blue heron 5 · heron. this line goes from the neck to the bottom right corner of the paper. from...
TRANSCRIPT
Blue HeronVALUE, TEXTURE & DECOPAUGE
TIME REQUIRED: Two sessions @ 40 minutes
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !2
If you’ve ever seen a great blue heron in the wild,
you’ve surely been witness to the quiet, graceful
beauty that they exude. In this mixed media lesson,
students will draw a lone blue heron and découpage
with tissue paper to create the layered, overlapping
background. They will also explore layering
brushstrokes with watercolor paint to create different
values and texture in
their blue heron.
ABOUT THE BOOK The book Scoot by
Cathryn Falwell is a
great way to
introduce this lesson
to your students.
The mixed media illustrations are phenomenal and can
familiarize students with blue herons.
You can use the book as an opportunity to squeeze in a
little bit of art criticism into the opening of the lesson,
which will encourage students to closely examine and
critically think about the artwork.
Some sample questions you could ask:
Description: How would you describe this artwork to
someone who could not see it?
Interpretation: Why do you think the artist created this
artwork? What makes you think that?
Analysis: What is happening in this artwork? What else
could be happening? How do you know?
Evaluation: Do you like this artwork? Why or why not?
Give specific reasons.
WHAT YOU’LL NEED:
12” x 18” white sulphite
paper (2)
Pencil and eraser
Black oil pastel
12” x 18” sheets of tissue
paper (green, blue, violet)
Liquid glue and water mixture
Medium round paintbrush
Watercolors
White
acrylic
paint
Plastic fork
Blue Heron mixed media
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !3
Begin with a piece of 12” x 18” sulphite paper
turned horizontally. From the top left side, place
the heel of your hand on the edge of the paper
and measure in one hand-length. Draw the eye at
the end of your fingertips.
Next, draw a backward “S” shape that starts
above the eye and curves down toward the
bottom of the paper. This will be the beginning
of the neck. For the beak, draw a horizontal line
that extends from underneath the eye toward the
left side of the paper. Draw a long beak, as
herons have long beaks used for catching fish.
Refer to the
drawing guide
on page 7.
The final step is
to add the
long, tapered
crown feather
on the head. It
should start
above the eye
and extend out
past the back of
the head, ending in a point. You can erase the
line where the head and the crown feather
overlap, or you can simply paint over it in the
next step.
Trace all pencil lines with a black oil pastel. Color
in the center circle of the eye black.
Drawing the Blue Heron
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !4
While painting the heron, students will explore
creating different VALUES with watercolor paint, as
well as using brushstrokes to create the feather
TEXTURE.
Start by using a light VALUE of blue
watercolor to paint the base layer of the
feathers. This is achieved by loading up
the paintbrush with a lot of water, then
dipping it very gently into the blue watercolor pan
and producing short vertical LINES to represent the
feathers. You can hand out or project a photograph
of a blue heron to help students identify which areas
they need to paint and which can remain white.
Next, students will use a darker value of
blue, achieved by using less water and
more blue paint, adding more
brushstroke feathers on top of the light
blue feather. Be careful not to completely cover the
light blue feathers.
For the last layer, add violet brushstrokes.
These can be created with less water on
the paintbrush to create more of a
scratchy, or dry-brushed look. There
should be fewer violet brushstrokes than blue, as
they should layer on top of the blue, not cover them.
The final step is to paint the crown feather
and the beak. These can be painted
normally with blue and orange
watercolor.
Painting the Heron
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D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !5
DECOUPAGE with tissue paper for the background adds
a beautiful layered look to this project, and mimics gently
moving water.
Mix up a batch of watered down liquid glue to the
consistency of whole milk.
Start with full sheets of 12” x 18” tissue paper in COOL
colors. Line up the tissue paper in a neat stack to cut, two
to four pieces at a time. Cutting several pieces at the
same time is actually easier than one piece at a time. Cut
a gently curved line from one side of the tissue paper to
the other. Repeat as many times as necessary.
Place one strip of tissue paper on a piece of 12” x 18”
white sulphite paper turned horizontally, extending all the
way across the page. Start at one end of the strip and
paint on top of the tissue paper with the watered down
glue mixture all the way to the other side.
Set the next strip down across the paper,
OVERLAPPING a portion of the first strip.
The dry tissue paper will stick to the wet
tissue paper to help keep it in place.
Paint with the glue mixture.
If tissue paper extends over the edges of
the paper, just cut off the excess once the
paper is dry.
TIP: Do not let the background dry on top
of a messy mat or another piece of paper. The glue mixture will make it stick to whatever it is on top of
as it dries. The best way to dry is to place it directly onto a drying rack.
Making the Background
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !6
Finishing TouchesCut the blue heron out along the black oil
pastel outline.
Glue the body portion of the heron to the
background first, making sure the bottom of
the heron aligns with the bottom of the
paper.
Once the body is glued on, flip the head and
neck up and add glue to the back. Turn back
over and press down to glue.
The final step of the project is adding the
light and airy TEXTURE of the white feather
plumes along the neck and back of the blue
heron.
Dip a plastic fork into white
acrylic paint. Set the fork tines
down flat along the outer
edge of the heron’s neck.
Slowly pull the fork away
from the neck to leave lines
for texture. Dip into the
paint again and repeat
along the neck, back and
wing.
TIP: If students are having trouble with this
step, ensure that they are squishing the fork
down flat on the paper before they pull it
away.
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !7
Add a long, triangle-shaped beak in front of the eye.
From the neck, draw the curved back of the heron. This line goes from the neck to the bottom right corner of the paper.
From the bottom of the beak, draw the other side of the neck of the heron. Finish the line by drawing to the bottom of the page.
Add the heron’s long crown feather from its eye extending past its head. Add an upside-down “U” for the wing.
Blue Heron D R A W I N G G U I D E
Begin the heron with its eye. Draw the eye one hand’s length (fingertip to wrist) in from the top left side of the paper.
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From just above the eye, draw a big“S” shape down to about a third of the way from the bottom of the paper.
ANIMAL ART B U N D L E
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !8
CREATING Generate and conceptualize artistic ideas and work — Combine ideas to generate an
innovative idea—Demonstrate diverse methods to approaching art making
Organize and develop artistic ideas and work — Experiment and develop skills in multiple
techniques through practice—Show craftsmanship through care
Refine and complete artistic work—Create artists statements using art vocabulary to
describe personal choices in art-making
Presenting/producing Analyze, interpret and select artistic work for presentation— Define roles and
responsibilities of a curator—explaining the skills/knowledge needed to preform curation
Develop and refine artistic work for presentation — Develop a logical argument for safe
and effective use of materials and techniques for preparing and presenting artwork
Convey meaning through the presentation of artistic work —Cite evidence of how an
exhibition in a museum presents ideas and provides information about specific concepts
Responding Perceive and analyze artistic work- Compare interpretation of art to another’s
interpretation—Analyze cultural associations suggested by visual imagery Interpret intent and meaning in artistic work — Interpret art by analyzing form, structure,
context information, subject, visual elements, and use of media to identify mood and ideas
conveyed
Apply criteria to evaluate artistic work— Recognize differences in criteria used to evaluate
works of art depending on styles
Connecting Synthesize and relate knowledge and personal experiences to make art- Apply formal and
conceptual vocabularies of art and design to view surroundings in new ways through art-
making
Relate artistic ideas and works with societal, cultural and historical context to deepen understanding- Identify how art is used to inform or change beliefs, values or behaviors of
an individual or society
NATIONAL CORE ARTS STANDARDS-fifth grade
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D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !9
CCSS.ELA-Literacy.SL.5.2 Summarize a written text read aloud or information presented in diverse media and formats,
including visually, quantitatively, and orally.
By having students closely examine the artwork in the book Scoot, and participate in art criticism
based on the illustrations, they are analyzing the images closely and summarizing the information
that they see in the images as they participate in the discussion.
CCSS.ELA-Literacy.W.5.1 Write opinion pieces on topics or texts, supporting a point of view with reasons and information.
As students complete an artist statement (located in Teacher Aids), they are supporting claims
about what their artwork means. This requires them to build their answer based on how they
created the work as evidence pointing toward the composition’s meaning.
CCSS.ELA-Literacy.L.5.1 Demonstrate command of the conventions of standard English grammar and usage when writing or
speaking.
You can emphasize to students the importance of using conventions of standard English grammar
when writing their answers to the artist statement worksheet This is a wonderful way to help
students see cross-curricular connections between subjects!
Common core standards for BLUE HERON
I CAN STATEMENTS FOR BLUE HERON
• Today I will learn about LINE and SHAPE so that I CAN draw a realistic BLUE HERON.
• Today I will learn about TEXTURE so that I CAN use DECOUPAGE for my background and a
scraping method with acrylic paint and a fork to create feathers.
• Today I will learn about VALUE, so that I CAN create light and dark blues and violets using
WATERCOLOR.
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !10
ASSESSMENT CHECKLIST
Student Name:
Did the student create different values of blue and violet with watercolor paint?
Did the student overlap and fill their paper with tissue paper while making their background?
Did the student create a feather texture by using the scraping method with paint and a plastic fork?
Main Ideas from:
BLUE HERON