lonsbury m.arch portfolio 2014

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claire lonsbury d esign portfolio

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Page 1: Lonsbury M.Arch Portfolio 2014

claire lonsburyd e s i g n p o r t fo l i o

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c o n t e n t s1. tuamkeni orphans’ school 2

2. northside net zero 8

3. reve academy 10

4. design duluth 16

5. diagram + transformation 22

6. artifi cial thicket 26

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t u a m ke n i o r p h a n s ’ s c h o o l p r i m a r y s c h o o l i n a r u s h a , t a n z a n i a

The Tuamkeni Orphans’ School project is an ongoing partnership between the University of Minnesota, the Minnesota-based non-profi t, Awaken Coalition, and the Tuamkeni Orphans’ Care Center in Arusha, Tanzania. Phase one, research, began in early 2012; myself, three peers*, and a faculty advisor* traveled to Tanzania for one month as part of the research.

The second phase of the project, schematic design, took place in Spring 2013 through a design module. Two teams produced fi nal master plan schematic designs with the goal of casting a vision for Tuamkeni about the future of their site, and to provide a concept proposal for each project to Awaken Coalition for fundraising purposes.

This project proposes ten new classrooms, administrative offi ces, an indoor-outdoor kitchen, latrines, and staff housing on site.

*Team members include: Daniel Aversa, Sangyong Hahn, Jessica Horstkotte

*Faculty Advisor: John Comazzi

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t u a m ke n i o r p h a n s ’ s c h o o l

Considering Arusha’s rainy seasons was also critical in the design. The rendering above shows the continuous roof and overhang that create outdoor spaces where teaching and play can happen outside while staying dry.

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p r i m a r y s c h o o l i n a r u s h a , t a n z a n i a

The site plan (top) includes a proposal for future expansion to the south. The offset trusses seen in the section above create a skylight running through the backbone of the buildings, bringing natural light to the interior spaces. The roof has a deep overhang to provide shading in this hot, sunny climate that lies just south of the equator.

Site plan designed by team, drawn by Fiona Wholey, edited by Claire Lonsbury.

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The house was completed and dedicated to its new owners in December 2013. I was asked to be a student representative for the project for the WCCO News segment about the house and dedication that aired on December 19, 2013.

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n o r t h s i d e n e t - z e ro p a s s i ve h o u s e d e s i g n f o r h a b i t a t f o r h u m a n i t y

The Northside Net-Zero house was a partnership between the University of Minnesota and Habitat for Humanity. The house was designed for energy effi ciency, affordability, and constructibility by a volunteer workforce.

I entered into the project during the design development phase and continued through the construction document phase. Working on a team*, my areas of focus were developing the construction and assembly strategies for the super-insulated walls, winding staircase, and the Hardi-panel cladding system.

This project gave me the invaluable experience of learning how to reconcile a conservative budget and aggressive energy goals while maintaining beauty and aesthetics.

Team members included: Daniel Aversa, Aaron Regla-Breton, Marcus Hulmer, Jenn McGinnity, Stuart Shrimpton, and Sangyong Hahn

RoofRoof28' - 2"28' - 2

C2 C2

H2

G

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23

45

6

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The building derives its form on infl uences the backside of this balley gradually to be a more natand conference rooms are expobringing activity and ‘eyes on th

The Alley

Exterior wall assembly: 5/8” gypsum wall board interior sheathing, painted Vapor retarder 3-5/8” 20-gauge steel stud Spaced 16” on center R-15 fi berglass batt insulation Air barrier fi lm 5/8” exterior sheathing Weather-resistive membrane Steel z-clips 2” extruded polystyrene 1” wood furring strips, spaced 12” on center, painted black 6” x 12’ Ipe plank rainscreen.019” thick aluminum fl ashing28-gauge sheet metal gravel stopPedestal rooftop deck systemRoof assembly: 3” structural wood decking 5/8” plywood sheathing Vapor retarder and air barrier fi lm 2”-5” sloped R-25 rigid roof insulation Adhered single ply vinyl roof membrane, ballastedIpe customized sill plateRoof assembly: See Item 5, unballastedExtruded aluminum slip joint and blocking8” spandrel glass Double-glazed entryCast-in-place concrete stoop, sloped 2% to East2” XPS insulationIn-fl oor radiant heat systemTerrazzo toppingEarthVestibuleRebar15” raised access fl oor system12” cast-in-place concrete wallSubgrade interior space

1

2345

67

891011121314151617181920

Section Detail D

Section Detail D1- 1/2” = 1’-0”

Alley ElevationNTS

Alley view

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the east side from its site: the alley. The undulbuilding, which is also the main entrance from tural presence in this zone. Commonly-used gaosed to the alley through large windows, increahe alley’.

reve a c a d e myd i g i t a l m a r ke t i n g a c a d e my fo r n o r t h m i n n e ap o l i s yo u t h

Reve Academy is a non-profi t after-school digital marketing academy for students in NorthMinneapolis. The building houses the Academy’s work spaces, profi t-generating retail storefront, workshop, gallery and conference room, and offi ce space for the Academy’sfor-profi t parent company, Reve Digital Marketing.

The Reve Academy design includes interior renovation and new construction that growsout of the shell of an existing, corner-lot brick building on West Broadway Avenue in North Minneapolis. Structure and sectionality drove the building’s design. Code analysis, structural requirements, and material specifi cations for the project were included in fi naldetail drawings for the course.

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reve a c a d e my

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d i g i t a l m a r ke t i n g a c a d e my fo r n o r t h m i n n e ap o l i s yo u t h

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RRRRRRREEEVVVVVEEEEEERRRRREEEEEEEEEVVVVVVVVVVVEEEEEEEEEEEEEERRRRRRRREEEEEEEEEEEVVVVVVVVVVVEEEEEEEEEEEEREVVE AAAAAAAAACCCCCCAAAAAAAAADDDDDDEEEEEEMMMMMMMMYYYYYYAAAAAACCCCAAAAADDDDDDDDDDDEEEEEMMMYYYYYYYYAAAAAAAACCCCCCCCAAAAAAADDDDDDDDDDDDDDEEEEEEEEEEEMMMMMMMMMMMMYYYYYYYYYACADDEMY

reve a c a d e my

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The North elevation (opposite) maintains the original building’s facade with the addition appearing as a backdrop to the existing West Broadway streetscape. Conversely, the addition plays a signifi cant role in the building’s East elevation presence on Dupont Avenue (above).

d i g i t a l m a r ke t i n g a c a d e my fo r n o r t h m i n n e ap o l i s yo u t h

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d e s i g n d u l u t h

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The Design Duluth studio is part of an ongoing partnership between the University of Minnesota and the City of Duluth, Minnesota. Working closely with city offi cials, the studio proposed resilient design solutions with the goal of increasing Duluth’s population. My teammates, Vanessa Abin (M. Arch) and Emily Osthus (M.L.A.), and I proposed a master plan system that introduces the Ripstop Nylon industry into an historical industrial corridor of Duluth to reinvigorate economic activity and support local craft movements in the City. Building from existing networks of small, local businesses, we introduced programs and product distribution systems that would strengthen their networks and bring commercial activity to the area. Streetscape, spatial and programmatic system design are the critical foci of this project.

s m a r t m a nu f a c t u r i n g c o r r i d o r a s a c a t a l y s t f o r g row t h

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ggSewing schoolgge CggPackinggPPaPPacPaLabTestingg

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bilityHigh VisibilityVisiHigh VisibiHigh VisiHigh V

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Low Visibilityw VisibilityVi ibilit

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terac

tion

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n Ripstop Factory

Outfitters

Kites

Flags, Banners

Parachutes

Parasails

Tents

Climbing RopesPacks & Bags

Existing New

Innovation Lab + Testing

Ripstop Distribution

AeroStitch

Duluth Grill

Bent Paddle Brewery

Frost River

Hot Air Balloon

Sail-maker

d e s i g n d u l u t h

production

floor 1

floor 1

floor 2

basement

production

production

production

production

production#2

production

product

product

product

product

product

product

product

business

sales: Canal Park

materials

materials customers

customers

sales: online

sales: products to stores

sales: in-store

sales: in-store

sales: online

sales: online

sales

sales

sales

business

classroom storage

business

business

production

employees

customers

materials

materials

Smart Manufacturing Typology diagram above by Claire Lonsbury & Emily Osthus

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KnitgyEnergygy

ThreadTTCNC

a s m a r t m a nu f a c t u r i n g c o r r i d o r a s a c a t a l y s t f o r g row t h

Rule sets (opposite), systems analyses, and fl ow diagrams (above) were crucial to the design and development of the Smart Manufacturing Ripstop Corridor.

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Superior Street section perspective rendered by Claire Lonsbury & Emily Osthus

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d i a g r a m + t r a n s fo r m a t i o n fo o d - i n s p i re d d e s i g n t h ro u g h mu l t i p l e m e d i u m s

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Exploration was the focus of this project that started with carefully peeling a cabbage. From this process, I honed my ability to communicate design ideas through various mediums including hand drawing, physical and digital modeling using the programs Rhino and Grasshopper, and diagramming and rendering with Adobe Illustrator and Photoshop.

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d i a g r a m + t r a n s fo r m a t i o n

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fo o d - i n s p i re d d e s i g n t h ro u g h mu l t i p l e m e d i u m s

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a r t i f i c i a l t h i c ke tm i s s i s s i p p i r i ve r i n s t a l l a t i o n

The Artifi cial Thicket was a one-week, design-build team* project done with Kennedy-Violich Architecture and the River First project in Minneapolis, MN. The thicket is an installation made from salvaged wood found alongside the Mississippi River that provides a habitat for mosses, insects, and birds, as well as an undulating visual landscape for the users of the River First park trails. Building the thicket incorporated the use of a CNC mill, wood-working equipment, plastic zip ties, and biodegradable glow-in-the-dark paint.

*Team members: Jordan Barlow, Michael Healy, and Briana Turgeon-Schramm

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a r t i f i c i a l t h i c ke t

The Artifi cial Thicket on display at the Northern Spark festival, June 2012.

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m i s s i s s i p p i r i ve r i n s t a l l a t i o n

A careful numbering system determined which slots the driftwood pieces would be placed in the two supporting walls. The interstitial space between the walls (left) creates a habitat for bugs, mosses, and small birds.

This fast-paced, analog project gave me the opportunity to design through making and challenged us to design something beautiful with reclaimed, imperfect materials on a low budget.

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Sketch of historic church in the Troodos Mountains of Cyprus.

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thank youfor taking the time to review my portfolio!

Claire L. [email protected]

651-247-5584

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