fashion & design final
DESCRIPTION
Final send off pdf for the fashion yearbookTRANSCRIPT
1
LEEDS COLLEGE OF ART
FASHION & DESIGN2009 - 2012
2
3
Danielle RobinsonAlysia Baker
Sam BondSamantha Haythorne
Jo BowdenZara Parmar
Anna MoutafisGemma Thurling
Elouise Norris
Hannah WakefordVanessa Gate
Hannah LambonJennifer Palmer
Roisin AllumLauren CarandeGeorgina Lewin
Jennifer HardingBryony Longden
68
Course PhilosophyTutor Quote
121416182022242628
323436384042444648
Contents
Kim HoweDanielle Goodwin
Winnie IpNicole Higson
Rebecca ConnollyNichola HardingJilly CornthwaiteAmelia BraxtonBen Goodyear
Sophie GrayLorin Shepherdson
Rose HolohanLucy SharrockNaomi Pullan
Tiffany Rose LeonardBeth SarchfieldHannah PicklesSarah Hayward
525456586062646668
727476788082848688
Susan DillonAcknowledgements
9092
6
Students studying fashion at Leeds College of Art (LCA) graduate with a degree in Fashion, but will have specialised in one of the following pathways: Fashion and Design or Fashion and Innovation.
The students select their fashion pathway at the interview stage after the presentation on the content from the fashion team. Discussion and guidance is offered to the students in order for them to make an informed decision about the route they would like to pursue and the pathway they feel will enable them to develop their work with professional awareness.
Students will engage in generic modules during Level 4 with a pathway specific focus according to their selected pathway on entry. Level 4 briefs accommodate both pathways through the embedding of different approaches to fashion in the design and content of the brief. All modules during the first year will provide a solid grounding in the skills and knowledge required for the development of Fashion and Design or Fashion and Innovation through pathway focused briefs.
Course Philosophy
The course philosophy is to foster a creative and open learning environment in which innovation and originality are encouraged and supported. Where talented self-motivated students can become confident, excellent, visually literate designers, with the creativity to design fashion garments, products and experiences that promote and reflect the brands, people, products and companies to whom they belong.
This will be achieved by addressing the visual, practical, intellectual and cultural demands of an ever-changing society and fashion audience.
This will be achieved by addressing the visual, practical, intellectual and cultural demands of an ever-changing society and fashion audience.Students enter Level 5 on their selected Pathway (Fashion and Design or Fashion and Innovation). Level 5 students will work through pathway specific modules and Level 6 students will graduate with a degree in Fashion with a portfolio of work that is individual to them and reflects the pathway they have chosen.
8
Tutor Quote
“ We would like to wish all the fashion and design 3rd year students the very best for their futures. You have all shown tremendous determination and a hard working approach to your 3rd year of study. Your creativity and passion for the subject has been a joy to observe and although your 3rd year is challenging, you have overcome many obstacles to come out with fantastic bodies of work at the end. We have enjoyed teaching you all and are so excited for your futures however diverse they may be. Good luck and keep being inspired ”.
Gemma Moran and Caroline Riches
10
11
12
The DLR
graduate collection brand consists of a range of m
inimalistic
yet sophisticated garments inspired
by geometric architecture and
contemporary furniture.
Colour blocking is used to define
the playful and contemporary style
of this collection.
DLR
13
DA
NIELLE R
oB
INSo
N +
44 (0)7515962351 dani-r-89@hotm
ail.com
14
‘Geom
etric Puzzle’ is inspired by form
, line and structure taken from
geometric shapes to create the
Wom
enswear collection SS13.
The impact of the black and w
hite collection w
ill add emphasis
and focus on bold silhouettes, distinguishing structured garm
ents that hold a m
oulaged twist.
Designs w
ere developed by playing w
ith the juxtaposition of draped form
s with structured angular pieces.
GEo
METR
IC PU
ZZLE
15
ALYSIA
BA
KER
+44 (0)7983709053 alysiam
ichelle@hotm
ail.co.uk alysiamichelle.com
16
The collection aims to create a new
perspective of designer sportsw
ear for m
en. The developed approach conquers interesting shapes and features found in both sportsw
ear and tailoring, all w
hilst holding onto a subtly graphic nature, supported by the sim
plicity of colour.
The inspiration comes from
the m
ovement and form
of muscle
groups in the body, a key focus on the developm
ent of sportswear.
17
SAM
Bo
ND
+44 (0)7875581244 sam
uel.bond@hotm
ail.co.uk
18
This work focuses on blurring
the lines of gender and the ever-changing seasons w
ith androgynous styles and contem
porary methods of applying
texture and manipulating fabric.
A strong interest in tailoring
and pattern-cutting, especially for w
omen’s-w
ear, is clearly represented throughout the collection.
Placements:
Markus Lupfer
Framew
ork Cothing C
o.
TRIG
oN
oM
ETRIC
19
SAM
AN
THA
HAYTH
oR
NE sam
anthahaythorne@gm
ail.com
20
This collection draws inspiration
from B
ritish urban landscape, specifically the raw
, irregular layering of architectural periods w
ithin cities. It also focuses on overlooked details such as connecting bridges, lam
pposts and graffiti.
Com
bining this with street style
observation, urban Britain is
represented in a vibrant and gritty colour palette. C
lashing architectural prints and carefully constructed panelling and silhouettes.
AR
CH
ITEKT
21
Jo B
oW
DEN
+44 (0)7977868620 joannebow
den@hotm
ail.co.uk
22
A M
aritime based collection w
ith a m
ultipurpose and functional concept, using w
aterproof fabrics, giving w
earable options. Inspiration taken from
sailing ships and historical French architectural arches defines the collection.
Eighteenth century mensw
ear pattern cutting, elim
inating side seam
s, inspires the cut and shape for w
omensw
ear, using traditional hand sew
n elements.
THE Lo
ST PIECE
Placements:
Ages of Elegance
23
ZAR
A PA
RM
AR
+44 (0)7880881611 m
y-secret-smile@
hotmail.co.uk zaraparm
ar.co.uk
24
Inspired by the volume and
silhouette of the parachute and its function, the collection contrasts sports fashion w
ith a hip hop edge. It com
bines elements of the classic
oversized silhouettes of hip hop style w
ith delicate feminine sheers.
The collection plays with proportions
of print and texture inspired by hip hop fashion and urban street w
ear.
Work Placem
entD
ewhirst Ladiesw
ear
SPoR
TS LUxE
25
AN
NA
Mo
UTA
FIS +44 (0)7892703785 anna.m
outafis@hotm
ail.com
26
This collection is about having fun w
ith shapes which define the figure.
The geometric print is inspired by
the architecture of the Pompedu
Centre in Paris w
hich has give this ready to w
ear collection it’s own
unique individuality.
28
The collection concentrates on structured silhouettes and geom
etric shapes to create pow
erful garments
with an added androgynous feel.
Chem
ical and mathem
atical aspects directly influence the collection, through shape, cut, colour and fabric: including a bright graphic print derived from
the periodic table.
HYPo
-METR
IC
29
ELoU
ISE No
RR
IS +44 (0)7842850994 elouisenorris@
gmail.com
elouisenorris.co.uk
30
32
This AW
13/14 collection encapsulates nature and its protective elem
ents. Ready-to-W
ear w
omensw
ear collection features organic silhouttes, bright colours and interesting textures.
By playing w
ith classic silhouettes such as peplum
s, this collection aim
s to create a contemporary look
for the female figure.
Work Placem
ent Felder FelderLouis Vuitton
34
A threshold question is w
hat exactly do w
e mean by “attractive”? This
is the main focus of m
y collection; experim
enting with follow
ing and braking the rule of sym
metry through
pattern cutting becomes a personal
reaction to this question.
Also inspired by the adorned
Alham
bra palace in Granada m
y collection is a contem
porary take on m
y perception of beauty and elegance.
35
VAN
ESSA G
ATE +44 (0)7845643980 vanessa.gate1@
gmail.com
36
HA
NN
AH
VICTo
RIA
A S/S 2013 collection inspired
by contemporary paper art and
influenced by growth in nature. B
old Silhouttes are created by innovative pattern cutting.
Work Placem
entB
ijou Boudoir.
37
HA
NN
AH
VICTo
RIA
LAM
Bo
N +
44 (0)7530754568 hannah.victoria.lambon@
gmail.com
38
The wom
enswear collection is
inspired by natural and human
forms of arm
our found within the
environment; in particular coral reefs
and mechanism
s used to encase and protect natural form
s.
An em
phasis on the environment
resulted in a passion for providing garm
ents with a longer life cycle
and minim
isal impact on the
environment. H
owever w
ith this focus still creating elegant, fem
inine and sim
plistic garments.
Co
NC
EALED
PUR
ITY
Work Placem
entsA
lexander McQ
ueen W
estcott Design
Cath K
idstonITV StudiosJaeger
39
JENN
IFER PA
LMER
+44 (0)7711222177 jen_312@
hotmail.com
40
The main them
es addressed in this collection are androgyny, relaxed deconstructed tailoring and contem
porary floral digital print. The fabric direction is m
ainly coated cottons and linens and also transparent fabrics.
Focussing on the detail and incorporating these elem
ents creates a m
odern relaxed tailored collection.
41
Ro
ISIN A
LLUM
+44 (0)7514338346 roisin.m
aria@hotm
ail.co.uk roisinmariaallum
.blogspot.com
42
Electrostatic fuses the organic shapes of artichokes w
ith the colour of electricity on a m
inimalist
silhouette. The mix of subtle organic
shapes with the straight lines of the
seams, elicits a tailored feel.
This A/W
13/14 Ready-to-W
ear w
omensw
ear collection is a contem
porary and environmentally
responsible range.
ELECTR
oSTATIC
43
LAU
REN
CA
RA
ND
E +44 (0)7724292937 l.carande@
hotmail.co.uk
44
GEo
RG
INA
LEWIN
An interpretation of florals in a
toughened up way. The beading
and studding come together to
create an edgy take on a feminine
style, inspired by antique chests found in old m
anor houses.
Fabrics and surface pattern have been used to create interesting details on classically sim
ple shapes.
45
GEo
RG
INA
LEWIN
+44 (0)7803311590 glew
in04@hotm
ail.com
46
TUTTo
BIA
NC
o Fo
R S/S 2013
Protest against the mainstream
hype w
ith a neutral and transparent expression of individualism
. Taking the structure and significant line detail from
modern architecture.
The collection fuses this with
intricate lace trims and appliquéd
finishing’s inspired by the cities of Florence, Pisa, Paris, and Vinci tow
n; balanced with m
asterful elegance and fem
ininity.
47
JENN
IFER H
AR
DIN
G +
44 (0)7773013476 jenelizabeth.co.uk
48
Looking into concepts of deterioration discovered lots of interesting textures and shapes w
hich lead to ideas of an eclectic fusion of textures and oversized rounded silhouettes.
The collection is heavily knitwear
focussed. Hand knit is used as
well as finer m
anufactured knitted fabrics.
Elements of hand craft are a key
theme; screen printing, em
broidery and lace are also used, creating an elaborate textured effect.
Work Placem
entH
ouse of Fraser
49
BR
YoN
Y LoN
GD
EN +
44 (0)7528585594 bryonylongden@hotm
ail.co.uk
52
AU
Bo
RD
DE LA
MER
E
Com
bining water and structure
inspire this designer, using draping to create new
shape on the body.
Boats and parasols inspire
different shapes created relating to designers such as Iris Van H
erpen and H
ussein Chalayan.
Work Placem
entsIzzy LaneZine U
K
53
KIM
Ho
WE +
44 (0)7912687403 kjh_2004@hotm
ail.com
54
The collection focuses on detailed em
bellishment and hand beading, It
experiments and utilises transparent
fabric and trims such as chiffon, net
and lace.
Also includes the use of french
seams and hand stitching every
bead separately.
55
DA
NIELLE G
oo
DW
IN +
44 (0)7845395234 star2810@hotm
ail.co.uk thesecondyear2.blogspot.com
56
Mo
DER
N R
oC
oC
o
The inspiration behind the collection has com
e from m
odern curved architecture com
bined with
Parisian Baroque style interiors.
It is about soft tailoring and fem
ininity exploiting a young and sophisticated style.
Work Placem
entsM
atthew W
illiamson
57
WIN
NIE IP +
44 (0)7528773511 winnieip@
hotmail.co.uk
58
HA
RD
NU
T To C
oN
KER
Stemm
ed from the London riots
2011. The ‘conker’ represents the im
personation of poverty by m
iddle-class looters; a protective, threatening shell conceals the ‘w
ealth’ inside.
It raises contemporary issues via
fashion’s innovative manner; offering
luxe Wom
enswear intended for the
harsh, urban environment.
59
NIC
oLE H
IGSo
N +
44 (0)7745583505 nicolehigson@hotm
ail.com
60
The collection looks into ethereal subjects and focuses on nature and natural architecture. It encm
opasses com
plimentary colours and includes
embellishm
ent and clean designs.
61
REB
ECC
A C
oN
No
LLY +44 (0)7794055218 connolly897@
aol.com
62
ALVIC
To W
oM
ENSW
EAR
A/W
12/13: An inspired new
luxury takes nature’s natural beauties and com
bines the influence of modern
architecture, line and structure to engage in a hedonistic behaviour to form
the collection.
Garm
ents take on a ‘flight’ inspired them
e with the use of a feathered
print. Interchange these garments to
wear either day or night, a garm
ent for life, not just for today.
63
NIC
Ho
LA H
AR
DIN
G +
44 (0)7792495865 nicholaalexandra@hotm
ail.co.uk nicholaalexandra.com
64
KEK
SIÄ
Taking inspiration from natural
form and organic architecture, the
collection is made from
a variety of sustainable m
aterials.
‘Flat packed Fashion’ allows the
consumer to create their ow
n look by choosing from
a selection of garm
ent components all of w
hich are interchangeable; creating a durable, tim
eless collection.
65
JILLY Co
RN
THW
AITE +
44 (0)7577447433 jillycornthw
aite@hotm
ail.com jillycornthw
aite.carbonmade.com
66
The final collection takes inspiration from
antiquities of the regency period, and the decorations of the Venetian churches.
Focusing on the wealth and
detail in design, contrasted with
simplistic m
oral integrity and natural processes of light and decay that the church em
bodies.
67
AM
ELIA B
RA
xToN
68
Ro
GU
E BR
ITAILo
R
Mensw
ear design inspired by the quirky, B
ritish style of Paul Smith.
Designed w
ith modern tw
ists, on a m
ore traditional silhouette, the collection uses contrasting stitching and intricate details.
Incorporating soft-tailoring whilst
playing around with the structure to
create up to date, stylish, affordable clothing.
69
BEN
Go
oD
YEAR
+44 (0)7817491719 benjam
in.goodyear@hotm
ail.co.uk
72
Ready-to-w
ear wom
enswear for A
/W
13/14.Using initial research inspired
by mens tailoring, particularly ‘the
gentlemen of bacongo’.
The collection considers classic tailoring techniques w
hilst exploring the oddity of H
enri Michaux’s poetry
to create juxtaposition through the use of colour and design.
Work Placem
ent4D
MA
x
“I PAIN
T To D
ECo
ND
ITIoN
MYSELF”
73
SoPH
IE GR
AY +44 (0)7920523397 sophiegray@
mail.com
74
The collection goes back to the idea of extravagance in fashion, aim
ing to invoke the fem
ininity of fashion eras gone by and bringing it up to date for the 21st century.
Using luxurious details, hand
embellishm
ents and beautiful m
aterials.
Work Placem
entA
ntiform Industries
75
LoR
IN SH
EPHER
DSo
N +
44 (0)7807070706 lorinshepherdson@googlem
ail.com
76
R B
Y Ho
LoH
AN
one, sm
art/casual tailored m
enswear for A
/W 13/14. The
collection focuses on garment
function and the emotional and
physical need for clothing to act as protection and shelter for the body.
The collection traditional tailoring techniques and conform
to a m
odular clothing system that m
eans the w
hole range is interchangeable and adaptable.
Work Placem
entB
aartmans and Siegel
77
Ro
SE Ho
LoH
AN
+44 (0)7875196839 roseholohan@
googlemail.com
78
oPTIC
AL W
oN
DER
LAN
D, A
/W The collection contours around the body to create new
silhouettes, pushing and pulling the curves of the figure. Pushing the pow
er of optical illusion to its lim
its.
80
This S/S 2013 collection is mainly
inspired by blank sheets, which
have been cut apart, shaped and developed into garm
ent ideas.
Work Placem
entsH
ussein Chalayan
Schwarz M
odes
The theme is integration and
connection and focuses on linking elem
ents of garments.
81
NA
oM
I PULLA
N +
44 (0)7972027511 naomipullan@
hotmail.com
naomipullan.com
82
A collection inspired by m
odern, robotic architecture, w
ith a twist of
dispersed human cells reflected in
the print.
The collection combines print and
vibrant colours, and creates a unique exaggerated silhouette w
ith a girlish flare.
PUR
E REFLEC
TIoN
Work Placem
entW
altons Fabric Specialists
83
TIFFAN
Y Ro
SE LEoN
AR
D +
44 (0)7963480599 tiffanyrose_model@
hotmail.co.uk
84
The collection explores the techniques of creating som
ething new
from vintage clothing.
The processes practice include m
aking simple yet detailed
garments through hand cut flow
ers and em
bellishment.
85
BETH
AN
Y SAR
CH
FIELD bjsarchfield@
gmail.com
bethanyjsarchfield.blogspot.com
86
FRA
GM
ENTED
REA
LITY
This collection is mainly all w
hite, using colour blocking to give the garm
ents a modern and playful feel.
Clean and sim
ple silhouettes with
the main focus on dart m
anipulation and pleated detail.
Inspiration has been taken from
samurai arm
our with the use of
leather and studs to give the garm
ents a harshness which
contrasts the silhouette.
88
BR
oK
EN D
oLL
‘Broken D
oll’ is the first collection by B
lack Candy A
lternative Fashion; influenced by a com
bination of Japanese street style and Victorian dress w
ith a gothic palette; together creating a ‘B
roken Doll’ concept.
The collection consists of feminine
silouettes, quirky fabrics; as an A
lice in Wonderland print sourced
form Japan. Focussing on careful
attention to detail from lace zips to
handcrafted buttons.
These exclusive designs are aimed
at a boutique level of the alternative/gothic m
arket.
89
SAR
AH
HAYW
AR
D +
44 (0)1226380708
90
91
Susan Dilon
Tutor Quote
As creative graduates ourselves it’s ironic that we spend our college days yearning to graduate and our remaining days waxing nostalgic about our college days! Those days spent making friends and forging relationships that will be with you for a long time. The skills developed, the lessons learnt will help you carve out your future. The world needs dreamers and the world needs doers. But above all, the world needs dreamers who do, and remember that when your life flashes before your eyes, make sure you’ve got plenty to watch.
After three years of exciting and memorable times at LCA you will be bidding farewell to your friends and tutors. As you move on and enter the creative world I would like to say that it’s been great interacting with and knowing each one of you and I am looking forward seeing how you will all embrace the challenge of starting this new phase in your career.
All the very best for your future.
Susan Dillon
92
93
TuToRS
Gemma MoranCaroline RichesPaul LukeNicola KnightSusan DilonJames Beighton
Acknow
ledgements
TeChniCiAnS
Adrian ThorntonLynne BennettJanne BeresfordAndrew Bradley
ViSiTinG PRofeSSionAlS
RepublicPaul YoungHawes and Curtis
DeSiGneD by
Kim Sandford [email protected]+44 (0)7715655137
Ellis Thynne [email protected] +44 (0)7966705652
Rebecca Tipping [email protected] +44 (0)7842790422
Charlotte Warren [email protected] +44 (0)7859059097
94
95