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Terrell Edwards 2020 Octet Contract Rider

Management and Booking Norma Jean Olivier NJ Productions Plus Ltd. njproductions.njo@gmail.com +1 (780) 232 5830

All business and creative affairs - songwriting / production and collaborations - sponsorship and partnerships - Incremental revenue and growth initiatives Contract / agreement negotiation - Media and all other inquiries coordination - business affairs (legal and accounting)

Tour Management Anne Marie Schotte +1(780)982 1531 1amschotte@shaw.ca

All performance management - live sound and lighting coordination - all aspects of travel, hospitality, and performance local scheduling - local payment coordination and merchandise sales point of contact

All band and music arrangement coordination - sheet music and symphony coordination - band and horn arrangements - song creative arrangements - band member coordination for live performances

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CONTRACT RIDER

This Contract Rider (Agreement) is hereby made part of the Contract dated ,

by and between TEMPO Entertainment (hereinafter referred to as “Artist” or “Terrell Edwards”)

and (Hereinafter referred to as “Purchaser”), for

the Engagement at the location of on the

date .

Non-Technical Rider

ACCOMMODATIONS: Applies: Yes ☐ No ☐

When accommodations are supplied, the Purchaser agrees to provide approximately (4) high-quality single rooms, all with king-size beds – all non-smoking – for one night on day of performance and, if required by travel itinerary, one night prior to or following day of performance - at a first class, four- star or higher, national chain hotel (e.g. Sheraton, Fairmont, Delta, Westin, Hyatt,). If a hotel of this quality is not available, please provide the best quality full-service hotel in the vicinity and inform the Tour Manager prior to the commencement of any travel. Purchaser is responsible for WIFI and parking charges when applicable.

AIR TRAVEL: Applies: Yes ☐ No ☐

In those cases where the Purchaser has agreed to provide transportation to the city/location of performance, Purchaser shall provide 1 Business Class and 2 Economy Class airline seats, and be responsible for all associated cartage and baggage charges (to a maximum $500.00 CDN) on a regularly scheduled direct flight to the airport located closest to the performance venue.

NECESSARY PRE-SHOW INFORMATION: Applies: Yes ☐ No ☐

The Purchaser shall provide, no less than fifteen (15) days prior to the performance date, contact information for: The purchaser, venue, venue manager, sound production company, lighting production company, stage manager, ground transportation drivers, and hotel.

DRESSING ROOM: Applies: Yes ☐ No ☐

Purchaser agrees to provide, at Purchaser’s sole cost and expense, at least one Dressing Room with the Artist’s Food & Beverage requirements (Hospitality Rider) and the following:

• full-length mirror and a clothing rack with hangers

• private bathrooms (separate from patrons), including shower

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• tables, chairs and a couch – suitable seating for up to 10 people

• Secure door locks with key/code provided to Tour Manager

• Equipped with air conditioning and heat, with accessible controls, pre-set to 20C

• Must have WIFI with codes written down for easy connecting

• Include at least two (2) available 120 Volt AC power outlets (including power adapters if not

North American 120V outlets)

• Be well lit and include control for lighting

• Be close proximity for getting to the stage for performance

Where available, Terrell Edwards would prefer two separate Dressing Rooms, one for Terrell (performer) and one for his band. Dressing room(s) should be prepared and available for use at least 90 minutes prior to show time. The room must be lockable and guarded from the time the band arrives until they leave the venue/site with a staff member provided by the Purchaser. Two dressing room keys should be available with one delivered directly to the Tour Manager upon arrival at the venue. Contents of the Dressing Room are not to be removed after the show without the Tour Manager’s consent. When an adequate dressing room is not possible on-site, the Purchaser will supply a clean RV trailer, to be parked close to the stage, for the band's exclusive use.

In the event the Performance is Outdoors, the Artist is to be provided with one minimum 40-foot RV or Star trailer with air conditioning and heating control, a working washroom and adequate power for refrigerator and lighting, if no appropriate Indoor Dressing Room is available. WIFI must be provided with access codes written down.

GROUND TRANSPORTATION: Applies: Yes ☐ No ☐

For airport pickup/return and related ground transportation, the Purchaser is to provide a well- running 6-passenger vans (with 6 feet of available cargo area). *Note: Please do not send stretch limousines or pick-up trucks.

Ground transportation to be available to the members of Terrell Edwards band and their crew for airport pick-up and delivery, and on an "on call" basis on the day of show including load-in, sound check, show, load-out and travel between the hotel and the venue. Ground transportation may be required one day prior to the performance depending on Terrell Edwards arrival schedule. Driver names and contact numbers are to be provided to Terrell Edwards’s Tour Manager at the time of the production advance.

PARKING: Applies: Yes ☐ No ☐

When required, parking for band vehicles should be reserved in a secure well-lit area at the venue or site. The parking spaces should accommodate four vehicles. Please check with the tour manager.

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INTERVIEWS & PROMOTION: Applies: Yes ☐ No ☐

Requests for interviews should be made well in advance of the performance, and through Terrell Edwards’s Tour Manager. Logos, posters, publicity photos and bios, useful for promotion purposes, can be downloaded from the EPK. Please include Terrell Edwards’s Facebook page information and his Twitter handle in any and all promotion for the show.

BILLING: Applies: Yes ☐ No ☐

Terrell Edwards is to receive 100%-star billing in all advertising and promotion. Secondary artist billing should be no larger than 60%. In the event that Terrell Edwards is a secondary artist on the bill, 60% billing would be appreciated. For specific multi-artist shows the billing split will be as follows:

Artist 1: % Artist 2: %

BOX OFFICE: Applies: Yes ☐ No ☐

The Promoter agrees to provide a complete report of ticket sales by the close of business, the day of show. Numbered tickets shall be used for paid admission and torn ticket stubs are to be provided to the Tour Manager for an accurate count of paid admission, when requested. When a third party distributes tickets, a detailed report is to be given to the Tour Manager upon request.

GUEST LIST/COMPS: Applies: Yes ☐ No ☐

A guest list (complimentary tickets) will be made available to Terrell Edwards of premium seating as follows:

Guest list: 14 complimentary tickets requested.

VIP TICKETS: Applies: Yes ☐ No ☐

Terrell Edwards will get first access to purchase premium seating prior to the official venue on-sale date in order to sell VIP packages including premium seats and a private meet-and-greet reception, as follows:

Venue size (seats): 0-300 301-800 >801

Premium Seats (up to): 30 tickets 45 tickets 60 tickets

PAYMENTS & DEPOSITS: Applies: Yes ☐ No ☐

Deposits must be paid by the date cited in the contract. Balance of payment is to be paid to the Tour Manager 60 minutes prior to the show. Payments are to be paid by either cash or certified

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cheque made out to TEMPO Entertainment. If other arrangements are made, please outline here:

MERCHANDISE: Applies: Yes ☐ No ☐

Terrell Edwards retains the right to sell merchandise (t-shirts, hats, books and CDs) on site. A minimum of 1 (one) 8-foot table, appropriate lighting for tables and display signage, and a nearby 120-volt power outlet are required. Terrell Edwards’s Tour Manager and an identified Merchandise Manager shall be given access to all potential on-site selling locations. In those cases where an additional seller is required, this will be discussed in advance with Terrell Edwards’s Tour Manager.

No person or company may use the word “Terrell Edwards” or the Terrell Edwards logo or artwork on any merchandise (intended either for sale or as a give-away) without first negotiating a license fee for that use with Terrell Edwards’s Manager, Agent or Tour Manager. All merchandise sold on-site must be sold at the same price as equivalent Terrell Edwards merchandise and no free promotional items should be distributed unless the amount of merchandise and timing of its distribution is approved by the Tour Manager.

Purchaser to provide 1 (one) seller at their cost and venue commission not to exceed 10% of proceeds on hard goods and 20% on soft goods after applicable sales taxes are deducted.

RECORDING AND TRANSMISSION: Applies: Yes ☐ No ☐

No professional recording (either audio or visual) or transmission (either online, by radio, television, closed circuit, film or any other method) may be made of Terrell Edwards’s performance without prior consent. When live projection screens are part of the show, Terrell Edwards may permit recording with the condition that Terrell Edwards retains usage rights to the recordings made. Recording, under these circumstances, should be discussed on-site, day of show, with Terrell Edwards’s Tour Manager. Terrell Edwards actively seeks audience participation in using their smartphones to record audio and video of his performances, and to share that via social media, hence all venues will accommodate the audience use of mobile devices for audio and video recording, without the use of flash.

VENUE: Applies: Yes ☐ No ☐

In the case of indoor venues, all monitors, illuminated signs or screens (other than performance projection screens) must be turned off prior to the doors opening. Terrell Edwards’s performance may begin with a recorded introduction. Anyone wishing to address the audience before the performance begins must consult with Terrell Edward’s Tour Manager one half hour prior.

STAGING: Applies: Yes ☐ No ☐

The stage, wherever possible, shall be at least 24 feet wide by 18 feet deep, and between 3 to 7 feet in height. The stage should have access points, located on the sides of the stage, preferably stairs or moveable ramps. As we may need access to rigging in order to hang drapes, screens, lighting,

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projection equipment and accessories, a suitable lift or ladder must be available. A suitable area for storing dead cases must be provided and accessible at all times.

INDOOR VENUES: Applies: Yes ☐ No ☐

The temperature indoors and around the stage must be kept consistent with no drastic changes, preferably close to 20C. There is to be no air conditioning or heating vents blowing directly towards/ on the stage, and if this condition exists the venue must be prepared to seal any such vents when requested by the Tour Manager.

Access to the stage and stage area must be cleared prior to the arrival of Artist (Tables, chairs, mic stands and cables). In the event there is an opening act, they are to keep their belongings clear as well.

OUTDOOR VENUES: Applies: Yes ☐ No ☐

The same conditions apply as for Indoor Venues (above), with the following additions;

A. Stage must be covered and protected from the elements. It is to be one of the following;

a. A professional mobile stage set up by qualified personnel, certified by a licensed engineer.

b. A fixed stage, designed by a licensed engineer, and assembled by qualified personnel.

SECURITY: Applies: Yes ☐ No ☐

The Purchaser and on-site security personnel should discuss security and access passes with the Tour Manager prior to doors opening for patrons. Security for dressing room, merchandise booth and vehicle parking area is also required. Terrell Edwards asks that, during the performance, security personnel refrain from the use of force until all other methods of persuasion have been exhausted, and that the sound of communications devices (walkie-talkies etc.) be kept low so as not to disturb patrons.

ANTICIPATORY BREACH:

If the financial standing or credit of the Purchaser has been impaired or is unsatisfactory prior to the completion of any scheduled Performance hereunder, the Artist shall have the right to demand payment forthwith of the guaranteed compensation specified in the Contract. If Purchaser fails or refuses to make such payment forthwith, Artist shall then have the right to terminate this Agreement. In the event of termination, Artist shall have no further obligation to Purchaser hereunder, and shall retain any monies theretofore paid to Artist by Purchaser.

LEGAL:

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1. DEFAULT BY PURCHASER: If Purchaser breaches any of its obligations hereunder, which include without limitation Purchaser’s refusal or neglect to provide any of the items required of Purchaser hereunder; proceed with the presentation of the engagements which are subject of this agreement; Timely make any of the payments referred to herein; furnish the type, size, and quality of public address (PA) requested by Terrell Edwards or, if at any time prior to or during the actual performance of Terrell Edwards should the said public address (PA) system be otherwise than in perfect working condition; then in any of such events and in addition to any of Terrell Edwards’s other rights or remedies; Terrell Edwards may elect to terminate this agreement without liability to perform hereunder or otherwise. In such event, Terrell Edwards shall retain all amounts theretofore paid to Terrell Edwards by Purchaser as partial offset against amounts owed, and Purchaser shall remain liable to Terrell Edwards for any additional monies herein provided or otherwise payable as a matter of law.

2. FORCE MAJEURE: Terrell Edwards shall be excused from its obligations hereunder in the event of a sickness or accident to any member of Terrell Edwards (including band members and Tour Manager) or if Terrell Edwards’s performance is rendered impossible or commercially impracticable by reason of a force majeure event, including without limitation any act or regulation of any public authority or bureau, civil tumult, strike, epidemic interruption in or delay of transportation services, war conditions or emergencies, or any other cause or causes beyond the control of Terrell Edwards, whether of a similar nature. However, if Terrell Edwards is ready, willing and able to perform hereunder, no force majeure or any other event shall relieve Purchaser of its obligations under this agreement.

3. RAIN OR SHINE CLAUSE: Terrell Edwards is to be paid Rain or Shine, regardless of any inclement weather that requires the show to be cancelled.

4. INDEPENDENT CONTRACTOR: Terrell Edwards is executing this agreement as an independent contractor and not as an employee or agent of Purchaser. This agreement shall not, in any way, be construed so as to create an agency, partnership, or any other joint undertaking or venture between the parties hereto, and neither party shall be liable for any representation, act or omission of the order.

5. THIRD PARTY AGREEMENTS: No provision contained in any concert hall lease or other agreements between Purchaser and any third party which is inconsistent with any provision of this contract rider shall be binding on Terrell Edwards unless Terrell Edwards consents in writing thereto. Purchaser represents and warrants Purchaser is unaware of any such inconsistency.

6. INDEMNIFICATION: Purchaser hereby agrees to indemnify and hold harmless Terrell Edwards from and against any claims, costs, damages, liabili.es, and judgments arising out of or connected with any claim by a third party which is inconsistent with any of the warranties, representations or obligations of Purchaser hereunder.

7. INSURANCE: Purchaser shall provide Terrell Edwards, at least two weeks prior to the performance, with a certificate of insurance evidencing the following:

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(a) Comprehensive general liability insurance in the amount required by the venue, but in no event with a limit less than $2,000,000.00 combined single limit for bodily injury and property damage; and

(b) Terrell Edwards has been added to said policy as an additional named ‘insured'.

8. DAMAGE BY OTHERS: Terrell Edwards shall not be responsible for damage or injury to any patrons or the facility or any fixtures or personal property therein, caused by fans or any others not a part of Terrell Edwards and their road crew. Purchaser shall indemnify and hold Terrell Edwards harmless from any third-party claims concerning the foregoing (as provided in Paragraph #5 above) and Purchaser shall make no claim, deduction or offset in respect of same.

9. PRE-EMPTION: Purchaser agrees that, at Terrell Edwards discretion, they may postpone and/or cancel the engagement hereunder by giving Purchaser written notice thereof at least thirty (30) days prior to the commencement date of the engagement, provided Terrell Edwards should be called upon to furnish the services of Terrell Edwards in connection with a theatrical motion picture, television, or other significant event which might conflict with this engagement.

10. PURCHASER'S CAPACITY: Purchaser represents and warrants that Purchaser has the right, power and authority to enter into and fully perform this contract and is of legal age.

11. PERFORMANCE EXCUSE: Terrell Edwards will not be required to perform before an audience where there is a danger of riot, civil disturbance or injury to any member of Terrell Edwards (including all crew members). Failure to perform under such circumstances, as determined by Terrell Edwards Manager, Agent or Tour Manager, shall not relieve Purchaser of its obligations to make any payments required hereunder.

12. PERMITS, ETC: Purchaser shall, at Purchaser's expense, obtain all necessary permits, licenses, or other consents (including without limitation, public performance licenses) as may be necessary or desirable and shall indemnify Terrell Edwards in respect of same as provided in Paragraph #5 above.

13. MISCELLANEOUS: This Agreement is the entirety of all negotiations and understandings merged hereunder. All approvals or consents of Terrell Edwards hereunder may be withheld without cause. This Agreement cannot be modified except by an instrument in writing, executed by both the Purchaser and Terrell Edwards. A waiver of a breach by either party in any one instance shall not constitute a waiver of any subsequent breach, whether or not similar. This Agreement is not intended for the benefit of any third party. Should any provision hereof be held invalid or unenforceable, it shall be separable from and shall not affect any other provision. All remedies for breach of this Agreement shall be cumulative and the exercise of anyone shall not be deemed a waiver of any other. The paragraph headings herein are for convenience only and not to be utilized in construction or interpretation of this Agreement. In the event of litigation concerning this Agreement, the prevailing party shall be entitled to recover reasonable attorney's fees. Time is of the essence in the payment of all deposits, guarantees and other monies required hereunder.

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Please note that this Terrell Edwards Agreement is an integral part along with the Contract. Any deviation from this Agreement and its requirements (including the attached sheets outlining catering, backline, sound and other requirements), without the prior consent of the band's Tour Manager or Terrell Edwards Management, will be grounds for the forfeit of the 50% deposit and cancellation of the show without any further liability to Terrell Edwards or any of their personnel or representatives

SIGNATURES

Signatures below and initials on each page of this Contract Rider Agreement constitutes acceptance of the prescribed terms as detailed in the above paragraphs and any Schedules attached herewith.

Purchaser Signature Terrell Edwards or Designate Signature

Purchaser’s Printed Name Terrell Edwards or Designate Printed Name

DATE DATE

Terrell Edwards – OCTET TECHNICAL RIDER 2020

Purchaser shall provide, at Purchaser’s sole cost and expense, the following list of MINIMAL technical requirements for Terrell Edwards.

Terrell Edwards employs an audio engineer to attend to their sound requirements and to mix the Front of House (FOH) sound. It is a specific condition of this Agreement that a competent sound company be hired to supply professional sound reinforcement equipment in keeping with what is appropriate to achieve high sound pressure levels, smooth power response and uniform dispersion throughout the complete listening area.

ARTIST CONTROL: Applies: Yes ☑ No ☐

Terrell Edwards and their representative(s) shall have full control over stage volume, FOH sound levels, placement of speakers and monitors, and shall also have full control over all aspects of the “presentation” and “artistic direction” of the performance.

Be sure to confirm with the Tour Manager which size group Terrell is planning on

bringing!

The following Information is specific to “Terrell Edwards Octet".

FRONT-OF-HOUSE (FOH) SYSTEM

FOH MIXING CONSOLE: 32 inputs

Please provide a high-quality Digital console with a minimum of 32 inputs and a stereo input cable for hooking up an iPod/iPhone/iPad or other auxiliary audio player.

FOH Console Preferences: Midas Pro Series, Yamaha CL series, Avid Venue series, SSL.

There must be adequate lighting for the console.

*Note: Under no circumstances is the FOH Audio board to be in a “sound booth”. It must be positioned in a central location, at least 25Z from the performance stage.

MAIN SPEAKER SYSTEM - Matrix Output 1 & 2

Terrell Edwards is accustomed to using high-powered top-quality processed speaker systems such as d&b, Meyer, EAW, JBL or equivalent. The system will be configured in full stereo, must be in phase and respond evenly from 40 Hz to 16000 Hz. The system should provide uniform coverage throughout the complete listening area of the venue. The PA system must not have any buzzes, hisses, crackles or any other disruptive noises.

To eliminate any obstructed view seating, the speaker system should be flown from rigging points. If this is not possible the speaker system should be raised so a “standing audience” will not obstruct it.

FRONT FILL - Matrix Output 3 Please have 4 front fill speakers along lip of stage.

SUBS - Matrix Output 4 Please provide a proper number of Sub Speakers to match the Main Speaker System.

MONITOR SYSTEM

MONITOR MIXING CONSOLE: 32 Inputs

We request that a Midas M32 be provided as a monitor console with a wireless WiFi Router connected to the console for remote control. The band will have the app to control this board and their monitors via their phones or tablets. Please provide a monitor technician that is fully trained on this console, is familiar with operating via remote control and the use of wireless technology.

There must be adequate lighting for the console.

This console is to be used solely for Terrell Edwards. Support or Co-headline acts must have a separate console.

MONITORS

Please provide 2 (two) Low Profile bi-amped wedges (ie EAW SM200). 1 stage, 1 cue.

The Band will provide wired IEM systems for each the players Just run an XLR to each position.

MONITOR CONFIGURATIONS:

Mix 1: Piano IEM Mix 2: Bass IEM Mix 3: Tenor Sax IEM Mix 4: Trumpet IEM Mix 5: Drums IEM Mix 6: Open Mix 7: Vox IEM (mono) Mix 8: Vox Wedge Mix 9: Alto Sax IEM Mix 10: Trombone IEM

WIRELESS REQUIREMENTS

In some cases, Terrell will bring his wireless systems. Please confirm with Tour Manager. If not, the following items will need to be provided.

(2) Sennheiser SKM5200 wireless mic systems with (2) mics equipped with Neumann KMS105 capsules.

(2) Sennheiser wireless IEM systems (G3s or 2000s) with combiner and Professional Wireless Helical Antennae.

WIRED IEM REQUIREMENTS

In some cases, Terrell will bring this IEM. Please confirm with Tour Manager. If not, the following items will need to be provided.

(1) Stereo Hard-Wired IEM (Shure PSM600) with (1) Ear Bud (with fresh ear foamies)

BATTERIES

Please supply the following batteries: (18) AAA (8) AA

GENERAL NOTES

CABLING Terrell will be roaming and dancing across the stage therefore no cabling is allowed to cross the performance area. All monitor speaker cables, microphone cables, AC cables etc. must be of sufficient length to be run around the perimeter of the stage.

SYSTEM COMPONENTS The sound company will provide all microphones, DIs, stands, cables, components (e.g. transformer split & snake), A.C. distribution, etc. required to complete the sound system. These must be quality products tested and working in order to ensure a smooth-running professional show.

ADDITIONAL EQUIPMENT MAY BE NEEDED In the event of an opening support act (or other artists in a multi-artist show), the sound company will provide any additional mixing consoles, microphones, D.I.’s, stands, A.C. etc. required by the other artists so that a quick and easy change-over may be executed.

OUTDOOR SHOWS For outdoor shows, depending on time of day, it can be difficult to read Digital Consoles. Please provide tents with black tops to help keep the sunlight from obscuring the readings on the board.

CLEAR COM Please provide clear communication between FOH and Monitor console.

PERSONNEL: Please provide experienced professional crew familiar with the equipment being provided. They must be at least eighteen years of age, sober and be in good physical health. The crew leader or crew chief must be proficient in English.

The following will be needed for load in, sound check, set changes, show and load out. (1) FOH Tech (1) Monitor Tech/Operator (1) Stage Patch Crew (2) StageHands / Loaders

LIGHTING REQUIREMENTS:

Please provide a high-quality lighting system including moving lights. Our show should look professional and be capable of dramatic expression matching each song. It is important that there are specials focused to pick up each player as they solo or are introduced. The lighting should be capable of providing an even wash to cover the stage leaving no dark areas. A competent Lighting Operator/ Tech shall be available at load in time for focusing and for duration of Artist’s performance.

HAZER: Please provide a water-based Hazer and fluid as needed.

FOLLOW SPOTS: As Terrell roams the stage and often into the audience, we would like to use two follow spots for the performance. Please provide operators.

CLEAR COM: Please provide clear communication between Lighting Console and Follow Spot Operators.

VIDEO REQIREMENTS Whenever possible we would like access to the venue projector and screen as we run video during the show. They are generated from the laptop at the drum position and has a HDMI output. Please provide the HDMI cable to the projector.

Terrell Edwards OCTET BACKLINE REQUIREMENTS

PURCHASER PROVIDING BACKLINE: Applies: Yes ☐ No ☐

DRUMS: (drummer will bring own sticks) Sonor (preferred) or Yamaha Maple/Recording Custom (1) 22” Kick Drum (with hole in head for mic) (1) 10” Rack Tom mounted on the kick (w/ coated top skin) (1) 12” Rack Tom also mounted on the kick (w/ coated top skin) (1) 14” Floor Tom with legs (w/ coated top skin) (1) 14” 5.5-inch-deep wood Snare (w/ coated top skin) (1) Single Kick Pedal (1) Hi-Hat Stand (with spare clutch) (5) double-braced Heavy-Duty Cymbal Stands with Boom Arms (1) Snare Stand (1) Drum Stool (1) Drum Rug (minimum 6x8Z) (1) pair of drumsticks (just for audio line check. They can be a used pair) (1) Plexi Glass Shield for drummer Paiste Jazz Cymbals or equivalent - 21" ride, 20" ride, 16" crash, 18" crash, 14" hi hats

PIANO: (1) Acoustic Grand Piano (Shigeru Kawai, Kawai GX, Steinway, Bosendorfer, Yamaha C7 or CFX) (1) Adjustable piano bench If an acoustic grand piano cannot be provided, please confirm suitable options with Tour Manager.

PIANO TUNING: Piano must be tuned day of show, before Terrell Edwards crew arrive for load in. A touch up tuning may be required after sound check. Please have piano tuned to A440.

BASS: (1) 5 string Electric Bass with strap (Fender Precision or Fender Jazz) (1) Bass Guitar Stand (1) 3⁄4 size steel-string Upright / Acoustic Bass with Underwood Pick-up (4) 1/4inch cables (minimum 10Z)

RISERS: (1) Drum Riser - 8Z x 8Z x 1Z

PROPS / MISC: (2) Black Bar Stools (no back rest please) (8) Heavy Duty Music Stands with Lights (such as Manhasset Model #48)

Substitutions must be confirmed with Tour Manager

HOSPITALITY RIDER - OCTET

Food & Beverage

Please set-up in the Dressing Room ready for Band load-in time.

• 12 cans of Assorted Soft Drinks (diet coke, ginger ale, Sprite or equivalent)

• 24 x 500ml bottles of non-carbonated bottled spring water

• 12 x 500ml bottles of carbonated bottled water

• 12 cans/bottles of assorted beer

• 4 bottles of red wine

• 1 bag of Tortilla chips + one container plain Hummus + fresh mild salsa

• 2 packs of spearmint flavoured Excel/Orbit sugar free gum

• 1 cheese and meat assortment board (enough for 10 people)

• 1 medium bowl of fresh fruit (bananas, apples, grapes, oranges)

• 1 medium vegetable tray – red peppers, cucumber, carrots, broccoli, dill pickles, olives, etc.

• Plates, Utensils, Glasses (rock, highball, and red wine – 8 of each), Napkins, Solo Cups

• Large Bucket of Fresh Ice

• 7 Hand-Sized Towels and 2 rolls of paper towels

Dinner/ Catering

A. Catered meal to be provided, or in lieu of, a $40 meal buyout per person (paid as cash at load in). Check with Tour Manager for number of people to feed.

B. Catered meal to be healthy and well-balanced meal of lean meats (chicken, steak) and grilled vegetables and salad. Please note to refrain from serving starchy carbohydrate food items – no pasta, no pizza etc.

C. Please confirm if we have any allergies with Tour Manager.

Terrell Edwards Octet - Inputs / Stage Plot - 2020

Channel Description Mic / DI Stand Type Position 1 Kick SM91 or Beta91A or Senn 901 n/a USC

2 Snare Top SM57 or Beta57 Short Tripod w/TeleBoom USC

3 Snare Bottom SM57 or Beta57 Short Tripod w/TeleBoom USC

4 Hi Hats AKG451 or SM81 or KM184 Short Tripod w/TeleBoom USC

5 Tom 1 Senn604 or Senn904 Drum Clamp USC

6 Tom 2 Senn604 or Senn904 Drum Clamp USC

7 Tom 3 Senn604 or Senn904 Drum Clamp USC

8 OH SR AKG451 or SM81 or KM184 Tall Tripod w/TeleBoom USC

9 OH SL AKG451 or SM81 or KM184 Tall Tripod w/TeleBoom USC

10 Computer Mix L Radial DI JDI or ProD2 n/a USC

11 Computer Mix R Radial DI JDI or ProD2 n/a USC

12 Computer Click (monitors) Radial DI JDI or ProD2 n/a USC

13 Computer open channel Radial DI JDI or ProD2 n/a USC

14 Upright Bass Radial DI J48 or JDI n/a USR

15 Electric Bass Radial DI J48 or JDI n/a USR

16 open channel

17 Grand Piano Hi AKG414 Tall Tripod w/TeleBoom or piano clamp DSR

18 Grand Piano Low AKG414 Tall Tripod w/TeleBoom or piano clamp DSR

19 Alto Sax Senn 608 or 908 clip on or 421 (if 421) Tall Tripod w/TeleBoom DSL

20 Tenor Sax Senn 608 or 908 clip on or 421 (if 421) Tall Tripod w/TeleBoom DSL

21 Trombone Senn 608 or 908 clip on or 421 (if 421) Tall Tripod w/TeleBoom USL

22 Trumpet Senn 608 or 908 clip on or 421 (if 421) Tall Tripod w/TeleBoom USL

23 open channel DSR

24 open channel DSR

25 open channel DSR

26 Sax Vocal SM58 or Senn935 Tall Tripod w/TeleBoom USL

27 Matt Vocal Senn Wireless w/KMS105 or KK205 Straight Round Base DSC

28 Guest Vocal / MC Senn Wireless w/KMS105 or KK205 Straight Round Base DSC 29 Spare Vocal Neumann KMS105 Straight Round Base DSL

Substitutions must be approved by Tour Manager.