motion picture photography chapter 13. 10 the key rule all motion pictures, no matter how long, must...
TRANSCRIPT
Motion Picture Photography
Chapter 13
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The Key Rule• All motion pictures, no matter how
long, must be planned. Once planned, always stick to the plan.
• Prepare a storyboard.• Find out what equipment is available
and if it is sufficient.
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StoryboardsBasic Information
Identification of scene and shot by scene name and /or citation of dialogue
Type of shot and any other information that the production crew might need (special effects, props, etc…)
Look like extended comic strips
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Motion Picture PhotographyBasic Equipment
Video Camera
Sound Equipment
Lighting Equipment
Editing Equipment (VCR/VTR, Computer with editing software)
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Tips of the Trade• Actors “cheat” to make their facial
expressions show up better on camera.“Cheating” occurs when two actors talking to one another turn slightly toward the camera
• Pausing between lines helps make editing easier and ensure words do not get cut out accidentally
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Tips of the Trade (cont)• Matching Shots
Responsibility of the Script person
Ensure all details in one scene match details in other scenes
Example: Holding pen in right hand in throughout a series of shots, not different hands or setting it down.
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Tips of the Trade (cont)• Using your time efficiently means:
Shooting scenes at same place at the same time instead of going back and forth from location to location
Setting up lights/equipment one time rather than taking it up and down
Backup plans -- indoor scenes might need to be shot in case of bad weather
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Shot SelectionMaster Shots
Master shots present entire sceneTwo-shots show two actorsEstablishing shots intro scenes/backgroundsReversals & close-ups give variety and add dramatic emphasisCutaways show people or objects that relate but are not part of the scene
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Camera WorkCommon Camera Movements
Pan - horizontally across screen
Tilt - vertically up or down
Tracking shot - follow character’s actions
Body cam - to simulate movement of a person
Steadicam - Harness worn by camera operator that helps hold the camera steady.
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Optical EffectsTransitions Between Scenes/Shots
Fade - slowly dim scene to nothing
Dissolve - bring scene out of focus
Wipe - One scene replaces another by wiping the previous one off the screen
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LightingTypes and Uses
Directional - from a single source that casts definite shadows (like the sun on a clear day or flashlights)
Diffused - does not seem to come from a single source, illuminates large spaces, and does not cast clear shadows (like the sun on a cloudy day or floodlights)
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EditingDifferent Types of Cuts
Match cuts - unobtrusively alternate distance and angles within a scene
Cutaways - momentarily take viewers away from main scene
Compilation cuts - rapid succession of shots designed to give the viewer an impression of a person, place, or action
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Editing (cont)Ground Rules
Make a preproduction shot chartList of all shots you plan to take, labeled and identified
Slate (and, if possible, time) each shotIdentify shots on camera
Keep a running record of your shotsLog shots to keep track during production
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Editing (cont)More Ground Rules
Don’t worry about mistakes -- you can always erase and record again
Remember optical effects can add to your movie
Keep finished clips on videotape separate so as not to overwrite accidentally
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