the artistic soup of the 1700s 1700s--rococo, salon, neo-classical, sturm und drang 100 years of...

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The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles s of the Rococo --- to the solidity of the Mme Pompadour, Louis XV’s mistress Greenough, Washington

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Page 1: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

The Artistic Soup of the 1700s1700s--Rococo, Salon, Neo-Classical, Sturm und Drang

100 years of conflicting styles

From the frills of the Rococo --- to the solidity of the Revolutions

Mme Pompadour, Louis XV’s mistress

Greenough, Washington

Page 2: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

Rococo (1730-80)-Louis XV and XVI

expresses beauty for beauty’s sake…the label is made during the 19th century, French for “little rock” and “shell,”

motifs of rococo decoration

Boucher’s Toilet of Venus, 1751displays the ideal woman,feminine charm in its lightest moments.Mme Pompadour commissioned the work for her chambers.

Fragonard---The Swing, 1767

Can you find the delicate pink slipper? The whispering statue? The clueless boyfriend? The amorous suitor?

After the Sun King’s (Louis XIV) reign is over in 1715, wealth is spread to the aristocracy

Page 3: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

Marie Antoinette and her Children, 1789

in the year of the French Revolution,made Marie Antoinette

look motherly. Painted shortly before the queen’s imprisonment and

beheading.Child points to an empty cradle.

Women join the ranks of the elite….salon leaders and academic

painters

Elisabeth Vigee-Lebrun1755-1842

held out for the aristocracy

Page 4: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

Say you want a

revolution…France and the U.S. explode1789 and 1776

Paris Women Marching to Versailles, engraving, 1789

Libya rebels, 2011

Page 5: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

Chardin, Soap Bubbles, 1733revolution breeds morality and idealism of the everyday man

•Life is fleeting and fragile…•Brings up the still sense of Dutch bourgeoisie paintings•A reaction against the frills of rococo•DC’s National Gallery has one of three versions

Jean Jacques Rousseau, philospher of the French Revolution, condemns: "moral or political inequality, which consists of the different privileges which some men enjoy to the prejudice of others, such as that of being more rich, more honored, more powerful."

Page 6: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

Jacques Louis David (1748-1825)becomes the painter of the French Revolution

as well as the Neo-Classical Period’s leading academic artist

a moralist with a message Heroic, academic,balanced composition

Oath of the Horatii, 1784What “threes” do you see?

Lictors Bringing Back to Brutusthe Bodies of His Sons, 1789Brutus appears in the shadows…What is David warning about?

Page 7: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

How do we express the

heroic ?Nazi poster from the 1930s“Long live Germany” Edmonia Lewis

Forever Free, 1867Displays the complexity of freedom for African Americans after the Civil War.Currently housed at Howard University

…how do we reflect struggle?

What is the fine line between heroism and propaganda?

Ignorance=Fear, Keith Haring, 1989

What are components of courage?

Page 8: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

DAVID, Death of Marat, 1793

• Marat is killed by Charlotte Corday who felt that he was leading the revolution with excessive bloodiness

• Painting is made in same year that Louis XVI and Marie Antoinette are guillotined

• Marat is in a bath due to a crippling skin disease

• Note that Marat clutches says that Corday is taking Marat’s life due to her suffering: “I am just too unhappy to deserve your kindness.”

• Marat becomes instant martyr for the cause—wound is displayed at funeral

Page 9: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

HOUDON, Ben Franklin, 1779

• Houdon was a fellow Freemason, as were Voltaire, Mozart, Haydn, Jefferson and our founding fathers

• Franklin’s wigless image created a stir in France

Voltaire

Masonic symbol of the unfinished pyramid and the all seeing eye

Page 10: The Artistic Soup of the 1700s 1700s--Rococo, Salon, Neo-Classical, Sturm und Drang 100 years of conflicting styles From the frills of the Rococo --- to

The Demons of

Sturm und Drang 1760-1800

Fuseli, The Nightmare, 1781

•“Storm and Stress”•Germanic literature, art and music movement•Subjective and emotional•Our inner self rules•Rebellion against the rational revolutionary movement•Early Romanticism•Goethe, 1749-1832•“real” = painful, confllicted