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Discuss the issues around media ownership in your chosen area Time Warner is the worlds largest media conglomerate, consisting of subsidiaries such as Warner Bros, DC Comics, HBO and Castle Rock. Warner Brothers is also a subsidiary of Time Warner, a company formed in 1923. Time Warner produces high budget Hollywood movies. It is part of the oligopoly of the big 6, allowing it great power in the film industry. One of its biggest tentpole movies is The Dark Knight Rises (TDKR) which had a production budget of $250,000,000 allowing a massive tentpole movie to be created. WB were certain this film would generate enough money to comfortably fund any other smaller film the company wished to make. Due to the size of the company, WB were able to distribute their film completely independently in the UK and in the US they distributed the film themselves. They spent millions of dollars on marketing, securing a profit of 200% and $1.08 billion. They used social media to enable them to produce a Twitter page, facebook page, numerous websites and YouTube trailers. Campaign such as hashtag the fire rises were launched allowing audience interaction. Every time someone tweeted hashtag the fire rises a pixel of a photo of Bane was released, making fans tweet like crazy, resulting in hashtag the fire rises trending worldwide. Due to WBs massive ownership patterns, they were able to launch synergistic campaigns, such as a collaboration with Mountain Dew, where a new flavour of energy drink was produced and new packaging that promoted the project and the film. A campaign with Nokia Lumia was also launched, producing a new phone manufactured to look like it had red bat ears and with Batman soundtracks already installed on the phone. A Formula 1 car also promoted the film as it resembled the image of the batmobile. All these campaigns alongside traditional marketing techniques (trailers, posters) helped create awareness for the film, ensuring its success. The film was filmed using top end technology, such as image cameras 75mm and 35mm cameras and edited on Avid, making watching the film in cinemas a more prestigious experience, creating demand for screenings. This also helps deal with rising levels of piracy which is a big ever-growing problem for WB. Formed in 2002, Vertigo is a British independent film company producing commercial films for a wide audience and emulating a Hollywood structure. It released Monsters in 2010 which created a great awareness about this film company. The film was directed by Gareth Edwards, an up-and-coming new director. This is a massive contrast to the well known, highly paid Christopher Nolan (director of TDKR). The production budget for Monsters was a small $500,000 allowing for little money to be spent on most things. Monsters was distributed by Vertigo in the UK and through Magnet in the US. By using a company called 4Square, Vertigo took a very different approach to market the film than they are used to. 4Square are a website and app company, where fans can access exclusive clips and soundtracks which create awareness and excitement about the film. They created infected zones in which users could find location based places which held codes to unlock discounts on cinema tickets and other promotions. This app was successful as it brought many people to the cinema, however due to a stunted release and also bad weather on the day of actual release, the film didnt reach its potential success in the opening weekend. However, it still made a massive profit of 700% and $4 million, beating TDKR in percentage profit. Vertigo was filmed on prosumer cameras and edited on adobe and Zbrush, allowing for such a small budget which resulted in a large profit. Vertigo are constantly trying harder to beat piracy, for example they released street cinema, the first British film filmed on 3D cameras, showing their evolving skills in attempting to emulate companies such as WB. Monsters was released in 25 countries which is a good amount for a small British company producing 4 films per year. This is in great contrast to WB producing 18-22 films per year and releasing TDKR is 25 countries and 4,404 cinemas. Warp produce films for a more niche market, funded by companies such as film8 and they also used to be funded by the UK Film Council. However, they distribute their films through film festivals with minimal marketing. Tyrannosaurus, a social realism film was shown at the Sundance Film Festival the San Francisco festival as well as many others across Europe and America including the London Film Festival and the film was nominated for a Bafta award. Media ownership has a massive impact on successful distribution of film, making it impossible for small companies such as Vertigo and Warp to compete with the big six including WB. Distributing films for Warp and Vertigo relies heavily on DVD sales rather than just cinema releases. With the constant rise of piracy, this makes it increasingly difficult for the companies to make money due to lack of demand in cinemas. However, it is clear Vertigo is trying to catch up with WB as they distribute their film aiming for a bigger cinema audience and have attempted to do this by incorporating technology such as 3D cameras.

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Media production is dominated by global institutions, which sell their products and services to national audiences. To what extent do you agree with this statement?

Global/ local Disney is a global brand

SWTFA was marketed to a global audience

Different strategies for different countries e.g. China. Is Star Wars a universal brand?

Ex-Machina- UK Independent production competing against global conglomerates

Needed help of Universal ( one of Hollywood Big 6) to distribute film world wide.

Not thought to have a potential audience in US- A24 took over clever marketing means film found its audience and became very successful for limited release, independent film good reviews, high production values, strong story 15 million budget- 36 million at box office

Conclusion- global conglomerates dominate- global film culture develops. local independent production can struggle to find an audience . What might happen in the future?

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Disney Disney is the worlds most powerful brand. Disneys strength is founded on its rich history and original creations, however its now dominant position is the result of its many acquisitions and the powerful brands it has brought under its control. ESPN, Pixar, The Muppets and Marvel are all now Disney owned, but perhaps its most important acquisition of all has been Lucasfilm, and thus Star Wars.Star Wars Episode VII The Force Awakens has broken countless box office records, becoming the fastest to take US$1 billion, enjoying the most successful opening weekend ($529 million) and based on its total box office gross of nearly US$2 billion is Disneys most successful film ever. Meanwhile Star Wars toys have generated over US$700 million.Brand Finance has estimated the value of the Star Wars brand to be US$10 billion, dwarfing the US$4.05 billion Disney paid for Lucasfilm in 2012. Though this might suggest that Disney engineered a very favourable deal, it has undoubtedly contributed to the growth of the Star Wars brand. Disney is managing to exploit the Star Wars concept both rapidly and sensitively, a difficult feat to pull off. Disney styles itself as the happiest place on Earth. That has proved true not just for its customers but for investors too.

https://thewaltdisneycompany.com/aboutDisneys stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.

Disney release schedule 2015-17

Avengers: Age of Ultron 5/1/15Tomorrowland 5/22/15Inside Out 6/19/15Ant-Man 7/17/15Bridge of Spies 10/16/15The Good Dinosaur 11/25/15Star Wars: The Force Awakens 12/18/15The Finest Hours 1/29/16Zootopia 3/4/16The Jungle Book4/15/16Captain America: Civil War 5/6/16Alice Through the Looking Glass 5/27/16Finding Dory 6/17/16The BFG 7/1/16Petes Dragon 8/12/16Doctor Strange 11/4/16Moana 11/23/16

Star Wars Anthology: Rogue One 12/16/16Beauty and the Beast 3/17/17Ghost in the Shell 4/14/17Guardians of the Galaxy 2 5/5/17Star Wars: Episode VIII 5/26/17Toy Story 4 6/16/17Pirates of the Caribbean: Dead Men Tell No Tales 7/7/17Thor: Ragnarok 11/3/17Untitled Pixar Animation 11/22/17Untitled Disney Animation 3/9/18Avengers: Infinity War Part I 5/4/18Untitled Pixar Animation 6/15/18Black Panther 7/6/18Captain Marvel 11/2/18Untitled Disney Animation 11/21/18Avengers: Infinity War Part II 5/3/19Inhumans 7/12/19

SWTFA facts and figures "Star Wars: The Force Awakens" has destroyed box office records like the Death Star.TheDisneymovie continues to draw crowds to theaters in the U.S., and it's been a big draw around the world.Theblockbuster broke recordsfor biggest box office on an opening weekend in both the U.S. and globally.And Disney said it also became the fastest film ever to reach the $1 billion mark at the global box office.Here's a rundown of "The Force Awakens" galactic performance at the box office:12-- The number of days it took the film to net $1 billion in ticket sales worldwide. That's an industry record.$529 million-- Theglobal box office opening of the film, which beat the previous record of $525 million held by "Jurassic World."$248 million-- The film's opening weekend box office in North America, which overtook the $208.8 million record of "Jurassic World."$119.1 million-- How much the film brought in on December 18, its opening day in the U.S. That is roughly $30 million more than the previous opening-day record.$50.6 million-- The film's opening box office in the Uni

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