexandra Blackbird, featured various types of dances, ranging from jazz, ballet, hip-hop, contemporary to native dance.

The fi rst half of the presentation started with an energetic performance to *NSYNC’s “Dirty Pop,” choreographed by GCC dance instructor Victor Robles, Britney

Benson, Ai Iwai, Hans Kim, Leela Loisel, Kenneth Meija, and Tsubasa. It was a very active and well-choreographed performance that involved modern dance, hip-hop, and break dancing. The dancers in the performance, who were from Robles’ Jazz I, II, and III classes, put a lot of power into their dancing to the upbeat song.

The second dance of the night was very unique and interesting, and was choreographed and performed by Bong Hoang. The name of the dance was “Breaking Tradition,” and it combined martial arts, tai chi, and some hip-hop movements. It was a creative and fascinating form of dance because it was like watching a performance from the “Avatar: The Last Airbender” movie. It

was like Hoang was controlling and balancing the air like an airbender with his movements. Hoang seemed to combine the calmness and peacefulness with a creative dance performance.

When Blackbird asked Hoang what the story or inspiration was behind the dance, he said, “It is a fusion story where I show through the break dancing and tai chi, my struggles of fi nding out who I am. When I do, I become calmer, more fl uid, and do what I love to do in life, which is martial arts and dance.”

“A.J.,” choreographed and performed by Aliem Jiles was a very delicate, yet precise dance. Jiles fused interpretive and contemporary dance with ballet and jazz, creating a

wonderful performance that the audience could feel through his interpretation and his movements. Jiles’ dance was followed by another interpretive dance, choreographed by Christian Scott, which was titled “Dollhouse.” In it, Scott imitates a doll in a house trying to escape. It was a story-telling type of dance in which Scott obtained the inspiration from “Toy Story.” The story portrays a doll not as she fi ghts and grabs in order to not be left behind. Scott’s performance was so delicate and vulnerable, yet the fi ght within her was not forgotten nor left behind. Her emotional performance transmitted well to the audience.

Another unique dance was “Maohi Naoti,” a native Tahitian

dance performed by Julie Agustin, Ai Iwai, Jessica Perez and Guillermo Mendoza. The dance, choreographed by Bianca Lietel, who teaches a Tahitian Aerobics class at a 24 Hour Fitness gym, contained a lot of hip movement, and showed off the dancers’ good moves and fl exibility, which amazed the audience. The love story within the dance was captivating.

Lietel said, “Polynesians have a strong oral tradition, where they transmit their culture and history through dance.” Throughout much of the performance, the three women were shaking their hands close to their hips, which

Phanatics Showcases Student ChoreographyBy Adriana OrellanaEL VAQUERO STAFF WRITER

[See Phanatics, page 12]

Page 12: Nov. 10, 2010

12 Wednesday, November 10, 2010 www.elvaq.com

SPORTS / ARTS AND ENTERTAINMENT

Glendale College showed off its full potential against

Santa Barbara City College on Oct. 30 at Sartoris Field, even though in the end Santa Barbara managed to end this nail biter by posting a fi nal score of 27-21.

The fi rst quarter kicked off with a Santa Barbara 11-play, 55-yard drive, culminating in a three-yard pass which scored the fi rst touchdown of the game at 9:28.

The beginning of the second quarter had similar results as Santa Barbara scored yet another touchdown with a seven-play, 90-yard drive, resulting in a 34-yard pass, making the score 14-0 at 9:38.

Hope for the Vaqueros began to slip after the second Santa Barbara touchdown, although Glendale’s running back, Antonio Bray, fi red back with a seven-play, 63-yard drive which lead to

a 19-yard touchdown run, putting them back in the game.

The stands, which were crammed with Vaquero fans, erupted in cheers as Bray stormed into the end zone.

Unfortunately for the Vaqs, their struggles continued moments later as Santa Barbara scored once again with a 69-yard drive over fi ve plays, capped off by a 38-yard TD run at 7:50.

Yet again, Santa Barbara’s aggression toppled Glendale with a 60-yard drive over six plays leading to an 18-yard pass for another touchdown, coming at 2:10, and bringing the score to 27-7. Fortunately for the Vaqueros, Santa Barbara missed the fi eld goal attempt for the extra point.

The second half is where Glendale really showed off its potential and talent. Vaquero wide receiver, Patrick Donahue, scored a touchdown on an impressive 34-yard pass from quarterback

Steven Batista at 3:58 in the third quarter. The score capped a nine-play, 90-yard drive, making the score 27-14. The Vaqueros’ morale rose and the motivation could be seen in their plays.

In the fourth quarter, Donahue scored once again on a 15-yard pass from Batista at 13:58, capping a 7-play, 81-yard drive, which brought the Vaquero fans to their feet. The score following the touchdown was 27-21.

A fi nal attempt by Glendale to win the game ended in defeat as a pass to Reinaldo Reyes slipped through his fi ngertips and fell incomplete.

“It seems to be the reoccurring nightmare,” Head Coach John Rome said. “We can’t seem to break this cycle.”

“We put ourselves in positions to make great plays at the end.” “We dig ourselves a hole. We don’t quite fi nish up.”

The Vaqueros’ pattern has

been to struggle through the fi rst half of their games, than in the second half they manage to make impressive plays and nearly land victories.

“I’d like to see us eliminate defensive and offensive mistakes at the beginning,” Rome said.

“I don’t know how much closer we could get. We have to have more heart at the beginning of the game,” Rome said. “Every week we are down before half time.”Coming back from behind is

going to be a hard habit to break. “We started out a little slow,

but the second half is always the best for us. We have to fi x the little mistakes,” Bray said.

The last game of the season will be Saturday at 6 p.m. at Los Angeles Southwest College.

For exclusive slideshow coverage visit: www.elvaq.com.

Football Falls to the Other Vaqueros By Brandon GardnerEL VAQUERO STAFF WRITER

Adriana Orellana can be reached at [email protected]

Lietel said meant they were saying, “Welcome, come here,” in a seductive manner to the male performer. At the end of the dance, the handshaking must have worked because he ended up with one of the female performers.

Joseph Gurrola and Amanda Riley choreographed their performance to Madonna’s “Die Another Day.” It was very dramatic to watch them fi ght over a set of pearls. Gurrola and Riley performed well together, as they incorporated modern dance, as well as ballet and jazz. The performance was modeled after what appeared to be them acting like secret agents working together, and ending up fi ghting over the same thing.

“My Philosophy,” another very dramatic and dark dance, was performed by Amanda Richardson and Aliem Jiles. Both dancers worked well together and showed off their great abilities in a contemporary dance, where the male character ends up snapping the female’s neck and hiding her under the table after she dies.

Zhanna Petrosyan and Miko Schaffer showed off their abilities through their interpretive performances of “Panteca En Libertad” and “Please,” respectively. Petrosyan, who has been dancing since a young age, and Schaffer, portrayed their delicate styles and creativity through their dances.

“I create my dances by picking the music fi rst, and then creating the movements around the music,” said Schaffer. “I get inspiration from my overactive imagination.”

In the dance titled “In the Mix,” Hans Kim and Kenneth Meija amazed the audience with the creativity behind their

dance, which featured Far East Movement’s “Like A G6” and Katy Perry’s “Teenage Dream.” Kim and Mejia carried a cardboard boom box around and danced to the songs played on the radio prop. The majority of their dance numbers involved hip-hop, break dancing, popping, locking, waving, and jazz, which both dancers fused together well.

“Mine Again” choreographed by Ralph Ami, and danced by Ami, Reo Cho, and Aliem Jiles, portrayed break dancing, creative movements, hip-hop, and a smooth solo by Ami, in which the audience could feel the music through his performance, because he really transmitted the energy and smoothness of the Mariah Carey song.

The fi nal piece of the night was “Drumming in My Head,” which was choreographed by Amanda Richardson.

“This is about that somebody or something that is stuck in your head, either because they keep coming back, or maybe not coming back, and you would do anything to get it out or away from you,” said Richardson. Yves Adamian, Amanda Riley and Richardson, really put the motto of the dance into their performance and created the illusion of people going crazy because of something that was stuck in their heads. The dancers performed the piece well and really got into character.

“Phanatics” was a marvelous show where the dancers gave their all for the audience, and where words weren’t necessary because they transmitted everything that they wanted to say, and more, through their inspirational and creative performances.

Brandon Gardnercan be reached at [email protected]

Dance Performance[Phanatics, from page 11]

Page 13: Nov. 10, 2010

Women’s Volleyball Trounces West L.A.

www.elvaq.com Wednesday, November 10, 2010 13

SPORTS

The Lady Vaqueros volleyball team won a resounding

victory Friday night against West Los Angeles College with a fi nal score of 3-0 (25-10, 25-4, 25-10).

The fi rst set saw many rallies by Glendale. The set started out 6-1 with Glendale leading. The Wildcats helped increase the Vaqueros’ lead by making numerous service errors and hitting mistakes.

The lead was pushed to 16-8. This forced West L.A. head coach Brian Corso to take a timeout. There was a large contrast between the two teams’ benches. On Glendale’s side, all the players were huddled up and exuded a high amount of energy, while the West L.A. bench players just sat there with their heads down.

A statement shot was made by Glendale freshman outside hitter Sara Kert. At 22-10 she drove a solid spike into a West L.A. player who mishandled the ball.

Jessica Alvarez made another great shot. The sophomore outside hitter slammed the ball with cannon-like power to close the set. The shot was so strong that even the scoreboard rocked. The scoreboard read 27-10 at the end of the set instead of the 25-10, which it should have read.

The second set started out with another long Glendale run. At 11-1 sophomore Brittany Frederick was able to get to a ball that was served behind her and drove it with pinpoint accuracy to the back of the court. The score ballooned to 15-1.

Glendale must have felt confi dent because at one point in the second set, the team sent sophomore Ana Flores to the front row, a place usually designated for taller players. The Vaqueros ended up winning the point.

The third period started out differently from the fi rst two. West L.A. was able to get its fi rst lead of the game at 3-2. Consistent play from the Vaqueros and errors by West L.A. allowed Glendale to take back the lead and eventually

win the third set 25-10.While the season has not

gone well for the Lady Vaqueros, the team is looking to fi nish the

season strong. Kert said, “We are going to try and win them all…and go out with a bang...” Alvarez said, “We need to fi x the

little errors and go out next week against Pierce and win.”

REASON TO CELEBRATE: Lady Vaqueros Karen Loera, No. 11, Brittany Riddle, No. 13, and Valerie Garcia, No. 5, overpower the West L.A. Wildcats as they slam the ball over the net en route to an easy score.

By Nik BrkicEL VAQUERO STAFF WRITER

Nik Brkic can be reached at [email protected]

Photo by Peter Moyes

It was a long, cold night for the Glendale Vaqueros as they met

the Oxnard College Condors on Friday at Sartoris Field. Glendale lost its next to last game by a score of 3-0.

Defender Hans Cabrera, sheilded the opposition by staying on the right side of the fi eld the whole game. Jason Acosta attempted the fi rst goal for Glendale, but missed. Freshman Yuto Hisamura, made the second goal attempt for GCC. Oxnard sophomore, Jesus Lopez, tripped Acosta but was not punished by the ref.

Condors freshman Sigifredo Torres, made his fi rst goal at 12 minutes, after cornering Glendale’s goalie Edwin Cabrera. Torres made his second goal at 23 minutes. Sigifredo almost completed a hat-trick by scoring a third goal, but Cabrera stopped it with a high jumping block.

The last opportunity for the Vaqueros in the fi rst half came in

the form of a missed header from Yader Arita.

Oxnard sophomore Gerardo Guzman, attempted two goals in the second half including a 30 yard missile, but Cabrera caught it.

At the 37 minute-mark of the second half, Oxnard’s Sam Nellis scored the third and fi nal goal of the game. The Vaqueros got a warm ovation, packed up their stuff, and left the fi eld.

This game marked the beginning of the end of the season for the Vaqueros. The Glendale Vaqueros team is full of 16 young aspiring freshman who will hopefully get better next season.

Glendale Assistant Coach Laura Matsumoto said, “For what we are capable of, I think we under performed.”

Glendale forward Ramsey Issa, played for only fi ve minutes in the second half. Issa said, “I had a bad game today. I didn’t feel like I was in the game. We didn’t play to our potential. The different positions were all scattered.”

The last Vaqueros game of the season is at home against Los

By Luis RodriguezEL VAQUERO STAFF WRITER

Luis Rodriguez can be reached at [email protected]

Condors Feast on Scoreless Vaquero Team

Angeles Mission on Friday at 7 p.m.

SCAVENGERS WITH BIG WING SPANS: The Vaqueros Yader Arita battles an Oxnard defender for possession of the ball during the second half. Although it was a hard fought match Glendale lost 3-0.

Photo by Isiah Reyes

Page 14: Nov. 10, 2010

The Lady Vaqueros had an intense night facing the

versatile Santa Monica Corsairs in one of the last games of the season on Oct. 29.

Unfortunately, they were shut out on in a 4-0 loss.

Freshman Taylor Oswalt made the fi rst goal attempt for Santa Monica at three minutes into the fi rst half. On their fi rst attempt, the Lady Vaqs tried to corner Santa Monica goalie Alisa Sheldon, but to no avail. Oswalt then tried to score a second goal at the 9-minute mark. The fi rst goal for the Corsairs fi nally came from sophomore Santos Tejada at 12 minutes. Santa Monica sophomore Brianna Edwards was injured after a tackle.

Lady Vaq Sharis Harootun tried to battle with Lady Corsairs’ Hilary Hogarski for a corner kick, but the play was not counted by the ref and the ball was tossed back onto the fi eld.

Freshman Natalia Burns, and sophomore Tayler Nelson from GCC, were substituted for freshman America Lopez, and sophomore Amy Rosales, at the 25-minute mark. Lopez attempted the fi rst goal by the Lady Vaqs at 27 minutes.

Santa Monica s o p h o m o r e L a u r e n B u s t a m a n t e kicked the ball off the fi eld to prevent the Vaqueros from getting a goal with 30 minutes left in the fi rst half.

SMC freshman Samantha Li, attempted a shot on goal, but the ball went out of bounds. Sophomore Paola Guardado of GCC prevented a goal from Li at 32 minutes. Harootun tried for another goal at 34 minutes. Glendale’s Marina Pedone, attempted a free kick, but didn’t

score. Tejada went for another goal at 37 minutes, but was caught off sides.

Santa Monica freshman Gabriela Rodriguez went for a goal at 42 minutes, but missed. Glendale was down 1-0 by the end of the fi rst half.

At 11 minutes into the second half, Edwards scored the second goal for Santa Monica. Glendale went down 2-0. Rodriguez got a yellow card for a handball pass at 18 minutes. She would soon score the third goal for Santa Monica at 21 minutes.

Glendale’s luck didn’t get any better as Edwards scored the fourth goal for Santa Monica at 23 minutes.

Harootun went for her second goal attempt of the night at 35 minutes, but was off sides. Glendale freshman Samantha Aguirre went for the second to last goal attempt for the Vaqs, but was tripped up by Corsair sophomore Caitlyn O’Neil. At 43 minutes, Pedone failed at the last goal attempt for Glendale.

When asked about the difference between the Corsairs and Mission College Eagles, who the Vaqs had beaten, America Lopez said: “The difference was the intensity of the team. We were

just sending the ball in the air. You’re more likely to get hurt on the ground.”

When asked if changing f o r m a t i o n s might help, Coach Jorge Mena said: “No. We try to change f o r m a t i o n s .

We’re not able to score. We had two or three substitutions. We give SMC credit. I tried to give the substitution players a chance. We’re not losing because we’re a bad team; we’re losing because we play good teams.”

14 Wednesday, November 10, 2010 www.elvaq.com

SPORTS

Corsairs Plunder Lady Vaqueros 4-0

El Vaq Online photos, articles, slideshows and more:

www.elvaq.com

WALK THE PLANK: Lady Vaquero Sharis A. Harootun, dribbles past two Santa Monica defenders as she positions herself for an attempt on goal. Although Glendale played a tough game, they lost the match 4-0.

By Luis RodriguezEL VAQUERO STAFF WRITER

Luis Rodriguez can be reached at [email protected]

Photo by Louis Roche

“We’re not losing because we’re a bad team; we’re

losing because we play good teams.”

— Coach Jorge Mena

Vaquero Sports Summeries

Men’s and Women’s Cross Country:Oct. 26 — WSC Finals:Men and Women fi nished fi rstSaturday — So. Cal Championships:Men fi nished sixthWomen fi nished second

Women’s Volleyball: Nov. 2 — lost to Santa Monica 3-0Friday — beat West L.A. 3-0

Women’s Soccer:Nov. 2 — lost to Mission 5-0Friday — beat Valley 3-0

Men’s Soccer:Nov. 2 — lost to Santa Barbera 10-1Friday — lost to Oxnard 3-0

Women’s Golf:Nov. 1 — WSC Finals:Tammy Panich won fi rst conference titlefor Glendale

Football:Saturday — lost to Santa Monica 28-21

Men’s and Women’s Cross Country:Nov. 20 — State Championships at Fresno

Women’s Volleyball:Friday — at College of the Canyons 7 p.m.Tuesday — vs. Citrus 7 p.m. Women’s Soccer:Friday — at Pierce at 3 p.m.

Women’s Golf:Monday-Tuesday — State Championships

Football:Saturday — at L.A. Southwest College at 6 p.m. Men’s Soccer:Friday — vs. L.A. Mission at 7 p.m.

Upcoming Events

Scores

For more information see:http://www.glendale.edu/athletics/

Page 15: Nov. 10, 2010

www.elvaq.com Wednesday, Nov. 10, 2010 15

C A L E N D A R

Around Town

On Campus

COMEDY

“Ruby Moreno’s Latino Come-dy Showcase” — The Ice House Comedy Club. Tonight and Nov. 24 at 8 p.m. Tickets $12.50. 54 N. Mentor Ave., Pasadena. For more information, visit www.ice-housecomedy.com or call (626) 577-1894.

“LA Comedy Fest” — ACME Comedy House. Nov. 18 from 7:30 to 9 p.m. Ticket prices vary. 135 N. La Brea Ave., Los Ange-les. For more information, visit www.acmecomedy.com or call (323) 525-0202.

MUSIC

Element Band — The Armenian General Benevolent Union Pasa-dena Center presents the Element Band (featuring former GCC stu-

dents), Saturday at 8 p.m. Tickets are $10, $20 and $40 available at www.ItsMySeat.com. 2495 E. Mountain St., Pasadena. For in-formation call (626) 794-7942.

Ruth Bruegger and Friends— Glendale Noon Concerts presents Bruegger, friends and baritone Chris Winn performing Samu-el Barber’s String Quartet Op. 11 and “Dover Beach.” Free in the Sanctuary of the First Bap-tist Church of Glendale, 209 N. Louise St. Runs from 12:10 until 12:40 p.m. on Nov. 17. For more information visit www.fbcglen-dale.net or call (818) 242-2113.

EXHIBITIONS

“Charles Bukowski: Poet on the Edge” — Huntington Library.Drawn from the archive donated to the museum by the writer’s wife Linda Lee Bukowski, the

exhibit boasts fi rst editions of his works, drawings, correspondence and even his typewriter. Runs through Feb. 14. Ticket prices vary. 1151 Oxford Road, San Ma-rino. For more information call (626) 405-2141 or visit www.huntington.org.

C

“Iannis Xenakis: Composer, Architect, Visionary” — Pacifi c Design Center presents a selec-tion of sketches, drawings and musical scores of Xenakis. Runs through Feb. 5. 8687 Melrose Ave., West Hollywood. For infor-mation visit www.pacifi cdesign-center.com or call (310) 289-5223.

“Ways of Seeing” — Artology 101 Gallery. A photography ex-hibition featuring work by Cyn-thia Frederick, Gil Mares and Mike Lee. Opening reception is Friday from 7 p.m. to midnight with spinning by DJ “The Bings.”

Free with parking in back. 3108 Glendale Blvd., Los Angeles. For more information call (818) 321-7379.

“Blinky Palermo: Retrospective 1964-1977” — LACMA presents a selection of post-war abstract artist Palermo’s paintings, draw-ings and assorted works. Runs through Jan. 16. Ticket prices and hours vary. 5905 Wilshire Blvd., Los Angeles. For more informa-tion call (323) 857-6000 or visit www.lacma.org.

EVENTS

“Joseph the Dreamer - The Mu-sical” — Alex Theatre. Presented by the Heart of Worship Commu-nity Church. 216 N. Brand Blvd. Two shows only Saturday at 4 and 8 p.m. Tickets $5. For more information visit www.alexthe-atre.org or call (818) 243-2539.

THEATER“Great Expectations” — A Noise Within presents the West Coast premiere of the Charles Dickens classic. Adapted by Neil Bartlett. Directed by Julia Rodri-guez-Elliott and Geoff Elliott. 234 S. Brand Blvd. Runs through Dec. 19. Ticket prices and show times vary. For more information visit www.anoisewithin.org or call (818) 240- 0910.

WELLNESSFree Yoga in the Park — Run-yon Canyon Park. Free yoga les-sons are offered everyday at 10:30 a.m and 6 p.m. 2001 N. Fuller Ave., Los Angeles. For more in-formation call (323) 666-5046.

SGI Buddhist Club.

Ethnic Food Sale — Nov. 18 in Plaza Vaquero from 10 a.m. to 3 p.m. Organized by the Sociology Club.

Investors Club Meeting — Speaker is Andrew Lais, fi nancial planner. Saturday. From 2 to 4 p.m. CS 177.

Swap Meet — The monthly event is held in the upper campus parking lot Nov. 21 from 8 a.m. to 3 p.m. Free. For information call (818) 240-1000, ext. 5805.

“The Immune System: Your Built-in Doctor or the Enemy Within?” — The Fall Science Lecture Series concludes with doctors Mitch Kronenberg and Hilde Cheroutre from the La Jolla Institute for Allergy and Immu-nology. Nov. 23 from 12:20 to 1:20 p.m. in SB243. Free.

THEATRE

“The Servant of Two Mas-ters” — Theatre Arts presents a Carlo Goldoni comedy, adapted by Constance Congdon from a translation by Christina Sibul.

Non-Violent Communication —Learn tools to turn confl ict into cooperation. Free. Nov. 23 from 12:30 to 1:30 p.m. in AU117.

“How to Recognize and Correct Run-ons” — Learn to recognize a variety of situations in which run-on sentences commonly occur; re-ceive practice exercises. Tuesday from 12:20 to 1:20 p.m. in AD 238. Free. Students are encour-aged to register for the workshop online. For more information, visit www.glendale.edu/learning-center or call (818) 240-1000, ext. 5341.

“Finding the Main Idea” —Sharpen your reading compre-hension skills with this new workshop. Free. Tuesday from 12:20 to 1:20 p.m. in AD 238.

“Logical Fallacies” — Learn how to identify and avoid 9 common logical fallacies. Rec-ommended for English 101 and above. Thursday. 12:20 to 1:20 p.m. in AD 238. Free.

“Fragments” — Learn about different kinds of fragments andhow to correct each; work on practice exercises. AD238. Nov. 19 from 10:45 to 11:45 a.m.

“Learn to Meditate” — Medi-tation is said to help to clear and calm the mind. Free. Every Wednesday from 12:30 to 1:20 p.m. in AD 205. For more infor-mation call (818) 551-5192.

PLANETARIUM

“Evening with the Stars” — This planetarium show will intro-duce the stars, constellations and planets Friday at 7 and 8:30 p.m. and Saturday at 6:30 p.m. Admis-sion is $10 for adults and $5 for children 12 and under. No late ar-rivals. For more information, visit www.glendale.edu/planetarium or call (818) 240-1000, ext. 5275

ART GALLERY

“Jerry/Jury-Rigged” — Art Gallery. Curated by Jan Tumlir. Runs through Saturday. Admis-sion is free. Gallery hours are Thursday through Saturday from noon to 6 p.m. For more infor-mation, visit www.glendale.edu/artgallery or call (818) 240-1000, ext. 5663.

Directed by Jeannette Farr. Thursday through Saturday at 8 p.m. Last show is Sunday at 2 p.m. Auditorium Mainstage Theatre. Ticket prices vary. For reservations and information call (818) 240-1000, ext. 5612 or visit www.glendale.edu/theatre.

MUSIC

Jazz Concerts — Saturday Jazz Band and Vocal Jazz Ensemble led by directors Craig Kupka and Clare Delto. Nov. 20. 8 p.m. Jazz Big Band led by Kupka performs Nov. 21 at 4 p.m. Auditorium Mainstage Theatre. Ticket prices vary. For information call (818) 240-1000, ext. 5829.

MOVIES

riday Flix: — A screening of “The Day The Earth Stood Still,” directed by Robert Wise, on Fri-day. On Nov. 19: Roman Polan-ski’s “Repulsion” will screen. Films are free at 12:30 p.m. in SG 334. Discussions facilitated by Media Arts instructor Mike Pet-ros follow the screenings.

WORKSHOPS

EVENTS

Veterans Day Event — Cel-ebrate the holiday in San Gabriel Plaza on Thursday from 12:30 to 1:30 p.m. Presented by ASGCC - Campus Activities.

Armenian Culture Day — Thursday in Plaza Vaquero from 10:30 a.m. to 2 p.m. Organized by the Armenian Students Asso-ciation.

Priority Registration — For the winter session through Thursday. Students must activate their GCC email to access the information. For more information call (818) 240-1000, ext. 4357.

Board of Trustees Meeting — 5 p.m. Monday at the Garfi eld Campus. 1122 E. Garfi eld Ave. Room 116.

AS Talent Show — Tuesday in Plaza Vaquero from 12:15 to 1:40 p.m. Organized by ASGCC. For more information visit the Stu-dent Center.

Buddhism Lecture — “Karma” Wednesday from noon to 1 p.m. in SC212. Free. Organized by the

Compiled by Richard Kontas

Page 16: Nov. 10, 2010

16 Wednesday, November 10, 2010 www.elvaq.com

VAQUERO VIEWS

Photo by Louis Roche

‘A Servant of Two Masters’ Brings Venice to the Theater

ALL THE WORLD LOVES A CLOWN: The Theatre Arts Department is currently featuring its fall production of “The Servant of Two Masters” by Carlo Goldoni. A comedic farce featuring mistaken identities, broken engagements and reunited lovers, the play is directed by Jeanette D. Farr and runs through Sunday. Pictured above is Amanda Fontoura as Smeraldina. At bottom, Edith Kordijan as Clarice and Michelle Nissing as Beatrice.

Photos by Frank Guandique