Transcript
Page 1: Liszt at the Piano  (1840), Josef  Danhauser

Liszt at the Piano (1840), Josef Danhauser

Page 2: Liszt at the Piano  (1840), Josef  Danhauser

“All art constantly aspires to the condition of music.”

- Walter Pater (1873)

Page 3: Liszt at the Piano  (1840), Josef  Danhauser

Trends

1. Increased emotional expressiveness2. Musical nationalism3. Glorification of nature4. Fascination with the macabre, the gothic, and

the supernatural

Page 4: Liszt at the Piano  (1840), Josef  Danhauser
Page 5: Liszt at the Piano  (1840), Josef  Danhauser

Berlioz: Symphonie Fantastique, mvmt. 5

“He sees himself at the witches’ sabbath, in the midst of a ghastly crowd of spirits, sorceress, and monsters of every kind, assembled for his funeral. Strange noises, groans, bursts of laughter, far-off shouts to which other shouts seem to reply. The beloved tune appears once more, but it has lost its character of refinement and diffidence; it has become nothing but a common dance tune, trivial and grotesque; it is she who has come to the sabbath.”

-Hector Berlioz


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