copyright culture technology
TRANSCRIPT
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Culture, copyright, technologyMathias Klang
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CULTURAL RELATIVISM
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“...civilization is not something absolute, but ... is relative, and ... our ideas and conceptions are true only so far as our civilization goes.”
Franz Boas (1887)
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Siberian/Thuvan throat singing http://www.youtube.com/watch?v=VTCJ5hedcVA&p=A3A6044F015358F7&playnext=1&index=7
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STEP 1: STATE THE OBVIOUS
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DIGITALIZATION CHANGED EVERYTHING
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TECHNOLOGY controls how and what we interact, create & THINK
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Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can
probably get a career in it. Anything invented after you’re thirty-five is against
the natural order of things.
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AFFORDANCESspot the ethical dilemma?
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Language technology
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Exodus 20:14
THE WICKED BIBLE (1631)
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STATUTE OF ANNE (1710)
Wheras printers, booksellers, and other persons, have of late frequently taken the liberty of printing... books, and other writings, without the consent
of the authors... to their very great detriment, and too often to the ruin of them and their families: For preventing therefore such practices for the
future, and for the encouragement of learned men to compose and write useful books…
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Expanding rights
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Oscar Wilde nr 18 av Napoleon Sarony
“entirely from his own mental conception, to which he gave visible form” ”useful, new, harmonious, characteristic, and graceful picture.”
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THE SOCIAL
CENTURY
User generated content
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Monopolies in copying & delivery systems
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Lag (1960) om upphovsrätt till litterära och konstnärliga verk
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LAG (1960) OM UPPHOVSRÄTT TILL LITTERÄRA OCH KONSTNÄRLIGA VERK
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Vad skyddas?
• Teater• Musik• Film• Databaser• Konstverk
• Byggnader• Brukskonst• Kartor• Fotografiska verk
• Litteratur
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VERKSHÖJD BIRD RED SLICE by Koko (1984)
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idea/expression dichotomy
Donald Duck av Walt Disney Arne Anka av Charlie Christensen
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STADIGVARANDE
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copying
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digitalization
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Analog / Digital
• Copy inferior• Limited nr of copies• Copying in real time• Cost
• There is no copy• Infinite nr• Timeless• Without cost
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LIFE & DEATH OF
BUSINESS MODELS
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DIGITALIZATION
CONNECTIVITY
DEVICES
STORAGE
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34
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35
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LAW & MORALITY
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LAW REGULATES WHAT IS, NOT WHAT SHOULD BE
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WE NEED MORE POETS
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Two roads diverged in a wood, and I - I took the one less traveled by,’ And that has made all the difference. Robert Frost
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STEP 2: LAW & ETHICS TAXONOMY
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ethical
unethical
legalillegal
Homage
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The Battleship Potemkin 1925 - Odessa Steps scene – director Sergei M. Eisenstein
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The Untouchables (1987) film directed by Brian De Palma
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ethical
unethical
legalillegal
Cross Culture
Homage
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Kill Bill part 1 & 2 (2003) & (2004) by writer/director Quentin Tarantino
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ethical
unethical
legalillegal
AMV Homage
Cross Culture
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FMA AMV Gimme a Man After Midnight - Abba http://www.youtube.com/watch?v=V_xB-RFOZDs
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ethical
unethical
legalillegal
Homage
? Cross Culture
AMV
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creating artificial barriers
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Samir by Max Gustafson
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Law
Contextual & programmed social
rules
Architecture
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Contextual & programmed social
rules
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NORMS FROM ABOVE
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Anti-Piracy Advertisementhttp://www.youtube.com/watch?v=l5SmrHNWhak
ANTI-PIRACY AD
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REACTION “FROM BELOW”
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The IT Crowd - Series 2 - Episode 3: Piracy warning parodyhttp://www.youtube.com/watch?v=VUNfynI8bdA
IT CROWD PARODY
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WHAT TO DO?
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“THE FIRST THING WE DO, LET'S KILL ALL THE LAWYERS”
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dead TRee as NORM
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two dominant truths
1. No cash, No Creation
2. Everything Is property
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DIGITALIZATION
CONNECTIVITY
DEVICES
STORAGE
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the theoretically possiblebecomes the inevitable…
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Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. Anything that’s invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can
probably get a career in it. Anything invented after you’re thirty-five is against
the natural order of things.
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the (slow) death of the analog age… or is it?
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four incredible & strange ideas… that WORKED
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STALLMAN PROVED EMPIRICALLY THAT ECONOMIC RETURNS WERE NOT A REQUIREMENT FOR CREATION…
But geeks are different?
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WALES PROVED STALLMAN’S IDEAS SCALED & APPLIED TO NON-SPECIALIST GROUPS
Men fortfarande klänger vi oss fast vid kulturens skapelsemyt
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OSTROM påvisar effektivitet och betydelsen i alternativa modeller av EGENDOMförvandlar TRAGEDI till KOMEDI
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LESSIG VILLE HJÄLPA SKAPARE ATT DELA MED SIG AV SITT MATERIAL UTAN ATT FÖRLORA KONTROLLEN
Inget nytt men helt annorlunda!
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vi, användare!
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2000
2001
2002
2003 2005
2004 2006
Wikipedia
Blog
ger 1
999
Lunarstormdecenniet
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2000
2001
2002
2003 2005
2004 2006
Wikipedia
Blog
ger 1
999
Second Life
My Space
Skype
Digg
YouTube
Flickr
Ning
Google c:a 1998
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Flickr
2000
2001
2002
2003 2005
2004 2006
Wikipedia
Blog
ger 1
999
Second Life
My Space
Skype
Digg
Ning
YouTube
Spotify
Google c:a 1998
2008
2007 2009
Farmville
iphone
Wikileaks
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THEORETICAL & POSSIBLE
BECOMES INEVITABLE
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2006 2007
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12 timmar senare
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THE LICENSING APPROACH
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Och om jag vill lägga ut mittmaterial på nätet – hur kan jag ”skydda”
materialet från attanvändas på ett olämpligt sätt?
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Det kan du INTE!
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att LÅTA BLI är det bästa skyddet
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Lev som (intellektuell) CELIBAT
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Att KOMMUNICERA är att våga tro att NÅGON kommer förstå…
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att minska risker
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Strategi nr 1
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©
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Strategi nr 2
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dela FRITT & ÖPPET
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RISKMINIMERING
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fyra beGRÄNSningar
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Upphovsmannen skall omnämnas i skälig omfattning: namn eller pseudonym skall uppges.
Namnet på verket: Om verket saknar namn faller naturligtvis kravet.
Länk till verket: Om det är praktiskt möjligt bör man länka till verket.
Bearbetade Verk: För bearbetade verk bör man berätta hur den ursprungliga verket har bearbetats.
Bevara hänvisningar till upphovsrätt. Om en upphovsman använder (c) Andersson måste man behålla denna text.
Länk till licensen.
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THANKS!
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Information• All images from/alla bilder från www.flickr.com (unless specifically
stated), (om ej annat anges)
• Image & licensing info in the notes section of slides/bild & licensinfo finns i anteckningsdelen för varje slide
• Presentation licensed/Presentation licensierad under: Creative Commons BY-NC-SA
• The presentation can be downloaded from/Presentationen kan laddas ner från: www.slideshare.net/klang
• More information about me/för mer information om mig: www.techrisk.se & www.digital-rights.net