ice candy man - literary theory and criticism...distinguished international writer bapsi sidhwa...

234

Upload: others

Post on 21-Apr-2020

18 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published
Page 2: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published
Page 3: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

BAPSISIDHWA

Ice-Candy-Man

PENGUINBOOKS

Page 4: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Contents

AbouttheAuthor

PraiseforBapsiSidhwa

Dedication

Chapter1

Chapter2

Chapter3

Chapter4

Chapter5

Chapter6

Chapter7

Chapter8

Chapter9

Chapter10

Chapter11

Chapter12

Chapter13

Chapter14

Chapter15

Chapter16

Chapter17

Chapter18

Chapter19

Chapter20

Chapter21

Chapter22

Chapter23

Chapter24

Chapter25

Chapter26

Chapter27

Chapter28

Chapter29

Page 5: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter30

Chapter31

Chapter32

Acknowledgements

Copyright

Page 6: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

PENGUINBOOKS

ICE-CANDY-MAN

DistinguishedinternationalwriterBapsiSidhwalivesinAmericabuttravelsfrequentlytotheIndiansubcontinent.Shehaspublishedfivenovels:AnAmericanBrat,CrackingIndia,PakistaniBride,TheCrow-EatersandIce-Candy-Man,andhasbeentranslatedintoGerman,French,ItalianandRussian.

AmonghermanyhonoursSidhwareceivedtheLilaWallace-Reader’sDigestWriter’sAwardin1994,theUSNationalEndowmentfortheArtsgrantin1994,theSitara-i-Imtiaz,Pakistan’snationalhonourinthearts,andtheLiBeraturepreisinGermany.SidhwahasalsoheldtheprestigiousBuntingFellowshipatRadcliffe/Harvard.

Sidhwa,whowasontheadvisorycommitteetoPrimeMinisterBenazirBhuttoonWomen’sDevelopment,hastaughtatColumbiaUniversity,UniversityofHoustonandMountHolyokeCollege,andcurrentlyholdstheFannyHurstpositionatBrandeisUniversity.

Ice-Candy-Man(aNewYorkTimesNotableBookoftheYearandaQualityPaperbackBookClubselection),hasbeenmadeintothefilm1947—EarthbynotedCanadiandirectorDeepaMehta.

Page 7: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

PraiseforBapsiSidhwa

‘BapsiSidhwadealswiththepartitionofIndia,asubjectasharrowingastheHolocaust.Beforeourdisbelievingeyes,sheperformstheremarkablefeatofbringingtogethertheribaldfarceofParseefamilylifeandthestarkdramaandhorrorsoftheriotsandmassacresof1947.

‘Shehasachievedtheimpossiblethroughonemasterlystrokecreatingachild’sworldofhomeandgamesintheparkamidstamotleycompany.Atthecenterofthisworldisthechild,Lenny.Forallthatshebearsthebitterburdenofhistoryonhereight-year-old-shoulders,Lennyisnotallowedtobecomemerelytheembodimentofanabstractidea.Sidhwa’striumphliesincreatingcharacterssorichinhilariousandaccuratedetail,soaliveandactive,thatlongafteronehasclosedthebook,theycontinuetoperformtheirextraordinaryandwonderfulfeatsbeforeoureyes.’

—Dawn

‘IfyouwishtorelivetheLahoreofthe’40sand’50s,gonofurther.InIce-Candy-Manthetaleistoldwithskillandcraftsmanshipunrivaledinthesub-continent.’

—She

‘Sidhwa’shumourcomesinpungentone-linersandherstyleishighlyvisual.’

—IndiaToday

‘Sidhwacapturestheturmoilofthetimes,withabrilliantcombinationofindividualgrowing-uppainsandthecollectiveanguishofanewlyindependentbutdividedcountry.Sidhwa’swork—particularlythedehumanizingeffectsofcommunalismshemovinglyrevealsinIce-Candy-Man—ispainfullyrelevanttoourpresentdayIndia.’

—EconomicTimes

‘Itmaybethattheatrocitiesof1947arebestseenthroughtheinnocent,naïveeyesofachild,whohasnoHindu,MuslimorSikhaxetogrind…Lennyisfreebothfromtheprejudicesofreligion,andfromtheprejudicesagainstwomen,andtheconstraintsshewillbesubjecttoasshegrowsolder.Theauthorialvoice(is)apowerfulvoiceofhindsight.’

—RalphCrane

‘BapsiSidhwacannotbeeasilylabeled…ShecannotbecategorizedasjustaPakistaninovelist,sheismuchmoreversatile.“LameLenny”canberelatedtoOscarofGuntherGrass’sTinDrum.Therearebooksaboutboysgrowingup(MarkTwain’sHuckFinn),howeverSidhwa’snovelisuniqueasitestablishesthegirl-child’spointofview.’

—R.K.Dhawan

‘Sidhwa’sevocationofaLahorechildhood,seenthroughtheeyesofaprecociouschildcalledLenny,isassweetandenticingasthepopsiclesthattheheroofhernovelsells.ItisapassionateaccountofPartitiontoldthroughthecoolingmistsofParsihumour.’

—Parsiana

‘LennycanbecomparedtothepersonathatChauceradoptsinhisProloguetoTheCanterburyTales,renderingcredibilitybybeingalmostapartofthereader’sconsciousness…Withthewonderofachildsheobservessocialchangeandhumanbehaviour,herpersonaasourceofsharpirony.’

—NoviKapadia

‘Sidhwa’sIce-Candy-Manisaboldexperimentinnarrativestrategiesandtime,inwhichtheunspeakablehorrorsofcommunalviolencearetoldmainlyfromalittlegirl’spointofview.’

—TimesLiterarySupplement(TLS)

Page 8: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Inthisrich,originalnovelSidhwacontrives,withoutfakenaïvete,totellthestorythroughtheeyesofasharp,inquisitiveeight-year-oldgirlLenny,whohasacrippledfootandiscaredforbyabeautifulyoungAyah.LennyisestablishedsofirmlyasatruthfulwitnessthatthemountinguneaseinLahore,theriots,firesandbrutalmassacresbecomerealthroughthechild’sexperience.Thecolossalupheavalofpartition,whencitieswereallottedtoIndiaorPakistanlikepiecesonachess-board,andtheirfrightenedinhabitantswereoftensavagelyuprooted,runslikeanearthtremorthroughthisthoughtfulnovel.’

—SylviaClayton

‘Withskillandsympathy,andadelightfulsenseofhumour,BapsiSidhwashowsthesmallgirlLennygrowingupincomfortandtranquillity.Thebook’smanycharactersallcometoexuberantlife,exhibitingtheoddtastesandunpredictablebehaviourofrealindividuals.’

—LondonMagazine

‘Sidhwa’sRabelaisianlanguageandhumourareenormouslyrefreshing,especiallyinthecontextofmodernIndianfiction,whichhastendedrathertowardstheprimandstilted.InIce-Candy-Man,asinherpreviousnovels,shesucceedsintransmittingintoEnglishmuchofthespiritofPunjabilanguageandculture,whichisnothingifnotearthy.Butherproseisalsobothdelicateandpreciseinitsimageryanddescriptions,withwordschosenascarefullyaspiecesofinlayinamarblewall.’

—TheLiteraryReview

‘LikeallSidhwa’swork,thenovelcontainsarichundercurrentoflegendandfolklore.ItcombinesSidhwa’saffectionateadmirationforherowncommunitywithacompassionforthedispossessed.Herownchildhoodmemoriesgivethenovelfurtherdepthandresonance.’

—TheOxfordCompanionToTwentieth-CenturyLiteratureinEnglish

‘Afluent,fastmovingnarrativeofwitandwisdom.’

—IrishTimes

‘Abornstoryteller,anaffectionate,shrewdobserver…shewriteswithauthorityandflair.’

—NewStatesman

‘Ice-Candy-Manisextremelytaut,highlysensitiveanditsheart-rendingrealismisbestbroughtoutwiththefamiliarelements.Thetreatment,muchtothefulfillmentofthereader,isnotonlydelightfullydifferentbutalsoinimitablyexclusive…Sidhwa’ssomewhatJoycianinsightintochildpsychologyandkeenobservationofchildbehaviouriswhatmakesthebooksocompellingandvirtuallyunputdownable.’

—Miscellany

‘ThebrilliantlycreatedIndiancharactersinthisnovelaremadewitharealface,thatturnsattimesintoamaskofhorrorandatothersintoapealoflaughter…Ofallthemarvellouspeoplebroughttolifeinthisnovelthereisonewhosignifiesresistancetochangeandusesthechaosaroundhimforhisownmaliciousends.AndsointheendthereisonepersonwhocomesoutunscathedandnowiserfromthebrutalpainofIndianindependence:Ice-Candy-Man.’

—WeeklyMail

‘AstheambiguitiesandcontradictionsresidinginthepoliticalsituationinthePunjabareexploredinthecourseofLenny’snarrative,soexamplesmultiplyofSidhwa’stalentforfusingbroadhumourandtrenchantcriticism,concreteobservationandimaginativeinsight,therealitiesofeverydayexistenceandtheabstractionsofpoliticsandreligion.’

—ThirdWorldQuarterly

‘Withoutawordofprotestationorpreachingandwithouthistrionics,SidhwahaswrittenoneofthemostpowerfulindictmentsoftheriotswhichoccurredduringthePartition.’

—WorldLiteratureToday

‘Thenovelisabouttheslowawakingofthechildheroinebothtosexualityandgrown-uppainsandpleasuresandtotheparticularhistoricaldisasterthatoverwhelmsherworld…compulsivelyreadable.’

—Observer

‘Apowerfulanddramaticnovelist.’

Page 9: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

—TheTimes

‘Sidhwa,aParseelivinginPakistan,isararityeveninswiftly-changingAsia—acandid,forthright,balancedwomannovelist.HertwentiethcenturyviewofIndianlifecanonlybecomparedtoV.S.Naipaul’s.SidhwaisamongthemostinvigoratingIndianwriters.’

—BloomsburyReview

‘Ice-Candy-Manisanovelinwhichheartbreakcoexistswithslapstick…andjokesgivewaytolinesofglowingbeauty(“themoonlightsettleslikealayerofashesoverLahore”).Theauthor’scapacityforbringinganassortmentofcharactersvividlytolifeisenviable.InreducingthePartitiontotheperceptionsofapolio-riddenchild,agirlwhotriestowrenchouthertonguebecauseitisunabletolie,BapsiSidhwahasgivenusamemorablebook,onethatconfirmsherreputationasPakistan’sfinestEnglishlanguagenovelist.’

—NewYorkTimesBookReview

‘BapsiSidhwahasturnedhergazeuponthedomesticcomedyofaPakistanifamilyinthe1940sandsomehowmanagedtoevokethegreatpoliticalupheavalsoftheage…andIamparticularlytouchedbythewayshehasheldthewickedworlduptothemirrorofayounggirl’smindandcaughtsomuchthatislyricalandsignificant…amysteriousandwonderfulnovel.’

—WashingtonPost,BookWorld

‘MuchhasbeenwrittenabouttheholocaustthatfollowedthePartitionofIndiain1947.Butseldomhasthatstorybeentoldastouchingly,asconvincingly,orashorrifyinglyasithasbeenbynovelistBapsiSidhwa,seeingitthroughtheeyesofyoungLenny…thereisgreathumanityinthisnovel.’

—PhiladelphiaInquirer

‘ReadingBapsiSidhwa’sIce-Candy-ManislikeforagingthroughatablefulofdiscountedSwatchwatches,andfindingagoldRolex…itillustratesthepowerofgoodfiction:ahistoricaltragedycomesalive,yieldinginsightintoboththepastandthesubcontinent’sturbulentpresent.’

—USAToday

‘BapsiSidhwaisawriterofenormoustalent,capableofendowingsmalldomesticoccurrenceswithcosmicdramaandrenderingcalamitoushistoricaleventswithdeeplyfeltpersonalmeaning.HerIce-Candy-Manisalively,compellingnovel,ambitiouslyconceived,skillfullyplottedandbeautifullywritten.’

—NewYorkNewsday

‘SetagainstthepartitionofIndia,thisfast-paced,seriocomicsagatracksthedailyperegrinationsandcapriciousthoughtsofLennywhounwittinglylearnsthatpeopleandeventsarenotas“transparent”asshehadthought.’

—TheMiamiHerald

‘Imagineachildskippinginnocentlythroughthecarnageofwar.Thechild’slightheartedpresencemakesthedevastationaroundherallthemoreheartbreaking.ThisistheeffectofBapsiSidhwa’scompellingnovel.’

—MilwaukeeSentinel

‘Readerssooncometorealizethattheyareseeing1947Lahorethroughaskillfulnarrator’seyes(as)streetscenes,aswellasfamilylife,comealive.Sidhwaprovidesavivid,realisticpictureofIndianfamilylifeandhumaninteraction…withanintroductiontowhatcontinuestohappen(inthesub-continent)today.’

—ArizonaDailyStar

‘Ice-Candy-Manisasuperbnovel,brilliantlyandlovinglywritten.Itisalsoamasterfulworkofhistoryasitrelatespoliticaleventsinthemostsimplebutalsomosthumanlymeaningfulterms,withcomedyandanguish,throughtheeyesofachild.’

—AlbuquerqueJournal

‘Sidhwa’sviewpointisofsomeonetowhomthescenesshedepictsareknownwithgreatintimacy.Asforeignreaderswe’reinvitedtolearnwhatitwasreallyliketoliveasanIndianinthoseyearsofviolence.Lennyhastheprivilegeofdetachment:shegivesusthestorywhole,insteadofinfragments.’

—Remark

Page 10: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Foroneofthemostimportantappealingnarratorsyouwillevercomeacross,foracompellingandilluminatingviewofamomentinworldhistory,andforclear-eyedinsightsintohumannature,readthisbook.’

—ReadingWoman

‘Sidhwaisasuperbstoryteller,sprinklingthebookwithtersely-capturedvignettes,whichincreasinglyknittogetherintoastoryofpassionandbetrayal,“theunscrupulousnatureofdesire”and“thepitilessfaceoflove”.It’sagreat,throngingbazaarofabook,bustlingwithriches.’

—NewInternationalist

‘Thisexquisitelywritten,tightlyconstructednoveloffersanengagingglimpseintoAsianlifeandavividrecordofadarkchapterinhistory.’

—Masterplots:Women’sLiterature

‘BapsiSidhwaistechnicallyPakistani,butliteraturehasnoneedofpartitions,particularlyasSidhwa’snovelIce-Candy-Manisoneofthefinestresponsesmadetothehorrorofthedivisionofthesubcontinent.’

—TheNewYorker

‘TheoriginalityandpowerofSidhwa’ssplendidnovelonthepartitionofIndiaandthesubsequentcommunalviolencederivedfromherchoiceofprotagonist:Lenny,aneight-year-oldParseegirlfromLahore,aspectatorlivinginthemidstof,butapartfrom,therisingtensionsamongHindu,Muslim,andSikh…Throughout,thenovelsustainsthevitalityofLenny’sworldwithaseriesofwonderfullycomicscenes.Highlyrecommendedforalllibraries.’

—TheNewYorkerLibraryJournal

‘Sidhwa’sluminouspresent-tenseproseislaminatedwiththemagicofchildishwonder…Shemanagestodojusticetothecomplexityofracial,ethnic,andreligiousviolencethataccompaniedthepartitioningofIndia…Richlylayered,bothrealisticandmagicallyevocative,aswellastopical:anovelthatbringstotriumphantlifeanIndiathat“haslesstodowithfatethanthewillofmen”.’

—KirkusReviews

‘Thenovel’spoliticsareeffectivelyjuxtaposedagainstalush,sensualcenter,astheauthor’sproselingersonthehot,dryLahorestreets…Anoveltosavor.’

—Booklist

‘Lenny’shonestyiscompelling,andthereader,likemanyinthestory,cannothelpbuttrusther.Sheisalternatelythrilledandfrightenedbytheeventsshedutifullyrecords,andsointheend,isthereader.’

—PublishersWeekly

‘Ice-Candy-Manisamultifacetedjewelofanovel.LennyisasstrikingacreationasHarperLee’sScout,whoplaysasimilarroleinToKillaMockingbird.’

—HoustonChronicle

‘Sidhwaisthekindofwriterwhocatchesyoubysurprise.Inthesubtlestofways,sheteachesandedifiesassheentertains.’

—RadcliffeQuarterly

‘Sidhwaisafeministandarealist.Oneseesinherwomencharactersthestrengthofpassion,thetendernessoflove,andthecourageofone’sconvictions.’

—BellesLetters

Page 11: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ForXerxes

Page 12: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter1

ShallIhearthelamentofthenightingale,submissivelylendingmyear?

AmItherosetosufferitscryinsilenceyearafteryear?

Thefireofversegivesmecourageandbidsmenomoretobefaint.

Withdustinmymouth,Iamabject:toGodImakemycomplaint.

SometimesYoufavourourrivalsthensometimeswithusYouarefree,

Iamsorrytosayitsoboldly.Youarenolessficklethanwe.

(Iqbal:‘ComplainttoGod’)

Myworldiscompressed.WarrisRoad,linedwithraingutters,liesbetweenQueensRoadandJailRoad:bothwide,clean,orderlystreetsattheaffluentfringesofLahore.

Roundingtheright-handcornerofWarrisRoadandcontinuingonJailRoadisthehushedSalvationArmywall.Sethigh,ateight-footintervals,arethewall’sdingyeyes.Mychild’smindisblockedbythegloomemanatingfromthewire-meshscreeningtheoblongventilationslits.IfeelsuchsadnessforthedumbcreatureIimaginelurkingbehindthewall.IknowitisdumbbecauseIhavelistenedtoitssilence,myeartothewall.

JailRoadalsoharboursmyenergeticelectric-auntandheradenoidalson…large,slow,inexorable.TheirhouseisadjacenttothedenoftheSalvationArmy.

Oppositeit,downabumpy,dusty,earth-packeddrive,istheone-and-a-half-roomabodeofmygodmother.Withherdwellherdocileoldhusbandandherslavesister.Thisismyhaven.MyrefugefromtheperplexingunrealitiesofmyhomeonWarrisRoad.

AfewfurlongsawayJailRoadvanishesintothedensebazaarsofMozangChungi.Attheotherendadistantcanalcutstheroadattheperipheryofmyworld.

***

Lordly,lounginginmybrisklyrollingpram,immersedindreams,myprivateworldisrudelypoppedbythesuddenappearanceofanEnglishgnomewaggingaleatheryfingerinmyayah’sface.Butforkeenreflexesthatenablehertopullthecarriageupshorttheremighthavebeenanaccident:andbloodspilledonWarrisRoad.WagginghisfingerovermyheadintoAyah’salarmedface,hetut-tuts:‘Letherwalk.Shame,shame!Suchabiggirlinapram!She’satleastfour!’

Page 13: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Hesmilesdownatme,hisbrowneyestwinklingintolerance.

Ilookathimpolitely,concealingmycomplacence.TheEnglishmanisshort,leathery,middle-aged,pointy-eared.Ilikehim.

‘Comeon.Up,up!’hesays,crookingabeckoningfinger.

‘Shenotwalkmuch…shegettired,’drawlsAyah.AndsimultaneouslyIraisemytrousercufftorevealtheleatherstrapsandwickedsteelcallipersharnessingmyrightboot.

ConfrontedbyAyah’sliquideyesandprimgloating,andthetriumphantrevelationofmycallipers,theEnglish-manwithers.

Butbackhebounces,bobbingupanddown.‘Sowhat?’hesays,resurrectinghissmile.‘Getupandwalk!Walk!Youneedtheexercisemorethanotherchildren!Howwillshebecomestrong,sprawledoutlikethatinherpram?Now,youlistentome…’helecturesAyah,andprancingbeforethecarriagewhichhasagainstartedtorollsays,‘Iwantyoutotellhermother…’

AyahandIholdoureyesaway,effectivelydampeninghisgood-Samaritanexuberance…andwagginghisheadandturningabout,theEnglishmanquietlydissolvesupthedrivewayfromwhichhehadsoenthusiasticallysprung.

ThecovetousglancesAyahdrawseducateme.Upanddown,theylookather.Stub-handedtwistedbeggarsanddustyoldbeggarsoncrutchesdroptheirposesandstareatherwithhard,alerteyes.Holymen,maskedinpiety,shoveasidetheirpretencestoogleherwithlust.Hawkers,cart-drivers,cooks,cooliesandcycliststurntheirheadsasshepasses,pushingmypramwiththeunconcernoftheHindugoddesssheworships.

Ayahischocolate-brownandshort.Everythingaboutheriseighteenyearsoldandroundandplump.Evenherface.Full-blowncheeks,poutingmouthandsmoothforeheadcurvetoformacirclewithherhead.Herhairispulledbackinatightknot.

And,asifherlookswerenotstunningenough,shehasarollingbouncywalkthatagitatestheglobulesofherbuttocksunderhercheapcolourfulsarisandthehalf-spheresbeneathhershortsari-blouses.TheEnglishmannodoubthadnoticed.

WecrossJailRoadandenterGodmother’scompound.Walkingbackwards,thebuffalo-hidewater-pouchslungfromhisback,thewatermanissprayingthedrivewaytosettlethedustforeveningvisitors.Godmotherisalreadyfittedintothebulginghammockofhereasy-chairandSlavesistersquatsonalowcanestoolfacingtheroad.TheirfacesbrightenasIscrambleoutofthepramandruntowardsthem.Smilinglikeroguishchildren,softlyclappinghandstheychant,‘Langerdeen!Paisayketeen!Tambamota,pagmahin!’Freelytranslated,‘LameLenny!Threeforapenny!Fluffypantsandfinefanny!’

Page 14: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

FlyingforwardIflingmyselfatGodmotherandsheliftsmeontoherlapandgathersmetoherbosom.Ikissher,insatiably,excessively,andshehugsme.Sheischildless.Thebondthattiesherstrengthtomyweakness,myfiercedemandstohernurturing,mytrusttohercapacitytocontainthattrust–andmylonelinesstohercompassion–isstrongerthanthebondofmotherhood.Moresatisfyingthanthetiesbetweenmenandwomen.

Icannotbeinherroomlongwithoutinsomewaytouchingher.Somenights,clingingtoherbroadwhitebacklikeabug,Isleepwithher.Shewearsonlywhitekhaddarsarisandwhitekhaddarblousesbeneathwhichishercoarsebandage-tightbodice.

InalltheyearsIneversawthenaturalshapeofherbreasts.

***

Somewhereintheunchartedwastesofspacebeyond,isMayoHospital.Weareonaquietwideverandarunningthelengthofthefirstfloor.Thecementfloorisshiningclean.

Col.Bharucha,awesome,bald,aspink-skinnedasanEnglishman,approachesswiftlyalongthecorridor.Mymotherspringsupfromthebenchonwhichwe’vebeenwaiting.

Hekneelsbeforeme.Gentlyheliftstheplastercastonmydanglingrightlegandsuddenlylooksintomyeyes.Hiseyesareacomplexhazel.Theyaredirectasananimal’s.Hecanreadmymind.

Col.Bharuchaiscloakedinthunder.Theterrifyingauraofhisrenownandcompetencearewithhimevenwhenheiswithouthisposseofhousesurgeonsandheadnurses.Histhunderisreflectedinmymother’son-your-markattentiveness.Ifhebends,shebendsswifter.Whenhereachesforthesawonthebenchshereachesitfirstandhandsittohimwithtouchingalacrity.Itisafrighteningarm’s-lengthsaw.Itbelongsinawood-shed.Hewithdrawsfromhispocketsamallet,ahammerandachisel.

Thesurgeon’spinkhead,bentinconcentration,hidesthewhitecast.Ilookatmymother.Iturnawaytolookatacloudlesssky.Ipeerinquisitivelyattheclosedwindowsscreeningthelargegeneralwardinfrontofme.Theknocksofthehammerandchiselandthesawinghaveceasedtoalarm.Iamconfidentofthedoctor’scompetence.Iambored.Thecrunchofthesawbitingintoplastercontinuesasthesawisworkedtoandfrobythesurgeon.Ilookathisbowedheadandamarrestedbythesplotchofbloodjustvisibleonmyshinthroughthecrackintheplaster.

Myboredomvanishes.Theblooddemandsareaction.‘Um…’Imoandutifully.Thereisnoresponse.‘Um…Um…’Imoan,determinedtodrawattention.

Thesawingstops.Col.Bharuchastraightens.Helooksupatmeandhisdirecteyesboreintomythoughts.Hecockshishead,impishlydefyingmetoshedcrocodiletears.CaughtoutIputabravefaceonmyembarrassmentandmynon-existentpainandlookaway.

Page 15: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Itisallsopleasantandpainless.Thecastisoff.Mymother’sguilt-drivenattentioniswhereitbelongs–onthesteeplyfallenarchofmyrightfoot.Thedoctorbucklesmysandalandhelpsmefromthebenchsaying,‘Itdidn’thurtnow,didit?’Heandmymothertalkovermyheadincrypticmonosyllables,nodsandsignals.Iamtoorelievedtoseemynewlyreleasedfootanditsvaluabledeformityintacttobeinterestedintheirgrown-upexclusivity.MymothertakesmyhandandIlimpawayhappily.

Itisahappyinterlude.Iamsenttoschool.Iplay‘Isentalettertomyfriend…’withotherchildren.Mycousin,slow,intense,observant,sitswatching.

‘Whichofyou’ssickandisnotsupposedtorun?’askstheteacher:andboundbyourtelepathicconspiracy,bothCousinandIpointtoCousin.Hesquats,distributinghisindolentweightonhissturdyfeetandIshout,play,laugh,andrunonthetipsofmytoes.Ihaveanoverabundanceofenergy.Itcanneverbewhollyreleased.

Theinterludewashappy.

***

Ilieonawhitewoodentableinasmallroom.Iknowitisthesamehospital.IhavebeenluredunsuspectingtothetablebutIgetawhiffofsomethingfrightening.Ihatethesmellwithallmyheart,andmyheartpoundingItrytogetoffthetable.Handsholdme.Col.Bharucha,inastrangewhitecapandmask,looksatmecoollyandsayssomethingtoayoungandnervousladydoctor.Theobnoxioussmellgrowsstrongerasafrighteningmuzzleisbroughtclosertomymouthandnose.Iscreamandkickout.Themuzzlemovesaway.AgainitattacksandagainItwistandwrench,turningmyfacefromsidetoside.Myhandsarepinneddown.Ican’tmovemylegs.Irealisetheyarestrapped.Handsholdmyhead.‘No!No!Helpme.Mummy!Mummy,helpme!’Ishout,panicked.Shetooisalignedwiththem.‘I’msuffocating,’Iscream.‘Ican’tbreathe.’Thereisanunbearableweightonmychest.Imoanandcry.

Iamheldcaptivebythebrutalsmell.Ithasvaporisedintoamilkycloud.Ifloatroundandroundandupanddownandfallhorrendousdistanceswithoutlandinganywhere,fightingformylife’sbreath.Iamabandonedinthatsuffocatingcloud.Imoanandmyghoulishvoiceturnsmeintosomethingdespicableandeerieanddeservingoftheterriblepunishment.ButwhereamI?Howlongwillthehorrorlast?Daysandyearswithnoendinsight…

Itmusthaveended.

Iswitchawaketomaddeningpain;sittingupinmymother’sbedcrying.Imusthavebeencryingalongtime.Ibecomeawareofthenewplastercastonmyleg.Theshapeofthecastisalteredfromthelasttime.Thetoespointup.Thepainfrommylegradiatesallovermysmallbody.‘Dosomething.I’mhurting!’

Mymothertellsmethestoryofthelittlemousewithseventails.

Page 16: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Themousecomeshomecrying.’Mymotherrubsherknucklestohereyesand,energeticallyimitatingthemouse,sobs,‘“Mummy,Mummy,dosomething.Thechildrenatschoolteaseme.Theysing:‘Freakymouseywithseventails!Lousymouseywithseventails!’”So,thelittlemouse’smotherchopsoffonetail.Thenextdaythemouseagaincomeshomecrying:“Mummy,Mummy,thechildrenteaseme.‘Lousymouseywithsixtails!Freakymouseywithsixtails!’”’

Andsoon,untilonebyonethelittlemouse’stailsareallchoppedoffandthestorywindstoitsinevitableanddismalendwiththebabymousecrying:‘Mummy,Mummy,thechildrenteaseme.Theysing,“Freakymouseywithnotail!Lousymouseywithnotail!”’Andthereisnowayatailcanbetackedbackon.

Thedolefulstoryaddstomymisery.Butstoicallybearingmypainforthedurationofthetale,outofpityformymother’swanfaceandmyfather’sexaggeratedattemptstobecomethetragicmouse,Ionceagainsuccumbtothepain.

Mymothertellsmyfather:‘Gonextdoorandphonethedoctortocomeatonce!’Itisinthemiddleofthenight.Anditiscold.Fatherputsonhisdressinggownandwrappingascarfroundhisneckleavesus.Myscreaminglosesitsedgeofpanic.Anhourlater,exhaustedbythepainandnolongerabletopandertomymother’seffortstodistract,Iabandonmyselftohysteria.

‘DaddyhasgonetofetchCol.Bharucha,’soothesMother.Shecarriesmeroundandroundtheroomstrokingmyback.Finally,pushingpastthecurtainandthedoor,shetakesmeintothesittingroom.

Myfatherraiseshisheadfromthecouch.

Thebittertruthsinksin.Heneverphonedthedoctor.Heneverwenttofetchhim.Andmymothercollaboratedinthebetrayal.IrealisethereisnothingtheycandoandIdon’tblamethem.

Thenightmusthavepassed–asdidthememoryoffurtherpain.

Asnewsofmyoperationspreads,thesmallandentireParseecommunityofLahore,incluckingclusters,descendsontheSethihousehold.Idon’twishtoseethem.IcryforGodmother.Ifeelonlyshecanappreciatemypainandcomfortme.Shesendsherobeseemissary,MiniAunty,whowithherdoggeddevotiontomymother–andmultiplicityofplatitudes–onlyaggravates.‘My,my,my!Sohereweare!Flatonourbackslikeoldladies!’Sheclickshertongue.‘We’venoconsiderationforpoorMummy,havewe?’AsifI’vedeliberatelycommittedsurgeryonmyfootandsneakedmylegintoacast!

But,precededbytheslave,Godmothercomes.

Shesitsbymybedstrokingme,smiling,hereyestwinklingconcern,inhergreygoing-outsari,itsprettyborderofbutterfliespinnedtoironstrandsofscantcombed-backhair.

Page 17: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Theintensityofhertendernessandtheconcentrationofherattentionarenarcotic.Irequirenooneelse.

AlleveninglongMotherandFathersitinthedrawingroom,long-facedandtalkinginwhispers,answeringquestions,acceptingadvice,exhibitingmyplasteredleg.

WhenCol.Bharuchamakeshishousecallatduskheisusheredthroughthesittingroom–hushedbyhispassage–intothenurserybytheofficiatingandanxiousenergyofElectric-aunt.Father,cradlingmelikeababy,carriesmein.

Thevisitingladiesformaquietringroundmycotaswithalittlemalletthedoctorchecksmywrist,knees,elbowsandleftankleforreflexes:andinjectsapain-killerintomybehind.Cousin,watchingthespectacle,determinesseriouslytobecomeadoctororamalenurse.Anyprofessionthatpermitsonetojabpinsintopeoplemeritshisconsideration.

TakingadvantageofCol.Bharucha’sbriefpresenceMotherreadsoutherlistofquestions.Shouldshesitmeoutinthesun?Massagelikethis…orthat?Usealmondormustardoil?CanshegivemeMrPhailbus’shomeopathicpowders?Cod-liveroil?

‘I’mtoblame,’shesays,‘Ilefthertotheayahs…’

Amonthlater,freeofpain,Isitinmystroller,myrightlegstuckstraightoutinfrontonaccountofmycast,asAyahpropelsmetothezoo.Iobservethecuriousglancescomingmywayandsoakinthecommiseratecluckingoftongues,wearingapoliteandnonchalantcountenance.ThelessattentionIappeartodemandthemoreattentionIget.And,despitetheprovocativeagitationofAyah’sbouncywalk,despitethegravitationalpullofhermoon-likeface,Iamthestarattractionofthestreet.

Whenwestopbythechatteringmonkeysinthezoo,eventheythroughtheircagesogleme.IstareatthewhiteplasterforcingmyuniquefootintothebanalmouldofabillionotherfeetandIpondermyuncertainfuture.

Whatwillhappenoncethecastcomesoff?Whatifmyfootemergesimmaculate,fault-free?WillIhavetobehavelikeotherchildren,sloggingformyshareofloveandotherhandouts?Aren’tItoooldtolearntothrowtantrums–orholdmybreathandhaveafit?WhileotherchildrenhavetoclamourandjumparoundtoearntheircandyImerelysitorstand,wearingmypatient,butter-wouldn’t-melt…anddisplayingmycallipers–andIamshoweredwithcandy.

WhatifIhavetolabouratlearningspellingsandrecitingpoemsandstrivewithfortyotherdrivenchildrentostandfirst,secondorthirdinclass?SofarI’vebeensparedtheidiocy–Iambynatureuncompetitive–butthesuddenemergencefromitscocoonofabeautifullybalancedandshapelyfootcouldputmysanguinepersonalityandsitu-ationontheline.

Page 18: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Iflirt,briefly,withhope.Perhaps,inhiszeal,Col.Bharuchahasover-correctedthedefect–andIseemyselflimpinggamelyonthestubofmyheelwhiletheballofmyfootandmytoeswagglesuspended.

IamjoltedoutofmytroublesomereveriewhenIrealisethatAyahistalkingtoSherSingh,theslenderSikhzooattendant,andIhavebeenrolledbeforethelion’scage.Therehelies,theferociousbeastofmynightmares,lookingtoothlessandinnocent…lyinginwaittospring,fullydentured,intomydreams.

Page 19: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter2

Fatherstirsinthebednexttoours.‘Jana?’Mothersayssoftly,proppingherselfuponanelbow.

Iliestillpretendingsleep.

ShecallshimJan:life.Inthefaintglowofthenight-bulbIseehimentirelyburiedbeneathhisquiltlikeinagrave.Motherhatesitwhenhecovershisface:asifheisdistancinghimselffromhereveninhissleep.Sheknowsheisawake.‘Jana?’shesaysagain,gropingforhishead.‘Don’tcoveryourfacelikethat…You’llsuffocate.’

‘So?’saysFatherdrowsily,hangingontotheheavycottonquiltandunveilingonlyhiseyes.‘You’llbeamerrywidow.You’llbloweverypiceI’vesaved.’

Icanalmostfeelalanguoroushappinesssettleinmymother’sflesh.Hesoundsteasing,affectionate:asshesayshedidinthefirstyearoftheirsix-year-oldmarriage.

‘Don’tsaythat,Jana.Evenasajoke,’Mothersays,hervoiceplaintive,grateful,husky.Sherollsoverandmouldingherselftohisbackmakessmallburrowing,yearningmovements.FatherturnsandliftingthequiltburieshisheadinthebreastsshehasinheritedfromasuccessionofbountifullyendowedParseegrandmothers.

Havingpolioininfancyislikebeingbornunderaluckystar.Ithasmanyadvantages–itpermitsmeaccesstomymother’sbedinthemiddleofthenight.

‘Baijee?Wakeup.’AyahtapsMother’shandurgently.‘Baijee?’

Mylidsflyopen.Motherlooksstartledandhereyes,stillglazedwithdreams,starefixedlyatAyah.

‘Something’shappenedtoPapoo…I’veputherinthenursery,’whispersAyah.‘You’dbettercome.’

InonestartingmovementMotherpushesawaythequiltandswingsherfeettotheicyfloor.Hercalvesgleamcreamilyinthepalelightseepinginthroughthenarrowwindows.Shanta,myeighteen-year-oldAyah,pushestheredfeltslipperstowardshermistress’sfeetandholdsoutMother’spashminashawl.

Isitup,whimpering,andAyahswingsmeupandplacesmeonherhip.IknowIamheavywithmycast.

Page 20: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Itiswarmerinmynursery.Athinwoollendhurriecoversthebrickfloorandthesweeper’sdaughterislyingonitinfrontoftheglowingrodsofanelectricheater.Sheisthreeyearsolderthanme,abittaller,butsheweighslessI’msure.

Ayahplacesmeinmycotandsquatsbesidemykneelingmother.Ifeelasickeninglurchoffear–andfury.Fromthewayshelies,ashen,immobile–therightsideofherdarkcheekandsmallmouthslightlyaskew,athreadofsalivastretchedtoawetspotonthedhurrie–IthinkthatthereissomethingterriblywrongwithPapoo.‘HasMucchobeatenheragain?’Iaskfiercely.

Ayahlooksupatme,shiveringinthesleevelesscardiganwornoverhercottonsari.Herhairisdishevelledandherlargeeyesaredilatedwithangertoo.‘Shush,’shesays.‘She’llbeallright.’Theshawlshehasflungasideearlierliesinaheaponthefloor.

‘Papoo,’Mothersays,smoothingbackherstraight,sun-bleachedhair,‘openyoureyes,child.You’resafe.Come?’

Butthegirl,normallysoresponsive,liesabsolutelystill.Shelooksunbearablyill:shrunken,hersmallfeaturesbarelydefined,showingmilkycrescentsbeneathherlids.

‘We’dbettergethertothehospital,’Mothersays,standingup.‘I’lltellSahibtomindLenny.’

Papooremainsinthehospitaltwowholeweeks.Shehasconcussion.Hermothersaysshefelloffherbedbutweknowshe’slying.Mucchomaltreatsherdaughter.

WhenPapooreturnsfromthechildren’swardoftheGangaRamHospitalsheissprightly,defiant,devilishandasdelightfulasever.

***

Myparentssitonwood-bottomedchairsinCol.Bharucha’sconsultingroom.Motherholdsme.I’vebeeninflatedtotwicemysizebyknittedunderwear,pullovers,afive-footKashmirshawlandaquilt.

Col.Bharuchaisapplyingastethoscopetotheemaciatedchestofaninfant.Awomaninashabbyblackburkaholdsthechild.Theinfantcoughssoseverelythathismotherhastoholdhimupright.

Col.Bharucharemovesthestethoscopefromhisearsandletsithangfromhisnecklikeatalisman.‘Howlonghashehadthiscough?’heasks.

Thefather,standingdeferentiallytooneside,bendstowardshiswife.Sheturnsherveiledfacetohimandwhispers.

‘Foraweek,doctorsahib,’themansays.Hisheadandneckarewrappedinamufflerandhisgauntfaceiscareworn.

‘Howoftendoeshethrowup?’asksthedoctor.

Page 21: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Againthemanstoopsand,relayinghiswife’swords,says:‘Quiteoften,sir.’

‘Onceaday?Twiceaday?Tentimesaday?’thedoctorboomsimpatiently.IfeelMother’sarmtwitch.

Thistimethewomanaddressesthedoctordirectly,lookingathimthroughthenettingcoveringhereyes.‘Hevomitseverytimehehasmilk…five,sixtimesaday.’Hervoiceisincrediblyyoung.Shecouldn’tbemorethantwelve,Ithink,surprised.

‘Whydidn’tyoubringhimearlier?’thedoctorroars.

‘I’msorry,sir,’themansays.‘Shedidn’ttellme.’

‘Shedidn’ttellyou?Areyouafatherorabarber?AndyouallwantPakistan!Howwillyougovernacountrywhenyoudon’tknowwhatgoesoninyourownhouse?’

Theman,shiveringslightlyinashort,scruffyjacketandcottontrousers,hangshisheadandsmilessheepishly.

HispatientsunderstandCol.Bharucha.Themoreheroarsandscoldsthemorelikelyheistoeffectacure.Theyhaveasmuchfaithinhistouchasinhismixtures.

‘Takethistothedispenser,’Col.Bharuchasays,handinghimaprescription.‘Hewon’tchargeyouforthemedicine.’

‘Yourfees,sir?’Themanfishesoutahandfulofgrubbyone-rupeenotesfromhiscoatpocket.

‘Noneed,’Col.Bharuchasayswithadismissivegesture,andturningtous,asks,‘Well?’

Themansalaamsandshepherdshiswifeoutofthetinyroom.

‘It’sLenny,’saysMother.‘Yousaidyou’dremoveherplastertoday?Shehasacold…Idon’tknowifyoushould…’Hervoicetrailsoffonaquaveringnote.

Iquake.Thenewscomesasacompleteshock.IthoughtIwasseeingthedoctorformycold.Misinterpretingmydevotiontothecastwhichconcealsmyrepairedfoot,MotherthinksI’mmerelyscaredofbeinghurt:andhaskeptthetruepurposeoftheappointmentfromme.

‘No!’Iscream,unabletobearthethoughtofanable-bodiedfuture.Thesuspense–althoughithasgivenmyforeheadprematurewrinklesofworry–ispreferabletothecertaintyofanaltered,laboriousandlovelesslife.

IopenmymouthwideandbawlasloudlyasIamableandcleavetomymother.

‘Itwon’thurt,mai,’soothesFathergently.

‘Don’tyouremember?Itdidn’thurtatalllasttime,’carolsMotherbrightly.‘DrBharuchawouldneverletyouhurt.’

Page 22: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Fatherwavesacrispten-rupeenotebeforemynoseasIturnmyfacefromsidetosidetoabjuretemptationandestablishdisdain.ItisatouchinggestureofextravaganceonFather’spart.Iwouldappreciateitinanyothercircumstance.

Buttrademyfuturefortenrupees?

Col.Bharuchamoveshisspindlychaircloserandlookseloquentlyatme,implying:Nowwhat’sallthisfussabout?Iwon’ttoleratenonsense.

Butmyterrorisgenuine:andthedoctorcompromises.‘Ionlywanttohavealookattheplaster,hesays,anddisplayshandsinnocentofsaw,chiselorhammer.‘See?Ihavenothing.’

HeshiftshiseyestoMother.‘Howdoyouexpectmetoexamineherthroughallthisquilting?’Andstandingupfromhisdesk,tallandstooping,directs:‘Bringhertothetable.’

MotherbrisklyremovesthequiltandhandsittoFather.Sheunwindstheshawl,removesmycoatandtrousersandlaysmeonthehardandtreacherouslynarrowtablethatiscoveredonlybyaniodine-stainedwhitesheet.

‘Takeherclothesoff,woman!’thedoctorhollers.

‘Shehassuchanawfulcoldandfever…’saysMotherhesitantly.

‘Thentakeherhomeandbroilher!Ifyouknowwhat’sgoodforher,whybringhertome?’

MotherandFatherhastilystripmeofmypulloversandknittedunderwear,sparingonlymycottonknickers.

Thedoctorapplieshiscoldstethoscope.I’mstilltremblingfromthethunderofhisangryroars–andnowIshiveralsofromthecold.

‘Shehasn’tgotafever,’thedoctordeclaresseverely.HesignalstoMotherandshecoversmynakedandtrem-blingtorsowiththeshawl.AtthedirectionofaswiftandsecretsignalImiss,FatherandMothermovetoeithersideofmeandfirmlystrokemyarmsandshoulders:and,atmyinstantalarm,makesoothingnoises.

‘Liestill!’thedoctororders,andpetrifiedbyhistone,Iliestill.

Col.Bharuchasaws,hammersandchiselsatmycast,andusingbothhands,tearsitapart.

‘See?Nopain,’hesays,movinghiseyesclosetomine.‘Havealook,’heoffers,helpingmesitup.MotherhastilywindstheshawlroundmyshouldersandIexaminethedoctor’shandiwork.

Iletgomybreathinamassivesighofrelief.Myrightleglooksdead:patheticallythin,wrinkledandsplotchedwithdiscolouredandpalepatches.Theshapeofmyanklehas

Page 23: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

definitelychanged.Itjoinsmyfootatamuchmorereasonableangle.OnthewholeI’msurprisinglypleased.Myleglooksfunctionalbutitremainsgratifyinglyabnormal–andfarfrombanal!

Iamdressedandstoodonmybarefeet.Myheelstillclearsthefloor.Col.Bharuchatriesbrieflytopressmyheeldown.

‘Muchbetter!’heannounces,lookingup.‘Seethedifference?’

Myparents’twingeofinitialdisappointmentisatoncereplacedbyreadjustedexpectations.Theynodtheirheadswithadmiringsmilesofsatisfaction.

‘Mindyou,shemustwearhercallipersforsometime,’saysthedoctor:andturningtomeheadds,‘We’llgetyounewones.’Icouldhughim.‘Shestillneedscare…Massage,ultra-violetrays,physicaltherapy.’Heraisesmyrightarmandbendsmytorsototheleft.‘Herrightsideisaffected:shewillhavetoexerciseandstretchherwaistlikethis!’

Mother’seyesarebrimmingwithtears,herbeautifulmouthworking.

Col.Bharuchaplaceshisarmaroundher.‘What’sheretoworrynow?’hesaysgruffly,surprisedatMother’sagitation.‘Bythetimeshegrowsupshe’llbequitenormal.’

Motherblowshernoseinadaintilyembroideredcambrichandkerchiefandtakingthedoctor’shandpressesittohereyes.Fathersniffsandclearshisthroat.

‘Whataboutherschooling?’heasks,maskinghisemotion.Ican’ttellifheisinordinatelypleasedbytheconditionofmyleg–orinordinatelydisappointed.

‘She’sdoingfinewithoutschool,isn’tshe?’saysthedoctor.‘Don’tpressureher…hernervescouldbeaffected.Shedoesn’tneedtobecomeaprofessor.’Heturnstome.‘Doyouwanttobecomeaprofessor?’

Ishakemyheadinafirmnegative.

‘She’llmarry–havechildren–leadacarefree,happylife.Noneedtostrainherwithstudiesandexams,’headvises:therebysealingmyfate.

Mother’smouthisagainworking–hereyesagainbrimming.Anddrivenbyunfathomabledemons,againherguiltsurfaces.‘Idon’tknowwhereIwentwrong,’shesays.‘It’smyfault…Ineglectedher–lefthertothecareofayahs.Noneoftheotherchildrenwhowenttothesameparkcontractedpolio.’

‘It’snoone’sfaultreally,’saysCol.Bharucha,reassuringherasusual.‘Lennyisweak.Somechildwithonlythesymptomsofaseverecoldcouldhavepassedthevirus.’Andthenheroarsashockingpostscript:‘Ifanyone’stoblame,blametheBritish!TherewasnopolioinIndiatilltheybroughtithere!’

AsfarasI’mconcernedthisisinsurgence–anopendeclarationofwarbythetwohundredParseesofLahoreontheBritishEmpire!IamshockedbecauseCol.Bharuchais

Page 24: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

thePresidentofourcommunityinLahore.And,exceptforafewdesignatedrenegades,theParseeshavebeencarefultoadoptadiscreetandpoliticallynaïveprofile.Atthelastcommunitydinner,heldontheroofoftheYMCAbuildingontheMall,Col.Bharuchahadcautioned(betweentheblood-chillingwhinesofthemicrophone):‘Wemusttreadcarefully…WehaveservedtheEnglishfaithfully,andearnedtheirtrust…So,wehaveprospered!ButwearethesmallestminorityinIndia…Onlyonehundredandtwentythousandinthewholeworld.Wehavetobeextrawary,orwe’llbeneitherherenorthere…’Andthen,surmountinghisuncharacteristichesitancy,andinthunderousvoice,hede-claimed:‘Wemusthuntwiththehoundsandrunwiththehare!’

Everybodyclappedandgravelysaid:‘Hear!Hear!’astheyalwaysdo,reflexively,everytimeanyoneairsaBritishproverbinsuitablyringingtones.

‘ThegoddamnEnglish!’Ithink,infectedbyCol.Bharucha’sstartlingferocityatthis‘dastardly’(oneofFather’sfavouritewords,justas‘plucky’isMother’s)instanceofBritishtreachery.‘Theygaveuspolio!’Andnotwith-standingthecompatibleandsanguinenatureofmyrela-tionshipwithmydisease,IfeelitismyfirstpersonalinvolvementwithIndianpolitics:theQuit-IndiasentimentthathasfiredtheimaginationofasubjectpeopleandwillsoonsweepawaytheRaj!

Page 25: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter3

AyahandI,arrestedbyadiscordantbugleblast,cometoadeadstopoutsideGodmother’sgate.Thereisabriefrollofdrums.Thetalltin-sheetgatesoftheSalvationArmycompoundopenandthebandandmarchersemergefromtheleafygloamofneemtreesfermentingbehindthewalls.

ItisalwaysashocktoseetherawhandsandfacesoftheEnglishexposedtothelightofday;andasthecolumnmovesawaymymindtransformsitintoaslickredandwhitecaterpillar,itslegsmarching,marching,itshundredsightlesseyesstaringahead.

Atstartlingintervalsthecaterpillarburstsintosound.Drums,buglesandtambourinesclash–andasitcurvesoutofsightroundabendinJailRoaditmanufacturesacuriousvibration,likeaunisonofmuzzledvoicesraisedinsong.

Istandtransfixed,waitingforthecreature’sreturn.AyahtriestodragmeawaybutIresist,andsheleansresignedly–andattractively–againstthewhite-washedgatepost.

Whenthecaterpillarreturns,nowmarchingonoursideoftheroad,theredjacketsandwhitesarisseparatetotakethealienshapesofEnglishmenand-women.ObservedinmicroscopicdissectiontheheadofthecentipedeisformedbyastruttingEnglishmanholdingthestoutpoleofaredflagdiagonallyacrosshischest.OfitsownvolitionhisglanceslidestoAyahand,turningpurpleandshowingoff,hewieldstheflaglikeanacrobaticbaton.

Closebehind,orificesgluedtoconvolutedbrasshorns,struttworedjackets:andontheirheels,formingtheshoulderandchestofthecreature,atight-packedrowofredjacketsbeatingdrums,cymbalsandtambourines,theirleadeneyesattractedtothemagnetleaningagainstthegatepost.

ThesavioursmoveawayandthebitsandpiecesofEnglishmenand-womenfittogetheragaintoformtheelongatedandillusionarycaterpillarofJailRoad.

***

WenolongerusethepramtovisitGodmother’shouse:itisashorttenminutewalk.ButwhenAyahtakesmeupQueensRoad,pasttheYWCA,pasttheFreemasons’Lodge,whichshecalls‘TheGhostClub’,andacrosstheMalltotheQueen’sstatueintheparkoppositetheAssemblyChambers,I’mstillpushedinapram.Iloveit.

Page 26: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

QueenVictoria,castingunmetal,ismajestic,massive,overpowering,ugly.HerstatueimposestheEnglishRajinthepark.Iliesprawledonthegrass,myheadinAyah’slap.TheFallettisHotelcook,theGovernmentHousegardener,andanelegant,compactlymuscledhead-and-bodymasseursitwithus.Ice-candy-manissellinghispopsiclestotheothergroupsloungingonthegrass.Mymouthwaters.IhaveconfidenceinAyah’schocolatechemistry…lankandlopingtheIce-candy-mancometh…

ItakeadvantageofAyah’sadmirers.‘Massageme!’Idemand,kickingthehandsomemasseur.Heloosensmylacesandunbucklesthestrapsgrippingmyboots.Takingafewdropsofalmondoilfromoneofthebottlesinhiscruetset,hemassagesmywastedlegandthenmyokayleg.Hisfingersworkdeftly,kneading,pummelling,soothing.Theyareknowingfingers,veryclever,andsometimes,lateintheevening,whenheandAyahandIarealone,theymassageAyahunderhersari.Herlidsclose.Shegrowsstillandlanguid.Apearlywedgegleamsbetweenherlipsandshemoans,afragile,piteoussoundofpleasure.Verycarefully,veryquietly,Imanoeuvremyeyesandnose.Itisdark,butnowandthenadartoftwilightilluminatesasubtleartistry.Mynoseinhalesthefragranceofearthandgrass–andtheotherfragrancethatdistilsinsights.Iintuitthemeaningandpurposeofthings.Thesecretrhythmsofcreationandmortality.Theessenceoftruthandbeauty.Irecallthechokinghellofmilkyvapoursanddiscoverthatheavenhasadarkfragrance.

ThingslovetocrawlbeneathAyah’ssari.Ladybirds,glow-worms,Ice-candy-man’stoes.Sheduststhemoffwithimpartialnonchalance.

IkeepaneyeonIce-candy-man’stoes.Sometimes,inthecourseofanengrossingstory,theytravelsocautiouslythatbothAyahandIaretakenunawares.Ice-candy-manisaraconteur.Heisalsoanabsorbinggossip.Whenthestoryisextragood,andthetentativetoespolite,Ayahtoleratesthem.

SometimesatoesnakesoutandzeroesinonitstargetwithsuchlightningspeedthatIhearoftheattackonlyfromAyah’sstartled‘Oof!’OnceinawhileIpre-emptthebigtoe’sromanticimpulseand,catchingitmid-crawlormid-strike,twistit.Itisameasuretokeepthecandybribescoming.

IlearnalsotodetectthesubtleexchangeofsignalsandsomeofthecomplexritesbywhichAyah’sadmirersco-exist.Dustingthegrassfromtheirclothestheyslipawaybeforedark,leavingtheoneluck,orthelady,favours.Idon’tenjoythegardener’sturnbecausenothingmuchhappensexcepttalk.HetalksandAyahtalks,andhelistensandAyahtalks.Iescapeintodaydreamsinwhichmyfatherturnsloquaciousandmymotherplayful.OrofheroicsinwhichIrescueGodmotherfromthedroolingjawsofhercannibalisticbrother-in-lawwhoisadoctorandvisitsfromwaybeyondtheperimeterofmyfamiliarworld.

Ilearnfast.IgainAyah’sgoodwillandcomplicitybyaccommodatingherneedtomeetfriendsandrelatives.Shetakesmetofairs,cheaprestaurantsandslaughter-houses.Icover

Page 27: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

upforherandmaintainacannysilenceaboutherdoings.Ilearnofhumanneeds,frailties,crueltiesandjoys.Ialsolearnfromherthetyrannymagnetsexerciseovermetals.

Ihavemanyteachers.Mycousinshowsmethings.

‘Youwanttoseemymarbles?’heasks,andholdsouttheprettilycolouredglassballsformetoadmireandtouch–andifIsowish,toplaywith.HehasjustreturnedfromQuettawherehehadaherniaoperation.‘Letmeshowyoumyscar,’heoffers,unbuttoninghisflyandexposingmetotheglamorousspectacleofastitchedscarandahandfulofgenitals.Hetoohascleverfingers.‘Youcantouchit,’heoffers.Hisexpressionisdisarming,gallant.Itouchthefinescarandgingerlyholdthegenitalshetransferstomypalm.Webothstudythem.‘Iamalsohavingmytonsilsremoved,’hesays.Ihandbackhisgenitalsandlookathisneck.Ivisualiseared,scallopedscarrunningfromeartoear.Itisapremonition.

SometimesIspenddaysandnightswithmylimberelectric-auntandmyknowingandinstructivecousin.‘Seethispillow?’heasksonenight–andasitmovesneareritresemblesamuzzle.Iscream.Frightened,hecoversmyscreamwiththepillowandsitsonit.Istrugglemadlyatfirstandthenfeebly,andcautiouslyheallowsmetoemerge,screamless.

Thenextday,whenwearealone,mycousin’sfaceloomsconspiratoriallycloseandhesays,‘Comeon.I’llshowyousomething.’

Heleadsmethroughwire-meshdoorstothebackveranda.Hedragsawoodenstoolclosetothewhite-washedwallandclimbingonitpointstoaholeinasmallwhitechinaobjectstucktothewall.‘Seethis?’heasks.‘Putyourfingerthereandseewhathappens.’Hejumpsdownandalmostliftsmetothestool.Heisacoupleofyearsolderthanme.Iraisemyhand,indexfingerpointed,andlookdownathimexpectantly.Henods.IpokemyfingerintothesmalldepressionandanACcurrentteachesmeeverythingIwilleverneedtoknowaboutgullibilityandshock.Thoughmyfacultiesofreason,deductionandlogicadvancewiththeyears,mygullibilityandreactiontoshockremainthesameasonthedayItumbledscreaming,hair,nervesandlimbsspread-eagled,intomycousin’sarms.

Myelectric-auntisaresourcefulwidowaddictedtoquickdecisionsandswiftresults.Thespeedatwhichshemovesfromspottospot–fromdawntodusk–haveearnedheracitation.Sheiscalled,inmomentsofneedandgratitude,bijli:awordthatinthevariousIndianlanguages,withslightvariations,standsforbothelectricityandlightning.

Sheisalsoaddictedtonavy-blue.Sheandhersonshareabedroom.Ithasnavy-bluecurtains,navy-bluebedspreadsandnavy-bluelinendoiliesonthedressingtable.Itis,dependingonmymood,eitherarestfuloragloomyroom.ThenightofmylessoningullibilityandshockIfinditgloomy.MycousinandIspreadmattressesandsleeponthecarpetedfloorofthecheerfulsittingroomnexttothebedroom.

ThatnightIhavethefirstnightmarethatconnectsmetothepainofothers.

Page 28: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

FarawayIhearasiren.Tee-too!Tee-too!itgoes,alarmingmyheart.Thenocturnalthrobandshriekinggrowlouder,closingin,comingnowfromthecompoundoftheSalvationArmynextdoor.Itstin-sheetgatesopenacracktoletoutalongkhakicaterpillar.Centipedallegsmarching,marching,itcurves,andasitapproachesElectric-aunt’sgateitmetamorphosesintoasingleGermansoldieronamotorcycle.Roaringupthedrivetheenginestops,asIknowitmust,outsideElectric-aunt’sdoorstep.Thesiren’stee-tootee-tooisnowdeafening.Myheartpoundsatthebrutalityofthesound.Thesoldier,hiscapanduniformimmaculate,dismounts.Carefullyremovingblackglovesfromhiswhitehands,hecomestogetme.

Whydoesmystomachsinkallthewaytohellevennow?IhadmyownstockofIndianbogey-men.Choorails,witcheswithturned-aboutfeetwhoatetheheartsandliversofstrayingchildren.Bearslurking,readytopounceifIdidnotfinishmypudding.Thezoolion.NoonehadtaughtmetofearanimmaculateNazisoldier.Yetherehewas,innightmareafternightmare,comingtogetmeonhismotorcycle.

Irecallanotherchildhoodnightmarefromthepast.Childrenlieinawarehouse.MotherandAyahmoveaboutsolicitously.Theatmosphereisbusinesslikeandrelaxed.Godmothersitsbymybedsmilingindulgentlyasmeninuniformsquietlysliceoffachild’sarmhere,alegthere.Shestrokesmyheadastheydismemberme.Ifeelnopain.Onlyanabysmalsenseofloss–andachillinghorrorthatnooneisconcernedbywhat’shappening.

Page 29: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter4

Ipickupabrother.SomewheredownthelineIbecomeawareofhiselusiveexistence.Heisfour–ayearandamonthyoungerthanme.Idon’trecallhimlearningtocrawlortowalk.Wherewashe?itdoesn’tmatter.

Mybrotherisaloof.Vitalandalert,heinhabitsanothersphereofinterestsandprivatethoughts.Nodoubthetooisbusypickingupknowledge,gaininginsights.Iammorecuriousofhimthanheofme.Hiscuriositycomeslater.Iamskinny,wizened,sallow,wiggly-haired,ugly.Heisbeautiful.Heisthemostbeautifulthing,animal,person,building,riverormountainthatIhaveseen.Heisformedofgoldmercury.Heneverstandsstillenoughtosee.Heturns,ducks,moves,looksaway,vanishes.

TheonlywayIknowtoclaimhisundividedattentionistogethimangry.Ilearntobaithim.HisnameisAdi.IcallhimSissy.HeistooconfusedtoretaliatethefirstfewtimesIcallhimbyhisnewname.Atlast:‘MynameisAdi,’hegrowls,glowering.

ThenextdayIpersist.Hepretendsnottonotice.Intheevening,holdingupasari-claddollIsay,‘Hey,Sissy,look!She’sjustlikeyou!’

Adiraiseshisheadandlookssquarelyfromthedolltome.Hisjeteyesarevibrant.Hisflushedfaceholdstheconcentratedbeautyandvenomofanangrycobra.Andlikeacobrastriking,inonesweepheremovesaspikedbootandhurlsitatme.Istareathim,bloodblurringmyvision.Andhestaresbackcommunicatingcoldfuryanddeathlywarning.

It’snotthathedoesn’twanttoplaywithme.It’sjustthatIcan’tholdhisattentionformorethanafewseconds.Hisunfathomablethoughtsandmercurialplaypatternabsorbhim.Squattingbeforecornersorblankwalls,headbent,fingersbusy,heconcentratesontrains,bricks,mud-balls,strings.Quicklyheshiftstoanotherheapoftoysandgarbageinanothercorner;oroutthedoorsintothegarden,orvegetablepatch,orservants’quartersatthebackofthehouse.

Atnighthe’sintohisnightsuitandfastasleepwhileI’mstillsoakingmychilblainedtoesinscaldingsaltwater–orstandingonastoolbrushingmyteeth.Wesleepinoutsizeelongatedcots.Likeourlooselytailoredclotheswithhugetucksandhems,ourcotsaredesignedtolastalifetime.(Mybrotheroutgrewhiscot.Istillfitintomine.)Ayahtucksinthemosquito-netandswitchesoffthefaintlight.

Page 30: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Isthereanythingtocomparewiththecosyblissofsnugglingbeneathaheavyquiltwithahot-waterbagonafreezingnightinanunheatedroom?Particularlyifyou’vejustdashedfromthebathroomoverabarebrickfloor?Andyou’refiveyearsold?Andfreetogoovertheexcitementsandevaluatetheexperienceofthedayandweavethemintodaydreamsthatdriftintosleep?Thatis,providedthezooliondoesnotroar.Ifheroars–whichatnightisrare–mydaydreamsturnintoquakingdaymares:andthesetonightmaresinwhichthehungrylion,cuttingacrossLawrenceRoadtoBirdwoodRoad,prowlsfromtherearofthehousetothebedroomdoor,andinonebare-fangedleapcrashesthroughtosinkhisfangsintomystomach.Mystomachsinksallthewaytothebottomofhell.

Whetherheroarsatnightornot,Iawakeeverymorningtothelion’sroar.Hesetsaboutitatthecrackofdawn,blightingmydreams.BythetimeIdispelthefearsofthejungleandpeepoutofmyquilt,Adiisalreadyoutofbed.Agreatchunkofhislifeislivedapart:hegoestoaregularschool.

***

Springflowers,birdsandbutterfliesscentandcolourtheair.ItistheendofMarch,andalreadyitishotinthesun.CousinandIcomeindoorsandseemybrother,imbeddedinthesagofacharpoy,fastasleep.Wegentlyturnhimonhisbackandproppedonelbowsscrutinisehisface.

‘He’sputonlipstick,’Cousinsays.

‘Yes,’Iagree.

Hisfacehastheirresistiblebloomofspringflowers.TurnbyturnCousinandIsoftlybrushourlipsandcheeksagainsthisvelvetface,weprybackasleeklickofdarkbrownhairandkisshisforeheadandthecushionedcleftinhischin.Hisvulnerabilityisbreathtaking,andweravishitwithscrutinyandourchildishkisses.Carriedawaybyourardourwebecomerough.Adiwakesupandopensindulgent,jewel-jeteyes.Theyaretrustingandkindasasaint’s.

‘You’veputonlipstick?’Iask,invitingconfidence.

‘No,’hesaysmildly.

‘Ofcoursehehas!’saysCousin.

‘No,I’venot,’saysAdi.

‘CanIrubsometissueandfindout?’Iaskcourteously.

‘Okay,’hesays.

IstroketheKleenexacrosshislipsandlookatit.Itisunblemished.Imoistenitwithmytongueandrubharder.Cousinisarmedwithhisowntissue.Adiwithstandsour

Page 31: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

vigorousscouringwiththepatienceoftheblameless.InoticebloodontheKleenex.Thenaturalredinhislipshascamouflagedthebleeding.Astonished,wefinallybelievehim.

‘Heshouldhavebeenagirl,’saysCousin.

BynowAdiisfullyawake.Iwatchhelplesslyasmercurialpreoccupationveilshiseyes.Hebecomesremote.Hisvulnerabilityvanishes.Hekicksout,pushingbackourhandswiththetissues.Heisincontrol.

Passingby,Ayahswoopsdownonhimandpickshimup.Afterhugginghimandnuzzlinghisfacesheabruptlyputshimdownagain,saying:‘HeismylittleEnglishbaba!’

LasteveningAyahtookusforawalkinSimla-pahariandapasser-by,nodoubtimpelledbyhersphericalagiationintospoutingsmall-talk,enquired:‘IsheanEnglish’sson?’

‘Ofcoursenot!’saidAyahimperiously.However,vanitysofteninghercontempt,sheadded:‘Cananydough-facedEnglish’ssonmatchhisspice?Theirlookslacksalt!’

AyahissoproudofAdi’spaucityofpigment.SometimesshetakesustoLawrenceGardensandencourageshimtorunacrossthespaceseparatingnativebabiesandEnglishbabies.TheayahsoftheEnglishbabieshughimandfussoverhimandpermithimtorompwiththeirprivilegedcharges.Adiundoesthebowsoflittlegirlswithblueeyesinscratchyorgandiedressesandwrestleswithtallow-hairedboysinthegrass.Ayahbeams.

***

Onbitterlycolddayswhenicesalesplummet,Icc-candy-mantransformshimselfintoabirdman.BurdenedwithenormouscagesstuffedwithsparrowsandcommongreenparrotsheparadesthepathsbehindtheLahoreGymkhanalawnsandoutsidethePunjabClub.Atstrategicmomentsheplantsthecagesonthegroundandrages:‘Ibreakyourneck,younaughtybirds!Youdotoomuchchichi!Whatwillthegoodmemsahibsthink?They’llthinkInoteachyou.Youlikejunglylionsinzoo.Icutyourthroat!’

Heflourishesabarber’srazor.Itisaninfalliblebait.Clutchesoftender-heartedEnglishwomen,sportingskirtsandtennisshoes,abandontheirgardenchairsanddaintycucumberandchickenteasandwichestorushupandscold:‘Youhorridman.Don’tyoudarecuttheirthroats!’

‘Themfreshparrots,memsahib.Theynotlearndirtywordsyet.Icatchesthemtoday,’coaxesBirdman,plunginghiscraftyhandsintothecages.‘Theyonlyonerupeefortwobirds.’

Hisbonelessfingerssetupsuchasquawkingandtwitteringamongtheparrotsandthesparrowsthattheladiesbecomefrantic.Theybuythebirdsbythedozen,and,cooing,‘Youpoorlittleitty-bittythings,’snugglethemtotheirbesoms.

Page 32: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Afterthekissingandthecuddling,holdingthestupefiedbirdsaloft,theyreleasethem,onebyone.Theirvaliantexpressionsandtriumphantcriesenthraltheraptcrowdofnativegawkersastheyexclaim:‘There!Flyaway,littlebirdie.Go,youpoorlittlethings!’

SquattingonhisheelsBirdmansurveysthetearfulandspiritedmemswithopen-mawedandmarvellingadmiration.Conjuringruefullittlenodsandacatchtohisvoice,heremarks:‘Itgostraighttomama-papa.’Or,sighingheavily,‘Itflytohungrylittlebabiesinnest.’

Andtoday,foreshadowingthepoeticimpulseofhisfuture,wipingtearsandpointingatagiddilyspinningandchirpingsparrow,Ice-candy-mansays:‘Look!Littlesparrowsinging,“See?See?Ifree!”tomad-with-griefwife!’

Ayah,AdiandIwatchtheperformancewithconcealedglee.Everynowandthenweheightenthehistrionicsandencouragesalesbyshouting,‘Cuttheirthroats!Cuttheirthroats!’Wecheerandclapfromthesidelineswhenthebirdsarereleased.

Ice-candy-manresortstohischangeinoccupationonlytwoorthreetimesayear,sohisingenuityworks.Heusuallyclearsapacket.Andifthesalehasbeenquickandlucrative,asonthisSaturdayafternoonjustbeforeChristmas,hetreatsustoamealatAyah’sfavouritewaysiderestaurantinMozangChungi.

Weareregulars.Theshornproprietoracknowledgesuswithasolemnnod.Heisapahailwan:awrestler.CoveringhismassivetorsowithasingletindeferencetoAyah’spresence,heapproaches.Despitethecold,hisshouldersgleamwithsweatandastripedlungiclingstohisbuttocksandlegs.

Wearedirectedtositonanarrowbacklessbench.OppositeusIce-candy-mandrapeshislankandflexiblelengthonanotherbench,andleaningacrossthetableoglesAyah.Hestraightenssomewhatwhenanurchin-apprenticeplonksdownthreetinplatesheapedwithriceandabowlofvegetablecurry.Thericeissteamingandfragrant.Wefalltoitsilently.Ayah’schocolatefingersmouldthericeintosmallgolfballswhichshepopsintohermouth.Sheeatswithherrighthandwhileherlefthandreposesinherlap.

HalfwaythroughthemealIsenseafamiliartensionandasmallflurryofmovement.Ice-candy-man’stoesareinvisiblybusy.Iglanceupjustasasupplicatingsmileonhisfacedissolvesintoapainfulgrimace:andIknowAyah’shandisengagedinanequallyheroicstruggle.

Meanwhilethemoundsofricesteadilydiminish.Outwardlycalm,systematicallypoppinggolfballs,Ayahsignalstheproprietorforanotherhelping.

Afterthemeal,aswedescendthericketywoodenstepsintothecrowdedgully,Ayahtries,tactfully,togetridofIce-candy-man.ButhehoistsAdiontotheseatofhisbicycleandpersistsinwalkingwithustoWarrisRoad.

Atthegateofourhouse,lesstactfully,Ayahsays:‘You’dbettergo.Ihavechores.’

Page 33: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whatchores?’asksIce-candy-man,reluctanttoletAyahgo.

‘Atonofwashing…AndIhaven’tevendustedBaijee’sroom!’

‘Letmehelpyou,’saysIce-candy-man.

‘Yougonecrazy?’Ayahasks.

ImagineIce-candy-manworkingalongsideAyahinourhouse.Mother’dthrowafit!He’snotthekindoffellowwho’spermittedinside.Withhisthuggishwayofinhalingfromthestinkingcigarettesclenchedinhisfist,hisflashyscarvesandreekofjasmineattar,herepresentsashady,almostdisreputabletype.

‘Okay,I’llgo,’Ice-candy-mantemporisesreluctantly,‘butonlyifyou’llcometothecinemalater.’

‘ItoldyouI’veworktodo,’saysAyah,closetolosingpatience.‘AndIdarenotaskBaijeeforanothereveningoff.’

‘Talktomeforawhile…Justalittlewhile,’pleadsIce-candy-mansopiteouslythatAyah,whoseheartisaseasilyinclinedtomeltasIce-candy-man’spopsicles,bunchesherfingersandsays,‘Onlytenminutes.’

AwareoftheimproprietyofentertainingherguestonthefrontlawnAyahleadsustosettleonabaldpatchofgrassatthebackneartheservants’quarters.Thewintersunisdiffusedbythedustandacrimsonbankofcloudsstreaksthehorizon.Itisgettinguncomfortablychillyandmyhairalreadyfeelsdamp.Ayahnoticesitand,drawingmetoher,coversmyheadwithhersaripalloo.

‘Nowtalk,’shesaystoIce-candy-man.‘Sinceyou’resoanxioustotalk,talk!’

Ice-candy-mantalks.Newsandgossipflowoffhisglibtonguelikeatorrent.HereadsUrdunewspapersandtheUrduDigest.Hecan,whenheapplieshimself,readtheheadlinesintheCivilandMilitaryGazette,theEnglishdaily.

Characteristically,Ice-candy-manstartsbygivingusnewsoftheworld.TheGermans,heinformsus,havedevelopedadeadlyweaponcalledtheV-bombthatwillturntheBritishintopowderedash.Alittlelater,driftingclosertohome,hetellsusofSubasChandraBose,aHindupatriotwhohasdefectedtotheJapanesesideinBurma.‘BosesaystheJapanesewillhelpusliberateIndiafromtheAngrez,’Ice-candy-mansays.‘IfwewantIndiabackwemusttakeprideinourcustoms,ourclothes,ourlanguages…Andnotgomouthingthegot-pitsot-pitoftheEnglish!’

Obviouslyhe’squotingthisBose.(SometimeshequotesGandhi,orNehruorJinnah,butI’mfedupofhearingaboutthem.Mother,Fatherandtheirfriendsarealwayssaying:Gandhisaidthis,Nehrusaidthat.Gandhididthis,Jinnahdidthat.What’sthepointoftalkingsomuchaboutpeoplewedon’tknow?)

Page 34: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Finally,narrowinghisfocustoourimmediatesur-roundings,hesaystoAyah,‘Shantabibi,you’rePunjabi,aren’tyou?’

‘Forthemostpart,’Ayahagreeswarily.

‘Thenwhydon’tyouwearPunjabiclothes?I’veneverseenyouinshalwar-kamize.’

Thoughithasneverstruckmeasstrangebefore–I’msoaccustomedtoAyahonlyinasari–Iseethelogicofhisquestionandwonderaboutit.

‘Arreybaba,’saysAyahspreadingherhandsinafetchinggesture,‘doyouknowwhatsalaryayahswhowearPunjabiclothesget?HalfthesalaryoftheGoanayahswhowearsaris!I’mnotsosimple!’

‘I’venoquarrelwithyoursaris,’saysIce-candy-mandisarminglydemure,‘Iwasonlyaskingoutofcuriosity.’

And,catchingusunawares,hisingenuoustoedartsbeneathAyah’ssari.Ayahgivesastart.Angrilysmackinghislegandsmoothinghersari,shestandsup.‘Duffaho!Go!’shesays.‘OrI’llgetBaijeetoV-bombyouintoash!’Applyingallhisstrength,AdirestrainsIce-candy-man’sirrepressiblytwitchingtoe.

‘Arrrrey!’saysIce-candy-manholdinghishandsupasiftostaveoffAyah’sassault.‘Areyouangry?’

‘Thenwhat?’Ayahretorts.‘Youhavenosenseandnoshame!’

Grinningsheepishly,grovellingandwrigglinginthegrasstotouchthehemofAyah’ssari,hesays,‘I’msorry,forgiveme.Iwon’tdoitagain…Forgiveme.’

‘Whatfor?’snapsAyah.‘You’llneverchange!’

Ice-candy-mancoilsforwardtosquatand,threadinghissupplearmsthroughhiscalvesfromtheback,latchesontohisearlobes.Itisapunishingposturecalled‘thecock’,usedinUrdu-mediumschoolstodisciplineurchins.HelookssoridiculousthatAyahandIlaugh.

ButAdi,hisfacegrim,dispensesatotallymirthlessandviciouskicktohisankle.

Ice-candy-manstandsupsoabruptlythathismovementsareablurr.

And,myeyespopping,IstareatAdidanglingintheairattheendofhisrangyarm.Ice-candy-manhasafirmgriponthewaistbandofAdi’swoollentrousersandAdilookslikeanastonishedandstockyspiderpluckedoutofhiswebandsuspendedabovethelevelofmyeyes.

‘I’mgoingtodrophim,’Ice-candy-mansayscalmly.Hetakesalopingstepand,holdingAdidirectlyabovethebrickpavingskirtingthegrass,raiseshisarm.‘Ifyoudon’tgotothecinemawithmeI’lldrophim.’

Ican’tbelievehemeansit.

Page 35: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ButAdidoes.Hisfacescarlet,heletsoutaterrifiedyellandhowls:‘He’lldropme!Saveme…someonesaveme!’

‘I’mgoingtodrophim,’repeatsIce-candy-man.

Ayah’sroundmouthopensinan‘O’,hereyesstare.Seeingherexpression,mywigglyhaircurlstighter.IlookinhorroruponthedistanceseparatingAdifromthebrick.Adikicks,crawlsandsquirmsintheairandyells:‘Saveme!Saveme!Bachao!Bachao!’

AndAyahshouts:‘Puthimdownatonce,oye,badmash!Iwillgotothecinema.’

Ice-candy-mancarefullylowersAdi–facedownanddribblingspit–onthegrass.

Ayahdeftlypullsoffasandleand,lungingwildly,strikesIce-candy-manwherevershecan.Ice-candy-mancowers;andgatheringhislungiabovehisknees,snatchinguphisslippers,managestomoveoutofherreach.Ayahchaseshimrightoutofthegate.

Page 36: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter5

Richmen’swivesandchildrensoartotheSimlaorKashmirHillsinsummer.Wealsosoar,buttothelesserMurreeHillsatthefootoftheHimalayas.

Adiisperchedonatallpony.Iamonadonkey.MydonkeytrotsalongsideandIperceivejusthowshortitis.Mylegsstickoutbeneaththesafetyringonthesaddle.Igriptheringresentfully.Thedonkey-manholdsthereins.Iamnotsparedeventhisindignity!Mydonkeyperchisludicrous.

Iamabouttoshakeheavenandearthtosetthingsrightwhenanastonishingtidalwaveofreliefandfrivolitybarrelsovertheworld.ShopkeepersontheMurreeMallhavepickedoutafewwordsfromthestaticoftheir1944radiosandhappinessstrikesallhearts.Men,women,beast,mountain,tallponyandshortdonkeyallexult.Simultaneouslyweknowthatthewarisover.Wehavewon!Victory!Thewarisover!Facesaroundmearewreathedinsmiles.IncrediblyFatherisblowingawhistlethatuncoilsafoot-longpapertongue.God!Ihaveneverbeensohappy.IwhohavesubversivelyhopedthatthedefectorBoseandtheJapaneseenemywinthewar.AllthesameIamsweptbyasenseofreliefsounburdeningthatIrealiseIwasbornwithanawarenessofthewar:andIrecallthedim,farawayfearofbombsthattingedwithbitternessmymother’smilk.NowonderIwasacolickybaby.

Thegaietyonpeople’sfacesisinfectious.Mymother’sfaceswimsupwithasmileIneveragainsee;andpluckingpapercups,streamersandwhistlesfromtheairshegivesthemtoAdiandme.

FatherseldomvisitsMurreeformorethantwoorthreedaysatatime.HereturnstoLahore.Aweeklaterwecatchabusandfollowhimdownintotheplainswhichthesunhasscorchedandpulverisedintoadustyhell.Wepantunderceilingfans.Andnowthetemperaturessoar.

OurstayinMurreehasbeencutshortbecausetheParseesofLahoreareholdingaJashanprayertocelebratetheBritishvictory.

OnthedayoftheJashanthetemperatureis116°Fintheshade.Atongawaitsintheporch.Hollow-eyedanddazedwithheatwepileperspiringintothetonga.MotherandAyahinthebackandAdiandIupfrontwiththetongaman.Wesitbacktobackonabenchdividedbyaquiltedbackrest.Aflimsycanvascanopysheltersusfromthesun.The

Page 37: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

tongaisheldtogetherbytwoenormouswoodenwheelsoneithersideoftheshaftandisbalancedbytheharnessedhorse.Upfrontwearemoresecure–unlessthehorsefalls.

Scarcelyoutofourgate,thehorsefalls.AdiandIshootovertheguardandspillonWarrisRoad.MotherandAyaharesuspendedhighintheair,clingingforalltheyareworthtotheotherendofthesee-saw.AdiandIgetupandscampertooneside.Thetongamanpickshimselfoffthehorsecursing:andtheBirdwoodBarracks’sepoyabandonshispostandrunsforwardtorenderhelp.Ayah’spresencegalvanisesmentomadsprintsinthenoonheat.Itisapityshehasnosucheffectonanimalsthough.

Thetongamanandthesepoylifttheshaftsandassisttheharnessedhorsetostandupright.Adipatsthehorse’srump.Theanimalswisheshisbristlytailandblowswindinourfaces.Thesepoymakesanencouragingsuckingnoisewithhistongueandpushesoneoftheenormouswoodenwheelstostartthetonga.Strainingandquiveringunderthedualburdenofpassengersandheat,theshakenanimaldragsuspastthebarracks,thebarricadingwallsoftheLucyHarrisonSchoolforgirlsnexttoit,upQueensRoad,pasttheprettypinkspreadofthePunjabHighCourtandbehindthesmall-causescourttotheFireTemple.

WeleavethetongamanandAyahtogossipanddozebeneathwhatevershadetheycanfind.

Themainhallofthetempleisalreadyfullofsmoke.Twopriests,sittingcross-leggedandswayingslightly,faceeachotheracrossafirealtar.Theyarerobedinaswollenfrothofstarchedwhitemuslin.TheywearclothmasksliketheoneCol.Bharuchaworeinthehospital.Theirchantingvoicesriseandboominfiercecompetitionandthemaskpreventsspecksofspittlefromprofaningthefire.Theysitonawhitesheetamidstsilvertraysheapedwithfruit–grape,mango,papaya–andflowers.Andthemalidacookedbythepriest’swife.AdiandIjointhechildrensittingpatientlyonawoodenbench–ourcollectivemouthsdrooling.

Thepriestscannotbehurried.Theygothrougharitualestablishedamillenniumago.Theystokethefirewithsilvertongsandfeeditwithsandalwoodandfrankincense.

Itiscomparativelycoolbeneaththehighceiling.Myeyesaregettingaccustomedtothedarkbutsmartingwithsmoke.Motherhasfoundaseatinthefrontrow.ThereisanemptychairbetweenherandCol.Bharucha.Hemusthavegrowntaller,becausehispinkscalpthrustshigherabovehishair-linethanbefore.Godmothersitsnexttohim,fanningherselfandthedoctorwithaslow,rotarymotionofherpalm-leafpunkah.Shecatchesmywateringeyeandwinks.OnlyIeverseeherwink.Herdignifiedbearingandnoblefeaturesprecludewinking.Sheonlyrelaxesherguardwithme.NooneseesherasIdo.Slave-sisterissnatchingafewblessedminutesofsleepinthelastrow.Godmotherknowsshe’sasleep.Sheknowseverything.SlavesistersleepspeacefullybecausesheknowsGod-motherwillnotmind.Godmother,afterall,isnotunreasonable.

Page 38: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Bothpriestsstandup,smoothingtheirbeardsandgarments.Chairssqueakastheladiesgreeteachotherandgraduallyconvergeonthefruittrays.Slavesisterwaddlesplumplyforwardonpainfulbunions,smilingherpatient,obligingsmile,securinghersaribordertoherhair.Thewomenshoousfromthebenchesandsitdowntopeelandcutthefruit.

MotherstandstalkingtoCol.Bharucha.Sheistense,alert,anxioustoplease.Electric-auntjoinsthem,alsotense.Herquick,intelligenteyesscantheroom.Iknowsheislookingforme.GodmotherreleasesmeandIrunuptothem.

‘Whatisthis?’saysCol.Bharucha.Copyingandexaggeratingmylimphelurcheshalfwayacrosstheroomlikeatipsygiraffe.‘Putyourheeldown!Youmustrememberto.’

Motherpurseshershapelymouthandlooksatmesternly.Electric-auntfrowns,herthinlipsatightanxiouslinebeneathhersharpnose.

Col.Bharuchastoopsandpushingdownonthecontractedtendonpressesmyheeltothefloor.‘Massagethebackofherlegdown:likethis,’hesays,kneadingandstretchingmystubborntendon.

Hestraightens,patsmybackanddismissesme.Iknowtheyarebeamingbehindmyback,pleasedwithmyprogresssincetheoperation.Cousiniswaitingformetobefreeofthegrown-ups.

‘Iwanttoshowyousomething,’hesays,drawingmetoawindowinthewings.Hereachesintothepocketsofhisshortsandpullsoutscrapsofcardboard.Heliftsoffonelayerandrevealsapressedbutterfly,itscoloursturnedtopowder,itswingsawry.

‘Holdoutyourhand,’hecommands.Iwithholdmyhand.TherearecertainthingsI’llholdandcertainthingsIwon’t.Cousingropesformyhandand,‘No,’Isay.‘Don’t!’

‘Butit’sforyou,’saysCousin.

‘Idon’twantit!’

Cousinis,foronce,confounded.

Thereisadriftnowtowardstheinnersanctum.Electric-auntbeckonsCousinandMothersignalsme.WestepintotheinnerroomandIcanseethroughtwobarredwindowsandanopenarchwaythemainfirealtar.Itislikeagiganticsilvereggcupandtheflamesaredancingaboveabedofwhiteashes.

IkneelbeforethealtarandtouchmyforeheadtothecoolmarblestepbeyondwhichIcannotgo.Exceptforthepriestswhotendthefireandseethatitnevergoesoutnoonecanentertheinnersanctum.Motherkneelsbesideme.IaskGodtoblessourfamilyandGodmotherandallourservantsandMasseurandIce-candy-man…untilMothersays,‘That’senough!Themeeting’sabouttostart.Hurry!’

AndAdihisses,‘Don’thogGod!’

Page 39: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Weenterthemainhall.Thechairshavebeenrearranged.Col.Bharuchaisstandingbeforethemike,testingitwithpractisedsnapsofhisfingers.‘Hellohello,’hesays,andknocksonitwithhisknuckles.Hestruggleswithbothhandstostretchtherod.MrBankwalla,anofficerattheCentralBankofIndia,hisslightbodycrispanddependableinsweatlesswhiteshirtandwhitetrousers,rushesupobligingly.Betweenthemtheyadjustthemiketosuitthecolonel’sheight.

Thebankermovesback,fleetandunobtrusivebeneathhismaroonskull-cap,tohisseatintheaislenexttohisjollywife.(Hiswifeissoindefatigablyjollythatitissaidaftertheinitialburstofgriefsheevenwisecrackedatherson’sfuneral.LaterIheardshecrackedjokesonherdeath-bedandpreparedtomeetAhuraMazdawithjests,andslywinksatthemourners,whoseappreciativelaughterturnedtoinconsolablegriefwhenthewillwasread.ShelefteverythingtotheTowerofSilenceinKarachi.)

BythetimeCol.Bharuchaclearshisthroat,anditisanimpressivethroat-clearing,weareallsettledinourchairs.

Col.Bharuchatellsus:‘Wearegatheredhere,etc.,etc.TothankGodAlmighty,etc.,etc.’

Themikehastransformedhimfromaplain-speakingdoctorintoaresoundingorator.Buthisrhetorichasacadencethatmakesmymindwander.

SuddenlyIhearhimdeclare:‘Gandhisays,wemuststopbuyingsalt.WeshouldonlyeatsaltmanufacturedfromtheIndianOcean!’

Thecolonelpauses,dramatically,andmyloafingmindbecomesattentive.Thepause,shrewdlytimedtopermitjustthattinylicencesodeartoaParseeaudience,issnappedup.‘WhodoesthisGandhithinkheis?’shoutsanobligingwagpromptlyfromsomewhereinthemiddle.‘Isithisgrandfather’socean?’

Col.Bharucha,smilingamiably,explainsthattheBritishgovernmentischarginganunfairsalttaxand,asaprotest,weshouldnotbuyit.Gandhijeeplanstowalkahundredmilestotheoceantomakesaltforus.Heisevenpreparedtogotojailtomakehispoint!

‘Andwhatdowedowhilehe’sinjail?Walkaroundwithgoitresforlackofsalt?’shoutsthewag.

‘Gotojailforus!’snortsDrManekMody.(HeisGodmother’sbrother-in-law,andishereononeofhisperiodicvisitsfromRawalpindi.)‘Bigdeal!’hebooms.‘There’ssuchademandforA-classinjailsthatthere’snoroomleftforfolklikeus!’

(EventhoughIcannotseehimIcantellit’sDrModybytheamazingvolumeofhisvoice.Heisashort,chubbyman,withatotallybaldandbrownhead.)

‘Yes,’chimesinthefirstwag.‘TheCongressgangstersprovokethepoliceandgetrewardedwithfreeboardandlodging.It’sashame!IproposethattheParseeAnjuman

Page 40: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

lodgeaformalprotestwiththeInspectorGeneralofPolice.Whyshouldwebeleftoutofeverything?’

‘Hear!Hear!’agreesthecongregation,andthumpsthearmrestsofitschairsandwoodenbenches.

‘Letusmarchtojailnow!’thewagsays,jumpingtohisfeet.Heisapaunchymanwithaverydarkskin.

Col.Bharucharaisesarestraininghand.‘Nodoubtthemeninjailareacquiringpoliticalglory…Butthisshortcuttofameandfortuneisnotforus.ItisnolongerjustastruggleforHomeRule.Itisastruggleforpower.Who’sgoingtoruleoncewegetSwaraj?Notyou,’saysthecolonel,pointingalongandaccusingfingeratusasifweareharbouringsinfulthoughts.‘Hindus,MuslimsandeventheSikhsaregoingtojockeyforpower:andifyoujokersjumpintothemiddleyou’llbemangledintochutney!’

Wiseheadsnod–Godmother’s,Electric-aunt’s,Slave-sister’s–althoughSlavesister’scanhardlybecalledwise.

‘IhopenoLahoreParseewillbestupidenoughtocourttrouble,’continuesthecolonel.‘Istronglyadviseallyoutostayathome–andoutoftrouble.’

‘Idon’tseehowwecanremainuninvolved,’saysDrMody,whosevoice,withoutaidofmike,islouderthanthecolonel’s.‘OurneighbourswillthinkwearebetrayingthemandsidingwiththeEnglish.’

‘Whichofyourneighboursareyounotgoingtobetray?’asksapracticalsoulwithanimpatientvoice.‘Hindu?Muslim?Sikh?’

‘Thatdependsuponwho’swinning,doesn’tit?’saysMrBankwalla.‘Don’tforget,wearetorunwiththehoundsandhuntwiththehare.’

‘Nooneknowswhichwaythewindwillblow,’thundersthecolonel,silencingeveryonewithhisadmirablerhetoric.‘Theremaybenotonebuttwo–oreventhree–newnations!AndtheParseesmightfindthemselveschampioningthewrongsideiftheydon’tlookbeforetheyleap!’

‘Doesitmatterwheretheylookorwheretheyleap?’enquirestheimpatientvoice.‘Ifwe’restuckwiththeHindusthey’llswipeourbusinessesfromunderournosesandsellourgrandfathersinthebargain:ifwe’restuckwiththeMuslimsthey’llconvertusbythesword!AndGodhelpusifwe’restuckwiththeSikhs!’

‘Why?WhichmaddogbittheSikhs?Whyareyousoagainstthem?’saysDrModycontentiously.

‘Ihavesomethingagainsteverybody,’declaresthevoice,impartialandveryhurt.

‘Order!Order!’saysMrBankwalla.AndCol.Bharuchaclearshisthroatsoeffectivelythatthequestions,answers,andwisecrackssubside.

Page 41: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘I’lltellyouastory,’thecolonelsays,andsusceptibletostoriesthecongregationandIsitstillinourseats.

‘WhenwewerekickedoutofPersiabytheArabsthirteenhundredyearsago,whatdidwedo?Didweshoutandargue?No!’roarsthecolonel,andhastilyprovideshisownanswerbeforeanyonecaninterrupt.‘WegotintoboatsandsailedtoIndia!’

‘WhytoIndia?’atotallynewwitsittingattheendofmybenchenquires.‘IftheyhadtogosomeplacewhynotGreece?WhynottoFrance?Prettierscenery…’

‘Theydidn’tkickushardenough,’saysDrMody,withheartyregret.‘Ifonlythey’dkickedusallthewaytoCalifornia…Prettierwomen!’

Thereisaneruptionofcommentsandsuggestions.ThemeetingisturningouttobemuchmorelivelythanI’danticipated.Godmother’sbrother-in-lawrestoresorderwithhisbuilt-inmicrophone.‘Shutup!’hebellows,startlinguswiththevelocityofhisvoice.

Col.Bharuchacontinuesasifhe’snotbeeninterruptedatall.

‘Doyouthinkitwaseasytobeacceptedintoanewcountry?No!’hebooms.‘Ourforefatherswerenotgivenpermissioneventodisembark!’

‘Whataboutourforemothers?’someoneenquires.

‘Andourforeskins?’aninvisiblevoicepipesupfromtheback.

‘Mind!Thereareladieshere!’saysthecolonelsternly.Thereisalongpausenoonedaresinterrupt.Satisfiedbyoursilence,thecolonelcontinues:‘Ourforefathersandforemotherswaitedforfourdays,notknowingwhatwastobecomeofthem.Then,atlast,theGrandVazirappearedondeckwithaglassofmilkfilledtothebrim.’Helooksintentlyatourfaces.‘Doyouknowwhatitmeant?’

Knowledgeableheadsnodwisely.

‘ItwasapolitemessagefromtheIndianPrince,meaning:“No,youarenotwelcome.Mylandisfullandprosperousandwedon’twantoutsiderswithadifferentreligionandalienwaystodisturbtheharmony!”Hethoughtweweremissionaries.

‘DoyouknowwhattheZarathushtisdid?Godresttheirsouls?’

Knowingheadsnod,andamongthemIspyCousin’s.Ifeelannoyed.Iamnotprivytoinformationthatisrapidlybeingrevealedasmybirthright.EvenifGodmother,Mother,SlavesisterandElectric-auntdidnottellme,Cousinoughttohave!

Col.Bharucha,againansweringhisownquestion,continues:‘Ourforefatherscarefullystirredateaspoonofsugarintothemilkandsentitback.

‘ThePrinceunderstoodwhatthatmeant.Therefugeeswouldgetabsorbedintohiscountrylikethesugarinthemilk…Andwiththeirdecencyandindustrysweetenthelivesofhissubjects.

Page 42: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘TheIndianPrincethought:whatasmartandcivilisedpeople!Andhegaveourancestorspermissiontoliveinhiskingdom!’

‘Shabash!Welldone!’saytheParsees,regardingeachotherwithadmirationandcongratulatoryself-regard.

‘But,asyousee,wehavetomovewiththetimes,’roarsthecolonel,hisoratoricalcapacitiesinfullform.‘Timestandsfornoone!’

‘Hearhear!Hearhear!’

EvenIapplaudedoncue.

‘Timeandtidewaitfornoman!’

Thunderousapplause.

‘Letwhoeverwishesrule!Hindu,Muslim,Sikh,Christian!Wewillabidebytherulesoftheirland!’

ApolitesmatteringofHearhears!Thecongregation,waftedonself-esteemandBritishproverbs,doesnotwanttobebroughtbacktoearth.

‘Aslongaswedonotinterferewehavenothingtofear!Aslongaswerespectthecustomsofourrulers–aswealwayshave–we’llbeallright!AhuraMazdahaslookedafterusforthirteenhundredyears:hewilllookafterusforanotherthirteenhundred!’

LikeEnglishproverbs,AhuraMazda’snameelicitsenthusiasm.

‘WewillcastourlotwithwhoeverrulesLahore!’continuesthecolonel.

‘IftheMuslimsshouldruleLahorewouldn’twebesafergoingtoBombaywheremostParseeslive?’asksatremulousvoiceweakenedbyathirteen-hundred-year-oldmemoryofconversionsbytheArabsword.

Aslightnervousnessstirsamidstthetimorous.Thereismuchturningofheads,shiftingonseatsandwhispering.

‘WeprosperedundertheMuslimMogulsdidn’twe?’scoldsCol.Bharucha.‘EmperorAkbarinvitedZarathushtischolarstohisdarbar:hesaidhe’dbecomeaParseeifhecould…butwegaveouroathtotheHinduPrincethatwewouldn’tproselytise–andtheParseesdon’tbreakfaith!Ofcourse,’hesays,‘thosecockerelswhowishtogotoBombaymaygo.’

‘AgainBombay?’saysthemansittingattheendofmybenchwhohadobjectedtoourcomingtoIndiainthefirstplace.‘Ifwemustpackoff,let’sgotoLondonatleast.WearetheEnglishking’ssubjectsaren’twe?So,weareEnglish!’

Thesuggestioncausesanuproar:drowned,eventually,byDrManekMody’sremarkablevoice.‘Andwhatdowedo,’heasks,‘whentheEnglishking’sVazirstands

Page 43: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

beforeuswithaglassfullofmilk?TellhimwearebrownEnglishmen,cometosweetentheirliveswithadashofcolour?’

MrBankwalla,preciseasthecrispnewrupeenoteshehandlesatthebank,says,‘Yes.Tellhim,wecameacrossonacoalsteamer…anddropasmalllumpofcoalinthemilk.Thatwillconveytheunspokenmessageofloveandharmony.’

‘Aslongasweconductourlivesquietly,aslongaswepresentnothreattoanybody,wewillprosperrighthere,’roarsthecoloneloverthemike.

‘Yes,’saysthebanker.‘Butdon’ttrytoprosperimmoderately.And,remember:don’tevertrytoexerciserealpower.’

Thewagattheback,who’sbeenchampingatthebittobuttin,standsupandirrelevantlyshouts:‘Thosewhowantfourwivessayaye!Thosewhowantvegetarianbhatsandfartssaynay!’

Thereisaraucousmedleyofayesandnays.ThereisnothinglikeagooddoseofbathroomhumourtoputusParseesinafinemood.Itisimpossibletoconductthemeetingafterthis.

Weemergeintothesun’sbrassyblastandourfacescrinkleinself-defence.Motherremindsustorubtheashfromourforeheads.Ayahlooksasifsheismelting.Thetongamanremovesthehorse’sfeedsackandwepileintothetonga.

Page 44: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter6

IsitonthesmallwoodenstoolandAyah’ssoapyhandsmovealloverme.Waterfromthetapfillsthebucket.Ayah,squattingbeforeme,rubsbetweenmytoes.I’mticklish.Deliberatelysherubsthesolesofmyfeetand,screaming,Ifalloffthestoolandwiggleofftheslipperyfloor.Shepinsmetothecementwithherfootanddousesmewithwaterfromthetinbucket.BythetimeI’mdried,powderedandliftedtothebedAyahisdrenched.

NowitisMother’sturn.Ayahcallsherandsheappears:willing,conscientious,devout,herheadcoveredbyagauzywhitescarfandsmellingofsandalwood.Shehasbeenpraying.

EversinceCol.BharuchatuggedatmytendonandpressedmyheeldownintheFireTemple,Mothermassagesmyleg.Iliediagonallyonthebed,mysmallraisedfootbetweenherbreasts.Sheleansforwardandpushesbacktheballofmyfoot.Sheappliesallherfragilestrengthtostretchthestubborntendon.Herflesh,likesatin,shiftsundermyfoot.Igazeather.Shadedbythescarfherfeaturesacquiresharperdefinition.Thetippedchincurvesdeeptomeetthelowerlip.Thelips,full,firm,taperfromalavish‘M’inwidewings,theiroutlineetchedwiththeclarityofcutrubies.Hernoseisslender,slightlybumped:andthetautcurveofhercheekbonesisframedbyajawasdelicatelyovalasanegg.Thehintofcoldness,commontosuchchiselledbeauty,isoverwhelmedbytheexuberantqualityofherinnocence.Ifeelsheisbeautifulbeyondbearing.

Herfirmstrokes,herhealingtouch.ThemotherlinessofMother.Itreachesfromherbendingbodyandcocoonsme.Mythighstwitch,relaxed.

Hermotherliness.HowcanIdescribeit?Whileitisthereitisall-encompassing,voluptuous.Hurt,heartacheandfearvanish.Iswim,rise,tumble,float,andbloatwithbliss.Theworldiswonderful,wondrous–andIaperfectfitinit.Butitswitchesoff,thismotherliness.Iopenmyhearttoit.Iwelcomeit.Again.Andagain.Ibegintounderstanditson-offpattern.Itistreacherous.

Mother’smotherlinesshasauniversalreach.Likeherinvoluntaryfemalemagnetismitcannotbeharnessed.Sheshowersmaternaldelightonallandsundry.Iresentthislargesse.AsFatherdoesherunconsciousandindiscriminatesexappeal.Itisaprostitutionofmyconceptofchildhoodrightsandparentalloyalties.Sheismymother–fleshofmyflesh–

Page 45: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

andAdi’s.Shemustloveonlyus!Otherchildrenhavetheirownmotherswholovethem…Theirmothersdon’tgoaroundlovingme,dothey?

***

AportionofourhouseatthebackislenttotheShankars.Theyarenewlymarried,fatandloving.Sheislighterskinnedthanhimandhasastoutbraidthatsnugglesdownherbackandculminatesinalargesatinbow,red,blue,orwhite.AtaboutfiveeveryeveningShankarreturnsfromwork.Hetrudgesupthedrive,upalongthesideofourhouse,andsomewhereinthevicinityofourbathroomletslooseamatingcall.

‘Darling!Darling!I’vecome!’

Nomatterwhereweare,Ayah,AdiandIrushtothewindowsandpeeroutofthewirenetting.

‘Mylife!MyLord!You’vecome!’rejoicesGita,asifhisreturnisatotallyunexpecteddelight.

Athismate’sansweringcallShankarpuffsout,andfurtherdiminishingaslenderleatherbriefcasehecarriesunderhisarm,breaksintoathuddingtrot.

Becausetheirsisanarrangedmarriage,theyarenowsteamilyinlove.IdropinonGitaquiteoften.Sheisalwayscookingsomethingandmixedupwiththefumesofvegetablesandlentilsisthesteamoftheirnight-longecstasy.ItisverylikethedarkfragranceMasseur’sskilfulfingersgeneratebeneathAyah’ssari.Gitaisalwayssmiling–bubblingwithgladness.Sheisfullofstories.ShetellsmethestoryofHeerandRanjah,ofRomeoandJuliet.

Ayah,too,knowsstories.Sittingonthelawninfrontofthehouseshestretchesherlegsanddreamilychewsonabladeofgrass.Harithegardener,squattinginhisskimpyloincloth,isdiggingthesoilaroundsomerosebushes.Hemovesontotrimthegardeniahedgebythekitchen.Itisthemiddleofthedayinmid-February.

Pansies,roses,butterfliesandfragrances–thebuzzofbeesandfliesandofvoicesdriftingfromthekitchen.Theoccasionalclip-clopoftongahorsesonWarrisRoad,andbicyclebellsandcarhorns.Hawkswheelinganddistantlyshriekingbeneathamassivebluesky.IthinkofGod,Ipickupadandelionandblow.‘Helovesme–helovesmenot.Helovesme–helovesmenot…’

Ayahhums.Irecognisethetune.

‘TellmethestoryofSohniandMahiwal,’Isay.

Ayah’shumbecomeslouderandshehalfcroons,halfspeaksthePunjabifolktaleimmortalisedinverse.WedrifttoruralPunjab–toabreezestirringinwheatstalksandyellowmustardfields.Tovillagebellesweavingthroughthefieldstowells.

Page 46: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Ayah’seyesarelargeandeloquent,rimmedwithkohl,softwithdreams.‘BeautifulSohni–handsomeMahi-wal…’

Theirloveisdefiant,daring,touching.Theirfamiliesbitterenemies.SohniisnotallowedtomeetMahiwal.

ThewideChenabflowsbetweentheirvillages,separatingthelovers.Butlateonenight,slippingfurtivelyfromhervillage,riskingtreacherouscurrentsandfiercereprisal,Sohnifloatsacrossonaninflatedbuffalo-hidetoherlover.

Mahiwal’sdelightisboundless.Hecelebratesinrapturousoutburstsofverse.ButheisdistraughtwhenhediscovershehasnothinginthehousetofeedhisSohni.

Itistoolatetosendforsweets–thebazaarisclosed,‘Butsuchisthestrengthofhispassion–thetendernessofhislove,’saysAyahloweringherlidsoverherfarawayanddreamyeyes,‘thathecutsahankoffleshfromhisthigh,andbarbecuingitonskewers,offershisbelovedkebabs!’

Ayahcannotspeakanymore.Hervoiceischoked,hereyesstreaming,hernoseblocked.

‘Doessheeatit?’Ienquire,astonished.

‘Shegobblesitup!’saysAyah,sobbing.‘Poorthing,shedoesn’tknowwhatthekebabsaremadeof…’

Intheendthedoomedloversdie.

***

Ashout,acoupleofcurses,alaugh,breakawayfromthehumofvoicescomingfromthekitchen.Andthenarecedingpatterofbarefeet.

Theyareafterthegardener’sdhoti.

AyahandIjumpupfromthegrassandfollowingthepatteringfeetrunalongthesideofthehouseandpastGita’swindow.

‘What’shappening?’Gitacallsfromwithin.

‘They’reafterHari’sdhoti!’Ishout.

Weapproachtheservants’yardand,sureenough,seetheraggedscufflearoundHari.Hari’sspare,darkbodyisalmosthidden.AyahstopstoonesideandIdiveintothetangleoflimbsyellingforallI’mworth,contributingmymiteofrowdyismtothegeneralrow.

Yousaftheodd-jobman,Greek-profiled,curly-haired,towersmischievouslyoverHari.Everybodytowersoverthegardener–eventhesweeperMoti.I,ofcourse,amstillfarfromtowering.AsisPapoo,thesweeper’sdaughter,whocomesgallopingandwhoopingfromtheservants’courtyard,aninfantwobblingdangerouslyonherhip,andbrandishing

Page 47: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

alongbroom.Herwide,boldmouthflashingahandsomesmilesheplungesherself,theinsouciantbabe,andthefluffybroomintothescuffle.

YousafhasagriponHari’shand–whichishangingontotheknotathiswaist.Yousafcasuallyshakesandpullsthehand,tryingtoloosenitsholdontheloin-cloth,andHari’sslight,tautbodyrocksbackandforthandfromsidetoside.

ImamDin,genial-faced,massive,towersbehindHari.Heisourcook.Hisdustyfeet,shodincurly-toedleatherslippers,areplacedflatapart.Hedrumshischest,flexeshismusclesandemitsthefiercebarrukcrieswithwhichPunjabivillagewarriorsbluff,intimidateandchallengeeachother.‘Ovay!’heroars.‘I’llchewyouupandIwon’tevenburp!’Majestically,good-naturedly,helungesattheclothbetweenthegardener’slegs.

Hariishavingahardtimefendingoffthecook’shandwithhissparearm,andalsocopingwithMoti’sslyattacks,andPapoo’sticklingbroom.Thewasherman,whohasbroughtourlaundryfortheweek,hasalsojoinedthemêlee.Wearelikeapackofpuppies,worryingandattackingeachotherinahigh-spiritedgambol.

Butweplaytorules.Hariplaysthejester–andheandIandtheyknowhewillnotbehurtordenuded.Hisdhotimightcomeapartpartially–perhapsexposeaflashofblackbuttocktospicethesport–butthishappensonlyrarely.

Itisagood-naturedrompuntilsuddenlythreeshrillandfamiliarscreechesblastmyears.‘Bitch!Haramzadi!Mayyoudie!’AndMuccho’sgraspinghandreachesfortherootofherdaughter’sbraid.Thegaunt,bitterfingerscloseonthehair,yankingcruelly,andPapoobowsbackandstaggersbackwardsatanimprobableangle.Shefallssittingonhersmallbuttocks,herlegsstraightout;stillholdingthejoltedandblinkinginfantonherhipandthebroominherhand.

‘Haram-khor!Slut!Work-shirker!Movemyeyesfromyou,andoffyougo!’shrieksMucchoinungovernablerage,rainingsharp,hardslapsonPapoo’sheadandback.

Ayahswoopsdowntosnatchtheinfanttosafety,andwithanoutstretchedlegtriestofendofftheblows.WeabandonHari.Andthemen,Hariincluded,grouparoundPapoo,settingupaprotectivebarrierofarmsandhands,andmuttering:‘Forgiveher,Muccho,she’sjustachild…You’retoohardonher…’

TheycannotphysicallyrestrainMuccho.Handlingawomannotrelatedtothemwouldbeanimpropriety.Herhusband,Moti,daresnotinterfereeither.Mucchowouldmakehislifeintolerable.Submissiveinallotherrespects,Muccho’smurderoushatredoftheirdaughtermakesherirrational.

Despitetheinterveningarms,Mucchomanagestopoundherdaughterwithherfistsandwithswift,viciouskicks.HerhandsprotectingherheadPapoorollsinaraggedballinthedust,screaming,‘Hai,I’mdead.’

Page 48: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

IhateMuccho.Icannotunderstandhercrueltytoherowndaughter.Iknowthatsomedayshewillkillher.FromtheimprobableangleofPapoo’stwistedlimbs,I’msureshehasalreadydoneso.

Papooliesdeathlystill,crumpledinadustyheap.Ayah,holdingMuccho’ssononherhip,dipsherpalloointoamugofwaterandspongesthedustfromPapoo’slifelessface.‘Idon’tknowwhatjinngetsintohereverytimesheseesPapoo,’shedeclares.‘Evenastepmotherwouldbekinder…Afterall,what’stheinnocentchilddonethat’ssoterrible?’

‘Whatdoyouknow?’Mucchoscreams.‘She’snoinnocent!She’sacurse-of-a-daughter…Disobedient,bonelazy,loosecharactered…she’llshameus.She’llbethedeathofme,thewhore!’

‘Howcanshebeyourdeath?You’vealreadykilledher!’saysImamDin.

ImamDinrarelyshowsangerandhisharshnessintimidatesMuccho.Afraidshemighthavegonetoofar,sheshakesPapoo’sshoulderroughly,asiftoawakenherfromsleep.‘She’llbeallright:don’tcarryonso,’shetellsImamDin.

‘Oye,Papoooo…Oye,doll,’shesayswithaffectedaffection.‘Comeon,getup.’

ShelaysPapoo’sheadonherthighandpinchinghercheeksforceshermouthopen.PapooshowsthewhitesofhereyesasMucchopourswaterbetweenherteethfromthemugAyahbrought.

SuddenlyMucchocurses–andshiesasifblinded.Papooisspittingafinesprayofwaterstraightintoherface.AsMucchoraisesherhandtolashoutPapooleapsup,miraculouslywhole.Skippingnimblyfromhermother’slunges,Papoojerksherboyishhipsandmakesdark,grinningfacesandrudeandmockingsoundsandgestures.Allatonceshepretendstogolimpand,againrollinghereyesuptoshowtheirwhites,crumplesdefencelesstotheground;andthenspinninglikeabundleofragsinagale,flingingherlimbsabout,twistsawayfromMuccho’seagerclutches;dodging,jeering,nowtantalisinglyclose,nowjustoutofreach.PapooisnotlikeanygirlIknow.Certainlynotliketheotherservants’children,whoarebrowbeatenintoearlysubmission.Sheisstrongandhigh-spirited,andit’snoteasytobreakherbody…Buttherearesubtlerwaysofbreakingpeople.

‘WaittillIfixyou,youshaitan!Youchoorail!’Mucchoscreamsvindictively.‘You’vegotajinninyou…butI’llknockitoutorI’mnotyourmother!JustyouseewhatIhaveinstoreforyou…It’llputyouright!You’llscreamtothedead…Mayyoudie!’

WelaughatPapoo’sfeigning–andherfunnyfaces–andhermother’sranting.ThemenstarttodriftawayandPapoo,followedbyacursing,shriekingMucchoaimingstonesather,imitatesmylimp–andlurchinghorribly,runsoutontheroad.

Papoo,recognisingthemanipulativepowerofmylimp–andperhapsempathisingwithmycondition,sometimesaffectsit.Sheneverdoessooutofanymalice.Besidesshe

Page 49: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

knowsitaggravatesMucchonoend.

Page 50: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter7

AyahcallsImamDintheCatcher-in-the-kitchen.Hesitsinacorneronawickerstoolneartheopenpantrydoorandgrabsanythingsoftthatentersthekitchen.Sittingit,him,orher,onhislaphegentlyrocks.Ayah,I,Adi,Papoo,strayhens,pups,kittensandRosyandPeterfromnextdoorhaveallhadourturn.RosyandIarebewilderedbyImamDin’sbehaviour.AdiandPeter,belongingperhapstothesamespecies,arelessconfusedandmoreaggressive.

OnedayIcomeuponadazedRosyrockingdizzilyonImamDin’slapandIpullheroff.‘Don’tdothat,youdamnfool!’Isay,unleashingmybottled-upfury.‘Whydoyoudothat!’

ImamDingivesasheepishgrin,geniallypullsusbothsquirmingonhislap,offersuspuffsfromhishookahandproceedstotellusweshouldnotmind.Itiswhatheplayfullycallsonlyalittle‘masti’–abitofnaughtiness.

Andhetellsme,‘Lennybaby,don’tswear–swear-wordsdon’tbecomeyou.’

Iknow.Adicanswearandit’sabigjoke.Rosycancurseandlookcute.Papoocanletflyastringofinvective,comparedtowhichthetongawallah’sinvectivesoundslikealullaby,andmanagestoappearstunninglyroguish.AndIcannotevensayadamned‘damnfool’withoutbeingtolditdoesnotsuitme!

ImamDinpossessesasixthsense–asensitiveantennathatbeamshimachartofourmovements.AndnomatterhowstealthilyAyahorIsneakintothekitchen,heisreadytopounce.HeknowsexactlywhoitisandheneverpouncesonMotherorYousaforHari.Orus,ifwearefollowedbyanyofthem.

ImamDinistoleratedbecauseofthegreybristlesinhiscloselycroppedhair.Theypermithimtogetawaywithlibertiesthatinayoungermanwouldprovoke,ifnotthewrathofGod,atleastdireconsequencesfromAyah.Asitis,GodlookstheotherwayandAyahmerelypullsawayfromhimsaying,‘Haveyounoshame?Lookatyourgreyhairs…FearGod,atleast!’

ImamDinistall,big-bellied,barrel-chested,robust:hebicyclestwentymilestoandfromhisvillageonceamonthtoimpregnatehisfourthwife.Happilyheisthreetimeswidowedandfourtimeswed.Heisthemostrespectedelderinhisvillage;andhisbenigntemperamentandwisdomhaveearnedhimapositionofrespectinourhouseandamong

Page 51: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

theotherservantsonWarrisRoad.Heissixty-fiveyearsold.Nowyouseewhyheisallowedacertainlatitude?Indulgedeven,youmightsay?

Rockingapart,Ilikehimandtaketohimmycomplaints.SodoesAyah.Heisafairandimaginativearbitrator–andwhenAdigrowsupabit,andIgrow,andAdiresolutelypeepsthroughacrackinthebathroomdoorwithasingle-mindeddeterminationthatislikeanelementalforce,ImamDinistheonlyonewhocanhandlehim.

TwiceImamDinhastakenmetohisvillage.Ihaveonlyavaguerecollectionofpleasurablesensations.Iwastooyoungthen.

Itisnotyetwinter.IhavebeenbadgeringImamDinforthepastweektotakemeonhisnextjunkettohisvillagehome.

‘Lennybaby,I’mnotgoingtomyvillage,’hesays,sighingheavily.‘Ineedtogotomygrandson,DostMohammad’s,village.It’stoofar…PirPindoiswaybeyondAmritsar…FortymilesfromLahoreasthecrowflies!’

‘Itmaybetoofarforalittlecrow;butit’snottoofarforastrongoldoxlikeyou,’saysAyah.Sheistoastingphulkas(miniaturechapatties)ontheglowingcoalfireanddeftlyflippingthemwithtongs.‘Poorchild,’shesays.‘Shewantssomuchtogo…Itwon’tbreakyourbacktotakeher.’

‘Notonlymyback,mylegstoo!’saysImamDin.‘I’mnotsoyounganymore…I’llhaveaheartattackmerelyconveyingmyselfthere.’

‘Goonwithyou!’saysAyah.‘Youshouldtalkofgrowingold!I’llknowthatwhenIknowthat!’

‘I’llneverbetoooldtobotheryou,’murmursImamDin,sighing,pushinghishubble-bubbleawayandadvancingfromhiscorneronAyah.

Ayahwhirls,tong-handed,glowingironpointedatImamDin.

‘Arreybaba…’saysImamDinhunchinghisshouldersandholdinghishandsoutdefensivelyinfront.‘Istillhaven’trecoveredfromthelasttimeyouscarredme.Aren’tyouashamed…burningandmaimingaharmlessoldmanlikeme?’

‘Iknowwho’sharmlessandwhoisn’t!Goon,sitdown!’shecommands.

ImamDincollapsesmeeklyinhiscorneranddrawingdeeplyonthehookah,causingthewaterinthesmoke-filtertogurgle,offersherapuff.

ButAyahisinadeterminedmood.‘Willyoutakeherwithyouornot?’shedemands,tongsinhand:andImamDincapitulates.

‘Arreybaba,you’reaHitler!I’lltakeher.Eventhoughmybacksnapsintwo!Eventhoughmylegsfalloff!I’lltakeher.’

Page 52: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Sheweighslessthanthisphulka,’saysAyahturningherbackonusandtossingathindiskofwheatonthefireuntilitisswollenwithtrappedair.

ThenextmorningAyahwakesmeupwhenitisstillnight.Shehelpsmetodressquietly:wrestlingmyarmsintolastyear’scoatandmyearsintoahorriblepinkpeaked-capElectric-auntknittedmetwoyearsago.ImamDinandAyahhaveasmallaltercationinthekitchen.Rather,AyahscoldsandImamDinonlyprotestsandpacifiesaffably.Idon’tknowwhattheargumentisabout,butIcanguess.ImamDinmusthaveattemptedwithsomepartofhisanatomytheseductionIce-candy-manconductswithhistoes–withlessaudacityperhaps:andperhapswithlessingenuity–but,atlast,Ayahisappeased–andproperlyapologisedto–andwecycledownourdrivewiththefirstfaintsmudgeofdawndilutingthenight.

IsitonasmallseatattachedtothebarinfrontofImamDinandhislegs,likesturdypistons,propelusatastaidandunalteringpacethroughthegulliesandhuddledbazaarsbehindQueensRoad,thenalongtheMallpastthestatelypinksprawloftheHighCourt,andtheconstrictedalleysrunningononesideofFather’sshop.Itisanilluminatingexperience–myfirstglimpseoftheawakeningmetropolisoftwomillionbestirringitselftofaceanewday.

Atthecrackofdawn,Lahore,thecityknownasthegardenoftheMoguls,turnsintoatoilet.Creepingsleepilyoutofsaggingtenementsandhovelsthepopulacesquatsalongalleywaysandunpavedstreetedgesfacingcrumblingbrickwalls–andthindarkstainstricklebetweentheirfeethalfwaydownthealleys.

Cyclebellringing,ImamDinandIperambulatethroughtheprofusionofbaredLahoribottoms.IhangontothehandlebarsaswewobbleimperturbablyoverpotholespastaviewofbacksidesthedarkhueofPunjabisoil–andthesmooth,plumpspheresofyoungwomenwhohidetheirfacesintheirveilsandbaretheirbottoms.Theearlyriserssquatbeforetheirmugs,lostintheprivatecontemplativeworldoftheirablutions,andonlythechildrenfacethestreetunabashed,turningtheirheadsandbrighteyestolookatus.

PastDataSahib’sshrine,pasttheenormousmarbledomesoftheBadshahimosquefloatinginagreymist,andjustbeforewecrosstheRavibridgewerattlethroughthesmallPathansectionoftown.NowIseeonlyfiercetribesmenfromthenorthernfrontiersaroundtheKhyberandBabusarPasseswhodescendtotheplainsinsearchofwork.TheyleavetheirfamiliesbehindinflintyimpoverishedvalleysconcealedinthearidandmassivetumultoftheKarakorams,theHinduKushandtheHimalayas.Theycanaffordtovisitthemonlyeverytwoorthreeyears.Thetribesmen’sbroad,baredbacksidesaremuchpaler,andsplotchedwithred,andstrongdarkhairgrowsdowntheirbacks.InplaceofmugstherearesmallmoundsofstoneandscrapsofnewspaperandImamDinsniffs:‘Whatmannerofpeoplearethesewhodon’tcleantheirarseswithwater?’

Page 53: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AparticularlypalebottomarrestsImamDin’sattention.Theskinispink,stillfreshandtinglingfromcoldmountainwinds.

‘So.WehaveanewPathanintown!’hemusesaloud.

Atthatmomentthemountainmanturnshishead.Hedoesnotliketheexpressiononourfaces.Fulloffuryhesnarlsandspitsatus.

‘WelcometoLahore,brother,’ImamDincalls.

MonthslaterIrecognisethefacewhenIseeSharbatKhan,stilltouchyandbewildered,bentintentlyoverhiswhirringmachineashesharpensknivesintheMozangChawkbazaar.

Thesunisup,dispellingthemist.Filthywithdust,exhausted,werollintoWagah,avillagehalfwaytoAmritsar.Wehavecoveredsixteenmiles.I’vestoppedtalking.ImamDinisbreathingsohardI’mafraidhereallywillhaveaheartattack.Hepedalsslowlydowntheruttedbazaarlaneand,lettingthecycletilttooneside,stopsatateastall.

Afterabreakfastoffriedparathasandeggswegetarideatopastackofhayinabullock-cart.ImamDinstretchesanarmacrosshisbicycle,andlulledbythecreakingrhythmofwoodenwheels,wefallasleep.TwomilesshortofPirPindothecart-driverprodsusawakewithhiswhip.

Werattlealongapathrunningbetweenirrigationditchesandmustardfields.Aswecutthroughacornfieldasmallboy,followedbythreebarkingdogs,hurtlesoutofthedeepeninglightgatheredinthestalks.Hechasesus,shouting,‘Oye!Whoareyou?Oye!What’reyouupto?Oye!Cornthief!Cornthief!’

Thecyclewobblesdangerously.Cursing,ImamDinkicksout.Aribbypupyelps,andbacksaway.ImamDinroars:‘Oye,turdofDostMohammad!Don’tyourecogniseyourgreat-grandfather?’

Rannastopsshort,peeringatusoutofsmall,wide-seteyes.Hebendstoscrapesomeclayfromthetrackandthrowsitatthedogs,shooingthemaway.Heapproachesusgingerly,awkwardly.Heisalittletallerthanme.Hisskinisalmostblackinthedusk.Healreadyhassmallmusclesonhisarmsandshoulders.Awell-proportionedbody.Butwhatattractsmemostishisbelly-button.Itprotrudesaninchfromhisstomach,likeatruncatedandcheekyfinger.(Later,whenheseesmewalk,Icantellheisequallytakenbymylimp.)

AssoonasRannaiswithinrangeImamDinministerstwoquickspankstohishead;and,thepunishmentdispensed,introducesus.‘Saysalaamtoyourguest,oye,mannerlessfellow!’

Rannastaresatme,hismouthslack.Histeethareverywhite,andalittlecrowdedinfront.

Page 54: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Haven’tyouseenacitygirlbefore?’ImamDinrapsRanna’sheadlightly.Rannaflinches.‘Whyaren’tyouwearingashirt,oye?Shamelessbugger…Gotellyourmotherwearehere.Wewantsupper.TellDostMohammadwe’rehere.’BothDostMohammadandChiddaareImamDin’sgrandchildren.Muslimcommunitiesliketokeeptheirgirlsinthefamily;somarriagesbetweenfirstcousinsarecommon.

Rannaappearstoflyinhisskimpydrawers,thepalesolesofhisfeetkickingupdustashedissolvesdownthepath.

InRanna’svillagewedwellclosetotheearth.Sittingonthefloorweeatoffclayplates,withourfingers,andsleeponmatsspreadontheground,breathingtheearth’sodour.

ThenextmorningRannaandIrompinthefields,andRanna,fascinated,copiesmylimp.Iknow,then,thatlikePapoo,hereallycaresforme.Ilethimlimpwithoutcomment.Inreturn,heshowsmehowtomouldareplicaofhisvillagewithdung.And,lookinggenerouslyandintentlyintomyeyes,permitsmetofeelhisbelly-button.Itevenfeelslikeafinger.

Hissisters,KhatijaandParveen,barelytwoorthreeyearsolderthanus,alreadyweartheresponsibleexpressionsofmucholderwomen.Liketheothergirlsinthevillage,theyaffectthemannerismsandtoneoftheirmotherandaunts.Theyareprettygirls,withlarge,sereneeyesandaskininclinedtoflush.Painfullyshyofme,theyaredistressed–andperplexed–bythedisplayofmytwig-likelegsbeneathmyshortdress.(Idon’twearmycallipersasmuchnow.)Theydon’tknowwhattomakeofmycroppedhaireither.Busywithchores,basketsofgrainstucktotheirtinyhips,theyscuttleaboutimportantly.

EveryshortwhileRannasuspendsplaytoruntohismother.Chiddaiscookingattheclayhearthintheircourtyard;shefeedshersonandmescrapsofchapattidippedinbuttermilk.

LaterinthebluewinterafternoonabunchofbeardedSikhpeasants,theirlonghairwrappedinlooseturbansorinformallydisplayedintop-knots,visitPirPindo.TheyarefromDeraTekSingh,aneighbouringvillage.ThemenofPirPindo–thosewhoarenotoutworkinginthefields–comefromtheirbarnsandcourtyardsandsitwiththeSikhsinathickcirclebeneathahugesheeshamstandinginapatchofwildgrass.

Theroughgrasspricksmybottomandthighs.Rannahassidledintohisfather’slap.PromptedbyImamDin,hewearsabuttonlessshirthehasclearlyoutgrown.IsitbetweenDostMohammadandJagjeetSingh;aplump,smiling,bow-leggedSikhpriest,agranthi.KhatijaandParveen,lookinglikeminiaturewomenofeightandnine,theirheadsmodestlycovered,bringuspilesoffragrantcornbreadfriedinbutterandasteamingclaypotofspicymustard-greens.IseethewisdomoftheirbaggyshalwarsandlongkamizesasIfidgetinthegrass,tuggingatmydress.

TheSikhgranthi,grey-beardedandbenign,beckonsthegirls,and,shyeyeslowered,theycometohim.Hestrokestheircoveredheadsandsays,inPunjabi,‘Maytheseven

Page 55: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

gurusblessyouwithlonglives.’Hedrawsthemtohimaffectionately.‘EverytimeIseeyou,youappeartohavegrowntaller!We’llhavetothinkaboutarrangingyourmarriagessoon!’HeleansacrossmeandaddressesDostMohammad.‘Don’tyouthinkit’stimetheirhandswerepaintedyellow?’

JagjeetSinghhasalludedtothehenna-decoratedhandsofMuslimbrides.Thesistersducktheirheadsandhidetheirmouthsintheirveils.Rannafindsthesuggestionoutrageouslyfunny.Slippingfromhisfather’slap,hisbelly-buttonpointedatthemlikeajabbingfinger,hejumpsupanddown.‘Marriedwomen!’hechortles.‘Ho!Ho!Marriedwomen!’

Alreadypractisedintheconducttheyhaveabsorbedfromthevillagewomen,thegirlstrynottosmileorgiggle.Theymusthaveheardtheirmotherandaunts(asIhave),say:‘Hasitophasi!Laugh(and),getlaid!’I’mnotsurewhatitmeans–andI’msuretheydon’teither–buttheyknowthatsmilingbeforemencanleadtodisgrace.

Wehaveeatenandbelched.Thehookah,stokedwithfreshtobacco,isbeingpassedamongtheMuslimvillagers.(Sikhsdon’tsmoke.)Inthesatedlullthevillagemullahclearshisthroat.‘Mybrothers,’hesays.Andasoureyesturntohim,runningfrailfingersthroughhissilkywhitebeard,hesays,‘Ihearthereistroubleinthecities…HindusarebeingmurderedinBengal…Muslims,inBihar.It’sstrange…theEnglishSarkarcan’tseemtodoanythingaboutit.’

Nowthathehasstartedtheballrolling,themullahraiseshiswhiteeyebrowsinaforeheadthatisalmosttranslucentwithage.Helooksabouthimwithanxious,questioningeyes.

Thevillagechaudhry–sittingbyImamDinandthemullah–says,‘Idon’tthinkitisbecausetheycan’t…IthinkitisbecausetheSarkardoesn’twantto!’Heisalargeman,asbig-belliedandbroad-beamedasImamDin,butatleasttwentyyearsyounger.Hehaslarge,clearblackeyesandanimposingcleftinhischin.Ashetalks,heslowlystrokeshisthick,up-twirledmoustache:withoutwhichnovillageheadmancanlooklikeachaudhry.‘Butallthatisinthecities,’hecontinues,asifhehasconsideredtheissueforsometime.‘Itwon’taffectourlives.’

‘I’venotcomeallthiswaywithoutareason,’saysImamDin.Thevillagers,whoarewonderingwhyheisvisitingthem,lookathimattentively.Herubshisfacewithbothhands;asifitpainshimtostatethereason.‘Idon’tthinkyouknowhowseriousthingsaregettinginthetowns.Slykillings;riotingandbatonchargesbythepolice…longmarchesbymobs…TheCongress-wallahshavestartedanewstunt…theysitdownontherailtracks–womenandchildren,too.Thepoliceliftthemoffthetracks…Butoneofthesedaysthesteamengineswillrunoverthem…Oncearoused,theEnglisharesavages…

‘ThenthereisthisHindu-Muslimtrouble,’hesays,afterapause.‘Uglytrouble…Itisspreading.Sikh-Muslimtroublealso…’

Page 56: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Thevillagers,SikhandMuslim,eruptinprotest.

‘Brother,’theSikhgranthisayswhenthetumultsubsides,‘ourvillagescomefromthesameracialstock.MuslimorSikh,wearebasicallyJats.Wearebrothers.Howcanwefighteachother?’

‘BareyMian,’saysthechaudhry,givingImamDinhisdueasarespectedelder,‘I’malerttowhat’shappening…Ihavearadio.ButourrelationshipswiththeHindusareboundbystrongties.Thecityfolkcanaffordtofight…wecan’t.Wearedependentoneachother:boundbyourtoil;byMandipricessetbytheBanyas–they’reourcommonenemy–thosecityHindus.Tousvillagers,whatdoesitmatterifapeasantisaHindu,oraMuslim,oraSikh?’

ImamDinnods.Thereisasubtlechangeinhisface;helookscalmer.‘AslongasourSikhbrothersarewithus,whathavewetofear?’hesays,speakingtothegranthi,andincludingtheotherSikhswithaglance.‘Ithinkyouareright,brothers,themadnesswillnotinfectthevillages.’

‘Ifneedsbe,we’llprotectourMuslimbrotherswithourlives!’saysJagjeetSingh.

‘IampreparedtotakeanoathontheHolyKoran,’declaresthechaudhry,‘thateverymaninthisvillagewillguardhisSikhbrotherswithnoregardforhisownlife!’

‘Wehavenoneedforoathsandsuch,’saysthemullahinafragileelderlyvoice.‘Brothersdon’trequireoathstofulfiltheirduty.’

Later,whenthemullah’svoicecallstheeveningprayer,andtheSikhshavebeguntosaunteracrossthefieldstotheirvillage,DostMohammadcarrieshissontoasmallbrickmosquewithagreendomeinthecentreofPirPindo.Istaybackwiththewomen.

***

Weareduetoleaveinanhour.Chiddahasawakenedearlytopreparebreakfast.Isitonthefloorcrosslegged,eatingmyparathaandomelette.Parveenshufflesclosertome.Withextremedelicacy,herfaceflushedandconfiding,shewhispersintomyear.Ittakesmeawhiletorealise,sheisaskingifmyhairwascutonaccountoflice.

‘Ofcoursenot!’Isay.Idon’tcarewhohearsme.‘It’sthecityfashion.’Iglareather.‘Evenmymother’shairisshort.’

Chidda,squattingbythehearth,summonsherdaughter.Rappingherontheheadshesays:‘Whotoldyoutobeuncivil?Whotoldyoutoaskquestions?Haven’tItaughtyoutomindyourtongue?Go!Getoutofmysight!’shesays.Rannaquicklygrabshissister’sshareofthebreakfast.

Abunchofvillagersaccompaniesusforamile,wheelingImamDin’sbicycleforhimaswewalk.IleavePirPindowithaheavyheartandaguiltyconscience.

Page 57: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter8

WhenIreturnfromImamDin’svillagetotheelevatedworldofchairs,tablesandtoiletseats,ImamDincontinueshiseffortstokeepontherightsideofAyah.Sheisthegreatestinvoluntaryteacherever.Hepliesherwithbeautifullyswollenphulkashotoffthegriddle,slatheredwithbutterfatandsprinkledwithbrownsugar.Hepreparesseparateanddeliciousvegetariandishesforher.Infactheis,toalargeextent,responsibleforhersphericalattractions.Wherewouldshebewithouthisextraservingsofbutter,yoghurt,curryandchapatti?Wouldn’tshelooklikealltheotherstringy,half-starvedwomeninIndiawhomonelooksatonlyonce–andneverturnsaroundtolookattwice?

HecontinuestoappeaseAdiandmewithdizzyinginhalationsfromhishookah;andchickengibletsandliver,turnbyturn,onthoseoccasionswhenmyparentshaveguestsandhecookschicken.

Myparentsentertainoften:andwhenguestsareexpectedwearefedearly.AdiandIsitacrosstheoilclothonasmalltableagainstthewall,awayfromthesilvercutleryandembroidereddinnercloth.Yousaffoldsthestarchedwhitenapkinsintofancypeacocksandstuffstheirpropsintolong-stemmedcrystalglasses.Flowersblazeinsilvervases.

Glitterandglory,butverylittlefood.Weknowtheguestswillbeserveddelectablebutsmallportions.

Wehavealreadysharedthechickenliver,andtodayitismyturnforthesinglegiblet.Iplaceitonaside-plate,savingitfortheendwhenIcanchewandsuckonitforlonguninterruptedmoments.InoticethemovementofAdi’seyeballsunderhislidsastheysneaktothecorners,peeratthegibletandslipback.Thisonlyenhancesthequalityofmypossession.Iamatpeace–thereishonourevenamongthieves–andthefearofreprisal.Icasuallyplacemylefthandabovetheplateandmanoeuvreittoshieldthegiblet.Idon’twishtoputunduestrainonAdi’shonour.

Asithappens,theprecautionisunnecessary.IraiseaglassofwatertomylipsandAdi’sswifthandstrikes.Thegibletisjammedintohismouthandswallowedwhole.Histhroatworkslikeaboaconstrictor’sandhisfaceturnsred.Igrabathismouthandheopensitwide,saying‘Aaaaaa!’

Thereisnothinglefttoretrieve.

Page 58: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Whathurtsmemostishimswallowingmygibletlikeapill.Noteventastingit.Itisanaffronttomysenseoffairplay.Igrabhishairandletoutablood-curdlingshriekthatbringsMotherrushingfromthedrawingroomandYousaf,ImamDinandAyahfromthekitchen.

MotherspanksAdi,andAdi,cursingandfightingback,ispickedupbyYousafandspiritedawayintothedarknessoutside.

Ayahcarriesmescreamingintothekitchenandproceedstosplashmyfaceatthesink.ImamDinpopsachickenheartintomymouth.YousafcarriesAdibacktothekitchen.Adi’smouthisworking.Ittoohashadsomethingpoppedintoit.Iwonderwhat?Anuneasytruceiscontemplatedaswescrutiniseeachother’sruminatingmouths.Ashortwhilelaterwheneveryoneisbusypreparingdinnerweslipunobservedbeneaththedinnertable,friendsagain.

Wehavedonethisinnumerabletimes.Onewouldimaginethatsomeonemightthinktolookunderthetableandchaseusawaybeforedinnerisserved.

Thetableissupportedbystandsofpolishedwood.Thestandsareheldtobyabeamwhichrunssixinchesabovethefloor.Weroostquietlyonthebeamincloth-screenedtwilight,amidstadisplayoftrousercuffs,sariborders,ankles,shoesandamedleyoffragrance.

RosyandPeter’sparentsarepresent:wecantellbytheirlegs.Hisarecrossedattheankles,smellfranklyofcow-dungandarepronetoshakeinandoutattheknees.Hersareplantedsolidlysidebysidebeneathhersari.Peter’sfatherisaturbanedandbeardedSikh.Heisnotpermittedtocuthishairorshave–noteventhehairofhisarmpitsorcrotch.Peterhastoldusthis.

TheirmotherisAmerican.Shetiesherblondehairbackinasevereknotandalwayswearsawhitecottonsariwithwideborders.SometimesIfeelshedoublesasoneofthemarchingSalvationArmyband-women.Sheisgreen-eyedandverywhiteandplacidandother-worldly.Shecarriesonwithwhateversheisdoing–whichisforthemostpartamystery–andpaysscantattentiontotheworld.Nothingthatherchildren,orherhusband,docanwipetheplacidlookfromherfaceordisturbherunhurriedmovements.

Herhusbandisnotabadman.MrSinghdoesnotbeatherorwhite-slavetrafficinher.ButhehashabitsthatwoulddriveMotherupthewall…I’veheardhersayso.Heroamsonlonghairylegsinloosecottondrawers,barefoot.Hemilkshiswaterbuffalohimself.HeconversesloudlyinvituperativePunjabiandheclearshisthroatandspitsaround–generallyconductinghimselflikeacoarseJatinavillage.MotherexpectsmorerefinedconductfromamanmarriedtoanAmericanwoman.

Theyareinfrequentguests.

Page 59: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Thisappearstobeaneveningdedicatedtoneighbourlybrotherliness.TheotherguestsarefromtheBirdwoodBarracks:InspectorGeneralofPoliceandMrsRogers.Heistall,colourless,hefty-moustached,pale-eyebrowed;andshe,soft,pretty,plumpandsubmissive–withafascinatingproclivitytocleanoutandaroundherchildren’searswithahandkerchiefdampenedwithspit.

Theirtwochildrenareyoungerthanus.Theonlyreasonwecountenancethematallisbecauseoftheirglowingears.

Thereareonlyfourgueststodinnertonight,plusmyparents–whichmakessix.Fathercalculatessixportionstoachicken.Hencethesinglegiblet.

MeanwhileFatherhaslaunchedhisemergency-measuresjoke.

ABritishsoldierandaturbanednativefindthemselvessharingacompartment.TheyaretravellingbytheKhyberMailtoPeshawar.TheIndianliftsabottleofScotchtohismouthfrequently.Hedoesnotofferanytothesoldier.WhentheIndianleavesthecompartmentforamomentthesoldierstealsahastydraughtfromthebottle.

AgaintheIndiangoesout,andthetommysneaksanotherswig.

Theygettotalking.ThesoldierconfideshetookadrawortwofromtheIndian’sbottleofScotch.‘Sinceyoudidn’tofferittome,oldchap,Ihelpedmyself!’hesayscompanionably.

Thenativeisaghast.

‘Butthatismyurineinthebottle!’heexclaims.‘Myhakimprescribeditasacureforsyphilis…’

Poorsoldier.

FatherandMotherhootwithlaughter.TheirSikhguestisinguffaws.Andtwice,unabletoconstrainhisappreciation,MrSinghinsertstwofingersinhismouthandemitspiercingwhistles.HisAmericanwife,Ithink,titters.

IcannotseethembutIdoubtiftheRogersmanageevenasmile.AllIsee–andbarelyescape–isaviciouslittlekicktheInspectorGeneralofPolicegivesthebeam.Hisboots,smellingfaintlyofhorse-dungandstronglyofshoepolish,keepstabbingthewood.

Fatheraddsapostscript:‘Youknow–Ilearnttheotherday–therewasnosyphilisinIndiauntiltheBritishcame…’

‘Youwon’tbeabletoblameeverythingonusforlong,oldchap,’saysInspectorGeneralRogers.‘Thatoldbugger,Gandhi,isuptohisoldbagoftricks.’

‘WewillhaveSwaraj!’declaimsMrSinghindeafeningbelligerence.AsiftheEnglishman,insteadofhintingattheprematuredepartureoftheBritish,hasjustdeniedhimHomeRule.

Page 60: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Youthinkyou’llbeuptoit,oldchap?’saysMrRogerssnidely.

‘Whynot?’shoutsMrSinghasifheisarguingwiththeInspectorofPoliceacrossahockeyfield.‘IamuptorulingyouandyourEmpire!YourecruitallourSikhsoldiersintoyourWorldWarNumberTwoandwewinthewarforyou!WhyforethenyouthinkwecannotdoHomeRule?’

MrSingh’sbroadPunjabiaccentandloudvoiceneverfailtoannoyMother.ShemusthaveindicatedherdispleasurewithsomegesturebecauseMrsSinghplacidlysays,‘Don’tshout,dear.’

‘Iamnotshouting!’hollersMrSingh.‘I’mtellingthisman:QuitIndia!Gandhijeeisonafast,’hewarnsthepoliceofficer.‘Ifhedies,hisbloodwillbeonyourhead!’

‘ThatwilyBanyaisanexpertonfastinguntodeathwith-outdying,’saystheheftilymoustachedpolicemandemurely.

‘Andwhatifhedies?’questionsMrSinghrighteously.‘Youmarkmyword.Onedayhewilldie!Thenwhatyouwilldo?’

‘I’lltellyouwhatI’lldo.I’llcelebrate!’saystheInspectorGenerallosinghispatience.

‘Youwillnotcelebrate!Youknowwhy?Becauseriversofyourbloodwillflowinourgutters!’saysMrSinghinasarcasticsing-song.Heshakeshiskneesinandoutinanengagingrhythmandbangshisfistonthetable.IcantellbytheswiftlittlestabsoftheInspectorGeneral’sshoeonthewoodthathetooisangry.

‘Riversofbloodwillflowallright!’heshouts,almostasloudlyasMrSingh.‘NehruandtheCongresswillnothaveeverythingtheirway!TheywillhavetoreckonwiththeMuslimLeagueandJinnah.IfwequitIndiatoday,oldchap,you’llbloodyfallateachother’sthroats!’

‘Hindu,Muslim,Sikh:weallwantthesamething!Wewantindependence!’

InspectorGeneralRogersrecovershisImperialphlegm.‘Mydearman,’heintones,‘don’tyouknowtheCongresswon’tagreeonasingleissuewiththeMuslimLeague?TheCabinetMissionproposedaFederationoftheHinduandMuslimmajorityprovinces.Jinnahacceptedit;GandhiandNehrudidn’t!

‘TheyevenrejectedLordWavell’ssuggestionforanInterimGovernmentwithamajorityCongressrepresentation!They’relikethethreebloodymonkeys!Theyrefusetohear,orseethatJinnahhasthebackingofseventymillionIndianMuslims!ThosearrogantHindushaveblownthelastchanceforanundividedIndia…GandhiandNehruareforcingtheLeaguetopushforPakistan!’

‘Andwherewillthisso-calledPakistanbe?’enquiresourSikhneighbourwithwitheringandsnickeringsarcasm.

Page 61: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘TheywanttheMuslimmajorityprovinces:Punjab,Sind,Kashmir,theNorthWestandBengal,’repliesthepoliceofficer,asifcoachingabackwardchild.IcanimaginethehaughtyflareofhisEnglishnostrils.

‘Theyareonlysayingthattobeinabetterbargainingpositionandyouarestringingthemalongbecauseofyourdivide-and-rulemonkeytricks!’accusesMrSingh.‘Youalwayssetoneupagainsttheother…YoujustgiveHomeRuleandsee.Wewillsettleourdifferencesandeverything!’

‘Whowill?MasterTaraSingh?’Itisacontemptuous,curl-of-the-liptoneofvoice.

‘Yes.Heismyleader.Iwillobeyhim!’MrSinghsaysthissoquietlyandfirmlythatforamomentIwonderifsomeoneelsehasspokeninhisstead.

TheInspectorGeneralmakesaverypeculiarsound.Thenhesays,‘TheAkalisareabloodybunchofmurderingfanatics!’

EvenIcantellit’satactlessthingtosay.

MrSingh’srhythmicallyknockingkneesgrowperfectlystill.Inonequickmovement,drawinghislegstohischair,almostknockingitover,hestandsup.Everybody’sfeetmakeerraticmoves.AdiandI,terrifiedofdiscovery,retractourlegsandcowerinhunched-upbundles.

Fatherhasstoodupalso.IhearhimsayinPunjabi:‘Oye,sitdown,Sardarjee…Isay,yaar,don’tmindtheAngrezSahib.Hedoesn’tknow…’

ButbeforeFathercanfinishthesentenceMrSinghcutsin:‘Ohyes?Heknowsverywell!’andoneofhislegscompletelydisappears.Thereisaclatterofcrockery,aheavythumpoverourheads,andthreevariouslypitchedfeminine‘Oh’s!MrSinghmusthaveleanedclearacrossthetable.

‘Jana!Taketheforkaway!’Mothershouts.

‘Don’tyoudaretouchhim!’screamsMrsRogershysterically.‘Oh!He’llblindhim!’

‘Putthatforkaway,dear,’saysMrsSingh,hervoicequaveringintheefforttosoundfirm.

IrealisewithalittlethrillofexcitementrunningupmyspinethatMrSinghhastriedtostabtheEnglishman’seyeswithafork:andsinceMrRogershasnotcriedout,theattempthasfailed.Nobloodhassofarbeenshed.

Father’slegsskittlebehindMrSingh’ssolitaryleg.Thereisabriefscufflingsound.Apieceofcutleryfallsclatteringonthetabletop.MrRogersremainsdisappointinglyquiet.ObviouslyMrSinghhasbeende-forked.ThenMrSingh’swidebuttpoundsdownonthecane-bottomeddiningchair.

‘Tellhimtoapologise!’heroars,almostwailing,shufflingonhisseat.

Page 62: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Gotohell,youfathairyslob!’spitsthepoliceofficer,hisshortbreathbetrayinghisjoltednerves.

‘Please,’pleadsMother.‘Pleaseapologise.’

IcanvisualiseMother’shandontheInspector’sarm.None,exceptFather,canresisthertouch.

Thereisatensepause.

‘Oh,allright…I’msorry,oldboy!Ishouldn’thavesaidthat,’saystheEnglishmangruffly.

InsandalledfeetFathertoddlesbacktohisownseat,andMrSingh’smuscularthighscommencetheirrhythmictwitchingwithrenewedvigour.

MotherandMrsRogerschatterexcessivelyabouttheweather.Suddenlytheybecomequiet.

‘Youknow,oldchap,’InspectorGeneralRogershasjustsaidtoMrSingh,‘ifyouSikhsplantokeepyourlandsinLyallpurandMontgomery,you’dbetterstartfraternisingwiththeMuslimLeague.Ifyoudon’t,theMuslimswillthrowyouoffyourrichlands.’

‘Thatmother-fuckerisn’tbornwhocanthrowusout!Wewillthrowthemout!andyouout!’MrSinghbasheshisfistonthetablewithsuchforcethatthecutleryandcrockeryjangle.

‘Whowantspudding?’trillsMothershrilly,loudlybangingaspoonagainstherglass.

Inthestartledsilencethatfollows,MrsRogersenthusiasticallywarbles:‘Oh,I’dlovesomepudding!’

AndMrsSingh,musteringalltheemphasisofwhichsheiscapable,says,‘Metoo!’

Inadeterminedefforttofloodwithoiltheprecariouslytranquillisedwaters,MothertellsFather,‘Janoo[avariationonJana],youmusttelleverybodythatjokeaboutthecannibalsandthepadre’swifethatyoutoldme!Aboutbreakfastinbed…’

SincewhendidFatherstarttellingMotherjokes?Motherhasthishabitofvoicingherfantasies…Ifshepersistsinhervisionsofconjugalbliss,I’mafraidshewilllosetouchwithreality.

Thereareotherjokes.FatherandMothercrackupwithhootsthatI’msurecanbeheardbythelioninhiszoo.BeneaththetableAdiandImimictheirlaughter,takingcaretotimethewhoopsandblendourvoices.MrSinghisbreathlesswithlaughing.Hestampshisfeet,hereandthere,unawareofthehavocheiscausingbeneaththetable.

Aftertheyarethroughwiththepudding,andthethimblefulsofliqueurs,AdipinchesMrsSingh’scalfandIpinchMrsRogers’s.EventheimperturbableMrsSinghshrieks.

Page 63: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Theirfeetflyuptoourchestsandchins.Thetable-clothisraisedandsixbewilderedfacespokeunder.

Weemerge.Motherisangry.Apprehensive.SheglancesatFatherand,takinghercuefromhisamusedcountenance,relaxes.ShebeamsatusinthatwayIhavebeguntonoticeandresent:her‘other-people-are-around’way.Fatherlookspleasantandevenmakesindulgentsounds.Yousafgathersusbytheearsandpropelsustobed.

Father’sdinnerpartyjokesneverfail.TheRogershavescarcelyeaten.Overtheyearsitsavesthousandsofrupees’worthofchicken,lamb,caramelcustardandotherpartyfare.

HalfasleepIcanstillhearthemlaugh.WasthatreallyFather?thatcommunicativepersonmaking‘pooch-pooch’noiseswithhislipsandkindlysaying,‘Getalongyoutwo!’asYousaftookusfromtheroom?andthathooting,rollickingwomanmyremoteandsolemnmother?

***

AtaboutthistimeIbecomeawareofasecond-handMorrisMinorinourmidst.Ithasacrankupfronttostarttheengine,aradiatorthatconsumescountlesskettlesofboilingwater,andafive-man-powercrewtopush-starttheeight-horse-powermotor.

Thesnapofthecranknowfeaturesasoneoftheregularnoisesofthemorning.Togetherwiththelion’sroar,thebustleofdomesticactivitytoprovideFatherwithhisnewspaperandcupsoftea–andthebattleMucchowageswithPapoo–itawakensme.Inmynightsuit,barefoot,Igototheveranda.Thecrankchangeshandseveryfiveminutes.ImamDinisatit.Onehandonthecarbonnet,adusterwrappedroundthehandleforafirmgrip,helurchesmightilyandtheengineburps.Hestraightensandpressesthesmallofhisback.

Haritakesover.Stoopingbeforethehandlelikeafriskyterrierheenergeticallyturnsthecrankwithbothhands.

Adiburstsoutofthediningroomdoorinhispyjamas,holdinghistoothbrush,followedbyAyah’sshoutsandthenbyAyah.Hetoohasacrackatthecrank.

IhelpAyahpryhimlooseandMotitakesover.

IgotogreetFather.Heisinthebathroom,enthronedonthecommode.Withagreatrustlingofnewspaper,preoccupiedandmute,hesitsmeonhisbarethigh.

Fatherisinagoodmood.So,Mothertooisinagoodmood.Shegivesmeahug.SheputstoothpasteonFather’stoothbrush.ShetellsmetotakeFather’semptycupandsaucertothepantry.ButFatherlatchesontomewithsuchashowofspeechlessanguishandconsternationatthethoughtofbeingpartedfrommethatMothersays,‘Letitbe.Yousafwilltakethem.’

Shesmilesindulgently:asifshecouldcrossmyfatherifshehadamindto.

Page 64: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

***

Fatherhasatwenty-minutenapafterlunch.Notnineteen,nottwenty-one,preciselytwenty.Heknotsakerchieftightlyroundhiseyesandliesdownflatonthebedwithhissandalson.Motherremoveshissandals,hissocksifheiswearingsocks,blowstenderlybetweenhistoes,andwithcooingnoisescaresseshisfeet.

Withasternfingeronherlipsshehushesthehousehold,untilFather’sinternalalarmclockcauseshimtojumpoutofbed,andwithinfourminutesontohisbicycle.

AfterlunchonaluminousNovemberSaturdayI’midlingonmycot,fillingmytediumwithdreams,whenahushedrushofsoundcomesfrommyparents’bedroom.Nottheharshangrysoundsthatstillmewithdreadfulapprehension,butthekindofnoisessignifyingFather’sfrolicsomemood.FathertakesalongerbreaksomeSaturdays.

Ileapfrommybedandburstintotheirroom.

MotherandFatherarestandingattheoppositeendsoftheirjoinedbeds.‘Janoo!Don’tteasemelikethis…Iknowyou’vegotit:Isawit!’

Mother’svoiceteetersbetweenamusementandawheedlingwhine.SheisavirtuosoatjugglingtherangeofhervoiceandachievingtheexactbalancewithwhichtohandleFather.Fatherhastheknackofextractingthemosttalentedperformancesfromusall–andfromallthosewhoworkforhim.

‘Jana!’Mothersaysinthroatyexasperation,‘youknowI’mgoingtogetyou!’andshelungesaroundthebed.

Father,limberinhisstripedcottonnightsuitandmaroondressinggown,maintainsastrategicdistance.‘Don’tbefoolish,’hesayswithfakeandsotto-voceirritability.Consciousoftheservants,myparentssquabbleinlowvoicesand,beingamoreprivateperson,Fatherismoreparticular.OutsidetheirwindowYousafisshavingtheleavesfromthetreeswithascythe,assistingthehalf-heartedLahorifalltocompleteitstask.

Motherclutchestheheadboardandtriestododge,takingastepthiswayandthat.Then,climbingonthebed,shescramblesacrossthemattressonallfours.

Fatherskipsawayeasily.‘Stoppesteringme,’hesays,‘I’mgettinglateforwork.’

‘Iwon’tletyougo,Jana,’saysMotherinavoicesotearfullychildishthatitcannotpossiblypresentathreattoFather’sauthority.Turningappealinglytome,herbosomheaving,sheenlistsmysupport.

‘Lenny,catchhim.’

‘Stopactinglikeachild,’Fathersaysdisgustedly.Hespreadshishandstoshowthatheisnotconcealinganything.

Page 65: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ButMother,anexpertatreadinghisface,says,‘Iknowyouaresmilingunderyourmoustache,Jana.Iloveitwhenyouarethisway.’Andattunedtothenuanceunderlyinghisdisgustedvoice,sheknowsshecanpersist.‘I’llgetmyhandsonthemoney,ormynameisn’tBunty.’

Irunroundthebed,exaggeratingmymodifiedlimp,andgrabholdofFather’sleg.

‘Oneminute.Oneminute,’hecoaxes,looseningmygripandmisleadingme.TheinstantIreleasehisleghevaultsthroughthecurtainsintothenarrowstudy,and,swiftlyshuttingthedoors,drawsthebolt.

‘Jana!Letmein,Jana,’Mothercriesshakingthedoorandrattlingthelooseironbolt.Ibangonit.Yousafandhisscythehavemovedtoshaveanothertreeandthewintrysunshinesthroughitsbaredbranches.

‘Youwillbreakthedoor,stupidtwit!’criesFatherinaharsh,hushedvoice.Uncomfortablyawareoftheubiquitousservants,hepullstheboltandopensthedoor.

MotherandIrushhimexcitedly.Expectingthecharge,FatherstaggersbackandplonksdownonthesetteewithMotherandmeontopofhim.Mother’ssearchinghandsmovealloverhisdressinggown,andbeneathit,probinghispockets,crotchandothercrannies.

KnowingnowI’mlookingformoney,Ialsostrokeandpathisclothes.

‘You’vehiddenit,Janoo,’criesMotherindismay.‘ButI’llfindit!I’mnotabouttogiveup!’

HeavingherselfoffFather,determinedlyandmethodicallyMotheropensandshutsdrawersinaricketyolddeskandinasteelfilingcabinet.Fatherloungesonthesetteelookingsmug.ButwhenMotherstridestowardsthelargeteakcupboardatthefarendoftheroomheboundsforwardand,spreadinghishands,standsbeforeit.Theheavypanelsonthetophalfofthealmirahconcealaneatarrayofnarrowdrawers,andthelowerhalfiscomposedoftwosetsofdeeperdrawers.

WeflingourselvesatFather.MywiryFatherisstrong,butMotherhastheadvantageofhervoluptuousweight.Inthetugofwarthatensueswemanagetoopenthedoorpanels–andtokeepthemopen–despiteFather’sdesperateeffortstodislodgeus.

Mother,breathingheavily,plungesherhandshereandthereandwithatriumphantcrysprintsoutoftheroom,herstubbyfingersclosedonalargewadofnotes.

‘Oye,uloo!’Fathersays,rushingafterher.‘It’snotmymoney,youcrazy!I’llbringyouyourhouse-keepingmoneyfromtheoffice.’

‘I’lltakeonlywhatIhaveto,’Mothershouts,lockingherselfintothebathroom.‘Ihaven’tevenpaidLenny’sphysiotherapistyet…I’vetobuythechildren’sclothesforChristmasandNewYear.’(Christmas,Easter,Eid,Divali.Wecelebratethemall.)

Page 66: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Oye,madwoman,’hissesFatherthroughthedoor,ostensiblymindfuloftheservants’ears.‘Showsomesense.Iowethemoney.Ihavetoreturnitonmywaytotheoffice.Giveitbackatonce.’

‘I’llgiveitafterI’vetakenwhatIneed,Jana,’Motherwarblesandsuddenlyopeningthedoorshovesthebundleatmyfather.

Beforeshe’shadtimetomovetohercupboardFatherhasflickedthroughthenotesandcountedthem.‘Arrey!You’vetakenfartoomuch!’heexclaimsasifshakentothecoreandbankruptedbythebanditry.ButIamalsoschooledtoreadbetweenthelinesofmyfather’sface.Hisheartisnotinhisanguish.Mothermusthavewithdrawnaverymeagreandreasonablesumindeed!

‘She’sbentondestroyingus,’Fathergrumbles,strikinghisforeheadagainandagain.‘MoneyMoneyMoneyMoney!Frommorningtonight.MoneyMoneyMoneyMoney!I’mfedup.’

ButMother,withdewinhereyesandamistysmile,blowshimkisses.And,havinglockedthemoneyinhercupboard,goesaboutherbusinessofpickingupFather’sclothesandtidyingthebedsandgettingdressed.

Page 67: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter9

ToourleftistheSinghs’largebungalow.Thecompoundwallweshareispartiallybrokenbytheslopingtrunkofaeucalyptustreenearourkitchen.ThisiswhereRosy,Peter,AdiandI,andsometimesCousin,gathertodiscussworldaffairs,humanrelationships,MrandMrsSingh’suncuthairandRosy’ssister’simpendingbaby.

‘I’lltellyouhowbabiescome,’saysRosy.

‘Oh,weknow,’Isay,‘Ayah’salreadytoldus.’

‘How?’challengesRosy.‘Thestorkbringsthem?’

Rosysighs,rollinghereyes.‘I’lltellyouhowtheyaremade,’shepersists;‘mysister’stoldmeeverything.’

Rosyisobnoxiouslysmugandswollenthesedays.Shemaywalkaboutwithagrown-upair–buthercottonknickers,Inotice,remainwet.Herbigsisterunquestionablypumpsherwithquestionableknowledge.

‘Ifyoursisterknowssomuch,howcomeshecouldnotevenpassherMatricexam?’Iask.

Rosyhaspickedupareasonablewayoftalkingwhichgivesmegoosebumps.‘PassingMatricexamshasnothingtodowithhavingbabies,’sheexplainssweetly.‘Shehasahusbandwhosheloves–andwholovesher…’

‘She’sgottohaveahusband,stupid!She’smarriedisn’tshe?’Adibuttsin,‘andmarriedpeoplehavebabies!That’sallthereistoit!’

‘You’remuchtooyoungtounderstandsuchthings,’saysRosy.

‘I’llshowyouwho’stooyoung,’saysAdi,pushingherbackandjumpingthewallafterherandknockingherdownandthrowinghimselfuponher.Theyarguewiththeirlimbsandvoices,churningdust.HowisRosytoknowthatjustthatmorningCousinsettledanargumentwithAdibyshovinghimoffSkinny-aunt’sverandasaying:‘You’retoosmalltoknowanything,stupid.Scram!’

Thekitchendoorbangingshut,Yousafemergestoinvestigatetherow.HesnatchesAdiupandRosy,draggedtoherfeetbyherhair,emitsabloodyyellthatcurdlesthemilkinMrSingh’sbuffaloes.YousafcarriesAdikickingandcursingintothekitchen.

Page 68: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ForthemomentatleastAdihasknockedthestuffingoutofRosy’sintolerablegrown-uppishness.Red-faced,bawling,martyred,wetknicker-bottomscakedwithmudandarmsoutstretched,Rosytottersinslowmotionto-wardsherveranda.

PuttingonastraightfaceIjumpthewallafterRosy.Iplaceahypocriticalarmprotectivelyroundhershouldersandconsoleherallthewayuptheverandastepstoherroom.

‘Whatisit,Rosy?Whatisthematter,dear?’warblesMrsSinghinhercool-water-in-a-jugAmericanvoicefromsomewhereinthehouse.

RosybawlssomethingindecipherableandMrsSingh,apparentlysatisfied,asksnomorequestions.

Thethreeminiatureglassjarswinkatme!

LeavingRosytocopewithherhurtfeelingsandbruisedflesh,Icrouchbeforethem.OnebyoneIliftthefragilejarsandremovetheirtinycrystalstoppers.Theygleam,reflectingrainbowhues–insinuatingquestions…Whatiseternity?Whyarethestars?Wheredocatslaytheireggs?Andwhydon’thospitalshaveflushingbed-pansbuiltintothebeds?

RosyneverevenlooksatthejarsunlessIamthere.Iftheyweretofallthisminuteandsmashtosmithereensshewouldbesad–thedestructionofbeautyisdepressing–butshewouldn’tmissthemamongallherlittlepotsandpansandcupsandsaucers.Woulditbestealingthen?TakingawaysomethingRosydoesn’twantanyway?

Icannotbringmyselftoaskhertogivethemtome.Shemightrefuse.It’sanunthinkablerisk.Iknowwhenyouwantsomethingverymuchitgivespeoplepoweroveryou.IwillnotgiveRosythatpowertowithhold–ortogrant.Toomanypeoplehaveitasitis.

SilentlyRosygetsupandleavingadampindentationofherdustybottomonthebedspreadgoesoutoftheroom.

Myhandsfeelweak.Icannotstiroutofmycrouchedposition.Iforcemymindtoberational.Hundredsofthousandsofpeoplesteal…

Suddenlymybrainclicks.Myeyeslocatethefireplace.Myhandsspringtolife,deftandobedient,andIburythejarsinabedofashes.Itisalmostsummer.Noonewillkindleafireformonths.IcanleavethejarstheretillRosyforgetstheyeverexisted.

Rosyreturnsbearingasaucerandmyheartsinks.Onthesauceraresmallmoundsofsugar,riceandredpepper.Itisanoffering.Amanoeuvretoshoreupmyshakyallegiance;andasilenttestimonyofherworth.SheknowsIlovefillingthejars,liketheirenormouscounterpartsinthekitchen,withsugarandrice.

Page 69: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Thereisnohelpforit.WhileRosyfillsthetoyteapotwithwaterfromthebathroomIpryoutthejarsfromtheashesandfillthemwithriceandsugar.

Icouldweep.AnytimeImanoeuvreasetofcircumstancestosuitmethishappens.Fateintervenes.Thereisnootherwordforit.Fated!Doomed!NowonderIhavesuchascary-pussofaconscience.

***

Ayahhasacquiredtwonewadmirers:aChinamanandthePathan.

Motherwonderswhywearesuddenlyswampedwithsuchapersistentdisplayofembroideredbosky-silkandlinentea-cosies,tray-cloths,trolleysets,tablecloths,counterpanes,pillowcasesandbedsheets.

TwiceaweektheChinamancyclesupourdrive,rattlingandbumpingoverthestones,ahugekhakibundlestrappedtothecarrier.

Ourdriveismadeofpackedearth.Everyyear,wornbytrafficanderodedbymonsoons,thedrivelaysbarepatchesofbrickrubble.

TheChinamanisdapper,thin,brusqueandrude.Heparkshisbicycleintheporch,removesthecycle-clipsfromhiskhakitrousersandheaveshisbundletotheveranda.‘Comeon,comeon,Chinamancome!’heshouts,squattingbeforehisbundleandsortingouthiswaresfordisplay.‘ComeonMemsahib,comeonAyah.Comeon,comeon,Chinamancome!’

Motheryellsfrominside:‘Tellhimtogetout!Whatisthisnonsense?Comingeveryday!Ayah?Yousaf?Isanyonethere?’

Ayahcomestotheveranda.‘Go,go!’shesaysintartEnglish.‘BesidesCantonese,theChinamanspeaksonlyasmatteringofEnglish.)‘Memsahibnowant.Go,Go!’

ButtheChinamanhassprunghistrapwithcunning.Ayah’sattentionissnaredbytheshimmeringcolours.Hereyeswandertothesilks.

‘Comeon,comeon,’hecoaxes,gettingup.HereachesforAyah’sarmandpullshertohissilks.‘See?’hesays,strokinghisfreehandovertheboskyandthenoverherarm.‘Itsilkylikeyourskin.See?See?’hesaysburyingherhandinthesoftheap.

Ayahknowswellhowtohandlehisboldtiltedeyesandhisalienrudeness.‘Oh-ho,’shesays,allsing-songy.‘Ihavenomunneeey–howIbuy?’

‘Yousit,’coaxestheChinaman,pullingAyahtosquatbesidehimand,retaininghishold,engagesherinastaccatoanddesultoryconversation.WhenAyah’srestivenessbecomesuncontrollableheintroducesabribe:‘Now,whatIcangiveyou?’hemuses.‘Letmesee…Sit,sit,’hesaysandAyah’srestivenesssuccumbstothedualrestraintsofhandandpromises.

Page 70: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AlthoughAyahhasbeenallottedquarters,shedwellsandsleepsinourhouse.Soonthetabletops,mantelpieces,sideboardsandshelvesinourroomsblossomwithembroidered,bosky-silkdoilies.

TheattentionsofAyah’sPathanadmireralsobenefitourhousehold.Allourkitchenknives,tableknives,Mother’sscissorsandpaper-knifeandHari’sgardenshearsandAdi’sbluntpenknifesuddenlydevelopglitteringrazoredges.AnditisnotonlyourhouseholdthePathanservices.GitaShankar’s,Rosy-Peter’s,Electric-aunt’sandGodmother’shousesalsoflashwithsharpandefficientcuttingimplements.Eventheworn,stubbyknivesintheservants’quartersacquireredoubtableedges:forthePathanisaknife-sharpener.

Ihaveoftennoticedhiminthebazaar,plyinghistradebeforestreet-sideshops.Hepushesapedalonhismachineandalargeandslenderwheelturnsdizzilyroundandround.Withgreatdexterityandjudgementhebringstheknifebladestothewheel,andintheensuingconflagrationofsparksandswiftsteel-screeches,theknivesarehonedtojeweledges.Hewrapsthelooseendofhisfloppyturbanabouthismouthlikeathug–tofilteroutthefinesteelandwhetstonedust.

ItisonlywhenIseehiminasidewalkbrawlwiththerestaurant-wrestler,lookingbewilderedandfurious,hisfacenolongercoveredlikeathug’s,thatIrecognisethefaceandconnectittothepinkandtinglybottomwecycledpastonourwaytoImamDin’svillage.

ThePathan’snameisSharbatKhan.Hetoocyclesupourlongdrive,steelclatteringandwheelswobblingovertherubblethatsticksoutofthemud.ThecyclelookslikeatoybeneaththemanfromthemountainsandinvoluntarilyAdiandIgrowtense,expectingthepistol-shot-likereportofapuncturedtyre.Itislateintheafternoonandwestandontheveranda,hypnotisedbyhisapproach.

SharbatKhanwearsdraw-stringpantaloonssobaggytheyputtoshameMasseur’sshalwar–andoverthemaflaredtunicthatflauntstenyardsofcoarsewhitehomespun.HecyclespastourbedroomandGitaShankar’sroomstothebackofthehouse.AdiandIscootafterhim.

SharbatKhanparkshiscycleagainstatreeandsquattingbyitwaitsforAyah.

Ayahcomes.

Ayahisnervousinhispresence:giventosuddenmovement;hergoddess-likecalmreplacedbybreath-stoppingshyness.Theydon’ttouch.Heleansacrosshisbicycle,talking,andsheshiftsfromfoottofoot,smiling,duckingandtwistingspherically.Shehastakentostickingaflowerinherhair,pluckedfromourgarden.Theydon’tneedtotouch.HispresenceradiatesawarmththatisdifferentfromthedarkheatgeneratedbyMasseur’sfingers–thelightning-strikesofIce-candy-man’stoes.

Page 71: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

SharbatKhantellsherofhiscousinwhohasadryfruitandnaswar(mixtureoftobaccoandopium)lean-toinGowalmandi.ItisacontactpointforthemanyPathansfromhistribearoundtheKhyberworkinginLahore.HegivesAyahnewsofthemeat,vegetable,teaandkebabstallownersandoftheirfamilies,whosekniveshesharpens.Heisdoingwell.Andnotonlyatsharpeningknives.

SharbatKhancautionsAyah:‘Thesearebadtimes–Allahknowswhat’sinstore.ThereisbigtroubleinCalcuttaandDelhi:Hindu-Muslimtrouble.TheCongress-wallahsareafterJinnah’sblood…’

‘What’sittousifJinnah,NehruandPatelfight?Theyarenotfightingourfight,’saysAyah,lightly.

‘Thatmaybetrue,’saysSharbatKhanthoughtfully,‘buttheyarestirringuptroubleforusall.’

SharbatKhanshiftsforward,hisaspectthatofamanabouttoconfessasecret.AyahleansclosertohimandIslideintoherlap.

Heglancesatmedubiously,butatareassuringnodfromAyah,says,‘Funnythingsarehappeninginsidetheoldcity…Stabbings…Eitherthepolicecan’tdoanything–ortheydon’twantto.Abodywasstuffedintoamanholeinmylocality…Itwasdiscoveredthismorningbecauseofthesmell:ayoung,good-lookingman.SeveralbodieshavebeenfoundintheguttersandgulliesoftheKashmiri,LahoriandBhattiGatesandShalmi…Theymusthavebeendumpedtherefromdifferentneighbourhoodsbecausenooneknowswhotheyare.’

‘AretheyHindus?’asksAyah,hercarefreemooddispelled.

‘Hindu,MuslimandSikh.Onecantelltheyarefromprosperous,eating-drinkinghouseholds…

‘Therehavealsobeenoneortwofires…Idon’tlikeit…’

Wefallintoapensivesilence.

Ayahsighs,‘ArreyBhagwan.’Shepushesmeoffherlapanduntiesaknotinhersarithatservesasherwallet.Sheholdsoutasmallbundleoftightlyfoldednotes.‘Look,’shesays,shakingherheadtodispelthesombremood.‘I’vesavedmywholesalarythismonth…fortyrupees!’

SharbatKhantakesthemoneyfromherand,removinghisturban,tucksitinsideitsrancid-smellinginterior.Hishair,mattedtohishead,isbrownandfallsfromacentrepartingtohisears.

SharbatKhanloansmoneyasasidebusinesslikemostPathans.HecarriesouttransactionsonAyah’sbehalfandgiveshertheprofits.Oftenhewearsagun.Therearefewdefaulters.

Page 72: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

IlistenasSharbatKhantalkstoAyahofthecropsandsparseorchardsinhismountainvillage.Nowitistheappleseasonandtheseasonforapricots.Itisalsotimetocashthericecrop,themaizecrop,andhoethepotatoes…Heisgoingtohistribalvillageforamonthorsotohelphisfolkwresttheharvestfromthegritty,unyieldingsoilofhisland.Thereareleopardsinthegraniteravinesandstonysummitssurroundinghisvillage.Hehasencounteredthemonmountaintrails,theireyesgleamingemeraldbynight,theirspotscamouflagedbythefilteredsunlightdapplingtheunderbrushbyday.

‘HaiRam!’exclaimsAyah,herlipstremblingwithconcern.‘Don’ttheyattack?’

‘Onlyifthey’reshowndisrespect,’saysSharbatKhan.‘Wemountainfolkknowwhattodo.Wetouchourforeheadsandcourteouslysay“Salaam-alekummamajee[uncle]”andtheyletusalone.’

‘I’dneverhavethenervetosaythat!’saysAyah.‘I’dfaintrightaway!’

‘Thenhe’dthinkyouveryrudeandeatyouup!’

‘Arreybaba,I’dnevergotoyourvillage,’saysAyahfirmly.

SharbatKhangrins,hiseyesshiningwithlove.‘ThenImustbringthemountainstoyou!Whatwouldyoulike?’heasksAyah.‘Almonds?Pistachios?Walnuts?Driedapricots?’SharbatKhanwearssilverringsonhisfingers,roughlyembeddedwithturquoiseanduncutrubies.‘Ah,thetasteofthosenuts!’hesighs,raisinghisfingerstohislipsandsmackingthem,andslidinghiswarmtiger-eyesinawaythatleavesAyahsoshortofbreaththatshecanbarelysay,‘Bringmepistachios.’

SharbatKhanleansforward.‘What?’heasks,awareofhiseffectonher.‘Ididn’thearyou.’

Ayahshufflesherbarefeetandfidgetswithhersari.Hereyesareshy,fullofmessages.‘Bringmepistachios,’shesaysagain.‘Andalmonds:theyaregoodforthebrain.’

‘Andwhatarepistachiosgoodfor?’asksSharbatKhanknowingly,andAyahlowersherheadandfiddleswiththescarletroseanchoredtothetightknotinherhairandsays,‘HowshouldIknow?’AndSharbatKhansighsagain,andhiseyesturnsoradianttheyshinelikeamberbetweenhisbushylashes.

Somethinghappenswithinme.ThoughoutwardlyIremainasthinaseverIcanfeelmystomachmusclesretracttocreateawarmhollow.‘Takemeforaride–takemeforaride,’IbegandSharbatKhan,tearingawayhiseyesfromAyah,placesmeonthecycleshaft.Hegivesmeaturnroundthebackyard,grazingpastthebuffalo,theservants’quartersandtheShankars’veranda.Hesmellsoftobacco,burntwhetstoneandsweat.HebringsmebackandoffersAyaharide.

‘Sitinfront:it’ssafer,’hesays.

Page 73: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Aiiii-yo!’shesaysinalong-drawnway,asifhehasmadeanimpropersuggestion,andturningherfaceawaycoversherheadwithhersari.

SharbatKhancoaxesheragain,andwithagreatshowofalarmAyahwigglesontotheshaftinfrontandSharbatKhantakesheroffonacircuitofthebackyard.Hepretendstolosehisbalance:andasthefrontwheelswingswildly,‘Hai,I’lldie!’criesAyah.Theinhabitantsoftheservants’quarterspopouttowatchthetamashaandapplaud.Adilaughsandclaps.Laughing,SharbatKhanreleasesAyahbackunderthetrees.

HegivesAdiaride,anddepositinghimoutsidethekitchen,cyclesdownthedrivelikeamountainreceding.

***

IhearthemetallicpealofFather’scyclebellandrushouttowelcomehim.Motherrushesoutofanotherdoor.Itisalmostthreeintheafternoon:Fatherislateforlunch.TogetherweslobberalloverhimasFather,withaphoneyfrownandatightlittletwistofasmilebeneathhismoustache,placesthecycleonitsstandandremovestheledgersclampedtothecarrier.

Motherremoveshissolartopiandslipsoffthehandkerchieftiedroundhisforeheadtokeepthesweatfromhiseyes.Shebrusheshiswetcurlsback.AsIreachuptokisshimFatherbendsandputshisarmroundme.Motherrelieveshimoftheledgersandtakingholdofhisotherarmwindsitaboutherself,makinglittlemoaningsoundsasifhistouchfillsherwithexquisiterelief.WithmeclingingtohiswaistandMotherhangingontohisarmFatherlaboursuptheverandasteps.

MakingaffectionatesoundsweaccompanyFathertothebathroom.Hewasheshishandsandemptieshisbladderandweaccompanyhimtothediningtable.

MotherandIsitwithhim.Mothertalkswhilehechompswordlesslyonhisfoodandlooksatheroutoftheassessinganddisconcertingeyesofatheatrecritic.Motherchattersaboutfriendsandsuppliespoliticaltitbitsfilteredthroughtheirconsciousnesses:Col.BharuchasaysthatJinnahsaid…AndNehrusaidthat…Andoh,howIlaughedwhenMehrabai(that’sthemirthsomeMrsBankwalla)saidthisaboutPatel…andthatabout…

Unflagging,shegivesarésuméoftheanxiouslettersfromsistersandsisters-in-lawinBombayandKarachi,whohaveheardallsortsofrumoursaboutthesituationinthePunjabandareexhortingustocometothem.

Alittlelater,mentionofAdi’shostileanticscausesFathertoscowl.Leaningforwardtoshovelaforkfulofcurriedriceintohismouthhecrumpleshisforeheadup,andoutofsharpandjudgementaleyesgazesacutelyatMother.

SwitchingthebulletinimmediatelyMotherrecountssomeobservationsofmineasifI’vespenttheentiremorningmouthingextraordinarilybrilliant,saccharinelysweetandfetchinglynaïveremarks.‘Jana,youknowwhatLennytoldmethismorning?Shesaid:

Page 74: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

“PoorDaddyworkssohardforus.WhenIgrowup,Iwillworkintheofficeandhecanreadhisnewspaperallday!”’

PealsoflaughterfromMother.AsmilefromFather.

AndwhenMotherpauses,oncue,IrepeatanyremarksI’msupposedtohavemade:andhamuptheperformancewithfurtherinnocentlyinsightfulobservations.

Fatherrewardsmewithsolemnnods,champingsmiles,andmonosyllables.

Andastheyearsadvance,mysenseofinadequacyandunworthadvances.Ihavetothinkfaster–onmytoesasitwere…offeringlengthierandlengthierchattertofilluptheinfernaltimeofFather’smutemeals.

IsthatwhenIlearntotelltales?

Page 75: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter10

InsteadofschoolIgotoMrsPen’s.HerhouseisnexttoGodmother’sonJailRoad–oppositeElectric-aunt’s–andIwalktherewithAyahorwithHari.Channi,herslightbutstatelysweeper,takesoutasmalltableandtwochairsandwesitinthegardenunderbareFebruarytreesandlukewarmsunshine.MrPenloungesontheverandainaneasychair.

Aparrotmightrelishrecitingtables.Idonot.‘Twotwosarefour

Twothreesaresix

Twofoursareeight

Etc.,etc.’

BythetimeIreachthefive-timestableIamrestingmyheadonmyarmsstretchedflatoutonthetable,peeringsidewaysatMrsPen.Myjawsache–mymindwanders–IhearMrPensnore…

HeismuchdarkerthanMrsPen.HeisAnglo-Indian.

MrsPenisfair,soft,plump,English.

Ihaveatrick.Myvoicedroneson,mymindclicksoff.Itaketimeouttoeducatemyself.Iwatchthetreesshedtheirleavesandsproutnewbuds…andthepredatorykitesswooponpigeons.Andthecrows,inungainlyclusters,attackthekites…

AndIsniffawhiffoffMrsPenasitdriftsupfromunderthetable,itsmouldyrealitypercolatingthedustingofcheaptalcumpowder.

DespitehereffortstocluttermybrainwiththetriviaandtrappingsofscholarshipIslipinagoodbitoflearning.ThewhiffoffMrsPenenlightensme.Itteachesmethebiologyofspentcellsandageingbodies–andinsinuateshistoryintomysubconscious…ofthingspastandoftheBritishRaj…ofhumanfrailtiesandvulnerabilities–ofspentpassionandlingeringyearnings.WhereasawhiffoffAyahcarriesthedarkpurityofcreation,MrsPensmellsofmemories.

MrsPenreadsaloudprosaicEnglishhistory.

Iturnmyheadtheotherway.IobserveMrPen’sfingers.Theyarelong,fatandlarge.Hislegsarehugetubesencasedinflannelsandbeneaththem,visiblethroughaholeinhissocks,plopshismordanttoe.IfeelsorryforMrsPen.Ican’timaginehisfingersworking

Page 76: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

thesubtleartistryofMasseur’sfingers–orhissluggishtoeconveyingthedashingimpulsesofIce-candy-man’stoes.

AfterMrsPen’sIgotoGodmother’s.

Godmotherrentsroomsinthebackofabungalow.Shehasalargeroom,andasmallroomwithakerosenestoveandadangerousPrimusstove.Thesmallroomservesaskitchen/pantry.Andoffit,abathroomwiththreecommodes.

Igostraighttothekitchen.Slavesister,shortandsquat,isslavingoverthekerosenestove.Ifollowherasshewalksonpainfulbunionstothewater-troughatthebackofthecompoundandwatchherscourtheheavypansandbrassutensilswithashandmud.Ihelphercarrythemback.

EverynowandthenSlavesisterservesGodmotherstronghalf-cupsofsteamingteawhichGodmotherpoursintohersaucerandslurps.Itootakeanoccasionalandguiltysip.Drinkingtea,Iamtold,makesonedarker.I’mdarkenough.Everyonesays,‘It’sapityAdi’sfairandLennysodark.He’saboy.Anyonewillmarryhim.’

***

YesterdayIcarriedagleamingimageofthejarsinmymind.

Somethingdarkerlurksintheirsteadtoday–fearandguilt.

Thethreejarsareinmypossession.

Iglanceabouttheroom.ThereisnotasinglehidingplacewhenIwantone.WhenIdon’tneedthemtheyabound,secretingawaythings.

Ituckthejarsinanoldpairoffeltslippersbeneathatangleofneglectedtoysinthebottomdrawerofourdresser.

Adibreezesinandmakesabeelineforthedresser.Heopensandclosesdrawers,rummagingamongthewreckedcars,trains,nurserybooks,gutlessbadmintonrackets,andcelluloiddolls.Hegrabsthedeflatedfootballhe’slookingforandIletmybreathgo.Ineedasaferhidingplace.

NextmorningItransportthejarstoMrsPen’s,wrappedintoiletpaperandtuckedinmyschoolbag.AftermytuitionItransportthemtoGodmother’s.Sheisproppeduponthreewhitepillowsthatarecement-hardandasheavy.Ireclinebesideheronhercot,proppedalmostupright.

Myeyeswanderallovertheroom.Anotherstring-cot,smallerandsagging,liesinfrontofthealmirahwiththethreedoors.Squeezedbetweentwocupboards,fittingoneintotheother,arethreemorecots.Oldhusbandsitshunchedandstillonabentwoodchairbeforeaheavymahoganydesk.Chairswithcaneseats,tintrunksandleathersuitcasesarestackedagainstthewalls.Myeyes,likehappyroaches,crawlintotheabundanceofcrevicesandcrannies.

Page 77: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Slavesistergoesintothekitchen.WhenshecallsGodmothertolightthePrimusIquicklyslipthejarsbetweentwostacksoftrunkscoveredbydhurries.

IhearGodmotherpumpthespiritstove:koochuck,koochuck,koochuck,koochuck.Iseeher,white-saried,bentforwardinconcentration,vulnerableandheroic.

ThetechnologyinvolvedinstartingthePrimusistoocomplexforSlavesistertohandle.Godmotherexposesherselftograveriskeverytimeshestartsthestove.LikeRussianroulette,anyoneofthepumpsmighttriggerthePrimustoblowupinherface.

Thereisafiercehissing.Itisnowsafetopeekin.TheringofflamefromthePrimusislikeafiercebluestorm.

IliebackonGodmother’spillows,absent-mindedlylisteningtoherscoldSlavesister.WhensheapproachesImakeroomforher.ShesettlesinthehollowofthebedandIwindmyselfaboutherlikearope.

ShecallstoSlavesister.Hervoiceisstillsternfromthescolding:‘IwantthatJapanesekimonoMehrabaibroughtmetwoyearsback.Thatredone.IwanttogiveittoBachamai’sRutti.Doyourememberwhereitis?’

Noanswer.

Sherapsherpunkahonthewalltoattracthersister’sattention,andraisinghervoicetoaccommodatethehissingstove,repeatsthetext,adding:‘Doyouhearme?’

Stillnoanswer.

‘Oh?Wearesulking,arewe?’

Nocomment.

‘Wearegettingallhoity-toitytoday?’

Godmotherblinksexaggeratedly,andmakesahaughty,naughtyfaceandholdsherlongpointedfingersinsuchasuperciliousanddaintymannerthatIburstintogiggles.Godmothershakeswithsuppressedchuckles.

Catchingherbreathandsoberingup,shesays:‘Willyoulookforthekimono–ordoIhavetogetup?’

ThebedcreaksasGodmotherslowlyheavesherselfupandlowersherfeet,andSlavesistercomesinflappingherslippersnoisilyandsaying,‘I’mcoming,I’mcoming…Really,Rodabai,youhavenopatience,haveyou?Ican’tcookandlookforthekimonoatthesametimetoo,canI?’

Godmothercaricaturesherexpressionandpantomimeshermartyredmovementsbehindherrotundback.

‘Iknowwhatyou’redoing.Goahead:doitinfrontofthechild!Asitisshedoesn’trespectme.Ihaveaskedyousooftennotto.Youneverconsiderhowyouhumiliateme,

Page 78: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

doyou?’

Godmothercontinuesherperformance,pantomiming.

Slavesister’sgestures,openingandshuttinghermouthinadumbcharade.

Godmothernudgesme.Slavesisterhascommencedmumbling.

Godmothersetsupanimitativehum.AsSlavesisterpeersintoboxesandsuitcaseslookingforthekimono,shemumbleslouderandGodmothersays,‘Somepeopledon’tlikebeingscolded.Iftheydon’tlikebeingscoldedtheyshouldn’thoveraroundPrimusstoveswhenI’mpumpingthem!’

‘Mumble–grumble.’Aliftingandshuttingoftrunklids.ApuzzledexpressiononSlavesister’sface,awadoftoiletpaperinherhands.‘What’sthis?’

‘Careful!It’sglass!It’smine,’Isay,scamperingoffthecot.

Balancingherbifocalsonthetipofherrubberyandshapelessnose,Slavesisterexaminesthetinyjarsadmiringly.‘Wheredidyougetthem?’

‘Rosygavethemtome.’

PerhapsIhesitateafractiontoolong.Ormybodysignalscontrarily.ThemomentthesentenceisoutIcantellGodmotherknowsIhavestolenthejars.Ileapbacktomyoriginalroost,notabletomeethereyes,andhidemyfaceinhersari.

‘Youhavestolenthejars,haven’tyou?’sheasks.

‘No,’Isay,shakingmyheadvehementlyagainstherkhaddarblouse.

‘Don’tlie.Itdoesn’tsuityou.’

Thereitisagain!Lyingdoesn’tbecomeme.Ican’tgetawaywiththelittlestthing.

‘Whynot?’Ihowl.‘Whydoesn’titsuitme?NoonesaysthattoAdi,Ayah,Cousin,ImamDin,Mother,FatherorRosy-Peter!’

‘Somepeoplecanlieandsomepeoplecan’t.Yourvoiceandfacegiveyouaway,’saysGodmother.

‘ButIcan’tevencurse,’Ihowl,sittingup.

Adicanswearhimselfredinthefaceandlooklovable–Rosycancursesteadilyforfiveminutes,goingallthewayfrom‘Ullu-kay-pathay’to‘asshole’,fromPunjabiswearwordstoAmerican,andstilllookcute.It’sokayifCousinswears–butifIcurseorlieIamtolditdoesnotsuittheshapeofmymouth.Ormypersonality.Orsomething!

‘Everybodyintheworldlies,stealsandcursesexceptme!’Ishout,chokedwithself-pity.‘Whycan’tIactlikeeverybody?’

Page 79: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Somepeoplecangetawaywithitandsomecan’t,’saysGodmother.‘I’mafraidalifeofcrimeisnotforyou.Notbecauseyouaren’tsharp,butbecauseyouarenotsuitedtoit.’

Alifesentence?Condemnedtohonesty?Ademoninsaint’sclothing?

IwassetfirmlyandrelentlesslyonthepathtotruththedayIbrokeaWedgwoodplateand,puttingabrazenfaceonmymischief,noblyconfessedallbeforeMother.Iwasthreeyearsold.Motherbentoverme,showeringmewiththeradianceofherapproval.‘Iloveyou.Youspokethetruth!What’sabrokenplate?Breakahundredplates!’

Ibrokeplates,cups,bowls,dishes.Ismashedlivers,kidneys,hearts,eyes…Thepathtovirtueisstrewnwithbrokenpeopleandshatteredchina.

***

GandhijeevisitsLahore.I’msurprisedheexists.Ialmostthoughthewasamythicfigure.Someonewe’donlyhearaboutandneversee.Mothertakesmyhand.WewalkpasttheBirdwoodBarracks’sepoytotheQueensRoadendofWarrisRoad,andenterthegatesofthelasthouse.

Wewalkdeepintoawinding,eucalyptus-shadeddrive:sofarindowegothatIfearwemaylandupinsomeprivaterecessofthezooandcomefacetofacewiththelion.IdragbackonMother’sarm,vocalisingmyfear,andatlastMotherhaulsmeupsomestepsandintoGandhijee’spresence.Heisknitting.Sittingcross-leggedonthemarblefloorofapalatialveranda,heissurroundedbywomen.Heissmall,dark,shrivelled,old.HelooksjustlikeHari,ourgardener,excepthehasadisgruntled,disgustedandirritablelook,andnoone’ddarepulloffhisdhoti!Hewearsonlytheloin-clothandhisblackandthintorsoisnaked.

Gandhijeecertainlyisaheadofhistimes.Healreadyknowstheadvantagesofdieting.Hehasstarvedhiswayintothenewsandmadeheadlinesallovertheworld.

MotherandIsitinacirclewithGitaandthewomenfromDaulatram’shouse.Apink-satinbowdanglingfromthetipofherstoutbraid,Gitalooksetherealandcontent–asifwashedofalldesire.Inoticethesamelookonthefacesoftheotherwomen.Whateverhisphysicalshortcomings,Gandhijeemusthavesomeconcealedattractionstoinspiresuchpurifiedexpressions.

LeanyoungwomenflankGandhijee.TheylookdifferentfromLahoriwomenandareobviouslyapartofhisentourage.ThepleasantlyplumpPunjabiwomen,inshalwar-kamizesandsaris,shufflefromspottospot.Barelystandingup,theyholdtheirveilssothattheedgesdon’tslipofftheirheadsastheygotoandfromGandhijee.Thewomenaresubdued,receptive;aswhenonesitswithmourners.

SomeonetakesMother’shand,andhandinhandwegotoGandhijee.Butterwouldn’tmeltinourmouths.Gandhijeepolitelyputsasidehisknittinganduncreaseshisdisgruntledscowl;andwithanirrelevanceIfindalarming,sayssoftly,‘Sluggishstomachs

Page 80: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

arethescourgeofthePunjabis…toomuchrichfoodandtoolittleexercise.ThecauseofIndia’sailmentsliesinourcloggedalimentarycanals.Thehungrystomachisthescourgeofthepoor–andthefullstomachoftherich.’

Beneathherblue-tintedandrimlessglassesMother’seyesaredowncast,herheadbowed,herbobbedhair–andwhatIassumeisherconsternation–concealedbeneathhersari.ButwhenGandhijeepauses,shegiveshimasidelonglookofraptandreverentinterest.Andtwominuteslater,nottheleastbitalarmed,sheearnestlyfurnisheshimwiththeodour,consistency,timeandfrequencyofherbowelmovements.Whensheisfinishedshebowsherheadagain,andGandhijeepasseshishandoverherhead:andthen,absently,asifitwereatiresomeafter-thought,overmine.

‘Flushyoursystemwithanenema,daughter,’saysGandhijee,directinghissagecounselatmymother.‘Useplain,lukewarmwater.Doitforthirtydays…everymorning.Youwillfeellikeanewwoman.

‘Lookatthesegirls,’saysGandhijee,indicatingtheleanwomenflankinghim.‘Igivethemenemasmyself–thereisnoshameinit–Iamliketheirmother.Youcanseehowsmoothandmoisttheirskinis.Lookattheirshiningeyes!’

Theenema-emaciatedwomenhavefaintshadowsbeneaththeirlimpideyesand,moist-skinnedornot,theyaremuchtoopale,theirbrownskinstingedbyaclayishpallor.

Gandhijeereachesoutandsuddenlyseizesmyarminastartlingvice.‘Whatasickly-lookingchild,’heannounces,avoidingmyeye.‘Flushherstomach!Herskinwillbloomlikeroses.’

ConsideringhehasnotlookedmywayevenonceIamenragedbyhisobservation.‘Anenemaadaykeepsthedoctoraway,’hecrowsfeebly,chortlinginanelderlyandghoulishway,hisslightbodytwitchingwithglee,hiseyesriveteduponmymother.

Iconsiderallthistalkaboutenemasandcloggedintestinesinshockingtaste:andItakeadimandbitterviewofhisconcernformyhealthandwelfare.Turningupmynoseandlookingdownseverelyatthisimprobabletoss-upbetweenaclownandademonIampuzzledwhyhe’ssofamous–andsuddenlyhiseyesturntome.Mybrain,heartandstomachmelt.Thepureshaftofhumour,compassion,toleranceandunderstandinghedirectsatmefusesmetoeverythingthatisfeminine,funny,gentle,loving.Heisamanwholoveswomen.Andlamechildren.Andtheuntouchablesweeper–sohewilllovetheuntouchablesweeper’sconstipatedgirl-childbest.Iknowjustwheretolookforsuchachild.Hetouchesmyface,andinaburstofshynessIlowermyeyes.ThisisthefirsttimeIhaveloweredmyeyesbeforeman.

Itwasn’tuntilsomeyearslater–whenIrealisedthefullscopeanddimensionofthemassacres–thatIcomprehendedtheconcealednatureoftheicelurkingdeepbeneaththehypnoticanddynamicfemininityofGandhi’snon-violentexterior.

Page 81: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Andthen,whenIraisedmyheadagain,themenloweredtheireyes.

Page 82: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter11

TheAprildaysarelengthening,beginningtogetwarm.TheQueen’sParkispacked.Groupsofmenandwomensitincirclesonthegrassandchildrenrunaboutthem.Ice-candy-man,leanashispopsiclesandasaffable,swarmingwithchildren,isgoingfromgrouptogroupdoinggoodbusiness.

Masseur,too,isgoingfromgrouptogroup;handsome,reserved,competent,assured,massagingbaldingheads,kneadingknottyshouldersandsoothingachinglimbs.

Ilieonthegrass,myheadonAyah’slap,baskingin–andintercepting–thewarmfloodofstaresdirectedatAyahbyhercircleofadmirers.TheFalletisHotelcook,theGovermentHousegardener,asleekandarrogantbutcherandthezooattendant,SherSingh,sitwithus.

‘Sheisscaredofyourlion,’drawlsAyah,playfullytappingmyforehead.‘Shethinkshe’sletlooseatnightandhewillgobbleherupfromherbed.’

SherSingh,wearinganoutsizeblueturbanandacallowbeard,sitsup.DelightedtobesingledoutbyAyah,helooksatmeearnestly:‘Don’tworry.I’llhangontohisleash,’heboasts,stammeringslightly.‘Hewon’tdareeatyou!’

I’mnottheleastbitreassured.Onthecontrary,Iamterrified.Thiscallowyouthwithastem-likeneckholdthezoolion?

‘Whatkindofleash?’Iask.

‘A-anironch-chain!’

It’smuchworsethanI’dimagined.Alionroaringbehindbarsisbadenough.Butalionstrainingonastoutleashheldbythisthin,stutteringSikhisunthinkable.Iburstintotears.

‘Nowlookwhatyou’vedone,’saysAyahinherusualgood-naturedmanner.Gatheringmeinherarmsandhuggingmesherocksbackandforth.‘Don’tbesilly,’shetellsme.‘Thelionisneverletoutofhiscage.Thecageissostrongahundredlionscouldn’tbreakit.’

‘And,’saysRamzanathebutcher,‘Igivehimajuicygoateveryday.Whyshouldhewanttoeatadriedupsticklikeyou?’

Page 83: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ThelogicisirrefutableduringdaylighthoursasIsitamongfriendsbeneathQueenVictoria’slion-intimidatingpresence.Butalone,atnight,thelogicwillvanish.

MasseurandIce-candy-mandriftovertousandjointhecircle.Masseurisrakinginmoney.Hehasinventedanoilthatwillgrowhaironbaldheads.Itiscomposedofmonkeyandfishglands,mustardoil,pearldustandanassortmentofherbs.Themenlistenintently,butMasseurstopsshortofrevealingthesecretrecipe.HeholdsupthebottleandAyahreachesouttotouchtheoil.

‘Careful,’saysMasseur,whippingthebottleaway.‘It’llgrowhaironyourfingertips.’

‘HaiRam!’saysAyah,quicklyretractingherfingers,androllinghereyesfromonefacetothenextwithfetchingconsternation.

Wealllaugh.

Nottobeoutdone,Ice-candy-mansayshehasdevelopedafirst-classfertilitypill.Heknowsitwillworkbuthehasyettotryitout.

‘I’llgiveitatry,’offerstheGovernmentHousegardener.

‘Yourwife’salreadyproducedchildren,hasn’tshe?’

‘Tch!Notforher,yaar.Formyself.Ifeeloldsometimes,’confessesthegreyinggardener.

‘Itisnotanaphrodisiac.It’safertilitypillforwomen,’explainsIce-candy-man.‘It’ssopotentitcanimpregnatemen!’

Thereisastartledsilence.

‘You’reajoker,yaar,’saysthebutcher.

‘No,honestly,’saysIce-candy-man,neglectfulofthecigarettebuttthatisuncoilingwispsofsmokefromhisfist.Hetoowillrakeinmoney.

Masseurclearshisthroatand,breakingthespellcastbythefertilitypill,enquiresofthegardener:‘What’sthelatestfromtheEnglishSarkar’shouse?’

Thegardener,congenialandhoary,isourprimesourceofinformationfromtheBritishEmpire’slocalheadquarters.

‘Itisrumoured,’hesaysobligingly,rubbingthepatchesofblackandwhitestubbleonhischin,‘thatLatSahibWavelldidnotresignhisviceroyship.’

Hepauses,dramatically,asifhe’salreadyrevealedtoomuchtofriends.Andthen,asifdecidingtoconsecratediscretiontoourfriendship,heservesupthechoicetitbit.

‘Hewassacked!’

‘Oh!Why?’asksIce-candy-man.WeareallexcitedbyarevelationthatinvitesustosharetheinsidetrackoftheRaj’sdoings.

Page 84: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Gandhi,Nehru,Patel…theyhavemuchinfluenceeveninLondon,’saysthegardenermysteriously,asifacknowledgingthearbitraryandmischievousnatureofanticgods.‘Theydidn’tliketheMuslimLeague’svictoryinthePunjabelections.’

‘Thebastards!’saysMasseurwithhistrionicfurythatconcealsagenuinebitterness.‘SotheysackWavellSahib,afairman!AndsendforanewLatSahibwhowillfavourtheHindus!’

‘Withallduerespect,malijee,’saysIce-candy-man,surveyingthegardenerthroughabluemistofexhaledsmoke,‘butaren’tyouHindusexpertatjustthiskindofthing?Twistingtailsbehindthescene…andgettingsomeoneelsetoslaughteryourgoats?’

‘What’sthenewLatSahiblike?ThisMountbattenSahib?’asksAyah.

She,likeMother,isanoilpourer.‘Isawhisphoto.Heishandsome!ButIdon’tlikehiswife,baba.Shelooksachoorail!’

‘Ah,butJawaharlalNehrulikesher.Helikeshervaaarymuch!’saysIce-candy-man,luridlydraggingoutthelasttwowordsofEnglish.

‘NehruandtheMountbattensarelikethis!’thegardenerconcurs,holdinguptwoentwinedfingers.Hisexpression,anattractiveblendofsheepishnessandvanity,reinforcestheimageofaseasonedinsidetracker.

‘IfNehruandMountbattenarelikethis,’saysMasseur,‘thenwho’sgoingtoholdourJinnahSahib’shand?MasterTaraSingh?’

Masseursaysthisinawaythatmakesussmile.

‘Ah-ha!’saysIce-candy-manasifsuddenlyenlightened.‘Sothat’swho!’HeslapshisthighandbeamsatusasifMasseurhasproposedabrilliantsolution.‘That’swho!’herepeats.

Thebutchersnortsandaimsacontemptuousgobofspitsomeyardsawayfromus.Hehasbeenquietallthiswhileandasweturnourfacestohimhegathershisstylishcottonshawloveroneshoulderandsays:‘Thatnon-violentviolence-monger–yourpreciousGandhijee–firstdeclarestheSikhsfanatics!Nowsuddenlyhesays:“Ohdear,thepoorSikhscannotlivewiththeMuslimsifthereisaPakistan!”Whatdoeshethinkweare–somekindofbeast?Aren’ttheylivingwithusnow?’

‘He’sapolitician,yaar,’saysMasseursoothingly.‘It’shisbusinesstosuithistonguetothemoment.’

‘IfitwasonlyhistongueIwouldn’tmind,’saysthebutcher.‘ButtheSikhsarealreadysupportingsometrumped-upMuslimpartytheCongressfavours.’Hehasadead-panwayofspeakingwhichisveryeffective.

TheGovernmentHousegardener,hisexpressionwaryandsympathetic,givesaloudsigh,andsays:‘ItistheEnglish’smischief…Theyarepastmastersatintrigue.Itsuits

Page 85: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

themtohaveusallfight.

‘JusttheEnglish?’asksButcher.‘Haven’ttheHindusconnivedwiththeAngreztoignoretheMuslimLeague,andsupportapartythatdidn’twinasingleseatinthePunjab?It’sjustthekindofthingwefear.TheymanipulateoneortwoMuslimsagainsttheinterestsofthelargercommunity.AndnowtheyhavemanipulatedMasterTaraSinghandhisbleatingherdofSikhs!’HeglancesatSherSingh,hishandsome,smooth-shavenfacealmostexpressionless.

SherSinghshiftsuncomfortablyand,lookingascompletelyinnocentofMasterTaraSingh’sdoingsashecan,frownsatthegrass.

‘Arrey,youfoolishSikh!YoufellrightintotheHindus’trap!’saysIce-candy-mansofacetiouslythatSherSinghlosespartofhisnervousnessandsmilesback.

Theafternoonisdrawingtoaclose.Thegrassfeelsdamp.Ayahstandsupsmoothingthepleatsinherlimpcottonsari.‘IfallyoutalkofnothingbutthisHindu-Muslimbusiness,I’llstopcomingtothepark,’shesayspertly.

‘It’sjustadiscussionamongfriends,’saysIce-candy-man,uncoilinghisframefromthegrasstositup.‘Suchtalkhelpscleartheair…butforyoursake,wewon’tbringitupagain.’

Therestofuslookathimgratefully.

***

Thereismuchdisturbingtalk.Indiaisgoingtobebroken.Canonebreakacountry?Andwhathappensiftheybreakitwhereourhouseis?OrcrackitfurtheruponWarrisRoad?HowwillIevergettoGodmother’sthen?

IaskCousin.

‘Rubbish,’hesays,‘noone’sgoingtobreakIndia.It’snotmadeofglass!’

IaskAyah.

‘They’lldigacanal…’sheventures.‘ThissideforHindustanandthissideforPakistan.Iftheywanttwocountries,that’swhatthey’llhavetodo–crackIndiawithalong,longcanal.’

Gandhi,Jinnah,Nehru,Iqbal,TaraSingh,MountbattenarenamesIhear.

AndIbecomeawareofreligiousdifferences.

Itissudden.Onedayeverybodyisthemselves–andthenextdaytheyareHindu,Muslim,Sikh,Christian.Peopleshrink,dwindlingintosymbols.Ayahisnolongerjustmyall-encompassingAyah–sheisalsoatoken.AHindu.Carriedawaybyareneweddevotionalfervoursheexpendsasmallfortuneinjoss-sticks,flowersandsweetsonthegodsandgoddessesinthetemples.

Page 86: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ImamDinandYousaf,turningintoreligiouszealots,warnMothertheywilltakeFridayafternoonsofffortheJumhaprayers.OnFridaystheysetaboutpreparingthemselvesostentatiously.Squattingatopthecementwallofthegardentanktheyholdtheirfeetoutbeneaththetapanddiligentlyscrubbetweentheirtoes.Theywashtheirheads,arms,necksandearsandnoisilycleartheirthroatsandnoses.Allinwhite,checkprayerscarvesthrownovertheirshoulders,steppinguncomfortablyinstiffblackBatashoeswornwithoutsocks,theywalkoutofthegatestothesmallmosqueatthebackofQueensRoad.Sometimes,atoddhoursoftheday,theyspreadtheirmatsonthefrontlawnandpraywhenthemuezzincalls.Crammedintoanarrowreligiousslottheytooarediminished:asareJinnahandIqbal,Ice-candy-manandMasseur.

HariandMoti-the-sweeperandhiswifeMuccho,andtheiruntouchabledaughterPapoo,becomeevermoreuntouchableastheyareentrencheddeeperintheirlowHinducaste.WhiletheSharmasandtheDaulatrams,BrahminslikeNehru,aredehumanisedbytheirloftycasteandcaste-marks.

TheRogersofBirdwoodBarracks,QueenVictoriaandKingGeorgeareEnglishChristians:theylookdowntheirnosesuponthePenswhoareAnglo-Indian,wholookdowntheirsonthePhailbuseswhoareIndian-Christian,wholookdownuponallnon-Christians.

Godmother,Slavesister,Electric-auntandmynuclearfamilyarereducedtoirrelevantnomenclatures–weareParsee.

WhatisGod?

***

AllmorningwehearMucchoscreechingatPapoo.‘Iturnmyback;thebitchslacksoff!Isaysomething;shebecomesadeaf-mute.I’llthrashthewickednessoutofyou!’

‘Idon’tknowwhatjinn’sgottenintothatwoman,’saysAyah.‘Shecan’tleavethegirlalone!’

Ihavemadeseveraltripstotheback,hangingaroundthequartersonsomepretextorother,andwithmypresenceprotectingPapoo.

Papoohardlyeverplayswithmenow.Sheisforeverslappingthedoughintochapatties,orwashing,orcollectingdungfromtheroadandplasteringitonthewallsoftheirquarters.Thedrieddungcakesprovidefuel.

Intheeveningshesweepsourcompoundwithastiffreedjharoo,spendinganhourinalittlecloudofdust,aninfantstucktoherhiplikeagrowth.

Thoughshelooksmoreragged–andthin–herfaceandhandssplotchedwithpaledrypatchesandherlipscracked,sheisascheekyaseverwithhermother.Andforeversmilingherhandsomeroguishsmileatus.

Page 87: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

LatethateveningAyahtellsmethatMucchoisarrangingPapoo’smarriage.

Iamsevennow,soPapoomustbeeleven.

Myperceptionofpeoplehaschanged.

Istillseethroughtotheirheartsandminds,buttheirexteriorssuperimposeanewsetofdistractingimpressions.

Thetuftofbodhi-hairrisinglikeatailfromHari’sshavenheadsuddenlyappearsfiendishandludicrous.

‘Whydoyoushaveyourheadlikethat?’Isaydisparagingly.‘Becausewe’vealwaysdoneso,Lennybaby,fromthetimeofmygrandfather’sgrandfathers…it’sthewayofourcaste.’

I’mnotsatisfiedwithhisanswer.

WhenCousinvisitsthateveningItellhimwhatIthink.‘JustbecausehisgrandfathersshavedtheirheadsandgrewstupidtailsisnoreasonwhyHarishould.’

‘Notasstupidasyouthink,’saysCousin.‘Itkeepshisheadcoolandhisbrainfresh.’

‘Ifthat’sso,’Isay,challenginghim,‘whydon’tyoushaveyourhead?Whydon’tMotherandFatherandGodmotherandElectric-auntand…’

CousinstopsmymouthwithhishandandasItrytobitehisfingersandwigglefree,heshoutsintomyearsandtellsmeabouttheSikhs.

Istopwiggling.HehasinformedmethattheSikhsbecomementallydeficientatnoon.Mymouthgrowsslackunderhispalm.Hecarefullyremoveshishandfrommygapingmouthand,resuminghisnormalspeakingvoice,furtherinformsme:‘Allthathairnotonlydrainsawaytheirgrey-matter,italsowarmstheirheadslikeatea-cosy.Andattwelveo’clock,whentheheatfromthesunisatitscraziest,itaddlestheirbrains!’

ItissomehoursbeforeIcanclosemygapingmouth.ImmediatelyIrushtoImamDinandaskifwhatCousinsaysistrue.

‘Sure,’hesays,pushinghishookahawayandstandinguptoraketheashes.

‘JusttheotherdayMrSinghmilkedhiscowwithoutabucket.Hedidn’tevennoticethepuddleofmilkontheground…Itwasexactlytwosecondspasttwelve!’

CousineruptswithafreshcropofSikhjokes.

AndthereareHindu,Muslim,Parsee,andChristianjokes.

***

Ican’tseemtoputmyfingeronit–butthereisasubtlechangeintheQueen’sGarden.SittingonAyah’scrossedlegs,leaningagainstherchocolatesoftness,againtheuneaseatthebackofmymindsurfaces.

Page 88: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

IfidgetrestlesslyonAyah’slapandsheasks:‘Whatisit,Lenny?Youwanttodosoo-soo?’

Inod,forwantofabetterexplanation.

‘I’lltakeher,’offersMasseur,gettingup.

MasseurleadsmetotheQueen’splatform.SquattingbeneaththeEnglishQueen’ssteelyprofile,mybottombaredtotheeveningthrong,Irelievemyselfofatrickle.

‘Oye!Whatareyougapingat?’MasseurshoutsatalittleSikhboywhohaspausedtowatch.Hislonghair,securedinatop-knot,isprobablyalreadyaddlinghisbrain.

Masseurraiseshisarmthreateninglyandshouts:‘Scram!’

Theboyflinches,butreturninghiseyestome,stayshisground.

TheSikhsarefearless.Theyarewarriors.

Islidemyeyesawayand,pretendingnottonoticehim,standupandraisemyknickers.AsMasseurstraightenstheskirtofmyshortfrockIleanbackagainsthislegsandshylyogletheboy.

Masseurgropesformyhand.ButItwistandslipawayandruntotheboyandhe,pretendingtobeasteam-engine,‘chook-chooking’andglancingmyway,leadsmerompingtohisgroup.

TheSikhwomenpullmetotheirlapsandaskmynameandthenameofmyreligion.

‘I’mParsee,’Isay.

‘Okee?What’sthat?’theyask:scandalisedtodiscoverareligionthey’veneverheardof.

That’swhenIrealisewhathaschanged.TheSikhs,onlytheirrowdylittleboysrunningaboutwithhairpiledintop-knots,arekeepingmostlytothemselves.

Masseurleansintothegroupandplacingafirmhandonmyarmdragsmeaway.

WewalkpastaMuslimfamily.Withtheirburka-veiledwomentheytoositapart.Iturntolookback.Ienvytheirchildren.Dressedinsatinsandhighheels,thelittleMuslimgirlswearmake-up.

Agroupofsmooth-skinnedBrahminsandtheirpamperedmaleoffspringformatightcircleofsuperciliousexclusivitynearours.

OnlythegrouparoundAyahremainsunchanged.Hindu,Muslim,Sikh,Parseeare,asalways,unifiedaroundher.

IdiveintoAyah’slap.

Page 89: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AssoonasIamsettled,andAyah’sabsorptionisbackwiththegroup,thebutchercontinuestheinterruptedconversation:

‘YouHinduseatsomuchbeansandcauliflowerI’mnotsurprisedyouryogislevitate.Theyprobablyfarttheirwayrightuptoheaven!’Heslipshispalmbeneathhisarmpitand,flappinghisotherarmlikeachicken-wing,generatesasuccessionoffart-likesounds.

Ithinkhe’ssofunnyIlaughuntilmytummyhurts.ButAyahisnotlaughing.‘Stopit,’shesaystomeinaharshsombrewhisper.

SherSingh,whohadfoundtherudesoundsasamusing,checkshimselfabruptly.InoticehiscovertglanceslideinMasseur’sdirectionand,lookingalittlefoolish,hesuddenlytriestofrown.

ItwistonAyah’slaptolookatMasseur.Heisstaringimpassivelyatthegrinningbutcher:andButcher’sface,confrontedbyhisstoliddisfavour,turnsugly.

Butbeforehecansayanything,thereisadistraction.Anoisyandlunaticholyman–instrikingattire–hasjustenteredtheQueen’sGarden.Thumpingafive-footirontridentwithbellstiednearitsbase,theholymanlopesto-wardsus,shouting:‘YaAllah!’Astraight,green,sleevelessshiftreachestohishairycalves.Hiswristsandupperarmsarecoveredwithsteelandbeadbangles.Androundhisneckandchestiscoiledacolossalhunkofcopperwiring.Evenfromthatdistancewecantellit’stheIce-candy-man!I’veheardhe’sbecomeAllah’stelephone!

Abeardedman,fromthegroupofMuslimsIhadnoticedearlier,goestohimanddeferentiallyconductshimbacktohisfamily.AsIce-candy-manhunkersdown,Iruntowatchhim.

Awomaninamodern,greysilkburkawhisperstothebeardedman,andthemansays,‘SufiSahib,mywifewantstoknowifAllahwillgrantherason.Wehavefourdaughters.’

Thefourdaughters,rangingfromtwotoeight,weargoldhigh-heeledslippersandpricklybrocadeshirtsoversatintrousers.FrightenedbyIce-candy-man’sash-smearedfaceandeccentricmanner,theyclingtotheirmother.Inoticeaprotrusioninthelowerhalfofthewoman’sburkaandguessthatsheisexpecting.

Hismovementsassuredandelaborate,eyeballsrolledheavenwards,Ice-candy-manbecomesmysteriouslybusy.Heunwindspartofthewirefromthecoilroundhisnecksothathehasanendineachhand.Holdinghisarmswide,mutteringincantations,hebringsthetwoendsslowlytogether.Thereisamodestsplutter,andarainofbluesparks.Themadholymansays‘Ah!’inasatisfiedway,andweknowtheconnectiontoheavenhasbeenmade.Thegirls,clearlyfeelingtheirdistrustofhimvindicated,leanandwiggleagainsttheirmother,kicktheirfeetup,andwhimper.Theirmother’shanddartsoutoftheburka,andinonesmartswipe,shespanksallfour.NervouseyesonIce-candy-man,thegirlsstickafingerintheirmouthsandcowerquietly.

Page 90: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Holdingtheendsofthecopperwireinonehand,theholymanstretchestheotherskywards.Pointinghislongindexfinger,murmuringthemysticnumbers‘786’,hetwirlsaninvisibledial.Hebringstheinvisiblereceivertohiscarandwaits.Thereisapervasiverumble;asofatigerpurring.Wegrowtense.Then,startlinguswiththevolumeofnoise,themusclesofhisneckandjawsstretchedlikecords,thecrazedholymanshoutsinPunjabi:‘Allah?DoYouhearme,Allah?Thispoorwomanwantsason!Shehasfourdaughters…one,two,three,four!Youcallthisjustice?’

Ifindhisfamiliarityalarming.HeaddressesGodas‘tu’,insteadofusingthemorerespectful‘tusi’.I’msureifIweretheAlmightyI’dbeoffended;nomatterhowmadtheholyman!Idistancemyselffromhimmentally,andobservehimsternfacedandrebuking.

‘Haven’tYouheardherpray?’Ice-candy-manshouts.Coveringtheinvisiblemouthpiecewithhishand,inanapologeticaside,hesays:‘He’sbeenbusyoflate…Youknow;allthisIndianindependencebusiness.’Hebringsthereceivertohisearagain.

Suddenlyhespringsup.Thumpinghisnoisytridentontheground,performingacuriousjumpingdance,heshouts:‘WahAllah!WahAllah!’soloudlythatseveralpeoplewhohavebeenwatchingthegoings-onfromafar,hastilygetupandscamperover.Sikhs,Hindus,Muslimsformathickcircleroundus.InoticemylittleSikhfriend.IcantellfromthereverentfacesaroundmethattheybelievetheyareinthepresenceofaholymancrazedbyhisloveofGod.Andthemadderthemystic,thegreaterhispower.

‘Wah,Allah!’shoutsIce-candy-man.‘Thereisnolimittoyourmunificence!Toyou,kingandbeggararethesame!Toyou,thisson-lesswomanisqueen!Ah!theintoxicationofyourlove!Thedepthofyourcompassion!Theoceanofyourgenerosity!Ah!themiraclesofyourcosmos!’heshouts,workinghimselfintoastate.And,justassuddenlyasheleaptuptodancebefore,henowdropstothegroundinastonytrance.Ourearsstillringingfromhisshouts,weassumehissoulisincommunionwithGod.

Thewomanintheburka,believingthattheholymanhasintercededsuccessfullyonherbehalf,bowsherbodyingratitudeandstartsweeping.Thebeardedmanfumblesinthegathersofhistrousersandplacestwosilverrupees–bearingKingGeorge’simage–attheholyman’sentrancedtoes.

Holdingtheholyman’spiousfinger,feelingprivileged,Ireturntoourgroup.

‘Aiiayjee,aiiay!Sit,SufiSahib;sit!Wearehonoured!’exclaimthemeninhalfawed,halfmockingwelcome,makingroomforIce-candy-manbetweentheGovernmentHousegardenerandMasseur.Layinghistridentaside,lightingacigaretteandassuminghiscustomary,slouchingposeonthegrass,theholymanbecomesIce-candy-man.

TheGovernmentHousegardenerplaceshishandaffectionatelyonIce-candy-man’sthigh,andsays,‘Sufijee,haveyouheardthelatestabouttheLucknowMuslims?’Inhisquietway,heisgettinghisownbackforButcher’swise-cracksaboutthelevitatingvegetarianHindus.

Page 91: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

TheoverlypoliteLucknowMuslimsarenotoriousforendlesslysaying:‘Afteryou,sir,’and‘No,sir,afteryou!’Myattentionisriveted.TheGovernmentHousegardenerrelateshisjoke.

TwoMuslimgentlemenarriveatapublictoiletatthesametime.

Oneinsists,‘Afteryou,sir.’

‘No,sir,youfirst!Afteryou!’insiststheother.

Until,eventually,oneofthemresignedlysays:‘Youmightaswellgofirst,sir…I’vebeen.’

Ayahbecomesbreathlesslaughingandalmostrollsonthegrass.Hersarislipsoffhershouldersandheradmirersrelishthebrowngleamofherconvulsedbellybeneathherskimpyblouse,andthefirmjoggleofherrotundbosoms.

AclutchofHinduchildrenwithcaste-marksontheirforeheads,curiousattheburstoflaughter,runuptimidlyandsuddenlyyell:‘ParseeParsee,croweaters!Croweaters!Croweaters!’

‘Wedon’t!Wedon’t!Wedon’t!’Iscream.

Thegardener,threateningtogetup,throwshisturbanatthemandtheyscamperinsquealingdisarray.

‘Whydotheysaythat?’Iaskfiercely.

‘Becausey’alldo“kaan!kaan!”atthetopofyourvoiceslikearowdyflockofcrows,’saysAyah.

Ice-candy-mantuckshisgreenshiftbetweenhislegsasifhe’swearingadhoti,andactinglikeatimidBanya,de-claims:

‘Wewereonlyseventeen;theywereagangoffour!

Howweran;howweran;aswe’dneverrunbefore!’

Itissoapttotheoccasionthatmyangervanishes.

Ihaveheardthiscoupletbefore.AglimpseoffourSikhs,MuslimsorParseesissupposedtosendamobofBanyasscurrying.

Page 92: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter12

Astrangeblackboxmakesitsappearanceinmyparents’bathroom.

ItisSaturdayandCousinisvisitingfortheday.Mother,theindefatigablymirthsomeMrsBankwalla,MrsSinghandMaggiePhailbus,theschoolteacherwhoalsolivesonWarrisRoad,aresittingontheveranda.Havingdrawntheirchairsclosetothemarble-toppedcoffee-tabletheytalkinhushedvoicesthatfadeintosilencewhenwepass.EvenMrsBankwalla’sexplosiveconvivialityissubdued.I’venoticedalotofhushedtalkrecently.Inbazaars,restaurantsandlitteredalleysmenhuddleroundbicyclesorsquatagainstwallsinwhisperinggroups.

Weareplayingkick-the-caninthegarden.Cousin,AdiandPeterformoneteamandRosy,Ayah,Papoo-with-babe-on-hipandItheother.It’sgirlsversusboys,andhavingPapooonoursidecompensatesforRosy’serraticplay.

AbruptlyCousinputshishandonhisflyand,awkwardlyshufflinghisfeet,dashesaway.Thegameissuspended.

WhenCousinreturnswecantellbyhisstudiednonchalancehehassomethingtotell.Wegatherabouthim.Afterslidinghiseyesthiswayandthathelooksatusoutofthewideandinnocenteyeshedisplayswheneverhehassomethingtohide.Hesignalswithaslytiltofhishead,andAdi,shovingAyahfromtheback,rushesheroutofthegarden.Ayahgood-naturedlydisappearsintothekitchen.

‘Ihaveseensomethingstrange,’confidesCousinpor-tentously.‘Followme.’

Inafurtivegroupwemovepasttheporticotothesideofthehouse.Cousinpushesopenthebathroomdoor.WegetawhiffofDettoland,aswecrowdthesteps,Iimmediatelyseetheblackwoodenbox.Itisheavy-looking,aboutafoothigh,longand,narrow.Likeacoffinforaverythinman.Rosy,turningpale,whispers,‘Someoneisdead.’

Weareagreeditisacoffin.Itlookssinisterenough.Butthespeciesofthecorpsebafflesus.AdiandPetersquattoexaminethestays.

‘It’slocked,’saysCousin,whohasalreadyexaminedthelocks.Withoutawordheattemptstoliftthebox.Igiveahand.Rosyshiesaway.Theboxisheavy,andintheconstrictedspaceweareonlyabletoliftitafootorso.Wetrytoshakeitandtiltit.Thereisaveryslight,heavyanddullmovement.

Page 93: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Definitelyacorpse,’declaresPeter.

‘Asifyoucantell,’Isay.

‘Whatelsecantherebeinacoffin,stupid!’saysAdi.

WehearMother’svoice.Footstepsinthebedroom.Weexchangealertglancesandscamperintothegardentoresumeourgame.

Cousinkicksthemisshapencandistractedly,andourpursuitofhimishalf-heartedandabstracted.

Butnoonetellsuswhat’sinthatbox.

‘Asnake?Askeleton?Acorpse?’

Theservantsdon’tknow.Theotheradultsmaintainamaddeningsilence.Wearenottobeinquisitive:itbelongstoFatherandit’snobody’sbusinessbuthis.

Wewanderaboutwithglazed,preoccupiedeyesandpinchedfaces.Wewasteaway.

Electric-aunthasbeguntoforce-feedCousin.Shepincheshisnostrils:andwhenheopenshismouthtobreathepopsinatablespoonoffood.Shereleaseshisnostrilsonlyafterheswallowsthemorsel.

Motherbeginstositwithusatoursmalltablewiththeoil-clothand,beguilinguswithfairy-tales,charminguswithhervoice,slipsspoonfulsintoourmouths.

MucchochasesPapoowithabroomshouting:‘Hai,myfate!Ifthataccursedslutdiesonme,howwillIshowmyfacetoJemadarTotaRam?’

TotaRamisPapoo’sprospectivehusband…Analmostmythicalfigurenoone’sseen.

EvenMrsSinghhasbeguntosuperviseheroffspring’sfeed.

Gandhijeetooisoffhisfeed,wehear.ThereisaslaughterofMuslimsinBihar–hedoesnotwantittospreadtoBengal.

Itdoesn’t.

InspiredbyGandhijee,welaunchamoredeterminedfast.

Weturnsallow,hollow-eyed,pot-bellied.Electric-aunt’sfrenziedanxietybecomeschronic.Motherturnsintoaprophetessofdoom.‘Markmywords,’shesayseerily,‘you’llremainweaklingstherestofyourlives!’

Mucchohastakentobeatingherhollowbreastsandcrying:‘WhatfacewillIshowTotaRam?’AndMrsSinghismovedtowringherhands!

Theirstrategieschange.Cousinisforce-fedchocolatesandCarry-Homeice-creambymyresourcefulaunt.Theyareeasiertoforce-feedthanfood.Hegoesaboutwithstucknostrilsandanopenmouth.Mother’sfairy-talesturnintohorror-storiesandeverytimewe

Page 94: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

formourlipsinan‘O’andsuckinourhorrifiedbreaths,weunwittinglyalsosuckinfood.TheirAmericanmotherissoupsetwhenshesitsbeforeRosy-Peter’shollowcheeksandfullplatesthatsheburstsintotears:andRosy-Peter,astoundedbythisspectacleofmaternalemotion,permithertopourfoodintotheirgapingmouths.Mucchohasstartedsweet-talkingandspoon-feedingherstupefiedandincredulousdaughter.

Col.Bharuchagivesuscalcium-and-glucoseinjections.

IftheywanttogetGandhijeetoeatthenexttimehefaststheyshouldsendforMucchoandElectric-auntandMotherandCol.Bharucha.AndeventheunformidableMrsSingh.

Asmysteriouslyasithasappeared,theboxdisappears.

***

WhileIleadthelifeofaspoiltlittlebratwithpretensionstodiet,fortymileseastofLahore,inaMuslimvillage,Rannaleadstheunspoiltlifeofavillageboyshornofpretensions.WhileAyahshovelsspoonfulsofchickenintomymouthasIdoodlewithPlasticine,Chidda,squattingbytheclayhearth,feedshersonscrapsofchapattidippedinbuttermilk.Allday,bakedbythesun,Rannarompsinthefieldsandplayswithdung.And–whenIclosemyeyesandIwishto–Iseeussquattingbeneaththebuffalo,ourmouthsopenandeyesclosed,asDostMohammaddirectssquirtsofmilkstraightfromtheudderintoourmouths–andIcanstilltasteitsfodderysweetness.

ItisalittleoverayearsincemyvisittoRanna’svillage.ImamDin,whofeelsthatthetensioninthecitieswillspreadtothevillages,andisconcernedforhisnumerouskininPirPindo,decidestopaythemanothervisit.WhenIexcitedlyprotestandexclaimthatIwillgowithhim,hesurprisesmebyagreeingatonce,inapreoccupiedway,thatIcanifMotherconsents.

MotherconsultsFather,herfriends,Ayah;andfinallygivesherhesitantpermission–providedwegobytrain.Trainsdon’tgotoPirPindo,butwecangetoffatThokar,andhireatongaforthetworemainingmiles.

WehavebeeninPirPindofortwodays.OnBaisakhi,thedaythatcelebratesthebirthoftheSikhreligionandofthewheatharvest,wegotoDeraTekSingh.IrideonImamDin’sshoulders,Rannaonhisfather’s–attheheadofaprocessionofnephews,uncles,cousins,brothers,grandsonsandgreat-grandsons.Thewomenandgirls–exceptforme,becauseIaminsistent,andfromthecity–staybehindasalways.ThemengototheBaisakhiFaireveryyear:beforeRannawasborn–beforehisgreat-grandfatherwasborn!

DostMohammadiswalkinginfrontofus.Hisheadwrappedinacrispwhitepuggaree,hislungibarelyclearingthemudbehindhissqueaky-newcurly-toedshoes,ahookahswinginginhisrighthand,helookslikeaprosperouslandlord:and,ridingatophisfather’sshoulders,Rannaimaginedthattheothervillagerslookedattheminaweandsaidamongthemselves(asPunjabis–evenlittleones–arewanttoimagine),‘Wah!There

Page 95: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

goesthatfine-lookingzemindar;walkingattheheadofhisfamilywithhishandsomesononhishead!’

ItisthethirteenthofApril.Thewheathasbeenharvested;thespringrainshavespentthemselves,andtheearthispowdery.FromontopofImamDin’sheadIseetheothergroupsofvillagersconvergingonDeraTekSingh–Hindu,Muslim,Sikh–astheyraisetheirownmajestictrailsofdust.

Thefestivalisalreadyinfullswingwhenwearrive.Agroupoffourfierce-lookingSikhs,theirhairtiedinturbansandwearingcalf-lengthshirtsovertightchuridarpyjamas,performtheGhadkabeforedriftingwavesofadmirers.Wieldinglongswordsandstaves,clashingthemtothebeatofdrums,thedancerslunge,parry,andtwirltotheaccompanimentoffolksingersextollingthevalourofancientSikhwarriors.Thesingersshriek,theirvoiceshoarsefromthedust,andtheefforttobeheardabovetheuproar.Thereareseveralsuchgroups.

DostMohammadleadsustotheheartofthefair:totheridesandfoodstalls.Fryingonionpakoras.Abubbling,spicystewofchickpeas.Pinkandyellowcloudsofspun-sugarcandy.Helium-filledballoons.Oureverystepdeflectedbyaromas.Thefamilyscatters.RannaandIspendmostofoursmallallowanceonfood;stuffingourselvesonsyrupygulab-jamansandjalebis.Wescrambleforseatsonthecreakingferris-wheel,itssixwoodentraysswayingfromsixwoodenspokes.Eachtrayisjammedwithchildren,andthestonesthatarejuggledfromonetraytoanothertobalancethem.Agileattendantsscrambleamongthespokeslikeacrobatstoturnthewheelwiththeweightoftheirbodies.DostMohammadliftsusintoatray.Idon’ttrusttheshallowrailingguardingus;andasweorbit,ourdelightedlimbscramped,oureyesnarrowedagainstthewind,IclingtoRanna.Holdingthericketyedgeoftheswayingtraywithonehand,hesupportsmewiththeother.

Weridethemerry-go-roundswithmetalseatsandtheseesaws.Anddespitethegaietyanddistractions,Rannasensesthechillspreadbythepresenceofstrangers:theirunexpectedfacesharshandcold.ASikhyouthwhomRannahasmetafewtimes,andwhohasalwaysbeenkind,pretendsnottonoticeRanna.Othermen,whowouldnormallysmileatRanna,slidetheireyespast.Littlebylittle,withouthisbeingawareofit,hissmilebecomesstrainedandhislaughterstrident.‘What’sthematter?’Iaskhim.‘Nothing,’hesays,surprised.

IntheafternoonDostMohammadtakesuswithhimtovisitJagjeetSingh.HehashishookahwithhimsohewaitsoutsidetheGurdwarawhilewegointosummonthegranthi.JagjeetSinghissittingcross-leggedinfrontofanopenGranthSahib.Itisrestingonanelaboratelycarvedwalnutstand.Ihaveneverseenabooksolarge.Surely,ifGoddwellsinbooks,Hedwellsinoneaslarge!LaterthatnightRannatoldmethathehadwishedthattheholyKorantheirmullahoccasionallydisplayedwaslarger.

Page 96: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

JagjeetSinghleadsustohischarpoybeneathayoungbanyanalreadyspreadingitstendershadeoverpartofthetemplewall.HeshoutstoaSikhboywashingutensilsatawelltofetchtea.DostMohammadasksthegranthi’spermissiontolighthishookah.

DostMohammadhasnoticedthepresenceofstrangerstoo.Aftertheboyhandsusourtea,andwesettledowntoblowingintoandsippingfromthesteamingbrassmugs,heasks:‘JagjeetSingh-jee,youhavealargenumberofvisitorstothefairthisyear…Allthosestalwartsinblueturbanswithstavesandlongkirpans…?’

Thegranthi’sgenialfacebecomesuncommonlysolemn.HerubsthepuffyskinaroundhiseyesandInoticehowoldandtiredhelooks.‘Idon’tknowwhattosay,’hesays,bowinghishead.‘TheyareAkalis…TheImmortals…MaharajaRanjeetSinghformedthesectwhenheconqueredthePunjabahundredyearsago.’And,thoughthereisnooneelsethatIcansee–theSikhboyisinanycasetoofarawaytohear–hemovesclosertoDostMohammad.Loweringhisvoice,hesays:‘IvisittheGoldenTempleatAmritsarfromtimetotime…TheAkalisswarmarounditlikeangryhornetsintheirblueturbans…Iwishthey’dremainthere!’Hepauses;then,scratchinghiscurlybeardandfrowninghesays:‘TheytalkofaplantodrivetheMuslimsoutofEastPunjab…TodividethePunjab.Theysaytheywon’tlivewiththeMussulmansifthereistobeaPakistan.Owlishtalklikethat!Youknow,citytalk.It’smadness…Itcan’tamounttoanything…butthey’vealwaysbeenlikethat.Troublemakers.You’llhavetolookouttillthisevilblowsover.’

Idon’tknowwhereImamDinis.IwishtoGodhewerehere!Itis,almostexactly,whathe’sbeentellingthevillagersforthepasttwodays.DostMohammadappearstohavesunklowerintothecharpoy.Heisquietforsolongthatthegranthiturnstolookathimanxiously.IfeelDostMohammad’sthightwitchagainstmine.Heraiseshisheadslowly,andatlasthesays,‘We’lllookout…Don’tworryJagjeetSingh-jee…Wekeeptrackofthingsonourchaudhry’sradio.’

‘MaytheTenGurushelpus,’thegranthisighs.‘WahGuru!’

Ashortwhilelater,pressingthesmallofhisback,andactingold,ImamDinlumbersup,sighing,‘YaAllah!YaRahman!YaRahim!’Seeingourmugs,heasksfortea.Othermen,SikhandHindufriendsandafewvillagersfromPirPindo,strollupintwosandthrees,andgrouparoundthegranthi’scot.TheytalkofeverythingbuttheintrusivepresenceoftheAkalis.BeforeduskDostMohammad’syoungerbrother,Iqbal,joinsus.HehasboughtsomelandinavillagefourmileswestofPirPindoandhadmovedthere.HiswifeisRanna’sfavouriteaunt.HelovesgoingtotheirvillagetoplaywithhiscousinsandtobespoiltbyhisNonichachi.Shealwayshassomethingspecialforhimtoeatorwear,hetellsme.Hisuncletossesaknittedskull-capintoRanna’slap,saying,‘Here’ssomethingfromyourNonichachi,pahailwan!’HecallsRannapahailwan,wrestler.Itisanaffectionateformofaddress.Rannawearsthecapatonceandhisunclelaughsandmusseshishair.

Page 97: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘You’dbetterleavebeforeitgetsdark,’JagjeetSinghsaysquietlytoDostMohammad;theothermenaretalkingamongthemselves.‘There’snotellingwho’saboutthesedays…andnotallofthemareyourfriends.’

Thesunhasset,butitisstilllightenoughtosee.Rannawasleaningagainsthisfatherwhenthegranthispoke.Thetoneofthegranthi’svoice,thesadness,andtheresignationinit,turnedtheheavinessinRanna’sheartintothefirststaboffear.Eveninretrospect,theseisolatedimpressionsdidn’tadduptoareliablewarning.PirPindowastoodeepinthehinterlandofthePunjab,wheredistancesaremeasuredinfootstepsandatthespeedofbullock-carts,forlargerpoliticstopenetrate.

TheSikhsofDeraTekSinghescortushalfwaytoPirPindo.

Thateveningwecrowdintothechaudhry’scourtyardtolistentohisradio.TheCongressandMuslimLeaguespokesmen,theannouncersays,warnthepeasantsnottoheedmischievousrumours.EvenMasterTaraSingh,theleaderoftheAkaliSikhs,tellsthepeasants–especiallytheMuslims–toremainwheretheyare.Noonewilldisturbthem.

***

Afewdayslater,inLahore,wehearofattacksonMuslimvillagesnearAmritsarandJullunder.Buttheaccountsarecontrary–andthedetailssobrutalandbizarrethattheycannotbebelieved.ImamDintellsYousafandAyahthatheissureitisAkalipropaganda,calculatedtoscaretheMuslimpeasants.Andevenifitdoesscarethem,heasks,whatgoodwillitdotheAkaliSikhs?WherecanthescaredMuslimvillagersgo?Therearemillionsofthem.EvensupposeDostMohammadandhisfamilyleavePirPindo,whichtheycan’t…howcantheyabandontheirancestors’graves,everyinchoflandtheyown,theirotherkin?howwilltheyeverholduptheirheadsagain?SupposeeverysinglepersoninPirPindocanholdhisownsomeplaceelse–eventhenmillionsofMussulmanswillbeleftinEastPunjab!Wherewilltheygo?No,hesays,Ihaveseenformyself;theycannotthrowtheMussulmansout!

***

AfortnightaftertheBaisakhiFair,lateintheafternoon,anarmytruckdisgorgesafamilyofvillagersoutsideourgate.Hearingthenoise,Iruntothekitchen.ImamDinisstandingintheopendoor,staringatastringofmen,womenandchildrenastheytroopupourdrive.IrecognisesomeofthefacesfromPirPindo;theyaredistantkin–notofhisimmediatefamily–cousins,nephewsorgreat-grandnephewsthriceremoved.Iwonderhowhewillaccommodatethemallinhisquarters.Ayahhasonelookathisfaceandsays,‘Go,greetthem.I’llpreparetheteaandparathas.’YousafandHari,followedbyImamDin,welcomethevillagersandleadthemtothequartersattheback.

ThewomenandchildrenaredistributedamongImamDinandAyah’squarters.ThemenwillsleepinHariandYousaf’s.Thereisasteepfallinthetemperatureatnight,anditisstilltoocoldtosleepout.Itisdifficulttocountthem;thebabiesalllookalike.

Page 98: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Excludingthetinybabies,thereareatleastfifteenguests.Asthemensquatinthecourtyard,eatingfromacommontrayasMuslimsdo,theytelluswhathappenedthenightbefore.Theytellthestoryvividly,inthewayofpeasants,repeatingthedialogue,presentingeachdetailofexpressionandmovement,trans-portingustothevillage.

LateintheeveningthreemilitarylorrieshadlumberedintoPirPindogougingdeeprutsinthefieldsandlayingwasteswathesofsugarcane,TheywereGurkhasoldierscometoevacuatethem.

‘ThoseMussulmanswhowanttogotoPakistanhadbettergetintothetruck,’asoldiershoutedthroughamegaphone.Hewasshortandstockylikemostofhisrace,andhissmallTibetanfeaturesappearedfrighteninglyalientothevillagers.‘Wewillleaveatdawn.’

‘What?’thepuzzledvillagersasked.‘IsPakistanalreadythere?’

‘Whoknows,’saidtheGurkha.‘I’mtellingwhatI’mtoldtosay.’

Thevillagersgatheredintheopenyardoftheirmosque.Theysquattedinatightarcroundthemullahandthechaudhry.Iimaginetheirfaces:obstinate,dazed.Andthechaudhry’sas,smilingwryly,attemptingwithsarcasmandwisdomtomaskhispanic,hesays:‘Doyouexpectustowalkawaywithourhandsandfeet?Whatusewilltheyserveuswithoutourlands?Canyouevacuateourland?’heaskscunningly.Andthevillagers,asiftheyareatadebatewheretheirchaudhry’switisscoringpoints,nodtheirheadsandsay:‘Wha!Wha!Wellsaid!Whatanswerdoyouhavetothat,HawaldarSahib?’

TheypepperedtheGurkhaswithformidablequestions.‘Andwhataboutourharvest?’theyasked.‘Andthecropwehavejustsown?Andourcattle?Whowillevacuatethem?’

Thesoldiers,unimpressedbythesarcasmandindifferenttothevillagers’confusionandtroubles,shruggedandsaid,‘We’rejustheretoevacuateyou:hands,feetandheads.Nothingelse.We’vetoldyouwhywe’rehere;therestisuptoyou.’

‘Doyouexpectustoleaveeverythingwe’vevaluedandlovedsincechildhood?Theseasons,theangleandcolourofthesunrisingandsettingoverourfieldsarebeautifultous,theshapeofourroomsandbarnsisfamiliaranddear.Youcan’texpectustoleavejustlikethat!’

Thesoldierswereweary.Theystoodup.‘You’renottheonlyvillagewearetoevacuate,youknow,’oneofthemsaid.

Thechaudhryremainedquietandthesilencesettledlikeablackcloudovertheirheads,blockingoutthestars.Atlastthechaudhrysaid:‘Ifwehavetogo,ifit’sAllah’swill,wewillgowhenthetimecomes…Therighttime…’

‘Yes…Whenthetimecomes,weshallsee…saidthevillagers.

Page 99: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Thetrucksleftatdawn.Fivefamilies,wholikeourvisitorswerepoorrelativesandhiredhands,withnolandinthevillage,leftPirPindo,notcaringonewayortheotherwherethesunroseorset.

Page 100: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter13

Thetimeshavechanged;theworldhaschangeditsmind.

TheEuropean’smysteryiserased.

Thesecretofhisconjuringtricksisknown:

TheFrankishwizardstandsandlooksamazed.

(Iqbal)

Alreadyitiswinter.Iamneverwarm.Ifeelcoldestinthemistymorningswhen,holdingHari’scallousedhandwithmychilblainedfingers,IwalkonchilblainedtoestoMrsPen’s.

ThecolderitgetsthemorereservedHaribecomes.Iknowheissecretlyshivering.ColdturnsmeweepyandHarisecretiveandMrsPenindulgent.Sheletsmeoffearly.

AtGodmother’sIgostraighttothekitchen.Iamhungry.Slavesisterwarmssomeleft-overcurryandgivesmethenewsthattheInspectorGeneralofPolice,MrRogers,isdead.Murdered.Hismutilatedbodydiscoveredinthegutter.

ForamomentIcannotbreathe.IfeelImightfall.

Iknowofdeath:agrandfatherdiedinKarachiandhisremainswereconsignedtotheTowerofSilence.Moti’srelativesareforeverdying…Buttheyweren’tmurdered.Ormutilated.Andtheyweren’tpeopleIknew!

‘Howmutilated?’Iask,shocked.

‘Neveryoumind,’saysSlavesister.

IhaveseengoatsslaughteredattheendoftheMuslimfastonEid.I’vewatchedthembeingdisembowelledand,withtheotherchildren,lineduptoblowintotheirmoistwindpipesandinflatetheirlungs.Butthoseweregoats.Nottallmenwithmoustachesandhaughtyvoicesandpolishedshoesandsubmissivewives…

‘Willhegotoheaven?’Iaskbreathlessly,clutchingatstraws.

‘Tohell!’saysMiniAuntywithunexpectedviciousness:givingmeanothershock.‘AllEnglishmenwillburninhellforthetroublethey’vestartedinthePunjab!Andletmetellyou.TheChristianhellisforever!’

Therelishinhervoiceisghoulish.IfeelsoupsetattheawfulfateawaitingMrRogers’smutilatedcarcassthatIcollapseonastool.Icannotfacethecurry.Irecallthepolice

Page 101: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

inspector’schillyblueeyesthatsonarrowlyescapedmutilationbyMrSingh’sforkandthespit-polishedearsofhisorphanedchildren.

Istartsobbing.Godmothersitsupinbedandcalls:‘Hey!What’sthematter?’

‘MrRogersisdead,’Isaychokingonthewords.‘Hewillburninhellforever!’

‘Whosaidthat?’demandsGodmother,knowingverywellwho.

‘MiniAunty.’(That’sSlavesister’spet-name.I’veneverheardherrealname.)

‘Iknowwho’sgoingtoroastforeveriftheydon’twatchout!’saysGodmother.‘Don’tlistentoMini.Shehasnomoresensethanatwit!’

‘AftertheMountbattenplantotearupthePunjab…howcanyou…’mumblesSlavesister,shakingherheadatthestoveandlookingmartyred.

‘Ifyourmutilatedbodywasdiscoveredinthegutterthenyou’dknowhowitfeels!Bad-mouthingadeadman!’

Slavesisterclickshertongueandpeersintoasteamingpanandextrasweetlysmilesbecausesheisonthevergeoftears.Herpalebrownlips,thatdespitetheirclearoutlineandgenerouswidthareflat,flattenfurtherandstretchmoistly.

‘WilltheyputMrRogersintotheTowerofSilence?’Iask,comingtotheslave’srescue–andattemptingtogetthederailedconversationbackontrack.

‘He’sChristian.They’llburyhim,’saysGodmother.

ItoccurstomethatIdon’tknowenoughabouttheTower.PerhapsIwastooyoungwhenIfirstheardofit…TheshockofMrRogers’sdemisemakesmecuriousaboutallaspectsofdying.‘WhatistheTowerofSilence?’Iask.

‘WecallitDungarwadi:notTowerofSilence.TheEnglishhavegivenitthatfunnyname…Actuallyitisquiteasimplestructure:justabigroundwallwithoutanyroof,’saysGodmother.

‘So?’Ipersist.

‘Sonothing!’interjectstheungratefulslavecrankily.‘Whenlittlegirlsasktoomanyquestionstheirtonguesdropoff!’

‘Iwasn’taskingyou,’Iretort,andpokingmytongueather,pointedlyturntoGodmother.Godmothernevertalksdowntomelikethat.

‘ThedeadbodyisputinsidetheDungarwadi,’explainsGodmother.‘Thevulturespickitcleanandthesundriesoutthebones.’

ImustlookfrightfulbecauseGodmotherpatsthebedandsays,‘Comehere.’

Isitdown,facingher,anddrawingmecloseshesays:‘Mindyou…It’sonlythebodythat’sdead.Insteadofpollutingtheearthbyburyingit,orwastingfuelbyburningit,we

Page 102: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

feedGod’screatures.Thesoul’sinheaven,chattingwithGodinanycase…OrbroilinginhelllikeMini’swill.’

Ifeelcuriouslydeprived.Here’sanarchitecturalwondercreatedexclusivelybythecharitableParseestofeedGod’screaturesandIhaven’tevenseenit.AndIdon’twanttowaituntilI’mdead!MrRogers’smurderedandmutilatedbodyisforgottenandmyeyesstoptearing.

‘Iwanttoseeit,’Idemand.

‘Wedon’thaveoneinLahore,’saysGodmother.‘TherearetoofewParsees:thevultureswouldstarve.ButwhenyougotoKarachiorBombayyoucanseeitfromtheoutside.Onlypall-bearerscangoin…Wehaveagrave-yardinLahore.’

‘ThankGod!’saysMiniAuntysoemphaticallythatGodmother–whoviewsallemphaticstatementsfromMiniAuntyasdirectchallengestoherauthority–rearsupfromherpillowsdemanding:‘Why?What’stheretothankGodfor?’

‘Iprefertobeburied.’

‘Oh?Why?’

‘Youknowwhy!Itgivesmethecreeps…Thethoughtofvulturessmackingtheirbeaksovermyeyeballs!’

‘You’dratherhaveyoureyeballsriddledbymaggots?Wouldyoulikemetopostasignoveryourbodystating:Maggotsonly.Novulturesallowed?’

‘Really,Rodabai!Idon’twanttotalkorthinkaboutit.PleaseforgetIever…’

‘Idon’tknowwhatyouhaveagainstthepoorvultures…favouringthemaggotsandwormsoverthem!I’dbeashamedtocallmyselfaZoroastrianifIwereyou.’

‘Beingdevouredbyvultureshasnothingtodowiththereligion…SurelyZarathustrahadmoreimportantmessagestodeliver…’

‘SincewhenhaveyoubecomeanauthorityonZarathustra?’demandsGodmother.‘Haven’tyouheardofParseecharity?OnlylastmonthSirEduljeeAdenwallahadhislegamputatedinBombay.Sickashewas,hesatinawheelchairallthroughtheceremoniesandhadhislegdepositedintheDungarwadi!AndwhatdoyouthinkhappenswhenParseediabetics’toesarecutoff?Doyouthinktheydiscardtheminthewaste-basketanddeprivethevultures?’

HoldingthedrippingladlealoftMiniAuntycoversherearswithherplumpandmusculararmsandsays:‘Idon’twanttoknow!’

EvenI’mfeelingqueasy.Godmotherlooksatmeandholdsherpeace;andMiniAunty,pressingheradvantage,says:‘Imustsay,youcanbeghoulishsometimes.Iwishyouwouldn’ttalksuchnonsensebeforethechild…’

Page 103: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whatdoyoumean,nonsense?’challengesGodmother.‘Whowastheonetalkingabouteternalroastingsinhell?’

‘YouknowwhatImean,Roda…Nowdon’t…’

‘Who’sRoda?Who’spermittedyoutocallmeRoda?Sincewhenhaveyoubecomemyeldersister?’

‘YouknowIdidn’tmeanitthatway.’

‘Whichwaydidyoumeanit,then?’

Slavesister,almostontiptoe,hoversquietlyoverthestove.Herwetsmileisflattening.Hereyesdonotdaretoshiftfromthebubblingcontentsofthepansheisstirring.

‘Somepeoplearegettingtoobigfortheirboots…Somepeoplearebecomingquiteairy-fairy!’

Slavesistermumbles:‘Onlymybunion’sgettingtoobig…I’llcutitoffandmailittotheDungarwadi.’

‘What?’queriesGodmother.‘WhatisyourHighnessmumbling?’

‘Oh!Allright,allright!Carryon…youmusthaveeverythingyourway,Rodabai…fillingthechild’smindwithsuchnotions…mumble,mumble.’

‘Don’tyouallright,allrightme!I’llhaveyourcarcassflownstraighttothevultures!’

Slavesisterdoesn’tanswer.Onlyshakesherheadandmutters.Shewillnotanswerbacknow.Shetoohaslearnedfromexperience.

‘Smallmouth,bigtalk!’grumblesGodmotherasiftoherself,butloudenoughforSlavesistertohear.‘Littlemindsshouldnotattempttoweighinbigfish!’

Stillpoisedforattack,eyesbright,GodmotherwaitstoseeifSlavesisterwillrespond.

ButSlavesister’sinsurgencehasbeeneffectivelysquashed.Shemaintainsastrategicsilence,suppressingevenhermumbles.

Godmothermakesamagicallytriumphantface.Sheholdsherpointyfingersina‘V’forvictory,winksatmeandleansbackonherconcretepillows.

IgointothekitchentofinishmycurrybutIcannoteat.MrRogers’sEnglishtoesandkidneysfloatbeforemydisembodiedeyeballs…

AndthevisionofatornPunjab.Willtheearthbleed?Andwhataboutthesunderedrivers?Won’ttheirwaterdrainintothejaggedcracks?NotsatisfiedbybreakingIndia,theynowwanttotearthePunjab.

Yousafcomestofetchme.Thesunhashadtimetowarmtheafternoon.Itisbalmy.‘Let’sgothroughtheLawrenceGardens,’Iurge,andYousaf,unabletodenyanyone,makesthedetourthroughthegardens.Westopalongatrimmedgardeniahedgetolookatthesunken

Page 104: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

rose-garden;andweclamberuptheslopesofartificialhillsandrundownbougainvillaeavalleysablazewithwinterflowers.CastinglongshadowswetakeapathleadingtowhereYousafhasparkedhiscycle.

OurshadowglidesoveraBrahminPandit.Sittingcross-leggedonthegrassheiseatingoutofaleaf-bowl.HelooksatYousaf–andatme–andhisfaceexpressesthefullrangeofterror,passionandpainexpectedofaviolatedvirgin.Ourshadowhasviolatedhisvirtue.ThePanditcringes.Hisfeaturesshrivelintoaridlittleshrimpsandhisbodyretracts.Thevermillioncaste-markonhisforeheadglowslikeanaccusingeye.Helooksathisfoodasifitisinfectedwithmaggots.Squeamishlypickinguptheleaf,hetipsitscontentsbehindabushandthrowsawaytheleaf.

Iamadiseasedmaggot.IlookatYousaf.Hisfaceisdrainedofjoy,bleak,furious.Iknowhetoofeelshimselfcomposedofshit,crawlingwithmaggots.

NowIknowsurely.Oneman’sreligionisanotherman’spoison.

Iexperiencethisfeelingofutterdegradation,ofbeinganuntouchableexcrescence,anoutcastagain,yearslaterwhenIholdoutmyhandtoaParseepriestataweddingandhe,thinkingIammenstruatingbeneathmyfaçadeofdiamondsandasequinnedsari,cringes.

***

Latethateveningthereisafamiliarpatternofsound.

Againthey’reafterHari’sdhoti.Butinsteadofthelight,quickpatterofbarefeetthereistheharshscrapeanddragofleatheronfrozenearth.

Itdoesn’tseemquiterighttotoywithaman’sdhotiwhenitissocold.Itisasummersport.

Someoneshouts,‘Gethimbeforehegetsintohisquarters!’IhearImamDin’sbullying,bluffbarrukashebellows:‘Aha-hurrr!A-vaaaaaaay!’And,closertohisquarry,Yousaf’sprovocativebubbly‘Vo-vo-vo-vo-vo-vo,’asrunninghetapshismouthinquicksuccession.Curses!HairallovermybodycreepsaslantasIhearHari’salarmedcry.

SnatchingmeupandstraddlingmeonherhipAyahflingsopenthebathroomdoorandrunsout.Iamstruckbythecold:andtheapproachofnightcastsuneasyshadowsoverasceneIhavewitnessedonlyindaylight.Somethingelsetooisincongruous.ThewintershawlwrappedaroundHari.

Yousafistwirlinghisplumeofhairandtuggingatitasifhe’stryingtolifthim.IfeelagreatswelloffearforHari:andasurgeofloathingforhisbodhi.Whymusthepersistingrowingit?andflaunthisHinduism?andinviteridicule?

Andthatpreposterousandobscenedhoti!wornlikeadiaperbetweenhisstringylegs–justbeggingtobetakenoff!

Page 105: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Mydreadassumingaviolentandcruelshape,ItearawayfromAyahandflingmyselfonthehumantangleandfighttoclawatHari’sdhoti.

Someonepullsoffhisshawlanditistrampledunderfoot.Handsstretchandpullhisunravellingmauvelady’scardigan(Mother’shand-me-down)andripoffhisshirt.Hisdhotiishanginginraggededgesand,suddenly,it’soff!

LikeawitheredtreefrozeninawinterlandscapeHaristandsisolatedinthebleakcentreofourviolence:pricklywithgoose-bumps,sootygenitalsondisplay.

Withheavy,old-man’smovements,ImamDinwrenchestheshawlfromunderourfeetandthrowsitatthegardener:andthetatteredragthatwashisdhoti.‘Coverup,youshamelessbugger,’hesays,attemptinghisusualbanteringmanner:butthereisagruffuncontrollableedgetohisvoice.Heisnotateasewithcruelty.

Ilookback.TheShankarsstandontheirverandalikefatshadows.Ayahhasturnedherfaceaway.Iruntoher.Idigmyfaceinhersariandstretchupmyhands.Ayahtriestoliftmebutherfluidstrengthisgone.Hergripisweak.Ihugherfiercely.HerheartbeneathherspringybreastsisflutteringlikeIce-candy-man’snervoussparrows.Sheraisesfrightenedeyesfrommyfaceand,turningtofollowhergaze,Iseeanobscuredshapestandingbythecompoundwall.Stirredbyabreeze,theshadowscastbyaeucalyptustreeshiftandsplinter,anddefinethestillfigureofaman.

Themanmovesoutofthedarkness,andasheapproachesIamrelieved.ItisonlyIce-candy-man.

Page 106: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter14

AyahisseeingmoreofMasseur.So,soamI.WhenAyah’sworkisdone,andshestretchesoutintheafternoonsun,massagingbutterintohercalvesandsmoothshins,shehumsanewtuneandsighs:‘Siskihawanelee:HarpatiKanpoothi.Thebreezesuckedinhisbreath…Theleavestrembled,breathless.’It’sMasseur’ssong.Hesingsitinarumbling,soulfulbaritone:andhesingsoften.

IamseeingmoreofLahore,too.AyahandIroamonfootandbybus:fromEmperorJehangir’stombatShahdaratoShahjehan’sShalimarGardens.FromtheoutskirtsoftheslaughterhousetothebanksoftheRaviinlowflood.Weamblethroughthetallpampasgrass–purposefullypurposeless–andsniffingtheattarofroses,happenuponMasseur:hiscreamybosky-silkshirt,hisstrongforearmsandbroadanklesstretchedoutonadhurrieonthegreysand.

Hiscruetsetofoilsbesidehim,Masseurturns,makingroomforAyah,andhiseyes,fullofhoney,showerherwithhismaddeningdreams.Theylie,sidebyside,astalkofgrassstuckatathoughtfulanglebetweenMasseur’steethashetraceswithaskilfulfingerAyah’spartedlips.

IgetupandMasseursays,‘Lennybaby,don’tgofar.’Hisvoiceisgravellywithdesireanditmakessomethinghappeninmystomach:aswhenSharbatKhan,radiantwithlove,oglesAyah.

IknowAyahisbeyondspeech–herwillgivenovertoamaestro’svirtuosity.Masseur’sconsummatearmcirclesAyah…

Caressingmethroughthepampasthebreezemoanswithlove–andbringstomeMasseur’ssong:

‘Springbloomedinmoonlitwildernesses–

Headywithsaptheflowersswayed–

Andarose,bubbling,

Dancinginthebreeze,

Attractedabumble-bee–

Floating,frolicking,thebumble-beecame–

Struttingamongtheflowers,strumminglove.’

Page 107: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Andso,thebumble-beecourtstherose.Ilistentothewordsunfoldingtherose’stragicstoryandwaitintentlyforthechangeinMasseur’svoice.

‘Andthenoneday[hesingsinaverylowandurgentkey]

Whenallwashushed–

Nostars,andintheskynomoon–

Thebeestoletherose’syouth–’

Thereitis.Thefearfulandtragicclimax!Theroseawakens,weeps,shrivels,swoons!Andnature,inallitsmarvelloustenderness,commiserates:

‘Thebreezesuckedinhisbreath–

Theleavestrembledbreathless–

Moist-eyedthestarswinkedout–

Iwaitawhile,watchingtheshallowboatsdriftsluggishlyontheshallowRavi.Themeninthem,stillasthedead,remaincomatoseastheboats,bumpingalongtheshoals,rightthemselvesandfloatslowlydownstream.

***

WehearMasseur’ssongcallingfromthefountains,cypressesandmarbleterracesoftheShalimarGardens.WehearhimsingingfromthegiddyheightsoftheminaretsloomingaboveEmperorJehangir’stomb–directinghisvoicelikeashowerofpetalstosummonAyah.

Ayahcomes.Andwithher,likealamelimpet,comeI.

WefindMasseurwaitingforusontheartificialhillbehindthezoolion’scageandbythechatteringmonkeysandamongthepeacocks.TheheavypleatsofhisMultani-silklungifallinslenderfoldstohisanklesasleaningagainstthepalinghewaitsforAyah.Andwhenshecomes,thepeacocksspreadtheirtailfeathers.AndMasseur’smovementsunfoldtherichpleatsinhischeckedlungi.

WhereMasseuris,Ayahis.AndwhereAyahis,isIce-candy-man.

Isensehispresence.

WhileMasseur’svoiceluresAyahtothedizzyeminenceofoneminaret,itcompelsIce-candy-mantoclimbthewindingstairstotheotherminaret.OntheriverbankIsensehisstealthypresenceinthetallclumpsofpampasgrass.HelurksinthedenseshadeofmangoesintheShalimarGardensandinthefearsomesmellsskirtingtheslaughterhouse…Heprowlsontheothersideoftheartificialhillbehindthezoolion’scage,andconcealshimselfbehindthepeacockswhentheyspreadtheirtailfeathersandopentheirturquoiseeyes:hehasasmanyeyes,andtheyfollowus.

IntheeveningshevisitsAyahandsquattinglikeanungainlybirdinhiscottonshawlastoundsherwithhisknowledgeofourwanderings.Andwhenhisdriventoesaretoo

Page 108: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

wearytoperformtheiramazingseduction,hisglibtonguetakesover.Ayah,wide-eyed,wrappedinthesilkenwebofhisgossip,drawscloser…

Ice-candy-manhasaninexhaustiblefundofgossip.

‘Ourliontamergotridofhistenantsatlast!’heannouncesonesultryafternooninElectric-aunt’sgarden.Hehasfollowedusthere.Myauntisbusyinsidefilingheraccountsinneatfiguresbeneaththecreditanddebitcolumns.WearesittingoutsidesoasnottodisturbherwhilewewaitforCousintoreturnfromschool.

‘Howdidhegetridofthem?Didhewinacase?’asksAyah.‘Didhegetthepolicetothrowthemout?’

‘Ifyouawaitcourtdecisions,youwaitforever,’saysIce-candy-manwithsuchcontemptandauthoritythatmyfaithinthejudicialsystemisforevershattered.

‘ItoldSherSinghtotakemattersinhand,’hecontinues.‘Itoldhim:Whygothroughalltherigmaroleofcourtsandnoticeswhenwehavetime-honouredremediesathand?’

AyahandIleancloser.Ayahispositivelywithinstrikingdistance.Ice-candy-man’stoetwitches,butitisaweary,footsorelittletwitchanditsimpulseeasilychecked.Imerelyglanceitswaysternlyandthetwitchceases.

‘AtfirstSherSinghhemmedandhedged,’saysIce-candy-man.‘Thenhesaid:“You’reaMussulman…ThetenantsareMussulmans…WhyshouldyouhelpaSikh?”’

Hisraconteur’sgiftplacesusinSherSingh’sshoesandwelookathimwiththesamequestionsinoureyes.

‘“Oye,youdonkey,”Itoldhim.“Sowhatifyou’reaSikh?I’mfirstafriendtomyfriends…Andanenemytotheirenemies…AndthenaMussulman!Godandthepoliticianshaveenoughservers.So,Iservemyfriends.”’

Nowhehasusinhisshoes.Ayahhasananimatedlookonherraptface.‘Tellus…whathappenedthen?’sheasksbreathlessly.

‘Lennychild,beagoodgirl,’saysIce-candy-man,snappinghisfingerstoflicktheashfromhiscigarette.‘Askthecooktomakemeastrongcupoftea.Go:putch-putch.’(Kissingnoisesusedtowheedlechildrendispatchedontrivialerrands.)

‘No,’Isay.‘I’mnotgoinganywhere:Ialsowanttolistentoyou.’

HeglancesatAyah.SinceAyahappearscontenttohavemestay,hesays:‘Well,SherSingh,hisbrothersPremandPratab,andoneortwocousins–allstrappingfellows…andI.Armedwithhockey-stickswewenttotheirtenants’housewhilethemenwereatwork.Wemadeabitofhulla-goollaoutsidethebuilding.Wavedourhockey-sticksandshouted:“Cometoyourwindows,prettyladies:don’thide.Wehavesomethingtoshowyou.”’

AyahandI,oureyesround,ourlipsparted,scarcelybreathe.

Page 109: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Weattractedacrowd.Therewerequiteafewdazzlingeyesatsomeoftheotherwindowsinthebuilding…Buttheladiesforwhosebenefitwewerestagingtheshowweremorebashful.

‘WhenIwassurewehadtheirattention–andtheywerepeepingatusthroughtheirreedblinds–asonemanweopenedourlungis!Insuchawayastoshieldourrears:andinfrontourdanglingdingdongs!’

TakingmycuefromAyah,Itoowearafaintlyscandalised,faintlyamusedexpression.

‘Weexposedourselvessothatonlytheycouldseeus.Thecrowdbehindusguessedwhatwashappening.Therewereoneortwocurses–oneortwocoarseremarks–butnointerference.Wemadeafewsuggestivegestures…youknow…Itlastedonlyfiveminutes…

‘Butwhatahulla-goolla!Thewomenscreamedandcursed…You’dhavethoughtwe’drapedthem!

‘Wegotwindthepolicewerecoming.Bythetimetheyappearedwe’dwrappedourlungisbackonandclearedout!’Ice-candy-man,halfstanding,moveshisbodyandhisarmslikeamagicianconjuringimages.

‘Ihearthemensworevengeanceandwhatnot.Butthismorningtheyclearedout!’

Thetriumphonhisfaceisinfectious:heseesitreflectedinours,andhisteethshowincreasinglywhiteashislipsstretchandstretchintoasmileinhisnarrowface.Hecrushesthestubofhiscigaretteintothegrass–andIheartheschoolbussqueaktoahaltasitdepositsmycousinoutsidethegate.

***

NexteveningwhenIce-candy-mancomestoourhouseInoticehistoeismorevigorous.Itisrested.Wedidn’twanderfartoday.OnlywenttoGodmother’s.

MasseurmassagesOldhusbandeveryThursday.Ayahwascontenttositonherhaunchesandwatchas,beforeourveryeyes,beneathhissupplefingers,Oldhusbandacquiredayouthfulglow!

Later,whenElectric-auntandCousinalsocametoGodmother’s,CousininformedmethatIce-candy-man’sbicyclewasparkedoutsideGodmother’sgate.InfactCousinhadpurchasedanddevouredaraspberrypopsicle.Heshowedmetheinsideofhisraspberry-stainedlowerlipanddrewmyattentiontoapaleredstainonhiskhakishorts.

Cousinislikethat.EvenwhenIbelievehim,heshowsme,showsme,showsmethings…

‘DidyouhearaboutBhagwandasthetailor?’Ice-candy-manasks,settlingdowncross-leggedonamatontheser-vants’verandaoutsideAyah’squarters.Ayahhasjustwashed

Page 110: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

herlonghairand,havingbroughtitforwardoverhershoulder,isrunningacombativewoodencombthroughthewettangles.

‘Lennybaby,’Ice-candy-mantellsme,almostburyinghisheadinhiscuppedhandsashelightsoneofhissmellycigarettes,‘getmeaglassofwater.TellImamDinit’sformeandhewillputabitoficeinit.’

‘No,’Isay,leaningfirmlyonhistoe.‘I’mnotgoinganywhere.Ialsowanttoknowaboutthetailor.Tellme!’

‘Letherbe,’saysAyah,whoisascuriousasme.Bhagwandasishertailortoo.

‘Well,heranoffwiththeMissionpadre’swife!’Ice-candy-manpusheshispill-boxcapforwardrakishlyandlooksatAyahoutofthecornersofhisgleaminglightbrowneyes.

‘Hai!No!’saysAyah,lookingappropriatelygraveandscandalisedandforamomentpermittingthecombtoceaseitsstrugglewiththetangles.

‘Yes,’saysIce-candy-man,grinningintoouravidfaces.‘Youknowhowitiswhenyouwomenvisittailors…Thisisloose,thatistight.Alterthis,alterthat.Thetailor’sfingerstouchhere,smooththecloththere…’Ice-candy-man’shandstraystoAyah’sknees,andasheraisesittohershoulderhisfingersbrushherbosom.Ayah’seyesflashawarningandIce-candy-man’sserpentinearmfloatsaway.Heshiftshiseyesfromusandstaresingenuouslyintothefadingday.

‘Thepadre,poorfellow,stilldoesn’tknowwhathappened,’hesaysdreamily.‘He’samanofGod.Youknowhowtheyare.Simple.Butthetailorsareaslylot.Nevertrustthem,Lennybaby,withtheirmeasuringtapes,needlesandthreads–andsmoothingfingers.’

‘Where’syourwife?’Iask.I’veneverthoughttoaskhimbefore.

‘Inthevillage,withhermother.’

‘Whatifsherunsaway?’

‘Shewon’t.Theyhavenotailorsinthevillage.Nomasseurseither…withtheircunningfingerstakingliberties!’

Ayahlooksstartled.SodoI.ThisisthefirsttimehehasopenlyexpressedhisjealousyofMasseur.Althoughwehavebeenconsciousoftheundercurrentofhostilitybetweenthem,neitherAyahnorIrealiseditsdevelopmentintotheacrimonyIce-candy-man’sbittervoicehasjustexpressed.

Itchangesthecomplexionoftheevening.Ibecomeawareoftheduskthathasgatheredinshadowsonthedung-plasteredverandaandisthickbehindtheopendoorofAyah’squarters.Theearthfloor,compressedandsprinkledwithwaterandsweptclean,andhersmallstring-cot,largetintrunk,andpicturesandstatuesofgodsandgoddessesinthenichesareallobscured.

Page 111: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whydon’tyoueverbringyourwifehere?Iwanttoseeher.Pleasebringherhere,’Iplead,frettinghim,tryingtotalkawaymymisgivings.

And,havingatthesametimetorestrainhisrefreshedtoes,Isitonthem.

‘What’llshedohere,Lennybaby?’saysIce-candy-man,onceagainfar-away-eyedandincontrol.‘She’susedtovillageways,andtoherfolkthere…Shedoesn’tliketostayinthecity…soIleaveherthere.’

‘Issheyouronlywife?’Iask.

ButAyahisrestiveandclampsmymouthshutwithherhand.‘Stopaskingsomanyquestions,’shesayswithunaccustomedirritability.‘Mendon’tlikesomuchtalkabouttheirwomenfolk.’

‘Oh,Idon’tmind.Letherbe,’saysIce-candy-man,pushinghiscapbacknowthattheimpressivebitofgossiphasbeenrelated.Hemussesmyhairand,openinghisthermos,reachesforapopsicle.

‘Raspberry!’Idemand,hopingthereisstillsomerasp-berryleft.

Thereis.RelinquishingmyseatonhistoesIstandup.

‘Oof!’saysAyahsuddenly,hercombcaughtpainfullyinhertangledhair.

Page 112: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter15

TheperipheryofmyworldextendstoMozangandTempleRoad.EverySundayweaccompanytheShankarstotheDaulatrams’two-storeybrickhouseforaneveningofclassicalIndianmusic.ThesingersallmakefacesandstrangenoisesbutIsrarAhmedismyfavouritesingingboy.Wesitoncarpetsandthesingersonwhitesheetsfacingus.Theaccompanists–aharmoniumplayerandatabla-drumplayer–wiggletheirtoesandchewbetel-nut.

IsrarAhmed,anondescript,unassuming,middle-agedclerk,istransformedintoadervishwhenhetakeshisturnonthewhitesheet.Heflingshisarmsabout,openswidehismouth,displayspaan-stainedmolarsandmakesnoisesthatwouldturnthezooanimalsgreenwithenvy.Hegarglesupanddownthescale!Heroars!Hedislocateshisjawandhoistshismouthtooneside–andthentotheother.

Adi,CousinandIcannotcontainourselves.Inourfervourtoacquireclassicalculturewecopyhismovements,contortourfaces,twistournecksandareslappedandshushedforourpains.

***

Processionsarebecomingapartofthestreetscene.Ayouthholdsaloftastickwithagreenrag,bellowsaslogan,andagroupofrowdyurchinsrallytothecry.

AdiandIslippasttheattentionofourvigilantsandjointhetinytinpotprocessionsthatarespawnedonWarrisRoad.Weshoutourselveshoarsecrying,‘JaiHind!JaiHind!’or‘PakistanZindabad!’dependingonthewhimortheallegianceoftheprincipalcrier.Withinhalfanhourtheprocessionsdisintegrate.Theraggedflagholders,theirtrousersgreywithwashing,theirsingletspepperedwithholesandgreasespots,makeafewdesultoryattemptstorallythestragglers.Then,loweringthebanner,whichrevertstobecomingalowlyragonatwig,therabble-rouserusuallyclimbsamulberrytreeforitsfruitandwesneakbackunnoticed.

***

WearegraduallywithdrawingfromtheshadowcastbytheQueen’sstatueinthepark.AstheBritishpreparetoleavewemeetlessandlessattheparkandmoreoftenatthewrestler’srestaurant.

Page 113: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AdiandIclimbthericketywoodenstepsbehindAyahandpickourwaybetweentheemptytablestoourcrowd.Itisstillabitearlyfortheregulardiners.Ourfriendsaresittingattheback,oneithersideoftwonarrowtablesjoinedtogether.Theyarearguing.Everybodyappearstobequarrellingthesedays.

ThewrestlershoutstoChotay,askinnytwelve-year-oldinaskimpylungi,toplacewoodenstoolsateitherendofthetables.AdiandIsitonthestools,attheheadandtailofthetable,andAyahsitsdownnexttoMasseuronthebenchoppositethebutcher.

Chotayhangsaround,waitingforourorder,andAyah,withprincesslyauthorityandindulgence,ordersthreeplatesofvegetablebiryani.‘Seethatit’shot,’shesays,adoptingMother’stonewithservants,‘orI’llseetoyou!’

LikeallurchinsapprenticedtosuchestablishmentsChotayisbullied,teasedandslappedaround.

Continuingtheconversation–andthefeeding–ourarrivalhasinterrupted,Masseursays:‘IfthePunjabisdivided,LahoreisboundtogotoPakistan.ThereisaMuslimmajorityhere…’

‘LahorewillstayinIndia!’saystheGovernmentHousegardener,cuttinghimshort.Heissittingnexttothebutcher.‘ThereistoomuchHindumoneyhere,’hesaysinhisquiet,seasonedway.‘Theyownmostofthepropertyandbusinessinthecityand…’

‘ButtherearetoomanyMussulmans!’insistsMasseur.

‘Sowhat?Peopledon’tmatter…Moneydoes!’

Welookhisway,startledbytheunexpectedcynicism,ashetucksagobofriceintohismouth.

‘Itwon’tbehardtoputthefearofGoduptherichHindus’dhoties–moneyornomoney,’saysthebutcherinacoarse,harshvoice.

‘Itjustmightbetheotherwayround,’murmursthegardener.

Inthetensesilencethatfollowsthisexchange,onlyAdiandIlookatthem.Therestaverttheireyesandappeartobepreoccupiedwiththeirfood.

Chotayappearswithourplates,holdingallthreeinonehand,andplacesthembeforeuswithanoisyclatter.

Thebutcherrapshisplateonthetabletoindicatehewantsanotherhelping.Theboypicksuptheemptyplateandthebutcher,turningsharply,slapshisshavenhead.Itisatemptingtarget.

‘Oye!Yougonestupid?’saysthebutcherbelligerently.‘D’youknowwhatIwant?’

‘Thesame?’Chotaysays,wincing.Hisbared,narrowchestmakeshimlookfrighteninglyvulnerable.

Page 114: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Thebutcherspankshisheadagain.‘DidIaskforthesame?’

Chotaystaresathimfoolishly.

‘Bringmechops!’saysButcherasifhe’sjusttaughtChotayaninvaluablelesson.

‘Youheardhim,oye!’saysthewrestler,alsolightlyspankingtheboy’shead.‘What’reyoustaringatourfacesfor?Hurry,orI’llbreakyourbottom!’Heexchangesaconcurringglancewiththebutcher,showinghisappreciationofthepainshisfriendhastakentosmartenuptheboy.

Chotay,duckingoutofrangeoftheirhands,scampersaway,dutifullysaying,‘Berightback,janab!’

‘Whatd’youmean,putthefearofGoduptherichHindus’dhoties?’saysIce-candy-man,turninghissus-piciouslyinnocent,olive-oileyesonthebutcher.

‘YouknowwhatImean,yaar,’saysthebutcherimpassively.

Iclosemyeyes.Ican’tbeartoopenthem:theywillopenonasuddenlychangedworld.Itrytoshutoutthevoices.

AllatoncetheSikhzooattendantshouts,‘Andwhataboutus?’soloudlythatmyeyespopopen.‘TheSikhsholdmorefarmlandinthePunjabthantheHindusandMuslimsputtogether!’

‘Theydon’t!’saysthebutcherflatly.

‘Areyoucallingmealiar?’SherSingh’svoicecrackswithexcitementandhisagitatedfingersdispersebitsofriceinhisbeard.

‘Theonlywaytokeepyourholdings,Sardarjee,istoarriveatasettlementwiththeMuslimLeague,’intervenesMasseur,smoothingthequarrelwithhisvoice.HeduststhericefromSherSingh’sbeard.‘Ifyoudon’t,thePunjabwillbedivided…Thatwillmeantroubleforusall.’

‘Bigtrouble,’concursSherSinghportentously:asifhehassecretknowledgehecoulddisclose.

‘You’rewhat?Onlyfourmillionorso?’asksMasseur.‘AndifhalfofyouareinPakistan,andtheotherhalfinIndia,youwon’thavemuchcloutineitherplace.’

‘Youdon’tworryaboutourclout!’saysSherSinghoffensively.‘Wecanlookoutforourselves…You’llfeelourcloutallrightwhenthetimecomes!’

‘TheBritishhaveadvisedJinnahtokeepclearofyoubastards!’saysthebutcherjustasoffensively.‘TheAngrezcallyoua“bloodynuisance”!’

‘Wedon’twanttohaveanythingtodowithyoubastardseither,’roarsthepunySikh,soundingmoreandmorelikethetigerinhisname.

Page 115: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Historywillrepeatitself,’saystherestaurant-owningwrestlerphlegmatically.Heslowlylowershisarm,andstretchesitacrossthetable.‘OncethelineofdivisionisdrawninthePunjab,allMuslimstotheeastofitwillhavetheirballscutoff!’

Hisquietlyspokenwordshavetheimpactofanexplosion.And,asintheaftermathofablast,thesilenceexcludesallextraneoussound…Theshrillvoicesofthechildreninthegully,thenoiseoftrafficfromtheChungi.OnlyIce-candy-man’svoiceasiffromadistance,saying:‘Oye!Yougonecrazy?youson-of-an-owl!’

Andthewrestler,quietlysaying,‘Mycousin’saconstableinAmritsarDistrict…hesaystheSikhsarepreparingtodrivetheMuslimsoutofEastPunjab–totheothersideoftheRavi.’

‘ButthoseareMuslimmajoritydistricts,’saysMasseur.

‘TheSikhsarethefightingarmoftheHindusandthey’repreparedtouseit…likewhentheybutcheredeverysingleMussulmanfromAmbalatoAmritsaracenturyago,duringtheMogulempire’sbreakup.’

‘Behold!ThesavagearmofthemurderousSikh!’saysMasseur,holdingaloftanddanglingSherSingh’spunyarm;hisfingertipsshoweringcurriedrice.MasseurplaceshisarmaroundtheSikhandhugshimaffectionately.

‘It’sfitonlyforbanglesnow!’saysthebutchercontemptuously.Hetossesthegnawedskeletonofalambchopoverhisshoulder.‘TheSikhshavebecomesoftlivingoffthefatoftheland!’

‘Don’tfoolyourself…Theyhaveatraditionofviolence,’saysthewrestler.‘Haven’tyouseentheportraitsofthegurusholdingthedrippingheadsofbutcheredenemies?’

‘Shutup,yaar,’saysMasseur,hisfaceunusuallydarkwitharushofblood.‘It’sallbuckwas!TheholyKoranliesnexttotheGranthSahibintheGoldenTemple.TheshiftGuruNanaikworecarriedinscriptionsfromtheKoran…Infact,theSikhfaithcameabouttocreateHindu-Muslimharmony!’Helooksaroundthetabletoseehowwearetakinghisimpassionedpleaforreason.‘Inanycase,’hecontinuesmoremildly,‘therearenodifferencesamongfriends…Wewillstandbyeachother.’

‘Ofcourse,yaar,’agreestheoff-dutysepoy.(Ican’ttellwhatfaithhebelongsto.)‘Whoarewetoquarrel?Letthebigshotsfightitout!’

‘You’reright,brother,’saystheGovernmentHousegardener.‘Thepoliticianswillsayanythingintimeslikethesetosuittheirpurpose…ButtheEnglishSarkarwon’tletanythinglikethathappen…YousawhowtheyclampeddownontheIndependencemovement.’

Thereisaninstanthumofagreementanddisagreement.

Page 116: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘TheEnglisharenottobereliedon,yaar,’interposesIce-candy-man,pushinghisemptyplateawaytoshowhe’sdonewitheating.‘They’retoobusypackingoffwiththeirloottocarewhathappens…ButthatNehru,he’saslyone…He’sgotMountbatteneatingoutofhisonehandandtheEnglish’swifeoutofhisotherwhat-not…He’stheonetowatch!’

Heshouldknow.He’sworkingintheGovernmentHouseasachaprassithesedays.Andgivenhisinquisitivenatureandwilyways–

‘Don’tunderestimateJinnah,’saystheoff-dutysepoy.‘Hewillstickwithinhisrights,nomatterwhomNehrufeeds!He’safirst-ratelawyerandheknowshowtoattacktheBritishwiththeirownlaws!’

‘JinnahornoJinnah!SikhornoSikh!Rightlaw,wronglaw,Nehruwillwalkoffwiththelion’sshare…Andwhat’smore,comeoutofitsmellingliketheQueen-of-the-Kotha!’Ice-candy-manspeakswithanassurancethatisprophetic.

Theygoonandon.Idon’twanttohearthem.IslipintoAyah’slapand,closingmyeyes,hidemyfacebetweenherbreasts.Itrynottoinhale,butImust;thechargedairaboutourtabledistilspoisonousinsights.Blueenvy:greenavidity:thegreyandblackstirringsofpredatorsandtheincipientdistillationoffearintheirprey.Aslimygrey-greenballoonformsbehindmyshutlids.ThereissomethingsodangerousaboutthetangiblecoloursthepassionsaroundmehaveassumedthatIblinkopenmyeyesandsitup.

Someinstinctmakesmecountus.Wearethirteen.

Iamnottooyoungtoknowitisanuneasynumber.Icountusagain,usingmyfingerslikeMotherdoes.ThereisIce-candy-man,Masseur,GovernmentHouseGardener,Butcher,SherSingh,thesepoyfromthebarracks,thewrestler,YousafandHariwho’vebeenlisteningquietly,theFalletisHotelcook,me,AdiandAyah.

***

‘Whyisthirteenanunluckynumber?’IaskMother.

‘Whotoldyouit’sunlucky?Therearenounluckynumbers,dear–onlyluckynumbers.’

IaskGodmother.

‘Peoplesayit’sunlucky–Idon’tknow.AskMini:sheshouldknow.’

‘It’sunlucky,’saysMiniAunty,promptlyanddefinitelyandnoddingherhead.‘Iknow.IwasbornonthethirteenthofMarch.’

IaskCousin.

‘SomethingtodowithJesusChrist…Hehadafarewellparty,youknow.Somethingtodowiththat.’

Page 117: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

IaskMrsPen.ShetellsmethatthefarewellpartywascalledtheLastSupper.ShetellsmeaboutChrist,thetwelveapostlesandaboutJudas’sbetrayalandChrist’scrucifixion.

Fromthedistance,drawingstridentlynearer,clamoursthe‘tee-too,tee-too’ofthedreadsiren.Thesoundshrivelstime–thewayHari’sgenitalsshrivelled.Iambackinthefactoryfilledwithchildrenlyingontheirbacksonbeds.Godmothersitsbyme,lookingcomposed,ascompetentsoldiersmoveabouthammeringnailsintoourhandsandfeet.Theroomfillswiththehopelessmoansofcrucifiedchildren–andwiththeircollectivesighsastheybreatheinandout,inandout,withaneeriehorrifyinginsistence.

Iawakentoadistant,pulsatingsound.Thechantofsloganscarriedtomeongustsofwind.

Page 118: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter16

Weleaveearly.MasterTaraSinghisexpectedtomakeanappearanceoutsidetheAssemblyChambers,behindtheQueen’sGarden.ExceptforMucchoandherchildren,whoremainbehindintheservants’quarters,ourhouseisdeserted.MotherandFatherleftbeforeuswiththeSinghsandthePhailbuses.

ThereisnoroomforusintheQueen’sGarden.SeenfromtheroofoftheFalettisHotel–theFalettisHotelcookhassecuredaplaceforus–itappearsthattheparkhassproutedadensecropofhumans.Theyoverflowitsboundariesontotheroadsandsitontreesandontopofwalls.ThecrowdisthickestonthecencretebetweenthebackofthegardenandtheAssemblyChambers.Policemenareholdingthethrongfromsurgingupthewide,imperiousflightofpinksteps.

Thereisastirofexcitement,anincreaseinthevolumeofnoise,andMasterTaraSingh,inawhitekurta,hissilkenbeardflowingcreamilydownhisface,appearsonthetopstepsoftheAssemblyChambers.Iseehimclearly.Hischestisdiagonallyswathedinabluebandfromwhichdanglesadecorativelysheathedkirpan.Thefoldsofhisloosewhitepyjamasfallabovehisankles;aleatherbandroundhiswaistholdsalongreligiousdagger.

Hegetsdowntobusinessrightaway.Holdingalongswordineachhand,thecurvedsteelreflectingthesun’sglareasheclashestheswordsabovehishead,theSikhsoldier-saintshouts:‘WewillseehowtheMuslimswinegetPakistan!Wewillfighttothelastman!WewillshowthemwhowillleaveLahore!RajkaregaKhalsa,akirahinakoi!’

TheSikhsmillingaboutinahugeblobinfrontwildlywaveandclashtheirswords,kirpansandhockey-sticks,andpunctuatehisshriekswithroars:‘PakistanMurdabad!DeathtoPakistan!SatSiriAkaal!Bolaysenihaal!’

AndtheMuslimsshouting:‘So?We’llplayHoli-with-their-blood!Ho-o-o-liwiththeirblo-o-o-d!’

AndtheHolifestivaloftheHindusandSikhscomingupinafewdays,wheneverybodysplatterseverybodywithcolouredwaterandcolouredpowdersandlaughsandromps…

Andinsteadtheskylineoftheoldwalledcityablaze,andpeoplesplatteringeachotherwithblood!AndIce-candy-manhustlingAyahandmeupthestepsofhistenementin

Page 119: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

BhattiGate,saying:‘WaittillyouseeShalmiburn!’Andpointingoutlandmarksfromthecrowdedtenementroof:

‘That’sDelhiGate…There’sLahoriGate…There’sMochiDarwaza…’

‘Isn’tthatwhereMasseurlives?’Ayahasks.

‘Yes,that’swhereyourmasseurstays,’saysIce-candy-man,unabletomaskhisire.‘It’saMuslimmohalla,’hecontinuesinanefforttodispelhisrancour.‘We’vegotwindthattheHindusofShalmiplantoattackit–pushtheMuslimsacrosstheriver.TheHindusandSikhsthinkthey’lltakeLahore.Butwe’llsurprisethemyet!’

‘HaiRam!That’sGowalmandiisn’tit?’saysAyah.‘HaiRam…Howitburns!’

Andoureyeswideandsombre.

SuddenlyaposseofsweatingEnglishtommies,wearingonlykhakishorts,socksandboots,runsupinthelanedirectlybelowus.AndontheirheelsamobofSikhs,theirwildlonghairandbeardsrampant,largefeveredeyesglowinginfanaticfaces,poursintothenarrowlaneroaringslogans,holdingcurvedswords,shovingupamanicwaveofviolencethatsetsAyahtotremblingassheholdsmetight.Anakedchild,twitchingonaspearstruckbetweenhershoulders,iswavedlikeaflag:herscreamlessmouthagapesheisstaringstraightupatme.Acrimsonfuryblindsme.Iwanttodiveintothebestialcreatureclawingentrails,pluckingeyes,tearinglimbs,gouginghearts,smashingbrains:butthecreaturehastoomanystonyhearts,toomanysightlesseyes,deafears,mindlessbrainsandtonsofentwinedentrails…

AndthenaslowlyadvancingmobofMuslimgoondas:packedsotightthatwecanseeonlythetopoftheirheads.Roaring:‘Allah-o-Akbar!YaaaaAli’and‘PakistanZindabad!’

Theterrorthemobgeneratesispalpable–likeanevil,paralysingspell.Theterribleprocession,likeasluggishriver,flowsbeneathus.Everyshortwhileagroupofmen,likeawhirlingeddy,stalls–andlikethewideningcirclesofatreacherouseddydissolvinginthemainstream,leavesinitscentrethepulpyredflotsamofamangledbody.

Theprocessionistsaremillingabouttwojeepspushedbacktoback.Theycometoahalt:themeninfrontoftheprocessionpullingaheadandthemobbehindbankedcloseup.Thereisaquickeningintheactivityaboutthejeeps.MyeyesfocusonanemaciatedBanyawearingawhiteGandhicap.Themanisknockeddown.Hislipsaredrawnawayfromrotting,paan-stainedteethinascream.ThemenmovebackandinthesmallclearingIseehislegsstickingoutofhisdhotirightuptothegroin–eachthin,brownlegtiedtoajeep.Ayah,holdingherhandsovermyeyes,collapsesonthefloorpullingmedownwithher.Thereistheroarofahundredthroats:‘Allah-o-Akbar!’andbeneathitthegrowlofrevvingmotors.Ice-candy-manstoopsoverus,lookingconcerned:themusclesinhisfacetightwithastrangeexhilarationIneveragainwanttosee.

Page 120: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

RamzanathebutcherandMasseurjoinus.Ayahsitssheathingherheadandformwithhersari;coweringandlumpishagainstthewall.

‘Youshouldn’thavebroughtthemhere,yaar,’saysMasseur.‘Theyshouldn’tseesuchthings…Besides,it’sdangerous.’

‘Wearewithher.She’ssafe,’saysIce-candy-manlaconi-cally.Headds:‘Ionlywantedhertoseethefires.’

‘Iwanttogohome,’Iwhimper.

‘AssoonasthingsquietdownI’lltakeyouhome,’saysMasseurreassuringly.HepicksmeupandswingsmeuntilIsmile.

Ice-candy-manoffersmeanotherpopsicle.I’veeatensomanyalreadythatIfeelsick.Hegatherstheemptytinplatesstrewnaboutus.TheuneatenchapattionAyah’splateisstiff:thevegetablecurrycold.Ice-candy-manremovestheplate.

‘Look!’shoutsthebutcher.‘Shalmi’sstartedtoburn!’

Werushtotheparapet.Tonguesofpinkflamelicktwoorthreebrickbuildingsinthebazaar.Theflamesarehardtospot:nomatchforthemassivegrowthofbrickandcementspreadingoneithersideofthestreet.

‘Justwatch.You’llseeatamasha!’saysIce-candy-man.‘Waittillthefiregetstotheirstockofarsenal.’

Asifoncueadeafeningseriesofexplosionsshakesthefloorbeneathourfeet.Ayahstandsuphastilyandjoinsusattheparapet.Thewallsandbalconiesofatwo-storeybuildinginthecentreofthebazaarbulgeandbulge.Thenthebricksstartslowlytumbling,andthedarkslabofroofcavesintotheexplodingfurnace…

PeoplearepouringintotheShalmilanesfromtheirhousesandshops.Weheartheincrediblypromptclam-ourofafirebrigade.Theclankingfireengine,crowdedwithladders,hoseandhelmetedmen,manoeuvresitselfthroughthestreet,thetruckwiththewatertankfollowing.

Themenexchangesurprisedlooks.Ice-candy-mansays:‘Wheredidthosemother-fuckersspringfrom?’

Thefiremenscamperbusily,attachinghoses,shovingpeopleback.Ridingonthetruckstheyexpertlydirecttheirpowerfulhosesattherestofthebuildingsoneithersideoftheroad.

Asthefirebrigadedrivesaway,theentirerowsofbuildingsonbothsidesofthestreetigniteinanincredibleconflagration.Althoughweareseveralfurlongsawayascorchingblastfromahotwindmakesourclothesflapasifinastorm.IlookatIce-candy-man.Theastonishmentonhisfeaturesisreplacedbyahugegrin.Hisface,reflectingthefire,islit

Page 121: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

up.‘Thefuckingbastards!’hesays,laughingaloud,spitflyingfromhismouth.‘Thefuckingbastards!Theysprayedthebuildingswithpetrol!TheymustbeMuslim.’

TheHindusofShalmimusthavepiledalotofdynamiteintheirhousesandshopstodrivetheMuslimsfromMochiGate.TheentireShalmi,anareacoveringaboutfoursquaremiles,flashesinexplosions.Themenandwomenonourroofareslappingeachother’shands,laughing,huggingoneanother.

Istareatthetamasha,mesmerisedbythespectacle.Itislikeagiganticfireworksdisplayinwhichstifffigureslookinglikespread-eagledstick-dollsleapintotheair,blackagainstthemagentafurnace.TrappedbythespreadingflamesthepanickedHindusrushindrovesfromoneendofthestreettotheother.Manydisappeardownthesmokinglanes.Somecollapseinthestreet.Charredlimbsandburntlogsarefallingfromthesky.

Thewholeworldisburning.TheaironmyfaceissohotIthinkmyfleshandclotheswillcatchfire.Istartscreaming:hystericallysobbing.Ayahmovesaway,herfeetsuddenlyheavyanddragging,andsitsontheroofslumpedagainstthewall.Sheburiesherfaceinherknees.

‘Whatsmallheartsyouhave,’saysIce-candy-man,beamingaffectionatelyatus.‘Youmustmakeyourheartsstout!’Hestrikeshisout-thrustchestwithhisfist.Turningtothemen,hesays:‘Thefuckingbastards!Theythoughtthey’ddriveusoutofBhatti!We’veshownthem!’

Itisnotsafetoleaveuntillatethatevening.AsthebutcherdrivesushomeinhiscartthemoonlightsettleslikealayerofashesoverLahore.

***

InarushIcollectthedollslongabandonedinbottomdrawersandtoychestandclimbstoolstoretrievethemfromthedustytopsofoldcupboards.Ilinethemupagainstthewall,onmybed,andAdi,intriguedbymysuddeninterestindolls,standsbyquietlywatching.

Ican’trememberatimewhenIeverplayedwithdolls:thoughrelativesandacquaintanceshavepersistedingivingthemtome.China,clothandcelluloiddollsvariouslystuffed,sized,andcoloured.Blackgolliwogs,Britishbabydollswithpinkcomplexions,Indianadultdollscoveredinwhitecloth,theirfacespaintedon.

Ipickoutabig,bloatedcelluloiddoll.Iturnitupsidedownandpullitslegsapart.Theelasticthatholdsthemtogetherstretcheseasily.Iletoneleggoanditsnapsback,attachingitselftothebrittletorso.

Adimovescloser.‘What’reyoutryingtodo?’heenquires.

Iexaminethesari-anddhoti-cladIndiandolls.Theyareunreal,theirexaggeratedfacestooobviouslypainted,theirbodiestoofragile.Iselectalargelife-likedollwithachina

Page 122: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

faceandblinkingblueeyesandcoarseblackcurls.Ithasasturdy,well-stuffedclothbodyandasubstantialfeel.

Iholditupsidedownandpullitspinklegsapart.Thekneesandthighsbendunnaturally,butthestitchinginthecentrestaysintact.

IholdonelegouttoAdi.‘Here,’Isay,‘pullit.’

‘Why?’asksAdilookingconfused.

‘Pull,damnit!’Iscream,soclosetohysteriathatAdiblanchesandhastilygrabstheprofferedleg.(HeisoneofthefewpeopleIknowwhoisfairenoughtoblanch–orblushnoticeably.)AdiandIpullthedoll’slegs,stretchingitinafiercetug-of-war,untilmakingawrenchingsounditsuddenlysplits.Westaggeroffbalance.Theclothskinisrippedrightuptoitsarmpitsspillingchunksofgreyishcottonandcoiledbrowncoirandtheinnardsthatmakeitseyesblinkandmakeitsquawk‘Ma-ma’.Iexaminethedoll’sspilledinsidesand,holdingtheminmyhands,collapseonthebedsobbing.

Adicrouchesclosetome.Ican’tbearthedisillusionedandcontemptuouslookinhiseyes.

‘Whywereyousocruelifyoucouldn’tstandit?’heasksatlast,infuriatedbythepointlessbrutality.

***

HowlongdoesLahoreburn?Weeks?Months?

WeclimbtotheroofoftheDaulatrams’two-storeyhousetowatch.TheDaulatramsflee.

TheShankars,too,go.Thebackportionofourhouseisuntenanted.TheShankars’abandonedbelongingsarestoredbyMotherinemptyservants’quarters.Gita,withhershortfatplaitandsatinbows,andhersteamy,bellowingmate,havedisappeared.

StillwegototheDaulatrams’abandonedhousetoseeMozangChawkburn.HowlongdoesMozangChawkburn…?

MozangChawkburnsformonths…

andmonths…Despiteitsbrickandmortarconstruction:despiteitssteelgirdersandthedensityofitsterracesthatruninanunevenhigh-low,broad-narrowcontinuityformilesoneitherside:despitethesmallbathroomsandgodownsandcorrugatedtinsheltersforcharpoysdeployedtosleepontheroof–anditsdoorsandwoodenrafters–thebuildingscouldnothaveburnedformonths.Despitetheresidueofpassionandregret,andlossofthosewhohaveinpanicfled–thefirecouldnothaveburnedfor…Despitealltheruptureddreams,brokenlives,buriedgold,bricked-inrupees,secretedjewellery,lingeringhopes…thefirecouldnothaveburnedformonthsandmonths…

Page 123: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Butinmymemoryitisbrandedoveraninordinatelengthoftime:memorydemandspoeticlicence.

AndthehellishfiresofLahorespawnmonstrousmobs.ThesenomoreresemblethelittleprocessionsofchantingurchinsthatWarrisRoadspawned–andthatAdiandIshoutedourselveshoarsein–thanthefiresthatfusesteelgirderstomortarresemblethefiresthatImamDinfansaliveinourkitchengrateseverymorning.

Page 124: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter17

PlayingBritishgodsundertheceilingfansoftheFalettisHotel–behindQueenVictoria’sgardenedskirt–theRadcliffCommissiondealsoutIndiancitieslikeapackofcards.LahoreisdealttoPakistan,AmritsartoIndia.SialkottoPakistan.PathankottoIndia.

IamPakistani.Inasnap.Justlikethat.

Anewnationisborn.Indiahasbeendividedafterall.Didtneydigthelong,longcanalAyahmentioned?Althoughitismybirthdaynoonehastimeforme.MyquestionsremainedunansweredevenbyAyah.

Mothermakesadisappointinglittlefussovermethatlastsforaboutthreeminutes.ShewishesmehappybirthdayandkissesmeandinstructsImamDintomakesweetvermicelliwithfriedcurrantsandalmondsandhandsAyahacupofmilkafloatwithrosepetalstopourovermyheadbeforemybath.

Fatherhugsme,askshowoldIam.ItellhimI’meight.(Yes,timehasflownforward.Itwillflybackyet.)

‘Good,good,’saysFatherabsent-mindedly.Hedoesn’tevensay,‘You’reabiggirlnow,’ashedidlastyear.Ihangaroundhimfeelingbored,whilehesitsonthecommodeabsorbedinnewsprint.

Igotothekitchenandannouncemybirthday.‘Sowhat?’saysAdi,resuminghisunseemlyclamourforthesugarbowl.ImamDinandYousafsay:‘Hownice.Hownice.Greetings,Lennybaby.’Buttheyarepreoccupied.Ayahhaulsmeoffforabath.Ihavetoremindhertodousemewiththemilk-and-rose-petals.

It’sthesameatGodmother’s.Igethuggedandkissed,butinsufficiently.Godmotherisbusyinthekitchen.Shemovestoandfro,lookinglikeanupendedwhaleinherwhitesariwithherslopingshouldersandbroadeningtorsoandthesarinarrowingroundherankles.Shehasthesamenoblebearingandalert,accommodatingairofthatintelligentmammal.Asshemovestoandfro,GodmotherdirectsanonstopstreamofinstructionandcriticismatSlavesister.Justso’stokeepheronhertoesandinfairworkingorder.Besides,Godmotherisinahurry.Lefttoherownassessmentofprioritiesandspeed,Slavesistercanbogdowntoastop.

‘Haveyousoakedthericeyet?’Godmotherenquires.‘Afteryou’vesoakeditIwantyoutokneadthechapattidough.AndItoldyoutotightenthecotstringsyesterday…Did

Page 125: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

you?Wellthen,youmayhavethepleasureofsleepingonittonight!GiveyourstoManek!Willyouhurryup?Halftheday’sgone,’saysGodmother,brisklyputtingSlavesisterthroughherpaces.‘Ifyoudon’tpickupyourfeetyou’llcutoffmynose!Manekwillbeatourdooranyminute!Ihatetothinkwhathe’lltellPilooaboutthedisorderinthishouse…AndIhaven’tevenstartedpreparingthehalvaforhim.’

DrManekModyismarriedtotheirmiddlesister,Piloo.Despitetheloud-speakerinhisthroat,heiseasy-goingandgenialandhardlythetypetotattletohiswifeaboutadisorderlyhouse.

Iamhurt.Ithoughtthepreparationsforthesweetatleastwereonmyaccount.Isayso.‘Aren’tyoumakingthehalvaformybirthday?’

‘Ofcourse,’saysGodmotherpre-emptorily.‘It’sforyou.Whoelse?’

‘Ofcourse,’saysSlavesister.Evertheopportunist,sheadds,‘Butwemustn’tbeselfish,mustwe?It’sforyou,andtosweetenManekUncle’smouthinwelcomeand,don’tforget,wehavetocelebratethenewarrivalyet!’

GodmotherandIlookatherblankly.‘SomebodyhasababyIdon’tknowof?’asksGodmothersuspiciously.

‘Haveyouforgottenalready?’saysSlavesisterwithreproof.‘We’veallproducedababy…We’vegivenbirthtoanewnation.Pakistan!’

‘Youaresilly,’saysGodmothercrossly.Butwithoutthedevastatingartilleryfiresuchanabsurdwayofputtingthingsmightbeexpectedtoprovoke.

GodmotherisaheadtallerthanSlavesister.Standingontiptoeshereachesforthesemolina.‘Whereistherose-water?’sheasks,peeringintothetopshelf.‘Andwhereisthesugar?Can’tanythingeverbeinplace?’

‘Everythingisinplace…Ifyou’donlybothertolook,Rodabai.’

‘Isthatso?Thesugarandtherose-waterjumpedlastnight?And,now,where’sthetea?Where’sthetea?’

‘Underyournose.Rightunderyournose.Ifyou’donlylookproperly!’saystheworm,turning!

Godmotherlocatestheboxoftealiterallyunderhernose.Shedoesn’tsayanything.Ican’tbelieveit.

Iamsoastonishedmyjawhangsopen(eversince,I’vehadtroublewithmymandibular).Hung-jawedIgotoOldhusband,andstandingbeforehiminadaze,say,‘It’smybirthday.’

Oldhusbandemergesfromhishabituallysour-facedstuporandkissesmyforehead.LikeasomnambulistIreceivefromhimasmallpacketwrappedintissuepaper.

Page 126: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Iopenthepacket.Itisanautographbookwithcolouredpages,anditfallsopenonayellowpagewithwritingonit.IlookatOldhusband.Hetakesthebookfrommyhandandreadsaloudinresoundingtones:

‘TomydearLenny,

“Thelivesofgreatmenallremindus

Howtomakeourlivessublime;

Anddepartingleavebehindus

Footstepsonthesandsoftime!”’

Hemusthavebeenquitesomethingwhenyoung!Iamunutterablyimpressed!I’veneverseenhimsoanimated.

‘Willyouleaveyourfootstepsonthesandsoftime?’heasks.

Iimagineaseriesoffootsteps,obscuredbylitter,onthegreysandbythemuddyRavi.Ayah’s,Masseur’sandmine.Inodgravely,awedandovercomebythethunderofthewords.

TheonlyonewhoproperlycountenancesmybirthdayisCousin.

WhenAyahtakesmeandAdiacrosstheroadfromGodmother’stoElectric-aunt’shecomesgallopingtothegateshouting,‘Happybirthday!Happybirthday!’Andthen,veryseriously,likeinfilms,hecautiouslyholdsmebymyshouldersandpuckershismouth.Ireadtheintentinhiseyesand,beingtheatricallyinclinedmyself,Iclosemyeyesandreadilybunchmylips.IfeelCousin’swet,puckeredmouthonmybunched-uplips.IknowI’msupposedtofeelathrill,so,Imusterupalittlethrill.

ThethrillcomesandgoesbutCousin’smouthremainsinexactlythesameposition,exertingexactlythesamepressureasatthemomentofimpact.Themusclesofmymouthbegintoache.Iopenmyeyes:anddiscoverCousin’sbewilderedeyesgazingdirectlyintomine.Hedoesn’tknowifheisdoingitright.Orwhentostop.Thekissingscenesinthefilmsgoonmuchlonger.ButIcantellatthatalarmingproximitythatthemusclesinCousin’sjawsaretrembling.Myneck,too,isbeginningtoacheatthatawkwardangle.Kissing,I’mconvinced,isoverrated.TrustCousintoenlightenme.Whenourmutualagonybecomesunbearable,AyahsuddenlyslapsCousinhardonhisback,therebyungluingourstalemate,andscolds:‘Oye!Whatisthisbadmashi?Shameonyou!’

Cousintottersoffbalanceandlookssheepish.AndbecomesdefensivewhenAyahcasuallyspankshimagain.IthinksheisrepayingmeformindingIce-candy-man’stoes.

Electric-auntappearsonherverandaandholdinghandswegallopuptoher,trailedunenthusiasticallybyAdiandgood-naturedlybyAyah.

‘What?Noparty?’saysElectric-aunt,raisingherscantyeyebrowsandrubbingitin.Shebaresawhiterowoftinyteeth,asneatlypackedandevenasagoat’s,inabrightsmile.

Cousinlooksatmepityingly:‘We’llhaveonerighthere!’hevolunteersgallantly.

Page 127: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

WhileAyahmakeshard-boiled-eggsandwichesCousintearsElectric-aunt’scookawayfromtheradio.Theytakeoffontheircyclestobuyacakeandpotatochips.Electric-aunt,compensatingforherlackofcharmwithanabundanceofenergyandthrift,brisklyopensalockedcupboardinherstoreandremovespapernapkins,plates,partyhatsandstreamersthathavealreadyservedCousin’sbirthdaysontwooccasions.Shecountsouteightlittlecandlesfromaneconomy-sizedboxoffifty.

Cousinreturnswithbrownpaperbagsandadentedcardboardcakebox.Iblowoutthecandlesandcutthesquashedcake.AndthenwesitaroundtheradiolisteningtothecelebrationsofthenewNation.Jinnah’svoice,inauguratingtheConstituentAssemblysessionson11August,says:‘Youarefree.Youarefreetogotoyourtemples.YouarefreetogotoyourmosquesoranyotherplaceofworshipintheStateofPakistan.Youmaybelongtoanyreligionorcasteorcreed,thathasnothingtodowiththebusinessofState…etc.,etc.,etc.PakistanZindabad!’

Page 128: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter18

MrSingh,longhairknottedontopofhishead,onlonghairylegs,inhisyellowpyjama-shortsandwearinghiskirpan-dagger,carryingahockey-stickandtrailedbyhismodestAmericanwifeandtwosweatyandsubduedchildren,comesupourdrivejustasthehugeredsunrestsonthetopofthehouseoppositeours.

Thefamilysettlesinwickerchairsontheverandabeneaththeslowlysqueakingceilingfan.Mother,heryoungfacegraveandcomposedbehindhertintedglasses,greetsthemwithastylishhandshake–whichMrSinghstandsuptoreceive.Mother’stouchignitesmen.MrSingh’sbeardglowsandhisforeheadturnsincandescent.

MrSinghisobviouslyuncomfortableperchedonthedaintywickerchair.Hewouldprefertositcross-leggedbutmanagestokeepbothdusty,slipperedfeetfirmlyonthefloor.IsignaltoRosy-Petertocomeinsidebuttheyshaketheirheadsandsitlistlesslyontheirchairs.

‘TheMehtashavegone!TheMalothrashavegone!TheGuptashavegone!’saysMrSingh,comingstraightoutwithwhatisuppermostinhismind.Heisnotamanforpreliminaryniceties.

‘TheGuptastoo?When?’asksMother,hervoicethrobbingwithconcern.

‘Abouttwohoursback.Theyarejoininganescortedconvoyofcars.’

Mother’seyesgrowmoist.MrsSinghdiscreetlywipesthetearsthathaverolledintotherecentlyacquiredindigosmudgesbeneathhereyes.Rosygetsupand,exposingherdampcottonknickers,whichlookabsurdonhereight-year-oldbottom,scramblesontohermother’slap.MrsSinghsmoothsherdaughter’shair.

MrSinghclearshisthroat.‘Idon’tthinkthereareanyHindufamiliesleftonWarrisRoad,’hesays.

‘Therearen’t,’Motheragrees.

‘JusttwoSikhfamilies.ThePritamSinghsandus.’

Wehearacyclerattleupthedriveandthecontinuouspealofacycle-bellasFatherpedalsslowlyandlaboriouslyintotheportico.Smilingandnoddingatourvisitors,heparksthecycleonitsstandnexttotheMorrisandlocksit.Fatherhasrevertedtogoingtoworkonhiscycle,leavingtheMorrisforMother.

Page 129: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

MrSingh,noticeablyrelievedbyFather’spresence,shakeshandsaffablyandFather,tuckinghisshirtintohisflaringknee-lengthkhakishorts,sitsdownwithaquestioningcountenance.

Alertedbythecycle-bellYousafbringsFatherafrostedglassofwateronatrayandtakesawayhiskhakisolartopi.ThereissilenceasFathertipshisheadanddrainstheglass.Hepushesbackashortfringeofcurlsplasteredtohisforeheadandremovinghisspectacleswipestheperspirationfromthedeepindentationsoneithersideofhisnose.

Gurdaspur’sgonetoIndia,’heremarks,settlingintohischairandcleaninghisglasseswithadamphandkerchief.

‘Yes!That’sasurprise,’saysMrsSinghunexpectedly.Thefactshehasspokenoutherthoughtsindicatesthemeasureofherinnerturmoil.‘IheartheyhadhoistedthegreenPakistaniflagandall.There’sboundtobetrouble,’shesays,makingwhatisforheraremarkablypertinentstatement.

Fathernodssignificantly.HesnapshisfingerstosummonYousaf,andturninghisthumbdownmutelyindicateshiswishformorewater.

NowthatFatherishereMrSinghspreadshisthighscomfortablyand,placinghishandsonhisknees,leansforward:‘SethiSahib,wehavejustreceivedordersfromourleaders…WearetoleaveLahoreforever!’

Fatherraisessurprised,questioningeyebrowsandMrSinghcontinues:‘I’mmeetingthemtonight.They’veworkedoutplansforacompleteSikhevacuation.We’llformourownarmedescort.I’lltakeourbuffaloes…Andwhateveressentialswecanpileintoatruck.Eachfamilyisallottedatruck.’

Father’ssharpeyesgrowseverelycomprehendingandsympathetic.Hefrownsandclearshisthroat.‘Isthereanythingwecando?’

‘Canyoustoreafewthingsforus?Furnitureandwhatwecan’ttake?’saysMrSingh.‘Youknow,housesarebeinglooted.Emptyonesespecially.Theyhaven’tcometothebetterneighbourhoodsyet,butwhoknows?I’llcomebackforthemlater.Thingshavetosubside.’MrSinghspreadshishandsinaconfusedandhelplessgesture.

‘Sure,’Fathernods.

Asalwayseconomical,Fathermakesthesinglewordworkonbothcounts:thathewillbegladtostoreanythingforMrSingh;andthatthingsmustsubside.

‘Ofcourse!’saysMotherwarmly.‘Bringanything!We’llkeepitwiththeShankars’things.Youcanleaveitwithusforaslongasyouwant!’

MrSingh’sandFather’seyesglisteninthedusk.Thesunhasdisappeared.MrSinghhawksanddirectshisspitinalongarcintotheportico,nearsomeflowerpotswithferns.FatherdirectsacommiseratinggobofspittonestlenexttoMrSingh’s.

Page 130: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AsobescapesMrsSingh.Mother’smouthtwitchesandshesniffs.‘Goandplayoutside!Orinside!’shesayssternlytome,indicatingRosyandPeterwithherquiveringchin.Shegetsuptoswitchonthelights.

WegointothekitchentoImamDinforchapattieswithsugarandbutter.ImamDinsprinklesamoregeneroushelpingofsugarthanusual,andflappinghisarmsandcrowingpretendstobearoostertoamuseRosy-Peter.Theyareamused.

TheyfollowmetothebackofthehousewhereIgolookingforAyah.

***

Thingshavebecometopsy-turvy.We’vestoppedgoingtotheQueen’sGardenaltogether.We’vealsostoppedgoingtothewrestler’srestaurant.ThereisdissensionintheranksofAyah’sadmirers.Intwosandthrees,orsingly,theycomeinsteadtoourhouseandsitwithAyahonthepatchoflawnatthebackor,asonthiseveningwhenRosy-PeterandIjointhem,ontheShankars’neglectedveranda.Ayahcomesandgoes,asdutyorMothercalls,andthevisitorstalkamongthemselves.Butcherandtherestaurantwrestlerhaveceasedtovisit.

Tonight,illuminatedbythedustyyellowverandalight,wearegroupedaroundaradio.Masseuristhere.AlsoHari,SherSinghandtheGovernmentHousegardener.ImamDinandYousafarestillcateringtothedemandsofmyparentsandtheirvisitors.AdiisclingingtoAyah’sback,rockinghertoandfroandpullingstrandsofhairoutofherbun.Rosy,PeterandIsettledownonthebrickfloortolisten.Thebroadcastisfragmentedbystatic.

‘So!Gurdaspur’sgonetoIndiaafterall,’saysthezooattendant,shakinghisoutsize,turbanedhead.

‘Shush!’saystheGovernmentHousegardener,cuppinghishandbehindhishoaryeartolistenbetter.

Theradioannouncesthroughthecrackling:‘TherehavebeenreportsoftroubleinGurdaspur.Thesituationisreportedtobeundercontrol.’

‘WhichmeansthereisuncontrollablebutcheringgoingoninGurdaspur,’saysthegardenerflatly,reflectingthegeneralopinion.‘ItistheKali-yuga,nodoubtaboutit,’hesaystoacollectiveandresignedsighofassent.

Masseurturnstheradiooff.MotiandhisuntouchablewifeMucchohavesilentlyjoinedthegroup.Theysitontheverandasteps,justalittlebitapart.

‘Iftheworstcomestotheworst,youcangotoGurdaspur–ortoAmritsar,’saysMasseurtotheSikhyouth.

‘I’mnotgoinganywhere,’saysSherSingh,bristling.Buthesoundsmoreobstinatethandetermined.

Page 131: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Isaid,iftheworstcomestotheworst,’saysMasseurmildly.

‘Whoevermustgo,willgo,’saystheGovernmentHousegardener,leaningforwardlaboriouslytopickuphiscurly-toedslippers.Hetapsthemonthefloortoshakeoffthedriedmanureandpicksoffbitsofgrassadheringtothesides.

‘Aeeee!Yourascal!’groansAyah,tuggingherhairoutofAdi’sfistsandtumblinghimforwardonherlap.‘I’llteachyoutobehave,youbadmash!’ShegrinsandholdsAdistrugglinginthepowerfulviceofherthighs.Raisingherarmsshecalmlyplaitsherhair.

Westirandstretch,preparingtobreakupfortheevening.Andjustthen,inthemutedrustle,weheartherattleofabicyclehurtlingupourdriveatanalarmingspeed.Wegrowstill,expectant.Andemergingfromthenightlikeablunderingandscraggybird,scrapinghisshoeontheverandasteptochecktheheedlessvelocityofhisapproach–MotiandMucchoscrambleoutofhisway–Ice-candy-mancomestoanabruptandjoltedhalt.Heisbreathless,reekingofsweatanddust,andhisfranticeyesrakethegroup.TheyrestforaninstantontheSikh,andflutterbacktous.‘AtrainfromGurdaspurhasjustcomein,’heannounces,panting.‘Everyoneinitisdead.Butchered.TheyareallMuslim.Therearenoyoungwomenamongthedead!Onlytwogunny-bagsfullofwomen’sbreasts!’Ice-candy-man’sgriponthehandlebarsissotightthathisknucklesbulgewhitelyinthepalelight.Thekohllininghiseyeshasspreadforminghollow,skull-likeshadows:andasheraiseshisarmtowipetheperspirationcrawlingdownhisface,hisglanceonceagainflitsoverSherSingh.‘Iwasexpectingrelatives…Forthreedays…Fortwelvehourseachday…Iwaitedforthattrain!’

WhatI’veheardisunbearable.Idon’twanttobelieveit.ForagrislyinstantIseeMother’sdetachedbreasts:soft,pendulous,theirbeigenipplesspreading.IshakemyheadtofocusmydistractedattentiononIce-candy-man.Heappearstohavegrownshadesdarker,andhisfaceisalldriedupandshrivelled-looking.Icanseethatbeneathhisshockheisgrieving.

InstinctivelyIlookatthezooattendant.SherSinghisstaringatthepopsicleman.Hispupilsareblackanddis-tended.Hischeckedshirtisopenatthethroat:andhisnarrowpigeon-chestisgoingupanddown,upanddown,intheeerieverandalight.

***

Acrowdhasgatheredinthenarrowalleyinfrontofthetobacco-naswarshop.IfitisonethingIam,it’sinquisitive.IslipawayfromAyah,andslidingbetweenthethicketoflegseasemywayintothecentre.IseethePathan.SharbatKhanhasreturnedfromthemountains!

Ishout,‘Saalamailekum,KhanSahib!’Butbusypushingthepedalonhisscrapingandsparkingmachinehedoesn’thearme.Peopleareholdingouttohimtheirknives,choppers,daggers,axes,stavesandscythes.Andintheclamour,nosetothegrindstone,SharbatKhansharpensonebluntedgeaftertheother.

Page 132: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ThecrowdswellsasmoreandmorepeoplegettoknowthatSharbatKhanisback.Children,sentbytheirmothersandgrandmothers,runupwithanassortmentofkitchenknivesandmeat-cleaversandcirclethecrowdtryingtosqueezein.Somearegood-naturedlypickedupandpassedthrough,butforthemostpartthemenappearnervous–andsoanxioustogettheirownimplementssharpenedthattheythreatenandabusethechildren.Theymusthavealotofwoodtochop.Alotofmeattocut.Alotofgrasstomowwiththeirscythes.

IspotSherSingh.HeisstrugglingtowardsSharbatKhanwithatangledarmloadofdaggersandswords.Hehastobecarryingtheentirestockofhisfamily’sreligiousarsenal!Hehasatouchy,defensivelookthatIhavenoticedonhisfaceoflate.Itmakesmewanttobringhimintoourhouseandaskeverybodytobenicetohim.Ayahtooisverycarefulhowshetalkstohim.Hebristlesevenathermildlyflirtatiousteasing.ShehandleshimwiththecautionSherSinghlavishesonthenervouslittlelioncubsinthezoo.Hehastakenustoseethecubs.It’sallverywelltoseethemrompandmew,butwithinayeartheywillroartheirwayintomynightmaresandsinktheirfangsinme.Kittensaredrowned.Whynotthem?

Ahandsuddenlygripsmyarmandyanksmeout.ItisMasseur’sunerringhand.‘Whatareyoudoinginthiscrowd?’heasks.‘Youcouldgethurt.’

WespotAyah.Sheappearspanicked.AndwhensheseesussherushesuptomeandpicksmeupandfussesovermeasifI’vebeenlostandfound.

‘It’sallright,’Isay,wishingtoreassureher,‘IwasonlylookingatSharbatKhan.’

‘Oh,’shesays.‘He’sback?’

‘Yes,’Isay,pointingatthecrowd.‘He’ssharpeningtheirknives.’

ThateveningSharbatKhanvisitsus,bringingAyahalmonds,pistachiosanddriedapricotstiedinasquareofredsatin.‘Howlong’veyoubeenback?’asksAyah,undoingtheknotsinthebundlewithherteethandexaminingthecontentswithherfingers.

‘Twodays,’hesays,hisvoicehoneyedwithadoration.‘Iwould’vecomeearlierbuttherewassucharushofbusiness.IneverknewthereweresomanydaggersandknivesinLahore!’

‘Ifyou’dwaitedmuchlongermypresentswouldhaverotted,’saysAyah.

Iamsurprised.AyahappearstohavelosthersenseofaweandexcitementinSharbatKhan’spresence.Sheisnottheleastbitawkward.Insteadofhidingherfaceandfidgetingwithhersarishelooksathimoutofcalmandbemusedeyes.

Masseur,perfumedandprimed,comeshalfanhourlater.Heiswearingalongcreamysilkshirtoverhisheavylinenlungiandhismoustacheisoiledandgleaming.Themen

Page 133: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

appraiseeachotherwithcautioussuspicionasMasseur,hitchinguphislungi,hunkersdownonthefloor.

‘You’vebeenawayforquitesometime,’drawlsMasseur,twirlingthepointedtipsofhismoustachewithasignifi-canceImiss.‘Threemonthsorso?’

‘Yes,’saysSharbatKhan,pensivelysmoothingthethickgrowthofhair,croppedlikearug,onhisupperlip.‘Andyou’vebeenhereallthattime?’

‘Obviously,’saysMasseurcoolly.

Theylookasifeachisawhiskereddogcirclingtheother–weighinginandwarninghisfoe.

Ayah,meanwhile,iscrackingthealmondswithhersmallstrongteethandchewingthemwithappreciativesmacks.SheoffersthekernelstomeandthentoMasseur.Masseursmilesandshakeshishead,no.Heliftshisshirtandwithdrawsfromaknottiedinhiselegantlungiasmallpacketofpreparedpaan.Heholdsthebetel-leafouttoAyah.Ayahlooksatthesucculentpaan,plumpwithcardomom,andthenatMasseur’smouth.Herfacereflectsananswer.AndSharbatKhanturnsawayhisface,honourablyconcedingtheround.

Enoughisenough!TheyhavestaredateachotherandsecretlycommunicateduntilAyah’smouthisredwithpaan,andIamfittoscream.SharbatKhancarefullyplacesthegoldkulla–aroundwhichhisturbaniswrapped–onhisheadandstandsup.Withoutawordhemountshisbicycleandwobblesawaywithhismachineclatteringdejectedlybehindhim.

HisdeparturebringstomindtheChinaman.ItoccurstomethatIhaven’tseenhimforalongtime.‘Whereishe?Tellme.Tellme,’IshoutintoAyah’sears,andholdingherbythem,forcehertoturntome.

‘TheChinaman?’sheasksabsently.‘Oh,hewentawayatthefirstsmelloftrouble,’shesays,withmelodiousindulgenceforthecowardlyChinaman.

‘Whattrouble?’

‘ThisPakistan–Hindustanbusiness…’

‘Wheredidhego?’Iask.

‘Oh,Idon’tknow,’saysAyah.‘ProbablybacktohisChina.’

Masseur’sbeenwithAyahpracticallyallevening,yetthere’snosignofIce-candy-man.Iwonderaboutit.

ThenexteveningMasseurhasAyahalltohimself.Andthenext.Stillnosignofthepopsiclevendor.

Page 134: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Iamdisturbed.SoisAyah.‘Whereiseverybody?’sheasksMasseur:meaningtheGovernmentHousegardener,thewrestler,thebutcher,thezooattendant,ice-candy-manandtherestofthegang.EvenYousafandImamDinappeartohavebecomelessvisible.

Page 135: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter19

PapooandIarehelpingHaribathethebuffalointheafternoonwhenAdiwalksupintheslushand,manoeuvringhimselfbetweenmeandthebuffalo,standsabsolutely,intenselystill.Asifthisaloneisnotenoughtorivetmyattention,hemurmursinmyear:‘Followme!’

Heturnsandcasuallywalksaway.Icantellheiswildwithexcitementandhasexercisedallhisself-controlnottobreakintoarun.I’dfollowhimtotheendsoftheearthtodiscoverthecauseofhisexcitement.

WhenweareoutsidetheShankars’emptyrooms,heturnstomehisshiningeyes.Hehasnorighttolooklikethis…Asiflitupfromwithin.Regardless–I’dfollowhimtotheendsoftheearth.

‘Whatisit?’Iwhisperinafrenzy.

‘Theblackboxisbackinthebathroom.’

Itisarareoccasion:Adi-made-of-mercurystandingstill,andconfidinginme.

Notonlyistheblackboxback,saysAdi,buthealsoknowswhat’sinit.

‘What?What?Tellme,’Iplead.

ButAdi,likeacatplayingwiththepoortail-lessmousey,says:‘Seeforyourself.’

Itiptoeupthebathroomstepsandapproachthelongbox.Itisassinisterasever.ItakeAdi’swordforitthatitisopen–butIdarenotliftthelid.Ihave-nowishtobescaredoutofmywits:Whatifit’sagrinning,skeletalcorpse?

Adiputsacautioningfingeronhislipsandliftsthelid.Nestledinscarletvelvet,inadepressionspeciallycarvedforit,likeadarkjewelinitssetting,isanenormousdouble-barrelgun.Ifeelitssmoothbarrelsanditspolishedwood.

Nowonderwecouldn’tcarrythebox.Thegunisheavy.Betweenuswecarrythegun,Adicautiouslyleadingatthebarrelend,andmeattheother.Nervousthatwemightbediscovered,orthatthegunmightfireitsdoublebarrelsintoAdi’sbehind,weatlastreachthegate.

Aditakesfirstturn.IhelphimstandupthegunandhelookslikeadiminutiveGurkhawithacannon.

Page 136: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Idon’tknowhowlongwetaketurnsholdingthegun.Anhour–perhapstwo.Weheartheubiquitouschantingofthemobsinthedistance:‘Allah-o-Akbar!’comesthefragmentedroarfromtheMuslimgoondasofMozang.‘Bolesonehal:Satsiriakal!’fromtheSikhgoondasofBeadonRoad.StandingatattentionwiththegunIfeelreadytofaceanymob.

Thereislittletraffic;afewtongas,halfadozencyclists.Agroupofprisoners,thechainsalongtheirarmsandlegsclanking,eyethegunspeculativelyandthepolicemanshepherdingthemprudentlycrossestheroad.Noonetalkstous.Thepresenceofthedualbarrelsisintimidating.

Luckilyit’snotmyturnwhenFathercyclesupandcomestoagrimhaltinfrontofAdi.Notloquaciousathiscalmest,Fatherisrenderedspeechless.HeglaresatAdi.‘Putitbackatonce!’hesaysatlast.HeslapsAdiforthefirsttimeinhislife.

PushingthecyclewithonehandFathercomestomeandthumpsmyback.Asthumpsgoitisahalf-heartedthump–unlikeMother’swhole-heartedwhacksthatcauseustostaggerclearacrossrooms–butnobeatingofMother’severyhurtsomuch.

AfterdinnerFathersitsusonhislapandexplains:‘Yourlivesweren’tworthtwopicewhenyoushowedoffwiththatgun.’

Theblackboxagaindisappears.

***

Ice-candy-manvisitsatlast.OnceagainwearegatheredontheShankars’abandonedveranda.Icannotbelievethechangeinhim.Goneisthedarklygrievinglookthathadaffectedmesodeeplytheeveningheemergedfromthenightandalmostcrashedintouswiththegrimnewsofthetrain-loadofdeadMuslims.

Ice-candy-manhasacquiredanunpleasantswaggerandastrangewayoflookingatHariandMoti.Heisfullofbravado–andstillfullofstories.‘YourememberKirpaRam?Thatskinflintweallowemoney?’heasks,barelybotheringtogreetanyoneashesettlesamongus,chompingonapaan.Hismouth,slimyandcrimsonwithbetel-juice,bloated–asifhe’sbecomeaccustomedtoindulginghimself.

‘Thatmoney-lenderwouldsqueezebloodfromafly!’hesays,bendingovertospitbetel-juiceintoaflowerpotholdingadelicatetraceryofferns.‘Well,’hecontinues,‘KirpaRam’spackedhisfamilyofftoDelhi.Butcanhebeartopartfromthoseofushe’sbeenfatteningon?No!So,hestays.Hethinkshe’sthatbrave!’Ice-candy-man’smouthcurlsinacontemptuoussneer.‘ButtheinstantweenteredhishouseIsawhisfatdhotiedtailslipoutofthebackdoor!Ramzanathebutchernoticedadamppatchononeofthewalls.Ithadbeenhastilywhitewashed.Hescrapedthecementandremovedabrick.Whatd’youthinkhefound?Poucheswithninehundredguineassewnintothem!Ninehundredgoldenguineas!’

Page 137: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Ice-candy-manstudiesus,movinghisswaggeringeyestriumphantlyfromfacetoface.

Ayah,theGovernmentHousegardener,HariandMotistarebackwithset,expressionlessfaces.Masseurfrowns.Yousafscowlsatthenakedverandabulb.ImamDingetsup,leaningheavilyontheGovernmentHousegardener,andinvokingAllah’smercyandblessingsandsighing,headsforthekitchen.

‘Showmeyourhand,’saysIce-candy-mantoAyah.

Ayah,surprisedintothinkinghewantstoreadherfuture,opensherplumppalmandshowsittoIce-candy-man.Ialsothinkheisinitiatingseductionthroughpalmistry.Insteadheplacesagoldcoininherhand.Ayahstudiesitminutelyandbitesittotestthegold.

Itisbittenandpassedfromhandtohandandontome.IexamineQueenVictoria’sembossedprofilewithfascination.Despitethedifferenceinthemetalsitisthesameprofileshedisplaysinherstatue.

AyahreturnsthecointoIce-candy-man.

‘Keepit.It’sforyou,’hesaysgrandly,foldingherfingersoverit.

‘No,’shesays,shakingherheadandhidingherhandsbehindherback.

She’slikeme.Therearesomethingsshewillnothold.

‘ButIbroughtitspeciallyforyou!Pleaseacceptit,’pleadsIce-candy-man,forthefirsttimesoundinglikehisoldingratiatingself.

Ayahavertsherface.‘Where’sSherSingh?’shesuddenlyasks.Asifthezooattendantissomewhereheoughtnottobe.

Thereisnoreply.

‘He’sleftLahore,Ithink,’saysYousafatlast,glancingatIce-candy-man.

Ice-candy-manmakesaharsh,crudesound.‘There’snaturaljusticeforyou!’hesays,spittingtheredjuiceintothefernsagain.‘YourememberhowhegotridofhisMuslimtenants?Well,thetenantshadtheirownback!Exposedthemselvestohiswomenfolk!Theywentabitfurther…playedwithoneofSherSingh’ssisters…Nothingserious–butherhusbandturnedugly..Hewaskilledinthescuffle,’saysIce-candy-mancasually.‘Well,theyhadtoleaveLahoresoonerorlater…AfterwhatonehearsofSikhatrocitiesit’sbettertheyleftsooner!Therefugeesareclamouringforrevenge!’

‘Wereyouamongthemenwhoexposedthemselves?’askstheGovernmentHousegardener.Histoneimpliesmoreamildassertionthanaquestion.

‘What’sittoyou,oye?’saysIce-candy-manraisinghisvoiceandflaringintoaninsolentdisplayofwrath.‘Ifyoumustknow,Iwas!I’lltellyoutoyourface–IlosemysenseswhenIthinkofthemutilatedbodiesonthattrainfromGurdaspur…thatnightIwentmad,Itellyou!IlobbedgrenadesthroughthewindowsofHindusandSikhsI’d

Page 138: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

knownallmylife!Ihatedtheirguts…IwanttokillsomeoneforeachofthebreaststheycutofftheMuslimwomen…Thepenises!’

Inthesilencethatfollows,thegardenerclearshisthroat.

‘You’reright,brother,’hesays.IfeelhecannotmeetIce-candy-man’seyes.Heislookingsodeliberatelyatthefloorthatitappearsasifheishanginghishead.‘Therearesomethingsamancannotlookuponwithoutgoingmad.It’sthemischiefofSatan…Evilwillspawnevil…Godpreserveus.’Hisvoiceisgruffwiththeburdenofdisillusionandloss.‘I’vesentmyfamilytoDelhi.AssoonastheSarkarpermitsIwilljointhem.’ThegardenerturnshiswearygazeuponHari.‘Haveyoumadeplanstogo,brother?’heasks.

‘Whereto?’saysHari,shakinghisheadandwipinghiseyeswithhisarm.‘I’llridethestormout.I’venowheretogo.’

‘You’llfindsomeplacetogo,’saystheGovernmentHousegardener.‘Whenourfriendsconfesstheywanttokillus,wehavetogo…’Hemakesnomovetowipethetearsrunninginlittlerillsthroughhisgreystubbleanddrippingfromhischin.Theredrimsofhiseyesareblurredandsoggyandblendintothesoftfleshasifhehasbecomeaddictedtoweeping.

MotiandPapooaresittingbowedandsubduedontheverandasteps.‘Whataboutyoutwo?’Masseurasks.‘Areyouleaving?’

Afterapause,duringwhichwehearMoti’sknucklescrackashepresseshisfingersagainsthispalm,speakinghesitantlyandsolowthatIcanbarelyhearhim,hesays,‘ItalkedtothepadreattheCantonmentMission…We’rebecomingChristian.’

Ice-candy-man,appearingrestless,nodscasually.‘Quiteafewofyourpeopleareconverting,’hesays.‘You’dbetterchangeyourname,too,whileyou’reatit.’

ThelongerIobserveIce-candy-manthemoreInoticethechangewroughtinhim.Heseemstohavelosthislithe,cat-likemovements.Andheappearstohaveputonweight.Perhapsit’sjusttheairofconsequenceonhimthatmakeshimappearmoresubstantial.

‘TheFalettisHotelcookhasalsorunawaywithhistailbetweenhislegs!’heinformsus,unasked.Andonceagainheappearsbloatedwithtriumph…andahorridirre-pressiblegloating.

Itisverylate.Thefrogsarecroakingagain.Wemighthavesomerainyet.ExceptforMasseur,everyonehasgone.Wemovetothepatchofgrassneartheservants’quarters.Thereisafullmoonoutbutitispitch-darkwherewesitunderamulberrytree.Thereisnobreeze.Andexceptfortheoccasionalrustleintheleavescausedbyarestlessbird,ortheindiscerniblemovementofafrog,thenightisstill.

Ayahiscryingsoftly.‘Imustgetoutofhere,’shesays,sniffingandwipinghernoseonhersari-blousesleeve.‘IhaverelativesinAmritsarIcangoto.’

Page 139: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Youdon’tneedtogoanywhere,’saysMasseur,soassuredlypossessivethatIfeelastabofjealousy.‘Whydoyouworry?I’mhere.Noonewilltouchahaironyourhead.Idon’tknowwhyyoudon’tmarryme!’hesays,sighingpersuasively.‘YouknowIworshipyou…’

‘I’malreadyyours,’saysAyahwithdisturbingsubmission.‘Iwillalwaysbeyours.’

‘Don’tyoudaremarryhim!’Icry.‘You’llleaveme…Don’tleaveme,’Ibeg,kickingMasseur.

‘Sillygirl!Iwon’tleaveyou…AndifIhaveto,you’llfindanotherayahwhowillloveyoujustasmuch.’

‘Idon’twantanotherayah…Iwillneverletanotherayahtouchme!’

Istartsobbing.IkissAyahwhereverMasseurisnottouchingherinthedark.

Page 140: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter20

Rosy-Peterhavegone.TheGovernmentHousegardenerhasgone…

Andthegramophonesandspeakersmountedontongasandlorriesscratchily,endlesslypouringoutthemelodyofNurJehan’spopularfilmsongthatisnowsostrangelyapt:Merebachpankesathimujhebhoolnajana–

Dekho,dekkohensenazamana,hansenazamana.

Friendsfromourchildhood,don’tforgetus–

Seethatachangedworlddoesnotmockus.

Instead,waveuponscruffywaveofMuslimrefugeesfloodLahore–andthePunjabwestofLahore.WithinthreemonthssevenmillionMuslimsandfivemillionHindusandSikhsareuprootedinthelargestandmostterribleexchangeofpopulationknowntohistory.ThePunjabhasbeendividedbytheicycard-sharksdealingoutthelandvillagebyvillage,citybycity,wheelinganddealinganddolingoutfavours.

Fornowthetideisturned–andtheHindusarebeingfavouredovertheMuslimsbytheremnantsoftheRaj.NowthatitsobjectivetodivideIndiaisachieved,theBritishfavourNehruoverJinnah.NehruisKashmiri;theygranthimKashmir.Spurninglogic,defyingrationale,ignoringtheconsequenceofbequeathingaMuslimstatetotheHindus:whileJinnahfutilelyprotests:‘Statesmencannoteattheirwords!’

Statesmendo.

TheygrantNehruGurdaspurandPathankot,withoutwhichMuslimKashmircannotbesecured.

Nehruwearsredcarnationsinthebuttonholesofhisivoryjackets.HebandieswordswithLadyMountbattenandispresumedtobeherlover.Heischarming,too,toLordMountbatten.Suave,Cambridge-polished,hecarriesabouthimanauraofpowerandapresencethatflattersanyonehecomplimentstenfold.Hedolesoutpromises,smiles,kisses-on-cheeks.HeisintheprimeofhisBrahminmanhood.Heishandsome:hischeeksglowpink.

Jinnahisincapableofcompliments.Austere,driven,pukka-sahibaccented,deathlyill:incapableofcheek-kissing.Insteadofcarnationshewearsakarakulicap,sombrewithtight,greylamb’s-woolcurls:andinsteadofpalejackets,blackachkancoats.Heispasttheprimeofhiselegantmanhood.Sallow,whip-thin,sharp-tongued,uncompromising.

Page 141: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

HistrainingattheOldBaileyandpracticeinEnglishcourtroomshasgivenhimfaithinconstitutionalmeans,andheputshismisplacedhopesintotallstandardsofuprightjustice.ThefadingEmpiresacrificeshiscausetotheirshiftingallegiances.

Mothershowsmeaphotograph:‘SheisJinnah’swife,’shesays.‘She’sParsee.’

Thewomaninthephotographisastonishinglybeautiful.Largeeyes,liquid-brown,radiatingyouth,promisingintelligence,declaringinnocence,shiningfromanovalmarble-firmface.Full-lipped,delightingintheknowledgeofherownloveliness:confidentintheknowledgeofhergenerousimpulses.Giving–likeAyah.Daring–likeMother.‘Plucky!’Mothersays.

Fortheladyinthephotographisdaring:anIndianwomanbaringherhandsomeshouldersinastraplessgowninanerawhensuchunclothingwasconsideredreprehensible.Defying,ateighteen,herwealthyknightedfather,bravingthedisapprovaloftheirrigidcommunity,excommunicated,shemarriesaMuslimlawyertwenty-twoyearsolderthanher.Jinnahwasbrilliant,elegantlyhandsome:hehadtobetomarrysucharavingbeauty.Andcold,too,hehadtobe–towinsuchagenerousheart.

‘Whereisshe?’IaskMother.

Mother’seyesturninwards.Herlipsgiveatwitch:‘Shediedattwenty-nine.Herheartwasbroken…’

Herdaringtonoaccount.Herdefiancehumbled.Herenergyextinguished.Onlyherimageinthephotograph–andherinnocence–remainintact.

Butdidn’tJinnah,too,dieofabrokenheart?Andtoday,fortyyearslater,infilmsofGandhi’sandMountbatten’slives,inbooksbyBritishandIndianscholars,Jinnah,whoforadecadewasknownas‘AmbassadorofHindu-MuslimUnity’,iscaricatured,andportrayedasamonster.ThemanaboutwhomIndia’spoetessNaiduSarojiniwrote:

…thecalmhauteurofhisaccustomedreservemasks,forthosewhoknowhim,anaïveandeagerhumanity,anintuitionquickandtenderasawoman’s,ahumourgayandwinningasachild’s–pre-eminentlyrationalandpractical,discreetanddispassionateinhisestimateandacceptanceoflife,theobvioussanityandserenityofhisworldlywisdomeffectuallydisguiseashyandsplendididealismwhichisoftheveryessenceoftheman.

Page 142: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter21

Harihashadhisbodhishaved.HehasbecomeaMuslim.

Hehasalsohadhispeniscircumcised.‘Byabarber,’saysCousin,unbuttoninghisflyinElectric-aunt’ssittingroom.Treatingmetoaviewofhisuncircumcisedpenis,hestretcheshisforeskinbacktoshowmehowHari’scircumcisedpenismustlook.

IrecallHari’sdarkgenitals,partiallyobscuredbythedustandduskandcrumpledwithfearashestoodinthecircleofhistormentors.Myimaginationpresentsunbearableimages.IshakemyheadtodispelthemandrevertmyattentiontoCousin’sexposedflesh.

HisgenitalshavegrownsinceIlastexaminedthem–threeyearsago–afterhe’dhadhisherniaoperation.Thepenisislongerandthickerandgracefullyarched–anditseemstobebreathing.

‘Feelit,’offersCousin.

Ilikeitsfeel.Itiswarmandcuddly.AsIsqueezethepliantfleshitstrengthensandgrowsinmyhand.

‘Hey!’Isay.‘What’sthis!’

CousinhasafunnylookinhiseyesthatIdon’ttrust.

‘Ihavebecomeahoney-comb,’hesays.‘Lickme,here,andseewhathappens.’

Ilickthetipgingerly.Nothing.Nohoney.

‘You’vegottosuckoutthehoney.’Cousinarcheshisbackandmanoeuvreshispenistomymouth.

‘Suckityourself!’Isay,standingup.

‘Ican’t,’saysCousin.

Iseetheabsurdityofmysuggestion.Ishrugaway.

IlikeCousin.I’veeventhoughtofmarryinghimwhenwegrowup:butthisisasideofhimI’mbecomingawareofforthefirsttime,andIdon’tlikeit.

‘Allright,I’llshowyouanyway,’saysCousininaconciliatoryvoice.‘Justlook:I’llshowyousomething.’

Page 143: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

CousinpumpsandpumpshispenisanditbecomesallredandIthinkhewilltearhimselfandIsay,‘Stopit!You’llbleed,’buthepumpsandpumpsandIbegintocry.

Cousintooisclosetocrying.Hemopesaroundfortherestoftheafternoonwithhisflylookingstuffed.Ihaven’tbeenabletokeepmyeyesofffliessince:intriguedbythefleshymachinery.

Harihasadaptedhisnametohisnewfaith:hewantsustocallhimHimatAli.Hehasalsochangedhisdhotiforthesubstantialgathersofthedraw-stringshalwar.

***

IspendthenightaftermybirthdayatGodmother’s.Lateintheeveningherroomresemblesthebarracksdormitorywepeepintofromtheservants’quartersroof.Fivecotsarelaidoutatallanglesandthereishardlyanyspacetowalk.

Ilieonmycot,betweenGodmotherandDrManekMody.Oldhusbandisalreadysnoringgentlyfromthedirectionofourfeet.OnlythekitchenlightisonandSlavesisterissoftlylayingoutthecupsandsaucersforthemorning’stea.

‘Hurryupandgotosleep,Lenny,’saysDrMody,sogleefullythatIbecomesuspiciousandask,‘Why?’

‘BecauseIwanttopounceonyourRodaAuntyandeatherup.I’mhungry.’

Therehegoesagain.

Godmotherissilent.Ireachoutmyhandandtapthewoodenframeofhercharpoyinthedarkandsheholdsmyhandtight.

DrModymakesa‘slurp-slurp’soundandrubshishandstogetherinthedark.

‘Don’tbesilly.Youcan’teatpeople,’Isay.

‘Gotosleep,can’tyou?’hesays,ignoringmycomment.‘Now,wheredoIstart?…RoastlegofAuntyorbarbecuedribs?Ofcourse!I’llmakeanicejellyfromhertrotters!Seasonedwithcinnamonandorangejuice–slurp-slurp.JustlikeImamDin’sjelly.’

ImamDinmakesadeliciousjelly–butoutofsheep’strotters.

DrMody’scotcreaksashesitsup,andIseehispyjama-suitedsilhouetteand,baldheadshiningmenacinglyinthefaintlightfromthekitchen.IspringoutofbedandwrapmylimbsaboutGodmother.Shelieswithinmysmallarmsandlegslikeatrustingandtremulouswhaleinherwhitegarments.‘Ifyoutouchher,Iwillkillyou!’Iscream.‘Ihaveadouble-barrelgun!’

‘IthinkIwillstartwithcrumbedchopsàlaRoda,’saysthedoctorundeterred.

ThelightisblockedbrieflyasSlavesistercomesthroughthedoor,carefullybalancingasaucerofhotteaforGodmother.Shenoticestheseateddoctorandasks,‘CanIgetyouanight-cap?’

Page 144: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Yes,please.I’dloveahotcupofbloodàlaRoda:withsaltandpepper.’

Ihaveabrilliantidea.‘YoucanhaveMiniAunty.Sheisfatter.’

‘Thankyouverymuch!’saysMiniAunty.

‘Idon’twantMini.I’minthemoodforatougholdthingIcanchewon.’

‘You’reaghoul!’Iscreechsternly.

‘Oh,no.I’monlyavampire.’

‘Now,now.Nomoreofthat,’intervenesSlavesister.‘Someonewillhavenightmares…Andthensomeonemightwetherbed.’

‘Someonewillnotwetherbed!’Isayfirmly,usingthetoneGodmotherusestosquashher.

‘Nevermindyourcheek.Getbacktoyourcharpoy.Youshouldbefastasleep,’saysSlavesister,completelyunabashed,andpatientlyholdingoutGodmother’ssaucerofhottea.

‘Chi,chi,chi!Shewetsherbed?’saysDrModyholdinghisnose.‘Chi,chi,chi!Don’tsleepnexttome.’

‘Shedoesnotwetthebed,’saysGodmother,risinggallantlytotheoccasion–andtotakehersauceroftea.

‘Youwouldn’tknow.Youdon’twashthesheets,’saysSlavesisterrecklessly.She’sprobablycountingontheinchGodmotherallowedherwhen,bemusedbytheeventsofthathistoricday,sheletSlavesistergetawaywithinsubordinationonmybirthday.ButherluckybreakhasgonethewayofallsuchbreaksandGodmother,rearinguponherpillows,retaliates:‘Don’tthinkI’venotbeenobservingyourtongueoflate!Ifyou’renotcareful,I’llsnipitoff!Thenyou’llprobablylearnnottoberudeinfrontofguests.IhatetothinkwhatManekwilltellourmiddlesisteraboutyourbehaviourbeforeyourelders!’

‘Really,Rodabai!Howlongwillyoutreatmelikeachild?’

‘Tillyougrowup!Godknows,you’vegrownolder–andfatter–butnotup!Thischildherehasmoresensethanyou.Nowstopeatingourheads.Sayyourprayersandgotosleep.’

Slavesisterretreatstothekitchenandcommencesmumbling.

DrManekModyrepresseshiscannibalisticprowlingandliesdownquietly.

It’slovelytohavesomeonefightyourbattlesforyou.Speciallywhenyou’relittle.IadoreGodmother.Ilatchontohertighter,andkissherroughkhaddarnightgown.Thepantrylightgoesout.Slavesistergropesherwaytohersaggingcharpoyandcontinueshermumblesinthevicinityofourheads.

Page 145: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Um!Um!’warnsGodmother.

Themumblesstop.

IknowDrModyisonlyteasing.Afterall,I’meight!Whenwilltheystoptreatingmelikeababy?AndI’mfedupofbeingcalledLennybaby,Lennybaby,Lennybaby…

WhenGodmothercomesoutofherbaththenextmorning,clatteringintothekitchenonwoodenthongs,herdolphinshapewrappedinonlyhersari,oneshoulderbare,hairdripping–alldewyandfresh–shelookslikeadaintyyoungthing.Asifthewaterhaswhittledawayherage.

BythetimeSlavesisteremergesfromherbath,lookinglikemeltingtallowandoozingmoisturefrompowderedpores,GodmotherhasputonherbodiceandblouseandvelvetslippersandpumpedalivethehissingPrimusstove.Sheappearsacceptingoflife.Consciousofherirrepressiblyyouthfulspirit–raringtogo.

‘Whattookyousolonginthebath?’shesays,gettingthedayofftoaflyingstart.‘YouknowManekhastogooutearly.Youknowthere’ssomuchtobedone–theboysarecomingintheevening–andyouretiretosplashfromthebucketlikeCleopatra!’

Slavesisteristoosedatedfromherbathtoreact.Oozingmoisture,shemovesaboutgatheringtheingredientsfortheomelettesandbeginschoppingtheonionsandgreenpeppers.

DrMody,anxiousnottomissthechatter,burstsintothekitcheninhisstripedpyjamas.Andasifhisloudvoicewerenotenough,heclapshandstogainattention:‘Where’sbreakfast?Where’sbreakfast?I’msohungryIcouldeatRodabai!SuchapityLenny’shere…’hesays,grinningfromeartoear–andnicelyfanningbankedfires.

‘IfBathingBeautydidn’ttakehourswallowinginherbathlikeCleopatra,you’dhavebreakfast!Comeon.Comeon.Moveyourfingers!’

‘Yes,Mini!Moveit.Moveit,’saysthedoctorputtinghisshortarmsroundSlavesister’sheavyshouldersandhuggingheraffectionately.

‘Mindyoudon’tcutyourself,’cautionsGodmother.

‘It’snotthefirsttimeI’musingaknife,Rodabai,’saysAuntMinireasonably.

‘Isaid“mind”.Ihaveenoughworrieswithoutyouraddingtothem!’

‘Yes,yes!Mindyoudon’tchopoffyourfatlittlefingers,’saysDrManekMody,echoingGodmother.

‘Now,don’tyougojoininghandswithher,’saysMiniAunty.

‘Her?Her?’asksGodmother,lookingconfusedlyatherbrother-in-lawandatme.‘Who’sher?Where’sher?’

Slavesisterchopsthetomatoessilently.

Page 146: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Yes?Who’sher?’asksherbrother-in-law.

Oldhusbandemergesfromthebathroom.Heis,asalways,dryandbrittle,andirritated.

‘HisSourship’shadhisbath.Manek,you’dbettertakeyourturnbeforeCleopatradecidestosettledowntoherbusinessonthecommode.’

‘Really,Rodabai…Ihatetosayit,butyoureallyaregoingtoofar,’saysSlavesister.

‘Oh?Whereto?WhereamIgoing?’

‘Don’tmakemesaysomethingyou’llregret…’

‘Comeon.Outwithit!I’dliketoknowwhereI’mgoing…andwhereIstand!’

‘Yes.Outwithit!WhereareyoupackingmyRodabaioffto?’

‘Manek,you’dbewisetokeepoutofthis,’saysSlave-sistersolemnly.‘Don’taggravatethesituation…It’sbadenoughwithoutyourencouragingher.’

‘Isthatso?’Godmotherisingoodform.‘MayIaskwhoyouaretotellManeknottomeddle?Areyousomebody?QueenCleopatraofJailRoad,perhaps?’

‘Youknow!I’mnothing…nobody…’

‘ThenwhodoesyourNobodyshipthinksheisorderingabout?Youmeddleallyouwant,Manek!Youaremarriedtooursister.Youhaveeveryrighttoencouragewhomyouwishtointhishouse!’Godmotherturnstofaceherstoickidsister.‘Andhe’sonlyaskingwhatIwishtoknow!Howfar,exactly,amIgoing?’

‘Ihatetosayit…but,youarebecoming…vulgar!’

‘Oh?Isthatso?Andwhatdoyouthinkyouarebecoming…whenyoulollonthecommodeallmorningspreadingperfumes?’

‘Chi,chi,chi!’saysDrMody,holdinghisfleshynose.

‘I’llchopoffyournose,youchi-chi-chiwallal’saysMiniAunty.Sheoftenactsthespoiltsis-in-lawwithhim.

‘NowonderMrsPenaskedtheothermorningifthegarbagecarthadbeentous.Nowonder!Ifeelsoembarrassed…’saysGodmotherbattinghereyes.

‘Ifit’sconstipation,Icanhelpherout,’saystheprofessionalmedicine-man.

‘Isthatwhatitis?’asksGodmother,allintelligentandalertandconcerned.‘Issheconstipated,doyouthink?Couldyouprescribeherastrongpurgative?’

‘Icangiveherahorse’sdose,ifyouwish.’

‘Sogoodofyou,Manek,’saysGodmother.‘Peoplewillstoptakingusfortheneighbourhoodmanuredump.’

Page 147: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Slavesisterwipesherfaceonhersleeve.Herlipsaremoistandflattened:theyappeartobemoving.

‘Areyoumuttering?’demandsGodmother.‘Kindlypermitustoshareyourmutters.’

‘No…it’sjusttheonions…’Slavesistermanagestosay.‘Theomelettemasalaisready.Wheredoyouwantmetomaketheomelette?’

Slavesisterhaswiselyelectedtosounddocileandmatter-of-fact.

Oldhusbandshufflesoutofthekitchenandsettleswithhisprayerbookinthebentwoodchair.Thewhitestubbleonhischeeksquiversashesilentlymumbleshisprayers.

GodmotherhasinvitedfourstudentsfromtheKingEdwardMedicalCollegedormstotea.Theirparents,whohaveatsomepointintimeknowneitherGodmotheroroneofherkin,haverequestedhertokeepanoccasionaleyeonthem.

Godmotherinvitesthemwheneverherbrother-in-lawvisitsLahore.Shefeelsitisgoodforthefledglingstobeinthecompanyofafully-fledgeddoctor.Though,asfarasIcantell,theydiligentlycompeteinsettingeachotherabadexample.

Onlytwostudents,YakoobfromPeshawarandCharlesChaudhry,anIndianChristianfromMultan,showupthatevening.

‘PrakashandhisfamilyhavemigratedtoDelhi,’saysYakoob,explainingtheabsenceoftheHinduboy.

Wearesittingonthedriveinaroughcircle;GodmotherinhereasychairandIonherlap.

‘RoshanSinghleftforAmritsaronlylastMonday,’saysYakoobexplainingtheabsenceoftheSikhstudent.‘SomegoondasfromBhattiwereafterhissisters.Weescortedthem,andthewholefamily,toaconvoy.’

Slavesister,sittingonherlowstoolwithherpodgykneesspreadbeneathhersari,clucksmournfullyandshakesherhead.

‘It’stobeexpected,Isuppose,’saysGodmothersighing.

‘Prettygirls?’enquiresDrManekMody.‘Sikhgirlshavebeautifuleyes,’hestates,airinghiseye-fetish.

‘Ohyes!’saysCharlesChaudhrywithbatedbreath.‘Lighteyes.Hazel.Greenish…Youcangetlostinthem,man!’

AyahhelpsMiniAuntyservetea.

‘Youra-y-a-hhasthemostenormouseyesI’veeverseen,’saysthedoctortomeinEnglish.‘Gorgeous!Ravishing!’

Page 148: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

PeoplespelloutthelettersthinkingAyahwillnotunderstandthealphabet.Thisoccurssofrequentlythatshe’dhavetobearealnitwitnottocatchon.

Ayah,awaresheisthestarattraction,rollsandslidesherthicklyfringedeyestoglamorouseffectasshepassesthetea.Shegoesinandfetchesaplateofalmondfudgeandsweetlentilladoos.

‘Lookout!There’saflyontheladoos,’saysDrMody.

Beingadoctorheismoreagitatedbythefly’spresencethanweare.

‘Areyoubotheredbysuchalittlefly?’saysAyah,peekingatthebalddoctorfromthecornersofherteasingeyes.‘Letitbe:itwillhardlyeatanything.’

DrModylooksather,surprised:tootakenabacktocomment.

Thenhespringsoutofhischairandfluttershissmallhandovertheladoos,saying:‘Shoo,shoo!’Thedisturbedflyliftssluggishlyandthedoctor,inaswiftbrownmovement,catchesitinhisfist.Hepuffsupandsurveysusasifhe’scaughtalion.

‘Welldone!’saysMiniAunty:everthesycophant.

‘Whydon’tyoueatit,’Itellhim.‘You’realwayshungry!’

DrModyslaughterstheflywithaloudclap.‘No,I’llsaveitforyou,’hesays,steppinguptomeandshovinghishandwiththedeadflytowardsmymouth.

IscreamandburymyfaceinGodmother’sblouse.Shefendshimoffwithonehandandholdsmeprotectivelywiththeother.Ifeelhermovementsasshechucklesandflays.

DrModysitsdownlaughing;andwhenIturntolookathimhemakesastraightfaceandpretendstoeatthefly.

‘You’reapig!’Isay.

Butoncelaunched,DrModycannotbedistractedlongfromhisfetish.Hepeersatmeacutely:Whydoyouhavesuchanunfortunatepairofeyes?’heenquires.‘You’reabitcross-eyed,aren’tyou?’

‘No.I’mnot!’Iprotestloudly.

‘Notcross-eyed,’saysSlavesister,andtreacherouslyadds,‘Sheonlysquints.’

‘No!’Ishout.‘Idon’t!’

‘Don’tshout,’saysmytraitorousaunt,coveringherears.‘We’renotdeaf.’

‘Idon’tunderstandit,’saysthespitefulcannibal.‘Yourmotherhassuchsweetchinkylittleeyes–suchapityherdaughter’seyesarelikethis.’Hecrosseshisindexfingers.

Iignorehim.

Page 149: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘WhataboutyourRosy-Peter’sAmericanmother?Howisshe?’thedoctorsuddenlyasks.It’shardtokeeptrackofhisabruptshiftsinconversation.

‘Theyleftlongago,’Isay.Caughtoffguard,I’mcivil.

‘Anothersetofgreeneyesgone!’lamentsthedoctor,sadlyshakinghishead.‘I’dfollowthemtotheendsoftheearth!’

Ifonekeepshissingletrackinmindthedoctorisnotsohardtofollowafterall.Thewoolly,ruminativesilencethatsucceedsthedoctor’ssoulfulsighsisabruptlyshatteredbyOldhusband.

‘What’sallthisbusinessabouteyes!eyes!eyes!’heexplodes.‘Youcan’tpokethedamnthingintotheireyes!’

Slavesistergasps,shockedoutofherhostesssmile.Theboystittersheepishly.DrManekModylookscompletelyconfounded.

IhaveneverseenOldhusbandsoawesome–notevenwhenhethunderedLongfellowatme.

‘He’squiteright!’saysGodmother,standingbyhermatter-of-factspouse.

Oldhusbandhasbeenhauledthroughthebook,zombie-like,inhiscane-bottomedchair,white-stubbied,un-prepossessing…Hehasbeendragged,disgruntled,fromtheearliestpagestositmuteonthedrivewithGodmotherandSlavesisterwhiletheychatterandfightandclaphandsandsing:‘LameLenny!Threeforapenny!’Hehasbeencompelledtosnoreatourfeet–andtospoutverseandshufflehisfeet.Allsothathemayintheendconfoundthecarnivorousdoctorwithhistestyoutburst!

Nowthathe’shadhissay,hecanpeaceablypassaway…

Ofcourse,IonlyappreciatedwhatOldhusbandhadsaidyearslater.

Page 150: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter22

Motherdevelopsabusyairofsecrecyandpreoccupationthatmakesherevenmoreremote.SheshootsoffintheMorris,afterFatherdrudgesoffonhisbicycle;andreturnslateintheafternoon–andscootsoutagain.Electric-auntoftenaccompaniesher,herthinlipscompressedindeterminedsilence,herefficienteyesconcentratedoninwardthoughts.

Ourbewilderedfacesagaingrowpaleaswepondertheirabsences.Weeatless.Wearefretful.

Theyaren’ttheleastbothered.

‘Whatcantheybeupto?’wondersCousinonawarmAprilafternoon,lyingfacedownonthecoolliving-roomflooroftheSinghs’emptyrooms.

‘Whydon’ttheytakeus?’Isay,hurtatbeingdeprivedofdriveswhilemymotherandmyauntgallivantGodknowswhere.

‘Iknowwheretheygo.Iknoweverything,’saysAdi,withatransparencethatconvincesusheknowsabsolutelynothing.

Ayah,almostasmystifiedasus,volunteersanintriguingbitofinformation.‘Getalookinthecar’sdickysometime.’

‘Why?’Idemand,surprised.

‘Becauseitisfullofpetrolcans!’sheconfides.Andonthisdramaticnoteattemptstoslipaway.

ButCousingrabstheendofhersari.AndIjumpuptoblockherexit.Andasshetriestoescape,thesariunravels.Giggling,turninggiddilyontheballsofherfeetlikeagaudytop,shewrapsherselfbackinandbouncesdownamongus.‘Toba,toba!’shesays,andtouchingthetipsofherearsinquicksuccessionsaying,‘I’veneverseensuchbadmashchildren!Who’sgoingtoironyourmother’ssari?You?’

MotherandFatheraregoingouttodinnerlater.Fourhourslater!Thesaricanwait.Mattersofmoremoment–likethedickyfulofpetrol–havetobeconsideredfirst.

Thecardickyisalwayslocked.IacceptAyah’sstatementonfaith,butCousinissuspicious.‘Howdoyouknowaboutthepetrol?’heasks,permittingmistrusttoshadehisvoice.

Page 151: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Iknow!’saysAyah,buttoningup.

Cousincanbesillysometimes.Hereweare,onthebrinkofarevelation,andheinsultsAyah.

‘IfAyahsaysthereispetrolinthecar’sdicky,thereispetrolinthecar’sdicky!’Isay.

AdiholdsAyahbyherearsand,shakingherheadlikeacoconut,says:‘Comeon,tellmore.Please,please!’

‘Wewon’ttellanybody.Iswear!’Isay.Andtoestablishfaith,pinchtheskinonmythroat.

‘IswearIwon’teither!Youknowyoucantrustme,’saysmymistrustfulCousin,adequatelyhumbledandathismostadultandcharming.HetoopinchestheskinonhisAdam’sapple,andonhiskneesmovesclosertoAyah.

Ayahturnsherheadthiswayandthatandrollshereyesabouttheroom.Cousinquicklygetsupandpeersintotheotheruninhabitedroomsoftheannexetomakesuretherearenoeavesdroppers.

WhenCousinreturns,Ayahsays:‘IfyourmothersgettoknowItoldyouthis…HareKrishna!They’llkillme!’

Againwetakeanoathofsilence,andfurtherreassureherbyoursolemnfaces.

‘Lookintothegodownnexttomyquarterssometime,’shesays.‘It’sfullofgallonsandgallonsofpetrol!’

Wearestupefied.Petrolisrationed.Itisanoffencetostoreit.

‘Yourmotherbringsthecansinthecar,’shesays,guiltilyremovinghereyesfrommine,‘andtakesthemoutagain!Ihelphercarrythemin…andIhelphercarrythemout!’

‘Doesn’tanyoneelseknowaboutit?’enquiresmystupefied,mystifiedandcircumspectCousin.

‘Onlyyourmothers,’saysAyah.‘Wedotheloadingandtheunloadingwheneveryone’sasleep.Wecoverthecanswithsheetsandtable-cloths.’

Iamsoshockedthatmyjawdrops.IlookatAdiandCousin.They,too,havebeenstruckbysimilarthoughts.Theireyesarecrossedindismayandtheirjaws,too,areunhinged.

‘Whatareyougapinglikethatfor?Closeyourmouths!’saysAyahsharply–lookingbewildered–sensingthatweareincriminatingourmothers.‘Iftheydosomethingwedon’tunderstand,theyhaveagoodreasonforit!’

I’mastonishedshehasnotcaughton.Weclamourmouthsshut.

Wenowknowwhothearsonistsare.OurmothersaresettingfiretoLahore!

Page 152: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Backandforth,backandforth,goourmothersontheirsecretmissions,carryingtheirsinisterfreightinthedickyofourMorrisMinor.Andthemoretheyabsentthemselves,thehigherrisetheflamesinthewalledcity,andalloverLahore–andthequickertheyreturn,thecloserswirltheangrybillowsofsootysmoke.

Andbyoursilencewecommitourselvestocomplicity.We’resureFatherknows.WhyelsewouldheleavetheMorrisforMother?

Myheartpoundsatthedamnationthatawaitstheirsouls.Mykneesquakeatthehorroroftheirimminentarrest.InominousdreamstheyparadeWarrisRoad.Inhighheels:inchiffonsaris:escortedbysoldiers:insinglefile:handcuffed,legcuffed,clankingchains…TheirmournfuleyesseekingusastheyaremarchedintoBirdwoodBarracks.

Forthefirsttime,unbidden,IcovermyheadwithascarfandinsecludedcornersjoinmyhandstotaketheIOInamesofGod.TheBountiful.TheInnocent.TheForgiverofSin.TheFulfillerofDesire.HewhocanturnAirintoAshes:FireintoWater:DustintoGems!TheangleofthewallsdeflectstheancientwordsofthedeadAvastanlanguageandtheprayerresoundssoothinglyinmyears.OftenInoticeCousinwithhisskull-caponhisheadlurkinginlockedbathroomsandIfeelmyconcernisshared.AndatnightwhenAdiwhipsthedarknesswithhiskusti,ashegoesthroughtheritualofthesacredthread,Iknowwhatevilhepraystobanishfromourmotherandaunt’sthoughts.

AttheendofthemonthwhenAyahconductsherbi-yearlysearchfornitsonourheads,shediscoverswehaveeachsprungonewhitehair!

I’msurprisedourhairhasn’tallturnedwhite.

***

HimatAliholdsmyschoolsatchel,andIholdhisfinger,aswewalkdownWarrisRoadtoMrsPen’s.

AttheSalvationArmywallItugonHari-alias-Himat-Ali’sfingertocrosstheroad.Ihavebecomeincreasinglyfearfulofthetallbrickwallwithitswire-veinedeyes.Todaytheslitventsemanateasteelyreekthatsetsmyteethonedge–andfillsmewithasuperstitiousdread.

HimatAli,too,isuneasy.Hepullsbacksaying:‘Stayhere.Thereissomethingontheotherside.’

Butmyfearofthewallandmycongenitalcuriosityprevail.Itisonlyabulginggunny-sack.Wecrosstheroad.

Theswollengunny-sackliesdirectlyinourpath.Haripushesitwithhisfoot.ThesackslowlytopplesoverandMasseurspillsout–halfonthedustysidewalk,halfonthegrittytarmac–dispellingthestilettoreekofviolencewiththesmelloffreshroses.

Page 153: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Hewaslyingononeside,theupperpartofhisvelvetbodybare,abrownandwhitecheckedlungiknottedonhiships,andhisfeetinthesack.IneverknewMasseurwassofairinside,creamy,andhisarmssmoothanddistendedwithmusclesandhisforearmslinedwithpalebrownhair.Awidewedgeoffleshwasneatlyhackedtofurthertrimhisslenderwaist,andhisspine,inavelvettrough,dippedintohislungi.

TheminuteItouchedhisshoulder,thinkinghemightopenhiseyes,Iknewhewasdead.Buttherewastoomuchvigourabouthimstill…andhisknowingtaperingfingerswiththeirwhitecrescentsandtrimmednailsappearedpliantandreadytoasserttheirconsummateskill.

HimatAli,trembling,suddenlybucklesandsquatsbyMasseurasifsettlingtoalongvigilbyasickfriend.Heremoveshispuggaree,revealinghisshavenbodhi-lesshead,andplacingitonhiskneewipesasmudgeofdustfromMasseur’sshoulder.

‘Oye,pahialwan.Oye,myfriend,’hewhispers.‘Whathavetheydonetoyou?’AndhestrokesMasseur’sarmwithhistremblinghandasifheismassagingMasseur.

Facesbobaroundusnow.Someconcerned,somecurious.ButtheylookatMasseurasifheisnotaperson.

Heisn’t.Hehasbeenreducedtoabody.Athing.Onesideofhishandsomefacealreadyburiedinthedustysidewalk.

Page 154: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter23

BeadonRoad,bereftofthecolourfulturbans,hairybodies,yellowshorts,tightpyjamas,andglitteringreligiousarsenaloftheSikhs,lookslikeanyotherpopulousstreet.Lahoreissuddenlyemptiedofyetanotherhoarydimension:therearenoBrahminswithcaste-marks–orHindusindhotieswithbodhis.OnlyhordesofMuslimrefugees.

EverybitofscrapthatcanbeusedhasbeensalvagedfromtheguttedshopsandtenementsofShalmiandGowalmandi.ThepalatialbungalowsofHindusinModelTownandtheotheraffluentneighbourhoodshavebeenthoroughlyscavenged.Thefirstwaveoflooters,inmobsandprocessions,hascarriedawayfurniture,carpets,utensils,mattresses,clothes.Succeedingwavesofmarauders,ridinginricketycarts,havesystematicallystrippedthehousesofdoors,windows,bathroomfittings,ceilingfansandrafters.Casualpassers-by,urchinsanddogsnowstrayintothehousestoscavengeamidstspiders’websanddeeplayersofdust,hopingtopickupoldnewspapersandcardboardboxes,oranyotherleavingsthathaveescapedtheeyeanddesireoftheprecedingwaveofgoondas.

InRosy-Peter’scompound,andinthegauntlootedhousesoppositeours,untendedgardeniahedgessprawlgrotesquelyandthelawnsandflowerbedsareoverrunwithweeds.Therearepatchesofparchedcrackedclayinwhichnothinggrows.Eventhemangoandbanyantreeslookmonstrous,stalkingtheunkemptpremiseswiththeirshadows.

WestillwanderthroughtheSinghs’annexebutthemainbungalow,theHindudoctor’sabandonedhousebehindtheirs,andparalleltoours,showssurreptitioussignsofoccupation.Awindowboardedwithnewspaper,atatteredcurtain,ashadowofsomeonepassingandthemurmurofstrangers’voiceskeepusaway.

Monthspassbeforeweseeournewneighbours.Frightened,dispossessed,theyarecopingwithgriefoverdeadkinandkidnappedwomenfolk.Gratefulfortheroofovertheirheadsandtheshelterofwalls,ourneighboursdwellinshadowedinteriors,quietlygoingaboutthebusinessofsurviving,terrifiedofbeingagainevicted.

Rosy-Peter’shouseandthehouseoppositestillremainunoccupied.Thesearetobeallottedtorefugeeswhocanprovetheyhaveleftequallyvaluablepropertiesbehind.

Itisastonishinghowrapidlyanuninhabitedhousedecays.TherearecracksinthecementflooroftheSinghs’annexeandbigpatchesofdamponthewalls.Cloudsofmosquitoes

Page 155: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

riseindarkcornersandlizardscleavetotheceilings.Itlookslikeahousepiningforitsdeparted–haunted–likeAyah’seyesarebymemoriesofMasseur.Shesecretlycries.OftenIcatchherwipingtears.

Theglossychocolatebloominherskinislosingitssheen.

***

Ayahhasstoppedreceivingvisitors.HerclosestfriendshavefledLahore.Shetrustsnoone.AndMasseur’sdeathhasleftinherthegreatemptyacheIknowsometimeswhenthemusclesofmystomachretractaroundhungryspaceswithinme…butIknowthereisanaddeddimensiontoherlossIcannotcomprehend.Iknowatleastthatmyloverlivessomewhereinthedistantandpossiblefuture:Ihavehope.

ShehauntsthecypressesandmarbleterracesoftheShalimarGardens.SheclimbstheslenderminaretsofJehangir’stomb.Wewanderpastthezoolion’scageandpastthechatteringmonkeysandstandbeforethepeacock’sfeatheryspread.WesitamongtherushesonthebanksoftheRaviandfloatintheflatboatsonitsmuddywaters…AndasMasseur’ssong,lingeringintherarefiedairaroundtheminaretsandinthefragranceofgardens,driftstousintherustleofthepampasgrass,Ayahshiversandwhisperingcroons:

‘Thebumble-beecame–

Struttingamongtheflowers,strumminglove…’

Andholdingtheendofhersariinherhandslikeasupplicant,sheburiesherunbearableacheinherhands.Istrokeherhair.Ikissherears,feelingmyinadequacy.

WhileMasseur’svoicehauntsAyah,itimpelsIce-candy-mantoclimbthesteepstepsoftheminaretsafterus.Heprowlsthehillsbehindthezoolion’scageandlurksinthetallpampasgrass.Hefollowsuseverywhereaswewalk,handinhand,twohungrywombs…Impotentmothersundertheskin.

***

Mother’sjauntsintheMorrisarebecominglessfrequent,andfiresalloverLahorearesubsiding.Orhavingbecomesomuchapartofthesmokingskylinetheynolongerclaimourattention.

Doesonegetusedtoeverything?Anything?

Processionsstillchantfromvariousdistancesandvaryingdirections,buttheyhavelosttheirurgency:soundingmorelikethecriesofmerchantshawkingwares.Closer,weheartherumbleofcartsashorsescanterdownQueensRoadtoMozangChungi,accompaniedbyrecedingcriesof‘Allah-o-Akbar!’and‘PakistanZindabad!’

Weshrug.Theyprobablyhavewindofsomeabandonedhousethathasnotbeenproperlyransacked.Thesemerchant-lootershavebypassedourstreetforsometime.

Page 156: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AndthenonemorningweagainheartherumbleofcartsandtheroarofmenshoutingslogansonWarrisRoad.

FromtheveryfirstinstantIsensedanger:wealldo.Perhapsitisthespeedoftheirapproach:perhapstheaimoftheirintentbuffetingusinthreateningwaves.Thereisaheighteninginthenoiseandashiftintheclatterofhorseshoesonthetarmac:aslowingthatdefinestheirtarget.Itiseitherthehouseinfrontofours,orours.Thehouseopposite,withgapingholeswhereoncethereweredoorsandwindows,hasnothinglefttoloot.

MothercomesoutandjoinsAyah,Adiandmeontheveranda.Theinhabitantsoftheservants’quartersruntothefrontandgatherbeforethekitchenandinthevacantportico.FatherhastakentheMorristowork.Apparentlyunperturbed,ImamDinbeatseggsinthekitchen.

Mother,voluptuousinabeigechiffonsari,isalert.Incharge.Alionesswithhercubs.Ayah,withherhaunted,nervouseyes,islionessnumbertwo.OurprideontheverandaswellsasMoti’swifeandfivechildrenjoinus.

Thereisastampingandsnortingofhorsesandscrapingofwoodenwheelsontheroadasthecart-cavalrycomestoadisorderlyhaltoutsideourgate.Weseethecartsmillingaboutinthedusttheyhaveraised,themenstandinginthem.Wehearthemaskingquestions;debating;shoutingtobeheardabovethenoise.

And,suddenly,themenroaragain:‘Allah-o-Akbar!’Andrideintothehouseoppositeours.

Ayahisnotontheveranda.Shehasdisappeared.

‘Where’sAyah?’Iask.I’mhushedbyahissofwhispers.Mothercommunicatesaquick,secretwarningthatisreflectedonallfaces.AyahisHindu.Thesituationwithallitsimplicationsisclear.Shemusthide.Weallhaveaparttoplay.Myintelligenceandcomplicityaretakenforgranted.

Thentheyareroaringandchargingupourdrive,wheelscreaking,hoovesclatteringasthewhippedhorsesstretchtheirscabbynecksandknottedhockstohaultheloadfortheshortgallop.Upthedrivecomethecharioteers,feetplantedfirmlyinshallowcarts,insingletsandclinginglinenlungis,shouldersgleaminginthebrightsun.Calculatingmen,whoseidealsandpassionshavecooledtoice.

Theypourintoourdriveinanendlesscavalryandthelootersjumpoffinfrontofthekitchenasthecartsmakeroomformorecartsandtheporticoanddrivearefilledwithmenandhorses;someofthehorses’nosesalreadyinthefeedbagsaroundtheirnecks.Themeninfrontarequiet–likemerchantsgoingabouttheirbusiness–butthosestalledinthechokeddriveandontheroadchantperfunctorily.

Themen’seyes,linedwithblackantimony,rakeus.Notethedoorsbehindusandassessthewell-tendedpremiseswithitssurfeitofpotsholdingfernsandpalmfronds.A

Page 157: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

hesitancysparksintheirbrasheyeswhentheylookatourmother.Flankedbyhercubs,herhandsrestingonourheads,sheisthenobleembodimentoftheatricalmotherhood.Undaunted.Endearing.Hercut–crystallipssetinadefiantpuckerbeneathhertintedglassesandhercropped,wavedhair.

MengatherroundYousafandHariaskingquestions,peeringhereandthere.PapooandI,holdinghands,stepdownintotheporch.Motherdoesn’tstopus.

Stillbeatingeggs,aluminiumbowlinhand,ImamDinsuddenlyfillstheopenkitchendoorway.Hebellows:‘Whatd’youharamzadasthinkyou’reupto?’Thereisalullintheprocessionists’clamour.Eventhemenontheroadhearhimandsuspendtheirdesultorychanting.ThedoorsnapsshutandImamDinstandsonthekitchenstepslookingbomb-belliedandmagnificentlygoondaish–thegrandfatherofallthegoondasmillingaboutus–withhisshavenhead,hennaedbeardandgrimylungi.

‘WherearetheHindus?’amanshouts.

‘TherearenoHindushere!Younimak-haramdogs’penises…TherearenoHindushere!’

‘ThereareHinduname-platesonthegates…ShankarandSethi!’

‘TheShankarstookofflongago…TheywereHindu.TheSethisareParsee.Iservethem.SethiisaParseenametoo,youignorantbastards!’

ThemenlookdisappointedandsheddingalittleoftheirsuretyandarrogancelookatImamDinasatanelder.ImamDin’smannerchanges.Hedescendsamongthem,bowlandforkinhand,aMussulmanamongMuslims.ImamDin’svoiceislow,conversational.Hegoesintothekitchenandbringsoutalargepanofwaterwithice-cubesfloatinginit.HeandYousafhandoutthewaterinfrostedaluminiumglasses.

‘Where’sHari,thegardener?’someonefromthebackshouts.

‘Hari-the-gardenerhasbecomeHimatAli!’saysImamDin,roaringgeniallyandglancingatthegardener.

HimatAli’sresigned,duskyfacebeginstotwitchnervouslyassomemenmovetowards,him.

‘Let’smakesure,’amansays,hitchinguphislungi,hisswaggeringgaitbentonmischief.‘Undoyourshalwar,HimatAli.Let’sseeifyou’reaproperMuslim.’Heisyoungandveryhandsome.

‘He’sRamzana-the-butcher’sbrother,’saysPapoo,nudgingmeexcitedly.

Inoticetheresemblancetothebutcher.Andthenthemenarenolongerjustfragmentedpartsofaprocession:theybecomeindividualpersonalitieswhosefacesIstudy,seekingfriends.

Page 158: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

ImamDinisstandinginfrontofthegardener,hisarmsoutstretched.‘Getaway!Ivouchforhim.Whydon’tyouaskthebarber?Hecircumcisedhim.’

SomeoneyellsinloudPunjabi:‘Oyay,nai!Didyoucircumcisethegardenerhere?’

Fromoutontheroad,transmittedbyachainofraucousvoices,comesthereply:‘Ididagoodjobonhim…I’llvouchforHimatAli!’

Thehandsomeyouth,cheatedoutofhisbitoffun,triestolungepastImamDin.

‘TellhimtorecitetheKalma,’someoneshouts.

‘Oye!You!RecitetheKalma,’saystheyouth.

‘LaIlahaIllallah,MohammadurRasulullah.’(ThereisnoGodbutGod,andMohammadisHisprophet.)Astonishingly,HimatAliinjectsintotheArabicversethecadenceandintonationofHinduchants.

Themenletitpass.

‘Whereisthesweeper?Where’sMoti?’shoutsahoarsePunjabivoice.ItsoundsfamiliarbutIcan’tplaceit.

‘He’shere,’saysYousaf,puttinganarmroundMoti.‘He’sbecomeabeliever…AChristian.Behold…MisterDavidMasih!’

Themensmileandjoke:‘Oho!He’sbecomeablack-facedgen-tle-man!MistersweeperDavidMasih!Nexthe’llbesailingofftoEng-a-landandmarryingamemsahib!’

Andthensomeoneasks,‘Where’stheHinduwoman?Theayah!’

Thereisasplit-second’ssilencebeforeImamDin’sreassur-ingvoicecalmlysays;‘She’sgone.’

‘She’sgonenowhere!Whereisshe?’

‘Itoldyou.SheleftLahore.’

‘When?’

‘Yesterday.’

‘He’slying,’saysthefamiliarvoiceagain.‘Oye,ImamDin,whyareyoulying?’

Irecognisethevoice.ItisButcher.

‘Oye,BarayMian!Don’tdisgraceyourvenerablebeard!’

‘Forshame,oldman!AndyousoclosetomeetingyourMaker!’

‘Lyingdoesnotbecomeyouryears,youoldgoat.’

Theraucousvoicesareturningugly.

‘CalluponAllahtowitnessyouroath,’someonesays.

Page 159: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Oye!Badmash!Don’ttakeAllah’sname!Youdefileitwithyourtongue!’saysImamDinlosinghisgeniality.

‘Ha!Soyouwon’ttakeanoathbeforeAllah!You’reablack-facedliar!’

‘Mindyourtongue,youdog!’shoutsImamDin.

Othervoicesjoinintheattackand,suddenly,veryclearly,Ihearhimsay:‘Allah-ki-kasam,she’sgone.’

Istudythemen’sfacesinthesilencethatfollows.Someofthemstilldon’tbelievehim.Someturnaway,orlookattheground.ItisanoathaMuslimwillnottakelightly.

Somethingstrangehappenedthen.Thewholedisorderlymêléedissolvedandconsolidatedintoasingleface.Theface,amber-eyed,spreadbeforeme:hypnotic,reassuring,blottingouttheuglyfrighteningcrowd.Ice-candy-man’sversatilefacetransformedintoasaviour’sinourhourofneed.

Ice-candy-maniscrouchedbeforeme.‘Don’tbescared,Lennybaby,’hesays.‘I’mhere.’Andputtinghisarmsaroundmehewhispers,sothatonlyIcanhear:‘I’llprotectAyahwithmylife!YouknowIwill…Iknowshe’shere.Whereisshe?’

AnddredgingfromsomefoultruthfuldepthinmeafragmentofoverheardconversationthatIhadnotregisteredatthetime,Isay:‘Ontheroof–orinoneofthegodowns…’

Ice-candy-man’sfaceundergoesasubtlechangebeforemyeyes,andasheslowlyuncoilshislankframeintoanuprightposition,IknowIhavebetrayedAyah.

Thenewsisswiftlytransmitted.InadazeIseeMotherapproach,herfacestricken.AdiandPapoolookatmeoutofstunnedfaces.Thereisnojudgementintheireyes–noreproach–onlystone-facedincredulity.

ImamDinandYousafaretakingsmallstepsback,theirarmsspread,asthreementrytopushpast.‘Where’reyougoing?Youcan’tgototheback!Ourwomenarethere,theyobservepurdah!’saysImamDin,againfutilelylying.Themenarenotaggressive,theirgameisathand.Itisonlyamatterofminutes.AndwhilethethreemeninsouciantlyconfrontImamDinandYousaf,othermen,eyesaverted,slippastthem.

IcannotseeButcher.Ice-candy-mantoohasdisappeared.

‘No!’Iscream.‘She’sgonetoAmritsar!’

ItrytorunafterthembutMotherholdsme.Ibuttmyheadintoher,bouncingitoffherstomach,andeverytimeIthrowmyheadback,IseeAdiandPapoo’sstunnedfaces.

ThethreemenshovepastImamDinandsomethingabouttheirinsolentanddeterminedmovementsaffectstheproprietiesthathaverestrainedthemobsofar.

Page 160: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Theymoveforwardfromallpoints.Theyswarmintoourbedrooms,searchtheservants’quarters,climbtotheroofs,breaklocksandenterourgodownsandthesmallstore-roomsnearthebathrooms.

TheydragAyahout.Theydragherbyherarmsstretchedtaut,andherbarefeet–thatwanttomovebackwards–areforcedforwardinstead.Herlipsaredrawnawayfromherteeth,andtheresistingcurveofherthroatopenshermouthlikethedeadchild’sscreamlessmouth.Hervioletsarislipsoffhershoulder,andherbreastsstrainathersari-blousestretchingtheclothsothatthewhitestitchingattheseamsshows.Asleevetearsunderherarm.

Themendragheringrotesquestridestothecartandtheirharshhands,supportingherwithcarelessintimacy,liftherintoit.Fourmenstandpressedagainsther,proppingherbodyupright,theirlipsstretchedintriumphantgrimaces.

Iamthemonkey-man’sperformingmonkey,thetrainedcircuselephant,thesnake-man’scharmedcobra,ananimalwithconditionedreflexesthatcannotlie…

ThelastthingInoticedwasAyah,hermouthslackandpiteouslygaping,herdishevelledhairflyingintoherkidnappers’faces,staringatusasifshewantedtoleavebehindherwide-openandterrifiedeyes.

Page 161: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter24

Theeveningsresoundtothebeatofdrums.Papooisgettingmarried.Inthewakeofmyguilt-drivenandflagellatinggriefandpiningforAyahthedrumssoundmournful,andthepreparationsfortheweddingjoyless.

ForthreedaysIstandinfrontofthebathroommirrorstaringatmytongue.Iholdthevile,truth-infectedthingbetweenmyfingersandtrytowrenchitout:butslipperyandslickasafishitslipsfrommyfingersandmocksmewithitssharprapiertipdartingaspoisonousasasnake.Ipunishitwithrigorousscouringsfrommypricklingtoothbrushuntilitissoreandbleeding.I’msoconsciousofitsunwelcomepresenceatalltimesthatitswellsun-comfortablyinmymouthandgagsandchokesme.

Ithrowup.Constantly.

Forthreedays,asIscourmytongue,familiesofsweepers,huddledinbunches,ingaudysatinsandbrocades,driftupourdrive,andpastthebathroomwindow.Thewomenshadetheirduskyfacesbeneathdiaphanousshawlswithsilverfringes,theirglassbanglesandsilverankletsjinglingastheyshuffletheirfeet,themenstruttingamidstthemlikecocksintall,crisplycrestedturbans.

Attheback,ontheservants’verandas,twooldcroneswithmissingteethtaketurnsbeatingasausage-shapeddrumwithbothhandsanddroningribaldditties.Papoo,cowedbyalltheunwontedattention,sitsgloweringinacorneroftheirquarterslikeapunishedchild,herskinglowingfrommustard-oilmassagesandapplicationsofturmericandMultanimud-packs.Sometimes,whenIsitlistlesslybyherholdingherhand,smilingpolitelyattheremarksandwisecracksofthewomen,drawingcouragefrommyfingersPapoo’seyesregaintheirroguishsparkleandshesnapsandlungesatthewomen,andflingingherselfonthedirtfloorenactstemptestuoustantrumsofprotestation.Infuriatedbyherdaughter’sintractablebehaviourbeforeherkinswomenMuccholashesoutandiswithdrawncursing,whiletheremainingwomen,wheedling,cajolingandbribingPapoowithsweets,restorehertoaprecarioussemblanceofdocility.

Ayahlessandsore-tonguedIdriftthroughtheforlornroomsofmyhouse,andbackandforthfromthefestivequarters.Thekitchenhasbecomeadepressinghell-holefilledwithsighsasImamDingoesabouthisworkspirit-lessly.EvenYousafcrackshissmileslessfrequently.Motherisoutallday.AndwhensheishomeshehassuchaforbiddingexpressiononherexhaustedfacethatAdiandIelecttokeepoutofherway.

Page 162: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

WithnoonetoawakenmeIsleeplateonthemorningofPapoo’swedding.ItisSaturday:exactlyaweekfromthedayAyahwascarriedoff.Aditugsmytoesoithurtsandsays:‘Aren’tyougettingup?Theguestshavecome…thebridegroom’sbaraatwillbeheresoon!’

Iquicklyslipintoastifflystarchedandfrothyfrockandputonmywhitesocksandbuckledshoesandruntotheback.

Thecaterershavealreadylitlogfiresbeneathtwoenormouscauldronsandthesultryairispermeatedbythearomaofbiryaniandspicygoatkorma.Iweavethroughthemaleguestssquattinglikepatientsheepoutsidethescantlemonhedgethatdemarcatestheservants’courtyard.Theyarditselfisthrongedbywomeninbrightsatinsedgedwithgoldandsilvergota.Thecrowdisthickoutsidethesweeper’squartersandIhavetosqueezemywaythroughtheknotofwomenatthedoor.Butevenaftermyeyesgetaccustomedtothedingylightinthesmall,squaredung-plasteredroomittakesmeawhiletorealisethatthecrumpledheapofscarletandgoldclothesflungcarelesslyinacornerisreallyPapoo.Isquatbyher,smilingandawkward,and,liftingherghoongat,peerintoherface.Shehasanenviablequantityofmake-upon.Shocking-pinklipstick,whitepowder,smudgedkohl:andsheisfastasleep.

Thereisastiramongtheseatedwomenandasuddenairofexcitement.Someoneoutsideshouts:‘TotaRam’sbaraathascome!’

IshakePapoo:‘Wakeup…Comeon!’Papoositsup,shovingherghoongatbackdrowsily,andlooksatmewithastrangecock-eyedgrin,asifsheisdrunk.

Irunoutwiththerestoftheimmediatekintoreceivethebaraatjustasthebridegroom’spartyentersourgatesandthesix-manband,infadedreduniformswithtarnishedgoldbraid,burstsintobrassyclamour.Iglimpsetheshortbridegroombehindthemusicians,bobbingamongthemenintheentourage.Thewomen,someonfoot,somecrammedintotongaswiththeirbabies,follow.Thegroomiswearingapurplesatinlungiandalong,whitelygleamingsatinshirt.Hischestisbristlingwithgarlandscentredwithgold-beribbonedcardboardheartsandstrungwithcrisp,newone-rupeenotesandflowers.Hisheadiscoveredbyathickwhiteturbanwithagoldkulahandbeneathithangsthesehra,veilinghisfacewithchainsofmarigolds.Judgingbyhisheight,TotaRammustbePapoo’sage–aboutelevenortwelve.Iamconfused.ThedistraughtwayMucchocarriedonwhenPapoowasoffherfeedledmetobelievethatTotaRamwasanimportant,frighteningandgrownman.

ThegroomisledintoHari’squarters,whichhavebeenclearedoftheirmeagrebelongingstoreceivehim.Nowthecuriouswomensurgetoseethedoolha.Ifightmywayinwiththem.Heissittingstraightonahigh-backedchair,hislegsdanglingbrand-newtwo-toneshoes.

Page 163: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Somethingabouthisgesturesdisturbsme:thewayheshiftsinthechair,themannerinwhichheinsertshishandbehindtheticklingflowerstoscratchhisnose.Hesneezes–anunexpectedlyviolentsound–and,snortingwetly,clearshisthroat.ForamomentIwonderifsomeoneolderisresponsibleforthesounds.Theydon’tbelongbehindthesehra.Againthebridegroomsneezes:somightilythatthesehraswingsout.ThenhepartsthecurtainofflowershangingfromhisheadandIseehisface!

Heisnoboy!Heisadark,middle-agedmanwithapockmark-pittedfaceandsmall,brash,kohl-blackenedeyes.Hehasaninsouciantairofinsolenceabouthim–asthoughitisallatediousbusinesshehasbeenthroughbefore.Icannottakemyeyesoffhimashescrutinisesthewomenwithassertive,assessingdirectness.Thereisaslightcastintheclosesetofhiseyes,andthesmirklurkingabouthisthin,drylipsgivesanimpressionofcruelty.Thewomenintheroombecomehushed.Heshiftshisinsolenteyestotheceiling,asifpermittingthewomentogapeuponhisunsavouryperson,andthenlowershissehra.

Aftertheinitialshock,twoorthreeolderwomenfromPapoo’sfamilypullthemselvestogetherandmoveforwardtogreetandblesshimasisrituallyrequired.Theelderlyandcynicaldwarfpermitstheirembracesandthensitsback,hisspreadlegsswingingcarelessly,andthewomen,someofthemtitteringinashockedwaybehindthefingersscreeningtheirmouths,resumetheirchattering.Iremainrootedtothedirtfloor,unabletoremovemyeyesfromhim,imaginingtheshock,andthegrotesquepossibilitiesawaitingPapoo.

***

Isitquietlybesidethebride.Thewomenfromthegroom’sfamilyliftherghoongatandcommentindulgentlyontheinnocencethatpermitsthechild-bridetosleepthroughhermarriage.Bendingfrequently,steppingoverthesatinyspreadoflegsandthighsofabouttwentywomenjammedtogetheronthefloor,theyexhibitanimpressivedisplayoftheclothesandthetawdryjewellerytheyhavebroughtforthebrideandhermother.

Alittleafternoontwoenormousroundcopperplatters,heapedwithfragrantpilafandgoatcurry,arebroughtintotheroom.Thewomengatheraroundthemandsilentlyfalltoeating.Thecaterersprovideaseparatechinaplateforthebride.Mucchoshakesherdaughterawake,urging:‘Come,doll,situpandeat,doll.’IstudyMuccho’sfacéwithcuriouseyes.Thereisacontentedsmileonherlips–smugandvindicated.

AsPapoostrugglesgroggilytositup,hereyesswivelweaklyunderherhalf-openlids.Mucchoshakesherroughlyagain,andformingsmallmorselsofricewithherfingers,strokingPapoo’sback,feedsher.Papoochewsslowly,absently,herchildish,lipstickedmouthslack.‘Oi,dopey.Ufeemi!Wakeup!’saysMucchoaffectionately.Andthoughthetoneofvoicecallingheranopium-addictisdisarminglyfacetious,itsuddenlystrikesmethatPapoohasinfactbeendrugged.Ihaveseenenoughopiumaddictstorealisethis.MrBankwalla’sandCol.Bharucha’scooksarebothaddicted.

Page 164: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Towardseveningthedoolhaisbroughtintotheroomandmadetositbyhiscomatosebride.Hekeepshisfacecoveredbythesehra,butbythewayhisheadshiftsIcantellheisslylyoglingmeandtheyoungwomenmovingabouttheroom.

LaterintheafternoontheMissionpadrestandsinthedoorinhislongblackcassockwithahigh,whitecollar.Hisheavylaced-upbootsappearincongruouswithhisflowinggarments.Hishairiscroppedveryshortandhehasawell-bredandtimidexpressiononhishumbleface.Iwonderifheisthepadrewhosewifeabscondedwiththeseductivetailor.

Thewomenhugtheirkneesandshufflebacktomakeroomforhispassageasthepadre,accustominghiseyestothedark,stepshesitantlyintoMoti’squarters.Holdinghisgilt-edgedBibleandrosarydeferentiallyhemakesthesignofthecrossandsquatsbeforethecouple.PapooisshakenawakeandsurreptitiouslyproppedupbyMucchoasthepadrerecitestheChristianmarriagelitanyinPunjabi.

Page 165: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter25

Therearemysteriousdevelopmentsafootintheservants’quartersbehindtheHindudoctor’shouseparallelingours.ThecourtyardhasbeenwalledoffandaverytallandburlySikhwithcurlinghaironhislegsstandsguardoutsideahigh,tin-sheetgate,criss-crossedwithwoodenbeams.Thereisapadlockthesizeofagrapefruitonthegate,andalargekeyhangsfromthesteelbanglearoundtheSikh’swrist.Heunlocksthegatesometimestopassthewomeninsidesacksofgrainandbasketsofvegetables.

Theservantsevadequestionsasifthereissomethingshamefulgoingon.Cousin,AdiandIareagog.AndonaSundayafternoon–itisalreadyOctober–wesneakupthestairsand,mindingtheholesintheroof,tiptoetolookintotheenclosedcourtyard.Ourservants’quarters’roofrunsinacontinuouslineofclaytotheirroof,demarcatedonlybyafoot-highbrickwall.

Weassumeit’sawomen’sjail,eventhoughtheylookinnocentenough–villagewomenwashingclothes,crossingthecourtyardwithwatercanisters,chaffingwheatanddryingrawmangoesforpickling.Thereisverylittlechatteramongthewomen.Justapatheticmovementstoandfro.

TheSikhguardsquatsinfrontofasmallwatertankinhiswhitecottondrawers,scouringhisteethwithawalnuttwig.Hemusthavejustwashedhishairbecauseitisflungroundhisnecklikeacoarsescarftokeepitfromtrailinginthemud.

Theguardspotsusontheroofandglowersferociously.Ashestandsuphishairuncoilsandhangsdownalmosttohisknees.Wescamperfromhisviewlikescaredspiders,carefulnottofallthroughtheholeswherethemudhasgivenwaybetweenthedecayingrafters.

Afterawhile,takingcaretotreadquietlyandnotdaringtotalk,wepeerbetweentheraftersintothedim,smoke-filledcubicles.Ifeelanervous,nauseousthrill,asImakeoutthedarkshapesofwomeninshalwar-kamizesmovinglethargicallybetweentheircots.Inoneofthecubiclesathinlongfacelooksupunseeingthroughtheveilofsmokeandtheeeriedesolationofthatpallidfaceremainsstampedonmymind.

***

TheHindudoctor’shousesounobtrusivelyoccupiedbyournewrefugeeneighbourssprawlsinanungainlyoblongblockbetweenthewomen’sjailandRosy-Peter’sannexe.

Page 166: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Itscementplastershowsbeneathscabsofpeelingwhitewash.Idon’tknowhowmanypeopledwellintheabandonedbungalow,butthenumberofitsoccupantsappearstobeincreasing.Thereismoremovementbehindthewindowsboardedupwithcardboardandnewspaper,agreaterfrequencyandlaxityinthesuddenshoutingandsubduedchatter.

Westilldon’tknowanythingaboutthem.Whotheyare,wherethey’refrom.Theykeeptothemselves,unobtrusivelyconductingtheirlives,lurkinglikenightanimalsinthetwilightinteriorsoftheirlairs,stillafraidofbeingevictedfrompropertytheyhavesomehowmanagedtooccupy.

***

Thewomanispullingafadedkamizethatistooshortforheroverawash-greyedshalwar.HerheadiscoveredbyafrayedvoilechuddarandsheisstandingbeforeMother,awkwardanduncomfortablytall.IrecogniseherthemomentIseeher.Hereyesaredowncastandanervous,apologeticsmile–thatismorelikeatwitch–jerksaboutherlips.Ifeelasurgeofpanic.DoesMotherknowshe’sinterviewingacriminaltoreplaceAyah?ButthereisaqualitysoanxiousanddespairingaboutthenarrowpallidfacethatIconcealmyknowledge.Iwouldrathertrustmyselftothedangerouscareofthejailbirdthanbetrayher:sostrongisthedragofguiltandcompassionshehasexertedonme.ShelooksatMotheroutofappealingeyes.Docile.Readytoplease.Soinneed.Servilelymurmuring:‘Yes,jee,Iwilldoeverything…Anythingyouwant.’

‘Thesearedecentfolk,mindyou!They’renotthekindthatletflydog-and-catabuses,’interjectsImamDingruffly,leaningagainstMother’sbedroomdoorwiththeproprietoryairofanelderlyandpamperedflunkey.‘You’llbelookedafterifyouworkproperly.’

Heisastransparentasme.Hecannothidehispity.

‘Iamnotfrightenedofwork,brother,’saysthewomaninthicklyaccented,villagePunjabi.‘Iwillsweep,clean,milkthebuffalo,churnthebutter,washclothes,cleanoutlatrines,makechapatties…Afterall,I’vebeenahousewife.’

Shestopsspeakingabruptlyandlooksunaccountablyguiltyandevenmorebashful.Suddenly,foldingherknees,shehunkersdownonthebedroomflooranddrawsherchuddarforwardoverherface.

‘Youwon’tneedtodoanyofthat!’saysMother.Sheindicatesmewithherglance.‘Here’syourcharge.AllIwantyouforisthecareofthechildren…Don’tletthemoutofyoursight.’

ThewomanswivelsonherheelsandgazesintomyeyessointenselythatIfeelitisI,andnotMother,whoisempoweredtoemployher.Thejerkysmileaboutherlipsdistendsfearfully.‘Iwillguardherlikethepupilsinmyeyes,’shesays.‘Don’tIknowhowcarefulonehastobewithyounggirls?Especiallythesedays!’Hertoneofvoiceandchoiceof

Page 167: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

words–asofvillagewomenutteringplatitudes–isgrotesqueintheobviouslystraitenedandabnormalcircumstancesofherlife.

Wecallherbyhername,Hamida.Wecan’tbeartocallherAyah.

***

LookingforAyah.WearealllookingforAyah.MotherandElectric-aunt,headstogether,gogoos-goosingandwhispering,contortingtheirfacesinstrangeandsolemnways.Andwhentheyseeustheyhushanddramaticallyaltertheirfierceexpressions.Theirreassembled,we-were-just-talking-of-this-and-thatfeaturesfrightenmemorethanthenewstheyareattemptingtospareme.

Fatheronceagaincyclestowork,leavingtheMorrisforMother.Electric-auntandMotherdriveoff,comeback,andareoffagainwithsuchfrequencyandurgencythatIachewithexpectationandshatteredhopeeachtimeIanxiouslylookintothereturningAyah-lesscar.

SharbatKhanreturnsfromthehillsandHari,aliasHimatAli,squattingonhistremblinghaunchesandweepingshamelessly,tellshim:‘Hesprangatmeoutofagunny-sack,dead!’Andwipinghistearingeyessays,‘Thedeadbastard!Didn’theknowshe’dbealone?’

Wrappedinablanket,turbanwoundroundhismouth,SharbatKhancyclesupforlow-voicedconversationswithImamDinandYousaf.Herattlesaway–sometimesaccompaniedbyYousaf–andthewaytheirlegspedal,andthewaytheyleanintothewind,IcantelltheyarelookingforAyah.

SharbatKhanlooksdifferent.Histigereyesaregrimandbloodshot.Hedriveshisfoothardonthepedalofhismachineandexaminestheedgesofthekniveshesharpensasthoughhewillusethemtokillusall.SometimeshelooksatmeasifheistryingtoprobemysoulandsearchouttheaberrationsinmypersonalitythatmademebetrayAyah.Thenheshakeshisheadandbitterlysays:‘ChildrenaretheDevil…Theyonlyknowthetruth.’

Icannolongerlookintohiseyes.

***

HamidakeepsherbowedheadcoveredandhereyesavertedfromFather.Sheshufflesandpivotsawkwardlyonherlonglegs,hunchinghernarrowshouldersmeekly,carefulnottooffendanyonebyherunusualheight.

Hamidahastobetrainedfromscratch.YousafteachesherhowtomakebedsthewayMotherlikes.Mothershowsherhowtostackclothesintidypilesincupboards,howtowashwoollensanddrythemonspreadtowels.Hamidahasneverusedaniron.Sheneverdoes.Sheissoterrifiedofelectricitythatshedoesn’tevenswitchonthelights–until

Page 168: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Cousinshowsherhowtowithawoodenclotheshanger,which,itisdinnedintoherhead,makeshershock-proof.

WetellherwhereourthingsgoandMothershowsherhowtobatheusandmassagemylegs.

Ibarelylimpnow.

HamidahastoberestrainedfromlatchingontoMotherandmassagingandpummellingherlimbswhenevershefindsMothersitting,sewingorreadinginbed.Hamidadoesn’tknowwhattodowithherhandsinMother’spresence.And,whenidle,influtteringpanictheyreachoutandmassagewhoeverisathand.Adiwigglesandslipsawayfromhergrasp.Or,ifsheistooinsistent,kicksout.Iletherhandshavetheirwillwithmeandtolerateherirksomecaress.SheislikeastarvedandgroundedbirdandIcan’tbeartohurther.

Sometimeshereyesfillandthetearsrolldownhercheeks.Once,whenIsmoothedherhairback,shesuddenlystartedtoweep,andnoticingmyconsternationexplained:‘Whentheeyeiswounded,evenascentedbreezehurts.’

***

HamidacomestofetchmefromMrsPen’s.Whenweareclosetothehouse,shecasuallysays:‘ImamDinhasguests…Poorthings:theyhavesufferedalot…TheSikhsattackedtheirvillage.’

‘Wherearetheyfrom?’Iask,mypulsequickening.

‘PirPindo…orsomesuchvillage.’

IleaveherhandandasIruntowardsthehouseIhearhervoicetryingtorestrainme.‘Becareful,Lennybaby,’shecries.‘Waitforme!’Andsherunsafterme.Myheartbeatingwildly,Irunintotheservants’courtyard.

Asmallboy,sopainfullythinthathiskneesandelbowsappearswollen,issquattingafewfeetawayconcentratingonstrikingamarblelyinginanotchinthedust.Heiswearingragged,draw-stringshortsofthincottonandthedirtycordtyingthemingathersroundhiswaisttrailsinthemud.Hisaimscores,andheturnstolookatme.Hisfaceisapatchworkofbrownandblackskin;awizenedblemish.Hestartstogetup,showinghisteethinacrookedsmile;andwithashockIrecogniseRanna.Hislimbsareblackandbrittle;thecircularprotrusionofhiswindpipeandribssoskeletalthatIcanseethepassageofairinhisthroatandlungs.Heiscoveredwithwelts;asifhisbodyhasbeenchoppedup,andthenwelded.Heseesmyhorrorandwinces,turningaway.‘Ranna,’Isay,movingquicklytotouchhim.‘Ranna!Whathappenedtoyou?’Ican’thelpit;Ilookattheuglyscabwherehisbelly-buttonusedtobe.Hestaresatmehisfacecrumbling.And,aswheelingabruptly,herunsintoImamDin’squarters,Iseetheimprobablewoundonthe

Page 169: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

backofhisshavedhead.Itisagrislyscarlikeabrutallygougedandprematurebaldspot.Intimethewoundacquiredtheshapeofafour-day-oldcrescentmoon.

Ialmostliveinthequarters.Hamidasitswithusforshortperiods,andwhenshepullsRannatoherlapandhepressesagainsther,herdisorderlyhandsgrowtranquil.Ionlygotothehousetosleep.IeatmymealsinImamDin’squarters,relishingeverythingRanna’sNonichachicooks.That’swhentheytalk–usingplainPunjabiwordsandgraphicpeasantgestures–Ranna,bitbybit,describingtheattackonPirPindo,Nonichachirecountingherpartinthestory,andIqbalchachainterveningwithclarification,conjectureandcomment.Itishardtograspthattheeventstheydescribetookplaceonlyacoupleofmonthsago…that,likeRanna,PirPindoisbrutallyaltered…thathisfamily,asIknewit,hasceasedtoexist…

***

Noonerealisedthespeedatwhichthedestructionandtherampageadvanced.Theydidn’tknowtheextenttowhichitsurroundedthem.JagjeetSinghvisitedPirPindoundercoverofdarknesswithfurtivegroupsofSikhs.AfewmorefamilieswhohadclosekinnearMultanandLahoreleft,disguisedasSikhsorHindus.Butmostofthevillagersresistedthemove.Theuncertaintytheyfacedmadethemdiscreditthedanger.‘Wecannotleave,’theysaid,and,likearefrain,Icanhearthemsay:‘Whatfacewillweshowourforefathersonthedayofjudgementifweabandontheirgraves?Allahwillprotectus!’

JagjeetSinghsentwordhewasriskinghislife,andthelivesoftheothermeninDeraTekSingh,ifhevisitedPirPindoagain.TheAkaliswereawareofhissympathiesfortheMuslims.Theyhadthreatenedhim.Theywereincontrolofhisvillage.

JagjeetSinghadvisedthemtoleaveassoonastheycould:butitwasalreadytoolate.

Ranna’sstory

Latethatafternoontheclamourofthemonsoondownpoursuddenlyceased.Chiddaraisedherhandsfromthedoughshewaskneadingand,squattingbeforethebrasstray,turnedtohermother-in-law.SittingbyhisgrandmotherRannasensedtheirtensionastheoldwomanstoppedchaffingthewheat.Sheslowlypushedbackherage-brittlehairand,holdingherknobbyfingersimmobile,grewabsolutelystill.

Chiddastoodintheirnarrowdoorway,hereyesnervouslyscouringthecourtyard.Rannaclungtohershalwar,peeringout.Hiscousins,almostnakedintheirsoakingrags,wereshoutingandsplashingintheslushintheircourtyard.‘Shutup.Oye!’Chiddashoutedinavoicethatrushedsoviolentlyfromherstrongchestthatthechildrenquietenedatonceandleanedandsliduneasilyagainstthewarmblackhidesofthebuffaloestetheredtotheroughstumps.Thecloudshadbrokenandthesunshotbeamsthatlitupthefreshlybathedcourtyard.

Page 170: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Theothermembersofthehousehold,Ranna’solderbrothers,hisuncles,auntsandcousinswerequietlyfilingintothecourtyard.WhenshesawKhatijaandParveen,Chiddastrodetoherdaughtersandpressedthemfiercelytoherbody.Thevillagewassoquietitcouldbethemiddleofthenight:andfromthedistance,buffetingtheheavy,moisture-ladenair,camethewailsandthehoarsevoicesofmenshouting.

Alreadytheirneighbours’turbansskimmedthetallmudrampartsoftheircourtyard,theirbarefeetsquelchingonthepaththerainhadturnedintoamuddychannel.

Icanimaginetheoldmullah,combinghisfadedbeardwithtremblingfingersashewatchesthevillagersconvergeonthemosquewithitsunevengreendome.Itisperchedonanincline;andseenfromtherethefields,floodedwithrain,arethesamemuddycolourasthehuts.Themullahdragshiscotforwardasthevillagers,touchingtheirforeheadsandgreetinghimsombrely,filltheprayerground.Thechaudhryjoinsthemullahonhischarpoy.Thevillagerssitontheirhaunchesinunevenrowsliftingtheirconfusedandfrightenedfaces.Thereisamurmurofvoices.Conjectures.Firstthenameofonevillageandthenofanother.TheSikhshaveattackedKot-Rahim.No,itsoundscloser…ItmustbeMakipura.

Thechaudhryraiseshisheavyvoiceslightly:‘DostMohammadandhispartywillbeheresoon…We’llknowsoonenoughwhat’sgoingon.’

Athisreassuringpresencethemurmuringsubsidesandthevillagersnervouslysettledowntowait.Somewomendrawtheirveilsacrosstheirfacesand,shadingtheirbosoms,impatientlyshovetheirnipplesintothemouthsofwhimperingbabies.Grandmothers,mothersandauntsrockrestivechildrenontheirlapsandthumptheirforeheadstoputthemtosleep.Thechildren,conditionedtothenumbingjolts,growgroggyandtheireyesbecomeun-focused.Theyfallasleepalmostatonce.

Halfanhourlaterthescoutingparty,drenchedandmuddy,thelowerhalvesoftheirfaceswrappedintheendsoftheirturbans,picktheirwaythroughthesquattingvillagerstothechaudhry.

Removinghiswetpuggareeandwipinghisheadwithacloththemullahhandshim,DostMohammadturnsonhishaunchestofacethevillagers.Hisskinisgrey,asiftherainhasbleachedthecolour.Castingashadeacrosshiseyeswithahandthattremblesslightly,speakinginamatter-of-factvoicethatdisguiseshisacheandfear,hetellsthevillagersthattheSikhshaveattackedatleastfivevillagesaroundDehraMisri,totheireast.Theirnumbershaveswollenenormously.Theyarelikeswarmsoflocusts,movinginmaraudingbandsofthirtyandfortythousand.TheyarekillingallMuslims.Settingfires,looting,paradingtheMuslimwomennakedthroughthestreets–rapingandmutilatingtheminthecentreofvillagesandinmosques.TheBias,floodedbymeltingsnow,andthemonsoon,iscarryinghundredsofcorpses.Thereisanintolerablestenchwherethebodies,caughtinthebends,havepiledup.

Page 171: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whatarethepolicedoing?’amanshouts.HeisDostMohammad’scousin.Onewayoranotherthevillagersarerelated.

‘TheMuslimsintheforcehavebeendisarmedattheordersofaHinduSub-Inspector;thedog’spenis!’saysDostMohammad,speakinginthesameflatmonotone.‘TheSikhandHindupolicehavejoinedthemobs.’

Thevillagersappearvisiblytoshrink–asifthelossofhopeisaphysicalthing.Awomanwithachildonherlapslapsherforeheadandbeginstowail:‘Hai!Hai!’Theotherwomenjoinher:‘Hai!Hai!’Olderwomen,beatingtheirbreastslikehollowdrums,cry,‘Nevermindus…savetheyounggirls!Thechildren!Hai!Hai!’

Ranna’stwo-toothedoldgrandmother,herfrailvoicequaveringbitterly,shrieks:‘WeshouldhavegonetoPakistan!’

Itwashardtobelievethatthedecisiontostaywastakenonlyamonthago.EmbeddedintheheartofthePunjab,theyhadfeltsecure,inviolate.Andtouprootthemselvesfromthesoiloftheirancestorshadseemedtothemakintotearingthemselves,likeancienttrees,fromtheearth.

Andthemessagesfilteringfromtheoutsidehadbeenreassuring.Gandhi,Nehru,Jinnah,TaraSinghweretellingthepeasantstoremainwheretheywere.Theminoritieswouldbeasacredtrust…Thecommunaltroublewasbeingcausedbyafewmischief-makersandwouldsoonsubside–andthenthereweretheirbrothers,theSikhsofDeraTekSingh,whowouldprotectthem.

ButhowmanyMuslimscantheSikhvillagersbefriend?Themobs,determinedtodrivetheMuslimsout,arepreparedforthecarnage.TheirranksswollenbythousandsofrefugeesrecountingfreshtalesofhorrortheyrolltowardsPirPindoliketheheedlessswellsofanocean.

Thechaudhryraiseshisvoice:‘Howmanygunsdowehavenow?’

Thewomenquieten.

‘Sevenoreight,’amanrepliesfromthefront.

Thereisadisappointedsilence.Theyhadexpectedtoprocuremoregunsbuteveryvillageisholdingontoitsmeagrestockofweapons.

‘Wehaveouraxes,knives,scythesandstaves!’amancallsfromtheback.‘Letthosebastardscome.We’reready!’

‘Yes…we’reasreadyaswe’lleverbe,’thechaudhrysays,strokinghisthickmoustache.‘Youallknowwhattodo…’

Theyhavebeenovertheplanoftenenoughrecently.Thewomenandgirlswillgatheratthechaudhry’s.Ratherthanfacethebrutalityofthemobtheywillpourkerosenearoundthehouseandburnthemselves.Thecanistersofkerosenearealreadystoredinthebarnat

Page 172: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

therearofthechaudhry’ssprawlingmudhouse.TheyoungmenwillengagetheSikhsatthemosque,andatotherstrategiclocations,foraslongastheycanandgivethewomenachancetostartthefire.

Afewmenfromeachfamilyweretoshepherdtheyoungerboysandlockthemselvesintosecludedbackrooms,hopingtoescapedetection.Theywerepeaceablepeasants,notskilledinsuchmatters,andtheirplansweresketchyandoptimistic.Comfortedbyeachother’spresence,reluctanttodisperse,thevillagersremainedintheprayeryardasduskgatheredaboutthem.Thedistantwailingandshoutinghadceased.Laterthatnightitrainedagain,andcomfortedbyitsseasonalsplatterthetiredvillagerscurledupontheirmatsandslept.

Theattackcameatdawn.Thewatchfromthemosque’ssingleminarethurtleddownthewindingstepstospreadthealarm.Thepanickedwomenrantoandfroscreamingandsnatchinguptheirbabies,andthemenbarelyhadtimetogettotheirposts.InfifteenminutesthevillagewasswampedbytheSikhs–tallmenwithstreaminghairandthickbicepsandthighs,wavingfull-sizedswordsandsten-guns,roaring,‘BolaysoNihal!SatSiriAkal!’

Theymoweddownthevillagersinthemosquewiththesten-guns.Shouting‘Allah-o-Akbar!’thepeasantsdiedofswordandspearwoundsintheslushylanesandcourtyards,thescreamsofwomenfromthechaudhry’shouseringingintheirears,wonderingwhythehousewasnotburning.

Ranna,abandonedbyhismotherandsistershalfwaytothechaudhry’shouse,ranhowlingintothecourtyard.Chiddahadspankedhisheadandpushedhimaway,shrieking,‘Gotoyourfather!Staywiththemen!’

Rannaranthroughtheirhousetotheroomtheboyshadbeeninstructedtogatherin.Someofhiscousinsanduncleswerealreadythere.Moremenstumbledintothedarkwindowlessroom–thenhistwoolderbrothers.Theremustbeatleastthirtyoftheminthesmallroom.Itwasstifling.Heheardhisfather’svoiceandfoughthiswaytowardshim.DostMohammadshoutedharshly:‘Shutup!They’llkillyouifyoumakeanoise.’

Theyellingintheroomsubsided.DostMohammadpickeduphisson,andRannasawhisuncleslipoutintothegreylightandshutthedoor,plungingtheroomintodarkness.Someoneboltedthedoorfrominside,andtheyheardtheheavythudofcottonbalesstackedagainstthedoortodisguisetheentrance.Withlucktheywouldremainundetectedandsafe.

Theshoutingandscreamingfromoutsideappearedtocomeinwaves:recedingandapproaching.Fromalldirections.SometimesRannacouldmakeoutthewordsandevenwholesentences.Heheardawomancry,‘Doanythingyouwantwithme,butdon’ttormentme…ForGod’ssake,don’ttortureme!’Andthenanintolerablescreaming.‘OhGod!’amanwhisperedonasobbingintakeofbreath.‘OhGod,sheisthemullah’s

Page 173: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

daughter!’Themencoveredtheirears–andtheboys’ears–sobbingunaffectedlylikelittlechildren.

Ateenager,hiscrackedvoiceresoundinglikethehonkofgeese,startedwailing:‘Idon’twanttodie…Idon’twanttodie!’Catchinghisfear,Rannaandtheotherchildrensettowhimpering:‘Idon’twanttodie…Abba,Idon’twanttodie!’

‘Hush,’saidDostMohammadgruffly.‘Stopwhininglikegirls!’Then,withwordsthatmusthavebubbledupfromadeepsourceofstrengthandcompassion,withinfinitegentleness,hesaid,‘What’stheretobeafraidof?Areyouafraidtodie?Itwon’thurtanymorethanthestingofabee.’Hisvoice,unseasonablylight-hearted,carriedatendernessthatsoothedandcalmedthem.Rannafellasleepinhisfather’sarms.

Someonewasbangingonthedoor,shouting:‘Openup!Openup!’

Rannaawokewithastart.Whywasheonthefloor?Whyweretheresomanypeopleaboutinthedark?Hefeltthestirofmengettingtotheirfeet.Theairintheroomwasoppressive:hotandhumidandstinkingofsweat.SuddenlyRannarememberedwherehewasandthedarknessbecamechargedwithterror.

‘Weknowyou’reinthere.Comeon,openup!’Thenoiseofthebangingwasdeafeninginthepitch-blackroom,drowningtheotherchildren’salarmedcries.‘Allah!Allah!Allah!’anoldmanmoanednon-stop.

‘Who’sthere?’DostMohammadcalled;andputtingRannadown,stumblingoverthesmallbodies,madehiswaytothedoor.Ranna,terrified,gropingblindlyinthedark,triedtofollow.

‘We’reSikhs!’

TherewasapauseinwhichRanna’sthroatdriedup.Theoldmanstoppedsaying‘Allah’.Andinthedeathlystillness,hisvoiceechoingfromhisproximitytothedoor,DostMohammadsaid,‘Killus…Killusall…butsparethechildren.’

‘Openatonce!’

‘Ibegyouinthenameofallyouholdsacred,don’tkillthelittleones,’Rannaheardhisfatherplead.‘MakethemSikhs…Letthemlive…theyaresolittle…’

Suddenlythenoonlightsmotetheireyes.DostMohammadsteppedoutandwalkedthreepaces.Therewasasunlitsweepofcurvedsteel.Hisheadwasshornclearoffhisneck.Turningonceintheair,eyeswideopen,ittumbledinthedust.Hishandsjerkedupslashingtheairabovethebleedingstumpofhisneck.

Rannasawhisunclesbeheaded.Hisolderbrothers,hiscousins.TheSikhswereamongthemlikehairyvengefuldemons,wieldingbloodiedswords,draggingthemoutasasprinklingofHindus,dartingaboutatthefringes,theirfacesvaguelyfamiliar,pointedoutandidentifiedtheMussulmansbyname.Hefeltablowcleavethebackofhisheadand

Page 174: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

thewarmflowofblood.Rannafelljustinsidethedooronatangledpileofunrecognisablebodies.Someonefellonhim,drenchinghiminblood.

Everytimehiseyesopentheworldappearstothemtobefloatinginblood.Fromthedirectionofthemosquecometheintolerableshrieksandwailsofwomen.Itseemstohimthatawomanissobbingjustoutsidetheircourtyard:greatanguishedsobs–andatintervalsshescreams:‘You’llkillme!HaiAllah…Y’allwillkillme!’

Rannawantstotellher,‘Don’tbeafraidtodie…Itwillhurtlessthanthestingofabee.’Butheishurtingsomuch…Whyisn’thedead?Wherearethebees?Oncehethoughthesawhiseleven-year-oldsister,Khatija,runstarknakedintotheircourtyard,herlonghairdishevelled,herboyishbodybruised,herlipscutandswollenandabloodyscabwhereherfrontteethweremissing.

Laterintheeveningheawoketosilence.Atoncehebecamefullyconscious.Hewiggledbackwardsoverthebodiesandslippingfreeoftheweightontopofhimfelthimselfsinkknee-deepintoaviscousfluid.Thebodiesblockingtheentrancehadturnedtheroomintoapoolofblood.

Keepingtotheshadowscastbythemudwalls,steppingoverthemangledbodiesofpeopleheknew,Rannamadehiswaytothechaudhry’shouse.Itwasdarkinside.Therewasanauseatingstenchofkerosenemixedwiththesmellofspiltcurry.Helethiseyesgetaccustomedtothedimness.Carefullyheexploredtheroomsclutteredwithsmashedclaypots,brokencharpoys,spilledgrainandchapatties.Hehadnotrealisedhowhungryhewasuntilhesawthepileofstalebread.Hecrammedthechapattiesintohismouth.

Hisheartgavealurch.Awomanwassleepingonacharpoy.Hereachedforherandhishandgraspedherclammy,inertflesh.Herealisedwithashockshewasdead.Hewalkedroundthecottoexamineherface.Itwasthechaudhry’solderwife.Hediscoveredthreemorebodies.Inthedimlightheturnedthemoverandpeeredintotheirfacessearchingforhismother.

Whenheemergedfromthehouseitwasgettingdark.Movingwarily,avoidingcontactwiththebodieshekeptstumblingupon,hewenttothemosque.

*

Forthefirsttimeheheardvoices.Thewhispersofwomencomfortingeachother–ofwomensoftlyweeping.Hisheartpoundinginhischesthecrepttoonesideofthearchingmosqueentrance.Heheardamangroan,thenaseriesofanimal-likegrunts.

Hefrozenearthebodyofthemullah.Howsoonhehadbecomeaccustomedtothinkingofpeoplehehadknownallhislifeasbodies.Hefeltonsucheasytermswithdeath.Theoldmullah’sfacewassereneindeath,hisbeardpaléagainstthebrickplinth.Thefiguresinthecoveredportionattherearofthemosquewereadarkblur.Hewassurehehad

Page 175: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

heardChidda’svoice.Hebeganinchingforward,preparedtodashacrosstheyardtowherethewomenwere,whenamanyawnedandsighed,‘WahGuru!’

‘WahGuru!WahGuru!’respondedthreeorfourmalevoices,soundingdrowsyandreplete.RannarealisedthatthemeninthemosquewereSikhs.Awaveofrageandloathingswepthissmallbody.HeknewitwaswrongoftheSikhstobeinthemosquewiththevillagewomen.Hecouldnotexplainwhy:exceptthathestillsleptinhisparents’room.

‘Stopwhimpering,youbitch,orI’llbuggeryouagain!’amansaidirritably.

Othermenlaughed.Therewasmuchmovement.Stifledexclamationsandmoans.Awomanscreamed,andsworeinPunjabi.Therewasaloudcrackingnoiseandtherattleofbreathfromthelungs.Thenamomentofhorriblestillness.

Rannafledintothemoonlessnight.Skiddingontheslickwetclay,stumblingintotheirrigationditchesdemarcatingthefields,heraninthedirectionofhisUncleIqbalandhisNonichachi’svillage.Hedidn’tstopuntildeepinsideathicketofsugar-canehestumbledonaslightlyelevatedslabofdrierground.Theclayfeltsoftandcaressingagainsthisexhaustedbody.Itwasasafeplacetorest.ThemomentRannafeltsecurehisheadhurtandhefainted.

Rannalayunconsciousinthecanefieldallmorning.Intermittentshowerswashedmuchofthebloodanddustoffhislimbs.Aroundnoontwomenwalkedintothecanefield,andatthefirstrustleofthedriedleavesRannabecamefullyconscious.

Slidingonhisbutttothelowerground,crouchingamidsttheprickingtangleofstalksanddriedleaves,Rannafollowedthepassageofthemenwithhisears.Theytrampledthroughthefield,selectingandcuttingthesugar-canewiththeirkirpans,talkinginPunjabi.RannapickedupanexpressionthatwarnedhimthattheywereSikhs.Halfburiedintheslushhescarcelybreathedasoneofthemencamesoclosetohimthathesawthebluecheckonhislungiandtheflashofawhitesinglet.Therewasacracklingrustleasthemansquattedtodefecate.

Halfanhourlaterwhenthemenleft,Rannamovedcautiouslytowardstheedgeofthefield.AclusterofaboutsixtySikhsinlungisandsinglets,theircarelesslyknottedhairsnakingdowntheirbacks,stoodtalkinginafallowfieldtohisright.Atsomedistance,inanotherfieldofyounggreenshoots,SikhsandHindusweregatheredinamuchlargerbunch.Rannasensedtheirpresencebehindhiminthefieldshecouldn’tsee.Theremustbethousandsofthem,hethought.Shiftingtoasafespothesearchedthedistanceforthegreendomeofhisvillagemosque.Hehadtravelledtoofartospotit.Butheknewwherehisvillagelayandguessedfromthecoilingsmokethathisvillagewasonfire.

Muchlater,whenitwastimefortheeveningmeal,thefieldscleared.Hecouldnotmakeoutasinglehumanformformiles.Asheranagaintowardshisaunt’svillagetheredsun,asifengorgedwithblood,sankintothehorizon.

Page 176: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Allnighthemoved,scuttlingalongthemoundsofearthprotectingthewaterways,runninginshallowchannels,burrowinglikeasmallanimalthroughthestandingcrop.Whenhestoppedtocatchhisbreath,hesawtheglowfromburningvillagesmeasuringthenightdistancesoutforhim.

Rannaarrivedathisaunt’svillagejustafterdawn.Hewatcheditfromafar,confusedbytheactivitytakingplacearoundfiveorsixhugelorriesparkedintheruttedlanes.Soldiers,holdinggunswithbayonetsstickingoutofthem,weredirectingthevillagers.Thevillagerswereshoutingandrunningtoandfro,carryingontheirheadscharpoysheapedwiththeirbelongings.Somewereherdingtheircalvesandgoatstowardsthetrucks.Othersweredumpingtheirhouseholdeffectsinthemiddleofthelanesintheirscrambletoclimbintothelorries.

TherewerenoSikhsabout.Thevillagewasnotunderattack.PerhapsthearmytrucksweretheretoevacuatethevillagersandtakethemtoPakistan.

Rannahurtleddownthelanes,weavingthroughtheburdenedanddistraughtvillagersandstrayingcattle,intohisaunt’shut.Hesawherrightaway,heapingherpotsandpansonacot.Afatrollofwinterbeddingtiedwithastringlaytooneside.Hescreamed:‘Nonichachi!It’sme!’

‘ForaminuteIthought:Whoisthisfilthylittlebeggar?’Nonichachisays,whensherelatesherpartinthestory.‘Isaid:Ranna?Ranna?Isthatyou?What’reyoudoinghere!’

Themomenthecaughtthelightofrecognitionandconcerninhereyes,thepaininhisheadexplodedandhecrumpledatherfeetunconscious.

‘Itisfunny,’Rannasays.‘AslongasIhadtolookoutformyself,Iwasallright.AssoonasIfeltsafe,Ifainted.’

Herhandstrembling,hischachiwashedthewoundonhisheadwithawetrag.Clotsofcongealedbloodcameawayandfloatedinthepaninwhichsherinsedthecloth.‘Ididnotdareremovethethickscabsthathadformedoverthewound,’shesays.‘IthoughtI’dseehisbrain!’Theslashingbladehadscalpedhimfromtheriseinthebackofhisheadtothetop,exposingawoundthesizeofalargebaldpatchonaman.Shewonderedhehadlived;foundhiswaytotheirvillage.Shewassurehewoulddieinafewmoments.Ranna’schacha,Iqbal,andothermembersofthehousegatheredabouthim.Anoldwoman,thevillagedai,checkedhispulseandhisbreathand,coveringhimwithawhitecloth,said:‘Lethimdieinpeace!’

*

Aterrifyingroar,likethewarningofanalarm,throbsinhisears.Hesitsuponthecharpoy,takinginthedisorderinthehastilyabandonedroom.Theothercot,heapedwithhisaunt’sbelongings,lieswhereitwas.Hecanseethebeddingrollabandonedinthecourtyard.Claydishes,mugs,chippedcrockery,andhand-fanslieonthefloorwith

Page 177: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

scatteredbitsofclothing.Wherearehisauntanduncle?Whyishealone?Andinthefearsomenoisedrawingnearer,herecognisestherhythmoftheSikhandHinduchants.

Rannaleaptfromthecotandranthroughthelanesofthedesertedvillage.Exceptfortheanimalslowingandbleatingandwanderingownerlessontheslushypathstherewasnooneabout.Whyhadn’ttheytakenhimwiththem?

Hisheartthumping,Rannaclimbedtothetopofthemosqueminaret.HesawthemobofSikhsandHindusinthefieldsscuttlingforwardfromthehorizonlikegiantants.Roaring,wavingswords,partlyobscuredbytheveilofdustraisedbytheirtramplingfeet,theyapproachedthevillage.

Rannaflewdownthesteepsteps.Heraninandoutoftheemptyhouseslookingforaplacetohide.Themobsoundedclose.Hecouldhearthethudoftheirfeet,makeoutthewordsoftheirchants.Rannaslippedthroughthedoorintoabarn.Itwasalmostentirelyfilledwithstraw.Hedivedintoit.

HeheardtheSikhs’triumphantwarcriesastheyswarmedintothevillage.Heheardthesavagebangingandkickingopenofdoors:andthequickconfusedexchangeofshoutsasthemenrealisedthatthevillagewasempty.Theysearchedallthehouses,movingsystematically,lootingwhatevertheycouldlaytheirhandson.

Rannaheldhisbreathasthedoortothebarnopened.

‘Oye!D’youthinktheMusslasarehidinghere?’acoarsevoiceasked.

‘We’llfindout,’anothervoicesaid.

Rannacrouchedinthehay.Themenwereclimbingalloverthestraw,slashingitwithlongsweepsoftheirswordsandpiercingitwiththeirspears.

Rannaalmostcriedoutwhenhefeltthefirstsharpprick.Hefeltsteeltearintohisflesh.Asifrecallingadream,heheardanoldwomansay:He’slosttoomuchblood.Lethimdieinpeace.

Rannadidnotloseconsciousnessagainuntilthelastmanleftthebarn.

***

AndwhiletheoldcityinLahore,crammedbehinditsdilapidatedMogulgates,burned,thirtymilesawayAmritsaralsoburned.NoonenoticedRannaashewanderedintheburningcity.Noonecared.Thereweretoomanyuglyandabandonedchildrenlikehimscavenginginthelootedhousesandtherubbleofburnt-outbuildings.

Hisragsclingingtohiswounds,strawstickinginhisscalpedskull,Rannawanderedthroughthelanesstealingchapattiesandgrainfromhousesstrewnwithdeadbodies,riflingthecorpsesforanythinghecoulduse.Heateanything.Rawpotatoes,uncookedgrains,wheat-flour,rottingpeelsandvegetables.

Page 178: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Noonemindedthesemi-nakedspectreashelookedindoorswithhisknowing,wide-setpeasanteyesasmencopulatedwithwailingchildren–oldandyoungwomen.Hesawanakedwomen,herlightKashmiriskinbruisedwithpurplesplotchesandcuts,hangingheaddownfromaceilingfan.Andlookedonwithachild’sboundlessacceptanceandcuriosityasjeeringmensetherlonghaironfire.Hesawbabies,snatchedfromtheirmothers,smashedagainstwallsandtheirhowlingmothersbrutallyrapedandkilled.

CarefullysteeringawayfromthemurderousSikhmobshearrivedatthestationontheoutskirtsofthecity.Itwascordonedoffbybarbedwire,andbeyondthewireherecognisedahuddleofMuslimrefugeessurroundedbySikhandHindupolice.Hestoodbeforethebarbedwirescreaming,‘Amma!Amma!Nonichachi!Nonichachi!’

ASikhsepoy,hishairtiedneatlyinakhakiturban,ambleduptotheothersideofthewire.‘Oye!What’reyoumakingsucharacketfor?Scram!’hesaid,raisinghishandinathreateninggesture.

Rannastayedhisground.HecouldnotbeartolookattheSikh.Hisstomachmusclesfeltlikechokeddrains.Buthestayedhisground:‘Iwastremblingfromheadtotoe,’hesays.

‘O,me-kiya!Isay!’thesepoyshoutedtohiscroniesstandingbyanopeninginthewire.‘Thislittlemother-fuckerthinkshismotherandauntareinthatgroupofMusslas.’

‘Sendhimhere,’someoneshouted.

Rannaranuptothemen.

‘Don’tyouknow?Yourmothermarriedmeyesterday,’saidafat-faced,fat-belliedHindu,hishairylegsbulgingbeneaththeshortsofhisuniform.‘AndyourchachimarriedMakhanSingh,’hesaid,indicatingatallyoungsepoywithashakeofhishead.

‘Letthepoorbastardbe,’MakhanSinghsaid.‘Goon:runalong.’TakingRannabyhisshoulderhegavehimashove.

Therefugeesinfrontwatchedthesmallfigurehurtletowardsthemacrossthegravellyclearing.Amiddle-agedwomanwithoutaveil,herhairdishevelled,movedforwardholdingoutherarms.

ThemomentRannawascloseenoughtoseethecom-passioninherstranger’seyes,hefainted.

WiththeotherMuslimrefugeesfromAmritsar,RannawasherdedintoarefugeecampatBadamiBaug.Hestayedinthecamp,whichisquiteclosetoourFireTemple,fortwomonths,queuingforthedoledoutchapatties,befriendedbyimprovidentrefugees,untilchance–iftherandomqueriesoffivemillionrefugeesseekingtheirkininthechaosofmammothcampsalloverWestPunjabcanbecalledanythingbutchance–reunitedhimwithhisNonichachiandIqbalchacha.

Page 179: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter26

Cousin’scookdropshints.HetellsCousinhesuspectswhereAyahis.Yes,hethinksshe’sinLahore.

Thenheclamsup.AndnomatterhowmuchCousinthreatensorcajoleshim,doesn’taddoneilluminatingword.Idarenotquestionthecook.Infrontofmeheclamsup.AndinprivatethreatensCousinhewon’ttellhimanythingifheblabstome.

IroamthebazaarsholdingHimatAli’swizenedfinger,Hamida’sglutinoushand.Ivisitfairsandmelas,ridingonYousaf’sshoulders,lookinghereandthere.AndwhenIrideonthehandlebarofhisbicycle,peeringintotongas,buses,bullock-cartsandtrucks,IsometimesthinkIspotAyahandexclaim!ButitalwaysturnsouttobesomeonewhoonlyresemblesAyah.

***

Godmotherisinfluential.EvenCol.Bharuchavisitsher.Neighboursofallfaithsdropintotalk:andtopaytheirrespects.ButGodmotherseldomventuresout.Sheonlyvisitsifsomeoneisverysickorinextremeneedofher.

Orifshefeelsthecalltodonateblood.

ThecallnagsherthisstiflingJulymorning.Godmothertucksacologne-wateredhandkerchiefintoalittlepocketinhersari-blouse,putsonhermaroonvelvetgoing-outslippers,pinshergoing-outbeigesilksaritoherhairandarmedwithablackumbrellasetsoffinatongatobequeathblood.Iaccompanyher.SchoolsandtuitionsaresuspendedforsummervacationsandIamspendingtheweekwithher.HamidaandAdispendmosteveningswithus.MothervisitsoccasionallyandIfeeldistancedfromher–likewithaguest.

Godmotherliesdownonahardhospitalbenchcoveredonlywithawhitesheet.AnursebendsherarmbackandforthandrubsthecreaseinherarmwithcottonwoolthatsmellsjustlikethemuzzledidwhenCol.Bharuchaoperatedonmyleg.Thelady-doctorapproacheswithahideousinjectionsyringeandsicktomystomachIturnmyfaceawayandsqueezeGodmother’shand.Heranswer-inggripremainssteady.

WhenIlookatheragain,theblood-suckingneedlewithdrawn,sheappearstohavegrownlonger–asifthenobledeedhasaddedstaturetoherhorizontalform.Iamcertainherbloodwillsavemanywoundedlives.

Page 180: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Perspiringandhalfdeadfromtheheat,wereturnfromthehospital.MiniAuntyhandsGodmotheraprecioushalf-glassoficedwaterfromathermosandsaysshewouldalsoliketodonateblood.

Godmotherisfirmwithhermiddle-agedkidsister.‘No,’shesays,‘youmaykindlynotdonateyourblood!Ican’taffordtohaveyougoallfaintandlimponme.’

Slavesisterlooksunutterablydeprived.‘Allright,’shesays,saggingagainstthekitchendoorjamb.‘Gotoheavenallbyyourself,then.Denymeevengooddeeds!’

Godmotheristrulyastonished.

‘Isthatwhatyoubelieve?’sheasks,staringatSlavesisterslack-jawedandopen-mouthed;foronceatacompleteloss.

Atlast,shakingherhead,Godmotherrotatesherthumbagainsthertemple:‘Ascrewloosesomewhere,’shesays,lookingdazed.‘What’stobecomeofher,Idon’tknow…Inheavenorinhell!’

***

OvertheyearsGodmotherhasestablishedanetworkofespionagewithareachofwhichevensheisnotaware.Itisinhernaturetoknowthings:tobeawareofwhat’sgoingonaroundher.Theday-to-daycommonplacesofourlivesunraveltoherundercurrentsthatarelosttolessperceptivehumans.Nobaby–notevenakitten–isdeliveredwithinthesphereofherinfluencewithoutherbecominginstantlyawareofitsexistence.

Andthisisthesourceofherimmensepower:thisreservoirofrandomknowledge,andherknowledgeofancientloreandwisdomandherbalremedy.Youcannotbenearherwithoutfeelingheruncannystrength.Peoplebringtohertheirjoysandwoes.Showhertheirsoresandswollenjoints.Distillingtherightherbs,adroitlyinstillingtherightwordintherightear,shesecureswishes,smoothsrelationships,curesillnesses,battleswrongs,solacesgriefandpreventsmistakes.Shehasaccesstomanyears.Nooneknowshowmany.And,whentalkingincessantlyaboutmyresurrectedfriendIrelatetohertherigoursofRanna’sexperience,sheachievesforhimaminormiracle!RannaissuddenlysiphonedintotheConventofJesusandMaryasaboarder.

ItsurprisesmehoweasilyRannahasacceptedhisloss;andadjustedtohisnewenvironment.So…onegetsusedtoanything…Ifonemust.ThesmallbitternessesandgrudgesItendtonursemakemefeelashamedofmyself.Ranna’sreadyabilitytoforgiveapastnoneofuscouldcontrolkeepshimwhole.

TheConventisontheoutskirtsofShahdara,abouthalfwaybetweenImamDin’svillageandLahore.Barricadedbytallbrickwallsthegirls’schoolacceptsboysuptoacertainage.GettingapoorrefugeechildadmittedtoaConventschoolisasdifficultastransposinghimtoaprosperouscontinent:andasbeneficial.Notonlyforhim,itissaid,

Page 181: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

butforsevensucceedinggenerationsoftheRannaprogeny.RannavisitsusontheweekendshecangetacyclerideintoLahore.

Godmothercanmovemountainsfromthepathsofthoseshebefriends,anderectmountainousbarrierswhereshedeemsitnecessary.

Sheisontosomething.Icantell.WhenIcatchhergoos-goosingwithSlavesisterandtheystopwhisperingabruptly,IknowtheyaretalkingofAyah.Slavesisterbehavesasiftheyarenothidinganythingfromme.ButGodmother,tohercredit,looksguiltyashell.

Shehasneverletmedownyet.IhavemorefaithinherinvestigativecapacitiesthanIhaveinMother’sandElectric-aunt’ssorties.

***

Themysteryofthewomeninthecourtyarddeepens.Atnightwehearthemwailing,theircriesvergingontheinhuman.SometimesIcan’ttellwherethecriesarecomingfrom.Fromthewomen–orfromthehousenextdoorinfiltratedbyourinvisibleneighbours.

Thereisagreatdealofactivitybyday:oftrucksgoingtoandfromthetingatessealingthecourtyard;ofwomenshouting;butnohintoftheturmoilandsufferingthateruptsatnight.

Andcloser,andasupsetting,thecagedvoicesofourparentsfightingintheirbedroom.Mothercrying,wheedling.Father’sterse,brash,indecipherablesentences.Terrifyingthumps.Iknowtheyquarrelmostlyaboutmoney.Butthereareotherthingstheyfightaboutthatarenotcleartome.SometimesIhearMothersay,‘No,Jana;Iwon’tletyougo!Iwon’tletyougotoher!’Soundsofascuffle.Fathergoesanyway.Wheredoeshegointhemiddleofthenight?Towhom?Why…whenMotherloveshimso?AlthoughFatherhasneverraisedhishandstous,onedayIsurpriseMotheratherbathandseethebruisesonherbody.

AndatdawntheinsistentroarofthezooliontrackingmetowhateverpointoftheworldIcannothidefromhiminmynightmares.

ItgetssothatIcannotsleep.AdiisasleepwithinmomentsbutIliewithmyeyesopen,staringattheshadowsthathavebeguntohauntmyroom.Thetwenty-foot-highceilingrecedesandthepalelightthatblurstheventilatorscreepsin,assumingtheangryshapesofswirlingphantombabies,ofgapingwoundsformingdeformedcres-cents–andofMasseur’sslender,skilfulfingerssearchingthenightroomforAyah.

AndwhenIdofallasleeptheslogansofthemobsreverberateinmydreams,piercedbywomen’swailsandshrieks–andIawakenscreamingforAyah.

Motherrushestomysideandbendsoverme.Inthefaintglowfromthenigh-lightIseeherhandsweepmybodyasshesymbolicallycatchesmischievousspiritsandbanishesthemwithaloudsnapofherfingers.Atthesametimesheblowsonme,makinga

Page 182: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

frighteningnoiselikemoaningwinds:Whooooo!whoooooo!Thesoundiseerieenoughtobanishanypresence:naturalorsupernatural.Sheplacesasix-inchironnail,blessedbytheParseemysticMobedIbera,thediscipleofDasturKookadaru,undermymattresstowardofffear.

SometimesMotherliesbesideme,hertouchasfreshandsoothingasdaylight,andtellsmetheoldstoryofthelittlemousewithseventails.Motherhaswiselychangedtheending.‘Andthentherewasonlyonetailleft,’shesays,‘andthelittlemouseycamehomelaughing:“Ha,ha,ha,ha!”’Mother’sartificiallaughbouncesoffthewallssoheartilythatitdispelsfearandItoolaugh.‘Andthelittlemouseysaid,’saysmymother,‘“Mummy,mummy,nooneteasedme.Theysaid,‘Littlemouseywithonetail.Niceymouseywithonetail!”’

Ihaveoutgrownthestory–buttheintimacyitrecallslullsthedoubtsandfearsinmygrowingmind.

MotherasksHamidatosleeponamatinourroom.HamidasquatsbymybedandwetalkinwhisperstillIfallasleep.

OnecoldnightIamawakenedbyahideouswail.Myteethchattering,Isitup.Imusthavejustdozedoff,becauseHamidaisstillsittingbymybed.

‘Shush,’shesays.‘Gotosleep…It’sjustsomewoman.’

IliedownandHamidapatientlystrokesmyarm.

‘Whydotheywailandscreamatnight?’Iask.

ItisnotasubjectIhavebroachedtillnow,mindfulofHamida’ssensibilities.

‘Poorfate-smittenwoman,’saysHamida,sighing.‘Whatcanasorrowingwomandobutwail?’

‘Whoarethosewomen?’Iask.

‘Godknows,’saysHamida.‘Gotosleep…thereisnothingwecando…She’llbeallrightinthemor-ning.’

Myheartiswrungwithpityandhorror.Iwanttoleapoutofmybedandsoothethewailingwomanandslayhertormentors.I’veseenAyahcarriedaway–andithadlesstodowithfatethanwiththewillofmen.

‘Didyoucry?’IaskHamida.

‘Whodoesn’t?We’reallfate-smitten…’

‘Imean,whenyouwerethere?’

Herhandonmyleggoesstill.

Page 183: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Isawyoubeforeyoucametous,youknow.Isawyouinthejailnextdoor.’IspeakasgentlyasIknowhow.

‘Whatnonsenseyoutalk…’

‘Ilookeddownatyoufromaholeintheroof.Youcouldn’tseeme–butIsawyou.IrecognisedyoustraightawaywhenyouweretalkingtoMotheraboutthejob…ButIdidn’ttellher!’

Afterapause,breathingheavilyinthedark,Hamidasays,‘YourmotherknowsIwasthere.’

Thewomaninthejailhasstoppedwailing.Itissoquiet–asitmustbeatthebeginningoftime.

‘Whywereyouinjail?’Iaskatlast.

‘Itisn’tajail,Lennybaby…It’sacampforfallenwomen.’

‘Whatarefallenwomen?’

‘Hai!Thequestionsyouask!Yourmotherwon’tlikesuchtalk…Nowkeepquiet…’

‘Areyouafallenwoman?’

‘Hai,myfate!’moansHamida,suddenlyslappingherforehead.Sherocksonherheelsandmakesacrazykeeningnoise,suckingandexpellingtheairbetweenherteeth.

‘What’sthematter?Don’tdothat…pleasedon’tdothat,’Iwhisper,leaningovertotouchher.

‘Ifyourmotherfindsoutthisishowyoutalk,she’llthrowmeout!Hai,myfate!’

Againsheslapsherforeheadandmakesthatstranglingnasalnoise.

‘Iwon’ttellher…Ipromise!Stopit.Pleasedon’tdothat!’

Igetoutofbedandpressherfaceintomychest.Irockher,andHamida’stearssoakrightthroughmyflannelnightgown.

Iwon’tmentionherfalleveragain.Ican’tbeartohurther:I’dratherbitemytonguethancausepaintohergrief-woundedeye.

Butthisresolve,too,goesthewayofallresolutions.

‘What’safallenwoman?’IaskGodmother.

‘Awomanwhofallsoffanaeroplane.’

Godmothercanbelikethatsometimes.Exasperating.Shecan’thelpit.

‘Wouldn’tshebreakherheadanddie?’Isaypatiently.

‘Maybe.’

Page 184: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘ButHamidadidn’tbreakherhead…Shesaysshe’safallenwoman.’

‘Oh?’Godmother’sexpressionchanges.

AsItellherofmyconversationwithHamida,Slavesisterloitersabouttheroom.Shepretendstoarrangepapersonthedesk.Thelettersandpapersarealreadysortedoutandneatlystacked.Althoughshehasherbacktome,Icantellherearsareswitchedon.

‘HamidawaskidnappedbytheSikhs,’saysGodmotherseriously.OnseriousmattersIcanalwaystrusthertolevelwithme.‘ShewastakenawaytoAmritsar.Oncethathappens,sometimes,thehusband–orhisfamily–won’ttakeherback.’

‘Why?Itisn’therfaultshewaskidnapped!’

‘Somefolkfeelthatway–theycan’tstandtheirwomenbeingtouchedbyothermen.’

It’smonstrouslyunfair:butGodmother’stoneisaccepting.IthinkofwhatHimat-Ali-alias-HarioncetoldmewhenIreachedtoliftatinysparrowthathadtumbledfromitsnestonourveranda.

‘Letitbe,’he’dstoppedme.‘Themotherwilltakecareofit.Ifourhandstouchit,theothersparrowswillpeckittodeath.’

‘Eventhemother?’Iasked.

‘Eventhemother!’he’dsaid.

Itdoesn’tmakesense–butifthat’showitis,itis.

‘That’swhyyourmummytellsyoutostaywithHamidaallthetime–orwithus,’saysSlavesisterunctuously.‘Whenyourmothertellsyousomething,it’sforyourowngood.’

Thereshegoesagain:buttinginandmakingseriousmatterstrivial.

‘Hermother’snothere,’saysGodmother.‘Itwon’tdoyouanygoodbutteringherupinherabsence.’

‘AndI’mnotmarriedeither!Itdoesn’tmatterifI’mkidnapped,’Ispeakup.

‘Ohyes?Andwho’llmarryyouthen?It’llbehardenoughfindingsomeoneforyouasitis.’

‘Mummysays:myhusbandwillsearchtheworldwithacandletofindme!’

‘Poorfellow…Hewon’tknowyouthewaywedo,willhe?Yourhusbandwillclutchhisheadinhishandsandweep!’

‘Cousinwantstomarryme!’I’msurprisedhowsmugIfeelsayingit.Idon’tthinkIparticularlywanttomarryCousin–butthoughhehasnotactuallyaskedmeto,Ithinkhehasimpliedit.It’sacomfortingthought.Ifonlyasalastresort.

Page 185: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Hehasn’tseenanygirlsbesidesourLameLenny,ThreeForaPenny.Waittillheseestheworld!’saysMiniAunty.

WhatanasininethingtosayaboutmyworldlyCousin!EvenGodmothersuppressesasmile.

‘Kindlygoaboutyourbusiness,’shetellshersister.‘Andstopmessingwiththosepapers!Asitis,Ican’tfindany-thingwhenIwantit.’

‘Whatisthemtterwithyou?’Cousinasks.

‘Nothing.’

I’mfeelingdespondent.WhensomethingupsetsmethismuchIfinditimpossibletotalk.Itusednottobeso.Iwonder:amIgrowingup?AtleastI’vestoppedbabblingallmythoughts.

Thisidiocyofbottled-upemotionscan’tbeasymptomofgrowingup,surely!MorelikelyI’mrevertingtoinfancythewayoldpeopledo.Ifeelsosorryformyself–andforCousin–andforallthesenile,lameandhurtpeopleandfallenwomen–andtheconditionoftheworld–inwhichcountriescanbebroken,peopleslaughteredandcitiesburned–thatIburstintotears.IfeelIwillneverstopcrying.

‘Isyourstomachhurting?’Cousinaskscautiously,afraidofarebuff.

I’mgratefulthathehasstayedhisgroundatleastandnotgonetearingoffonsomepretexttoavoidmyirrationaloutburst.

‘No.’Ishakemyhead.‘I’mnothurting.’

Andthen,ofitsownaccord,mymouthblurts,‘Noonewillmarryme.Ilimp!’AlmostatonceIfeellessag-grieved.

‘ButI’llmarryyou,’volunteersmygallantcousin.

Isearchhisfacethroughmytears.ThankGod,hedoesn’tsoundtheleastmartyred.Icouldn’tbearit.Helooksfondandsincere.Ifindithardtorecallmymultitudinousanguishesofamomentbefore.Ievenfeelalittlefoolish.Andalarmed–lestIirrevocablycommitmyselftoCousin.

‘Aslightlimpisattractive,’saysCousin,solemnandauthoritative.

‘Ohyes?’!say,airingmydoubt.

‘Ilikethewayitmakesyourbottomwiggle.’Hewavestwofingersbackandforth.

Itwiststrenuouslyand,tuggingmyshortdresstautacrossmybuttocks,peerdown.Thereisverylittlebottomtosee.

‘Whenyougrowup,you’llhaveamuchbiggerbottom,’assertsmysolicitousandperceptivecousin.‘Itwilllookveryattractive,then…’hesayssomewhatuncertainly.

Page 186: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Mydeepeningscepticismhasinfectedhimtoo.

‘Ireadastory,’hecontinuesgravely,‘inwhichtheheroinelimped.Heronelegwasshorter.Shedidn’tevenhaveaprettyface.Butherlimpwassosexy,everybodywantedtomarryher!’

Idon’tcareforCousin’ssecond-handconsolations.Inanycase,Idon’twanthimharpingonmylimp.

‘Col.BharuchasaysI’IIstoplimpingbythetimeIgrowup.’

‘Apity,’saysCousin.‘Ifinditattractive.’

‘Icanalwayskeepit,ifyoulike,’Isaypolitely,andfurtherguardingmyoptionsIadd:‘Let’sseehowIfeelaboutmarryingyouwhenIgrowup.’

‘Doyoufindmeattractive?’Cousinsuddenlyasks,gazingcompellinglyintomyeyes.

‘Yes,’Isaycourteously,andavertmyeyes.

‘Howattractive?’Cousinisinsistent.‘Doyouthinkyoucouldlovemepassionately?Dieforme?’

Ireflectamoment.CousincertainlydoesnotarouseinmetheraptureMasseurarousedinAyah…IrecallthebewilderinglongingsthelookonMasseur’sfacestirredinmewhenhelookedatAyah…Andotherstirrings…

‘Idon’tfindyouthatattractive,’Isaytruthfully.

‘Isupposeyou’retooyoung,’saysCousin.‘Youhaven’tknownpassion.’

IopenmyeyeswideandlookdemurelyatCousin,andletitpass.

ButCousincan’t:‘Doyoufindanyonemoreattractivethanme?’

‘Yes,’Isay,‘IthinkIfoundMasseurmoreattractive…’

Isurprisemyself.Mouthingthewordsarticulatesmyfeelingsandrevealsmyselftome.

‘Buthewasold!’saysCousinequallysurprised.

IsuddenlyfeelshyandCousinlooksunutterablydejected.Ithinkmysuddenshynessconvinceshimofmywaywardheartmorethananyprotestationswould.

‘Whoelsedoyoufindattractive?’Cousinasks,managingtowipehisfaceandvoiceofallexpression.

‘OhIdon’tknow…TherewasalittleSikhboy…’

‘Domeafavour,’Cousinsays.‘Thinkaboutallthepeopleyoufindmoreattractivethanme–andletmeknow.’IhavebeensoengagedbymyreactiontothenamesnamedthatIfailtonoticethebitternessandsarcasmthathavecreptintohisvoice.

Page 187: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Ilookaboutmewithneweyes.Theworldisathrobwithmen.Aslongastheyhavesomepleasingattribute–height,width,orbeautyofface–nomanistoooldtoattractme.Ortooyoung.Tongawallahs,knife-sharpeners,shopkeepers,policemen,schoolboys,Father’sfriends,allexerttheircompellingpullonmyrunawayfantasiesinwhichIamrecurringlyspiritedawaytoremoteHimalayanhideouts;theretobeworshipped,foughtover,diedfor,importunedandwooeduntil,arousedtoapassionthattinglesfrommyscalpintotheverytipsofmyfingers,Ifinallypermitmylovertolayhishandsuponmychest.Itisnosmallbestowaloffavour,formychestisnolongerflat.

Twolittlebumpshaveeruptedbeneathmynipples.Fleshofmyflesh,exclusivelymine.AndIamhardputtoprotectthem.IguardthemwithapossessivepassionbesidewhichmypassionforpossessingRosy’slittleglassjarspales.OnlyImaytouchthem.NotCousin.NotImamDin.NotAdi.Notanybody.Ican’ttrustanyone.

NotevenMotherwhohastakentobathingme;andwithhercharacteristicprimandsolemnexpressionbunchesherfingersroundthemandgoes:‘Pom-pom.’

‘Letme,letme…’saysCousinandpokeshishandoutevery-which-wayeverychancehegets.Ifinditfatiguingtomaintainmydistancefromhim.

AndfromAdi,whoresolutelymaterialiseswheneverI’mbathingandglueshiseyetoacrackinthebathroomdoor.WhenHamidablocksit,Adishiftstoanothercrack:andwhenthattooisplugged,hejumpsupanddownonaledgeoutsidethebathroomwindowwitharaptdeterminationthatislikeanelementalforce.HearingHamida’stwitteringremonstrancesandmyshrillscreams,ImamDinemergesroaring:‘WaittillIcatchyou,youshamelessbugger,’andcarriesAdi,wigglingandkicking,towardsthekitchen.I,peeroutofthewindowandAdi’sface,flushedwithacoldrage,bodesillforanyideasImamDinmighthaveofsittinghimonhislap.EvenImamDincouldnothandlethatfrustratedcobrafury.

Asthemoundsbeneathmynipplesgrow,myconfidencegrows.ItellImamDintoholdAdiinthekitchen,pushHamidaoutofthebathroomandlockthedoor.Iexaminemychestinthesmallmirrorhangingatananglefromthewallandplaywiththemaswithcuddlytoys.Whatwithmylimpandmyburgeoningbreasts–andtheprojectedgirthandwiggleofmyfuturebottom–IfeelassuredthatIwillbequiteattractivewhenI’mgrownup.

CousinwalkswithmeandHamidatothebazaarsandgardens,rideswithusintongas,andIdutifullypointouttohimallthemenandboysIfindappealing.‘Seetheboywiththecutelittlebuckteeth?’Iask.‘Icoulddieforhim!’and‘Look-look-look,’IsayphysicallyturningCousin’shead.‘Lookatthatfellowinthetongawithhisfeetup!’

‘I’mkeepingtabs,’saysCousinmournfullyafterthishasgoneonforsomedays.‘YouareattractedbyroughlytenpercentofthemalepopulationinLahore.’

‘Isthattoomuch?’Ienquire.

Page 188: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whynotme?’Cousindemands,ignoringmyquestion.‘What’swrongwithme?’

‘You’retooyoung,maybe.’

‘Butsomeoftheboysyoulikedareyounger…I’llgrowup!’

MyheartsinkssadlyformyCousin.Whydon’tIfeelallsuffocatedandshywhenI’mwithhim?Itrytofathommyemotions.

‘MaybeIdon’tneedtoattractyou.You’realreadyattrac-ted,’Isay.

ItislikethatwithCousin.Heevenshowsmeme!

I’veadmitteditbefore:Ihaveawaywardheart.Weak,susceptibleandfickle.ButwhydoIcallitmyheart?Andblamemyblamelessheart?Andnotblameinsteadtheincandescenceofmywomb?’

Page 189: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter27

Ispendhoursontheservants’quarters’rooflookingdownonthefallenwomen.Theturnover,astheyarerescued,sortedoutandrestoredtotheirfamilies,issorapidthatIcanbarelykeeptrackofthenewfacesthatappearandsosoondisappear.Thecampisgettingcrowded.Ifthisiswheretheybringkidnappedwomen,thisiswhereI’llfindmyAyah.

HamidaknowswheretofindmewhenMotherasksforme–orwhensomeoneisgoingtoGodmother’sonanerrandandthinksoftakingmealong.Sometimes,furtivelyclimbingthestairs,Hamidasitsquietlywithmeandtogetherwelookatthedazedanddullfaces.Iftheylookupwesmile,andHamidamakeslittlereassuringgestures;butthewomenonlylookbewilderedandrarelysmileback.

Iwonderaboutthewomen’schildren.Don’ttheymisstheirmothers?Ipraythattheirhusbandsandfamilieswilltakethemback.Hamidaseldommentionsherchildren.AllI’vebeenabletogetoutofheristhatshehastwoteenagesonsandtwodaughters,oneasoldasmeandoneyounger.

‘Theyoungestwasjustbeginningtowalk,’saysHamidaonecrispafternoonaswesunourselvesontheroof.Hamidahascometofetchmeforlunch,butsheiswillingtostayforawhile.

‘Don’tyoumissyourchildren?’Iask.

‘Ofcourse,’saysHamida.

‘Thenwhydon’tyougotoseethem?’

‘Theirfatherwon’tlikeit.’

‘Theymustmissyou.Youcouldseethemsecretly,couldn’tyou?’

‘No,’saysHamidaturningherfaceaway.‘They’rebetteroffastheyare.Mysister-in-lawwilllookafterthem.IftheirfathergetstoknowI’vemetthemhewillonlygetangry,andthechildrenwillsuffer.’

‘Idon’tlikeyourhusband,’Isay.

‘He’sagoodman,’saysHamida,hidingherfacebashfullyinherchuddar.‘It’smykismetthat’snogood…wearekhut-putli,puppets,inthehandsoffate.’

Page 190: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Idon’tbelievethat,’Isay.‘Cousinsayswecanchangeourkismetifwewantto.Thelinesonourpalmscanalsochange!’

Hamidagivesmeaqueerquizzicallook.‘Haveyouheardoftheprincewhowaseatenbyatiger?’sheasks.

‘No,’Isay,shakingmyheadandsettlingcomfortablyagainsttheroofwalltolisten.

Itistheperfectdayforastory.Thesuniswarmonourskins,castingaquiet,lazyspellontheafternoon.ItisthefirststoryHamidatellsme.LaterIdiscovershehasafundofunusualanddepressinglittletales.

Onceuponatimetherewasakingwhohadnochildren,saysHamida.Nightanddaythekingandhisqueenprayedforason.Theytravelledafar,visitingoneholy-manafteranother,andvisitedalltheshrinesofsaintsintheirkingdom.Thequeenwovetemplesarisforthevariousgoddesses,stuckflowersintheirimagesandcoveredthegoddesseswithgold.

Onenightthekinghadadream.Inhisdreamaraggedholy-manwithwildhairsaid:‘O,king,yourdearestwishwillbegranted.Beforetheyearisoutyouwillhaveason.Butyouhaveaccumulatedanunfavourablekarma.Inyourpastlifeyouweredisobedienttoyourguruand,attimes,evenirreverent.Youwillbepunishedforyourinsolence.Yoursonwillbeeatenbyatigerinhissixteenthyear.’

Asforetold,theroyalcouplewasblessedwithabeautifulson.Thekingandqueenrejoicedanddiligentlydistributedfoodandmoneyamongtheirpoorersubjectstoimprovetheconditionoftheirkarmasandearnblessings.

Thekingdecreedthatalltigersbehuntedandkilled.Heorganisedtigerhuntsandrodeattheheadoftheelephantcavalrytodecimatethebeastsroundedupbythedrummers.Heofferedhandsomerewardsforthepeltsbroughtbythehunters.

Theprincegrewtallandbeautiful.Hewascompassionateandfilledwithlaughter.Themoretheylovedhimthemorehissubjectsfearedtheprophecy.

Bythetimetheprincewastenyearsoldtheyhadkilledallthetigersand,asanaddedprecaution,allthedomesticandalleycats:forwhatisacatifnotaminiaturetiger?Thetigersinthesurroundingkingdomswerealsokilled.

Astheprincegrewolderheyearnedtohunt:andatlastthekingwassatisfiedthatitwassafefortheprincetoventureintotheforest.Mostpeoplehadforgottenwhatatigerevenlookedlike!

Thefatefulyeardawned.Theprinceturnedsixteen.

Onceagainthewild-hairedholy-manappearedintheking’sdream.‘Thetigerwhowilleattheprinceisalreadynear,’hesaidtothetremblingking.

Page 191: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Againthehuntersbeatthebushesandsearchedthewoods.Therewerenopugmarksordroppingseven–notracetoshowthattigershadonceinhabitedtheforests.

Theprincewasconfinedtothepalace.Hewasneverleftunattended.Huntsmenpatrolledtheforestsandarmedguardsthepalacegates.

Thekingandqueenprayedmore,fastedoftener,anddidallmannerofpenance.Thekinggavehisfinerobestothebeggarsandworethecoarsegarmentsofthefakirs.Hedistributedlargeportionsofhiswealthamongthepooranddonatedfortunestoshrines,mosques,templesandchurches.Heundertookvowsandoathsthatwouldbindhimtoalifetimeofpenitenceifhissonwasspared.

Theyearwasalmostpast.Theking,inhispenitent’ssackcloth,wasdiscussingaffairsofstateinthedarbarwhentheprincewalkedin.Thekingmaderoomforhissononthemarbletakth,coveredwithsilkrugs.Theassemblybowedtilltheprincesettledamidstthevelvetcushionsandsignalledthemtosit.Helaybackonthebolstersandafterawhilehefellasleep.

Thedarbarwasalmostoverwhentheprinceawakenedfromaterrifyingdream.Hisfrightenedeyesopenedonafinelywroughthuntingscenepaintedontheceiling.Royalhuntsmen,spearspoisedinvaryingattitudesofattack,surroundedafiercetiger,bare-fangedandrichlystriped.Suddenlytheprincescreamedandcried:‘Oh!Thetiger!Thetiger!He’sgotme!’Hefellbackandwrithinginagonydied.

Inthepandemoniumthatfollowed,theking’seyesquicklytracedthepathofhisson’scongealedstare:and,horrified,hesawthelifelikeglowontherichpeltdim,andthetiger’sshiningeyesreverttoyellowpaint!

Hamida,whohasbeengawkingskywardslikethehorrifiedmonarch,returnshalfwaytoearthandlooksatme.

ButI’minnomoodtocountenancetragedy.Despitetheunnaturalangleofmyupendedhairs,despitetheacceleratedbeatofmyheart,despitethegloamingimagesofthescreamingprinceandthechillonmyskinIrendthestorywithsavagelogic.Iftheking’skarmawassolousyhowcomehewasking?Andwhyshouldthepoorprincesufferforhisfather’s…?Andhowcanapaintedtiger…?

‘Perhapsit’snotsounrealasitisunfair!’Iconclude.

‘WhatdoesFatecare?’saysHamidawithplacidandomniscientcertainty.‘That’swhyitisfate!’

Webecomestill:cockingourearstoadinanduproarcomingfromthekitchen.

‘ImamDin’scaughtthebilla!’saysHamida,hernarrowfacelightingup.AndjustasAyahandIrantothebackatthesoundsofstrugglewithHari’sdhoti,wenowruntowardsthekitchen:Hamidaholdingmebythehandandmyfeetflyingtomatchherlongstrides.

Page 192: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Neighboursandtheservantsalreadyformasmallcrowd.ImamDin,onelegonthegroundandoneonthekitchensteps,hasahugeblackandbattle-scarredcattrappedinthescreendoorandispressinghiswholeweightontheframetoholdtheslipperyintruder.Thecat,caughtbelowitsribs,issuspendedafootoffthefloor.Franticallytwisting,itsteethbared,thepanickedcreatureisspittingwildly.

ImamDinroars:‘That’llteachyoutosneakintothekitchen,youone-earedmonster!Makeallthenoiseyouwant!I’mnotlettinggoofyou,youbadmashbilla!’

Thecrowdoutsidethekitchengrowsasmorepeoplerunupfromtheroad.Someoneshouts:‘Thattomsneaksintoourkitchentoo!Teachthefellow!’andsomeoneelseyells:‘Hesurewon’tpokehissnoutintoyourpansagain!’AndYousafyells,‘That’senough,yaar!Baskar!’andImamDinsays,‘ThistimeI’mgoingtoteachhim…It’sthethirdtimeI’vecaughtthethug!Pokeyournoseintothemilkwillyou?’

‘Lethimgo,’Iscream.‘He’lldie.’

‘He’snotabouttodie,’saysHamida.‘He’satougholdalleycat!’

TheMorrisrollsupthedriveandcomestoastopintheporch.Motherbeepsthehornandshouts:‘What’sgoingon?’

ImamDinissointentonchastisingthecatthathedoesn’thearher,andobliviousofherpresenceroarsinvectiveatthecaterwaulinganimal.

‘Lethergoatonce!’screamsMother,slammingshutthedoorofthecar.Shecannotseethecat’sgender–itissecretedbehindthedoor–buttherestofusseemtoknowit’sahim.

MothergrabsholdofImamDin’sshirtandpullsbutIdon’tthinkheevennotices.

‘Getthefly-swat,Lenny!’screamsMotherinanabsolutefrenzy.

Idashinandfetchthefly-swatwithalongreedhandleandawire-meshflap.Mothersnatchesitfrommyhandand,wavingherarmsinanawkwardlyfeminineandenergeticway,swatsImamDinwithit.Shestrikeshislegs,arms,shoulders,andevenhisshavenhead.

AllatonceImamDinletsgothedoorandgripshisarm.Thesurprisedcatboundsdownthestepsandspittingandbouncinglikeacharredfire-crackerstreakszigzaggingpastthestartledcrowd.

ImamDinturnstofaceMother.Glassesdramaticallyawry,faceflushed,shecontinuestowhackhim.ImamDinlooksbewildered–andsearchesconfusedlyforthefliessheisswattingonhisperson.Whenherealisesherfuryisdirectedathim,hisbewildermentturnstoincredulity,andthentoshock.Heholdsouthishandandlikeamantakingawayadangeroustoy,snatchesthefly-swatfromMother.Heexaminesitasifhe’sneverseenafly-swatbefore.

Page 193: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

SurprisedatbeingsoperemptorilydisarmedMotheryells:‘Getoutofmysight!Duffaho!’

Largetearswellingfromhisoldeyes,ImamDinturnshisbroadbackonher,andfollowedbymyexcitedmotherwalkszombie-likeintothecrowd.AbsorbedandprotectedbythecrowdImamDinscrutinisesthetearsinhisshirtandthefinelinesofbloodcongealingonhisforearms.

‘Shameonyou!Tormentingasmallcat!Getoutofmysight!’Mothershoutsoncemore,andwhirlingaroundinhersilksariandtintedglassesmatchesinside.

‘Look!’saysImamDintothesympatheticcrowd.‘Ican’tbelieveit…Shedrewblood!’

‘Itwasonlya,fly-swat,yaar,’saysYousaftakingholdofhisarm.Heshoutsatthegawkers:‘What’stheretosee?Goon,pushoff!’

Mutteringandlaughingamongthemselvesthecrowdbreaksup.Somevaultthewallstoneighbouringhousesandsomewalkdownthedrivetotheroad.

YousafleadsImamDinintothekitchen.HamidaandIfollow.Hamidasayinginherconciliatoryandsubmissivemanner:‘WhatifBaijeehadawhip,brother?Whatwouldyou’vedonethen?Oh,ho!Lookatthetearsinyourclothes,’sheexclaims.‘Tch-tch-tch!Don’tworry.I’llsewthemsothey’lllooklikenew!’

ImamDinrefusestohavehisclothesmendedandremainssullenallafternoon.

WhenFatherreturnslateintheeveningImamDinpresentshimselfbeforeFather’sbicycleandwithamostinjuredcountenancesays:‘Baijeestruckmewithafly-swat!Ibled!’

Fatherplaceshiscycleonitsstandandraisinghisbrowsinaclutchofsurprisedwrinkleslooksatusoutofbaffledeyes.

‘ImamDincaughtthebillainthekitchendoor,andwouldn’tlethimgo.AndMummyhithimwiththefly-flapper,’Iexplain.

FatherturnshisastonishedeyesuponImamDin.

Turningandtwisting,ImamDindisplaysascatteredandspiderymeshofwoundswherethewirescratchedhim.‘This…Andthis.Andseethis!’hesaysstretchingthesmalltearsinhislungiandshirt.

Fatherlockshiscycle.Makingafewcluckingnoisesofinsinceresympathyhepreparestogoin,whenMotherburstsoutofbangingspringdoorsshouting:‘StopsnivellinginfrontofSahib,youbigidiot!You’reluckyitwasonlyafly-flap!Goin,someone,andgethimbangles.Ifhewhineslikeawomanhemustwearbangles!’

Page 194: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

DespitehershoutingMothersoundsgood-humouredandwereleaseoursuppressedlaughter.EvenFathercannotsuppresshistightlittlesmile.

ShakinghisheadsheepishlyImamDinamblesofftowardsthekitchenandMotherlaughsandclingstoFatherandFathercontinuestosmile,despiteherclinging,andsays:‘Thefly-flap’supsethim.Ifyou’dusedastickhewouldn’thavemindedsomuch.’

AdiandIlaughandlaughandhugFatherandourclingingmother.Ifeeldeliriouslylight-hearted.SodoesAdi.FatherhasspokendirectlytoMother:addressingherinsteadofthewalls,furniture,ceiling–orusingusasdeflectingconduitstosoundhismessagesoff.Itisbecominganincreasinglyrareoccurrence–thisbusinessofhistalkingtoourmother:outofpublicorpartyviewthatis.

***

Andsuddenly,thehuntforAyahisoff.Isenseit.SodoesAdi.

Theyonlypretendtolookforher.MotherstilltakesoffintheMorrisbutIknowitisnottolookforAyah.Icantellbythewaythecar’swheelsflattenonthestonesandbythedeterminedangleofSkinny-aunt’schin–thatthecar’sdickyisloadedwithpetrol.TheycansetfiretotheworldforallIcare!IwantmyAyah.

Page 195: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter28

Itisabadphaseinmylife.EvenCousinisavoidingme.Ihaven’tseenhimforaweek.ImusttalktohimaboutmyconcernsorI’llcrackup.AdiandIgoovertoElectric-aunt’s.Cousinisstudyingforhisexams.

‘Idon’tknowwherethesunrisesthesedays,’saysElectric-auntinawedandperplexedpleasure,holdingthescreendooropenandusheringusin.‘Yourcousindoesn’twishtobedisturbedevenbyyou!’Shelooksatmearchlyandflashesallherlittlegoat’steethinaconceitedsmile.

Electric-auntpartsthenavy-bluecurtainsand,pokingonlyherheadthrough,quietlywhispers:‘LennyandAdiarehere,dear.Won’tyouseethemforjustfiveminutes?’

SinceIcan’thearhisresponse,andI’mdeterminedtoseehim,Ithrowhimaline:‘AllworkandnoplaymakesJackadullboy!’

Iknowhe’llbite.ImaginegettingawaywithcallingCousindull.

Cousindriftsintothesittingroominhislongshortsandshortsocks,lookingallstand-offishandpreoccupied,andgreetsusunenthusiastically.Heperchesontheedgeofthethree-piecesofa,tiltinghislegsprimlytoonesideand,asifhe’sagrownmanmasqueradinginshortlegs,makesdesultorysmalltalkwithAdi.Hedoesn’tevenlookatme.ExceptwhenIforcehimtobyaddressinghiminsistently–andthenheglancesmywaybrieflyandcoldly,beforeagainbestowinghisattentiononAdi.Toleavenodoubtofhistediumatourpresencehefoldsthenewspaperintoastiffbatand,withnerve-rackingspringsandexplosivewhacks,swatsfliesonthesofas,tablesandradiotop.

Electric-auntcoversherears.‘Oh!Dostopbeingsojumpy,dear,’sheexclaimsand,likeanangularstreakofzigzaglightning,dartsfromtheroom.

Cousinperchesonthesofaagain,elegantlycrossinghisanklesthistimeandhastily,beforehehasachancetospringupandswatmoreflies,Iwhisper:‘They’vestoppedlookingforAyah!’

‘Havethey?’saysCousin,lookingdownatmecoolly,andturnstoAdiasifI’vesaidsomethingasuneventfulanduncomplicatedas:‘GodmotherrappedMiniAunty’sknuckleswithherpunkah!’

Page 196: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Ican’tunderstandit.I’mfurious.‘Let’sleavehimtohisdrearystudies,’Isaywitheringly.ButAdi,whohasnotreceivedsuchsingularattentionfromCousinsincethetimehewasalmostkidnappedandbaskedfortwodaysinglory,isreluctanttoleave.Ihavetodraghimaway.

***

Itisunnerving.ThemorealoofCousinbecomes,themoreIthinkabouthim.Ifindmyday-dreams,forthefirsttime,occupiedbyhisstubbypersonandadenoidalvoice.Theyarepedestrianandcolourlesscomparedtomycavemanandkidnapperfantasies,buttheyareascompletelyengrossing.Ithrill.Ifeeltinglesshootfrommyscalptomytoetips.AndCousin’sproximity,comparedtotheremotenessofimaginedloverstuckedawayinunseenwildernesses,drivesmetorecklessexcess.

Againstallmyinstinctsandsenseofdignity,IchaseCousin.IhangaroundElectric-aunt’shouseandaroundCousin–whenhetoleratesmypresence.Ifetchhimglassesofwaterandbunchesofgrapesandsharpenhispencilsandcopyouthishomeworkandfollowhimwhereverhegoes.IfhegoesintothebathroomIwaitpatientlyoutsidethedoor–hungeringforanycrumbshemightthrowbywayofaloofcommentorobservation.Theseherestricts–likemyfatherwithMother–toimpatientanddisparagingmonosyllables,mutesignalsandiratescowls.

AndwhileIhangaboutCousin,myeyeshangonhim,andIshamelesslyandeloquentlyogleCousin.

‘Areyouinlovewithhimorsomething?’Adiasksartlessly,butIcatchaslyglitterattheedgeofhiseyeswhenheturnsaway.Idon’tcare.Lethimthinkwhathelikes.

RannastillvisitsusonSundays,ifhegetsarideonabicycleorinacart.ButthisSundaywhenhecomes,hisscarscoveredbycrispwhitecotton,hisbruisedfaceeager;thoughmyheartgoesouttohim,mymindisfilledwiththoughtsofCousin.Mytimeconsumedinhispursuit.Rannatagsalong.Butafterthishevisitslessfrequently.HegoestoImamDin’svillageinstead,tobewithhisuncleandNonichachiandhiscousins.Inanycasewearegrowingapart.Itisinevitable.Thesocialworldsweinhabitaretoodifferent;ourinterestsdivergent.

***

Cousinisrestoredtomeonagreatsurgeofexcitementwhenheburstsintomyroomandboltingthedoorbreathesintomyear,‘IsawAyah!’

MyheartpoundssowildlyIcannotspeak.Where?Here?Inourhouse?ButthenCousinwouldn’thaveboltedthedoor.AyahmustbeattheRecoveredWomen’sCamp!

‘Whereisshe–inthecamp?’Iask,voicingmyassump-tion.Andfeelingweak-kneed,Isitonthebed.

Page 197: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Isawherinataxi.AtCharingCross,’saysCousin,breathingsocloseI’mforcedtolieback.Lookingannoyinglycomplacentandplacinganarmoneithersideofme,Cousin,thebearerofgreatgoodnews,therestorerofwithheldwarmth,bearsdownonme:andinthatinstantIrealisethathisaloofnesswasonlyashamcalculatedtoarousemyardour.Bentonfurtherpleasuringme,squashinghispantingchestonmyflattenedbosom,Cousingivesmeasoggykiss.PoorCousin.Hissenseoftimingisallwrong.ThenewsaboutAyahhascooledmypassion.Pushinghimbackandholdinghimatarm’slength,Isay,‘Ifyoudon’ttellmeeverythingatonce,I’llkneeyourballs!’(Ihavegrownup!)‘Whowasshewith?Whereisshe?’

Cousin,resuminghisaloofstance,examineshisnailsandsnottilysays:‘Isaid,Isawherinataxi.Youknow…passby.’

‘Youcouldhavefollowedthetaxi,’Ihowl.

‘How?Ihaveenginesinmylegs?’

I’mnotperturbedbyhissarcasmorhisdisdain.Hiscoldnessisahoaxanyway.

‘Didsheseeyou?Howdidshelook?Didyouwave?’

‘Idon’tthinkshesawme,’saysCousin,thawingbeforemyimportunatequeries.‘Shewasallmadeup!’

‘Really?Tellme!Whatdoyoumean,madeup?’

IscrambleacrossthebedonmykneesandgrabCousinbyhiscurlyhair.

‘Likeafilmactress,’hesays.

Cousinturnsinordertoaccommodatetherestofhisbodytohistwistedneckand,focusinghiseyesonmychest,carefullyplaceshishandsonmybreasts.Idrawback,slappinghishandstillmypalmssting,feelingsickandallshrivelledup.

Cousinlooksatme,lovesickandsheepish,hisspankedfingersquiveringguiltilyonhisthighs.

‘Ifyoueverdothatagain,I’llbreakyourfingers,knucklebyknuckle,’Isayseverely.(Thepreviousthreatappearstohavehadnoeffect–hencethechangedperspective.)

‘ButIloveyou,’saysCousin.Asifthatcondoneshislasciviousconduct.

‘WellIdon’t!’

‘Thenwhydidyouhangaroundme?Andmakeallthosefunnyeyesandstareatme?’

‘Iwon’tanymore.Youwereonlypretendingtobestand-offish!You’reaphoney!’

‘Ha!Itworked,didn’tit?Ihadyoupantingwithpassion!’

‘Youdidn’t!’

Page 198: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Oh,yes?Look,’saysCousin,conciliatory:‘Iloveyou.ButIcan’tpretendnottoallmylifejustsoyou’llrunafterme.’

‘You’resupposedtochaseme!’Isay.‘Boysaresupposedtochasegirls!’

‘Butyourunaway!’

‘It’sonlywhenyouputyourhandshereandthereandeverywhere.’

‘Evenbeforeyougrewyourbreastsyoudidn’tloveme,’saysCousinbitterly.‘Youfindeverybodybutmeattractive!’

‘Ican’thelpit.Ifthat’sthewayIfeel–that’showitis.’

Thenextday,angrilyhaulingmebymyorgandysleevebeforeGodmother,Cousincomplains,‘ShelovesapproximatelyhalfofLahore…Whycan’tsheloveme?’

Godmother,inherwisdom,says:‘It’ssimplyacaseofGharkimurg;dalbarabar.Aneighbour’sbeansaretastierthanhouseholdchickens.’

‘Butshe’sjustahouseholdchicken,too!StillIloveher!’wailsCousin,hisnasalvoicecrackingandsqueaking.Passiondoesmakeonesilly…Ishouldknow!Ifeelawfullysorryforhim.

‘Don’tworry,’saystheslave,waddlingupandmussinghishair.‘It’sonlypuppylove.Wait’llyoustartnoticingyourneighbouringchicks!’

‘So?’demandsGodmother.‘WhatabouttheyoungcocksLennywillnotice?’

‘Yes?Whataboutthem?’Irepeat.

IfCousinwasn’ttryingsohardtobemanful,he’dbecrying.

Wearriveatacompromise,afinelydelineatedcovenant:Iwillkeepanopenmindandletbygonesbebygones,andCousinwillstopwooingmeandwaitacoupleofyearsbeforetouchingmybreastsagain.WeshallseehowIfeelaboutitthen.

InthemeantimeCousinsensiblysetsaboutbecomingindispensable.Knowingthewaytomyheart,hescurriesabouttryingtofindoutthewhereaboutsofAyah.Hebringsmerumours,andactingonthemisleadingleads,wastesenergyonfutileforaysintotheremotest,seediestandmostdangerouspartsofthecongestedcity.

Page 199: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter29

Andthen,lateoneevening,I,too,seeAyah.Itdoesn’tregisteratonce.Itisonlyafterthetaxihasdrivenpast,slowingatthecornerofMozangChawkandTempleRoad,thatIrealisethattheflashywomanwiththeblazinglipstickandchalkypowderandahugepinkhibiscusinherhair,andunseeingeyesenlargedlikeanactress’swithkohlandmascaraedeyelashes,sittingsquashedbetweentwothinpoets,wasAyah.

IntheeveningIpesterHamidatotakemetotheQueen’sGarden.Shehasnevertakenusthere.Shesaysshefeelsshysittingamongallthosestrangers.

WhenIfinallygethertoagreetotakeus,MotherannouncesthatGodmotherwantsAdiandmetospendthenightwithher.

DrManekModyisvisitingagain,andhewishestoseeus.

***

‘It’sthethirdtimeI’vetoldyoutoputthewatertoboil!’scoldsGodmotherfromherbed.‘What’sthematterwithyou?TheDemonofLazinessfinallygetyou?’

‘I’mgoing,I’mgoing.’Slavesister’sstring-bedcreaksasshestandsupinhercrumplednightie.‘Rodabai,youaresoimpatient.Really…’

‘I’mimpatient?Doyouknowwhattimeitis?DoyouknowManekattendedtothemilkmanwhileyourLazyshipsnored?’

DrManekModypeepsalertlyfrombehindhisrustlingnewspaper.Havingbeenawakeforanhour,he’sreadyforexcitement.

Adistirsbesidemeandsitsupsleepily.Ipropmyselfuponmyelbows.

‘Eventhechildrenawakebeforeyou,’saysGodmothersternly.

‘Shame,shame,’saysDrModyfastidiouslyholdingthetipofhisnose.‘Poppyshame!’

Slavesister’srat-tailbraidhascomelooseanduntidystrandsofgreyinghairplasterherneckandback.AlthoughitisonlythemiddleofAprilwerequiretheceilingfanthatisgroaningroundandround.Slavesisterwipeshermoistfaceonhersleeve.

‘Ithinkthedemonhasfoundpermanentlodginginher!’muttersGodmother.

Page 200: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Abandoningthenewspaper,thedoctorspringsoutofhischair,saying,‘I’llexorcisethedemon.Iknowhow!’

TiltingforwardandextendinghisindexfingerhesaystoMiniAunty:‘Here,pullit.’

‘Don’tbesilly,Manek,’saysMiniAunty.

‘Comeon,pull,’coaxesthedoctor,lookinglikeabrown-domedelf.‘Iswear,you’llhearthedemonleave.’

TheflapsofAdi’searsmoveforward.He’sthatcurious.SoamI.

Godmother,proppedonherpillows,displaysasolemnface.Butcuriosityandamusementquiverinthetensionofherrestrainedmuscles.

‘DoasManeksays,’sheorders,asifinstructingachildtodrinkMilkofMagnesia.

Ignoringherandshakingherhead,Slavesistercarriesherdrowsy,martyr’ssmileintothekitchen.

DrModyrushesinafterherand,listingforwardonceagain,pointshisfinger.

‘Please,MiniAunty,pleasepullit,’AdiandIclamour,crowdingintothekitchen.

Godmotherlowersherfeettothefloorand,sittingforwardonhercot,peersatus.‘Yourhandwon’tfalloffyouknow,’shecalls.‘Here’ssomeoneperfectlywillingtoexorciseyourdemonsandwhatdoyoudo?Insulthim!’

‘He’sadoctor,notamagician!’saysSlavesister.

‘Ipractiseexorcisminmysparetime–didn’tyouknow?Tryit…Myfingerwon’texplode.’

‘Stubbornasadonkey!’decreesGodmotherthroughthedoor.

‘Please,MiniAunty,beasport,’Ibeg.Adiissoexcited,andsonervousthattheexorcismmaynotmaterialise–ortakeplaceinhisabsence–thathedancesfromfoottofootandhastearsinhiseyes.

‘Oh,allright!’saysSlavesister,suddenlycapitulating.Shetugsatthedoctor’sfingerand,acquiringanairofintenseconcentration,thegifteddoctorfarts.

Hestandsupstraightandlooksasstartledasus.‘Somedemon!Didyouhearhim?Healmosttoremyass!’

‘Muchobligedtoyou,Manek,’callsGodmotherfromherbed.

‘Whatd’youhaveinyourstomach?Atombombs?’enquiresMiniAunty,givingthedoctorawhackonhischest.

‘That’snowaytotreatanexorciser,’thedoctorsays,staggeringbackastepandlookingatherwithaslightedcountenance.

Page 201: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Itis,’saysMiniAunty,givinghimanotherwhack.

‘Behaveyourself,Mini!’shoutsGodmotherfromthebedroom.‘Thepoormanriskedhislifeforyou!’

‘Howdidyoudothat?’asksAdi,hislegsperfectlystill,hisfaceagog.

‘Prayerandpractice,’saysDrMody.‘Here,pullmyfinger.’

HetiltsforwardandAditugsathispointingfinger.Withcompressedlipsandquiveringchinthedoctorletslooseacracklingbatteryofcrispwind.AgainAdipullsandagainhefarts.

‘Metoo,Iclamour.

Thedoctorobliginglydirectshisfingeratme.WhenIpullnothinghappens.I’mdisappointed.

‘Toobad,’saysthedoctor.‘Youhavenodemonstoday.We’lltrytomorrow.’

InthenextthreedaysCousin,AdiandIarepossessedbyaposseofdemonssonumerousthatthedoctorishardpressedtoexorcisethem.HedirectsMiniAuntytofeedhimhugequantitiesofwhathecallsanti-demonpotions:andGodmother’sroomsreekofcabbage,beansandhard-boiledeggs.

Sinceweallingestthesamenourishment,Ifallasleeptoamedleyofwinds:thedoctor’smagnificentexplosions,Godmother’sandSlavesister’smutedput-putterings,Old-husband’sbassbubblingsandAdi’sandmyhigh-pitchedandprotractedeeeeeeeps.

Oldhusband?He’sstillinhabitingthepages?

Clearly,hehasnot,asI’dthought,passedaway.

Lethimstay,asweallstay,inGodmother’stalcum-powderedandintrusivewake.

***

Icannotbelievemyeyes.TheQueenhasgone!Thespacebetweenthemarblecanopyandthemarbleplatformisempty.Agroupofchildren,playingknuckles,squatwherethegunmetalqueensatenthroned.Bereftofherpresence,thestructurelooksunwomaned.

Thegardenscenehasdepressinglyaltered.MuslimfamilieswhoaddedcolourwhenscatteredamongtheHindusandSikhs,nowmonopolisethegarden,deprivingitofcolour.Eventhechildren,coveredinbrocadesandsatins,cannotalleviatetheausterityoftheblackburkasandwhitechuddarsthatshroudthewomen.Itisastonishing.TheabsenceofthebrownskinthatshowedthroughthefineveilsofHinduandSikhwomen,andbeneaththedhotiesandshortsofthemen,haschangedthecomplexionofthequeenlessgarden.Therearefewerwomen.Moremen.

Hamida,herheadandtorsomodestlycoveredbyhercoarsechuddar,holdingherlanklimbsclose,sitsself-consciouslyonthegrassbyherself.Thereislittlecomfortinlaying

Page 202: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

myheadonherrigidlap.

AdiandIwanderfromgrouptogroup,peeringintofacesbeneathwhiteskull-capsandaboveasceticbeards.TheAzanmusthavesounded.Somewomenspreadprayermatsonthegrassandkneelingstarttopray.Ifeeluneasy.LikeHamida,Idonotfit.Iknowwewillnotfindfamiliarfaceshere.

***

‘IsawAyah!Itwasher!’

Itiscooloutside.Thesunhasset–andintheprotractedduskIamstraddlingGodmotherandclutchingherfaceinmyhands.MylegshavegrownsolongIcantouchthegroundwithmytoes.

‘ItmustbesomeonewholookslikeAyah.Withallthatmake-uponit’shardtotell.’

Godmotherisbeingintractable.

‘Isawherwithmyowneyes,’Isay,pullingdowntheskinbeneathmyeyes.

‘Sometimesweonlyseewhatwewishtosee,’saysMiniAunty,issuingthenuggetofwisdomasifshe’sanoracle.‘Anddon’tdothat,’sheadds,‘you’llgrowpouchesunderyoureyes.’

‘IknowthedifferencebetweenwhatIseeandwhatIonlywanttosee,’Ishout.Iwishshewouldn’tintrude.Asitis,it’shardertoconvinceGodmotherthanI’dexpected.Shemustbelieveme.She’stheonlyonewhotakesmeseriously–exceptCousin–andhehasn’tbeenabletounearthanythingyet.

‘ButCousinalsosawher,’Isay.

‘Itcan’tbeher.AyahiswithherfamilyinAmritsar!’Godmotherconveysacertaintythatforaninstantunderminesmine.Itcanonlymeanthathernetworkhasfailedher.Iamdismayed.

‘Howcanyoubesosure?’Iask.

Godmotherhesitates,thenshesays,gravely,‘Askyourmother.’

‘What’sshegottodowithit?’

I’msurprised.It’snotlikeGodmothertopassthebuck.‘What’shappening?’Icry.‘Whyisn’tanyonetellingmeanything?’

‘Lenny,there’ssomethingsbestleftalone,’saysGodmother.

‘Youshouldsendforthefamilyexorcist,Rodabai,’saysMiniAunty.‘Manekwillridherofherstubbornness.’

‘Ifyoucan’tkeepyourmouthshut,goinside,’Godmothersayssharply.Hernostrilsaretwitching.I’veseldomheardhertalktoSlavesisterlikethis–totallywithouthertonguein

Page 203: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

hercheek.

Ifeelhopeless.IrubmyrunnynoseandmytearsonGodmother’sblouse.I’mhorriblyfrightenedthatGodmother,despiteallhercannyanduncannyresources,mightbemisled.

AndGodmother,unabletobearmyconfusionandanguish,andguiltybecauseofherowndeviousness,says,‘Lenny,haveyounoticedhowbusyyourmummy’sbeenallyear?Goingoutallthetime?’

Inod.

‘I’lltellyouasecret,’saysGodmother,‘butIwanttobesureyouwon’ttellanyone.Itcouldgetyourmotherintorealtrouble.’

IdrawbackandpermitGodmothertosearchmysolemnfaceandmyhonourableeyes.Shetrustswhatsheseesbecauseshesays:

‘Mummyandyourauntrescuekidnappedwomen.Whentheyfindthem,theysendthembacktotheirfamilies:or,totheRecoveredWomen’sCamps.ShearrangedforAyahtobesenttoherrelatives.Shedidn’twantyoutoknow.Shefeltyouhadacceptedherabsence-you’donlystartfrettingagain.’

Don’tIknowtheywentonfutileAyahhunts?OrweretheyjustpretendingtolookforAyah,usingitasacoverformoresinisteractivities?Doesn’tGodmotherknowaboutthepetrolinthedicky?Doesn’tsheknowthatElectric-auntandMotherweredashingoffarmedwithpetrol-cansandtintedglasseslongbeforeanyonehadevenheardofkidnappedwomen?

ObviouslyGodmotherdoesnotknow.I’mdumb-founded.Godmother,whomakesitherbusinesstoknoweverythingabouteverybody,doesn’tknowaboutthearsonists!Istillliveindreadofmymotherandaunt’simminentarrest.Hand-and-leg-cuffedandjanglingchains!AndGodmother’snaïvetycompoundsmyfear.Sheisslippingdangerously,justwhenhercapabilitiesaremostneeded.Iamtemptedtotellherthetruth,butIbitemywretchedtruth-infectedtonguejustintime.Onebetrayalisenough.I,thebuddingJudas,mustlivewiththeirheinoussecret.

Itisgettingquitedark.Alreadythedewissettlingonourclothes.IshiveronGodmother’slap.Godmothersays,asifmusingaloud:‘Cometothinkofit,wehaven’tseenthatpopsicle-maninalongtime.’

MiniAuntycallsfromwithin,‘You’dbettergetin,orsomeonewillbesneezingherheadofftomorrow.’

***

Cousin,too,bindsmetosecrecy.CrowdingmeintoacornerofRosy-Peter’sstilldesertedroomhewhispersintorayear:‘WanttoknowwhyAyahwasallmadeup?’

Irespondwithabreathlessnod.

Page 204: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Becauseshehasconvertedherprofession!’

‘She’sbecomeChristian?’Ienquiretentatively,notknowingwhattomakeoftherevelation.

‘Notherreligion,silly!Herprofession.D’youthinkVirginMary’dbecaughtdeadwearingallthatmake-up?’

‘Idon’tknow,’Iconfess.WhatdoesVirginMaryhavetodowithAyah?

‘Shewouldn’t!’declaresmyknowingCousin.‘AyahhasbecometheoppositeofVirginMary.She’sbecomeadancing-girl!’

‘Anactress!’Iexclaim,enthralled.Thatwouldexplainthemake-up.Theonlydancing-girlsI’veseenareinIndianfilms.

‘Well,’saysCousin,atrifleuncertain.‘Dancinggirlsdogrowintoactressessometimes…’

‘Oh?’Isay,andwaitpatiently.

‘AyahisjustadancerintheHiraMandi…Thered-lightdistrict.’

HiraMandimeansDiamondMarket.Cousinisbeingdeliberatelyobtuse.HeknowshowimportantanynewsofAyahistome.Iwouldliketoshakehim.Instead,likesteppingoneggshells,Iask,‘WhereisthisDiamondMandiwiththeredlight?’

‘BehindtheBadshahimosque.It’swheredancing-girlslive.’

‘Andthediamonds?Whosellsthediamonds?’Iprodgingerly.

‘Therearenorealdiamondsthere,silly.Thegirlsarethediamonds!Themenpaythemtodanceandsing…andtodothingswiththeirbodies.It’stheworld’soldestprofession,’saysCousinasifhe’sutteringprofunditiesinsteadofdrivel.

Mypatienceiswearingthin.Still,‘Whatthings?’Iask.

AlthoughI’mcautiouswithCousin,waryofsurprises,thegullibilitythatmademeclimbastooltoinsertmyfingerintotheACcurrentremains.

Everreadytoilluminate,teachandshowmethings,Cousinsqueezesmybreastsandliftsmydressandgrabsmyelasticisedcottonknickers.Buthavingonlythetwohandstodoallthiswithhecan’tpullthemdownbecausegalvanisedtoactionIgrabthemupandjabhimwithmyelbowsandknees:andturningandtwisting,withmytoesandheels.

Becomingredintheface,Cousinletsmebe.Andstandingapart,andwithexasperation,says:‘Howdoyouexpectmetotellyouwhat?Ifyoudon’tletmeshowyouhow?’

AndCousinstartsalloveragaintoshowme,andpullingmykickingfeetfromunderme,succeedsinde-knickeringme.Andputtinghishandthere,tremblesandtrembles…

UntilIpunchhisearsandshout:‘You’rebreakingyourpromise!’

Page 205: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whotoldyouallthis?’Idemand,pullingmyknickersupandscowling,mysharpelbowsbristlinglikedangerousquillsasIsettledownwarilyinthecorner.

‘Mycooktoldme.’

‘Whichmendosuchthingstoher?’Idemandtoknow.

‘Oh,anymanwhohasthemoney…Mycook,wrestlers,ImamDin,theknife-sharpener,merchants,pedlars,thegovernor,coolies…’

IfthosegrownmenpaytodowhatmycomparativelysmallCousintriedtodo,thenAyahisintrouble.IthinkofAyahtwistingIce-candy-man’sintrusivetoesandkeepingthebutcherandwrestleratarm’slength.Andofthosestrangers’handshoistingherchocolatebodyintothecart.

ThatnightItakeallI’veheardandlearntandbeenshowntobedandbymorningIreeldizzilyonafleetinglyglimpsedandterriblegrown-upworld.

Idecideit’stimetoconfrontMother.

***

IhoundMotherwithamuteanddoggedsullenness.ItisFriday,thedaytoinvokethegreatTroubleEasers,theangelsMushkailAssanandBehramYazd.(IntroubledtimestheyarefrequentlyevokedbytheParsees.)AsMotherpreparesfortheceremony,spreadingawhitesheetonthebedroomfloorandplacingthesmallfirealtarandphotographsofthesaintsonit,shecastsperplexedeyesmyway.ThelessIamabletospeakout,themoreturbulentgrowsthetemperofmypent-upaccusations.Motherkneelsonthefloorandstrikesamatchtolightthejosssticks.Shearrangesthesandalwoodshavingsonthefirealtarandplacesacriss-crossofsmallsandalwoodsticksontopofthem.Sheholdsouttheboxandsays:‘Here,Lenny,wouldyouliketolightthefire?’

Iwhipmyhandsbehindmybackasifshehasofferedmeascorpion.Ishakemychurlishhead.

‘What’sthematter?’sheenquires,onherkneesbeforetheunlitaltar.

Inaharsh,squeakyrushofwordsIcanhardlybelieveareissuingfrommeIhearmyselfsay:‘Don’tthinkwedon’tknowwhatyou’reuptowiththepetrol-cansandmatches!’

MotherlookssobewilderedandalarmedthatIwonderforaninstantifCousin,AdiandIarenotmistaken.Thetwingeofdoubtpasses.

‘Iknowaboutthepetrolinthecar’sdicky!’Iaccuse,onceagainsteadfastinmyrighteousandindignantconviction.

‘Oh?’saysMotherlooking,ifanything,moreperturbedandbaffled.‘Ididn’tthinkitnecessaryyouchildrenshouldknowaboutit…Itcouldbedangerous…’

Page 206: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Butwedoknow!’Icry.‘Wearen’tdumb!YouandAuntyshouldbeashamedofyourselves!Deceivingeverybody!PretendingtolookforAyahandinsteadburningLahore!’Icannolongerholdbackmytearsorpreventthetragicbreakinmyvoice.

‘OhmyGod!’Motherexclaims.‘Isthatwhatyouthink?’

Andasunderstandingslowlyreplacestheastonishmentonherface,shepullsmetoherlap.Wipingmytearswithhersofthands,speakingsimplyandgravely,shesays,‘IwishI’dtoldyou…WewereonlysmugglingtherationedpetroltohelpourHinduandSikhfriendstorunaway…Andalsofortheconvoystosendkidnappedwomen,likeyourayah,totheirfamiliesacrosstheborder.’

‘Youshouldhavetrustedme!’Icry,tryingtostaythethreateningsurgeofself-loathingandembarrassmentfromannihilatingme.

‘Yes,’shesays,solemnlyshakingherheadupanddown.‘Ishouldhave!’

Howcouldshehave?Howcananyonetrustatruth-infectedtongue?

***

OnMondayIcomestraighttoGodmother’sfromMrsPen’s.Iremovemysatchel,kickoffmyshoesandIampeelingoffmydampsockswhenGodmotherabruptlysays:

‘Youwereright.AyahisstillinLahore.’

Ifeelgoose-bumpseruptallover.Mybodyfeelsdrainedofstrength.ItotteracrossthecoolcementtoGodmother’sbed.‘Howdidyoufindout?’Iask,whenIamabletogetmybreathback.

‘Ihavemysources,’shesays.

Irealisethequestionwasredundant.

‘Whatdidyoufindout?’Iask.

‘She’smarried.’

‘Iheardshe’sconvertedintoadancing-girl,’Isay.

Godmotheristakenaback.‘Whotoldyouthat?’

‘Cousintoldme,’Isay.‘Hiscooktoldhim.’

‘Sheisn’tadancing-girlanymore:she’sawife.Herhusbandiscomingtoseemethisevening.’

‘IsAyahcoming?’Iaskatonce.

‘Heisn’tbringingher.’

‘Who’sherhusband?’Iaskeagerly.

‘You’llsee.’

Page 207: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

***

Ican’twaitforevening.When’sevening?Four?Six?Eighto’clock?Itisalreadythree.Thewatermanissprayingthedrivefromtheleatherpouchslungonhisbackandthefinedustclingsinlittleballstodropsofwater.Icanseehimthroughthescreendoorandsmellthesteamofftheparchedearth.

‘Let’ssitout,’Isayimpatiently.

‘We’llgooutsideatfiveo’clock.Likewedoeveryday,’saysMiniAunty.

‘Can’tItakethechairsoutatleast?’Isayimpatiently.

‘My,my!Onewouldthinksomeonewasexpectingherownbridegroom!He’llcomewhenhecomesandyoursittingoutsidewillnothurryhimthetiniestbit!’

‘Whenyou’vefinishedlayingyoureggsofwisdom,’saysGodmother,‘youcanmakemesometea.’

MiniAunty,sittinginherpetticoatandblouse,fansherselfharder.Herfaceisbeadedwithsweat.‘Letmecooloffabit,’shesays:‘Ihaven’thadamoment’srespiteallday.’

Sheisexaggeratingofcourse.Shehasbeenfloppedinthatarmchairforthepasthalf-hour.

‘Ifyouthinkyouhavetoomuchtocopewithyoucanlivesomeplaceelse,’saysGodmother.

‘Ididn’tsaythat,now,didI?’saysMiniAuntyplacidly.

‘Oh?Ineedtooilmyears?’saysGodmother.‘IthoughtIheardyousayyouwereoverworked.’

MiniAuntygetsupwithasighand,shiftingherweightfromonebulgingbuniontotheother,waddlesintothekitchen.

Byfiveo’clockweareseatedoutside,waiting.Itisoppressivelyhot.Thethin,pointedleavesoftheeucalyptusdroopinbrittleclustersoverourheadsandrattleasthesparrows,twitteringfeverishly,settlefortheevening.Thetable-fanisineffectualagainstthedustsuspendedintheair.

‘We’reboundtohaveadust-storm.It’stoostill,’MiniAuntyremarks.Raisingherpetticoataboveherspreadkneessheflapsapunkahbeforehermodestlyavertedthighs.

‘Iwishyouwouldn’tchattersowitlessly,’saysGodmother,soundingundulyirascible.‘Predictingdust-stormsintheseasonfordust-stormsisnotverybright.’

IstallmyrestlessmovementsonGodmother’slap.Irealisehowtensesheis.Wearealltense,waiting.Itisalmostsixo’clock…thenbehold!Thebridegroomcomes.Lean,lankandloping,inflowingwhitemuslin,raisingdustwithhissandalledfeet,thepoetapproacheth.

Page 208: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

OnlynowdoIrealisethatoneoftheleanandlanguidpoetsflankingAyahwasIce-candy-man.

*

Ice-candy-manacknowledgesourpresencethroughdreamykohl-rimmedeyesandremovinghislamb’s-woolJinnahcap,touchinghisforeheadinamuteandprotractedsalaam,squatsbowedbeforeGodmother.Hehasgrownhishairandlongoilystrandscurveonhischeeks.Hesmellsofjasmineattar.

‘Livelong,’saysGodmother,leaningforwardtostrokehisshoulder–andcrushingmeintheprocess.

Ice-candy-manshufflesbackand,pushinghishairbehindhisears,drawsusintotheorbitofhispoeticvision.Hewaitsquietlywhileweabsorbhisincredibletransformation.Hehaschangedfromachest-thrustingpaan-spittingandstruttinggoondaintoaspitlesspoet.Hisnarrowhawkishface,asifrecastinadifferentmould,hassoftenedintoasensuousoval.Heisthinner,softer,droopier:hisstreamofbrashtalkreplacedbyacannysilence.NowonderIdidn’trecognisehiminthetaxi.

‘Wherehaveyoubeenallthesemonths?’exclaimsGodmotherpleasantly.‘Itwasimpossibletotraceyou.Iwasworried.Godforbid,Ithoughtyoudiedintheriots!’

ForastartledinstantIce-candy-man’seyeslosetheirpoeticmistandfocusasclearlyasaneagle’sonGodmother.Butquicklyretrievinghiscomposurehesays:‘I’mtrulysorry.HadIknownyouwishedtoseemeIwouldhavepresentedmyselfearlier.’HerecitesFaiz:

‘Tumayehonashab-e-intezarguzrihai–

Talashmainhaiseherbaarbaarguzrihai!

Younevercame…Thewaitfulnightneverpassed–

Thoughmanydawnshavepassedinthewaiting.’

Astonishingly,wearenotamazedatthesurgeofwordspouringfromhim:sowelldotheysuitthepoeticmouldofhismetamorphosedcharacter.

‘Shabash!Wellsaid!’saysGodmother.

Withastart,Iscrutiniseherface.Exceptforathinsmileitisclearofallexpression.Yet,insomeindefinableway,ominous.

‘Youhavebecomeagiftedpoet!Andnot,asrumoured,aMandipimp!’Thethrustofherwordsisstillsmooth.‘Buttellme,’shesays,‘whydoyouliveintheHiraMandi?It’sthered-lightdistrict,isn’tit?Nowondertongueswag.itisnotasuitableplaceforafamilyman.’

Thelinesonthepoet’sfacetracehishurtfeelings.‘Notasuitableplace?Noplacecouldbemoresuitable,’hesays,settlingloweronhisheels.‘WhydoyouthinktheMandiliesin

Page 209: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

theshadowoftheOldMogulFort?’

‘HowshouldIknow?Idon’tfrequentbrothels,’saysGodmother.

AnuncertainsmileflickersonIce-candy-man’sface.Butthenhecastshiseyesdown:hedoesn’tknowwhattomakeofGodmother’sremark.

‘Baijee,Idon’twantyoutomisjudgeme,’hesayscircumspectly.‘YouknowhowdeeplyIrespectyou…Iwanttoexplainsomethingalmostnooneremembersanymore…Iwantverymuchthatyouunderstand…Thenjudgeme!’

Godmothernodsslightly,gravely,herfacedeadpan.

‘TheMogulprincesbuiltHiraMandi–tohousetheirillegitimateoffspringandfavouriteconcubines,’saysIce-candy-man,speakingwithlessassurancethanbefore.‘Butyouknowourworld…Whocaresfororphans?Eachemperorprovidedonlyforhisownchildren,andneglectedthesonsofhisfather.Thegirls,lefttofendforthemselves,danced,andthemselvesbecameroyalconcubines.Andtheboysbecamemusicians,singersandpoets.Royalindulgences–inthosedaysatleast.’

HadInotbeenlookingatIce-candy-manashespoke,Iwouldnothavebelieveditwashim.Notonlyhashisvoicechanged,buthisentirespeech.Hisdeliveryisflawless,formal,likeaneducatedandculturedman’s.And,continuinginthatsameconfidingmanner,hemurmurs,‘Youaremymotherandfather…I’vetoldnoonethis–theywouldn’tunderstand…Yousee,IbelongtotheKothamyself…Itisthecradleofroyalbastards.’

Ice-candy-man’seyesshinewithacurious,pricklymixtureofshameandprideasheglancesatGodmother.

Godmother’seyesonhisfaceremainimpassive.

‘MymotherwasfromtheKotha,’hesays.‘ShemovedtoBhattiGatewhenshemarriedmyfather.HediedwhenIwasveryyoung…Hewasawell-knownpuppeteer.

‘Mymotherbelongedtotheoldstock–shecamefromtheHouseofBahadurShah.There’sastrictdistinction–theoldfamiliesfromdistinguishedhousesdon’tmixwiththenewgirlsandtheirset-up.Theyarenothingbutprostitutes–younggirlskidnappedbypimps!Anythinggoeswherethey’reconcerned.Poorgirls…Theirlotispitifulandhideous,Iadmit.Theyareforcedintoallkindsofdepravitiesonpainofdeath…andoftendie.Butweprotectourwomen.Wemarryourgirlsourselves.Noonedarelayafingeronthem!Theyareartistsandperformers…beautifulprincesseswhocommandfancypricesfortheirsinginganddancingskills!

‘BecauseofmyfamilyconnectionmywifeandIliveintheoldquarteroftheMandi.Theyhaveacceptedher.Formysake…andforthesakeofherdivinegifts!Shehasthe

Page 210: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

voiceofanangelandthegraceandrhythmofagoddess.Youshouldseeherdance.Howshemoves!’AndtheninanotherpoeticoutburstIce-candy-mandeclaims:

‘Shelivestodance!AndItotoastherdancer’sgrace!

Princespledgetheirlivestocelebratehercelebratedface!’

IamhypnotisedbytheplayofemotiononIce-candy-man’selasticface:bythemusicinhisvoiceconjuringvoluptuousimagesofsmittenMogulprincesandofAyahdancingasstatuesofHindugoddessescometolife.Consideringhisrevealedlineageitislittlewonderhesoundslikeaculturedcourtier.Hisface,too,hasacquiredthealmond-eyed,thin-lippedprofileofthehandsomeMogulsportrayedinminiatures.

SocarriedawayamIbythevirtuosityofhisperformancethatIdon’tnoticeGodmother’sreactionuntilshespeaks.

‘Haveyousaidallyouwishtosay?’sheasks:andIturnonherlaptolookatheragain.KnowingherasIdoIcantellbythehoodeddroopofherwrinkledlids,bythesombreshapeofhertonguelesscheeks,thatsheisinacoldrage:andGodhelpIce-candy-man.

ButIce-candy-mandoesn’tknowheraswell.QuotingWali,misjudgingherfury,andasifpresentingcredentials,hedeclares:

‘Kiyamujhishqnezalimkoaabahistaahista

Keaatishgulkokartihaigulabahistaahista.

Slowly,mylovehascompelledher,slowly–

Thewaythesuntouchesopentherosebud,slowly.’

AffectedatlastbyGodmother’sstonysilence,Ice-candy-manlowershiseyes.Hisvoicedivestedoforatory,hesays,‘Iamherslave,Baijee.Iworshipher.Shecancometonoharmwithme.’

‘Noharm?’Godmotherasksinadeceptivelycoolvoice–andarchingherbacklikeascorpionitstail,sheclosesinforthekill.‘Youpermithertoberapedbybutchers,drunks,andgoondasandsayshehascometonoharm?’

Ice-candy-man’sheadjoltsbackasifit’sbeenstruck.

‘Isthatwhyyouhadherliftedoff–lethundredsofeyesprobeher–sothatyoucouldmarryher?Youwouldhaveyourownmothercarriedoffifitsuitedyou!Youareashamelessbadmash!Nimakharam!Faithless!’

‘Yes,I’mfaithless!’Stungintolerably,andtakenbysurprise,Ice-candy-manpermitshisinsolencetoconfrontGodmother.‘I’maman!Onlydogsarefaithful!Ifyouwantfaith,lethermarryadog!’

‘Oh?Whatkindofman?Aroyalpimp?Whatkindofmanwouldallowhiswifetodancelikeaperformingmonkeybeforeothermen?You’renotaman,you’realow-born,two-bitevillittlemouse!’

Page 211: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Ice-candy-manisvisiblyshaken.Hishazeleyesdartfrantically–likethesparrowsheoncetrappedforthemems–asheglancesatMiniAunty,theroad,me,forsympathyorameansofsuccour.Andthen,hisyelloweyesnarrowed,hestaresatGodmotherwithnakedmalevolence.

IseehimnowasGodmotherseeshim.Treacherous,dangerous,contemptible.Adestructiveforcethatmustbeannihilated.

‘Youhavepermittedyourwifetobedisgraced!Destroyedhermodesty!Livedoffherwomanhood!’saysGodmotherasifdriventorecountthechargesbeforeaninvisiblejudge.‘Andyoutalkofprincesandpoets?You’rethesonofpigsandpimps!You’renotworththetwo-cowriesonethrowsatlepers!’

Struckbythenakedpowerandfuryofherattack,Ice-candy-man’sbodytwitches.Hisheadjerksforwardandhislongfingersgougetheearthbetweenhissandals.And,asifcommittedagainsthiswilltowitnessthelitanyofhistransgressions,hisgazeclingstoGodmother’s.‘Is-savedher,’hestammers.‘Theywould’ve…killedher…Imarriedher!’

‘Icanhaveyoulashed,youknow?IcanhaveyouhungupsidedownintheOldFortuntilyourot!’

Ice-candy-manshiftshiseyestotheground.Andinthepausethatfollows,tears,andalongstrandofmucusfromhisnose,dripintothefissuresathisfeet.

‘It’snogoodcryingnow.You’llbeshownaslittlemercyasyoushowedher.’

‘Idon’tseekmercy,’hesays,hisvoicesomuffledandblockedthatitregisterslikeanafterthought.‘IfIdeservetobehung,thenhangme!’

ItisfrighteningtowatchthesilenttumultofIce-candy-man’scapitulation.Thebackofhisneckisstretchedinalong,shallowarchandhisheadhangsbetweenhisknees.Hisarmsmovehelplessly,notknowingwheretorest.

‘Getoutofmysight,youwhiningharamzada!’saysGodmother.

Ice-candy-manjustsquatsthere,excretinghispainandtears,andasIlookathim,IrealisethereismoretohisturmoilthantherageandterrorgeneratedbyGodmother’sattack.

‘It’stoolatetorepent,’saysGodmotherwithamagnitudeofgriefthatmakesmyeyessmartwithsuddentears.‘YouhavetrappedherinthepoisonousatmosphereoftheKotha.’

‘Allahismywitness,I’mmarriedtoher,’hesaysinahorrible,gruffvoice.

‘ThereisnoGodforthelikesofyoushaitans!’Godmothersaysremorselessly.‘YouarenomoremarriedtoherthanIam.’

Page 212: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Whatdoyouwantmetodo?Slitmythroat?Stabmyheart?’Hiscapliesontheground.Hisdustyhands,thenailsdarkwithdirt,trembleonhisknees.

‘RestorehertoherfamilyinAmritsar.’

‘Whatifsherefusestoleaveme?’saysIce-candy-man,asifdredgingfromadeepdoubtinhischestascrapofhope.‘Ihavebeenagoodhusband…Askher.I’vecoveredherwithgoldandsilks.I’ddoanythingtoundothewrongdoneher.Ifitweretohelptocutmyheadoff,I’dcutmyheadandlayitatherfeet!Noonehastouchedhersinceournikah.’

‘Whendidthemarriagetakeplace?’asksGodmother,unmoved.

‘InMay.’

‘ShewasliftedinFebruaryandyoumarriedherinMay?Whatwereyoudoingallthattime?’

Ice-candy-manremainssilent.

‘Whydon’tyouspeak?Can’tyoubringyourselftosayyouplayedthedrumswhenshedanced?Countedmoneywhiledrunks,pedlars,sahibs,andcut-throatsusedherlikeasewer?’Godmother’sfaceisslipperywithsweat.Herthighsbeneathmearetrembling.Ihaveapotentsenseofherpresencenow.AndwhenIinhaleIcansmellthefor-midablepowerofherattack.

‘Didyoumarryher,then,whenyourealisedthatLenny’smotherhadarrangedtohavehersenttoAmritsar?’

Ice-candy-man,hismuddiedhairfallingforwardfromhisbowedhead,remainsstill.

‘Whydon’tyouspeak?Alittlewhilebackyoucouldn’tstoptalking!’

SuddenlyIce-candy-manclencheshishairinhisfists.Hiseyesarebloodshot.Hisfaceisapuffypatchworkoftearsandmud.Hetugshishairbackinsuchawaythathisthroatswellsandbulgeslikeagoat’sbeforeaknife,andinarawandscratchyvoicehesays:‘Ican’texistwithouther.’Then,rockingonhisheelsinhisstrange,bonelessway,hepoundshischestandpoursfistfulsofdirtonhispenitent’shead.‘I’mlessthanthedustbeneathherfeet!Idon’tseekforgiveness…’

Thereisasuffocatingexplosionwithinmyeyesandhead.Ablindingblastofpityanddisillusionandasavagerage.Mysightisdisoriented.IseeIce-candy-manfloatawayinabubbleanddwindletoagreyspeckintheaftermathoftheblastandthencomesoclosethatIcanseeeveryporeandmuddycreaseinhisskinmagnifiedindazzlingluminosity.Thepopsicleman,Slavesisterandweandourchairsandthetablewiththefanskidatatremendousangletodashagainstthecompoundwallandthewallsbulgeandflyapart.Godmother’shouseandMrsPen’shouseswaycrazily,thebrickstumbling.

Page 213: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

TheimagesblurandItrydesperatelytosucktheairintomydeflatedlungsandGodmotherholdsmyviolentlyshiveringbodytightandIhearhersayasiffromfaraway,‘Lookhowyouhaveupsetthechild!You’veturnedusallinsane!’Andshepatsmybreathlessfaceandsharplysays,‘Stopit!Stopit!Takeadeepbreath!Comeon,inhale.Everythingisgoingtobeallright!’

ShemusthavesignalledtoSlavesisterbecausetheslaveheavesherselfoffherstooland,anxietyquickeninghermovements,stoopstoliftme.Herface,too,isstreakedwithtearsandhereyesredandsheismuttering:‘Finishitnow,Rodabai,that’senough.Packhimoff.’AndIclingtoGodmother.Andstretchlikebubble-gumwhenSlavesistertriestopullmeaway.AndatasignalfromGodmothersheletsmebe.AndI,rubbingmyfaceinGodmother’stightlyboundbosom,grindtheclothbetweenmyteethandshakemyheadtillthekhaddartearsandIsmellbloodandtasteit.

‘Ouch!Stopit!You’veturnedintoapuppyhaveyou?’saysGodmotherpushingmyfaceaway.

AndwhenmyteetharepriedawayfromherbloodiedblouseandIatlastlookintohershrewd,ancienteyes,Icantellhertongueisonceagaininhercheek.

Everything’sgoingtobeallright!

Jinnah-capinhand,Ice-candy-manstandsbeforeus.Hisravagedface,cakedwithmud,hasturnedintoatragedian’smask.Repentance,griefandshockarecompressedintothemouldofhisfeatures…Andhisinflamedeyesarerawwithdespair.

Thestormthathasbeengatheringalldayrushesupthedrive,slammingopenthedoorsandwindows.Thethree-prongedeucalyptusdipsthreateninglyaboveourheads.Aswescurrytoshutthewindowsandcarrythechairsinside,wavesofmudobscurethedriveandswallowthepoet’sflutteringwhiteclothes.

Theinnocencethatmyparents’vigilance,theservants’careandGodmother’sloveshelteredinme,thatneitherCousin’scarnalcravings,northestoriesoftheviolenceofthemobs,couldquitedestroy,waslaidwastethateveningbytheemotionalstormthatragedroundme.TheconfrontationbetweenIce-candy-manandGodmotheropenedmyeyestothewisdomofrighteousindignationovercompassion.Tothedemandsofgratification–andtheunscrupulousnatureofdesire.

Tothepitilessfaceoflove.

Page 214: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter30

JustasGodmotherfeelstheurgetodonatebloodsheisimpelledbyanurgetopopupattherightplaceinthehourofaperson’sneed.YetIamsurprisedwhenfingeringhergreysilksariandmatchingblouselaidoutonthestackoftrunksIask,‘Whereareyougoing?’andshe,afteranunintendedanddramaticpause,replies,‘I’mgoingtoseeAyah.’

Myheartstops.IfeelasifI’verunallthewayfromWarrisRoadinsteadofwalkinghere,holdingHamida’sfinger.IfIdon’tholdherfingerHamidaturnshystericalandbabbles,‘Hai!We’llberunoverbythecarsandtongas.’

ItisSaturdaymorning.AdiandCousinhavegonetothegrasslessWarrisRoadparktoplaycricket.Thatis,CousinwillplayandAdiwillprobablybeforcedtospectate.Motherisout.

Icannotspeak.Godmotherholdsmytwiggyarmbeneathmystarchedandpuffed-outsleeveandpullsmetothecot.Oldhusband,sittingbeforehisdeskonthebentwoodchair,isreadinghisprayerbook.Sibilanthissesflutterbetweenhislipsandeveryshortwhileheclearshisphlegmythroat.And,inavoicethatsoundsinaudible,andquiverswithanxiety,Ifinallyask,‘CanIcomewithyou?’

Godmotherstaressombrelybeforeherandremainsquiet.

‘Please.’Iswallowonalumpinmythroat.

‘Ican’ttakeyou,’Godmothersays.‘It’snoplaceforchildren.’

‘IwanttoseeAyah,’Isay,mylongingmakingmesighbetweenthewords.

‘IreallywishIcouldtakeyou.’

‘Whydon’tyouaskhertocomehere?Won’therhusbandbringher?’

‘Heiswillingto.Butsherefusestocome.’

IcannotbelieveAyahwouldn’twanttoseeme.Seeus.

‘Herhusbandislying,’Isayfiercely.‘He’smakingexcuses.’

‘No,sheisashamedtofaceus,’saysGodmother.

‘Ashamed?’Isaysurprised.AndevenasGodmothersays:‘Shehasnothingtobeashamedof,’IknowAyahisdeeply,irrevocablyashamed.Theyhaveshamedher.Not

Page 215: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

thosemeninthecarts–theywerestrangers–butSharbatKhanandIce-candy-manandImamDinandCousin’scookandthebutcherandtheothermenshecountedamongherfriendsandadmirers.I’mnotveryclearhow–despiteCousin’silluminatingtutorials–butI’mcertainofherhumiliation.SensingthisImorethaneverwanttoseeAyah:tocomfortandkissheruglyexperiencesaway.

‘IwanttotellherIamherfriend,’IsaysobbingdefencelesslybeforeGodmother.AndrememberingHamida’sremarks,Icry,‘Idon’twanthertothinkshe’sbadjustbecauseshe’sbeenkidnapped.’

Ihavenevercriedthiswaybefore.Itishowgrown-upscrywhentheirheartsarebreaking.

***

MiniAuntyreturns,silentlybearinggrocerybagsandice,lookinglikeafatandelderlysari-cladwaxdollmelting.

Godmothergreetsher.‘Ithoughtthetongamanhadrunoffwithyou!Whattookyousolong?’

ItisapurelyrhetoricalsalutationandMiniAuntyneednotreplyifshedoesn’twantto.IgnoringGodmother,lookingneitherguiltynorannoyed,Slavesisterispreoccupiedwithstashingthegroceriesandsplinteringandstuffingtheiceintoathermos.

Wehearahorsesnort,andthecreakoftongawheelsoutsidethedoor.Thenasteadyliquidnoise,asofwatergushingfromahoseunderpressure.

Oldhusbandraiseshisprayingvoiceinforbiddingcensure.

‘Ummm,umM,uMM,UMM!’humsGodmotherinarisingcrescendoofdisapproval,andbreakingintospeechshesays,‘MyGod!Howdoyouexpectustositoutsidethisevening?’

‘Itwillevaporate…Youcan’timaginehowhotitis!’saysSlavesister,unperturbed.

‘Can’tI?WheredoyouthinkIlive?IntheNorthPole?’andthen,revertingtothematterinhand:‘Whatifthehorsedecidestoperformonagranderscale?Willthatevaporatetoo?HowoftenmustItellyounottoletthetongacomein?’

‘I’vetoldthetongawallahtotakecareofthat.’

‘Oh?Whatwillhedo?Diaperthehorse?’

MiniAuntycontinuesplacidlytounwraphersari,andturningmildlypleadingeyestoGodmothersays,‘Thetongawallahsaidthepoorhorsereallyhadtogetsomewaterorhe’dcollapse.’

Wehearthetongamancluckhistongueandleadhishorseandtongatothetroughattheback.

Page 216: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘You’dbetterremembertosprinkletheevaporatedpuddlewithrose-waterbeforewesitout,’saysGodmothersarcastically,butinasoftertone,therebyconcedingMiniAuntyareprieveoncompassionategrounds.

‘I’vearrangedforthetongatotakeyouto–’IndeferencetomyyouthfulpresenceMiniAuntyabruptlychecksherself.Sheendsbyenigmaticallysaying,‘You-know-where,attwoo’clock.’

‘Thenyou’dbettersetaboutgettinglunchready,’saysGodmother.

***

Godmother’sfingersareslightlytrembling.Notwiththetremorofagebutwithnervousconcentrationasshedrapeshersari,withitsfinelyembroideredfloralborder,beforeaslenderhalf-mirrorembeddedinthecupboard.Herconcentrationisatributetothesixyardsofheavygreysilk,andtotheoccasionforwhichitisbeingworn.Normally,notbotheredwiththeirappearance,bothsheandSlavesisterwraptheirsariswithouttheaidofmirrors.UnlikeMother,whopivotsfastidiouslyinhighheelsinfrontofafull-lengthmirrortoadjustthehemofhersariandpreciselyarrangethedaintyfallofherpleats.Itwouldn’tbefittingifMotherdressedwithlesscircumspection.InhercaseIfeeladorningandembellishingherpersonisanobligatoryriteandnotavanity.

Godmothermovesclosertothemirror.Asshecarefullybeginstopinthebordertoherhair,MiniAunty,lookingasifshehasarrivedatadecision,suddenlyandgravelydeclares:‘IthinkI’dbettercomewithyou.You’llneedmysupport!’

HerteethclampedonatangleofU-shapedhairpinsGodmotherturnsabruptly.FacingSlavesistershesays:‘SincewhenhaveIstartedneedingyoursupportinsuchmatters?’

‘Youcan’tgotherealone,Roda.Youmusthavesomeonewithyou.’

NoticetheunembellishedRoda?MiniAuntyusesthisformofaddresstosidleintoamoredominantrole.Thishasbeenoccurringwithalarmingfrequencyoflate:andtheslavegetsawaywithit–andthemeagreRoda–withalarmingfrequency.

‘Oh,allright!Ifitmakesyoufeelanybetter,I’lltakeLennyalong,’saysGodmother,attemptingtoappearreason-ablebutonlymanagingtosounddevious.

‘Youcan’tbeserious!’exclaimsMiniAunty.

‘Whynot?Shewon’tbecontaminated–ifthat’swhatyou’reafraidof.’

‘Howcanyouevendreamoftakingthechildthere!’saysMiniAunty,hereyesbrimmingwithreproach,thechubbydiscofhercheekslengtheninginsolemnconsternation.

‘I’mnottakingherthere,’saysGodmother.‘Weareonlyvisitingasimplehousewifeinhersimplehouse.Thehousemerelyhappenstobethere.’

Page 217: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Butwhatwillhermothersay?’

‘That’sbetweenmeandhermother.Youknowperfectlywellshetrustsmyjudgement…NotlikesomeungratefulbratsIcouldname!’

‘Iknowyou…’saysSlavesister,paleandhangdog.‘ThemoreIsaythemorestubbornyoubecome.Onecan’ttellyouanything.Haveyourway…’

‘HaveIeverdoneotherwise?’

‘Oh,Iknow!Youalwayshaveyourway…’

‘Thenwhyareyouwastingmytime?’

‘Buthaveyougivenathoughttowhatpeoplemightsay?’

‘ThatI’vebecomeadancing-girl?Withbellsonmyankles?Orworse?’

ItistoomuchforSlavesister.Blinkingtearsshegoesintothekitchenandcommencesmumbling.

Cometothinkofit,I’mhearinghermumblesafteralongtime.

Attwoo’clockthetongamantapsonthedoorwiththebambooendofhiswhipandshouts:‘I’vearrived,jee.I’mparkedbythegate.’

Godmotherquicklycompressesherlipsanddaubsherfacewithtalcumpowder.Shepeersatmethroughthechalkstormand,almostshyly,winksintomyawedandsmittencountenance.Shelooksgrand.Hernobleghost-whitefaceandgenerousmouthsetofftoadvantagebytheslate-greysarianditsprettyborder.Sheismyveryownwhale–andhergreatloveformeisplaininhershiningeyes.

‘Wearegoing.Lockthedoor,’Godmothercalls,andhandinhandwestepintotheabrasiveheat.

TheincreasingcongestionanduproarinthestreetsaswepassDataSahib’stombandapproachtheBadshahimosquebarelyregistersasleaningagainstGodmotherIfallintoastuporinducedbytheheatandglareandthejoltingrhythmofthetonga.

WhenGodmothergentlyshakesmeawakewearealreadyparkedbeneathastragglingsheesham,itssmallleavesbrittlewiththeheatanddust,infrontofanarrowalley.Thetongamanhasplacedthefeedsackinfrontofhishorseandistyingthereinstotheshaft.Thesweat-darkenedanimaljuststandsthere,itsneckhanging,tooexhaustedtofeed.Precededbythetongamanwewalkintotheblessedshadeoftheconstrictedgulliesoftheoldcity.

Godmotherisnervous.Icantellfromthepressureofhergrip.Aftertheclamourofthestreetsthesilenceinthealleysisvaguelydiscomforting.Therearefewpeopleaboutandtoofewchildren.Thenakedbabiestotteringaboutthedrainsanddoorstepswhimper

Page 218: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

listlesslyandarescoldedbyirritablemothersfrominsidewhosoundasifit’sdawninsteadofthreeintheafternoon.

Weemergeonabroaderlanewhichhastheappearanceofabazaarwithrowsofshopsatthegroundlevelandlivingquarterswithfrailarchedwindowsanddecayingwoodenbalconiesteeteringabove.Stillhalfasleepanddruggedbytheoppressivehumidityandheat,Ilookforatincan,oranythingelsetokickasIwalk,butthereishardlyanylitter.

Wewalkpasttwoyoungwomen,yawningandstretchinginfrontofastalloverflowingwithgarlandsofscarletroses,jasmineandmoundsofmarigolds.Theowner,wearingonlyalungi,isperchedlikeacontentedandcontemptuousdeityamidsthiswares.

Comingsuddenlyuponthefragranceofsprinkledflowersandtheblazeofcoloursfreshensmysenses.Thewomenchattingwiththeflower-manlooktousled,asiftheyhavejustawakenedandarestillloiteringintheshalwar-kamizestheyhavesleptin.Exceptforthebetel-leafandcigarettestallsandafeweatingplaceswheremeatandpakorasarebeingfried,thereisverylittlesignofcommerce.Theancient,roughlycarveddoorsareshutforthemostpart.AndthefewthatareopenrevealsteepflightsofnarrowstepsortwilitinteriorsIcannotseeinto.

Mypreviousexcursionsinsidetheoldcityhadbeenenlivenedbythecriesofshop-keepersandhawkersandthebawlingandshriekingofurchins;thelanesteemingwithmenandburka-veiledwomenandlitteredwiththediscardednewspaperbagsusedbyvendors.Imissthemoundsofrottingfruitandvegetablesandthebonespickedcleanbythekites,theirenormouswingsstirringinthegarbage:andthesuddenyelpofkickedmongrelsandraucousflightsofcrowsandscrapsofcardboardandrustedironandtheotherdebriseventhepoorhavenousefor.

Godmotherpincheshersariausterelybeneathherchinandmaintaininghereyesstraightinfrontofhermarchesregallybehindthetongaman.Hersari,catchingthebreezethecunninglystructuredalleysmiraculouslygenerateinanotherwisewindlesscity,billowsgreylyabouthershouldersandback.Noneofthewomenhereisveiled.Theboldgirls,withshort,permedhair,showingtracesofstalemake-up,stareatusasifwearefreaks.Theywhisperandburstintogiggleswhenwepassandburytheirfacesineachother’sshouldersandnecks.Theircrumpledkamizesaretooshortandthepencha-bottomsoftheirshalwarstoowide.EvenIcantelltheyarenotwellbroughtup.Ihaveneverseenwomenofthisclasswithcroppedandfrizzedhair:norusingthebroadandcomfortablegesturesofmen.Thefewmen,insingletsandfadedlungis,scratchtheircarelesslybaredstomachsastheyloiterinthelane,orpausetojokewiththegirls.Somehavetheirhandsinsidetheirlungisandarecleaningthemselvesafterurinatingasprescribed,unconsciouslyindulginginwhatI’veheardsnidelydescribedas‘thenationalpastime’.

Ourtongamanhaltsbeforeaweathereddoorwithdeepgrooves.Iglimpsethechainholdingthepanelsclosedfrominside.‘Thisistheaddress,Baijee,’hesays,andatanod

Page 219: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

fromGodmother,battersthedoorwithhishand.

Thereisaninstantshout:‘Coming!’followedbythelightfootedpatterofalightweightpoethasteningdownthesteps.Thedooropensandthepoetblinkshiskohlrimmedeyesintheglare.Ice-candy-manlookssubdued,flustered,honoured.DisplayingtheexquisitecourtesyofMogulcourtiers,spoutingsnatchesoffelicitousverse,pickingmeupwithonehandandsupportingGodmotherwiththeotherasweslowlymountthesteps–Godmotherpausingtocatchherbreath–Ice-candy-manushersusintothesittingroom.GuidingGodmothertoasofacoveredinglossygreenvelvet,headjuststhecushionsbehindheranddrawsapegtableconvenientlyclose.Thenhebreathlesslysays:‘I’llfetchMumtaz,’anddisappearsbehindthepinkandwhitecheckedcurtains.

‘So!’whispersGodmother,blinkingandnoddingimpishly.‘HehaschristenedourayahMumtaz!’

‘Ilikethename,’Isay.

Ithinkitfittingthatacourtier’swifebenamedafteraMogulqueen.Andtheroom,too,isbefitting:longandnarrow,filledwithornatechairscoveredinvelvet,sportinglittletableswithcrocheteddoiliesandthickglassandbrassvasescrammedwithredpaperpoppies.Thearchedwindowsareshadedbyreedscreensandthewallsareagleamingpink.Theroomhasthegratifyingappealofacoolanddelicioustutti-fruttiice-cream.

AndthenAyahcomes:teeteringonhighheels,trippingonthemassivedividedskirtofhergarara,janglinggoldbangles.Hereyesareloweredandherheaddrapedinagold-fringedandgauzyredghoongat.Ajewelledtikanestlesonherforeheadandbunchesofpearlsandgolddanglefromherears.Ice-candy-manguideshisrougedandlipstickedbridetositbesideGodmother.GodmotherlightlystrokesMumtaz’scoveredheadandsays:‘Blessyoumydaughter…Livelong.’

Ifeelfrightfullyshy.IhadexpectedtoleaponAyahandhughertobits.Butnowthatsheishere,intheawesomeshapeofabride,Icandonomorethanshiftuneasilyinmychairandstareather.Inoticethetinypiecesoftinselglitterstuckonherchinandcheeks.

‘Lennybaby,aren’tyougoingtoembracemybride?’Ice-candy-manasks.

AndAyahraiseshereyestome.

Wherehavetheradianceandtheanimationgone?Canthesoulbeextractedfromitslivingbody?Hervacanteyesarebiggerthanever:wide-openedwithwhatthey’veseenandfelt:widereventhanthefrighteningsaucersanddinnerplatesthatdescribethewatchfulorbsofthethreedogswhoguardthewickedTinderBoxwitches’treasuresinundergroundchambers.ColderthantheicethatlurksbehindthehazelinIce-candy-man’sbeguilingeyes.

AtlastAyahcastsherlidsdown:andbowingherhead,extendsherhennaedhandstome.Imoveawkwardlyintothevoluminousskirtofherbrocadegarara.Andthroughthe

Page 220: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

pricklingbrocadeandsilverlaméofherkamizeatlastfeelthesoftandroundedcontoursofherdiminishedflesh.Sheburiesherheadinmeandburiesmeinallherfinery;andinthedarkandmuskyattarofherperfume.

LeavingMumtaztositawkwardlywithusIce-candy-mangoesinsidetomakethetea.

GodmothermovestotheedgeofthesofaandtenderlyraisesMumtaz’schin,saying,‘Letmehaveagoodlookatourbride.’

Ayah’sface,withitsdemurelyloweredlidsandtinseldust,bloomslikeaduskyroseinGodmother’shands.Therougeandglitterhighlightthesweetcontoursofherfeatures.Shelooksachinglylovely:aswhenshegazedatMasseurandinwardlyglowed.Buttheillusionisdispelledthemomentsheopenshereyes–nottimorouslylikeabride,butfrenziedly,starkly–andsays:‘Iwanttogotomyfamily.’Hervoiceisharsh,gruff:asifsomeonehasmutilatedhervocalcords.

EvenGodmothercan’tbearthelookinhereyes.Shegentlyremovesherhand,andAyah’sunsupportedfacecollapsesandisagainhalfhiddenintheghoongat.Godmothercomposesherselfwithavisibleeffort.Andthelookofshockandpityfading,sittingtautontheedgeofthesofa,sheatlastsays:‘Isn’thelookingafteryou?’

Mumtaznodsherheadslightly.

‘What’shappenedhashappened,’saysGodmother.‘Butyouaremarriedtohimnow.Youmustmakethebestofthings.Hetrulycaresforyou.’

‘Iwillnotlivewithhim.’Againthatcoarse,raspingwhisper.

IhavemovedtomychairacrosstheroombutIhearAyah’sdiscordantmurmursclearly.(ItisnotwithoutreasonMiniAuntyhasdesignatedmytalentedears‘cricketears’.)

‘Doeshemistreatyou…inanyway?’Godmotheraskswithuncharacteristichesitancy.

‘Notnow,’saysMumtaz.‘ButIcannotforgetwhathappened.’

‘Thatwasfated,daughter.Itcan’tbeundone.Butitcanbeforgiven…Worsethingsareforgiven.Lifegoesonandthebusinessoflivingburiesthedebrisofourpasts.Hurt,happiness…allfadeimpartially…tomakewayforfreshjoyandnewsorrow.That’sthewayoflife.’

‘Iampastthat,’saysMumtaz.‘I’mnotalive.’

Godmotherleansbackandwithdrawsthelargecambrichandkerchieftuckedintoherblouse.Shewipesherforehead.

‘Whatifyourfamilywon’ttakeyouback?’sheasks.

‘Whethertheywantmeornot,Iwillgo.’

Weheartheclatterofill-fittedcupsandsaucers.ThecurtainbulgesandIce-candy-mancomesthrough,carefullybearingatray.Hepausesinfrontofthecurtainandmanifesting

Page 221: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

anawedandfelicitousaspect,sweepinghisdramaticeyesfromGodmothertothepinkwallsofhishouse,recitesGhalib’sfamouscouplet:

‘’Tisamiraclewondrousthatyouhavecome:

Marvelling,Ilookfromyoutothewallsofmyhouse…’

HeplacesthetrayonasmalltablenearGodmotherand,interminablystirringtheteawithaspoontodissolvethesugar,deferentiallyhandsherthecup.‘Isitstrongenough?’heenquires.‘Moremilk?Sugar?’

Godmothertakesasip.‘It’sallright,’shesaystersely.

Turningtome,flourishinganautumnalforestofpopsicles,Ice-candy-mansays,‘LookwhatIhaveformyLennybaby.’

Itaketwosticks.Oneforeachhand.

Ayahrefusesherteawithashakeofherloweredhead.Ice-candy-manstoopsand,holdingthecupclosetoAyah’sfingers,coaxes,‘Havesome,merikasam.DrinkitforBaijee’ssakeatleast…’

‘Idon’twantany,’shesaysharshly.Whilehepassesthepastrywiththelittledabsofjam,hisanxiouscourtier’seyeskeepalightingonMumtaz.AssumingtheroleofthemisusedloversodeartoUrdupoets,hequotesMir:

‘Haiashiqikebeechsitamdekhnahilutf

Marjanaankhemoondkekuchhunarnahin.

’Tisnothing…torollupone’seyesanddie.

Ienduremylover’styrannywide-eyed.’

Ice-candy-manappearstohavesensedthecontentoftheexchangebetweenGodmotherandhisbride.Maintaininganervousstreamofchatter,quotingsnatchesofpoetry,pressingustoeatanddrink,heattemptstoconcealhismisgiving.

‘I’llgetthekebabs,’hesaysafterawhile,lookingatourfaceshesitantly,seekingourapproval.‘Theyshouldbedonebynow.’

Godmothernodsbriefly.

Ice-candy-manleavestheroomand,slippingtothefloorlikeafloatingbundleofcrumpledsilk,AyahgraspsGodmother’slegs.‘Please–Ifallatyourfeet,Baijee–pleasegetmeawayfromhim.’

‘Areyousurethat’swhatyouwant?’saysGodmother,bendingtolookintoherface.‘Youmightregretyourdecision…Youshouldthinkitover.’

‘Ihavethoughtitover…Iwanttogotomyfolk.’

‘Let’sseewhatIcando,’Godmothersaysgently.‘I’lltrymybest.’

AyahissniffingandrubbingherfaceonGodmother’slegs.

Page 222: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Getup,mydaughter…Havefaith…Havepatience,’saysGodmotherholdingherandtryingtopullhertothesofa.

Steppingonandgettingentangledinherenormousskirts,Mumtazscramblestorisejustasthepoetenterswithafragrantdishofkebabs.HequicklyreachesforAyahandhelpshertositonthesofa.

Thepoet’smannerissubdued,hisfacedrawn,apprehensive:andhiseyes,redwiththestrainofcontaininghistears,hovercaressinglyonAyah.TheyflittoGod-motherinmuteappeal.

GodmotherstrokesAyah’sback.Ayahishuddledover,silentlyweeping,herbodytrembling.‘Havepatience,daughter,havefaith.Go.Goandwashyourface,’saysGodmother,helpingAyahtostandup.Gatheringherskirtwithbothhands,Ayahclumsilystaggersoutoftheroomonherunnaturalheels.

Godmother’smouthisset.SheturnsheraustereeyesonIce-candy-man.

‘Howlonghasshebeenlikethis?’

‘Likehow?’

‘Emptiedoflife?Despairing?’

Inaslow,coilingmovementIce-candy-mansquatsdirectlyinfrontofGodmother.‘Thepastisbehindher,’hesays.Takingthekitchenragfromhisshoulderhewipeshisface.Itisasifhehaswipedoffallartifice,allpride:hishumilityanddespairaremanifest.‘Icannothelpthepast,’hesays.‘Butnowshehaseverythingtolivefor.’

Godmother’seyesonthepoet’sexposedfacearedis-passionate.Cold.AndglidingforwardonhishaunchesIce-candy-manclaspsherhandsinbothhisandplacesthemonhisbowed,penitent’shead.

‘Please.Pleasepersuadeher…explaintoher…Iwillkeepherlikeaqueen…likeaflower…I’llmakeherhappy,’hesays,andsuccumbingtothepressureofhispent-upmiserystartsweeping.

‘Weshallsee,’saysGodmother:andinacoldlysignifi-cantgesturewithdrawsherhandsfromIce-candy-man’shead.Heremainslikethat,stranded,crouchedforward,hisfacehiddenbylongblackstrandsoffallinghair.Afterwhatseemslikehoursheturnstome,swivellingonhishaunches,andhisbeguilingeyes,weighedwithinsupportableuncertainties,pleadhiscause.

ThelongerIlookathimthemorewillingIamtobebeguiledbythosetearing,forlorneyes.Howlonghavetheybeenlikethat?WhenIthinkofAyahIthinkshemustgetawayfromthemonsterwhohaskilledherspiritandmutilatedher‘angel’s’voice.AndwhenIlookatIce-candy-man’snakedhumilityandgriefIseehimasundeservingofhisbeloved’sheartlessdisdain.

Page 223: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Heisadeflatedpoet,acollapsedpedlar–andwhileAyahishauntedbyherpast,Ice-candy-manishauntedbyhisfuture:andhismacabrefuturealreadyappearstobestampedonhisface.

***

IamfeverishtoseeCousin.Ihaven’ttoldanyoneaboutourvisitwithAyah.NotevenAdi.IsitonElectric-aunt’sverandawaitingfortheschoolbustodelivermycousin.Hamidaisinthekitchentalkingtothecook.Electric-auntisinside,whirlingherselfintohersari,issuingabatteryofinstructionstohersweepressandatthesametimelisteningtothefouro’clocknews.

TheminuteIseethebusIruntothegatetoreceivemycousin.Theschoolbus,windowscrammedwithboys’faces,lurchesawayspewingexhaustsmokeandCousinscowlsatme.Hedoesn’tlikemeseeingallthoseboys–orallthoseboyslookingatme.Besideshe’sembarrassedtobeseenassociatingwithsuchaskinnygirl.

Cousinisflushedandsweatyandweigheddownbyhisschoolbag.Irelievehimoftheprecariouslybulginggeometryboxinhishandandsay,‘IwenttoseeAyahandIce-candy-manyesterday!’

Cousincomestoadeadstopjustinsidethegate.

‘Where?’

‘Attheirhouse.’

Cousinlooksamazed.Thenpale,andveryserious,heleadsmeintotheshadeofthegardeniahedgeinfrontofthegardenwall.WesitonthewarmanddustygrassandCousinenquires,grimly:‘Whotookyouthere?’

‘Godmother.’

‘Godmother?’Cousinisincredulous.Heisalsodisconcerted.

‘Shedidn’twanttotakeme.ButIcried…andshetookmealong.’

‘Sheshouldn’thave,’saysCousin,inatoneofvoicethatsuggestsheisGodmother’sage,andGodmotheranaughtylittlegirl.

‘Okay,’hecontinues,inthesamecensorioustone.‘TellmewhatyousawintheHiraMandi.Tellmewhathappened.Tellmeeverything.’

Itellhimeverything.ItellhimthedetailsofAyah’sdespairandthespurnedcourtier-poet’sanguish.

‘Isthatall?’Cousinappearsdisappointed,andatthesametimemollified.‘Youwouldhaveseenalotmoreifyou’dgonethereafterdark.’

‘Likewhat?’Isayfeelingthateitherheisdeliberatelyaggravatingme,orweareatcrosspurposes.

Page 224: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘Girlsdancingandsinging–andamorouspoets.Andyouwouldhavebeenraped.’

‘What’sthat?’

(Ineverlearn,doI?)

‘I’llshowyousomeday,’saysCousingivingmeaqueerlook.

Idon’tpressthepoint.‘Whatdoyouthinkwillhappennow?’Ienquireinstead.

‘IfGodmothersaysshe’llhelpAyahgetaway,she’llgetheraway.’

Yousee?EveryonehasconfidenceinGodmother.

‘WhatdidyousayAyah’snewnamewas?’Cousinasks.

‘Mumtaz.’

‘That’sanicenameforadancing-girl,’saysCousin,rollingthewordsandrollinghiseyesandleeringhorribly.

‘Can’tyoutalkstraight?’Isay,readytohithim.

‘You’vebeentotheKotha!Youvisitthedancing-girls!andyouwantmetotalkstraight?’

‘Ithinktheheathasscrambledyourbrains,’Ideclare,standingupindisgust.

CousinyanksthehemofmyskirtandIthudbackonthescratchygrass.

‘Ifyouwantmetostay,’Isay,‘you’dbettermindhowyoutalk!’

‘Okay,’saysCousinchanginghistoneandcomposinghisfeatures.‘Youwantmetotellyouwhatgoesonthere?’

Heknowshehasmehooked.

‘Aslongasyoutellmeanddon’tstartdemonstrating,’Isay,warninghimwithmyvoiceandalsoawaggingfinger.

Iwaitformymessagetosinkin,andthenIask,‘What’sKotha?GodmotherhadusedthewordwhentalkingtoIce-candy-man:andnowCousin.

‘TheHiraMandi,’explainsCousin,‘isalsoknownastheKotha.Roof.Becausethedancing-girlscarryontheirmainbusinessupstairs.’

AsCousintalksafascinatingpictureemerges.

TheKothaistheculturalpulseofthecity.Itiswherepoetsareinspired,wheretheirsongsaresungandmadefamousbythegirls,andsinging-boys.Itisalsoasteppingstonetofilmstardomforthenautch-girls.ThegirlsaretaughttosinganddanceandtalkelegantlyandlookprettyandbeattractivetomenitsoundsverymuchlikeacrossbetweenaSwissfinishingschoolafemalecousinofmineinBombaywassenttoandaSchoolfortheFineandPerformingArts.

Page 225: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

AftermullingoverthecomplexitiesofthediscourseontheculturedKotha–whichIknowisalsothecradleofroyalty,Ienquire:‘Butwhatarepimps?’Anotherwordthatarousespeculiarreactionsinpeople.

‘Theylookafterthedancing-girls,’saysCousin.

‘Akindofmaleayah?’

‘No,’saysCousin,soundingcondescendingandpainfullyadenoidal.‘Theyprotectthegirlsfromdrunksandlookaftermoneythegirlsget.Theybringmenandintroducethemtothedancing-girls.’

I’mbeginningtounderstand.Thepimpsareakindofadultandmercantilecupid.

IalsohaveaninsightintothepotentcreativeforcegeneratedwithintheKothathathasmetamorphosedIce-candy-mannotonlyintoaMogulcourtier,butintoaMandipoet.Nowonderhefountspoetryasifhepoppedoutofhismother’swombspoutingrhymingsentences.

Butallthisstilldoesn’texplainthetwitteringflapandthehush-hushanymentionoftheHiraMandievokes.OrthecontemptinwhicheverybodyappearstoholdthisIn-stituteofCulture.

…OrthegirlswholookedtooateaseloiteringintheMandigulliesandlackedthedocilemodestyofproperlybroughtupMuslimwomen.

Ihavemanyquestions,butCousinappearstohavehadhisfillofenlighteningme.Heishungryandthirstyandwegoinside.

Page 226: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter31

‘DrSelzer!Comehere.Comehere,’Motheryellscheerfullyfromtheveranda:summoninghimalsowithasnappywaveofherhand.SheispouringteaforMrPhailbus,hisdaughterMaggie,andhissonTheo.SincetheyareIndianChristianstheyareamongthefewremainingneighbourswestillknow.

TheShankars’roomsatthebackhavebeenlettoDrSelzer.TheGermandoctordoesnotinhabittheroomsasmuchaspossessthem.Helivesaloneandhepadlockstheroomswhenhegoesout.Hehasonlyoneservant.

Thedoctor’ssteps,deflectedfromtheircoursebymyMother’svoice,falter.Andturningroundpolitelyheapproachesusfromthedrive.

‘Iwasjustthisminutetalkingaboutyou!’warblesMotherenthusiastically,flashingallherbeautifulteethinamagicalsmile.

DrSelzeristallerthanCol.Bharucha.TallereventhanthemurderedInspectorGeneralofPolice,MrRogers.Butheismuchlessintimidating.HelacksCol.Bharucha’schargeofthunderandthedepartedpoliceman’sI’m-in-charge-hereairofhaughtiness.Heispolite:andassuredinasubdued,understatedway.Andthoughhedoesn’ttalkmuchIcantellfromtheexpressiononhisfacethatheisagentlegentleman.HekeepssomuchtohimselfIthinkbecausehe’sshy.

DrSelzerpractiseshiscallingintworoomshehasrentedonBirdwoodRoad,behindWarrisRoad.Oneroomisoccupiedbyaself-trainedandindigenouschemistwhodeciphersanddispensestheprescriptions.

Thedoctorwalkstoandfromhisoffice.Hesaysheneedstheexercise.HesayshewillbuyacarwhenhiswifecomesfromGermany.EvenFatherlikeshim.Motherissoimpressedbyhisdoctoringthatshehastransferredmydiminishinglimp–andsundrycolds,coughsandattacksofdiarrhoea–tohiscareandtakenituponherselftopromotehispractice.BetweenhispermanentpresidencyoftheParseeAnjumanandhisthrongingpatientsCol.Bharuchahasbecometoobusyinanycase.

MrPhailbus,whoisaretiredmagistrate–andabuddinghomeopathbesides–standsuptoshakehands.MrPhailbus’skindnessandcongenialitytwinkleinhisdarkeyes.HissereshockofcroppedwhitehairbarelyclearstheGermandoctor’sshoulders.Theo,lean,reservedanddarkasathundercloud,alsoshakesDrSelzer’shand.

Page 227: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

‘MrsSethiwasjusttellingusallaboutyou,’saysMaggieaffably.Sheiscomfortablyensconcedinthechair,oneslipperlessfootrestingjauntilyonherred-satin-shalwaredthigh.ShewigglesherdustytoesinvitinglyandDrSelzer,withquietresignation,settlesdownbesideher.

‘LookatLenny!’Motherexclaims,yankingmeclosertothePhailbusesforbetterobservation.‘Isn’tshelookingbetteralready?’

‘Muchbetter.Muchbetter,’murmurthethreePhail-buses,noddingtheirheads.

‘Eatandrun!Eatandrun!That’sallshe’sdoneallyear!’saysMother,lovinglyandgraphicallysqueezingbothmybottoms.‘It’sawondershehasanybottomleft.’

‘Tch,tch,tch,’saysMaggiePhailbussympathetically.

‘Look,’saysMother.Jackinguptheskirtofmystarchedpinkfrockandtherimofmyknickersshepointsoutasmallincisionandbumpinmygroin.‘Heinsertedthepillhere:rightundertheskin:andovernightherdysenterywasfinished!Haveyoueverheardofamoebicdysenterybeingcuredjustlikethat?’Shesnapsherfingers.

Headsnodagainandeyeswideninwonderasthespellofmymother’svoiceconjurestheJewishdoctorintoasavagewizardandmycureintoafeatofunparalleledsorcery.

‘He’sexcellent!Itellyou,he’sexcellent!’assertsMotherexuberantly.‘Lenny,walk!’commandsMother,andlikeaperformingpoodleIparadeupanddownbeforethePhailbuses,takingcaretoplacemyawkwardheelonthefloor.

‘See?’saysMothertriumphantly.‘He’scuredherlimp!’

DrSelzerstretcheshislipsinamildsmileandhiseyes,assuredyetshy,searchherfaceforacluetohisrelease.

ButMotherhasnomindtolethimgoyet.Inherzealaspromoterandtown-crierofDrSelzer’sgeniusshehasneglectedMrPhailbus’saccomplishments:andbeingscrupulouslyfairsheinformsDrSelzer–inanawedwhisperthatportendsrevelations–thatMrPhailbusisahomeopath:anothermiracleworker!HoldinghershapelylipsandchiselledchinintherefinedandmanneredwaysheassumeswhentalkingtoEnglishmenandothersofthewhitespecies,shesays:‘GodblessourMrPhailbus.DoyouknowIhadacystthatbiginsidehere?’Shegathersherfingersintoafistandwavesthefistdiscreetlyandvaguelyinthedirectionofherlowerabdomen.‘Eventhedatefortheoperationwasfixed.ItwasjustbychancethatItoldMrPhailbusaboutit.Hesaid:“Letmehaveatry.Ifmypowdersworkyoumayspareyourselfanoperation.”Iknowhomeopathyisharmless.SoIhadoneofthosesweetpowdersofhisbeforegoingtobed.Thenextmorningthecysthadmelted!Icouldn’tfeelit:justalittlebitofdischarge.Col.Bharuchawasamazed!Hesaidhehadneverseenacystvanishlikethat!’

Page 228: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

MrPhailbus’sgentleeyesbeamandtwinkleabovehishalf-moonglassesandDrSelzerlooksmildlyandsuitablyimpressed.

AtthispointIbecomeawareofasuddencommotioninRosy-Peter’scompound.Mingledwiththethudofhoovesandthecreakingofwoodenwheelsaretheraisedvoicesofmensquabblingandcursingandthesoundsofrunningfeetandofcombat.Wecockourearsandexchangealertglances.Andtakingadvantageofourmomentaryinat-tentionDrSelzer,discreetlymurmuringhisgoodbyes,slipsaway.

MotherandI,followedbythePhailbuses,rundowntheverandasteps.ImamDinisalreadystandingonthehandykitchenstoollookingoverthewallandHariandYousafarescramblingontoitforaring-sideview.

‘Whathappened?’Mothershouts.

Hamida,herheadcovered,ishoveringexcitedlynearthemen.Shedirectsasqueakystreamofsentencesatusthatwecannotmakeanythingoutof.

‘Oye,Sardarjee,stopit!You’llkillhim!’shoutsImamDin.

Moti-alias-David-Masihisrunningupfromtheback,followedbyhiswifeandprogenyandparentsandsistersandtheotherinhabitantsoftheservants’quarters.Thesoundsofcombatincrease.AmanbellowsinpainandthenbeltsoutabreathlessstringofvintagePunjabicursesinahoarse,wailingvoice.Hari-alias-Himat-AliandYousafjumpthewallanddisappearontheotherside.

‘Willsomeonetellmewhat’sgoingon?’Mothershoutsinanimperiousfrenzy.

IclimbaboardthekitchenstoolandclamourtobepickedupbyImamDinandheliftsmeupandsitsmeonthewall.

Threehorse-drawncartsarecrowdedanyoldhowtothefarsideofourneighbours’compoundandinfrontofthem,quiteclosetothewall,isthesceneofbattle:anentwinedjumbleofarmsandlegsandtornclothingtumblingthroughameshofsnarledhair.Yousaf,HimatAliandtheothermenintheforefrontaretryingtorestrainandlifttheheftySikhguard.TheSikhisentwinedwithsomeoneonthefloorandisviciouslyattackingandbellowing:‘Dog!Mother-fucker!Sonofanowl!’

Justthenthemensucceedinpullingthefightersapartandslowly,assistedbyseveralpairsofhandsanddustinghisclothes,amanarisesfromthedust.Hisfaceandarmsaregrimedwithbloodanddirtandhishandistwistedatanunnaturalangle.Someonewipeshisfacewithawetragandastheman,inobviouspain,pushestheragaway,Iseefranticambereyes.

‘It’stheIce-candy-man,’IscreamtoMother.‘They’vebeatenhimup!’

Agroupofmenhastilybundlehimintoacartandthreescruffy-lookinggoondasinsingletsandlungisjumpinafterhim.Oneofthem,standingupinthecarriage,whipsthe

Page 229: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

horsesavagelyandthecart,followedbytheothercarts,groansandcreaksdowntherutteddrive.

TheremainingmengrouparoundtheoutragedSikhwhoishollering:‘I’llbreakthebastard’snecknexttime!I’veneverhadtroublebefore!Letanyonetouchthewomen…SeewhatI’lldototheircocksandballs!Theyaremysistersandmothers!’Hethumpshismassivechest.Hisknee-lengthhair,mauledbyIce-candy-man,isindramatic,spikydisarray.Themenstareathiminwondermentandnodtheirheads.

ImamDinplucksmeoffthewallanddepositsmenearHamida.Motherisyellingatthegate.TrailedbyHamidaIruntoherasMotherscreamsafterthedepartingcart,‘Duffaho!Showyourblackenedfacesatsomeoneelse’sdoor!Thatscoundrel!Hecan’tdeceivemeagain!IfhedaresshowhisfaceI’llcallthepoliceandhavehimhungupsidedown!’

Sheisflushedandfumingandpantinginafierceway.HerpenetratingvoiceIamsurecanbeheardbythemeninthedisappearingcarts.

MaggieandMrPhailbustrytosootheMother.MrPhailbus,whohasthepowertohealandcalminhishands,strokesMother’sheadandshouldersandMother’sragesubsidessomewhat.ThePhailbusessaygoodbyeatthegateandsaunteraway,talkinginsubduedvoices,andMothermarchesupourdrivewithapreoccupiedexpressionthatbetraysthebattlesheisstillengagedinwiththeobjectofherrecriminations.

HamidaandIruntothebackandrushupthestairstotheservants’roof.Thewomenandchildrenfromthequartersarealreadylookingovertheshortparapetwallintothecourtyard.SinceitwouldbeimproperforMotiandHaritolookatthewomen,theyaresquattingatapolitedistance,anxiousforwhatevernewsofAyahtheycanacquiresecond-hand.Thewomeninthecourtyardappearagitated.Theyflutterinandoutoftheroomsandanswerourinsistentquerieswithmoreanimationthantheyhaveeverdisplayedbefore.Theirvoicesriseuptousfromupturnedfaces:Ayahisexhausted.She’sallright.Shedoesn’twishtoseeyou…bestleaveheralone.She’sbeingregistered.

‘Letherbe.It’lltakehoursifshe’sbeingregistered,’saysHamida,slappingherforeheadinagestureofsympathy,andtalkingfromexperience.‘They’llbeaskingherahundred-and-onequestions,andfillingoutahundred-and-oneforms.’SheisreferringtotheclerksfromtheMinistryfortheRehabilitationofRecoveredWomen.‘Yes,sister,letherdoasshewishes…’saythewomenontheroof.

AndIchant:‘Ayah!Ayah!Ayah!Ayah!’untilmyheartpoundswiththechantandthechildrenontheroofpickingitupshoutwithalltheirheart:‘Ayah!Ayah!Ayah!Ayah!’andourchantflowsintothepulseofthewomenbelow,andthewomenontheroof,andtheybeattheirbreastsandcry:‘Hai!Hai!Hai!Hai!’reflectingthehistoryoftheircumulativesorrowsandthesorrowsoftheirMuslim,Hindu,SikhandRajputgreat-grandmotherswhoburntthemselvesaliveratherthansurrendertheirhonourtotheinvadinghordesbesiegingtheirancestralfortresses.

Page 230: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

TheSikhguard,noisilysplashinghimselfatthetapoutsidethegate,standsuptolookatus–andwhenhebeholdsonlythewomenandchildrenontheroof,heholdshispeace–andonceagainsettlestowashthebloodandmudfromhisclothesandhair.

‘Ayah!Ayah!Ayah!’wechantand‘Hai!Hai!Hai!’theweepingwomen:andsupportedbytwooldwomenAyahappearsinthecourtyard.Shelooksupatusoutofglazedandunfeelingeyesforamoment,asifwearestrangers,andgoesinagain.

Iinstituteavehementandimportunateenquiry.AfteragreatdealofpainstakingprobingandpryingIferretoutafairlyaccurateaccountoftheeventsthatledtoAyah’sextraditionfromtheHiraMandi.

ThelonganddiversereachofGodmother’stentaculararmisclearlyevident.ShesetanentireconglomerateinmotionimmediatelyafterourvisitwithAyahandsingle-handedlyengenderedthesocialandmoralclimateofretributionandjusticerequiredtorehabilitateourfallenAyah.

Everythingcametoaheadwithinafortnight.Whichinthenormalcourseofevents,unstructuredbyGodmother’sstratagems,couldhavebeenconsignedtotheingeniousbureaucraticeternityofatoddlernationgreenlyflutteringitsflag–withawhitestriptorepresentitsminorities–andacrescentandstar–fromtheNationalAssemblybuildingbehindtheunqueenedgardenanditsevisceratedmarblemarquee.

Brand-newflagsflutter,too,fromthefiligreedturretsofthepinkHighCourtandtheGeneralPostOfficeandothergovernmentofficesandthenewfrontsofbazaarshopsintheShalmiandGowalmandiandtheoilandengineeringcompanies–thoseubiquitousvisitantsfromforeignlands–andthedomesandminaretsofnewmosqueseruptingalloverLahore…somebeautifulaspoemsandsomebe-draggled.

Andarmedwiththemightofasmallandflutteringgreenflagaposseofpolicemeninajeep–andawiredblackvan–squeezedtheirwayrightintotheconstricted,drain-dividedheartoftheHiraMandiandstoppedbeforethepopsicleman’ssplintereddoor.Thepolice,wavingsignedpapersandbatons,swarmedthroughtheroomsofIce-candy-man’sKothaandfindingAyahtheretookheraway,awillingaccompanist,totheblackvan.AndalltheMandipimpsandpoetsandmusicians…andalltheflower-sellers,prostitutes,butchers,cigaretteandpaanvendors,wrestlersandtoughsoftheculturedKothacoulddonothingaboutit.NordoIce-candy-man’sthreats,pleading,remonstrance,bellows,declamations,courtlymanners,resourcefulnessorwailingimpedetheprogressionofthevaninitsdeterminationtodepositAyah,withherscantbelongingswrappedinclothbundlesandasmalltintrunk,attheRecoveredWomen’sCamponWarrisRoad.TobefollowedthereinthreegallopingcartsbyIce-candy-manandhiscronies–alltheiroutrageandbrokenbonesandpimpyinfluencetonoavail.

Page 231: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Chapter32

Givemethe(mystic)winethatburnsallveils,

Thewinebywhichlife’ssecretisrevealed,

Thewinewhoseessenceiseternity,

Thewinewhichopensmysteriesconcealed.

Liftupthecurtain,givemepowertotalk.

Andmakethesparrowstrugglewiththehawk.

(Iqbal)

Ice-candy-manhastakentopatrollingWarrisRoad:hisbrokenleftarmsupportedinaslingandpressedtohischestasifaffirmingatruth.

SometimeshesquatsacrosstheroadfromourwallandsometimesinsideRosy-Peter’scompound–patiently,andfromadistance,watchingthetin-sheetgates.OccasionallyherecitesZauq:

‘Whydidyoumakeahomeinmyheart?

Inhabitit.BoththehouseandIaredesolate.

AmIathiefthatyourwatchmanstopsme?

Tellhim,Iknowthisman.Heismyfate.’

Theguardisgettingusedtohispresence;andtohispoeticoutbursts.WhenhefirstspiedhimtheSikhadvancedthreateningtotearhimlimbfromlimbandstuffhisgenitalseverywhichwhere.Ourhousehold,attractedtothewallbytheshouting,sawIce-candy-man’ssplinteredarmraisedtodefendhimselffromtheblows,andhistearingeyes,andImamDinandYousafshouted:‘Lethimbe,yaar,he’sharmless.’

TheSikhmerelypulledthepopsicle-mantohisfeetbyhisunbrokenandfrailarmandIce-candy-manmeeklywalkedaway.

EventheSikhhasgivenwaytohisindefatigablepersistenceandnoweyeshimwithacertainawe.ForIcy-candy-manisacquiringanewaspect–thatofamoonstruckfakirwhohasrenouncedtheworldforhisbeloved:beitwomanorGod.RepeatingacoupletbyFaizasifitisaprayer,hemurmurs:

‘Thereareotherwoundsbesidesthewoundsoflove–

Othernightsbesidespassionatenightsoflove–’

Page 232: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Drivenmore,Isuspect,byprivatedemonsthanbyfearofMother’sthreats,Ice-candy-manhasnotsteppedinsideourgates.Sometimeshebringswithhimhisthermosofpopsiclesanddoesbusinessinadesultoryfashion,givingawaymoreicesthanhesells.Andsometimes,whentheSikhguardaccompaniesourunseeingandunfeelingAyahtoMrPhailbusforhomeopathictreatment,Ice-candy-mansquatspatientlyoutsidethePhailbuses’wall.

OftenIaccompanyAyahtoMrPhailbus’s;andwhenwewalkpastthecandy-man,hegreetsuscourteouslyanddoesnotstareatAyah,butcastshiseyesdown.Ayahbehavesasifheisinvisible.And,hisovergrownhairshadinghiseyes,hesometimesmurmursacoupletbyanotherromanticpoet,Ghalib:

‘Mypassionhasbroughtmetoyourstreet–

WherecanInowfindthestrengthtotakemeback?’

Ayahbehavesasifheisinaudibletoo.

Hehasbecomeatrulyharmlessfellow.Myheartnotonlymelts–itevaporateswhenIbreatheout,leavingmefaintwithpity.Eventheguardletsdownhisguardandattimes,wheninthemoodforcompany,squatsbyIce-candy-man,gleaningwisdomfromhiscommentsonlifeanditswaysandthewaywardwaysofGodandmenandwomen,untilit’stimetoaccompanyAyahback.Then,Zauq’spoemsandIce-candy-man’svoicehumminginourminds,wemurmur:

‘Don’tberateme,beloved,I’mGod-intoxicated!

I’llwrapmyselfaboutyou;I’mmysticallymad.’

EachmorningIawakennowtothefragranceofflowersflungoverourgardenwallatdawnbyIce-candy-man.ThecourtyardoftheRecoveredWomen’sCamptooisstrewnwithpetals;andsometimeswiththeaddedglitterofcheapcandywrappedincellophane.AndafterHimatAlisweepsuptheredrosescrushedbythesun,andthecampwomenthepetalsscatterednearthetingatesintheircourtyardasiftheywerenomorethangoatdroppings,Ice-candy-man’svoicerisesinsweetandclearsongtoshowerAyahwithpoems.

‘Bewitchingfacesdon’tremainburied

Theyreappearintheshapesofflowers.’

Until,onemorning,whenIsnifftheairandmissthefragrance,andruninconsternationtothekitchen,IamtoldthatAyah,atlast,hasgonetoherfamilyinAmritsar.

…AndIce-candy-man,too,disappearsacrosstheWagahborderintoIndia.

Page 233: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

Acknowledgments

IthankRanaKhanforsharingwithmehischildhoodexperiencesatthetimeofPartition.HelivesinHouston,andstillbearsthedeepcrescent-shapedscaronthebackofhishead,andinnumerableotherscars.

Iwouldalsoliketothankmygoodfriends:NergisSobaniforsopainstakinglytypingthefinal(andsemi-final)draftsofmynovels;SafderButt,whowithhisraconteur’sgiftinspiredmetowriteinthefirstplace;PhillipLopateforhisscrutinyofthemanuscriptandforhiscomments;RosellenBrownandMaxApplefortheirgoodcheerandsupport;AliAsani,andNomanHaqforassistingmewiththeselectionoftheUrdupoems;ReetikaVazirini,myhaplessflatmate,forherhelp;andfinallytheBuntingInstituteandtheNationalEndowmentfortheArtsforprovidingmewiththetime,spaceandmeanstocompletethisnovel.

GratefulacknowledgmentismadeforpermissiontoreprintexcerptsfromUrduLiteratureeditedbyD.J.Matthews,C.ShackleandShahrukhHusain,publishedbyUrduMarkaz,London,1985.

Page 234: Ice Candy Man - Literary Theory and Criticism...Distinguished international writer Bapsi Sidhwa lives in America but travels frequently to the Indian subcontinent. She has published

PENGUINBOOKSPublishedbythePenguinGroupPenguinBooksIndiaPvt.Ltd,11CommunityCentre,PanchsheelPark,NewDelhi110017,IndiaPenguinGroup(USA)Inc.,375HudsonStreet,NewYork,NewYork10014,USAPenguinGroup(Canada),90EglintonAvenueEast,Suite700,Toronto,Ontario,M4P2Y3,Canada(adivisionofPearsonPenguinCanadaInc.)PenguinBooksLtd,80Strand,LondonWC2R0RL,EnglandPenguinIreland,25StStephen’sGreen,Dublin2,Ireland(adivisionofPenguinBooksLtd)PenguinGroup(Australia),707CollinsStreet,Melbourne,Victoria3008,Australia(adivisionofPearsonAustraliaGroupPtyLtd)PenguinGroup(NZ),67ApolloDrive,Rosedale,Auckland0632,NewZealand(adivisionofPearsonNewZealandLtd)PenguinGroup(SouthAfrica)(Pty)Ltd,BlockD,RosebankOfficePark,181JanSmutsAvenue,ParktownNorth,Johannesburg2193,SouthAfrica

PenguinBooksLtd,RegisteredOffices:80Strand,LondonWC2R0RL,England

FirstpublishedbyPenguinBooksIndia2001

www.penguinbooksindia.com

CoverdesignbySantoshDutta

Allrightsreserved

ISBN:978-01-4011-767-7

Thisdigitaleditionpublishedin2013.e-ISBN:978-93-5118-119-4

Thisbookissoldsubjecttotheconditionthatitshallnot,bywayoftradeorotherwise,belent,resold,hiredout,orotherwisecirculatedwithoutthepublisher’spriorwrittenconsentinanyformofbindingorcoverotherthanthatinwhichitispublishedandwithoutasimilarconditionincludingthisconditionbeingimposedonthesubsequentpurchaserandwithoutlimitingtherightsundercopyrightreservedabove,nopartofthispublicationmaybereproduced,storedinorintroducedintoaretrievalsystem,ortransmittedinanyformorbyanymeans(electronic,mechanical,photocopying,recordingorotherwise),withoutthepriorwrittenpermissionofboththecopyrightownerandtheabove-mentionedpublisherofthisbook.

ForsaleintheIndianSubcontinentonly