downstage draft 4

7/23/2019 Downstage DRAFT 4

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DOWNSTAGE

4th Draft

Written by

Sam Babington

Produced by

Kate Sargent

The Maidstone StudiosVinters Business ParkNew Cut RoadMaidstone

ME14 5NZ

[email protected]



INT. SCHOOL HALL - EARLY MORNING1 1

Spacious hall with nothing inside apart from a young femalenamed ALEX, sitting on a plastic chair that CREAKS at anyslight movement. Alex FIDGETS and SHUFFLES on the chair

whilst straightening out her long, cotton dress, as she

prepares for an interview. She pinches the upper side of herdress, adjusting a tiny black MICROPHONE so it points upwardstowards her face before MUTTERING into the microphone.

ALEX TALKING HEADIs this on, is it working OK?(beat)

Can you hear me alright?

A SWEEPING sound appears coming from a stiff-looking, mature man who BRUSHES to and fro with a broom in a repetitive motion. He is the schools JANITOR - he stops, briefly glances

upwards before effortlessly returning back to SWEEPING. A more comfortable Alex is now sitting up against the FLIMSYchair, revealing a faint smile.

ALEX TALKING HEAD (CONT’D)I’m Alex, Alex Mousk, and I’m theassistant director for “AA”,“Actors Anonymous”, an AmDramproduction company.

Interrupted by an ABRUPT yet forced cough, Alex glares moderately at a content-looking man sitting uptight on asimilar chair. His name is GILES - his back is dead straightand twiddles with his grey, trimmed beard. GILES brieflyperks up and hastily moves his hand flat to place on hischest, revealing a flashing smile before coughing a couple oftimes in an attempt to clear his throat.

GILES TALKING HEADOh me?

(beat)Is it on me now?

(beat)Is an introduction necessary?Maybe. I’m the Giles Phillipé.

GILES frequently FANS both of his hands, glancing to theceiling as he moves into character. He swiftly NUDGES Alex’schest with his elbow, causing Alex to glare villainously.

GILES TALKING HEAD (CONT’D)Me, well I’ve been in the bizz nowfor, many years [nudge]. I’veproduced phenomenal theatrical workto short, intimate plays. You nameit, I’ve directed it.

He exhales to release his excitement, before placing hishands flat together and gazing into space.



GILES TALKING HEAD (CONT’D)I’ve even met THE Andrew LloydWebber...

Giles then BLURTS out his words in a less enthusiastic manor.

GILES TALKING HEAD (CONT’D)...It was the back of his head ashe got into a taxi, but, I justknow if he had time we’d be thebest of friends right now!

Alex, in a spark of revenge, places her hands FIRMLY onGiles’ shoulders, CALMLY pushing him back down into his seat.

ALEX TALKING HEADAnyway... how about we show youaround? We’ve got our auditions

soon so people should already beturning up!

She pushes her seat back, causing a grainy GRINDING soundthat ECHOES throughout the hall. Giles ignores Alex andcontinues to flash his smile.

END TEASER

INT. SCHOOL STAGE - EARLY MORNING2 2

Around 15 PEOPLE gather on a crowded, wooden stage. Footstepsare SQUEAKING on the stage and Giles and Alex STRUT towardsthe group of people. The crowd sit on jet-black chairs orstand along one end of the stage, creating an ECHO ofconversation. Alex MUMBLES down to herself as she glimpsesdown at a small stack of white stapled sheets. Giles smoothlyraises his hand and forcefully COUGHS.

GILESGather round everyone, gatherround. Welcome back for anothershow - ‘Peter Pan: The Musical!’Thank you all for being here today,

Alex, my assistant director, willbe handing out the audition sheets.

Alex QUIETLY hands out AUDITION SHEETS to each auditionee.

GILES (O.S) (CONT’D)The first sheet is the song youneed to perform...

She first hands the sheet to a FLOUNDERING couple namedCHANTELLE and JORDAN. Chantelle literally holds onto Jordan

with great passion and BLANKS Alex, as she SNATCHES the

audition sheet. Jordan’s face seems aggravated andunimpressed as Chantelle STROKES and plays with his hair.

2.



GILES (O/S) (CONT’D)a remix of the hit song ‘Fly Me tothe Moon’ by Frank Sinatra, remadeto tell the tale of Peter Pan!

Alex then hands a sheet to a much elder yet charismatic man

named VIC. He passionately NODS whilst listening contently toGiles. Vic then welcomely GREETS Alex with a beaming smile asshe hands him the sheet, before returning to listen to Giles.

GILES (O.S) (CONT’D)The second sheet is a monologuedirect from my hit musical...

Alex then hands two sheets to another close and young couplenamed JAMIE and RUBY. Jamie is SLUMPED into the chair anddelicately FLICKS Ruby’s long blonde hair. He gently WHISPERSsomething in her ear, causing Ruby to laugh and touch Jamie’s

leg for a few seconds. She takes the audition sheets, causingher laughter to stop as she smiles PLEASANTLY.

GILES (O.S) (CONT’D)...After both of these auditions,please wait outside to be calledback in. You have 20 minutes before

we see the first auditonee!

A rather TIMID young female named MADDIE sits a couple ofyards away from everyone else. Her hair covers half of herface as she looks down to FIDDLE her thumbs. She gently GRABSan audition sheet and responds by MIMING “thank you” whilstFAINTLY smiling, before NIBBLING her bottom lip as sheconcentrates on the sheet.

GILES (CONT’D)Oh and as you may have noticed wehave some company today! So time to

work extra hard!

Giles SECRETLY attempts to point to the DOCUMENTARY CREW.

GILES (CONT’D)We will be announcing the roles at

the end of the day. Any questions? (beat)No? (beat)Good luck.

Chantelle URGENTLY raises her hand, repeatedly shaking thetops of her fingers to gain any form of attention. TheGRINDING sound of her chewing gum begins to becomeIRRITATING, judging from Ruby’s glare at Chantelle.

3.



CHANTELLEYeah, actually I’ve got a question,

what if we don’t want to audition with that stupid song? What if webought our own song?

Jordan ROLLS his eyes in disappointment whilst Giles responds with what looks like a fake and forced smile.

GILESOf course CHANTELLE, whatever suitsyou best.

Chantelle SHRUGS Jordan as she DRAMATICALLY jumps off herchair and STROLLS to the end of the stage. RUTHLESSLY, shejumps off, leading herself and the bothersome sound of herchewing gum to leave the hall. Giles SHARPLY rolls his eyesand claps his hands together.

GILES (CONT’D)Chop chop ladies and gents! Time is

making fools of us again!

INT. SCHOOL STAGE - LATE MORNING3 3

Unquestionably, Chantelle’s auditions is first. She STRUTSalong the CREAKING stage, clutching her hand onto aMICROPHONE as she BELTS her voice out.

CHANTELLE[Dialogue from song produced by JoeWilson]

INT. SCHOOL CHANGING ROOM HALLWAY - LATE MORNING4 4

Chantelle has now changed outfit - she’s wearing a blackfedora hat, long-sleeve grey jumper and a short skirt withblack tights. Gazing at herself in a black portable mirror,she PUFFS her hair, sharply inhales, and closes her eyes.

CHANTELLE TALKING HEAD

Right OK I’m Ready.

Her pearl white teeth FLASH as she smiles whilst FLUTTERINGside to side, FRANTICLY pushing her hair behind her shouldersas she RANTS about herself.

CHANTELLE TALKING HEAD (CONT’D)This is my 17th play with thecompany. It should actually be 18,but that was the summer of 2011

when Jordan broke my heart and got with some sket from the crew. But

that’s in the past, he came runningback as per, and how could he not?Look at me.

4.



She PEERS around her chair as she SPIES on Jordan.

ANOTHER ANGLE

Her FLASHING smile soon disappears as she watches Jordan gazeat Maddie’s audition - he rests his hand on his chin whilst

revealing a charmed smile.

ORIGINAL ANGLE

Turning back around, Chantelle now forcefully smiles whilstSTRAINING her eyes and CLENCHING her jaw. Jordan catchesChantelle’s GRIEVING stare and HASTILY stands up, pushing thechair back to cause a SCREECH on the floor.

INT. SCHOOL LIGHTING BOX - LATE MORNING5 5

Moving to an enclosed box room, Jordan’s unimpressed lookreturns as he prepares for an interview. He folds his armsand leans upwards against the chair, before exhaling torelief a long-winded sigh.

JORDAN TALKING HEAD*sighs*

INT. SCHOOL STAGE - MORNING6 6

With Jordan STROPPING off stage, Maddie stands alone in thecentre of the stage. SILENCE is apparent apart from theRUSTLING of her audition sheet as her nerves lead her toTREMOR and SHAKE. Her legs are crossed and she attempts toSWALLOW to clear her throat.

INT. SCHOOL HALL - BEFORE7 7

Maddie now sits AWKWARDLY on a RICKETY chair, constantlyFIDGETING and SHUFFLING. Her hands are held together and hervoice is as SHAKY as her feet which nervously TAP on thefloor, causing the chair to SQUEAK simultaneously.

MADDIE TALKING HEADWhat part am I auditioning for? (beat)I’m auditioning for Wendy, but,erm, (beat)this is the first time that I’veauditioned for anything. Ever. I’vebeen wanting to join for a coupleof years now and I knew this is mylast chance. I can’t believe “AA”could be shutting down for good

this year, I mean, I saw them lastyear and it was amazing.

5.

(MORE)



But I’ve never done anything likethis, well, at least in front ofpeople but singing in the showerdoesn’t count... or does it?


Giles and Alex gradually LEAN out of their seats in asurprising manor as they watch Maddie’s audition. Maddiesings SOFTLY as she DROPS her audition sheet to grip onto the

microphone with both hands.

MADDIEFly me to the moon, let me playamong the stars.

Meantime, the black stage curtains can be seen JOSTLING

behind Vic.

MADDIE O/SHeading far outta sight, secondstar, to the right.

The curtains BURST open and Ruby’s head POKES out. She SPEAKSin an EXPLOSIVE manor causing Vic to FLINCH and jolt hischair backwards.

RUBYSo WHOSE AUDITIONING NOW?

Catching his breath, Vic turns around before CHUCKLING oncehe realizes it was Ruby.

VICOh Ruby, you frightened me half todeath! I didn’t see you there! It’sthe new girl, I think her namescalled Maggie? She certainly hassome talent.

Ruby LAUGHS QUIETLY and joins Vic. They both remainSPEECHLESS and concentrate deeply on Maddie’s performance.

MADDIE O/S(still singing)Neverland, I’m coming for you.

Ruby smiles ECSTATICALLY and leans forward to get a closerview. Alex smiles faintly, whilst Giles seems shocked yetTWIDDLES his moustache in concentration.

6.

MADDIE TALKING HEAD (CONT'D)



INT. SCHOOL LIGHTING BOX - BEFORE9 9

A CLUSTERED small room shows Ruby leaning forward, placingher hands on each side of the cushioned chair. She begins toSPEAK in a soft, SQUEAKY yet ENERGETIC manor.

RUBY TALKING HEADI’d be totally devastated if this

was our last ever performance. I’ve moved from Wales to study a dramadiploma and this company means so

much to me. I mean, I wouldn’t havethe friends I’d have now, or theconfidence. But I have a feelingthat this...

Jamie SLOWLY CREEPS up on the glass window in which Ruby is

unaware of. Suddenly, Jamie THROWS his hands onto the glass,causing a SHARP BANG that makes Ruby JUMP out of her seat.They LAUGH and gaze at each other whilst Ruby FIDGETS backinto her seat.

RUBYJamie!

He laughs before suspiciously glancing between theDocumentary Crew and Ruby, now seeming shocked himself. Rubytoo seems anxious and attempts to speak yet seems lost for

words. Jamie then points to the Documentary Crew.

JAMIEHey, err, am I interrupting?

RUBYOh hey, err, (beat)I’m just being interviewed, err,

what’s up?

Jamie, who is wearing a grey long-sleeve shirt with a namebadge attached and smart black trousers continues touncomfortably glance at the Crew, causing his voice to

TREMOR.

JAMIEOh sorry! Err, yeah that’s fine, (beat)I just wanted to ask if you wantedto grab some lunch? (beat)I’ll err, meet you at the hall?

Now looking at Jamie only, Ruby’s smile WIDENS as she nowseems THRILLED.

RUBYYeah, sounds neat!

7.



Jamie smiles PLEASANTLY and gently SHUTS the door. Ruby thenbalances her head on her hands and gazes into space.Suddenly, she SCRUNCHES her face and seems embarrassed,before WHISPERING to herself and seeming concerned.

RUBY (CONT’D)

Neat?! Eurh!

She then GIGGLES to herself before literally wiping theEMBARRASSMENT off her face.

RUBY (CONT’D)

Oh, that’s Jamie, he’s auditioningfor Smee which definitely suitshim. He likes to think he’s thejoker of the group!

Giggling again, Ruby looks to the floor in embarrassment andSMIRKS to herself.


MADDIE(still singing)Neverland, please be true.

Vic is SLANTING forward, watching Maddie’s audition carefullybefore promptly standing up. He CLAPS AFFECTIONATELY andGLEAMS at Maddie as her audition comes to an end.

INT. SCHOOL HALL - BEFORE11 11

Vic reveals a PLEASANT smile and raises one of his feet,balancing it on his knee whilst holding his hands together.

VIC TALKING HEADOh good morning, let me introduce

myself. My name is Vic Chapman, andI’ve been doing this for years, itsa strong passion of mine - it makes

me feel alive being on the stageinfront of everyone! It’s good tokeep the heart pumping with thiskind of adrenaline at my age now,and not the kind of adrenaline youget when Bargain Hunters comes on!

Vic then GIGGLES lightly to himself.

VIC TALKING HEAD (CONT’D)Mattie’s audition was outstanding!She is exactly who we need to save

“AA”.

8.

(MORE)



I’m not sure if Chantelle will bebest pleased that she’s auditioningfor Wendy though.

Vic reveals a concerned stare whilst STROKING his GRISTLY

neck.

INT. SCHOOL CAR PARK - EARLY AFTERNOON12 12

A DESERTED, open car park is soon disrupted by the loudeningsound of a ROARING engine. A black, lustrous polished carappears before stopping at a forced pace, causing the tiresto slide on the gravelled car park. Chantelle looks at theDRIVER - a middle-aged man wearing a grey suit with a plain

white buttoned shirt. Her voice ECHOES lightly out of the car window across the car park.

CHANTELLERight daddy I’m about to find outif I’m Wendy or not. Wish me luck!

She waits PATIENTLY for a reply but CHANTELLE’S DAD ignoresher as he TALKS on the phone.

CHANTELLE (CONT’D)Daddy?

CHANTELLE’S DADSorry one second.

He places the phone to his chest and glances to Chantelle.

CHANTELLE’E DADDarling, Tokyo’s on the phone. I’vegot to go.

She looks at her father before turning her head down withoutsaying anything as she HOPS out of the car. She effortlesslySCRAPS her feet amongst the GRAVELED floor and walks SLOWLYbefore stopping and turning as her father SPEEDS out of thecar park. She turns back around and continues to glance at

the floor in despair.

INT. RIGHT-SIDE OF SCHOOL HALL - EARLY AFTERNOON13 13

The auditionees are gathered on a small number of wide steps,talking to create an ECHO of conversation. They are joined byRuby picking at a bag of sweets that Jordan is holding.Maddie sits at the far side on a step alone, CASUALLYscrolling on her phone. Chantelle’s arm was WRAPPED aroundJordan before suddenly FLINGING off once she spots a man

wearing a grey suit named JOHN. John’s hands frantically move

as he DISPUTES with the Janitor, before being interrupted byChantelle who SHRIEKS and GALLOPS towards the two.

9.

VIC TALKING HEAD (CONT’D)



CHANTELLEJohn! I want a word. May I?

Chantelle raises her eyebrows to the Janitor, hinting him toleave. Speechless, the Janitor responds with an evil-lookingglare as he GRINDS his jaw before walking away. John and

Chantelle then walk up the hallway leaving everyone minusthemselves.

INT. SCHOOL CHANGING ROOM - EARLY AFTERNOON14 14

John BRISKLY slips out his slim black smart phone from hissuit trousers and begins to SCROLL on the screen, whilstMUTTERING to Chantelle in a MONOTONOUS and BLAND tone.

JOHNWhat’s up Chantelle, can I help?

Chantelle inverts her eyebrows as she INQUIRES John.

CHANTELLEI was just wondering, we’ve gotenough budget for this show to workthis time, right? If you don’t mind

me asking.

John still pays more attention to his phone however SNIGGERSto himself and lightly shakes his head.

JOHNYou know I can’t tell you thatChantelle.

Sliding his phone back into his trouser pocket, John thenstretches his chest and breaths in heavily.

JOHN (CONT’D)We’ve got just about enough for theshow, but if this show doesn’t end

well, then there’s not much more Ican do for “AA”. Don’t worry, wecan only try our best, can’t we?

He then pulls out his phone again like before.

CHANTELLESo like, what if I knew a certainsomeone who could, let’s say,support us?

John continues to focus on his phone, replying effortlessly.The Janitor can be seen secretly PEEKING around the exit ofthe changing room - SPYING on their conversation.

JOHNWhat do you mean?

10.



Chantelle suspiciously PEEKS around the room - checking bothhallways making sure no one is present.

CHANTELLE (Whispering)My daddy is willing to ‘support’

us. He’s been in theatre all of hislife and knows what it’s like whena theatre group is on it’s lastleg. He knows how much it means to

me.

John SHOVES his phone into his trouser pocket and REVIEWS theroom. He attentively places his hand on his chin.

JOHNDon’t be stupid Chantelle that’sridiculous, I could never take

money from your father, you knowI’ve known him for years!

Chantelle immediately TUTS and rolls her eyes. Taking a stepforward, she breaks John’s personal space and responds with aRAGING but LIMITED TONE. She stands on the top of her TOES tobe eye-level with John.

CHANTELLEThat’s exactly why you should takeit, John. He’s doing you and all ofus a favour, you wouldn’t want tolet everyone down, (beat)

would you?

John then takes a step back, glances down and places hishands on his hips. He exhales heavily in concentration.

JOHNOK. (beat)I’ll think about it. I’ll talk toyour father in more detail. This isvery kind of him and your family,

you’re doing “AA” a massive favour.

CHANTELLEIt’s fine. Daddy’s always trying tohelp. However, there was one thinghe needed in return.

Chantelle again takes a step forward and raises herself eye-level to John, revealing a SMUG yet DEVIOUS look.

11.



CHANTELLE (CONT’D)If he’s going to be giving away hishard earned money, I’m sure it

would be totally amazing for him tosee his daughter perform as thelead role? Don’t you think?

John then takes a step back and raises his voice in anger.

JOHNChantelle you know I can’t do that,it wouldn’t be fair on everyoneelse!

She then interrupts and raises her finger to his mouth.

CHANTELLEListen John I’m doing you a fucking

favour here. Do you really thinkI’d do this if it’s not gonnabenefit me? I want that lead roleand you’re not having the money ifI’m not Wendy. Got it?

John briefly steps back and BLINKS HASTILY in shock. Heattempts to SWALLOW and responds in a VULNERABLE tone.

JOHNBut Chantelle it isn’t...

Chantelle interrupts and steps forward back into John’s face.

CHANTELLEIsn’t what? Fair? My daddy’s doingyou a fucking favour! Just makesure you do it otherwise you can

wave goodbye to the money, and wavegoodbye to “AA”.

Angrily, Chantelle STORMS out of the room, leaving aTERRIFIED John. He SWALLOWS again before worryingly staringinto mid air.

INT. SCHOOL LIGHTING BOX - BEFORE15 15

John straightens out his blazer and FIDDLES with his tie,pulling the knot upwards to his top button on his shirt.

JOHN TALKING HEADOf course what I’m doing isn’t fairon the auditionees. But sometimesyou have to take risks in life andthink what’s best for everyone andthe AmDram group.

12.



INT. SCHOOL CAR PARK - BEFORE16 16

JOHN O/SAt the end of the day, money makesthe world go round, and wedefinitely need some money right

now.

A drained and CLUNKY sound of an engine appears showing Johnsitting CRAMPED in a rustic, grey CAR. The clapped-out enginecuts out whilst John sits and stares depressingly. Nowlooking at a white, CRINKLED letter that has ‘WARNING’

written clearly in red, John glances up and closes his eyesin despair. Suddenly, a MUFFLING echo of a RING TONE appears.John opens his eyes and quickly SCRAMBLES for his phone inhis pocket. He coughs as he prepares to answer the call andhas an UPSET and BLAND tone when he speaks.

JOHNHi mum. Yeah I’m fine, how are you?

He lays back into his chair as he talks on the phone.

JOHN (CONT’D)Yes I’m home for dinner. (beat)No honestly, I’m fine. I’m justcaught up with everything. Well,the auditionees were good, but Ithink I’ve messed up. Remember I

was telling you about Chantelle?She’s done it again, and this timeit’s not good.

BACK TO PRESENT:

INT. SCHOOL CANTEEN - EARLY AFTERNOON17 17

Joined by Giles and Alex, John SHARPLY exhales and views thefloor whilst NIBBLING his finger nails. He glares betweenGiles and Alex and talks in a serious tone.

JOHNRight, I’m going to be straight andhonest about this. We all know thiscould be our last chance for thisto work, otherwise it’ll be the endof ‘AA’, so I don’t want anychanges to be made.

John again sharply exhales, causing Giles and Alex to peer toone another.

JOHN (CONT’D)Neither of you want to return backto your old jobs, do you?

13.

(MORE)



So we need to make a safe decision.Make sure Chantelle gets the roleas Wendy - no argument. She’s avery talented performer and is thesort of person our company willneed.

Alex responds but is interrupted by John’s SHRILLING voice.

JOHN (CONT’D)Just choose the people who you know

will perform well and DON’T takeany risks thinking someone could begood if they are given the chance.Understand?

The MUFFLING sound of a phone can be heard which becomesclear as John HAULS out his phone.

JOHN (CONT’D)Don’t let me down.

John walks off leaving Giles attempting to smile and lightlyshaking his head before FAINTLY responding.

GILESOh darling, I’ve never let any mandown.

Alex’s eyes GLIMMER in the light as they nearly water fromher rage. She STORMS out of the canteen, leaving only theCLUNKING sound of her boots TAPPING on the floor.

INT. SCHOOL CHANGING ROOM - EARLY AFTERNOON18 18

Alex bitterly stands with her hands placed on her hips, whilst Giles sits QUIETLY with a SCARCE look on his face.

ALEXHow can John possibly thinkChantelle should be Wendy? We allknow Maddie is best suited for the

role! Giles why aren’t you doinganything about this?

Giles RUSHES his hands through his hair and reveals ahorrified stare.

GILESAlex darling I know, I know. But we

must listen to John, maybeChantelle isn’t best for the rolebut she will still deliver. I knowMaggie has talent but I cannot risk

going against John. I cannot bareknowing that one of my own shows were to be a failure.

14.

JOHN (CONT’D)

(MORE)



Not only will that look horrendouson me, but I may never get thechance to direct a theatre companyagain!

Alex sits on the edge of the chair in distress and looks up

at the ceiling in thought.

INT. SCHOOL HALL - EARLY AFTERNOON19 19

Giles and Alex stop a few yards in front of the AUDITIONEES whilst Giles raises his hand and lightly clears his throat.

GILESLadies and gentleman, the time hascome for us to reveal the roles forthe show.

Alex GAZES across to the auditionees, revealing a serious yetsaddened tone in her voice.

ALEXFirstly, we would like to say thankyou for all of your auditions. Itis never an easy process, but Gilesand I have made our decisions.

She then glances down at the casting sheet.

ALEX (CONT’D)Right so, chosen for the role ofSmee - Jamie. Well done, who else

would fill that role!

Laughter and clapping emerges from some of the auditionees.Ruby claps at a much FASTER and LOUDER pace and MIMESsomething to Jamie.

RUBYWell done!

Jamie BLISSFULLY smiles back and the two gaze at each other

for a few moments. Giles APPLAUDS at a BLASTING pace.

GILESCongratulations Ruby, (beat)You’re Tinkerbell!

Ruby CLENCHES both of her hands in EXCITEMENT whilst someauditionees clap again.

JAMIEWell done Ruby! I knew you’d get

it!

15.

GILES (CONT'D)



Still ECSTATIC, Jamie spontaneously hugs Ruby. Realizing hissudden movement, he then slyly moves his hands to his lap

whilst casually DARTING his sight around the room. Chantellesuspiciously stares at Jordan whilst Ruby turns her head tothe opposite direction and SMIRKS.

INT. SCHOOL CANTEEN - BEFORE20 20

Jamie stands and rests his hands on a kitchen surface,seeming casual for his interview as he crosses one of his legover the other.

JAMIE TALKING HEADA girlfriend? Me? Ha! Can’t believeit right? I know, I’m a right catch- honest.

He talks in a joking yet sarcastic manor.

JAMIE TALKING HEAD (CONT’D)I’ve just been promoted to chiefcashier at Morrisons now so youknow. What more could a girl want?


ALEXNow, there’s no one else moreperfect for this role. Vic is ourhook! Congratulations Vic, betterstart growing a face rug! Need that

moustache looking pristine.

We hear a combination of laughter and clapping again. VicSNIGGERS QUIETLY to himself whilst revealing a CHEERFULsmile. He nods his head to Alex in a GRATEFUL manor.

GILESNext up, Peter Pan. And there’sonly one toosh I want to see flyingabove me.

Giles glances and WINKS at Jordan in a SEDUCTIVE way, beforeCHUCKLING to himself. Jordan SMILES to Giles before stoppingas he senses Chantelle GLARING at him.

GILES (CONT’D)A very well done Jordan, we feelthis character is perfect for you.

The applause and laughter returns but now at a much greaterpace. Jordan responds with a faint smile whilst ChantelleCLAPS and YELLS much LOUDER than everyone else. She LUNGES

herself at Jordan and kisses his cheek, causing him to nearlySTUMBLE off his chair.

16.



ALEXNow for the role of Wendy. This wasa very hard choice for us...

Chantelle then ignores Jordan and LEANS forward waitingIMPATIENTLY for the results. Maddie glances up and her body

becomes TENSE - she lightly CLENCHES her fists and stopsTAPPING her foot.

ALEX (CONT’D)But... (beat)Chantelle. Congratulations, you areWendy.

Chantelle throws her audition sheet into the air - she jumpsup and HOPS on the spot. She YELLS in excitement whilst heraudition sheet gracefully SPIRALS down to the floor. Ruby and

Jamie give Alex a BAFFLED glance whilst Maddie RELAXES andFLATTENS her hands and turns her head down in disappointment.Chantelle SWIFTLY returns to her seat, CARESSES her hair andacts as if nothing just happened.

ALEX (CONT’D)All other auditionees will fill theextra positions as the lost boysand the pirates and be stand in’sif necessary.

Alex peeks at Maddie, seeming guilty yet upset.

ALEX (CONT’D)I’m sorry to those who didn’t getthe roles they wanted. There’salways room for improvement andbetter luck for next time.


Jamie patiently holds Ruby’s bag whilst she zips up her coat,before stopping as Chantelle CLIMBS onto a chair and YELLS toeveryone in the hall.

CHANTELLEEveryone, EVERYONE! My bae Jordanis hosting a celebration partytonight, for me getting the leadrole. You’re all invited; just makesure you bring your own drink. Getthere for half eight. See you soonbitches!

She jumps off the chair, landing in front of the Crew, who make her STARTLE slightly as she regains her position.

17.



CHANTELLE (CONT’D)Oh, yeah, you guys can come aswell,

why not. At least then we can watchit back!

Giles attempts to wave goodbye to the Janitor but is ignored

as the Janitor angrily stares into mid-air in concentration.


Now with everyone left, Maddie is being interviewed - herhead is lowered in SORROW as she sits balancing her hands onher cheeks.

MADDIE TALKING HEADI mean, I knew that I wouldn’t getthe role, but I guess after some

people’s reactions to my audition,I thought there may’ve been aslight chance.

Vic walks across the hall, sliding his hand through hisjacket as he prepares to leave. He EAVESDROPS Maddie’sinterview, causing him to stop and walk over to Maddie.

MADDIE TALKING HEAD (CONT’D)Oh well, I’m sure Chantelle’saudition was much better anyway.

He places his hands on Maddie’s shoulders and PEERS around toshow his presence, causing her to jump slightly.

VICOh don’t worry Mattie, we all haveto start off somewhere. You areextremely talented and you will getthe role you want sooner than youthink. I remember when I firststarted in the theatre. It was backin 1971; I was auditioning forMidsummer Night’s Dream, for therole of Theseus.

Maddie smiles as she LISTENS before glancing around as hecontinues to RANT on about his life.

VIC (CONT’D)But it turned out that I got therole as the Ass instead! It wasn’tthe best of experiences and it mayhave knocked my confidence a bit,but I stuck to it and applied forHamlet in which I succeeded. I wasecstatic! And since then on I...

She attempts to concentrate but her interest slowlydisappears as Vic continues to talk.

18.



INT. FLAT - EVENING24 24

A CRAMPED and narrow location is lit from white fairy-lightsattached to the surrounding walls. A bright glow thatGLIMMERS from the LIVING ROOM FLASHES and reveals a narrowhallway, leading to a CLUSTERED and small KITCHEN. Maddie

sits on a black-surfaced counter, taking a SIP from a plasticcup and TAPS her foot on a cabinet to the FADED BEAT of musicthat PULSATES throughout the hallway.

Near the hallway, an ECHO of a voice is heard from theBEDROOM.

ALEXChantelle? Chantelle! Where is...

The door SWINGS open and Alex appears, seeming STARTLED asshe opens the door.

ALEX (CONT’D)Woah, sorry! Thought you wereChantelle then. Err...

Alex glances around before introducing the Crew to the PARTYby THROWING her hands in the air.

ALEX (CONT’D)Welcome to the party!

INT. FLAT BEDROOM - BEFORE25 25

Alex sits on the edge of a made double bed. The patternedcurtains are drawn whilst the ceiling light briefly GLOWS theroom, revealing an unimpressed Alex, who supports her headand boredom with her hands.

ALEX TALKING HEADWell like always, Jordan throws aparty for Chantelle for her gettingthe ‘best’ role.

She sarcastically inverts two of her fingers as she says

‘best’.

ALEX TALKING HEAD (CONT’D)I mean, they are fun. We start offplaying beer pong before Chantelleinterrupts and makes up her ownrules, making sure she wins.

ANOTHER ANGLE

19.



INT. FLAT LIVING ROOM - BEFORE26 26

Jamie and Ruby stand opposite Alex and Chantelle over a long wooden table with a net in the centre of the table, and twosets of plastic cups - one on each side. Chantelle LEANSacross and literally LAYS on the table as she gently THROWS a

white ball into one of the cups. She then SCREAMS in apiercing manor as she celebrates whilst Alex doesn’t seeminterested whatsoever.

ORIGINAL ANGLE

Alex now seems THRILLED - her SPEECH is more enthusiastic andshe WIGGLES her clenched fists in the air as she says‘karaoke!’.

ALEX TALKING HEADAnd then the best part of the night

- karaoke!

Her SARCASTIC excitement then instantly returns back to beingunimpressed.

ALEX TALKING HEAD (CONT’D)When you think karaoke, you think -great, a group activity! No. Not

when Chantelle’s around.

ANOTHER ANGLE

INT. FLAT LIVING ROOM - BEFORE27 27

Chantelle grips onto a black MICROPHONE, standing directly infront of a small television as she sings karaoke. Jordan,Alex and Ruby are HUDDLED onto a CRAMPED leather sofa. Alexand Ruby attempt to SMILE but instead CRINGE as Chantellesings the words that appear on the television.

CHANTELLE[Chris Brown - With You]I don’t want nobody else. Withoutyou, there’s no one left and,

You’re like Jordans on Saturday, Igotta have you and I cannot waitnow, Hey!

Jordan however is leaning forward concentrating on the maleartist on the television, seeming more interested by himrather than Chantelle.

ORIGINAL ANGLE

Alex sighs briefly before revealing a PLEASANT smile.

ALEX TALKING HEADBut you know, I suppose all of thecrew deserve some time off!

20.

(MORE)



I’d hate to think this could betheir last time, I’ve neverrealized how much passion there isin theatre. I mean, I’ve never seena group of people so dedicated anddetermined to make this show work.

INT. FLAT KITCHEN - NIGHT28 28

Alex leaves the bedroom and carefully SKIPS down the darkenedhallway which leads to the kitchen. She FLICKERS the kitchenlight and JUMPS as she realizes Maddie is sitting on thecounter.

ALEXWoah! Didn’t see you there Maddie!How come your sitting in here in

the dark?

Maddie PEEKS at Alex and smiles faintly.

MADDIEOh, hey, I was just err, just aboutto go in. What are they doing inthere?

ALEX attempts to SIP her drink but SNIGGERS, causing dropletsof her drink to SPLATTER on her cheek. She wipes her cheekand points down the hallway towards the living room.

ALEXOh just the amazing and funactivities that Chantelle wants todo!

They both glance down the hallway to see Chantelle throwing aplastic white ball and YELLING in excitement.

ALEX (CONT’D)I’m only kidding.

Alex then LEANS over to Maddie and WHISPERS to her with a

puzzled look on her face.

ALEX (CONT’D)Or am I?

They both CHORTLE before Maddie looks at Alex in anINTRIGUING manor.

MADDIESo what made you join “AA”? If youdon’t mind me asking. You don’tseem like the theatre type.

Alex takes another SIP - this time finishing her drink beforeand forcefully placing the cup on the side.

21.

ALEX TALKING HEAD (CONT'D)



ALEXHa, it’s funny that you say that. Ijoined because my ex is an actress,so I joined as crew so we couldhang out more.. She’s just got ajob in America. So that’s that.

Seeming awkward, Maddie STUMBLES and her voice lightens asshe replies SYMPATHETICALLY.

MADDIEOh, sorry, I didn’t know.

Meanwhile, Alex then bends down to open the fridge, grabbinga bottle of wine and forcefully BASHES it on the side.

ALEXWell, her boyfriend isn’t sorry.

You wouldn’t think that being in arelationship for 2 years you’d findout that your ex has slept with aguy from her gym. Oh, and nowthey’re in a happy relationship andrecently moved to Chicago. But youknow, there’s nothing I can doabout it.

Maddie SIPS her drink and awkwardly peers around the room, whilst Alex fills up her glass before WAVING the bottletowards Maddie.

ALEX (CONT’D)Fancy a top up?

Maddie then smiles to Alex, before holding her cup in the air whilst Alex tops it up. All of a sudden, the sound of a doorSLAMMING is heard, which is shortly followed by CREAKINGfootsteps that gradually LOUDENS until Jordan appears at thetop of the stairs. Alex leans over to peak around the wallbefore smiling to Jordan.

JORDANOh, hey Alex, how’s it going?

He then places a white carrier bag on the kitchen surface,creating a TINGING sound that ECHOES throughout the hallway.As he draws out the glass bottles from the bag, Jordan stops

what he’s doing and seems startled as he glances at Maddie.

JORDAN (CONT’D)Sorry I didn’t know you were here,Maggie right? Well, I’m Jordan.

The bottles CLINK against each other as Jordan places them ina small white fridge. Maddie bites her lip as she prepares to

respond to Jordan, before Alex JUMPS into conversation.

22.



ALEXDon’t worry Jordan, I’m sure Maddiecould work out who you were just bylistening to Chantelle.

She GIGGLES to herself and holds her laughter in as both

Maddie and Jordan respond with a blank expression.

JORDANGood one Alex, haven’t heard thatone before.

They all GRIN whilst Jordan stretches over Maddie to reachfor a pint glass. Maddie SHUFFLES back and leans against akitchen cupboard in an attempt to stay out of Jordan’s way.

ANOTHER ANGLE

Coming from the end of the hallway, a door SMASHES against a wall and we see Chantelle appear - she glares towards thekitchen in an extremely intimidating yet fearful manor. Heranger is clear judging from her FLARED nostrils and a EERIEGRINDING sound coming from her mouth as she painfully GRINDSchewing gum amongst her teeth.

ORIGINAL ANGLE

Hearing the SMASH, Alex, Jordan and Maddie’s conversationstops as they all TILT their heads to Chantelle.

INT. FLAT BEDROOM - NIGHT29 29

Still showing her EXPLOSIVE look, Chantelle stands andCLENCHES her hands around her hips.

CHANTELLE TALKING HEADNO ONE, goes for my man. And I meanNO ONE.

She THROWS her head in anger as she SCREAMS ‘NO ONE’.

CHANTELLE TALKING HEAD (CONT’D)

Especially not this new girl.Maggie? I don’t know who theflipping EFF she thinks she is.

INT. FLAT KITCHEN - NIGHT30 30

Chantelle attempts to calm herself down by closing her eyesand inhaling deeply. In failure, she STOMPS along thehallway, causing the floor to SHIVER. Jordan RUBS his handsalong his forehead and MURMURS quietly to himself.

JORDANOh god. Here we go again.

23.



Chantelle finishes with one last PIERCING STOMP. She staresdirectly into Jordan’s eyes in an attempt for him to speak,but instead he stares back without saying a word.

CHANTELLEJORDAN! What on Earth do you think

your doing with this Maggie girl?!

Maddie looks at the floor and responds in a TREMORED voice.

MADDIEIts Maddie, not Maggie.

Chantelle sarcastically looks up to Maddie and QUIVERS herlip in a sympathetic manor.

CHANTELLEOh I’m ever so sorry!

She leans forward and SQUEALS in Maddie’s face.

CHANTELLE (CONT’D)Mattie, Maggie, whatever your nameis!

She then ABRUPTLY moves her head centimeters away fromJordan’s face and SCREECHES.

CHANTELLE (CONT’D)What do you think you’re doingflirting with the new girl? Howcould you do this on MY partynight, does it look like I have mug

written on my forehead?

Jordan anxiously steps back and TUTS QUIETLY at Chantelle.His voice raises as an attempt to compete with Chantelle’s.

JORDANChantelle you’re overreacting, Ionly leaned over to get my drink.See?

He SHAKES his drink in front of Chantelle’s face, causingsome to DRIZZLE and LEAK down the side of the cup.

JORDAN (CONT’D)I was only saying hi! Fucking hell,

we’re gonna be working togetherfrom now on so I was onlyintroducing myself!

Maddie now looks up at Jordan and Chantelle in confidence.

MADDIE

We were just talking, that’s all.

24.



Speechless, Chantelle continues to stare between Jordan andMaddie. Uninvolved in the argument, Alex, who is SQUASHED andcornered in the kitchen, SLYLY and QUIETLY sips her drink.Chantelle SPINS around and STOMPS back up the hallway, withthe VIBRATION of her footsteps slowly fading away.

ANOTHER ANGLE

As Chantelle reaches the end of the hallway, the bedroom doorsuddenly SWINGS open, shortly followed by Jamie and Ruby whoSTUMBLE out of the room. They bounce off the hallwaybannister and drunkenly fall to the floor as they laughHYSTERICALLY. Clueless to people watching, Ruby falls intoJamie’s chest as they’re laughter comes to an end before hehugs her from behind.

ORIGINAL ANGLE

Chantelle reveals a GOBSMACKED expression. She opens her mouth wide and blinks promptly.

CHANTELLEWhat the eff?

Jamie and Ruby quickly stand up as they acknowledgeChantelle. He gently NUDGES Ruby to his side and the tworemain SPEECHLESS as they peer between everyone. Tension isreleased when Jordan CLAPS EMPHATICALLY.

JORDANWahey! Go on Jamie! I knew you hadit in ya boy!

Jordan EXCITEDLY squeezes past Chantelle and Alex and lowersone of his hands, where Jamie joyfully HIGH-FIVE’S him. Alexholds her glass seeming SMUG whilst Ruby begins to panic -her eyes dart around the room and she quietly STUTTERS as shedoesn’t know what to say.

ALEXWell, who knew?

Ruby nervously bites her lip before FORCING herself past

Jamie and Jordan, leaving Jamie to seem CONFUSED. She grabsher black jacket from the bannister before RUSHING down thestairs and leaving the flat with a sudden BANG from the door.

JAMIERuby, wait! Where are you going?

INT. SCHOOL STAGE - MORNING AFTER31 31

Sunlight BEAMS through the tall glass windows in the schoolhall. The light GLIMMERS across the wooden stage floor,GLISTERING the room and some of the cast who are gathered on

the school stage.

25.



Most of the crew appear not to seem as SHIMMERING as thesunlight - Jordan BLOCKS the sun by covering his eyes, whilstMaddie struggles to keep her eyes open. A more energeticGiles and Alex STROLL onto stage before joining the crew.Giles forcefully coughs and raises his hand, causing theMURMURING ECHO of conversation to stop.

GILESGood morning all, and what abeautiful morning it is! Today isour first day of rehearsals, solet’s begin with a bang andrehearse the ‘You Can Fly’ scene.


Chantelle FLARES her nostrils and rolls her eyes.

CHANTELLE TALKING HEADHow did our first rehearsals go?You can answer that yourself. For astart, NO-ONE put any effort in. Idid try telling people not to drinktoo much last night otherwise it’llruin everything for today. But didanyone listen? No.

ANOTHER ANGLE

Jordan looks blankly through Giles as he STRUGGLES to stayawake. Jamie too seems at a loss - he leans into his chairrevealing a hollow expression. Feeling GROGGY from theprevious night, a rather pale and STRESSED looking Ruby issoftly holding her stomach with one hand and her head withthe other.

ORIGINAL ANGLE

CHANTELLE TALKING HEAD (CONT’D)Secondly, Ruby decided to beselfish by ruining MY scene becauseshe felt ‘sick’. I mean, did she

purposely wait till the second I was about to say my line for her tothrow up?

ANOTHER ANGLE

Jordan, Chantelle and Ruby stand yards away from each otheras they rehearse for the show. Chantelle WHIPS her hairbehind her head and PATS herself down in preparation. Rubyseems startled and jolts slightly before holding her stomach

with both hands.

26.



GILESAnd, scene set. (beat)Action.

As Giles says action, this leads Jordan to effortlessly raise

his hand to point to the ceiling.

JORDANI know what we need, (beat)Pixie dust!

Reading from his sheet, he suddenly grabs Ruby’s hips, gentlyshaking her to and fro in an attempt to find the ‘pixiedust’. Ruby begins to hold her breath and FREEZES, beforeshoving Jordan away. She flees the stage and SPRINTS towardsthe changing room, with the sound of her GAGGING loudening

the school stage.

ORIGINAL ANGLE

CHANTELLE TALKING HEADAnd lastly. Jordan. He hasn’t evenapologized for last night and we’renot even talking. I can’t believehe told me I’m overreacting whenI’m CLEARLY not!


Jamie LAUNCHES out of his chair and hastily walks to joinRuby.

GILESJamie darling where are you...

Giles attempts to stop Jamie however fails, leaving a ratherbitter expression on his face.

GILES (CONT’D)Ok, fine.

(beat)We’ll set for the ‘Thimble Kiss’scene.

Chantelle makes a PITHY GRUNTING noise in disappointment.

GILES (CONT’D)When you’re ready, Jordan.

Jordan picks up his script and FLICKS through several pagesin an attempt to find the scene.

CHANTELLEJordan look, it’s here.

27.



Chantelle assists him by SNATCHING the script for a few moments before LAUNCHING it back to Jordan.

JORDANYes Chantelle I know, give it back.

He gives her a disappointing GLARE before memorizing thescript.

JORDAN (CONT’D)A thimble? What’s a thimble?

All of a sudden, Chantelle’s temper EXPLODES - she HURLS herscript towards the floor, causing it to swiftly spiral down.Chantelle’s foot SMASHES against the floor, creating anECHOING CLUNK.

CHANTELLE

Everyone knows its KISS first, andthen THIMBLE! I can’t work withthese amateurs! Ugh, I’m takingfive!

She furiously VACATES the stage, causing Jordan to thenSCRUNCH his script in fury and glare up to the ceiling beforeSIGHING heavily.

JORDANChantelle don’t be a diva, I’ve got

work in forty-five minutes!

Alex SHAKES her head in disappointment. Giles QUIVERS his mouth as he struggles on what to say.

GILESGreat. Err,

(beat)We need an understudy.

Jordan and Alex glance at Maddie. She becomes ALARMED anddarts her eyes around the room as she realizes what ishappening. Suddenly, silence is broken as the Janitor NUDGESMaddie forward whilst giving her a reassuring look that gains

Giles’ attention. Maddie feels the pressure - her bodyFREEZES and her knees begin to SHUDDER in anxiety. Giles’face however lights up and he smiles at Maddie in an attemptto calm her nerves.

GILES (CONT’D)Ah Mattie, fabulous! Thank-you forstepping in.

Maddie replies almost SOUNDLESSLY yet is ignored by Giles.

MADDIE

It’s Maddie!

28.



Giles CLAPS EMPHATICALLY and some of the crew then leanforward to show their interest in Maddie.

GILESRight everybody! Let’s try the‘Thimble kiss’ scene, everybody get

into position.

Maddie SWALLOWS nervously and blinks at a faster rate. Gilespoints to a part of Maddie’s script.

GILES (CONT’D)Right Maddie we’re going to startfrom here.

Giles then SHUFFLES back and CLAPS as he says ‘ACTION!’

GILES (CONT’D)

And ACTION! So Maddie begin with‘How old are you Peter?’

She takes one last deep breath and lightly NODS her head inagreement. Her eyes close briefly before looking directly atJordan. Likewise to Maddie, Jordan now seems anxious - hestands up straight and his posture seems tight.

MADDIEHow old are you, Peter?

JORDANQuite young.

MADDIEDon’t you know?

JORDANI ran away. One night I heard my

mother and father talking on what Ineed to do to become a man. So, Iran away to Kensington gardens

which is where I met Tink.

Maddie’s voice now seems BOLDER as she begins to gain

confidence - she looks at Jordan more instead of her script.

MADDIETink?

JORDANTinkerbell. My fairy.

Maddie then smiles at Jordan and SNIGGERS to HERSELF.

MADDIEBut there’s no such thing as...

Jordan suddenly jogs over to Maddie before covering her mouth with his hand. Giles and Alex both watch with a serious gaze.

29.



JORDANDon’t say that! Every time someonesays that, a fairy somewhere fallsdown dead. And I shall never findher if she’s dead!

Now seeming more motivated than the previous rehearsal,Jordan removes his hand from Maddie’s mouth. Maddie thenraises her eyebrows and her mouth drops open in excitement.

MADDIEYou don’t mean to tell me, there’sa fairy in this room?

JORDANYes. And I need to find her.

Maddie walks towards Jordan, and drops the script whilst

doing so. She then looks directly into his eyes.

MADDIEPeter, you found her!

Still in character, JORDAN sighs and SMIRKS to himself.

JORDANI knew it.

MADDIEI should like to give you, a, (beat)a, kiss.

JORDANWhat’s that?

Maddie glances at Giles for reassurance. She suddenly returnsback to reality and nervously darts her eyes around the roomas the two are now due to kiss. All of a sudden, a BLARINGCLAP is heard which LOUDENS as John appears. He seems DAZZLEDby their performance, judging from his GLEAMING smile. Maddieand Jordan then smile faintly at each other before BLISSFULLYlooking down as the cast begin to APPLAUD.

JOHNThat was amazing, well done both ofyou!

Alex smiles HEARTILY at Maddie.

JOHN (CONT’D)Maggie, you have incredible talent,

why haven’t we seen any of this?You both work extremely welltogether. Giles, I don’t know why

you haven’t given Maddie a shot asWendy, she is what we need to turnthis company around!

30.



Frustratingly, Giles looks at John in a confused manor. HeSHUFFLES over to him before WHISPERING in his ear.

GILESBut John darling, I’m just doing...

John then STEPS towards Maddie - completely ignoring Giles.

JOHNUsually I’d play it safe and I’mhoping I won’t regret this. ButMaddie, do you fancy the role asWendy?

INT. LIGHTING BOX - MORNING34 34

John sits up straight on a black chair and fiddles with his

collar.

JOHN TALKING HEADAs soon as I saw Maddie’sperformance I could picture herbeing Wendy. Yes, I know we needthe money but we can just aboutcope without Chantelle’s help.Maddie could be the one to turnthis company around! Let’s just...

The MUFFLING echo of a ring tone appears, causing John toSCRAMBLE for his phone.

JOHN TALKING HEAD (CONT’D)Sorry, one second.

He SLIDES it from his pocket and looks down to the floor inconcentration.

JOHN TALKING HEAD (CONT’D)Hi mum, can I call you back in a

minute? I’m in an interview at the moment.

John then smiles to himself as he continues to talk on thephone.

JOHN TALKING HEAD (CONT’D)Yeah, I done it. You should come infor the next rehearsal, you wouldlove Mattie! I’ll call you in abit. Yes, I’ll be home in time fordinner. OK mum, love you, bye.

He continues to smile and places his phone back into hispocket.

31.



JOHN TALKING HEAD (CONT’D)Sorry that was just my mum, she’sconstantly ringing to see how it’sall going. Sometimes I think sheloves the theatre more than me!


Maddie responds by initially glancing at Alex forreassurance, in which we see Alex graciously smile and MIMEsomething to Maddie.

Without warning, a DEAFENING BANG is heard off stage, causingMaddie to JOLT. Jordan shakes his head and covers his eyes.The sound of HEAVY footsteps SMASHING the wooden floorgradually LOUDEN, before Chantelle appears on stage. HerFLARED nostrils and CLENCHED fists show she heard what John

said as she then furiously unclips her CLIP MICROPHONE beforeLAUNCHING it to the floor, causing an ECHOING BOOM.

CHANTELLETurn this off now! Turn it off!

She SCREECHES and chases the CAMERA MAN off stage.

INT. SCHOOL HALL - AFTERNOON36 36

Returning back to the hall, Giles and Alex both appearreasonably QUIET and seem EDGY.

ALEX TALKING HEADFirstly, we’d just like toapologize for Chantelle’s actions,

we didn’t really expect her to gocrazy at the camera. Oh and we’llpay for the damage for the clip

mic. However...

She then WHISPERS and looks around the room.

ALEX TALKING HEAD (CONT’D)

Somehow...

Giles interrupts Alex and momentarily LEANS forward.

GILES TALKING HEADBut what do you know, Maggie is nowWendy! We all know that show bizzcan be tough, but at least now wehave a chance to shine!

Alex SOFTLY pulls him back into his chair in an attempt tocalm Giles down. She then SNIGGERS at Giles.

32.



ALEX TALKING HEADGiles, you do know her name’sMaddie, not Maggie, right?

Giles attempts to reply however stops after a few moments.His excitement suddenly turns to a face of guilt as he

realizes he has been saying Maddie’s name wrong. His eyesdart around the room as he thinks before smiling faintly toAlex.

END.

33.

downstage draft 4

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