roma january 2016
TRANSCRIPT
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Experimental Jetset - Automatically Arranged AlphabetsROMA Publications 2015 ISBN 9789491843396 Acqn 25718Pb 11x18cm 16pp ills £7.50
Stapled in a screenprinted silver cover, the zine (titled 'Automatically Arranged Alphabets')contains a typographic experiment involving software-generated compositions (part of a series ofsketches made between 2014-2015).
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Na Kim – SetROMA Publications 2015 ISBN 9789491843440 Acqn 25668Pb 23x30cm 122pp col ills £27
This book features a collection of Na Kim’s work from 2006 to 2015 published on the occasion ofher fourth solo exhibition, SET (named after this publication) at DOOSAN Gallery New York, fromOctober 8 to November 5, 2015. For this book, fragments of her works are set in more or lesspersonal categories, taking on a form reminiscent of a sample book. In contrast with othercatalogues that are linked to an exhibition, published before the show’s opening, this booksketches the pre-exhibition content and establishes the guidelines for the imaginary stage set inthe exhibition space.
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Gerlach En Koop - Choses TueesROMA Publications 2015 ISBN 9789491843488 Acqn 25737Pb 21x29cm 118pp 20col ills £22.50
Working as a collective since 2000, the artists gerlach en koop apply repetition, copying, or reuseto render things visible. Through displacement and misplacement, omissions, erring, and makingmistakes, they enact their fascination with the minute differences between two identical things.The smaller the distance, the more interesting a thing can be. Using objects, readymades,architectural interventions, sculptural or graphic images, words or gestures, they create worksthat are both straightforward and sophisticated. This book is the first volumes in a series, and ispublished on the occasion of the eponymous exhibition at de Appel arts centre in Amsterdam infall 2015.
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Irene Kopelman – EntanglementROMA Publications 2015 ISBN 9789491843501 Acqn 25770Pb 21x28cm 99ills 8col £21.50
Irene Kopelman’s work explores the parallel worlds of artists and researchers. In 2012, sheapplied for a Smithsonian Artist Research Fellowship, “an opportunity that could ignite endlessideas”. This book is the result of the work she produced during visits to the Smithsonian TropicalResearch Institute in Panama. Without formal scientific training, Kopelman hoped to achieve anunderstanding of methods in field biology, and contacted three researchers to assist asinterlocutors: Stuart J. Davies (forest ecology), Owen McMillan (adaptive variation), and Bill
Wcislo (animal behaviour). She replicates the forms of woody vines, mangrove roots, andrandomly scattered crab pellets.
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Jennifer Tee - The Soul In LimboROMA Publications 2015 ISBN 9789491843518 Acqn 25788Pb 21x28cm col ills £27
The Cobra Museum of Modern Art presents The Soul in Limbo, a solo exhibition by Jennifer Tee(b. 1973, the Netherlands) in the framework of the 6th edition of the Cobra Art Prize. The Soul inLimbo comprises a variety of works set within an exhibition architecture developed by Tee. Theexhibition highlights various thematic aspects of her work over the past decade including the mostrecent developments. The exhibition's title derives from André Breton’s novel Nadja(1928) andrefers to a recurrent subject in Tee’s works: the state of being in-between, on the border betweenthe here and the possible. During the exhibition, several performances will take place. In addition,Kunstverein Amsterdam, in collaboration with the artist and the Cobra Museum, presents JenniferTee meets Cobra.
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Zachary Formwalt - Three ExchangesROMA Publications 2015 ISBN 9789491843433 Acqn 25795Pb 17x23cm 300pp col ills £28.75
In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s newShenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P.Berlage. Although our economy is dictated by financial transactions, the activity of trading itselfhas become increasingly remote, without actual human encounter. The architecture of the twobuildings serves as a starting point for a investigation into the limitations of photography torepresent global capital and into the interrelationships between financial capitalism and image-making.
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Politics Of InstallationROMA Publications 2015 ISBN 9789491843464 Acqn 25800Pb 20x27cm 64pp 60ills 25col £18
In the spring of 2015, two exhibitions under the title ‘Politics of Installation’ were made by Belgianartists Hans Demeulenaere and Bas van den Hurk. The title refers to a text by Boris Groys, inwhich he claims that installations made by artists reveal a sovereign world. Within these “worlds”there is not one dominant perspective, but rather an exchange of multiple perspectives. Animportant part of the project was to include art historical lines based on architectural elements.Demeulenaere refers to the work of architect Aldo van Eyck, and Van den Hurk to thearchitecture of Juliaan Lampens.
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Seth Siegelaub - The Xerox Book - Andre Barry Huebler Kosuth Lewitt Morris WeinerROMA Publications 2015 ISBN 9789491843525 Acqn 25828Pb 21x28cm 372pp ills £26.50
This exhibition in book form was originally published by American curator and art dealer SethSiegelaub in 1968. Organised to show work outside of the gallery setting, the book presentsseveral artists associated with Siegelaub’s curatorial practice, and applies unconventional modesfor the exhibition and distribution of art. Siegelaub asked each participating artist to create 25pages of work that responded to the photocopy format, which was new at the time. A pivotalexhibition for conceptual art in the 1960s, it has now been republished in a second editionthrough a collaboration by Roma Publications, Stedelijk Museum Amsterdam, De Appel artscentre, and Egress Foundation.
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