history of music packaging

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Packaging & Music Marketing Trey Smith 04/28/14

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Page 1: History of Music Packaging

Packaging & Music

Marketing

Trey Smith 04/28/14

Page 2: History of Music Packaging

Background

● Music was historically a performance art – patrons paid artists (not that

much) to play.

● Music recording and sales allowed artists to make a living off their craft.

● New formats created marketing opportunities

• Sometimes exploited

• Sometimes organically developed

• Sometimes overlooked

• Sometimes the fox was left in charge of the hen house …

Page 3: History of Music Packaging

Music Industry CRM & Packaging

Music Industry CRM – Study in Packaging

● The unique size of the long play vinyl record offered a nearly 12 inch

square advertising space.

● The hurried pace of the music industry often did not leave time to use the

space for specific marketing promotions. The marketing space was left to

the music artists and design artists, often creating a small poster.

● However, some artists created a definite style, and sometimes even logos,

which helped the artist branding and sales promotion

Page 4: History of Music Packaging

Image Creation

● Continuity of artworko Funkadelic

o The Weeknd

Page 5: History of Music Packaging

Art Direction & Branding

• Label would have in house art directors

• Freelancers were hired

• Some artist directed their own firms

Motown:

Page 6: History of Music Packaging

Southern Rap and Pen & Pixel

Southern Rap institutions like No Limit and Cash Money Records utilized

famed graphic design firm Pen & Pixel to create a cohesive theme

throughout their album art.

Page 7: History of Music Packaging
Page 8: History of Music Packaging

How Decisions Were Made

Responses from John Doyle, former CBS and Sony Music Executive

Depending on the status of the group, there were different options:

1) Artist driven decisions – Some artist had strong options and sales strength

to determine their own images. Within the limits of packaging expense,

music artist were given some leeway to decide. (Pink Floyd & Hipgnosis)

2) Record label assigned designer who consulted with

artist.

Page 9: History of Music Packaging

Outlandish Designs

“No commercial company, especially a music entertainment company, seeks

public resentment unless it is part of the preconceived strategy to gain PR

attention.”

- John Doyle, Sony Music

Page 10: History of Music Packaging

When Art > Commercial Appeal

● Some influential groups, like the Velvet Underground had artist success

without commercial success.

Page 11: History of Music Packaging

New Recording Formats = Change

● Cassetteso smaller dimensions, but same info must be included

● CDso Bigger than casettes, technology format allowed for some extras.

● MP3/Digitalo can include any extras you want, but file size is a consideration.

Page 12: History of Music Packaging

Youth Marketing

● Resale potential. New Market members & formats.

● Some bought the same product in vinyl, then cassettes, then CD’s, and

then even downloads. - John Doyle, Sony Music

Page 13: History of Music Packaging

Many considerations must be made when

developing artwork for music releases.

In Conclusion

Page 14: History of Music Packaging

End