the head, the face, the portrait - drawing and painting technique

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the head Glenn Hirsch, Instructor

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Page 1: The Head, the Face, the Portrait - Drawing and Painting Technique

the head

Glenn Hirsch, Instructor

Page 2: The Head, the Face, the Portrait - Drawing and Painting Technique

For 30,000 years in prehistoric caves, the face was taboo … no faces have been found. But the artists could draw animals very well.

Then in 1500 BC, the completely natural face appeared in Egypt.

Page 3: The Head, the Face, the Portrait - Drawing and Painting Technique

Leonardo da Vinci

Drawing the head takes study … even for the masters.

Page 4: The Head, the Face, the Portrait - Drawing and Painting Technique

Van Gogh studied … On the left below:

when he began and right after 2 years...

Page 5: The Head, the Face, the Portrait - Drawing and Painting Technique

Anatomy reveals basic structure under the skin …

“landmarks” to guide you

1. temple (forehead)

2. brow3. cheek4. jaw5. chin

Page 6: The Head, the Face, the Portrait - Drawing and Painting Technique

study the head in all positions…

Page 7: The Head, the Face, the Portrait - Drawing and Painting Technique
Page 8: The Head, the Face, the Portrait - Drawing and Painting Technique

the head in ¾ view … how much of the other side do you see?

Page 9: The Head, the Face, the Portrait - Drawing and Painting Technique

the head in ¾ view … how much of the other side do you see?

Page 10: The Head, the Face, the Portrait - Drawing and Painting Technique

Everyone’s skull is different, but there are four basic shapes

Page 11: The Head, the Face, the Portrait - Drawing and Painting Technique

But to keep it simple, we can think of the head as both a ‘box’ and an ‘egg’

Page 12: The Head, the Face, the Portrait - Drawing and Painting Technique

Renoir

Include the neck in the beginning too!

To find the orientation of the head, you can think of the head as an EGG

Page 13: The Head, the Face, the Portrait - Drawing and Painting Technique

Renoir

Renoir

Include the neck

To find the orientation of the head, you can think of the head as an EGG

Page 14: The Head, the Face, the Portrait - Drawing and Painting Technique

you can think of the head as a BOXto define the difference between the side and front

Page 15: The Head, the Face, the Portrait - Drawing and Painting Technique

Oskar Kokoschka

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Raphael

Look for the difference between the side and the front

Page 17: The Head, the Face, the Portrait - Drawing and Painting Technique

Giovanni Tiepolo, 1760

the shape of the skull is much easier when you can see

where the light is coming from

Page 18: The Head, the Face, the Portrait - Drawing and Painting Technique

After Andrew Wyeth

Page 19: The Head, the Face, the Portrait - Drawing and Painting Technique

PROPORTION IS EASY WHEN YOU LOOK AT THE FACE FROM THE FRONT (NOT IN ¾ VIEW)

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Page 21: The Head, the Face, the Portrait - Drawing and Painting Technique

Lucian Freud

1.Eyes are in shadow

2. Nose has a ‘ball’ at the end which overlaps the nostrils behind

3. Lips – upper in shadow, lower in light

4. Chin is rounded, suggests a ‘ball’

5. Ears are behind the cheekbones

Page 22: The Head, the Face, the Portrait - Drawing and Painting Technique

Lips – upper in shadow, lower in light

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Nose has a ‘ball’ on the end which overlaps the nostrils behind

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The eyelid covers most of the eyeball

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Page 33: The Head, the Face, the Portrait - Drawing and Painting Technique

Kat Mergens

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Page 36: The Head, the Face, the Portrait - Drawing and Painting Technique

John Reamer

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Page 40: The Head, the Face, the Portrait - Drawing and Painting Technique

Isaac Hurwitz

Page 41: The Head, the Face, the Portrait - Drawing and Painting Technique

Isaac Hurwitz

Page 42: The Head, the Face, the Portrait - Drawing and Painting Technique

Isaac Hurwitz

Page 43: The Head, the Face, the Portrait - Drawing and Painting Technique

Isaac Hurwitz

Page 44: The Head, the Face, the Portrait - Drawing and Painting Technique

Isaac Hurwitz

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skin color

Page 47: The Head, the Face, the Portrait - Drawing and Painting Technique

Skin color depends on the color of the light

Skin color depends on genes

Page 48: The Head, the Face, the Portrait - Drawing and Painting Technique

John Singer Sargent

Skin color is a blend of many browns, tans, and pinks

painted with plenty of water to keep it pale

shadows are the object’s color + cerulean (cool) blue

Page 49: The Head, the Face, the Portrait - Drawing and Painting Technique

Stephen Scott Young

Page 50: The Head, the Face, the Portrait - Drawing and Painting Technique
Page 51: The Head, the Face, the Portrait - Drawing and Painting Technique

Skin is greasy and reflects light … so its color also depends on the colors reflected into it

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art school students