Practical Jazz Theory for ImprovisationChords and scales
Craig Fraedrich
Practical Jazz Theory for Improvisation
ContentsFoundations
Introduction To Chords
b
Major Key Chord Function
Chord Extensions and Alterations
Minor Scales and Minor Key Chord Function
Other Important Chords and Scales
Introduction to Substitute and Secondary Harmony
Chromatic and Combined Scales
Reference Appendices
Example 1–4
Example 1–5
Example 1–6
Example 1–7
Example 1–8
Example 1–9
Example 1–10
Exercise 1–11
Exercise 1–12
Exercise 1–13 Chord Chart
bb b b b b b
b
b b b bb b b b
b b b
b bb b b b
b b b b b b
bb
Exercise 2–1
Exercise 2–2
b b
b
b
b
Exercise 2–3
Exercise 2–4
Exercise 2–5
Exercise 2–6
b b b © b b
3
bb
bb
Exercise 3–1
Exercise 3–2
Exercise 3–3
Exercise 3–4
Exercise 3–5
Exercise 3–6
Introduction To Chords
Example 4–1
b b © ©
b
Example 4–2
4
#
Example 4–3
Example 4–4
Triad Quality Root Third Fifth
Major
Minor b
Augmented ©
Diminished b b
Exercise 4–5
Exercise 4–6
Exercise 4–7
Exercise 4–8
th Chords
b b ©
5
^ ^
b
#
Exercise 5–1
Exercise 5–2
Exercise 5–3
Exercise 5–4
^
Chord 1–3–5–7 Chord 1–3–5–7
© © © © ©© © ©
b b © ©
b b b © ©
b b b © ©
b b b ©
6
Exercise 6–1
Exercise 6–2
Exercise 6–3
Exercise 6–4
Seventh Chord
b
b b
b
Chord 1–3–5–b7 Chord 1–3–5–b7
b © © © ©b © ©
b b Ab ©
b b b b ©
b b b b ©
b b b b
7
Exercise 7–1
Exercise 7–2
Exercise 7–3
Exercise 7–4
Exercise 7–5
Blues in C
Blues in F
Blues in Bb
Blues in Eb
Blues in Ab
Blues in Db
Blues in F©
Blues in B
Blues in E
Blues in A
Blues in D
Blues in G
Seventh Chord
bb b b b
bb
Chord 1– b3–5–b7 Chord 1– b3–5–b7
b b © © ©b b ©
b b b b
b b b b b
b b b b b
b b b b b b
8
Exercise 8–1
Exercise 8–2
Exercise 8–3
Exercise 8–4
7(b5) Chord Diminished Seventh)
Ø
ØØ
¨ ¨
¨
¨
¨ b b b
9
b
Chord 1–b3–b5–b7 Chord 1–b3–b5–b7(¨5) b b b © (¨5) ©¨ b b b ¨
b (¨5) b b b b ¨ b
© (¨5) © © © ¨ b
© (¨5) © © ¨ b
© (¨5) © ¨ b b
Exercise 9–1
Exercise 9–2
Exercise 9–3
Exercise 9–4
Exercise 9–5
Major Key Chord Function
th Chords of
Example 10–1
Example 10–2
10
Diatonic Numeral Chord Structure Quality
I
II
III
IV
V
VI
VII b
Chord Quality Function
b
F Major b
Scale Degree
Chord Quality
b
Chord Symbol
b b
Example 10–3
KEY Imaj7 IVmaj7 VIIm7(b5) IIIm7 VIm7 IIm7 V7 Imaj7
(b5)
(b5)
Bb
Eb
Ab
Db
F©
B
E
A
D
G
Exercise 10–4
Exercise 10–5
Function
bb
Chord Quality Function
b
11
Example 11–1
© ©
b b bb
b b bb
b
b
Example 11–2
Example 11–3
Dominant Chord Parent Key Key Signature
C7 b
F7
Bb7
Eb7
Ab7
Db7
C©7
F©7
B7
E7
A7
D7
G7
Exercise 11–5
Exercise 11–6
Exercise 11–7
II–V– I
Example 12–1
Example 12–2
12
Example 12–3
Example 12–4
Example 12–5
Example 12–6
Example 12–7
Key IIm7 V7 Imaj7 Key IIm7 V7 Imaj7
C: F:
Bb: Eb:
Ab: Db:
C: Gb:
F©: B:
E: A:
D: G:
Exercise 12–8
Exercise 12–9
Exercise 12–10
Exercise 12–11
Exercise 12–12
Exercise 12–13
Exercise 12–14
Exercise 12–16
Exercise 12–17
Scale Degree Mode Mode in C Scale in C
I
II
III
IV
V
VI
VII
13
Scale Degree Mode Mode in C Chord in C
I
II
III
IV
V
VI
VII b
Example 13–1
Example 13–2
b ¨
b bb b b b
b b b b bb b
ModeScale
Degree
Parent Key
Interval Down
Parent Key
Interval Up
Major Scale Template
Pure Minor
Template
Ionian
Dorian b b
Phrygian b b b b b
Lydian #
Mixolydian b
Aeolian b b b
Locrian b b b bb b b
#
Example 13–3
Mode Notes in Chord Symbol
Notes not in Chord Symbol
Modal Chord Symbol
Ionian
Dorian b b
Phrygian b b b b b b
Lydian © #
Mixolydian b b
Aeolian b b
Locrian b ¨ b b b ¨ b b
Function Mode Modal Chord Symbol
Chord Description
I
II
III b b b
IV # ©
V
VI b
VII b b b
Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian
KeyChord
SymbolChord
SymbolChord
SymbolChord
SymbolChord
SymbolChord
SymbolChord
Symbol
C # ¨
F
Bb
Eb
Ab
Db
F©
B
E
A
D
G
Exercise 13–4
Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian
Key Key Key Key Key Key Key
C b b b b
F
Bb
Eb
Ab
Db
F©
B
E
A
D
G
Exercise 13–5
Chord Extensions and Alterations
Example 14–1
Example 14–2
14
Example 14–4
#
Example 14–5
Example 14–6
Exercise 14–7
© b © b© © b b
b ©
¨ b ©© © © ¨ ¨
© b b
b
Example 1
©¨
¨©
15
© ¨© © ¨
¨
© © ¨ ¨
Example 15–2
¨ © ¨ © © ¨
© ¨ ©©
Example 15–3
b b
¨ b
b
b
b
Example 15–4
+ # + # # #
Minor Scales and Minor Key Chord
Function
b ª
Example 16–1
Example 16–2
16
Example 16–3
Exercise 16–4
Exercise 16–5
Exercise 16–6
Exercise 16–7
II–V–I
b
Example 17–1
a b c d
¨ ¨
17
¨
¨
Example 17–2
a b
Example 17–3
Example 17–4
Example 17–5
Example 17–6
Example 17–7
Example 17–8
Example 17–9
# # #
© bb
Example 17–10
b
b
Exercise 17–11
Exercise 17–12
Exercise 17–13
Exercise 17–14
Exercise 17–16
Exercise 17–17
Example 18–1
Traditional Melodic Minor
Ascending Melodic Minor (Jazz Version)
18
Example 18–2
Example 18–3
b
b #
b # b
b b b
b # b b#
Example 18–4
Example 18–5
b b
b
©
Example 18–6
b ©
b b b © b
b b © b ©
# # b b # b b #
Example 18–7
Example 18–8
Example 18–9
Example 18–10
Exercise 18–12
Exercise 18–13
Scale Degree Mode Chord Symbol
I
II b ¨
III #
IV # # #
V b ¨ ¨
VI © b
VII © ©
Example 19–1
19
Example 19–1
©
© ©© ©
Mode Major Scale Template Pure Minor Template
Melodic Minor b ª ª
Dorian b2 b b b b ª
Lydian Augmented ©
Lydian Dominant © b
Mixolydian b6 b b
Locrian ©2 b b b b b
Super Locrian b b b b b b b b b
Super Locrian
b
Example 19–2
Lydian Dominant
b
Example 19–3
Locrian © 2©
©
Example 19–4
Chord Mode Parent Melodic Minor
Ebmaj7(©5)
Eb7(©11) b
Ebm9(¨5) © b
Eb7alt b
Abmaj7(©5)
Ab7(©11)
G©m9(¨5)
G©7alt
Dbmaj7(©5)
Chord Mode Parent Melodic Minor
Db7(©11)
C©m9(¨5)
C©7alt
Gbmaj7(©5)
C7alt
Fmaj7(©5)
F9(©11)
Gb7(©11)
F©m9(¨5)
F©7alt
Bmaj7(©5)
B7(©11)
Bm9(¨5)
B7(#9,#5)
Emaj7(©5)
E7(©11)
Em9(¨5)
E7(#9,#5)
Amaj7(©5)
A7(©11)
Fm9(¨5)
Chord Mode Parent Melodic Minor
F7alt
Bbmaj7(©5)
Am9(¨5)
A7(b9, b5)
Dmaj7(©5)
D7(©11)
Dm9(¨5)
D7(#9, b5)
Gmaj7(©5)
G7(©11)
Gm9(¨5)
G7(b9)#5
Cmaj7(©5)
C13(©11)
Cm9(¨5)
Bb9(©11)
Bbm9(¨5)
Bb7(#9,#5)
Exercise 19–5
Exercise 19–6
Exercise 19–7
Exercise 19–8
Exercise 19–9
Exercise 19–10
Exercise 19–11
Example 20–1
Example 20–2
Example 20–3
20
Example 20–4
© ¨
©
©
Example 20–5
©©
Example 20–6
b
b
Example 20–7
b
bb b
Example 20–8
Example 20–9
Example 20–10
Example 20–11
Example 20–12