shifting instruction to the core

18
Shifting Instruction to the Core Text Complexity and Text- Dependent Questions

Upload: zubin

Post on 24-Feb-2016

35 views

Category:

Documents


0 download

DESCRIPTION

Shifting Instruction to the Core. Text Complexity and Text-Dependent Questions. Essential Questions:. How can a deeper understanding of Shifts 3 & 4 guide us in moving our instruction into the Core? How can collaboration help us share and vet ideas and resources?. Objectives. - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Shifting Instruction to the Core

Shifting Instruction to the Core

Text Complexity and Text-Dependent Questions

Page 2: Shifting Instruction to the Core

Essential Questions:How can a deeper understanding of Shifts 3 & 4 guide us in moving our instruction into the Core?

How can collaboration help us share and vet ideas and resources?

Page 3: Shifting Instruction to the Core

Objectives

Use a common rubric for evaluating text complexity

Collaboratively engage in a process for crafting TDQs

Continue the conversation and accessing resources using Edmodo

Page 4: Shifting Instruction to the Core

Instructional Shifts• Students read a true balance of informational and literary

texts… Shift 1: PreK-5 Balancing Informational and Literary

Text

• Content area teachers outside of the ELA classroom emphasize literacy experiences in their planning and instruction

Shift 2: 6-12 Knowledge in the Disciplines

• In order to prepare students for the complexity of college and career ready texts, each grade level requires a “step” of growth on the staircase.”

Shift 3: Staircase of Complexity

• Students have rich and rigorous conversations which are dependent on a common text.

Shift 4: Text –Based Questions and Answers

• Writing needs to emphasize the use of evidence to inform or make an argument.

Shift 5: Writing from Sources

• Students constantly build their vocabulary they need to access grade level complex text.

Shift 6: Academic Vocabulary

Page 5: Shifting Instruction to the Core

Text ComplexityShanahan on text complexity

Former President of the International Reading Association

Advisory Board for National Institute for Literacy

http://www.youtube.com/watch?v=b5-uhmwsD6Y

http://www.youtube.com/watch?v=-dL1AuuE93M

Page 6: Shifting Instruction to the Core

What is text complexity?

Source:6

Overview of Text Complexity

Qual

itativ

e2. Qualitative measures – levels of meaning, structure, language conventionality and clarity, and knowledge demands often best measured by an attentive human reader.

Quantitative

1. Quantitative measures – readability and other scores of text complexity often best measured by computer software.

Reader and Task3. Reader and Task considerations –

background knowledge of reader, motivation, interests, and complexity generated by tasks assigned often best made by educators employing their professional judgment.

Page 7: Shifting Instruction to the Core

Measuring Text Complexity  Exceedingly Complex Very Complex Moderately Complex Slightly Complex 

MEANING 

o Meaning: Several levels and competing elements of meaning that are difficult to identify, separate, and interpret; theme is implicit or subtle, often ambiguous and revealed over the entirety of the text

 

 o Meaning: Several levels

of meaning that may be difficult to identify or separate; theme is implicit or subtle and may be revealed over the entirety of the text

 o Meaning: More than one

level of meaning with levels clearly distinguished from each other; theme is clear but may be conveyed with some subtlety

 o Meaning: One level of

meaning; theme is obvious and revealed early in the text.

   

TEXT STRUCTURE

 o Organization:

Organization is intricate with regard to elements such as narrative viewpoint, time shifts, multiple characters, storylines and detail

 o Use of Graphics: If

used, minimal illustrations that support the text

 

 o Organization:

Organization may include subplots, time shifts and more complex characters

  o Use of Graphics: If

used, a few illustrations that support the text

 o Organization:

Organization may have two or more storylines and occasionally difficult to predict

  o Use of Graphics: If

used, a range of illustrations that support selected parts of the text

 o Organization:

Organization of text is clear, chronological or easy to predict

   o Use of Graphics: If

used, extensive illustrations that directly support and assist in interpreting the written text

    

LANGUAGE FEATURES

 o Conventionality: Dense

and complex; contains abstract, ironic, and/or figurative language

 o Vocabulary: Generally

unfamiliar, archaic, subject-specific, or overly academic language; may be ambiguous or purposefully misleading

 o Sentence Structure:

Mainly complex sentences often containing multiple concepts

 o Conventionality:

Complex; contains some abstract, ironic, and/or figurative language

 o Vocabulary: Somewhat

complex language that is sometimes unfamiliar, archaic, subject-specific, or overly academic

 o Sentence Structure:

Many complex sentences with several subordinate phrases or clauses and transition words

 

 o Conventionality: Largely

explicit and easy to understand with some occasions for more complex meaning

 o Vocabulary: Mostly

contemporary, familiar, conversational; rarely unfamiliar or overly academic

  o Sentence Structure:

Simple and compound sentences, with some more complex constructions

 o Conventionality:

Explicit, literal, straightforward, easy to understand

  

o Vocabulary: Contemporary, familiar, conversational language

   o Sentence Structure:

Mainly simple sentences

  

KNOWLEDGE DEMANDS

 o Life Experiences:

Explores complex, sophisticated themes; experiences are distinctly different from the common reader

 o Intertextuality and

Cultural Knowledge: Many references or allusions to other texts or cultural elements

 

 o Life Experiences:

Explores themes of varying levels of complexity; experiences portrayed are uncommon to most readers

  o Intertextuality and

Cultural Knowledge: Some references or allusions to other texts or cultural elements

 o Life Experiences:

Explores a single theme; experiences portrayed are common to many readers

  

o Intertextuality and Cultural Knowledge: A few references or allusions to other texts or cultural elements

 o Life Experiences:

Explores a single theme; experiences portrayed are everyday and common to most readers

  o Intertextuality and

Cultural Knowledge: No references or allusions to other texts or cultural elements

Page 8: Shifting Instruction to the Core

Evaluate Roald Dahl’s “Little Red Riding Hood and the

Wolf”Appendix B, 4/5 complexity band

http://www.poetryarchive.org/poetryarchive/singlePoem.do?poemId=7428

8

Page 9: Shifting Instruction to the Core

Break

Page 10: Shifting Instruction to the Core

TEXT DEPENDENT QUESTIONS?Questions that can only be answered with

evidence from the textCan be literal but can also involve analysis,

synthesis, evaluationFocus on word, sentence and paragraph as

well as larger ideas, themes or eventsFocus on difficult portions of text in order

to enhance reading proficiency

Page 11: Shifting Instruction to the Core

WHY TEXT DEPENDENT QUESTIONS? or, WHY NOT GO OUTSIDE THE TEXT?

More time outside the text less insideGoing outside the text privileges those

who have that experienceIt is easier to talk about our experiences

than to analyze the textThese are college and career standards

Page 12: Shifting Instruction to the Core

Text-Dependent Questions are not…

Low-level, literal, or recall questions

Focused on comprehension strategies

Just questions…12

Page 13: Shifting Instruction to the Core

Three Types of Text-Dependent Questions

When you're writing or reviewing a set of questions, consider the following three categories:

• Questions that adress themes and central ideas

• Questions that target knowledge of vocabulary

• Questions that highlight syntax and structure

13

Page 14: Shifting Instruction to the Core

VocabularyFrom “Hot and Cold Summer” - 5th grade fictional text

• “To avoid someone means to keep away from them so that you don’t have to see them and they don’t have to see you. How did the boys avoid meeting Bolivia at first?” (pg. 23)

• Re-read the last two paragraphs on page 39. Rory had a “strong suspicion”. What is a suspicion? What details in the story made Rory suspicious of Bolivia?

14

Page 15: Shifting Instruction to the Core

Culminating Tasks• Should relate to core understanding and key ideas.

• A coherent sequence of text dependent questions will scaffold students toward successfully completing the culminating task.

Example: “The title of this selection is ‘Because of Winn-Dixie.' Using your answers from the questions above and class discussion, explain why this is an appropriate title for the selection. Be sure to clearly cite evidence from the text for each part of your answer.”

“Officer Buckle’s final safety tip is 'ALWAYS STICK WITH YOUR BUDDY.' How did he and Gloria each learn this lesson for themselves throughout the story?”

15

Page 16: Shifting Instruction to the Core

Final Thoughts• There is no one right way to have students

work with text dependent questions.

• Providing for the differing needs of students means providing and scaffolding supports differentially - not asking easier questions or substituting simpler text.

• Listening and speaking should be built into any sequence of activities along with reading and writing:

• “Re-read it, think it, talk it, write it”

• The CCSS require ALL students to read and engage with grade appropriate complex text regularly. This requires new ways of working in our classrooms.

16

Page 17: Shifting Instruction to the Core

Where do we find the resources?

www.edmodo.com

Key word: etuyrm

Basal Alignment Project

Page 18: Shifting Instruction to the Core

ClosureHow can a deeper understanding of Shifts 3 & 4 guide us in moving our instruction into the Core?

Evaluation