– area presented with camera shots – the viewpoint (point of view) – camera angle 3 important...

17
Area presented with Camera Shots The Viewpoint (Point of View) Camera Angle 3 Important Considerations in Shooting TV Commercials

Upload: timothy-weaver

Post on 17-Jan-2018

225 views

Category:

Documents


0 download

DESCRIPTION

– Extreme Long Shot – AKA Establishing Shot Their purpose is to establish a frame of reference for the audience Panoramic shot that shows a great area seen from a distance Establishes geographical setting or scenic beauty Camera Shots

TRANSCRIPT

Page 1: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

–Area presented with Camera Shots–The Viewpoint (Point of View)–Camera Angle

3 Important Considerations in Shooting TV Commercials

Page 2: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

Camera Shots are the basic visual element in a film.

It is a continuous view made by one camera without interruption.

Each scene may consist of one or more shots taken from different angles and distances .

Page 3: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

–Extreme Long Shot–AKA Establishing Shot

• Their purpose is to establish a frame of reference for the audience • Panoramic shot that shows a great

area seen from a distance • Establishes geographical setting or

scenic beauty

Camera Shots

Page 4: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 5: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 6: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

– Long Shot

• Used to establish all elements in the scene, so that viewers will know who is involved, their location, etc. • Less panoramic and a little more specific

than the Establishing Shot. • Setting could be established but the viewer

will be better able to pick out and relate to specific individuals within the shot

Camera Shots

Page 7: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 8: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

–Medium Shot

•Most common type of Medium Shot is a two-shot where 2 characters talk • People are filmed about waist high. • Camera is close enough to capture gestures,

expressions and movements •Medium Shots are good reestablishing what is

happening overall after series of close-ups. They help reorient viewer to the larger scene, action or setting

Camera shots

Page 9: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 10: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

- Close Up

• Basic use is draw attention to a significant detail such as unique product feature or the emotional reactions of an actor.

• Usually shows head and shoulders, but could be a little farther or closer.

• You can : – Cut-in to a Close-up of a preceding larger shot to heighten

dramatic dialogue, isolate significant detail, magnify small-scale action, etc.

– Cut-away from a Close-up to show the next image is related but not part of the previous scene. It depicts action simultaneously happening elsewhere.

Camera shots

Page 11: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 12: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

–Extreme Close Up

•Focus attention on detail of a detail.•Tiny objects or areas, small portions can be magnified.

Camera shots

Page 13: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials
Page 14: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

Objective-Impersonal • Viewpoint of a sideline observer.

Characters do not look at the camera. •

Subjective-Personal• Involved viewpoint (audience or one of

the characters). Characters look directly at camera.

The Viewpoint

Page 15: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

–Eye Level: sense of equality, attainable • –Looking down (high angle): gives viewer a

sense of superiority on the subject. Makes subject appear inferior.

• –Looking up (low angle): gives a sense of

height or superiority to the subject.

Camera Angles

Page 16: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

– Side to Side • Pan (camera pivots from fixed point to turn and follow the

action) • Truck (lateral movement of camera when it is mounted and

fixed to move parallel to the action without pivoting)

– Forward or Backward • Dolly (in or out)- platform on which the motion picture camera

is mounted and can thereby by pushed toward or away from the subject.

• Zoom (in or out move accomplished by turning a special camera lens (called zoom lens). Can be done at various speeds for various effects.

Camera AnglesVisualizing & Describing Movement

Page 17: – Area presented with Camera Shots – The Viewpoint (Point of View) – Camera Angle 3 Important Considerations in Shooting TV Commercials

Fade in: Black screen gradually brightens into an image. Used to begin a story or sequence.

Fade out : Image gradually darkens to black. Used to end story or sequence.

Jump Cut: Scenes instantly change without transition.

Dissolves : Breaks down in segments and disappears.

Wipe: Second scene appears to push the first scene off the screen.

.

Transitions