monologue i for marimba - josé g. martínez.pdf

8/12/2019 Monologue I for Marimba - Jos G. Martnez.pdf

1/19

Monologue Ifor Marimba

Jos G. Martnez R.


2/19

&

?

Marimba

j

w

w

w

w

#

U

Lento y misterioso, rubato

U

( )

-

U

p

U

( )

&

P

lento

p

U

P

U

( )

&

?

j

P

( )x

x!!

P

( )x

j

x

F

x

( )

""

&

?

p

w

j

F

j

p

( )

&

?

P

F

w

#

#

P

p

f

>

>

>

U

.

.

>

.

.

>

subito

q = c 100

MONLOGO Ipara Marimba

Jos Guillermo Martnez

2010-201

Copyright 2012 by GAPA MUSIC PUBLISHERS.

International Copyright Secured All Rights Reserved.

a Alejandro Ruiz ymis amigos percusionistas

reflexiones sobre un monlogo de la pelcula "...Y Justicia para Todos"reflections on a monologue from the film "...And Justice for All"


3/19

&

?

j

p

F

q = c 55

j

>

3

j

> f

&

?

> >

>

>

>

,

poco accel.

&

?

3

>

>

>

q = c 55

.

>

p

rit.

&

F

punzante

piercing

libero

?

>

U

poco accel.

p

( )

2Monlogo I

para Marimba

7"


4/19

&

?

>

U

piu accel.

p

( )

&

F

>

,

molto accel.

p

U

p

&

>

>

#

>

>

#

>

. .

.

.

.

>

3

marcatissimo

F

q = c 120rit.

j

>

. .

.

.

.

>

&

p

&

?

. .

.

.

. .

.

f

q = c 55

nauseabundo

sickly

>

>

>

>

>

>

. .

.

>

>

.

>

12

&

?

3

>

>

.

>

.

.

3

F

p

>

>

.

p

Monlogo Ipara Marimba

5"

3"


5/19

&

?

3

?

#

#

>

>

> >

>

f

f F

rit.

p

. .

R

can

. j

F

f

faster but heavyms rpido pero pesante q = c 65

?

?

. .

R

. .

r

K

F

3

3

f

>

3

j> >

>

p

>

3

.

r

f

F

?

?

>

3

.

r

f

5

&

subito

ligero

lightly

-

-

-

rit.

P

-

?

?

?

. .

R

f

f

a tempo q = c 65

. .

R

j

F

3

.

r

>

3

>

&

.

F

&

?

. .

.

3

.

.

#

#

3

?

j

>

>

-

f

4Monlogo I

para Marimba


6/19

?

?

#

#

3

-

>

>

3

>

f

.

J

.

.

J

p

F

espressivo

j>

#

3

?

?

&

-

.

.

espressivo

>

3

?

>

U

&

P

molto rit.

&

?

.

#

.

F

Grazioso qk, q

p

>

f

&

?

#

#

n

#

#

&

?

#

#

f

>

>



7/19

&

?

j

#

j

j

F

#

j

j

j

>

j

>

>

&

?

j

>

f

#

# >

>

>

>

U

. .

F

j

#

#

&

?

j

.

.

#

#

#

b

>

#

&

?

.

.

,

.

p

non rit.

6Monlogo I

para Marimba


8/19

&

libero

&

?

j

j

w

w

calmato

j

j

w

w

j

j

j

j

w

w

&

?

U

piu animato

,

P

F

F

( )

( )

F

calmato

&

?

U

U

U

j

# w

w

f

Moderato= c 90 rit.

p

>

>

>

3

r

>

>

subito presto q = c 150

f

&

?

U

dolce

p

calmato

( )( )j

U

rit.

U

( )



9/19

&

?

j

molto accel.q = c70

.

>

j

>

>

> >

f

StraightContundente q

.

.

.

>

j

>

>

> >

&

?

j

> >

>

j

.

>

>

> >

.

.

.

j

>

> > >

j

>

.

> >

&

?

.

>

j

>

> > >

.

.

> >

>

>

>

3

3

e

=e

j

>

> > >

f

&

?

j

>

> > >

j

> >

.

>

J

>

> > >

. .

.

>

j

>

> > >

&

?

143

j

>

>

>

2 2

>

>

>

>

.

>

U

>

>

.

>

8Monlogo I

para Marimba


10/19

&

>

>

>

>

^

>

>

^

>

f

Frentico q = c 140Frantic

&

>

>

>

>

>

>

>

^

>

>

^

p

f

&

>

>

>

>

>

>

>

>

>

>

>

p

&

>

>

>

>

U



11/19

&

?

f

Contundente qStraight

3

. . . .

3

.. . . .

. . . .

.

j

. . . .

&

?

.

.

.

.

.

.

.

.

.

U

>

>

>

>

>

>

j

>

j

>

&

?

.

.

.

.

j

.

.

.

.

.

.

.

.

.

.

.

.

.

.

&

?

.

.

.

.

.

.

?

.

.

.

.

.

.

.

.

&

.

.

.

&

&

&

U

U

U

,

?

f

furioso

with furylibero

10Monlogo I

para Marimba


12/19

&

?

j

..

.

.

F

dubitativo

doubtfull

a tempo

j

.

.

.

.

.

.

j

.

.

.

.

&

?

U

p

furioso

with fury

libero

U

p

w

w

U

w

&

?

.

.

.

.

F

dubitativo

doubtfull

a tempo

.

.

.

.

.

>

>

>

3

.

.

.

.

&

?

>

>

>

>

F

furioso e insando

wit fury and insanitylibero

U

F

>

>

>

>

>

&

?

>

>

>

>

>

>

F

U

F

>

>

>

>

1Monlogo I

para Marimba


13/19

&

?

F

&

?

#

w

w

w

U

F

> > > >

>

U

poco rit.

(

&

?

.

.

.

.

F

meno mossoexhausto

exhausting

..

rit.

..

p

12Monlogo I

para Marimba


14/19

&

>

>

>

Frentico q = c 140Frantic

>

poco rit.

f

&

?

U

w

U

&

?

dolce

.

p

q = c 55

3

.

J

.

.

.

.

3

f

&

?

.

j

.

.

.

J

P

>

J

j

3

f

p

&

?

>

.

.

j

U

j

.

3

f

p

3

?

.

.

&

1Monlogo I

para Marimba


15/19

&

U

,

dubitativo

doubtfull

libero

,

,

molto

psubito

.

.

.

.

,

dead stroke

&

U

P

secco

( )

U

F

secco

( )

U

p

secco

( )

&

$

w

w

U

P

.

.

.

.

.

U

dead stroke

F

( )

.

.

.

p

(

&

?

>

>

>

U

poco accel.

F

(

&

?

>

>

>

U

piu accel.

f

(

&

?

>

>

>

>

>

>

U

molto accel.

(

14Monlogo I

para Marimba


16/19

&

?

>

#

>

>

SavageSalvaje q

>

>

>

>

>

>

>

&

?

3 3 3

>

#

>

>

#

>

>

f

>

>

>

6

&

?

>

>

>

6

>

>

>

#

>

>

J

>

f

&

?

#

>

>

>

>

3

3

.

>

>

J

>

#

.

j

>

.

.

1Monlogo I

para Marimba


17/19

&

?

!

!

!

!

!

!

!

!

!

3 3 3

enrgico

with energy

>

>

>

!

!

!

!

!

!

3

3

>

>

>

3

!

!

!

!

!

!

!

3 3 3

&

?

>

>

>

!

!

!

!

!

!

3 3

>

>

!

!

!

!

3 3

>

>

!

!

!

!

!

!

!

!

!

!

!

!

>

3 3 3 3 3

sempre fortissimo

&

?

> > > > > . ....> > . ....>

> >

>

. .

.

..

> . ...

.

>

>

&

?

#

b

#

n

b

6 6 6

sempre crescendo

f

> >

> >

>

6

6 6

&

?

>

>

>

>

>

3

pesante

16Monlogo I

para Marimba


18/19

Decelerate or accelerate.

Play approximately thequantity of written notes

( )

( )

Conventions

MONOLOGUE I

for MarimbaReflections on a monologue from the film and justice for all

Short breath

Short Duration

Medium Duration

w Long Duration

x Play fast x Play as fastest as possible

The note(s) must continue until otherwise is marked. The duration of

the notes is to be approximated to the length of the line.

The piece is developed with two kinds of writing. The first one is a proportional writingand the second one is ta traditional writing (but without time signatures due its notnecessary).On sections written with the proportional writing the performer (considering the rhythmicfigures, intention of music and lines of duration) decides the length of the notes. Pulsesensation must be vague and incomprehensible. On sections with traditional writing onthe opposite, it is very important to keep always clear the feeling of pulse.About Measure Bars: Bars are meant to serve as separation of the proportional andtraditional writing. Dotted bars are meant to separate phrases. When no bar at the end ofthe staff is present music should go on normally.

x

q Play with shaft of the mallet


19/19

Serie de Monlogos

Estos discursos continuos de un solitario narrador-intrprete proponen el encuentrode una faceta interpretativa ms profunda, faceta en la cual su virtud expresiva esllevada al mximo pues el discurso est tejido en una maraa de sentimientos y

expresiones que solicitan de l esa virtud de pasar de un lado a otro de la historia, deencarnar por s solo descripciones y personajes dismiles y de con su unicidadprocurar la pluralidad, es decir el todo en uno solo.

Todos los Monlogos a su vez guardan una estrecha relacin con alguna obraliteraria o filme para de esta manera enriquecer el discurso musical con las ideasextradas de estas obras.

Monlogo I, para marimba Reflexiones en un monlogo de la pelcula Y justicapara todos del director Norman Jewison.

Monlogo II,para Vibrfono y electrnica en vivo Reflexiones en Rayuela delescritor argentino Julio Cortzar.

Monlogo III, para flauta sola y quinteto de percusin Reflexiones en el poemaPiedra del sol del escritor mexicano Octavio Paz.

MonologuesSeries

These continuous discourses of a solitary speaker-player propose the encounter of a

deeper performance approach. In this approach his expressive virtue is taken beyonddue the discourse is built up into a tangle of feelings and expressions which requestto the musicians virtue of going from one side to the other of the story. They ask alsoto embody descriptions and different characters and finally pursue with theuniqueness the plurality. That is to say the whole inside oneself.

Each one of the Monologues has a close relationship with some literary work or film.With this relationship the musical discourse is enhanced through the ideas extractedfrom this works.

Monologue I, for marimba solo Reflections on a monologue from the film And

justice for all directed by North American Norman Jewison.

Monologue II,for vibraphone and live electronics Reflections on Rayuela(Hopscotch) novel by Argentine writer Julio Cortzar.

Monologue III,for solo flute and percussion quintet Reflections on the poemPiedra del sol (Sunstone) by Mexican writer Octavio Paz.

monologue i for marimba - josé g. martínez.pdf

Documents