laborand capital must worktogether

24
VOL. XLIV NEWARK, N. J.,.OCTOBER. 1945 LABOR AND CAPITAL MUST WORK TOGETHER I inTERnnTiDORCmusicin n OFFICIAL JOURNAL AMERICAN FEDERATION OF MUSICIANS STAY IN THE FIGHT! your pro- President, Musicians. their continued support in gram. JAMES C PETRILLO. American Federation of Our Country's Future Depends on Cooperative Endeavors of These Two Great Forces HE most drastic misconception concerned with unionism is that laborand capitalare opposing factions, that one sides assets are the other sides liabilities, in short, that whatever one gains the other loses. No thinking could be more fallacious and none more dangerous, fallacious because capital and labor are as much one as.are head and torso of a single body, dangerous because this would imply a death struggle in which one must be eliminated. As a matter of fact, far from being mutually irreconcilables, labor and capital are mu- tually indispensables. One cannot exist without the other and each functions fully only when its partner is hale and hearty. This misconception of labor- nnd capi- tal's opposed aims appears in the repeated assertions that labor by its demands is impoverishing capital. Labor never has had and never will have such an aim. Prosperous and optimistic heads of indus- try ar« labors as well as capitals assets. If employees receive more wages and work fewer hours now than they did in the slave-driven days ot $10-per-seventy- hour-week, it is because new devices have zoomed production and not because man- agement has itself taken up the slack. Far from impoverishing management, la- bor has given it, in place of craven, half-starved, sleep-besotted drudges, alert, aware workers with a sense of the value and dignity of their contribution to indus- try. If the most capitalistic capitalist in the world could have done his very best thinking, for his own very best interests hi could have thought of no result more profitable to himself. Nor does labor, realizing that capi- talists are also important in industrys prosperity, advocate reapportionment of wealth or indeed any move that would mako management less effectual. By the same token it insists that management shall adopt no steps that will make work- ers less effectual. Recently we had occasion to attend a meeting of n luncheon club most of the members of which are small businessmen. As usual there war a speaker, and as usual he announced himself as a rugged indi- vidualist" and claimed to be speaking as a private citizen. He discussed the politi- cal and economic condition of the country and painted a dark picture of the future unless free enterprisewere restored. He claimed that businessmen should have the right to engage in any business they saw fit and to conduct such business in any manner they desired without regard to any regulation by the government. He warned the club members that unless this condition came about they, who were of th«* middle class, would soon find them- selves lower than labor. The impres- sion he created was that the ¿lub mem- torsinterests and labors Interests were in opposition. While ostensibly representing no group, the manner tn which this speaker pre- sented his subject clearly indicated that he had been engaged to spread such in- sidious propaganda as part of a concerted Plan of the National Association of Manu- tacturers and the United States Chamber of Commerce to undermine organized la- bor Months ago we warned our readers »gainst just such tactics and cautioned them to bo on their guard. (See first Mge article In the February, 1945, issue.) By having such speakers address lunch- eon clubs and similar organizations made »P of small businessmen, capitalistic in- terests reach an Immense audience the member« of which, flattered by being rep- jeeented as the backbone of business in this country, fall to realize that they are ®**ng duped by the large monopolies who Pot them out of business at the Wl opportunity. It ia high time that became aware of the danger ot such JOSEPH KNITZER, Concert Master of the Cleveland Orchestra (Biographical Article on Page Five) Ing It by spreading the plain truth that small businessmen's interests are more closely allied with labors than with those of their monopolistic competitors. In the matter of recent legislation for employment for all, capitalistic interests are displaying characteristic reactions. While clear-thinking managers look on this measure as u way out of another disastrous depression, since only work- ers with money in their pockets can buy the products of management, many who are less clear-thinking seek to prevent its passage. Not so long ago John F. Fen- nelly addressing the Investment Bankers Association, blandly stated, Full employ- ment would be Incompatible with the free enterprise system which carries with it the right to u normal flow of unem- ployed.A bankersmagazine amplifies the statement with, Workers of the fn- ture wiH require fears of unemployment and poverty to insure the necessary drive in this world of internal and international competition. Then comes this choice tid- That objective (a job for everyone able and willing to work) is not only beyond leach but is also socially undesirable." Another spokesman for capital, Beards- ley Rumi, adopts a more conciliatory tone, but it will be noted, while he lauds the bill in theory, he seek? to undermine it by suggesting its present inapplica- bility. There are some who object to the term full employment, he says, but for my part I like the phrase as the expression of a goal for national policy. The statement of the goal and our sincere efforts to attain it will make the reality much closer to the ideal than if the ideal had never been expressed. It is a concept that will change from decade to decade ns our ideas with respect to the relation - between work and freedom change. Why not leave the term full employment, like libertyand justice, to stand as a goal of democratic government and to derive its specific content from the will of the people as expressed' from period to pe- riod by their free institutions?In other words, Mr. Rumi, make it a phrase and salt it away in some encyclopedia. What this and other protagonists of reaction miss is that a job tor every man who wants it is a prime necessity right now if we are to have national economic security and national political securityand this means security for the capital- ist», too. . . Amid these temporizings, it is a relief to hear a clear note from the capitalistic camp in favor of the bill James War- burg, who aa a spokesman for manage- The following is a telegram re- ceived from the Secretary of the Treasury. Fred .M. Vinson, asking members of the Federation to con- tinue buying Government bonds: Washington, D. C., August 31, 1945, James C. Petrillo, President, American Federation of Musicians, 570 Lexington Avenue, New York, N. Y. It is most Important that the Ameri- can public continue buying Govern- ment bonds in substantial volume dur- ing the coming months and it is impor- tant that the payroll savings plan bo kept available to workers and main- tained at high levels. This is particu- larly true as we look forward to the Victory Loan which opens October 29th. Our successful war loan drives have been attributable In large measure to the payroll savings record and this could not have been accomplished with- out the enthusiastic support of the members of your Union and other work- ers throughout the Nation. I would like to urge that you continue this support to the plan before and during the drive and in the post-drive period. I shall appreciate it if you will call on all your members now to give their individual support to this program. Your leader- ship in. this will insure substantial backing. I have assumed your willing- ness to do this due to many resolutions and requests to this end that have reached me from organized labor and the public generally. I welcome any suggestions you may wish to make con- cerning this most important activity. FRED M. VINSON, Secretary ot tho Treasury. Our - answer to Secretary Vinson follows : Fred M. Vinson. Secretary of the Treasury, Washington, D. C. This will acknowledge receipt of your telegram asking our members for their continued cooperation in purchasing bonds, particularly by the payroll sav- ings method. You may rest assured that the record of the membership of the American Federation of Musicians stand's -second to none in loyalty and cooperation, both in the war effort and the purchasing of bonds. This record I am sure will be extended to include all future bond drives instituted by the Treasury Department. As you know, we have cooperated not only in the pur- chase of bonds, but members ot the Federation have helped promote and ex- ploit all bond drives up to this time. Your urgent wire will be published on the front page of the next issue of our official journal which reaches every member of the Federation. Along with this uotice of course will be an urgent request by me, aS president, asking It is not necessary for press upon our members me to im- the neces- sity for wholehearted support of tho Victory Loan Drive. The above tele- gram sent on behalf of the American Federation of Musicians to Secre- tary Vinson Records the full loyalty nnd magnificent cooperation of our members in previous drives. I am confident you will continue your pre- vious splendid rècord. JAMES C. PETRILLO,

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VOL. XLIV NEWARK, N. J.,.OCTOBER. 1945

LABOR AND CAPITAL MUST WORK TOGETHER

I inTERnnTiDORCmusicin nOFFICIAL • JOURNAL • AMERICAN • FEDERATION • OF • MUSICIANS

STAY IN THE FIGHT!

your pro-

President, Musicians.

their continued support in gram.

JAMES C PETRILLO. American Federation of

Our Country's Future Depends on Cooperative Endeavors of These Two Great Forces

HE most drastic misconception concerned with unionism is that “labor” and “capital” are opposing factions, that one side’s assets are the other side’s liabilities, in short, that whatever one gains the other loses. No

thinking could be more fallacious and none more dangerous, fallacious because capital and labor are as much one as.are head and torso of a single body, dangerous because this would imply a death struggle inwhich one must be eliminated. As a matter of fact, far from being mutually irreconcilables, labor and capital are mu­tually indispensables. One cannot exist without the other and each functions fully only when its partner is hale and hearty.

This misconception of labor’- nnd capi­tal's opposed aims appears in the repeated assertions that labor by its demands is impoverishing capital. Labor never has had and never will have such an aim. Prosperous and optimistic heads of indus­try ar« labor’s as well as capital’s assets. If employees receive more wages and work fewer hours now than they did in the slave-driven days ot $10-per-seventy- hour-week, it is because new devices have zoomed production and not because man­agement has itself taken up the slack. Far from impoverishing management, la­bor has given it, in place of craven, half-starved, sleep-besotted drudges, alert, aware workers with a sense of the value and dignity of their contribution to indus­try. If the most capitalistic capitalist in the world could have done his very best thinking, for his own very best interests hi could have thought of no result more profitable to himself.

Nor does labor, realizing that capi­talists are also important in industry’s prosperity, advocate reapportionment of wealth or indeed any move that would mako management less effectual. By the same token it insists that management shall adopt no steps that will make work­ers less effectual.

Recently we had occasion to attend a meeting of n luncheon club most of the members of which are small businessmen. As usual there war a speaker, and as usual he announced himself as a “rugged indi­vidualist" and claimed to be speaking as a private citizen. He discussed the politi­cal and economic condition of the country and painted a dark picture of the future unless “free enterprise” were restored. He claimed that businessmen should have the right to engage in any business they saw fit and to conduct such business in any manner they desired without regard to any regulation by the government. He warned the club members that unless this condition came about they, who were of th«* middle class, would soon find them­selves “lower than labor”. The impres­sion he created was that the ¿lub mem- tors’ interests and labor’s Interests were in opposition.

While ostensibly representing no group, the manner tn which this speaker pre­sented his subject clearly indicated that he had been engaged to spread such in­sidious propaganda as part of a concerted Plan of the National Association of Manu- tacturers and the United States Chamber of Commerce to undermine organized la­bor Months ago we warned our readers »gainst just such tactics and cautioned them to bo on their guard. (See first Mge article In the February, 1945, issue.)

By having such speakers address lunch­eon clubs and similar organizations made »P of small businessmen, capitalistic in­terests reach an Immense audience the member« of which, flattered by being rep- jeeented as the backbone of business in this country, fall to realize that they are ®**ng duped by the large monopolies who

Pot them out of business at the Wl opportunity. It ia high time that

became aware of the danger ot such

JOSEPH KNITZER, Concert Master of the Cleveland Orchestra(Biographical Article on Page Five)

Ing It by spreading the plain truth that small businessmen's interests are more closely allied with labor’s than with those of their monopolistic competitors.

In the matter of recent legislation for employment for all, capitalistic interests are displaying characteristic reactions. While clear-thinking managers look on this measure as u way out of another disastrous depression, since only work­ers with money in their pockets can buy the products of management, many who are less clear-thinking seek to prevent its passage. Not so long ago John F. Fen­nelly addressing the Investment Bankers Association, blandly stated, “Full employ­ment would be Incompatible with the free enterprise system which carries with it the right to u normal flow of unem­ployed.” A bankers’ magazine amplifies the statement with, “Workers of the fn-

■ ture wiH require fears of unemployment • and poverty to insure the necessary drive

in this world of internal and international competition”. Then comes this choice tid-

“That objective (a job for everyone able and willing to work) is not only beyond leach but is also socially undesirable."

Another spokesman for capital, Beards­ley Rumi, adopts a more conciliatory tone, but it will be noted, while he lauds the bill in theory, he seek? to undermine it by suggesting its present inapplica­bility. “There are some who object to the term ‘full employment’ ”, he says, “but for my part I like the phrase as the expression of a goal for national policy. The statement of the goal and our sincere

efforts to attain it will make the reality much closer to the ideal than if the ideal had never been expressed. It is a concept that will change from decade to decade ns our ideas with respect to the relation - between work and freedom change. Why not leave the term ‘full employment’, like ‘liberty’ and ‘justice’, to stand as a goal of democratic government and to derive its specific content from the will of the people as expressed' from period to pe­riod by their free institutions?” In other words, Mr. Rumi, make it a phrase and salt it away in some encyclopedia.

What this and other protagonists of reaction miss is that a job tor every man who wants it is a prime necessity right now if we are to have national economic security and national political security— and this means security for the capital­ist», too. . .

Amid these temporizings, it is a relief to hear a clear note from the capitalistic camp in favor of the bill James War­burg, who aa a spokesman for manage-

The following is a telegram re­ceived from the Secretary of the Treasury. Fred .M. Vinson, asking members of the Federation to con­tinue buying Government bonds:

Washington, D. C., August 31, 1945,

James C. Petrillo, President, American Federation of Musicians, 570 Lexington Avenue, New York, N. Y.

It is most Important that the Ameri­can public continue buying Govern­ment bonds in substantial volume dur­ing the coming months and it is impor­tant that the payroll savings plan bo kept available to workers and main­tained at high levels. This is particu­larly true as we look forward to the Victory Loan which opens October 29th. Our successful war loan drives have been attributable In large measure to the payroll savings record and this could not have been accomplished with­out the enthusiastic support of the members of your Union and other work­ers throughout the Nation. I would like to urge that you continue this support to the plan before and during the drive and in the post-drive period. I shall appreciate it if you will call on all your members now to give their individual support to this program. Your leader­ship in. this will insure substantial backing. I have assumed your willing-

• ness to do this due to many resolutions and requests to ’this end that have reached me from organized labor and the public generally. I welcome any suggestions you may wish to make con­cerning this most important activity.

FRED M. VINSON, Secretary ot tho Treasury.

Our - answer to Secretary Vinson follows :Fred M. Vinson. Secretary of the Treasury, Washington, D. C.

This will acknowledge receipt of your telegram asking our members for their continued cooperation in purchasing bonds, particularly by the payroll sav­ings method. You may rest assured that the record of the membership of the American Federation of Musicians stand's -second to none in loyalty and cooperation, both in the war effort and the purchasing of bonds. This record I am sure will be extended to include all future bond drives instituted by the Treasury Department. As you know, we have cooperated not only in the pur­chase of bonds, but members ot the Federation have helped promote and ex­ploit all bond drives up to this time. Your urgent wire will be published on the front page of the next issue of our official journal which reaches every member of the Federation. Along with this uotice of course will be an urgent request by me, aS president, asking

It is not necessary for press upon our members

me to im- the neces-

sity for wholehearted support of tho Victory Loan Drive. The above tele­gram sent on behalf of the American Federation of Musicians to Secre­tary Vinson Records the full loyalty nnd magnificent cooperation of our members in previous drives. I am confident you will continue your pre­vious splendid rècord.

JAMES C. PETRILLO,

32 Molt ßelibtaitd'ic ia n s in ess

COMPILED TO DATE AdolphLocal

Local 163—Robert

Local Bert D.

LocalKrueger, Joseph Zahorik.

8—David Cor-

PRICE EACH INSTRUMEBP PART $.50

NEW YORK 19, N. Y.145 WEST 45th STREET

ANNOUNCING

FIDDLER’S HANDBOOKJackBuilding, Dallas 1, Texas.

Local Mattoon President.HOT TIPS FOR THE COMMERCIAL FIDDLER

(colored)

for

as amended by the Act ofAugust 24, 1912,March

(improvising)

PRICE, 50c

Cari Fischer, hc62 Cooper Sq. NEW YORK 119 W. 57th St.

BostonNewark 2,

BUY

VICTORY

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14 DANUBE WAVES ...15. GIRLS OF BADEN....16 OVER THE WAVES

suggests a means of developing an individual The FIDDLER'S HANDBOOK clarifies the jazz for the violinist experienced only in standard and aids the jazz player in polishing his style.

Piano 1st Violin 2nd Violin Viola .

2nd Clarinet In Bb Homs in F 1st Trumpet in Bi 2nd Trumpet in Bb

TromboneCrumsEb Alto SaxophoneBb Tenor Saxophone

PIANO $1.00

Baltimore) Torovsky.

at 39 Division Street, Newark 2, October 1, 1945.

Thomas F. Gamble,

Section 537,

Milwaukee, rigan.

Montreal,

J. UTES ENJOYMENT ..... Z THOUSAND AND ONE

NIGHTS ___________

Gloversville, N. Y.Hespelt.

Houston, Texas, Boone.

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In this volume Paul Nero outlines the essential equip­ment required by the jazz violinist who would like to be prepared to play any style of music he may be called upon to perform. He suggests valuable and practical exercises that will help develop that equip*1933, embodied

Russell, 416 Southland Life

3. CHANTILLY WALTZES..4. RETURN OF SPRING5. MY DREAM . ...... ...........6. ACCLAMATIONS.... ....7. VALSE MIUTAIRE___8. LOVE AND SPRING ....9. SANTIAGO ................

10. COPPEUA WALTZES11. MOONLIGHT ON THE

ALSTER___ __

Local dent, I.

Local retary. Box 93.

CONNECTICUT CONFERENCEThe fall meeting of the Connecticut

Conference will be held at Ceriani’s Res­taurant. New Haven, Conn., on October 28th, 1945, at 11:00 A. M.

Delegates are requested to register with the Secretary, Harry L. Benson. Room 25, 59 Center Street. New Haven 10, Conn., as noon ns possible. «

195 — Elwood

Cello Bas* Flute .1st Clarinet in Bb

Orlando, Box 934.Atlanta,

Fla. — Secretary,

677, Honolulu, Hawaii — Presl- B. Peterson, 3132 George St.688, Wichita Falls, Texas—See-

Clyde R. (Duke) Lloyd, P. O.

Chicago, III., Local 10—Harry E. Carl­son. Donald A. Nash, Walter E. Blaufuss, Charles A. O’Neill, F. G. Krueger. John F. Bezemek.

Cleveland, Ohio, Local 4—James Vajgl, David Daniel Rogers.

Detroit, Mich.. Local 5 — Jalaski Fer­guson, William Lewis, George (Barrie) Wilson.

ment. A chapter on playing

Gene McCormick, 270Q Moultrie Ave.Local 308, Santa Barbara, Calif.—Presi­

dent, Gordon Hartshorn, 417 Calle Palo Colorado. *

Local 377, Asheville, N. C.—President, Joe DeNardo, 10 Buckingham Court; Sec­retary, Edward E. Hoffman, 127 Hudson

FORBIDDEN TERRITORYRex Grille, The Laurier Club. Hoffbrau,

all In Lowell. Mass., are declared to be Forbidden Territory to al) members of the A. F. of M. except members of Local 83, Lowell, Mass.

REMOVE FROM FORBIDDEN TERRITORY

Adams Theatre, Newark. N. J. Chuckanut Shell, Bellingham, Wash

Gerard Rioux, Wilfried Landry, G. E. Hogue.

San Francisco. Calif., Local 6—Charle -G. Hoffman, Walter R. Dickie.

San Diego, Calif., Local 325—Frank Os­borne:

St. Paul, Minn., Local 30—Otto Conradi, Otto P. Benz.

Toronto, Ont., Canada, Local 149—Arthur H. Fry. •

Washington. D. C., Local 181—Bernard Miller, Lee Sanford.

Street, West.Local 389,

A. S. Sutton,Local 462,

5. That the average number of copies of each issue of this publication sold or distrib­uted, through the mails or otherwise, to paid subscribers during the twelve months pre­ceding the date shown above Is 125,000.

LEO CLUESMANN.Sworn to nnd r'h»ctlbM liefore ms Ihit

20th day of September, 1*45.MELVIN L, PERRY,

(SEAL) Notary Public of New Jersey. My commission expires _

VIENNESE WALTZESALBUM Ne. 2

State of New Jersey, County of Essex, ss.Before me, a notary public In and- for the

State and County aforesaid, personally ap­peared Leo Cluesmann, who, having been duly sworn according to law, deposes and says that he is the editor of the International Musician, and that the following is, to the best of his knowledge and belief, a true state­ment of the ownership, management, etc., of the aforesaid publication for the date shown in the above caption, required by the Act ot

President, Wayman A. Carver, 967 Beck­with St., S. W„ Atlanta 3, Ga.

Local 530, Anderson, S. C—Secretary, Luke McKee, 112% North Main Street.

Local 642, Helena, Mont.—President, A. J. Grenier, c/o Moose Hall.

Statement of the Ownership, Management, Circulation, Etc., Required by the Acte

of Congress of August 24, 1912, and March 3, 1933,

Of Internationa! Musician, published monthly

WANTED TO LOCATEAnyone knowing the whereabouts of

Edwin Leippe, musician, please contact his mother Mrs. Pearl Leippe, 220 East Main, I,ake Geneva, Wisconsin.

CHARTER SURRENDERED 713~“Mannington, West Virginia.

Local 11, Louisville, Ky. — Secretary, A. W. Stuobling, Room« 105-106-107, 301 West Main St

Local No. 87. Danbury, Conn.—Presi­dent, Clinton Byers, 5 Foster St.

Local 113, Redding, Calif.—Secretary, Arch Merrifield, 1310 California St

Local 243, Monroe, WI«. — Secretary, Kenneth Gnagi, 2224 15th St.

Local 265, Quincy, .Ill.—Secretary, Carl Landrum, 1121 .Maine.

Local 530, Anderson. S. C.—President, R. L. Easley, 209 North Avenue.

Local 548, Pensacola, Fla. (colored)— Secretary, Robert James Willis, 86 At­tacks Court.

Loeal 577, Bangor-Stroudsburg. Pa.— Secretary, Gregory DeMilio, 538 Broad­way.

Local 680, Elkhorn, Wis.—Secretary, Joe Polacik, R. R. 3, South Shore Drive, Delevan, Wis.

12. THE BLONDES ___13. GUNGX WALTZES14 LA SERENATA ......15. ESCAMOLO ...........16 ZIEHRER WALTZES

VIENNESE WALTZES ALBUM No. I

1. WINE, WOMAN AND SONG Slraua*

CHANGES OF OFFICERSLocal 147, Dallas, Texas — Secretary,

son or corporation for whom auch trustee is acting is given; also that the said two para­graphs contain statements embracing affiant’s full knowledge and belief as to the circum­stances and conditions under which stock­holders and security holders who do not ap- j>ear upon the books of the company as trus­tees hold stock and setpurities in a capacity other than that of a" bona fide owner; and this affiant has no reason to believe that any other person, association, or corporation has an: inlere»> direct ur indit e-1, in the said stock, bonds or other securities than as so

THE DEATH ROLLAkron. Ohio. Local 24—Edwin Cochran.Boston. Mass.. Local 9—Joseph A. La

Bossiere, Carl Klein.

treasurer. Box B. Astor Station, Boston 23, Mass.

2. That the known bondholders, mort­gagees, and other security holders owning or holding 1 per cent or more of total amount of bonds, mortgages, or other securities are: None other than American Federation of Musicians.

4. That the two paragraphs next above, riving . h«- name« nf th» owners stockhold­er», and security holders, if airy, contain not only the ■ -list of stockholders and security holders as they appear upon the books of the company, but also, in cases where the stock- dolder or security holder appear* upon the nook* ot the company as trustee or in any

DEFAULTERSNew Windsor Hotel, Mr. Shepperd,

manager; Oneonta, N. Y., is in default ol payment to members of the A. F. of M.

CHANGES IN ADDRESSES OF OFFICERS

style, idiom music

No Itnglhy introduction*, No conluiing coda*. No eompUcatsd D.C. or DA algiu. Straight playing from beginning to *nd All woodwind and bra»« parts In Bb. Each wait! eomplet*. no abbreviation*. AU part* thoroughly cued, can be played with any rombincltar ot immanent* Lead parts: Plano, lit Violin and E Alto Saxophone. Buy Ihe pari» you need Moil useful and ECONOMICAL ALBUMS ol Vlenneie Walli«»

Sni Far CampMt Catalan* *! Caneart Orthttfra Album*.Impartaat Whan Playing an Summar lab*

■■ ' ' ---------- INSTRUMENTATION ." ... ■ ~

LABOR AND CAPITALMUST WORK TOGETHER

(Continued from Page One) ment cannot possibly be accused of sen­timentalizing, says, “In a very real sense world peace depends upon the mainte­nance of full production and employment in the United States. There can be no guarantee of peace so long as masses of human beings willing to work are com pelled from time to time to suffer en­forced hardship and idleness. The main­tenance of peace and maintenance of full production and employment go hand in hand. Unless, within the framework of our traditional American democracy, we find a way to avoid periodic crises and mass unemployment, we are certain to lose a large part of the political freedom we so deeply cherish. Political and eco­nomic freedom have become inseparable. If we wish to keep the one, we must find a way to create the other.”

To put the problem on an entirely non­partisan basis: the time has come in our world development when we can no longer stress the “survival-of-the-flttest” dogma, with its knock-down-and-drag-out tactics, its fanatical individualism, its ruthless self-assertion. Instead it becomes the re­sponsibility of capital and labor alike to see that individuals—as many of them as possible—are made fit to survive. This is our only hope of having the human so­ciety continue. This is our only hope of having a future at all.

MEMBERS, ATTENTION!We have been advised that William

Orwig, who is on our National Unfair List, is again active in and around the State of Oklahoma, organizing and book­ing bandi- Members are warned to re­frain from working for or accepting en­gagements from Orwig because of his past unfair activities.

..Strati»«

..Straus» ...... Strauss .Waldteufel .Waldteufel Waldloulol

..Waldteufel

..Waldteufel •Waldteufel ...... Corbin ...... Delibes

Young violin virtuoso^ composer, teacher, and leading exponent of

the "hot fiddle '.

...Fotraa Gonne

..Gung'l

..Jaxone ...Rosey •Ziehrer

Postal Laws and Regulations, to wit:1. That the names and addresses of the

publisher, editor, managing editor, and busi­ness manage rr are:

Publisher: Leo Cluesmann, Newark 2, N. J.Editor: Leo. Cluesmann, Newark 2, N. J.Managing Editor: None.Business Managers: None.2. That the owner is: (if owned by a

corporation, its name and address must be stated and also immediately thereunder the names and addresses of stockholders owning or holding 1 per cent or more of total amount of stock. If not owned by a corporation, the names and addresses of the individual own­ers must be given. If owned by a firm, eomimny, or other unincorporated concern, its name and address, as well as those of each individual member, must be given.) American Federation of Musicians, James C. Petrillo, president, 570 Lexington Avenue, New York 22, N. Y.; C. L. Bagley, vice-presi­dent, 408 South Spring St., Los Angeles 13, Calif.; Leo Cluesmann, secretary, 39 Division

...... Strauss Waldteufel .Waldteufel .Waldteufel .Waldteufel .Waldteufel •Waldteufel .Waldteufel ....... Tanne

..Ivanovici ......Komzak ........Rosa*

2 ARTIST'S LIFE .. ............... ..3. VIENNA LIFE____________4 tales Thom the Vienna

WOODS ....... ............5 ON THE BEAUTIFUL BLUE

DANUBE . .................6. VIOLETS ............. ..................7. I LOVE THEE ...... ........8. ESPANA........... .....................9 DOLORES . ............................

10. TO THEE ..............................11. L ESTUDIANTINA .................12. THE SXATERS.......................

VIENNESE WALTZESCOMPILED AND ARRANGED FOR DANCE, RADIO. CONCERT OR SCHOOL ORCHESTRAS

By GEORGE HOSEY

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The first important violin method in 10 yean I Every phaie of modem technique and harmony is fully Illustrated with practical studies. Includes Venuti’s violin solos of Darktown Struttort' Ball, Wild Dog, Cheese and Crackers, etc.

The most complete modern bass method published I Studies in “walk­ing bass," chords, rhythms, bow­ing, cadences, etc. Includes Hog­gart’s bass solos of At The Jazz Band Ball, Jutt Strollin', South Ram­part Street Parade, etc.

combine with the orchestra

171 and members of the Adult Education Council of Springfield he brought about the formation of the Springfield Orches­tra Association, and on March 5, 1944. the I orchestra made its debut to a packed house in (he Municipal Auditorium. Dur- . ing the 1944-45 season the orchestra pre­sented a series of five concerts with soloists.

During this present season a series of six concerts is planned, and the Sym­phony Chorus of 150 mixed voices will

rIE 104th season of the New York Phil­harmonic - Symphony Society opened

October 4th under the baton of its musi­cal director, Artur Rodzinski, who is con­ducting during October. The opening con-

Rachmaninoff’s The orchestra’s Barzin.

dark for words and setting him on a new path of hope and faith. An army they are, worthy of their peace­time role, thew thirteen or so thou­sand keen musicians with the clas­sics and moderns at their fingertips and high resolve iu their souls.

thoven’s Ninth Symphony. Springfield, it appears, has a bright musical future ahead of it.

Washington, D. C.

THE fifteenth season of tho National Symphony Orchestra, Hans Kindler its

permanent conductor, will open October 22nd with a concert at which Nathan Milstein, violinist, will be soloist. This is to he the most extensive season of its history, since a total of ninety-five con* certs are scheduled.

cert included the performance in sym­phonic form of Aaron Copland’s “Appa­lachian Spring” which received the 1945 Pulitzer Prize for music. George Szell will be guest the first fortnight in November and Bruno Walter and Igor Stravinsky will he on the podium later in the winter. Tn addition to its regular subscription concerts the orchestra will give two in other cities, in Hartford, on November 13th and in Princeton on November 24th.

The National Orchestral Association has dedicated three of the four Monday evening concerts of its 1945-46 season at

THE season of the Boston Symphony Orchestra Under Serge Koussevitzky,

which opened October 5th,‘ comprises twenty-four pairs of Friday-Saturday con­certs. six Monday evening concerts and

The Duke describe» fully his cele­brated Blues technique, using hls own modern compositions. Presents valuable hints on playing boogie- woogie and the Blues of Tomor­row. Includes such originals a* Ko­Ko, Aero«« The Tracks Bluet, C Jam Bluet, etc.

home city, as well as a tour of the middle west, six concerts iu Cambridge, Massa­chusetts, and the usual visits to New York, Brooklyn,’ and Providence. Guest conductors already scheduled are Adrian Boult, Igor Stravinsky, Fritz Reiner, Leonard Bernstein and Morton Gould.

THIS ia the month in which symphony orchestras open their seasons, ami it is something In ponder on that over two hundred of them in communities throughout the United States are assembling their men,

holding their rehearsals and presenting their first concerts. With the orchestras’ average memliership about sixty-six, one can readily visualize nt least 13,200 exj»ert instrumentalists earnestly negotiating the pages of Beethoven, Wagner and Tchaikovsky with a view to presenting to listeners throughout the land interpretations both authentic and sensitive. The inspiration these men and women impart is inestimable, for what music lover but can testify to a single concert lifting him out of a depression too

Written in collaboration with Ar­nold Brilhart. The most modern clarinet studies and exercises pub­lished—plus Artie Shaw’s clarinet solos of Back Bay Shuffle, My Blue Heaven, I'm Coming Virgina, Roto Room, etc.

Carnegie Hall to the victorious Big Three nations, Russia, England and America The first of these concerts was given on October 1st aud included works by repre­sentative Russian composers. Frank

BOB HAGGART BASS METHOD

GENE KRUPA DRUM METHOD

HARRY JAMES TRUMPET METHOD

Harrisburg, Pa.

THE Harrisburg Symphony Orchestra, George King Raudenbush, conductor,

opened its sixteenth season on October 9th, when Grace Castagnetta waa piano soloist.

JOE VENUTI VIOLIN RHYTHM

JIMMY DORSEY SAXOPHONE METHOD

Technical studies cover the hand frill, tonguing, transposition, lip slurs, breath control, etc. Includes Harry James' treatments of Ciribiri- bin, Two O'Clock Jump, Concerto For Trumpet and seven others.

Philadelphia

STARTING its season fairly early os compared to other symphony orches­

tras, the first concert of the Philadelphia Orchestra on September 28th offered Stra­vinsky’s “Four Norwegian Moods, for Or­chestra” and Rossellini’s “Canto dl Pa- hide” (“Song of the Marshes”). The re­mainder of the program brought Handel's Overture in D minor, from the Concerto Grosso No. 5, Opus 3, in a transcription by Eugene Ormandy, the orchestra’s con­ductor. Eight new members of the orches­tra were to be counted on the stage at this opening concert: Irwin Rosen, Sidney Sharp and isadore Schwartz, in the sec­ond violin section; Earl Leavitt, assistant first trombone; Leonard Shulman, tym­panist; William Goslee, first bassoon; Leonard Epstein, viola; and Philip Fisher, fourth trumpet.

ARTIE SHAW CLARINET METHOD

Cleveland

THE Cleveland Orchestra’s season which began October llth will include tbe

performance of twenty-two works by con* temporary composers, ten of whom American, The cantata by Lukas Foss and the Overture by Randall Thompson will receive their world premieres. Guest conductors will be Vladimir Golschman® and George Szell, who will each lead the orchestra for three weekr in mid-a«us^ Two programs will be led by Rudolf Ringwall, the orchestra’s ussoclati co*^

Contain» Instructions covering rim shot», cymbal breaks, bats drum beats, wire brush rhythms, etc.— explained for Ihe first lime! Alto Krupa's tom-tom talo of "Sing, Sing, Sing" at recorded.

DUKE ELLINGTON PIANO METHOD FOR BLUES

Miami. Florida

AGAIN under the leadership of Modesto Alloo, the University of Miami Sym­

phony Orchestra, founded in 1926, plans to give six pairs ot concerts this year, the first on November 18th and 19th, when Gyorgy Sandor will be piano soloist. Tbe orchestra’s assistant conductor is Joel Belov. Mrs. Marie Volpe, manager of the orchestra since its inception, is looking forward to the most successful season of the organization.

Montreal

TEN concerts are to be presented this season by Les Concerts Symphoniques

de Montréal. Four will be directed by Désiré Defauw, three by Vladimir Golsch- mann, and one each by Bruno Walter, Fritz Busch and Antal Dorati.

Baltimore

THE twenty-ninth season ot the Balti­more Symphony Orchestra which will

open October 31st will present fourteen mid-week concerts, twelve Sunday con­certs and five concerts for young people. Reginald Stewart is conducting the or­chestra for the fourth season. In addition to its home concert« the orchestra will appear In Annapolis, Washington, D. C. and twenty other cities.

The nation'« foremost saxophonist leaches fingering, improvisations, embouchure, slurring, triple longu- Ing, etc., with exercises. Contains his solo arrangements of Beebe, Oodles of Noodlet^ Tailtpin, etc.

Springfield, Massachusetts

Alexander Leslie who this year is again conducting the Springfield Sym­

phony Orchestra deserves ii deal of the credit for the rapid development of this eighty-five piece orchestra. In the sum­mer of 1943 when he came to Springfield to organize an orchestra he already had a rich musical experience behind him. as a graduate of the New England Conserva­tory, as a violin virtuoso, a teacher, and lecturer. With the cooperation of Local

LIONEL HAMPTON'S METHOD FOR VIBRAHARP, Xylophone, and Marimba

Contains instructions regarding the use of two, three and four ham­mers, the elements of theory, »tud- ie» In reading, an Introduction to Improvising. Includes arrangement» of Stompin' At The Savoy, Choppin’ Wood, and hot chorus*«,

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Leinsdorf, will lead the remainder of the concerts.

Cincinnati

THE concerts of October 5th and 6th, which opened the season of the Cin­

cinnati Symphony Orchestra under Eu­gene Goossens, featured the Brahms Sex­tet for Strings in G in a transcription by

' Mr. Goossens, as well as a Victory Fan­fare composed by this, conductor. Twenty pairs of concerts are scheduled. Also there will be forty-three concerts on tour. Ave Young People’s concerts and seven pop concerts.

Fort Wayne

THE Fort Wayne, Indiana, PhilharmonicOrchestra, under tlie direction of Hans

Schwieger, launched its second season on October 2nd with every indication that the orchestra had gained the solid support of that town’s citizenry. Soloists sched­uled for the series are William Kapell, Gladys Swarthout, Yehudi Menuhin, Stella Roman, Bruna Castagna, Frederick Jagel, and Alexander Kipnis. A perform­ance of Verdi’s “Requiem” is planned for the Spring. The orchestra this year has grown from seventy to eighty-eight pieces.

St. Louis

THE St. Louis Symphony Orchestra will open its sixty-flfth season with n pair

of subscription concerts October 19th and 20th. Vladimir Golschmann will be on the podium, in this his fifteenth consecu­tive season as conductor. During the sea­son Leonard Bernstein will conduct at two pairs of concerts while Harry Farb- man, concert master and assistant con­ductor. will be on the podium during one week-end. World premieres will be given “Harvest” by Morton Gould, “Serenade” by Alexandre Tansman, “Escort to Glory” by Carl Eppert, and Suite Concertante for Violin by Bohuslav Martinu.

JOSEPH KNITZER(First in the series of articles on the concert masters of our great

symphony orchestras.)

Typical of our young musicians who have been American trained and American fostered is Joseph Knitzer,

concert master of the Cleveland Orches­tra; This violinist, who has recently been honorably discharged from the Army, was born in New York on Octo­ber 11, 1913, and studied in his youth with that instructor of prodigies, Leopold Auer. When he was fourteen years old, he played the Mendelssohn Concerto at a Children’s Concert of the New York Sym­phony Orchestra, conducted by Walter Damrosch. With no intention ot resting on his laurels, he went on with his studies under Louis Persinger, the teacher ot Yehudi Menuhin, graduated from the Institute of Musical Art and the Juilliard Graduate School, and, when he was twenty-two, made his “official” debut with the Philadelphia under the baton .of Leopold

Also, in 1934, he won the Foundation Award.

In the decade since that

Orchestra Stokowski. Naumberg

time, Mr.Knitzer’s musical career has steadily un- folded. He has given three New York recitals, has toured extensively in the United States and Canada, has appeared as soloist with the symphony orchestras in Philadelphia, New York, Detroit, Wash­ington and Cleveland, and has become head of the Violin Department of the Cleveland Institute of Music. Since the latter appointment in 1941, he has made Cleveland his home and it was from that city he entered the Army in 1942. Dur­ing the two years spent in this branch of the Service he was u member both of the

special service and the intelligence divi­sion. • '

Young Knltzer made his debut with the Cleveland Orchestra on February 27, 1944, playing the Violin Concerto of Bee­thoven under Rudolph Ringwall, and. later in the season, the “Poem” of Chaus- son and “Tzigane” of Ravel. In March, 1944, he played the Beethoven Concerto again with the Cleveland Orchestra, this time at only a few hours’ notice when the scheduled soloist was unable to appear. Though he had broadcast the work to an international audience only the week be­fore, so sudden a debut before a critical subscription audience was something of an ordeal, one met, to his credit be it said, with Confidence and mastery. His name appears on the list of distinguished solo­ists who are to play with the Cleveland Orchestra in the course of the coming 1945-46 season, when he will give the flrst Cleveland performance of the Second Vio­lin Concerto by Prokofleff.

Mr. Knltzer was appointed concert master of the Cleveland Orchestra in the Spring of this year.

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Kansas City

THE Katz Drug Company, with thirteen stores in Kansas-City, will sponsor two

gala conceits to be given by the Kansas City Philharmonic Orchestra on October 27th, afternoon and evening. Benny Good­man and Gladys Swarthout will be solo­ists. The two concerts were decided on because ten thousand persons were turned away from a similarly sponsored perform­ance last October, when Oscar Levant and Dorothy Sarnoff were soloists.

In addition to the ten pairs of concerts in the regular series the orchestra will present in its 1945-46 season twelve young people’s concerts, four special events, six pop concerts and concerts on tour in the middle west. The programs will include compositions by the American composers, Creston, William Grant Still, Virgil Thom­son, Barber, Harris and Copland.

News NuggetsTo aid war-impoverished children of

Italy, Arturo Toscanini conducted the NBC Symphony orchestra on September 25th in a performance of Beethoven’s Ninth Symphony. The concert was ar­ranged by the Italian Welfare League and sponsored by the American Relief for Italy, Inc.

inai •its >ber han Ulis

its con*

Dmitri Shostakovich’s recently com­pleted Ninth Symphony is not the monu­mental work planned to complete the war trilogy which began with the Seventh (“Leningrad”) but instead is an inter­mezzo separating the two huge sym­phonies (Seventh and Eighth) from the final section which presumably will be the Tenth, and is. in the words of its com­poser, “a lark”, played in only twenty-five minutes and gay and whimsical through­out

este lym- lans the

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king n d

Sidney Baron, young American conduc­tor. has been transferred from duty on board a warship in the Pacific to the faculty of the United States Navy School of Music in Washington. D. C., where he will teach classes in conducting for Navy band and orchestra leaders.

Harold Bauer has been engaged as music consultant of the Music School of the University of Miami.

hieb tM

con* ar«

Fo* peon meet nana I thè aaon. lolph

Bela Bartok, Hungarian composer, died September 26th in New York at the age of sixty-four. From 1940 until his death he lived in that city where he added sev­eral works to his long list of composi­tions. A violin sonata composed for Yehudi Menuhin has not yet been played. Bartok made his last public appearance °n January 22, 1943, when he and his wife were soloists in a new orchestral arrangement ot the “Music for Two Pianos and Percussion” as a concerto. One of the most important composers of L '•era music, he was a leading, spirit of the ‘revolutionary” movement. He will

»Jt» be remembered for his extensive re-

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THE INTERNATIONAL MUSICIAN

HERE, THERE and EVERYWHEREMUSIC FOR THE WOUNDED” was

the rallying note for the great concert at Hollywood Bowl pre­

sented September 22nd, post-war effort in behalf erans of World War II, hospitals. Sponsored by

the first giant of stricken vet- now filling the Local 47 in co-

operation with the Hollywood Victory Committee, this mighty rally featured fa­mous stars of the screen, radio and stage —Jack Benny, Bob Burns, Jerry Colonna, Bing Crosby, Bette Davis, Jack Haley. Bob Hope, Artur Rubinstein, Dinah Shore, Frank Sinatra, Robert Dolan, Alfred New­man, Eddie Paul, Leopold Stokowski, Axel Stordahl, and John Scott Trotter—and established an initial fund for the enter­tainment of stricken service men in the hospitals of Southern California.

Leopold Stokowski conducted the Bowl Symphony and officers and men of the Army, Navy, Marines and Coast Guard were in attendance. Many top-flight bands contributed their services, 300 musicians in all taking part.

Local 47, with 2,000 members In active service during the war and bond pur­chases aggregating nearly $400,000, has

lu ¿UvóuUV

fully to each and then asked my second question.

"The answer was like a broken record, 'Martin’ 'Martin*.. .'Martin*.

"I’ve heard that the new Martins will soon be ready for civilian use and I am requesting that you put my name on your waiting list."

Remember these comments are based on the per­formance of pre-war Martins. Then consider that developments and refinements have gone forward in our laboratories all during the war. That will give you an idea of the quality to expect of the brand new post-war Martins. These new instruments will be mighty well worth waiting for.

INSTRUMENT COMPANY

"I’ve talked with experts and teachers and we’ve discussed tenors far into the night Practically every one is giving

me the same answers to my questions:

1. "Whal should I look for in a tenor?*’

2. "What post-war instrument will meet these requirements?”

That’s how a letter we received the other day began. And this is how it continued:

"The answer to the first question was variable. "Tone quality,* said one. Tower and volume,* said another. 'Range and flexibility*—and so on. I listened duti-

been actively engaged for three years in voluntary entertainment nightly at the Hollywood Canteen and at camps and hos­pitals, and has also helped war bond and war chest drives, the Red Cross, Victory House and recruiting.

Local LineupsLocal 767, Los Angeles, celebrated Its

twenty-fifth anniversary with a big party at union headquarters on Labor Day.

The Sousa Band Fraternal Society an­nounces its annual reunion and dinner to take place simultaneously in New York and Los Angeles on November 4th.

The National War Labor Board has up­held a decision of the New York Regional Board awarding all musicians employed in Class A and B hotels, cafes and caba­rets in New York a wage Increase retro­active as of February 28, 1944. This deci­sion raises the minimum union scale to filteen per cent above the 1941 scale, and in addition awards extra compensation to musicians who perform on more than one instrument.

October. 1945

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October, 1945

Milwaukee March

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THE

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Noon, and its librarian and baritone solo­ist, Karr Otto.

audience attendance figures,

sin. Every concert was well attended, and the programs were such as to please all music lovers. The forty-piece band was supplemented at its concerts by vocal solo­ists Mona Woyahn of Waukesha and Elmer Kuenzie of Oconomowoc. Not only the public but the press and the Trades and Labor Council cooperated in making this the best band season yet experienced in Waukesha.

which each season have shown at least 20 per cent increase over the preceding season. Besides the regular concerts the band In the past few years has played for a number of parades and appeared at

Bristol, Septem­Mildred

monies.The Racine Park Board Band has a

membership of thirty-four, all of whom belong to Local 42 of that city. To Erwin H. Sorensen, president and busi­ness manager of this local, goes much of the credit for promoting these con­certs, and in recent years for inducing the city to increase the appropriation for more concerts. Brother Sorensen is also a member of the band’s trumpet sec­tion and recently completed his thirtieth year playing the frumpet with local bands. The organization’s advisory board con­sists of Brother Sorensen, Warren M. Dana. Ralph J. Steiner, Clarence Wilda and John T. Opferkuch. Paul Bardeen is band secretary and Ralph Steiner handles the library and publicity work.

would do well to review the summer season’s accomplishments by several of our concert bands.

Waukesha Registers SuccessIE summer season just passed proved iho most successful band concert sea-

rlE Milwaukee area Is experiencing a great renewal of interest and activity iu summer band concerts. A total of

thirty-four band concerts were played there during the past summer, included iu which were two series of eight con­certs each given at West Milwaukee and Shorewood. Henry Panduro’s Concert Band of twenty-eight members playing weekly at Barcley Field, West Milwaukee, finished its third season with flying colors. At Shorewood Sandy Smith presented a series with fifty men at Hubbard Park The regular city concerts and the Kll- bourn Park concerts were in the capable hands of Oscar Dunker, Joseph Gigante, William Koch, Joseph. Clauder, Guy Newman (Blatz Post Band), and Ted Bach

Plumb was soprano soloist. This band, composed of thirty-five members, was especially busy during the summer play­ing at Imke Compounce, Connecticut’s fa­mous amusement park, and for the regu­lar band series at Bristol. The band's conductor is Ernest A. Becker, its assis­tant conductor aud cornet soloist, Edward

SOUND WAVE Monthpiece

Racine Report

THE Racine Park Board Band under the direction of John T Opferkuch, con­

cluded a series of fifteen summer concerts when it appeared before the season’s larg­est audience of almost 10,000 at the an­nual Labor Day celebration in that Wis­consin city. These open-air concerts, made possible through an appropriation by the city council, were played in seven differ­ent parks of the city.

This is the band’s third year under the direction of Mr. Opferkuch. The general policy hat been to keep concert programs diversified to cope with the mixed inter­ests of an outdoor audience. Each pro­gram has featured an instrumental en­semble or soloist from the band. Russell Griep, trumpet, Marion Simeon, clarinet, Edward Bezucha, trombone, William Ma­son, xylophone, and Frank Bencriscutto. saxophone, have been soloists this season as have also several local vocalists. IVes- iey W. Blish has provided additional va­riety as master of ceremonies and leader of community singing.

Increased interest in the band is indi-

- D°T8eY'P““!?* * ora ted

_ Sci»nuhc, modem »

OUR final farewells to summer would not be complete if- we did not cast one wistful glance backward at the empty bandstands and the wind­swept parks dotting the nation, their only music the shouting of

children and the twittering of a few remaining birds. The squirrels are scampering gaily over the pagoda roofs of these bandstands and burying nuts at their base, but. aside from these adventurers, only the grey rains and the silently falling leaves are in possession. Music is becoming speedily an indoor art and it will take a new Spring, a new hope and a new resolve to bring it again into the open. Meanwhile, in this month of transition we

Baltimore Bands

THE nine-week series of city-sponsored band concerts, with music performed

by two white and two colored bands, pro­vided Baltimore residents this summer with 124 concerts at five of which massed bands were heard. The first of these latter concerts, held on June 24th and dedicated to the dead of World War II, was at­tended by many celebrities among whom was guest-speaker Major General Anthony C. McAuliffe, Governor Herbert R. O’Con­or, and Mayor Theodore R. McKeldin. As part, of the ceremonies. Mayor Mc­Keldin presented to Robert P. Tula, execu­tive secretary of the Department of Mu nicipal Music, a handsomely bound cer­tificate of appreciation as a reward for bringing music of such a high level to Baltimore.

A second massed band concert, given on July 11th at historical Druid Hill Park, was based on a Spanish theme, and a third one was given July 31st at Patter­son Park. A soloist and chorus of sixty mixed voices participated at a colored massed band concert on August 12th l>e- fore a large audience of around 15,000 persons. On August 14th, at the final massed band concert of the season, the Department of Municipal Music for the first time in its history put on a complete Gilbert and Sullivan operetta, “Trial by Jury”. This was given in full costume °a a stage especially built for the occa­sion. Judging from the many favorable comments, the people of Baltimore desire music of this type, and plans are now being formulated for more such presenta­tions next season.

New Departure

THE New Departure Band of Connecticut, closed its season

ber 16th with a concert at which

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New York Pointe With Pride

THE eighth year of summer band con­certs jointly sponsored by Local 802

and various business organizations has proved on* of the most successful yet given. Attendance at the twenty-four con­certs was 157,000, the largest number re­corded since the beginning of the series.

Conductors of the series were: Bernard Altschuler, Captain Eugene LaBarre, Rosario Bourdon, Captain .George F Brie­gel, Nathan Brusiloff, Albert Chiaffarelli, Guiseppi Creatore, George Drumm, Lam­bert Eben, Michael Fielding, Gerardo lasilli, Franz Kaltenborn, Murray Kell­ner, Paul Migan, Abe H. Nussbaum, Amedio Passeri, Eugene Plotnikoff, Arthur Roman, Adrian Schubert, Sholom Secunda, George Shakley, Dr. Harwood Simmons, Gabriele Simoni, Chester Smith, Max Smolen, Captain F. W. Suther­land, Max Waldo.

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company’s opening performance in this its fifth season. Appearing in the role of Mario Cavaradossi was tenor Eugene Con-

Alvino Roy Charli« Bornât

Paul Whiteman

ing twenty per cent or of an opera ticket, the the remainder.

The Chicago Opera brought to light three who as award winners

of Mr. Ciccone—cut by a unique method

James Pease, baritone, who returned to civilian status after his honorable dis­charge from the Army of the United States on October 1st—he spent two and one-hall years as a flying training instruc­tor at Laredo, Texas—will be "active this season in concert, opera, radio and the­atrical work.

‘Cavalleria Rusticana'

lie one of the most fruitful yet perienced in Ihe field of opera.

auditions have excellent singers are now regular

Van Alexandar Bob Crosby

Andra Kostelanets

A leased from the Army of the United States, has resumed his career with an engagement with the Metropolitan Opera Company*, an opera tour of Canada and an October appearance in the lead role of Broadway’s "Song of Norway”.

With hls entry Into the Army In Febru­ary, 1942, Mr. Kent was the first mem­ber of the Metropolitan Opera to go into service. As a major on General Brehon Somervell’s staff in Washington, Mr. Kent was assigned as personnel control super-

visor for the continental Army Services Forces. In 1939 he was a winner of the Metropolitan Air Auditions which led to his engagement by the Metropolitan.

ley recently honorably discharged from the Service. Another ex-service man, tenor Giulio Gari, has been cast for roles

Business Men Help

THE Chicago Opera Company, now In the midst of its six-week season, Is

experiencing the good effects of its new system of "multiple business contribu­tors”. This plan, evolved last, year, makes business houses, in place of the rich in­dividual guarantors of the past, the prime supporters of opera in that city. Several hundred large companies and corpora­tions arc listed as supporters of the opera, with contributions ranging from $25.00 to $2,500. The firms customarily give their employees coupons represent-

Civilian AssignmentRTHUR KENT, baritone, recently

"Faust”, and “The Flying Dutchman”.Oil September 28th Tod Duncan, bari­

tone, noted for his characterization of Porgy in Gershwin’s “Porgy and Bess”, made his operatic debut with the com pany as Tonio In Leoncavallo’s “I Pagli­acci”. On September 30th he appeared as Escamillo in Bizet's “Carmen”. In announcing this addition to the roster, Mr Halasz pointed out that Mr. Duncan has been acclaimed “one of the finest artists ever developed by his race" and that therefore his engagement was in line with the company’s policy of pre­senting the best in American talent.

Smetana’s “The Bartered Bride”, added to the company’s repertoire this Season, was presented in English on October 3rd.

Leopold Sachse, in pre-Hitler Germany general manager of the Hamburg State Opera House, is the company’s new stage director.

members: Patsy Petasky, soprano, Louis Sudler, baritone and Robert Farrell, bari­tone. Besides the audition winners, the roster has been increased by the addition of Alice Tate, young American-born so­prano from New York, and Nicholas Re­signo, conductor, born in Brooklyn. Al­ready since the season opened October Sth, performances have been given of “Manon”, “Rigoletto”, “11 Trovatore”, “Carmen” and “Tosca". From now until the season’s close, there will be five per­formances each week. Fausto Cleva is the company’s general artistic director.

City Project

LASZLO HALASZ, music director of the New York City Opera Company, con­

ducted on September 27th “Tosca”, the

Philadelphia La Scala

THE Philadelphia La Scala Opera Com­pany which on November 1st will open

its regular Philadelphia season with “La Forza del Destino”, is also presenting a series of six performances in Washing­ton, D. C., as well as the usual one in Baltimore.

Carmen for San Francisco

THE War Memorial Opera House where the United Nations conference held its

plenary sessions last spring was put to use for the performances of the San Fran­cisco Opera Company when tt opened its twenty-third season on September 25th. Gaetano Merola conducted “Carmen” on that night, with Risë Stevens and Raoul Jobin respectively singing tho roles of Carmen and Don José and an audience that outdid all previous seasons both tn size and splendor. It appears at thi>- writ­ing, such is the rush for tickets, that all seats will be sold for the season’s twenty- two performances.

AT STUDIOThey Studiali With Otta Catana:

(Arr. Far)

MANY of the released G.l.s are finding their way to the stages and pits of opera houses as singers and instrumentalists. We can expect there­fore a general heightening in the standard of production of our vari­

ous opera companies. Moreover, the raising of travel restrictions is assisting our touring opera companies to bring opera to more music lovers than has ever before been possible. All in all, we have every justification for the lielief that the 1945-46 season will .--------------------------------------------------

STUDY ARRANGING WITH

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Navy Band,

When Ziegfeld Glorified the American GirlKing Instruments were in the Orchestra Pit

The Ziegfeld Follies was more than a show. It

ORRIN TUCKER

superb blend of choice enter*merriment

tainment, glorified girls and good music.

Much of that music came from the gleaming

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WHITE HOTES TORWARO TO * GREATER FUTUR?GUIDED BT A GLORIOUS PAST

goal.

NICK LUCAS and his men swung the Sky-Vu Gardens, Dallas, October

BARON HUGO'S orchestra has been featured.at Totem Pole Ballroom, Auburn-

the Bronze service dur-

into 4th.

gagement at the Auditorium Dance Gar­dens in Kitchener, Ontario.

with five brass, five saxophones, five strings and four rhythm.

was an unforgettable symphony of mirth and

were rhe instruments that acas insisted upon.

Elliott) has been awarded Star Medal for meritorious ing the European campaign.

SAM DONAHUE and his

DUKE ELLINGTON has a January, 1946, date at the Paramount Theatre.

COUNT BASIE, who will begin u four- week date at the Roxy some time in Jan­uary, has a December 28th booking (for one week) at. the 125th Street Apollo Theatre in Harlem. Currently he is doing u coast-tocoast theatre tour.

dale. Massachusetts, months. ’

Gotham GaietyEMIL COLEMAN’S run at the Waldorf “ Hotel opened this month. He will re­turn to the Mocambo, Los Angeles, in December.

CHUCK FOSTER’S orchestra has been held over at the New Yorker Hotel until October 20th.

SHEP FIELDS swung into the Roose- ▼elt Grill September 20th.

WOODY HERMAN’S orchestra will give * concert at Carnegie Hall March 29th, 1946. a feature of which will be the first Playing of “Ebony Concerto for Orches­tra" now being composed by Igor Stravin- *»y, who himself will conduct Herman’s orchestra in the performance.

BUDDY JOHNSON will close his five- ’eek engagement at Harlem’s Savoy

TUX TIESMaroor. - Black

TO MAH

welcome hack To these columns this month many lenders and men ¥v now returning to serve the nation as entertainers as gallantly as

they have served it as fighters. Sgt. Ray McKinley, drummer with Major Glenn Miller’s Orchestra, Sam Donahue, Orrin Tucker. Eddy Duchin —it will be good to have these and other such musicians again holding forth wherever music and gaiety are in order. However, before we go blithely into the post war set-up, with its laughter, its light heartedness, its zest for Ihe new and its impatience with the old, lei us pause a long, still moment in memory of those bandsmen and leaders who will not return, who gave their final performances on distant hillsides and lonely beach

BENE KRUPA, who opened on Septem- f* 27th at tho Capitol Theatre, has had “L ÜSO overseas tour put forward to J°®e time in January” with tho Far East

heads, with only the dull echoing of bombs and the shriek of shrapnel for applause. Let us iu this moment give thanks to these* men, who have made our dancing and out laughter and our music possible, who have given us a new world to fashion utter our heart’s desire. May we go about this fashioning iu a manner worthy of them!

returned to this country after serving twenty-five months outside the states, twelve in the Pacific Area and thirteen in the European Theatre, are at this writ­ing at their base at the Anacostia Navy Yard in Washington.

ORRIN TUCKER, on his discharge from the Navy, intends to build a band

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East Coast Eddies

EDDiE STONE will close his six-week run at Statler Hotel, Boston, October

27th.

Touring TeamsENNY GOODMAN began a tour of <

1 nighters September 26th with an

HENRY BUSSE opened October 12th at Vogue Terrace, Pittsburgh.

JIMMY PALMER’S date at the Vogue Terrace ended October 11th.

AL POSTAL opened the fall season at the Biltmore Ballroom, Brooklyn, Septem­ber 22nd.

Service Notes

L BRADLEY CLAY is the director of nn All-Veteran Orchestra in Washington,

D. C., the members of which are John Brown. Carman Campognoli, Harry Al­bert. Thomas O’Connell, Vincent Burns, William Vance, Harry Allen, Robert Kingsbury, Bunny Martin, Bob Brunsvold, Bob Goodman, Ray Ballukin und Jenny Wojcik, the latter an ex-member of the Waves. Clay himself is an ex-aerial gun­ner of the Fifth Air Force. Most of the men have served overseas and have par­ticipated in the major campaigns. Many of them wear the Purple Heart and other medals for valor and heroism.

S/SGT. CHARLES CRAFT (Baron

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Mid-West Madcaps

HARRY COOL’S date at the Blackhawk Cafe, Chicago, has been extended until

late December, which will make It u six­month run.

HAL MCINTYRE’S orchestra has just finished a two-week vacation as an after­math to its strenuous four-month trek in the European Theatre of Operations Its first booking will be at the Circle Thea­tre, Indianapolis, November 1st.

BILLY ECKSTINE will open a three- week date at the Club Riviera, St. Louis, ou October 19th.

PAIRING

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DEL COURTNEY'S band Is taking an indefinite date at the Palace Hotel, San Francisco.

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THE INTERNATIONAL MUSICIAN October. 194$

JIMMIE LUNCEFORD will play the week of October 19th at the Royal Thea­tre, Baltimore, Maryland, the week of November 2nd at the Paradise Theatre, Detroit, and the week of November 15th at the National Theatre, Louisville, Ken­tucky.

JOE LIGGINS is taking one-nighters in the southern states during October.

Now We Can Tell It

LAST Spring, Al Trace’s orchestra, dur­ing a tour of Southern Army Camps

and Naval bases, was called to a place of which he had never heard, in the hills of Tennessee. After a seemingly endless journey the band suddenly came upon a boom town right in the middle of no­where, equipped with theatres, churches, power plants, blocks of homes and a huge recreation center. Before playing. Trace and the men were beckoned to one side and told by an FBI agent. “We want to welcome you. Now that you are here, we want you to forget you ever were here. Under no condition are you to leave this building, nor can you tell any­body what you have seen here, until after the war’s end. We can’t tell you why, but if our work is successful, it may end the war”. The spot, you see, was Oak Ridge, home of the Atomic Bomb.

California Carousel

TONO EL NEGRO (known as the “Cab Calloway of Mexico”) opened Septem­

ber 18th at Club Brazil, Los Angeles.

DEL COURTNEY

ARTIE SHAW started. September 2Sth, a weekly four-night stand schedule at the Meadowbrook (formerly Casa Manana) in Los Angeles.

SANDY SANDERS leased Union Hall, North Hollywood, and leads his own band, the Rough Riders, there two nights a week.

CAMILLO LENTINI and his Latin- American orchestra were heard at the Central America Independence Ball on the 14th of September at the Hollywood Roosevelt HoteL

XAVIER CUGAT and his band are tab ing one-nighters along the Californie coast before beginning their long date at Slapsy Maxie's October 23rd.

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Holton band instruments are highly regarded and widely requested by army and navy bandsmen. The invariably highmusical quality and brilliantly clear tone of these fine in-struments improve the musicianship of experienced playersand beginners alike. That is why the bulk of current Holtonproduction is still going abroad — but the quota forhome distribution will soon be on the upswing.

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usteAT ITS BEST

MADE BY MASTERS PLAYED BY ARTISTS

BAND and^ORCHESTRA ^mUMUMME N TS

Twalva October. 1945

Published Monthly by Leo Cluesmann, 39 Division St., Newark 2, N. J.

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Honoring the Concert MasterN publishing a series of biographical articles on

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THE INTERNATIONAL MUSICIAN

to all.

ADVERTISING RATESAr .> IO LEO CLUES."N, Secretary,

39 Divieion Street, Newark 2, N. J.

International Musician a desire to hear music, but also that thousands must beinculcated in that prime doctrine of unions, namely, that

of the wounded, the care of families of men killed, and

Entered at the Post Office at Newark. N. as Second Class Matter."Accepted for mailing at special rate of postage provided far in

Section 1103. Act of October 3, 1917, authorized July 10, 1918."

SubacripLan Price

the laborer is worthy of his hire”. When they havethe rehabilitation of veterans are causes which will appeal

grasped this fact, and realized that it holds good whetherthe results of such labors be heard in concert hall, re-corded on discs, or broadcast over the radio, then, and onlythen, with an aware and appreciative public his employers,the musician will become secure in his employment.

30 Cents a Year

INTERNATIONAL OFFICERS ---------OF THE-------

American Federation oi MusiciansPRESIDENT

JAMES C. PETRILLO, 570 Lexington Avenue, New York 22, N. Y. 175 West Washington Street, Chicago 2, Illinois

VICE-PRESIDENTC. L BAGLEY, 000 Continental Building, 408 South Spring Street,

Los Angeles 13, California

SECRETARY LEO CLUESMANN, 39 Division Street, Newark 2, N. J.

FINANCIAL SECRETARY-TREASURERTHOMAS F GAMBLE, Box B, Astor Station, Boston 23, Mass.

HONORARY PRESIDENT AND GENERAL ADVISORJOSEPH N. WEBER, 621 Alta Drive, Beverly Hills, California

EXECUTIVE COMMITTEE

CHAUNCEY A. WEAVER..325 Insurance Exchange, Des Moines 9, Iowa J. W. PARKS....________ ....___ ..416 Southland Building, Dallas 1, TexasOSCAR F. HILD..._______ 206 Atlas Bank Building, Cincinnati 2, Ohio HERMAN D. KENIN____ 359 S. W. Morrison Street, Portland 4, Oregon WALTER M. MURDOCH..22 Royal York Rd. North. Toronto 9, Ont., Can.

All that serves labor serves the nation. All that harms labor is treason to America. No line can be drawn between these two. If any man tells you he loves America yet hates labor, he is a fool. There is no America without labor.

—Anonymous (Attributed to Abraham Lincoln).

Employers All

NEARLY every adult in the world is a worker. Nearly every adult in the world is also an em­ployer. For the world’s real employers are not

the ones issuing the pay checks and dictating the orders. They are the people who buy the products, use the trans­portation facilities, rent the houses, burn the fuel. Those men sitting behind their glass-top desks are only middle­men, go-betweens for capital (money in pockets) and labor.

By the same token musicians’ “bosses” are not the hotel or theatre managers who employ the bands, nor yet the conductors or musical directors who lead the orches­tras. Their bosses are people everywhere who like to hear music. These are the ones who must be pleased.

concert masters of our major symphony orchestras (see page 5 of the present issue), we desire to pay

tribute in so far as lies within our power to these artists who in their organization hold so special a place. Grove’s definition gives a clear picture of their role: “The concert master is the leader, that is, the first of the first violins in an orchestra, who sits next to the conductor and trans­mits his wishes to the band. He is, as far as any one player can be, responsible for the attack, the tempo, the nuances of the playing”.

The duties of the concert master at an earlier period extended to his being spokesman for the orchestra mem­bers in the matter of disputes arising between leader and orchestra. This position as representative of the orchestra in negotiations with conductor or management stemmed from an even earlier time when the role of conducting an orchestra actually fell to its first violinist. That is, dur­ing one era in the growth of the symphony orchestra, the director controlled his forces by playing the leading part on the violin or by beating time with his bow. Sometimes pianist and violinist jointly directed the orchestra’s men. For instance, Haydn on his trips to England in 1791 and 1794 kept the London Philharmonic together by himself directing from the piano while his impresario, the famous violinist, Salomon, assisted by means of his violin.

Thus it can be seen that the concert master comes by his title and prerogatives through perfectly legitimate channels. It may be due to this fact that he frequently occupies in our American orchestras the triple role of concert master, associate conductor and soloist. Certainly he stands as the symbol of the orchestra—witness the conductor’s handshake when an interpretation has been unusually apt—and is as well to a degree setter of pace and indicator of dynamics. For this reason and for the further reason that concert masters of our own major organizations are invariably masters of their instruments, a series such as the present one will be, we trust, both informative and appropriate.

Paraphrasing a famous statement, “To have great musicians, there must be great audiences, too. ”

Labor’s complaint against “capital”, as embodied in the high-powered executive, is that he often forgets he is just another employee, bound to please that vast pur­chasing public, and rather sets up as a potentate. Yes, he remembers that the customer must be satisfied. But to his mind this is an end to be attained through sacrifices made by the workers, never, never by himself. This type of executive makes the price cheaper through making the worker put in longer hours; he raises the quality through ordering skilled labor to work at a lower scale; he has the gadget turned out in record time, often through making his men work in overcrowded and badly venti­lated buildings. He insists price increases are the inevitable accompaniment of wage increases, and skims over the fact that workers with more money in their pockets will buy more articles and thus return more money to his coffers. Of course, he intends to please the customer, but only so long as this can be done with no inconvenicnct tu himsclt.

This state of affairs would be irremediable but for one small fact: the buying public and the mass of workers are one. After work, and during their lunch hours, factory employees are the men and women who finger over the goods at the counters of the nation. Their weekly salaries are distributed, via their wives, in the cash registers of stores throughout the country, and from thence go back to the factories. Thus employees, in their role as a nation’s purchasers, have a right to make terms with the producers of goods. And to enforce these terms they have most efficient weapons in the Union Trade Label, and the picket line. By resolving not to purchase any good« but those made under union standards and bearing the union label, and by avoiding shop which do not observe union conditions, purchasers become setters of styles, dictators of trends, formulators of rules and enforcers of justice. /

The musician must consider this state of affairs from a particular angle. His employment in future days is exactly dependent on the number of persons willing topay money to hear him, for these, as we have noted, arc his real employers. This presuppose* not only that thou

never become professional musicians

The Treasury is asking for. eleven billion dollars for( i ) Care of the wounded and rehabilitation of veteransThis job is going to be one of the nation’s biggest ex-penses for years to come. Mustering-out pay, education,loans, and general administration of the G.I. Bill ofRights must be added to care of the wounded.(2) Cancellation and termination of war contracts. Huge sums are still required to pay for war materials which were ordered, produced and delivered months ago. Where contracts are cancelled, payment must be made to contractors for losses suffered. This will make it possible for factories to reconvert, and to recmploy workers. Companies drop out of the excess profits bracket and taxes go down, thus decreasing Federal tax receipts. Our bonds must cover this depletion.(3) Inflation. While unemployment may rise during the reconversion period, the big bulk of American wage earners will have more money accumulated than they have had in years. Present figures indicate that the “inflationary gap”—the difference between purchasable goods and services and income—will be about forty billion dollars this year. In addition, Americans have accumu­lated about one hundred billion dollars in savings since Pearl Harbor.

If this extra money is converted into bonds it can pro­vide a backlog of buying power and a steadying influence , for years to come. Conversely, if people should try to ..-i spend it now before many consumer goods are available, chaos can result.

Symphony Symposium

THE recent list of symphony orchestras, published in the May, 1945, issue of The International Musi­cian, has aroused widespread interest and called

forth a most heartening response. It is the aim of your Editor to obtain as complete a list of symphony orches­tras throughout the United States and Canada as possi­ble. He would like to be apprised of all plans connected with the organization and development of these orches­tras, the steps taken in their formation, the membership, the arrangements made with the locals of the A. F. of M.

Each town faces problems a discussion of which would no doubt benefit towns similarly in the throes of symphonic organization. To this end we would wel­come data regarding your symphony orchestras, as well as biographical material regarding their conductors and lists of their members. Photographs of both the orches­tra and the conductor should also be in our files in readi­ness for possible use.

Nor do orchestras of symphonic proportions alone interest your editor. We should like to hear of bands and other musical groups which your community is fostering.

The President’s office has recently • sent out to all locals a rather comprehensive questionnaire, “Symphony Orchestra Survey”. This should of course be filled out minutely for purposes of statistics, and returned to that office. The data requested by our editorial offices is rather in the nature of a running commentary on the develop­ments of your symphonic and*other musical groups and will be used each month in our various departments in The International Musician. The publishing dead­line is the 24th of each month, and material to be in­cluded in the subsequent month should be in our hands by then.

Remember, the problem in your own particular locality is the problem of orchestras all over America, and its solution will point to solutions in other com­munities, too. Address all information to Leo Clues­mann, Editor and Publisher, The International Musi­cian, 39 Division Street, Newark 2, New Jersey.

Financing for Peace

BEGINNING October 29th and ending December 8th will be the last, the very last, of the war loans. We have our men in the Service, as well as the workers

in the factories and offices on the home front, to thank

0

T

(4) Bringing men home. It’s just as expensive as sending them over, and the process will go on for an | indefinite period.(5) Maintaining armies of occupation. Housing, feed- I ing, giving medical care to at least two armies abroad is ' * I a costly business which will^go on for some time. 4

Here are the facts. We know you will ponder them well. We know you will respond heartily. There is to be a new denomination bond in this drive, a $200 Roose-’ ’ velt bond. Will it not be a good way to put the final “ period on your contribution to the war and to victory by buying at least one of these? Remember, they finished the job. Let’s finish ours!

A Fitting Tribute

IF this war’s termination has not been the “go” sign for the erection of innumerable war memorials in various cities and towns throughout the United States, human

nature must have changed drastically since the post-war era some twenty-five years ago. It is a natural instinct, this need for establishing Some tangible evidence of hav­ing survived a period of fervor, sacrifice and grief, and wc see no reason why folk should forego this satisfaction. The dead, of course, cannot be more honored than they already are through their deeds, but the erection of some enduring symbol will be a means of expressing the grati­tude of those who survive and partake of the hard-won gains.

What form should these memorials to our honored dead take? What structure, what creation, can best symbolize the sacrifice they made and the future wc, through them, may bring about? On this point wc must ponder deeply and decide wisely.

Certainly we must agree that those monstrosities of post-Civil War and post-World War I days must not be duplicated. Cobalt. Maine, may have its pyramid of cannon balls on the village green, and Menault, Missouri, may have its stony doughboy forever taking aim before the Town Hall, but surely we do not want to multiply such outmoded memorials. Rather wc want to express in so far as we can in stone and steel the ideals for which those young men fought and died. .

The memorial for the late Ernie Pyle is to be a library with a special “Ernie Pyle Room”, this to be erected in Dana, Indiana. Here is a monument that that friend of service men might himself have chosen, could he have anticipated his fate. Some service men who have given their lives have indeed made their voices heard even in death. Wc have in mind the service man killed in action who had willed several thousand dollars for “a charitable purpose”, another who had asked to have his legacy devoted to “the cause of art”, still another who endowed an orphans’ home.

To our mind no more fitting memorial to our soldier dead could be erected than the concert hall or band shell in which audiences in the home town, year after year, decade after decade, could be inspired and strengthened by the great music of all ages. Moreover, such a project, in bringing the folk of the town together in an endeavor wholly constructive, would be free of factional disputes arising from activities of n narrower scope. At the recent meeting of the Executive Board, it was decided that a suggestion be made to the locals that they use their influ­ence in furthering the building of such memorials.

Remember, these projects would not become out­moded as statues and arches and other non-utilitarian

F tc tl b ai B n tl k L ti

for the fact that this final drive will be'called “The VictoryLoan”. Wc believe our readers will be glad to lend their money to help pay our debts to the men who fought our

objects have a way of becoming. A concert hall or band shell, as long as it stands at all, will be for the membersof its community a living monument to those who strove

CHAUNCEY A. WEAVER

REPAIRING

REBUILDING

LACQUERING

American extend a National

In our humble opinion General Mac- Arthur is doing a good job in the far-flung Pacific. No Washington brass hat has thus far lifted head above the horizon who is better qualified for that tremendous task.

the Illinois Conference of the Federation of Musicians, we message of greeting to our President, James C. Petrillo.

British dispatches report that Winston Churchill has refused initiation into the Order ot the Garter. The American Order of Bobby Soxers will doubtless look upon the act as a fine gesture of endorsement.

element of quality, music lovers and critics are evidently expected to draw their own conclusions.

That beautiful one-world picture seems to be fading.

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October* 1M5 THE INTERNATIONAL MUSICIAN Thirteen

Over FEDERATION Field essraaDISTANCE—THE ENCHANTRESSThe sails we see upon the ocean

Ure as white as white can be, But never one in the harbor

As white as the sails at sett.

¿nd the clouds that crown the mountain With purple and gold delight.

Turn to cold gray mist and vapor ¿efore we can reach its height.

Stately and fair the vesselThat comes not near our beach;

Loftly and grand the mountain Whose height we may never reach.

Oh, Distance, thou dear enchantress, ■Still hold in thy magic veil

The glory of far-off mountains, The gleam of the far-off sail.

—Author Unknown.

(and we now have that assurance), and some delegate from the convention forum should move that President Harry S. Truman be made an honorary member of the American Federation ot Musicians, we think there would be a vociferous chorus clamoring for recognition from the chair, “I second the motion!”

Many, many thanks for a fine picture card from Erwin J. (Doc) Sartell, show­ing his American Division Band, the loca­tion on the globe of course not being re­vealed. But we can depend upon it, the band is making real music somewhere. Personally, we shall feel relieved if in a short time we receive another card or letter with the post-mark, Janesville, Wis­consin. And we think the members of Local 328 must be in a similar frame ot mind.

HANG onto your hats! A Republican ' —who has not hesitated to vote for a Democrat now and then—is speak­

ing, or rather writing.Prairie breezes are blowing and impart­

ing their health-giving tang. The unseen currents of the air, pulsating with life, are also tremulous with the sound of music, not alone the music of instru­mentalities which turn the deep rich western soil; or of the whirring har­vester sickle; or of the grinding old mill wheel; or of the iron horse which annihilates the far-flung spaces between here and there.

Piano music which whiled away

Chauncey Weaver the morning hours, enlivened the noon­

tide period, or charmed the evening twi­light of a modest Independence, Missouri, home, has been transplanted from the western environs of the “Show-Me State” to the White House in Washington, D. C.

President Harry S. Truman is a piano player. Of this fact the general public has for some time been aware. It occurs to us that this is a matter which should be deemed of peculiar interest to the American Federation of Musicians.

We wrote to Mr. Charles G. Ross, secre­tary to the President, for any specific information he might be able to give con­cerning the President’s musical predilec­tions, and received a prompt and cour­teous reply in which he said,

"I wish I could be of help to you, but I fear I cannot give you a great deal beyond what has been quite generally published. The President does play the piano for his own entertainment and recreation, and has an in­strument in his study in the White House.”

History does not seem to shed much light on what, if any. talent or taste for music characterized the thirty-two Presi­dents running the range between Wash­ington and Truman. There is a tradition that Washington was partial to the flute, and that a specimen of that instrument has been seen suspended from one of the walls in the Mount Vernon home.

It is well known that President Thomas Jefferson played the violin; took lessons of a distinguished virtuoso; and was not averse to scraping the sensitive catgut for the delectation of the Virginia coloni­als who loved to congregate from time to time within the hospitable walls of his Monticello home.

Whether Andrew Jackson was musically Inclined, we have no clear record. But when we read of what he thought of John C. Calhoun and Henry Clay, the im­pression obtains that if there was much music in his soul he would have utilized a virulent brand of jazz to voice the senti­ments of his rugged personality.

As an earnest of the loyalty which President Truman has ever exemplified toward his home state he has now and then undoubtedly tickled the Ivory key­hoard with the melodic “Missouri Waltz”, and toyed with a jazzphobia "St. Louis Blues”. But, glory be! he displays « far more expanding artistic perimeter than these ephemeral tld-blts would signify. It h claimed that a Beethoven concerto, a Lists rhapsody, or n Strauss waltz flows from his metacarpus technique with equal felicity. To paraphrase Oscar Wilde, »lightly:

Bis graceful hands, on the ivory keys, Strayed in a fitful fantasy;

Inks the silver gleam when the poplar trees. Rustle their pale leaves listlessly. Or the drifting foam of a restless sea,

When the waves show their teeth in the flying breete.

The Illinois Conference of Musicians held a two-day session at the Orlando Hotel, In Decatur, September 15-16. The preliminary day, Saturday, hail not been formally included, but the delegates evi­denced their interest in tho cause in large number, and several hours of evening were devoted to matters of special in­terest. This display of energy was a helpful prelude to the day following, and was the idea of President Percy Snow, who does not believe in wasting time.

The Conference was composed of forty delegates from the following- locals: Belleville, Champaign, Chicago, Collins­ville, Decatur, East St. Louis, Edwards­ville, Jacksonville, Joliet, Lincoln, Mat­toon, Peoria, Springfield, Washington, Coal City, Waukegan and Benld.

It was plain that the delegates appre­ciated the proper function of these con­ferences, and the dominant theme was. “What can be done to kindle the spark of enthusiasm which will fire other locals whose ardor has not yet been adequately stirred?” Talk was translated into con­crete action by delegating certain live locals to make it a special mission to contact other nearby locals, the Confer­ence animation of which still remains at a low ebb. All realized that the malad­justed conditions of the times have been a handicap to many, and belief was ex­pressed that with bureaucatic restrictions being eased, and gasoline more easy to obtain for travel purposes, there would soon be a revival in Conference Interest throughout the state.

Local 89 did a fine job of welcoming and entertaining the Conference. Presi­dent Clarence Seip extended greetings in behalf of Local 89 and then introduced Mayor James Hedrick, who paid musicians a high tribute as public benefactors and expatiated upon the harmonious relation­ship existing between the city govern­ment and Decatur musicians.

The noon-day banquet tendered the delegates and twenty-five lady visitors was a wholesome repast which was en­joyed to the music of Frank Hoffman’s fine orchestra.

The Illinois Conference evidently be­lieves In the old-time tradition, “Let well enough alone’’, when it comes to naming an official staff. Certain it is, the Con­ference would not seem natural without Percy Snow as Presiding Officer and George W. Pritchard as Secretary, both from Waukegan. Other Conference of- ficals re-elected were: Treasurer, J. S. Simpson, of Joliet; Board of Trustee»— William Schmidt, of East St. Louis; Clar­ence Seip, of Decatur; E. C. Wascher, of Champaign; A. T. McCormick, of Peoria, and J. R. Basso, of Benld.

Local 89 has a membership of 162, with 68 in the Armed Service. During the summer season just closed, forty-two band concerts were played during June. July and August, with an instrumental personnel of from 35 to 40 players in each concert. The city authorities maintain a band budget of >16.000 for the year. This is a fine gesture for a city of 65.000 popu­lation. The local Is officered by President Clarence Ship. Vice-President Victor Ford, Secretary-Treasurer George E. Weatherby, Trustees Elmer Dresser. John Moreland, Andrew White, Richard Ar-

“What le the big Idea?” somedne may If the powers that be permit the

Ing of another national convention

5-7-9 UNION SQUARE NEW YORK, N. Y.

nold and Harry Barber, Sergeant-at-Arms Glen Click.

The next Conference session is sched­uled for Collinsville, the third Sunday in April, 1946.

The writer wishes to record his deep appreciation for the cordial reception which he received as an official visitor.

Appreciation for the fine entertainment provided by Local 89 was adopted in an appropriate resolution, after which the following expression of sentiment was made a matter of record by a rising vote:

"Be It Resolved, That in the closing hours of this twenty-eeventh gathering of

“Since his election to office in 1940 he has been tried as by fire. He Is emerging from the crucible without the scent of flame upon his official garments. He has been loyal to our interests; has been true to the ideals which for nearly half a cen­tury have led us on; and he faces the future with determination undiminished, and he can be assured of our confidence in fullest degree.

“Tbat his health and strength may be spared for the trying days ahead is the hope and prayer of his abiding friends herein assembled.”

Recent dispatches announce that Shos­takovich has just completed hia Ninth Symphony, just equaling the Beethoven symphonic output in quantity. As to the

FACTORY METHOD BAND INSTRUMENT

Autumnal beauty is October’s own;’Neath Nature's golden touch she stands

alone ;Upon her loom she gleans the falling

leaves.And, Ohl What wondrous tapestry she

weaves I

Many ■ man beAhMl the gun. Regards those days de lure.

H'km he can have a heap of fun, By simply hunting ducks

Poet-war reflections are thicker than the autumn leaves now falling to the bosom' of Mother Earth. One statistical analyzer observes: “The United States has been spending at the rate of 164 mil- lion dollars a day; six and one-half miL

THE INTERNATIONAL MUSICIAN October. 1945 Oct*

lion dollars an heùf ; and more than 100 thousand dollars a rtiinute.'’ How faded, out-moded and passé seems the one-time familiar expression, “spending money like a drunken sailor”. However, we have known those who could wildly dilate tbe spendthrift currents who were never within telescopic distance -of the briny deep.

“The good that men do lives after them.” This truism includes the inspira­tional melodies which are born in human souls and eventually wing their harmonic way to the uttermost parts of the earth. For example: At the Pacific wai wind-up in far-off Japan in August, after the momentous documents had been signed, the band played “Stars and Stripes For­ever.” So baffling is our conception of what lies beyond the mystic border-line, and yet, as we listened to the radio re­port, we could not help wondering if the great John Philip Sousa, somehow or somewhere, could be cognizant of the im­mortal touch which had come to one of the crowning triumphs of hls musical and compositional career. Perhaps it was with a similar line of reflection on the part ot Horace, who uttered the words. “Plato, thou reasonest well: else whence this pleasing hope, this fond desire, this

, longing after immortality!”

Hollywood is said to be getting shy of picture material. Why not undertake a Reno try-out? She reported 810------------ matrimonial splits during the month of August.

“Grim-visaged war hath smoothed his wrinkled front.”

—Shakespeare.Yes, but how long before,

once again, “the angry spot doth glow on Caesar’s brow”?

—Also Shakespeare.

The more we hear about the treatment accorded our boys in­carcerated in Japan hell-hole prisons, the more completely rec­onciled do we become to the atomic bomb.

Statistics are traditionally dry. Sometimes, however, they are provocative of reflections, “too deep for tears”. For a case in point: From a recent report from the Office of War Information we are told that three years and nine months following Pearl Harbor, accidental deaths here nt home aggregated 296,000, com­pared with 250,000 deaths on the far-flung war front. Those in­jured here at home reached the astounding figure of 30,000,000— as compared with 817,000 wound­ed, missing and taken prisoners during the war. Among indus­trial workers alone last year over 15,000 were killed on the job. and many thousands off the job. Also 2.200.000 were Injured on the job in 1944, and thou­sands of them were permanent disabilities. The figures seem to add additional emphasis to the words of the inspired writer, “For what is your life? It is even a vapor, that appeareth for n little time, and then vanieheth away.” The scriptural utter­ance leads to the observation made by the Bard of Avon in “The Tempest”, “We are -tuch stuff as dreams are made of; and our little life is rounded with a sleep!” Of course we are al) fa­miliar with the laconic remind­er, “accidents will happen”. Can American industry lay the flat­tering unction to its soul that the workman is always sur­rounded with all the safeguards that a wise precaution would suggest? These statistics cer­tainly come within the category, “Food For Thought”.

Whisky distillers arc badly in need of corn.—Newspaper head­line.

Give to the wind thy fears. The Iowa corn harvest, under hot weather impetus, Is reaching toward the stars, and eventually to u golden and abounding har­vest

We are in receipt of a breezy publication known as the "Local 641 News”, issued under the aus­pices of the colored local in Wil­mington, Delaware. It reveals a membership of eighty-eight; while on another page appear the names of twenty-seven new members. Fifteen members are in war uniform. The paper con- slats of fifteen pages, all filled with an Intereating variety of reading matter. The local is offi-

Vice-President, William E. Smith; Secre­tary, Wilmer T. Allen; Treasurer. Delsart L. Simpers; Sergeant-at-Arms. William A. Matthews; Business Agent, William Tilghman. The local has sponsored a series of summer concerts, which give promise of most creditable entertainment in days to come. W’e congratulate the local on the showing made and appreci­ate the sending of their newsy publica­tion.

We are called upon to record the pass­ing of Staff Sergeant Charles Jesse Per­kins of San Francisco, who was killed in action July 25th of the current year while his plane was saving the life of a downed fighter plane in Tokyo Bay. Sergeant Per­kins was a former member of Santa Rosa Local and played many months in San Francisco with the Martinson and Wil­kinson bands. He played in an Air Corps band at Scott Field and was taught the art of drumming by his father, E. G. Perkins. Before enlisting in the Army Air Corps young Perkins played in the P. T. and T. Company orchestra, after which his father took his place while awaiting the son’s return, which the fates of war have decreed can never be. Ser­geant Perkins’ mother is a talented pian­ist and formerly played in the Delmar Theatre in St. Louis. The Perkins family and Owen Miller, former secretary of the A. F. of M., were close friends for many years. Of the subject of this sketch it

WOODY HERMAN is mighty pleased about Chubby’s new 5 string Kay. "A great improvement io the rhythm section,” says Woody

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Somehow word got out . . . Rumors have been fly ing thick and fast about the new bass viol as de­veloped by Chubby Jackson, star performer with Woody Herman.Now, after a year of development work and months of exhaustive tests, it can be announced—this com­pletely new ide-« in bass viols! «Your dealer will give you the complete details, but here's a hint of what you can expect from the Kay 5 string bass viol. That extra string adds 257« ,0 your playable range, and without any extra effort. The moment you try this new bass, either dance or legit, you'll be pleasantly surprised to see how il speeds your technique and improves both tone and intonation.

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can also be said, “He gave the last full measure of devotion to the cause of home and native land.”

As though anxious to forget the vicissi­tudes incidental to world-wide war, sum­mer concerts from one end of the country to the other have drawn immense crowds. As one example the “Cleveland Musician” (Local 4) reports, “The Cleveland Sum­mer Orchestra concluded its most suc­cessful season .with a record-breaking run of ten weeks.” With this flattering pub­lic manifestation of appreciation, it adds; “The seventh consecutive pop concert sea­son brought a total of 112.886 persons to the garden setting in Public Hall for the twenty concerts which started early in June.” Cleveland has long been one of the notable musjcal centers of the nation and the passing years show no diminu­tion of popular interest.

As an illustration of the fine fruitage harvest which intelligent persistence can eventually garner, look what Local 193, Waukesha, Wisconsin, is able to record: “Under the insistent marshaling of Sec­retary Frank Hayek the season has brought six fine band concerts. The city fathers, encrusted with conservatism, and with a few streaks of pessimism ingrained therein, were difficult to handle, but finally surrendered for u summer’s experi­ment. The adventure was a flattering success. The band was composed of forty

men, including French horns, oboes, hag, soons, and everything. The municipal au­thorities have caught the spirit; have agreed to enlarge the budget for next sea- son. And now there is talk of having a few concerts in the winter time. We heartily congratulate all concerned. Fred Sped was the musical director; the Trade and Labor Council cooperated beautifully and the press was generous with paper and ink. It is wonderful what unity of community spirit can accomplish.”

The Springfield (Illinois) Musicians* Association, Local 19, celebrated the forty-eighth anniversary of its founding on September 30th. The festivities were held in Washington. There was a flne dinner served and plenty of music to enliven the occasion. We appreciate the invitation to attend and regret the im­possibility to accept.

SOL lo tl

vice r music compì tivent the h tnorec comfç

“The Los Angeles Overture” (Local 47) tells the following interesting story on our old friend, widely known in Federa­tion circles:

While traveling in Arizona recently AI Greenbaum (Traveling Representative for the A. F. of M.’s eleven western states), we are told, spied an Indian chief lolling indolently at the door of his tepee.

“Chief", remonstrated Al, “why don’t you get yourself a job?”

“Why?” grunted the chief."Well, you could earn a lot of money.

Maybe 30 or 40 dollars a week.”(Continued on Page Eighteen)

self ii out b] Indiai hangi fightii scatte five g pile, i rope Other not oi coven but 1 fitted in the expen ammt mouri to the nut e rhuml

&Beautiful highs i . on the hose!

Easy to learn. Master after a few hours.

villag from

If i he ta nal C wire, a uki there whicl

Wh keep i A fei playii

On< the ï ble oi Not c and < trans Islam static

Th< asm Islam novel sonai who famoi enter its m such ford, Luck: legiai

Lei photc mons son Youn troml Euge and (

“Tl heart formi

October. 1945

Out Service Men Make Music CRYSTAL CLEAR

MOUTHPIECESDivision,

rim

The Tone Heard Round the World

Haynes Craftsman-Made InstrumentsLONNIE SIMMONS AND HIS SEXTETTE

THEIR OUTSTANDING CHARACTERISTICS

a ukulele. it might be u violin,

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villages and traps consist of everything from tin cans to temple gongs.

If a soldier is in u strumming mood, he takps a cigar box. persuades the Sig­nal Corps to part with a few strands of wire, whips out a pocket knife, and—lo—

Selmer Elkhart, Ind.

Never cold. Always ready to play. Lip-comforl smooth and easy response. The tone is pure and dear,

unspectacular but' character-

dares an article in the September issue of Coronet magazine. Il pays tribute to Rodger Young’s selfless heroism in the fight for New Georgia Island.

Rodger Young, whose story the ballad tells, was a real doughboy, a member of the 148th Regiment of the 37th Infantry

Full of the amusing Sid Hix cartoon* which appeared in leading music magazines. Twenty page« of laugh» nnd chuckles.

Perfect intonation! Light, responsive action! Beautifully modelled bodies and key mechanism. Above all. a New Specially Designed Head Joint, guaranteeing even balance and full, rich low tones, as well as a fine middle and high register.

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One of the liveliest band» ever tn hit the Hawaiian shores is the Navy ensem­ble of Lonnie Simmons and his Sextette. Not only have they entertained both crew and officers aboard aircraft carriers and transports but have played on outlying islands and have broadcast regularly from stations KGU and KGMB.

The success of the group—and enthusi­asm for It has spread throughout the islands—is attributed both to the fine novel arrangements plus the pleasing per­sonality and showmanship of their leader, who fronted his own combination at the famous Downbeat Room in Chicago before entering the Navy, and to the fact that its members have previously played under such top-flight leaders as Jimmie Lunce­ford, Fats Waller, Fletcher Henderson, Lucky Millinder and the Barna State Col­legians.

Left to right in the accompanying photograph of the band are Lonnie Sim­mons, its leader and alto saxophone: Nel­son Peterson, tenor saxophone; David Young, tenor saxophone; Harlan Floyd, trombone; “Pewee” Jackson, trumpet; Eugene Gllbeaux, vibraharp and piano, and Ozzie Johnson, drums-

Wm.S. Haynes Co. 108 Massachusetts- \ve^ Boston 13, Maas.

SOLDIERS awaiting their discharge on lonely middle Pacific atolls — and there are still thousands of such ser­

vice men, remember—are finding out that music can be produced from instruments compounded only from American inven­tiveness and a few contributions from the local Junkpile, a variety of music, moreover, which. if primitive, still brings comfprt and joy.

A typical example of the niake-it-your- self instrument is the contraption turned out by Sgt Huberi N. Hiatt. This Marion, Indiana, soldier, when he found time hanging heavy on his hands, once the fighting on Okinawa had dwindled to scattered patrol action, discovered a fifty- five gallou oil drum in a rear area stock­pile, nailed a board to ft, attached a tent rope and—presto!—a bass viol emerged. Other G.I.s construct musical instruments not only from the old standbys like tissue- covered pocket combs and gallon jugs, but from bamboo stalks, notched and fitted with reeds (Pan’s pipes are heard in these hills again), from brass shells of expended artillery and from small arms ammunition. Conch shells provide a low mournful note that gives a new tremor to the blues. Seashells rattle inside cocoa­nut shells to add the rhythm of the rhumba. Drums are plentiful in uative

G Ju»l aak for your copy al your music deal­er’s. Or if none ia available, write direct, giving uaiue of your music dealer. .

ized by a determination that could be­come grim when the situation warranted it. He won the Medal of Honor by giving his life for his comrades in the fighting on New Georgia in the Solomon*- T/Sgt. W’alter T. Rigby In Coronet gives his eye­witness account of the gallantry for which the nation’s highest award was posthu­mously bestowed.

“Our outfit was cut off at the time, and we’d been ordered to withdraw”, writes Rigby, “and ns platoon leader, I had to pass the order along to my men. Few of us would have come out alive if It hadn’t been for ‘Fuzz’ Young. He spotted the machine gun that had us covered and set out for it with his rifle and a pocketful of grenades, though he must have known that no matter how good a shot he was— and he was the best we had—he didn’t have one chance in a thousand of getting that gun without its getting him, too.

“I watched him flinch when the first machine gun slug bit into him as he

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there is a handy Cavalry horse around which can spare a few tail hairs.

When Johnny comes marching home, keep a wary eye on the plumbing fixtures. A few spare moments and he may tie playing lullabies on the water pipes.

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crawled forward alone. He kept crawling forward. I watched him flinch again w’hen the second burst of fire caught him. I The machine gun was concentrating on him, but he still kept advancing. I watched him move in on that enemy gun, inching along painfully until he was within grenade range. And then he let his grenades go right into the position— just as n third and final burst cut him down for good. He wasn’t thinking of any medals then He*was thinking of all the rest of us, and none of us will ever stop thinking of him as long as we live.

“There’s been a lot of talk lately about Rodger’s hearing. He’d had trouble with it ever since he got hurt in a basketball game back In Green Springs, and a few days before we attacked on New Georgia he had voluntarily asked to be reduced from his rank of sergeant to buck private. It was because he was afraid he might not hear some order he would have to pass along to the men in his squad and that as a result he might endanger their lives. That was typical of Rodger. He’d rather be busted than take a chance on hurting anyone else,

“It’s hard to believe that Rodger’s name has become a household word. He was the kind of guy wh< always kept himself in the background, and, like most infan­trymen, he’d have been embarrassed to be called a hero. But he was a hero If I ever saw one. I don’t mean just because he got the Congressional Medal of Honor for what he did. You measure them by what you’ve seen on your right and left. I’ve seen a lot of bravery, and my stand­ards are pretty exacting. I saw about as much of Rodger Young In action as any man who’s alive today, and it didn’t take the song to tell me he was a hero.”

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America Hymns a Hero“The Ballad of Rodger Young” won the

heart of listening America at its first per­formance and la bidding for a permanent

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SECOND EDITION

Sixte» October. 1945

PHILIP J. DAHLBERGplied or Mended. ■The Editou.

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More lip comfort for the trombonist is provided by new instrument mouthpieces now being moulded of “Lucite” methyl methacrylate resin by William R. Gratz Company of 251 Fourth Avenue, New York City. The plastic tips are less ex­pensive than the metal ones and then- warmth and feel to the lips are improve-

H G. Sloan, who was secretary of Local 320, Lima, Ohio, for nineteen years, passed away in that city on August 2, 1945. Born at Westfield, Illinois, in 1874, he flrst Joined the Federation in 1901 and was a member at Kansas City for a number of years. For ten years he travelled with Ringling Brothers” Circus and for three years with Barnum and Bailey, playing the clarinet. He went to Lima in the early twenties and played tor years in theatres there. He was held in deep re­gard by the members of Local 320 and his loyal service will be long remembered.

Five Star Tunes" are published

“Music, the Emotional Outlet for Youth ’ for distribution free to their prospects. These books, according to H. W. Schwartz, Conn’s general advertising manager, “represent our most ambitious attempt to tell youngsters and parents about the pleasures and benefits of learning to play a musical instrument. We believe wide distribution of the books will be highly beneficial to the whole music business.”

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Shortage a Thing of tho PastMario Maccaferri, head of the French

American Reeds Manufacturing Company, is passing around word to its potential buying public that the shortage in reeds that has been prevalent during the war Is soon to be past history, since two and a half million more reeds have been pro­duced in. the past twelve months than in the previouu twelve months, and more are soon to be produced.

Tho Big Three Music Corporation has been designated as exclusive distributors for Jacobs Brothers, Inc., and Variety Music, Lnc. Jacobs* catalogue ts well known for Its great number of excellent band compositions.

RADE«« ALK

the drum instructor for tho American Legion Drum Corps. Post 76. which won first place in national competitions for four successive years.

As a genial and kind-hearted friend. Brother Dahlberg will be missed greatly by his fellow members and fellow-citizens.

Five-String BassChubby Jackson, star bass with Woody

Herman, has decided to do something about “those arrangers who make bass players stretch Into the high register like contortionists”. He has added an extra string to the treble side giving the new bass viol twenty-five per cent greater play­ing range. Five-string Chubby Jackson model bass viols are scheduled to appear on the market soon, reports Kay Musical Instrument Company.

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Local 42, Racine. Wisconsin, notifies ns that Philip J. (Ole) Dahlberg passed away on September 11th at the age of sixty, his death due to a heart attack. Brother Dahlberg had been prominent in musical circles in Racino for many years und had been a member of Local 42’s Executive Board since July 1, 1935. He also served as financial secretary to that local. At tbe time of his death he was aiderman of the eleventh ward in Racine.

Brother Dahlberg was born in Chicago March 6, 1885, and began his career there as a drummer at an early age. Later he pursued his mublcal activities in Peoria, Rockford and Waukegan, Illinois, in the latter city playing.in the theatro pit with Jack Benny, then a struggling young vio­linist He Joined Local 42 in 1912, and for the past eleven years had been the drum instructor for the Boy Scout Drum and Bugle Corps ot Racine. He was also

Books ior ProspectsAs part of its extensive promotion

paign, C. G. Conn, Ltd., of Elkhart, ana, is sending opt the two books, and Popularity through Music”

Holla Johns Jacks Krup Ladd- Lope! Mello Malic Mille; McCa Norb Orsin Polik Pedi, Price Rude Stani Sisal Sara: San Sztel Upct Vale Vale Was! Yan< Zeili

While my September ad refer* to un­deniable material which coven all wind Inatruments, including the human voice, this ad is intended to create a better degree of honest understanding in the business ol teaching.

The advancing pace of Ihe musical Industry has been answered with faith­destroying endorsements and unprac­tical overstaffed Iheorier Harsh criti­cism is the only practical medicine that mav relieve tiro disease and promote healthy leaching competition.

It is not necessary for teachers (private er conservatory) to elaborate or prolong instruction materia) which can bo pur­chased in book methods for a few dollars. Fingering, positions phrasing, transposition practical harmony, etc., are well explained in low-priced mothod* that can be studied at home.

“Under cover” promises of lobs have not nearly fulfilled the profession's de­mand for outstanding players.

I can also include ondorsementB by outstanding radio names controlled by unscrupulous song publishers who have no right to be associated with the busi­ness of leaching.

With a certain amount of respect for an old teacher of mine. I quote that teaching institutions should havo ex­posed this condition years ago. Poor business ethics in teaching must make loom for truths.

What can be expoctod in a SINGLE private lesson from teachers who sell their methods for a few dollars? Self­complexed teacherr who claim ORIG­INAL methods, need outstanding en­dorsements as urgently as these ethical conservatories need musical politicians in their cooperative plan for "milking" the student from all angles. lean expect ONLY "UNDER COVER" propaganda from those ego-complexed misrepre­sentors and lust plain unethical mis­represeniors.

Talent needs more substantial people lo deal with, Iheieforc I offer (with en­closed letter of promise to clarify any material or statement made in the book­let without further cost) 6 very valuable lessons on receipt of a $20 CO money order.

Certainly this may seem like a high price ior a small booklet (which, for sub-

For PROPER Wind Instrument Playing

Copyright, 1945

IRVING BERLIN MUSIC COMPANY 1650 BROADWAY, NEW YORK W, M. Y.

Wm. S. Haynes Studios, Inc. NEW LOCATION

THE LITTLE HOTEL 33 West Fifty-first Street New York 19, New York

SUITE 4REAR OF STREET FLOOR CORRIDOR

Publishers' NolesCarl Fischer, Inc., announces that Carl

F. Mueller, well-known organist, composer and choral director, has joined its staff of consultants as special adviser on sacred choral music.

Music Foundation CreatedA new non-profit organization, “The

Foundation for Music, Inc.”, has recently been chartered by its founders,. men in the musical Instrument business. This agency is conceived as “a living Founda­tion dedicated to promote music in every phase ot human endeavor and human re­lationships regardless of race or creed”. It will encourage “a more democratic and therefore more widespread use of music.”

Executive Secretary of the Foundation for Music, Inc., the temporary address ot which is 527 Fifth Avenue, New York 17. N. Y., is Wm. C. Mayfarth, who was formerly head of the Musical Instrument Division of the WPB.

Learn “HOT” PLAYINGQuick course to players of all instruments— make your own arrangements of "HOT" breaks, choruses, obligatos,embellishments, figurations, blue .notes, neighboring notes, etc. Professionals and students iind tijis course INVALUABLE FOR PUT »TNG VARIETY INTO THEIR SOLOS.

Modern Dance Arranging Duets, trios, quartettes and ensembles—special choruses—modulating to other keys—suspen­sions — anticipations — organ points — color effects—swingy backgrounds. • Write today. Elmer B. Fuchs

Upswing in Music BusinessThu prediction made by Mrs. II. N.

White, president of The H. N. White Com­pany, Cleveland, that after the war music business will experience the greatest up­ward trend in its history is based on three factors:1. Curtailment of band Instrument manu­

facturing during the war.2. The public’s constantly increasing

music consciousness, which will open broad new sales fields.

3. Radical improvements In the design and tone qualities of instruments, due to scientific research, electronics, and other processes of manufacture devel­oped during the war.

Mrs. White is so sure of this coming upsurge that she is Investing hundreds of thousands of dollars in the moderniza­tion of her present plant and in an exten­sive program of expansion.

: -

data which is packed this outstanding souvenir book,

WORLD’S FINEST DRUMMERS' INSTRUMENTS SINCE 1895

NAME.

ADDRESS.

.ZONE. STATE

BOOKS OF THE DÄYBy HOPE STODDARD

rising

‘one had th« impression ofamber”being present at the takeoff of some new

‘music both mountain*

'The term, which properly means denotes the tonal material of

his figures of speech, his rare word com­binations, that make his book readable: “the themes are immobilised, like files in

Every modem drummer and director should know the history of the drum business and the story of its progress. You’ll want to read every word of the exciting information and historical

25.00 10.0025.0025.0025.0020.0025.0050.00

5.0050.00

5.0030.00

100.00

Answers to all of the above questions and many more about Drums and Drummers' Instruments, and other pertinent facts are contained in this new book! „

marshmallow” . . . Ous and mouselike'the remarks of n child' pope like champagne”

Smvmùi IT’S FREE

lowing: ‘ladder’ music arranged according

. "his justly the musical

and powerful airplane' remunerated mastery

'as devastating as . . . “the rhythm. . "his face in

explosion and all his molars exposed” . . . “her dead pan is utterly beautiful and terrifying”. Such descriptive nuggets gleam from every page, leading the reader unerringly to the artist tinder discussion. One should not miss this outlook on musi­cal life tn America glimpsed through the eyes of. a virtuoso in tho art of obeerva-

pitches.”Besides being clear tho volume is up-to-

date* such modern terms as “theremin”, “Hammond organ” and “Novachord” com­ing in for technically sound definition.

"Fifty Years of Drum Progress.” You’ll treasure it as a keep­sake, and refer to it many times in the future. A free copy is available for you at your friendly Leedy dealer’s store, or you may obtain one free and postpaid by writing direct to LEEDY MANUFACTURING CO., Elkhart, Indiana. No obligation!

THE MUSICAL SCENE, by Virgil Thom­son. Published by Alfred A. Knopf, Inc. |3.00.

At rare intervals the world of music has been stimulated—or harassed, how­ever one chooses to look at it—by a musi­cal genius who is also a journalist of parts. Robert Schumann was such, suc­ceeding through thie double endowment not only in recognising immortals-to-be but in launching them on their laurel-strewn paths, Carl Maria von Weber was an­other who extended impartial criticism to friends and unknowns alike. And now

liest figures ever to stride the literary­musical field, making musical life in America, if not richer and deeper, at least more intriguing und provocative. The furor created by his “Four Saints in Three Acts” has hardly subsided today more than n decade after its premiere, and his extremely individualistic apprais­als of Jascha Heifetz, the French style, Sibelius and Tchaikov-ky are good for a verbal battle iu any artistic circle.

The present critiques culled from tour years of column-writing in the New York Herald-Tribune not only are pungently witty and cannily observant, but lead each one of them to problems of the genre —instrumentalists, singers, composers— and to basic ideas of the art of music itself. But come right down to It, it is

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4.81 10.00 50.00 25.00 25.00 25.00 15.011 10.005.00

10.00 10.00 25.00

100.0010.00

15.00280.00

50.0020.0U25.00

200.0050.0010.0015.00

HARVARD DICTIONARY OF MUSIC, by Willi Apel. 824 pages. Harvard Uni­versity Press. 16.00.

A comprehensive dictionary of musical terms and articles defining musical sub­jects with the accent on American music would be welcome as an Indispensable *ven if it were ns dry as dust and as cold-cut as ice. But a dictionary which combines with Its factual wealth n style limpid, and subject-matter up-to-the-min- »te must turn reviewers into salesmen and prospects into purchasers. For, an mt prone to be blurred in the process of "■lefinition”, music Is here blessed with simple clarification. We challenge any­one, for instance, to give a definition of th« common mouth organ even ap­proaching in serviceableness the follow-

“This Instrument, widely used for Popular music making, consists .of a small “at box with a number of channels on the ^ong side, each of which leads to a

reed Inside the box. The instru-

moved In one direction or the other, ac­cording to the notes desired. Alternating notes of the scale can be obtained by blowing or by -metion.” Or let anyone compose a definition for the “scale” and compare it for conciseness with the fol-

FINES PAID DURING SEPTEMBER. 1945

200.0025.0015.0060.00

500.0010.0013.0025.00

9.0030.00

2,500.0050.00

200.0050.0068.0050.0010.0020.0055.0034.1250.0050.0025.00

660.0018.0042.5025.0010.0040.0030.0056.9599.88

820.0045.0050.00

9.00

Bash, Phil ....... Bimbo, Arthur Barton, James Bond, Angie ... Casa MananaCastagna, Sam .............Elliott, Jack ................ Fliashnick, Sam B..... Fisk, Howard ............ Frimi, Rudolf, Jr........Garber, Jan ................Gray, Howard .........Gordon, Gray ..............Glover, Cornelius Hutton, Ina Ray ....... Harrison, Wm. Cass . Jones, R. L. (Bobby) Leslie, Lew .................. Martin, Andy .............. McCormic, C. E........... Newberry, Earl .......... Orpheum Theatre ..... Potts, James F.........Russell, A. L.Raffell, Rodd .............. Rock, Charles B.Ream, H. Jack. .Rogers, Billie ..............Taylor, Don ................ Travers, Vincent ....... Towne, George ....Teagarden, JackUncle Tom’s Cabin....Walker, Kirby ......... Williams, Robert Lee.Whitehead, Jack ...

REPORT of the treasurer

Alexander, Mike —.....Bruner. Cliff .........................Blizzard, BertronBrooks, JosephBurns, Ralph .Bahr, Ray .......Brown, WesleyCasey, GarfieldClark, Ray L.........................DeLybovi, Amedt o (Dell!

Bova) ................................ ••Driscoll, Wm. H. ...............Davis, Harry E....................Eby, Jack ..............................Farris, HaroldFloyd, Olive .. .Fehrenbach, Wm..................Franklin, Harry ................Fabrikant, George ............Grandy, Earl .......................Gee, Eddie .......Gabor, Wm.............................Higgins, John ...........Hulsey, Oral C......................Henry, W. S. .........Hill, HowardHollander, Arthur ..............Johnson, Ray .......................Jackson, James (Skeets)Krupka, Al .......... . .....Ladden, James C...............Lopez, Sergio Teddy. ..Mellor, Joe V........................Mallory, Vern .....................Miller, Albert F...............McCarthy, Edw. (Red).....Norberg, Warren E............Orsini, Louis ......................Polikoff, Herman .............Pedi, Frank ........................Price, Ernest .....................Rude, Harry W...................Stangler, Edward .......Sisalli, Angelo ....................Sarazen, Anthony A.......San Miguel ...........................Szteligo, Frederick ........... Upchurch, Joe Lee............Valentine, RaymondValenta, Phil F...................Washington, Al ..................Yance, Eddie ......................Zeilinski, Frank ...............

15,985.45Respectfully submitted,

THOMAS F. GAMBLE, Financial Secretary-Treasurer.

CLAIMS PAID DURING . SEPTEMBER, 1945

Q. WHO FIRST MADE DRUMS WITH SELF-ALIGNING RODS? DASS DRUMS WITH CENTER SUPPORT?Q. WHEN AND DY WHOM WAS THE FIRST ONE-PIECE TYMPANI HOWL MADE?Q. WHO WAS PRINCIPAL DRUMMER UF THE CHICAGO SYMPHONY ORCHESTRA FDR 32 YEARS?

LEEDY MANUFACTURINS COMPANY, 1005 LMdy SuUdint QWirt, heHaru

Please send Frit and without obligation my copy of the Souvenir Book, "50 Yeaa of Drum Progress."

Q. WHO INVENTED THE VIBRAPHONE, AHO WHEN?Q. WHO MADE AND PATENTED THE FIRST FOLDING SNARE

OROM STAND? WHEN?

TRY THE NE*

GROVER "SUPER BRONZE” GUITAR STRINGSBeHer Tone — Lonqer Wear

Try Your Dcaltr First

GROVER . FREEPORT. N. Y

OURS and THE NATION’S LOSS

Cochranand southern Europe NO FUSS-NO MUSS

CORKERCORK GREASE

ON A STICK!

specialization enhanced by wartime experience

precision manufacture; of men who devote all their

skill and energy to the creation of qualify flutes, and

Distributed by Selmerof facilities specifically designed for flute production. Over Federation FieldWhile we are doing everything possible to speed(Continued from Page Fourteen.)production, it will be some time before the supply of

ARMSTRONGS will catch up with demand. Wouldn't it be

wise to establish your priority by visiting your dealer

now and making your reservation—subject, of course,

fo an inspection and demonstration of the first flute your grunted the

dealer receives? The ARMSTRONG line (all silver plated) recalls the well-known lines

Have You Studiedthe No. 102—high quality in the medium-price field, and

Advanced Composition?

GUY HUMPHREYPROFESSIONAL

Violin

Plorai Hrports Banjo

AGENAME

STATE

EXPERIENCE

OR WRITE TODuna, JobnShelton (Cholly Wayne),

42 East 20*h StreetParhan (J,mhe, both' 8: John Kuczmarski,

Pi'S»), Amido J.

Q] Mandolin □ Saxophone

There Is music, lovely music. In the rustling oj the leaves.

There is music in the raindrops As they dance upon the eaves.

University Extension ConservatoryDept. A-510 785 Oakwood Blvd., Chicago, IIMnoii

There is music, lovely music. Everywhere the eye can see

If the heart will only listenIt will hear the melody.

There is music, tender music, In a mother’s lullaby.

There is music in the twilight As the daysounds softly die.

whose untutored mind, and hears Him in the

Then is music, happy music. In the children a! their play.

There is music as two lovers Pass enraptured on their way.

Indian clouds,

Yes, there are “melodies” all around us, in the mountain rill which comes rushing down from its lofty source, in the rustling leaves of countless acres of growing corn, and in the diapason thunder oi the ap-

Ruppcrsberg.02: Joan j.

was serving as a mail clerk and drum nier in the 15th Air Force Band.

Poor Lo—does not change much with the passing of the years.

bank account.

The story of Pope,

the poetic

of M, Members Who Have Made

includes Ihe No. 100, with a sterling silver head joint;

Tranrfcr» withdrawn: Charles Adami,

fashion as told by the rippling Louise Hajek poetic pen:

weil R Fluke,

□ Piano, Teacher's Norma! Course

□ Piano, Student's Course □ Public School Music—

Beginner's□ Public School Music—

Advanced□ Advanced CompositionQ History of Music □ Ear Training and

Sight S.nging

lohn Rapano, Walter

CokJren (Price), 60; Carol E. Lowe. 30: Edw. Murphy, 2; Cçorge Hnida* Albert Barry. Sebastian

Wouldn’t you like that ?”“Why?” again asked the chief.“For gosh sakes”, shouted the exasperated

Lo, the poor Sees God in

wind.

Why?” insisted the chief.‘Oh, if you worked hard and saved your

proaching storm. Also

endless hither positions in i reach—to which you can aspire.

ARMSTRONG Flutes arc tho product of pre-war

Transfer member:Transfers issued:

James J. Adams.Geza Duna, Robert Rimer, Albert Latova. Hyman Schänd- 1er, Carl Graver, Mendon F. Foye. Ernie B. King. Natha­lie Clair, Arvai J. Myrtle (Lucky Myrtle), Harry Levine,

Bc/ovatz (Berg).Transfers deposited: Albert Barry, Carolyn Feid (Dale),

Fred Sharp, Joe Sullivan. Robert R. Orpin. Louis Richk«>, George Hntda, Anthony Talerico, Sebastian Dondicgo. Adrian Rollini, all 802; Biggie Kanae, 8: Archie L. Long. 551; Carmen D. Prinzo. 24; Ruth Gay Daisey, 419; Roth-

: Joseph Knitzer.Harry McHenry, Jerome Blumenthal,

Virgil Overshincr, George Alderman,

Use it w? you would a Cray ou. Long lasting.

□ Corntt- Trumpet □ Advanced Trumpet □ Harmon, Q Voice □ Clarinet Q Reed Urfan Q Advanced Comet □ Choral Conductin, □ Dance Band Arranging

any more.""Why ! Not workin;

Indian.

Local 802, New York, N. Y.Marvin H. Fish.Stanley Krejci.Norman H. Peisner.

for cork joints of clarinet and saxophone.

Double up on another instrument, it will enable you to command more money. A knowledge of Harmony and Advanced Composition will open important, highly-paid opportunities to you—leadership, the ability to arrange music, to make orchestrations, to transpose, and the msny other HIGHLY PAID functions of the trained musician.

Such training will take you out of the ranks—it will qualify you for leadership—for recognition in your com­munity, and perhaps fame as a composer. Why not? We will help you to do it. Send for our catalogue and illustrated lessons. Use the coupon below.

Local 195, Manitowoc, Wisconsin Elwood Krueger.Joseph Zahorik.

Local 143, Worcester, Massachusetts: Nathan Gurwitz.

Your earnings today are the result of the training yon have given your natural ability. Are you still making rapid progress—each year seeing you occupying a more important position and making more money, or are you standing ‘till? If you have exhausted the possibilities ot your pi esent musical training, then you owe it to your-

Have long been favorites with saxophone and clarinet players all over the world. They have never lost their popularity. Your dealer has them

Local 24, Akron, Ohio:Sgt. Edw in Cochran lost his life in a

vehicle accident in Italy on the eve of his homecoming, after serving thirty­seven months in England, North Africa

GRETSCH & BRENNER, INCWholaoalars of quality musical merchandise

LOCAL NO. 4, CLEVELAND, OHIONew members: Jack Christopher, Bcrtram L. Carpcntcr,

Mafalda Collacciani, Baie Johnson. Richard Kwiatkowsk . Rudolph J. Per me, Peter J. Soska, James L. Testa, Teresa Testa, Theodorc Vitale.

TODAY’S MUSIC LEADERS KNOW BOTH DOUBLE YOUR INCOME NOW!!

AT YOUR DEALER’S

the Supreme Sacrifice While in tbe Service of Their Country.

in ARMSTRONG Flutes everything it

takes to make your dream come true. Local 292, Santa Rosa. California:S/Sgt. Charles Jesse Perkins.

(See obituary in “Over Federation Field”.)

Local 8. Milwaukee, Wisconsin

David Corrigan, piano.

117 W.»t 48th St., N. Y. C. BRyant 9-0993

1714 Cheatnut St, Philo., Pa. Rit 7*24

Local 4, Cleveland. Ohio:• Sgt. Janies Vagi.

Previously reported missing over Ger­many since June 21, 1944, Sgt. .lames Vagi has been presumed killed in action on that date, according to word received by his wife, Eleanor. A gunner in the Army Air Forces, Sgt. Vagi, only twenty-eight years old, was a graduate

■ of South High School and had been in service since January, 1942, and over­seas since April, 1944.

♦ * THE NAME TO REMEMBER IN , («elusive Distributors TARG & DINNER

Have You Studied Harmony?

Nlntlwr

revoked: Lillian Clark, 9*.

MichaelWood, 387; Arnette Cobbt, 168; Milton Buckner, 5; Herbie

George Jenkins,Mackcl, both 543; Dave Page, 471

Ted Sinclair,

Orchestra.

Burgher,Mazulo» 319; Sam Aleccia, 5; Robert Cooper, 60; Stanley

Therman Sheeler, Klcanthis Jakmidas,Kenton,

Eugene Marki,Paul Pincus,Alan L. Moran, Max Neider man, N. Melarti,

THE NEWGelfius,Carbonara, Giolitto,Gonzales, LAMINATED PADChiodaroli, Pallotta,Botti, Seminaro,

FOR SAX AND CLARINET

159; Bob Croxford, Charles W.Sherman Hayes,Donegan,

LOCAL NO. CHICAGO,

35; Clyde Hutchens,LAST LONGERRalph .Ordinalrbs»nk.Mueller, Bernice Targ, Donald J. Twerofsky, Kenneth Dale

Stewart Wilson,ioheX rAOBud Waples, 2; George Richert (Ricco).

Ted Ross, Rex York,FINE ARTISTS PREFER THEMErickson,

Bernadette

Stahl, Philippe ReedClyde Lucas,

Charles Holden,35; Clyde Hutchens,Al Russ,

McDaniel, Klcanthis Jackmider,Stanley Sterbenz,

both 2; PRODUCT OF SELMER

Alfred Moyer,Trestle,Ellsworth

Bill Minerick,II; Lawrence Vandelindcr, J.

Harold Wallace,Elwin O.

Elton Jones.William Renn, 60; Ramon Sugrue, 523; Virgil Hud*

Neil, 297;Rosalie Koliner, Anthony Asaro,Melvin Boyd, Robert

Wordeli,Frank Smedick,

LOCAL NO. 6,

Cook, Ji

YOU SHOULD KNOW

Gallatin,

Harry

IF YOU HAVEN’T THE TIME(Bill) Tinkler. Leonard M. Biggott, Bert Ogus, Arthur

Tom Connell,

READ THEScheider,

Lund, Connell,

(Dick) Wade, Johanna

Charles A MONTHLY PUBLICATION

John C. Winslow,Evelyn Scott Krarup, Roberthoon), Mrs. Dee Hitchcock,

Miknday. R. Cusman, J. Martine«, J. Trabai, W. Douglas,J. McClean,

Marino,all 802; D. Johnson, 655;

(Lhaplin, 306;Miles, Lee kging, Butler, Emerson,

Stanlaup, Tyrie, McClean,Williams,Luciari Del Guidice,Jensen.

MASS. T addon io,Richardson, 265; M. Patton, H. Cross, both 1; T. Sheeler,

Patton,

Ercolino

A. Rayunec, Ralph Radish.

Irving Dayne,LOCAL

George Hoyen, James T. Gallagher,Bicchieri,

Orest J. John E.

Whitney, Richard Gerts, Jean Laurien Dykema,

Transfers cancelled: Wolf, Arnold Benson.

John E. Daniel

James Matger, ; Marsh Miller,

, Alphonse E. Lourie Estrin,

135; D. Vondergroben, Transfers withdrawn:

Ruggiero, Purcell, i

to read the 100 or more publications in the music and entertainment field, and want a quick digest of all the important music news,

Benjamin Waiwaiole, t, John F. Archibald,

Lee Singer, Michalek, Jr. Fred C. Czt

. James Richard

Manzanares, Miriam Wood, Buddy Hisey, Jack Staulcup, Blue Barron.

2; Joe Norris, 455; Charles Harris, John James Wormick, 767;

60; Lawrence Risher, 3; Chas. Harris, 802; Malcolm Hall,

655; Al Ware, 232; Marvin Simon, 1 Bud Waples, George Richert (Ricco).

F. Stephens, Thomas Stevens, Oracia Holliday. Fred W

Only 10c per copy

Bobbie Ruff, Gilson Roth-

King Kiselik, 802; Lawrence W. Margardo ,6; Stanley G.

Bob Gioga, 47; AI Anthony, 138; Henry

Sod Murphy, 280; J. Alfred Moyer,

Donald Glinkic,

Josephine Stephenson,

Amedeo, Tr ostie.

N. W. Van Hook. Wm.

LOCAL Na 5, DETROIT, MICH.

George S. DcMattja,

Albert Greenberg, Frank Anthony Martell,

Merkel, Anita Willens,

Nick Addante, Pauline Lamond (Ca*

McDowell, Eloise Rowan

all 200; D. Csomay, 400; R. Fanning,

Henry Hobel!, A. C. Hebert, both 148; R. V. Brand, 152. , Transfers issued: Donald George Teifer, Charles Moore,

Transfers deposited: William J. Macul,

Diesi, Arthur Good, A.

George N. Doll, Thomas Ferris, Vernon

Laura .Mae Garner, 47; Torrence Odell,

Norman R. Berkman, Robert W

V, Pat Fergus, Oscar Lichtenauer, Robert Eugene Thompson, Jack

George Aviles, Mentor H. I Elyse K. Gardner, Ernest P.

Eddie Edell, Jr., 47; Lloyd Gregory,

Fai lia Salvatore, 400; Henry

Allen, Fred Shamburger,

Don F. Mohr,

Paul Weber, , 2; Orest J. 142; John E.

ORDINAR* t*d

G. Schwartz, 151.Transfers withdrawn: P. Longo, G. Ermite, L. Flora,

DelliBori, G. Quail, W. Trute, O. Majori,

N. Q’Hearne, Melvin Witcofsky. Traveling members: Lionel Hampton,

Herman Sheeler, 135; Harvey Cousin,

Fields, Charles Wowlks, both

Edward Mushinski, Bernard Alvin Kalan, Dorothy Lor-

Golozio, W. Douglass,

Bollii”’ Sharp, • MaUon«

James Nottingham, 802; Gus Evans,

Albert J. Duna, Ziskind, Peter

Tortorello, Lucilie Cantarella, Pair y

Edw. P. Meyers, 37;

Ruby Pendleton, lohn Ehrbar, Jack D. Wedlick,

Helen Jamerson, 533; Clinton K

Kraus, 2; Danny Fcrgu- >bert S'. Hare, 60; Jean

Bobert W. Olney, Clark E. Williams, Burrill A. Welter, Geraldine Hansen, Wm. Bernard Pacheco, Jr.» Antone Pery, Lawrence Gego, E. Ray Campbell.

Readmitted: Rose White, Henry C. Gunderson, Dan Ku, Robert E. Groll, Wilbur (Bill) Hood, Hal Leoni, Wesley C. Bright.

Transfer members: Ralph E. Mitchell, Howard Ressler,

Melvin Dale Geary, 159; James Lindsey,

Ordinal 1Interior» 1 the W*»1 ter ob*°r'

The important news in all branches of the music business written by sixteen important columnists, covering news of publishers, contact men, song-writers, songs, records, radio, television, orchestras. Hollywood, theatre, night chib, cocktail, agency requirements, long hair, army, etc.

Mitchell J. Edwards,

1« Pat Cudd, 644; Marvin Simon, 10; Frankie Paul, 19; Harold M. I yon, 69; Claude Landry, 425; Rol

111; Richard McDaniel, 166; Al Russ, 4; Marsha A. Miller, 27; Clyde Hutchins, 2; Charles Harriss, 802; James Put-* nam, 694; Harvey Cousin, 60; Don F. Mohr, 297; Stanley Stir benz. 400; Edsel E. Freer, 5; Charles Holden, Lawrence Risher, both 3; James Matzer. 140; Clyde H. Lucas, Pem­broke Davenport, Manny Cohen, George F. Ford, Oscar

Royale, Russell

Gaffney, Arthur P. Rayunec, John Hurlburt, Lester Perk­ins, Larry Ransom,.Donald Kingston, Robert Vesely, John Chalmers Rapier, Gene Esposito, Raymond J. Tischer, Claude Phillip Scheiner, Richard Mango, Gary Miller, Carl Barth, F. Kraft, Geo. Hancock, Sidney H. Com-

M ite hell »Harry Mitchell, Golozio, E. Wjihams,

Transfer me: Richell, 624; M Richard Fonda,

speth, 203; R. A. Ikvelice, 3( Kaai, 802; .Nell Rainey, 284; H. Berger. 802; David Brian,

Anthony Takrico, Carolyn Feid (Dale), Fred all 802; Mack Austin, 10; David Brian, 46; Paul

Rhodes, Catalino Olivar.In service: John Milici. • .Tmuitri deposited: P. Longo, G. Ermito« L. Flora, A.

Dropped: Ralph C. Meyer, Rodlyn F.

Vernon), Harry C. Deffry, Allen Geffinger, Eugene H. Karnoski, W. L. Waller, John G. Zaremba, Hilton Brock­man, Michael Shaughnessy, Leonard E. Blake, George

Lawrence Swanson (Larry Sharpe), Elbert Moncrief, Florence Henric.

New members: Thomas J. Carlyle, Dominick J. Pisano, Nick Fantasia, Lee Harrington, Ralph V. Lasky, John Lawrence Rudzena, Louis Danko, John Comeruski, Norma Fosberg, DeLoris June Shockey, Glenn Wallace Anderson,

, John F. Orr, Eugene (Billy) Holliday, Louie

Ted Ross, 14 Sod Murphy,

Bacher, ; Joyce

Sheeler, 135; Harvey Cousin, Charles Harris, 802; Malcolm

Transfers issued: Jesse B. Williamson, Kay Fitzmayer. Transfers deposited: J. Araujo, J. Manzanares, H. Plato,

C. Rick, Delbert J. McNally, Marion Albert Barnas, Ben Conti, Josef Faerber, Ralph Martire, John Raymond Thomas, Anthony Principal!, Sol Jaffee, John J. Van Bus­kirk, Earl Rix, Anthony W. Catana, Wencel Chrzanowski (Christie)» Herbert F. Manthie, Irwin Porges, Russell R. Williams.

In service: Edmund H. Attwood, Mitchell S. Bondur,

F. Smedick, 444;E. Houseman, 368;Bdl, 500; J. Ellis, P. Greenwell, B.

Clarkson, Marjorie Johnson, all 161; Marte Linzelone, 802; Frances , Ellsworth, 23;. John (Dizzy) Gillespie, Warren Lucky, Theodore Kelly, all 802; Leo Williams, Charles Roose» both 710; Henry Pryor, 208; Henry Boozier, Al King, John Walker, McKinley Durham, Edward Dever- teuil; Elmon Wright, John Smith, Max Roach, Lloyd Buchaman, Ed Lewis, all 802; Howard Anderson, 16.

id. Dolejs, Frances P. McDonough, John Arthur H. Hitterman, Frank J. Kozak,

Edward Raoul Alary, Robert F. Wood, Northrup, Marilyn Hiskey, Leon Law,

Carter, 47; Dorothy Joe F. Kemper, 24: rthur H. Wolf, both

, 171; J. Graeser, J. Johnston, 678; B. Peterman, 64; Schielke» 132; D

Dorothy Van Waymen, 158; E. Pierson, 306; Russell Bacher, Waiter Borsclla, 803.

Transfers withdrawn: Walter

members: Abe Amos, Jr.» Paul Badarak, Joseph J. Barnaby. Thomas R. Charbone;

R. Bartley. 375;H. Absher, N. McGranahan,

Myer Krutt, Paul L. Nadell, Antonio Selvinchik, Julius Starit, V. L. Megerdichian, Harry Gorenstein, Anna T. Nigro, Dorothy Holdsworth, Julio J. Giannotti, James Scott, R. G. Hagopian, Mervin Gold, Anthony F. Pedi, Ralph P. Stigliani, Arthur Bimbo, Anthony Graziano, Carl B. Golden, Walter S. Nims, S. V. Mcnello, William Mercurio. Edward L. Kaufman, Abraham Morton, C. C. Bon coddoo, Sidney Goodman, Robert L. Stevens, Bennie Chi tel, Thomas O. Gigliotti, Charles R. Wolke, Edward

New members: Juan Navarro, Luisa de Navarro, Vir­ginia Strong, Norton L. King, Peter Martin Acosta, Betty Waddington, Jorgen Nielson, Paul Capre, Helen C. Neves. Alfred G. Leach, Wanda Krasoff, Robert (Bob) Hernandez,

Miriam Wood, all 10; S. Goldie, 8( E. D. Howe, 625; A. Houseman, 425;

802; Andrew Penn, 471; Lamar Wright, 767; John Grif­fin, 208; Eric Szafranski, 60; Robert Varney, 319; Robert Ahern, 2; Milton Kabak, Bart Varsalona, both 802; Fred Zito, 51; James Simms, 697; John Andçrson, 385; Robert Symperia, 5; Ray Wetzel, 554; Marion Childers, 29; Russ

R. DeSyrette, Edw. R. Chini, Peter Peters, P. Jean Mei­neck. Art Rose, Robert Varak. Lawrence Welk, Henry Kublick, Tommy Carlyle. Wm. Godla. Virginia Viskocil, lone O’Donnell, Ralph V. Lasky, Glenn Hunter, Edward

15; B. Hisey, 464; C. Kramer. 802;B. Kulpanowski, 400; D. Lowrey, 31: J. Manjtardo, J. Dugan, both 5; K. Ramsey, 172; E. Despaux, 174; T.

J. Williams, Thiele, Louis

Lichtenberger. Charles W. Liphardt. John

B. Neville, Edna Brzica (Pat O'Farrell), John E. Jack Haren, Pat Fergus, Mary Kennedy, Jaym Moore, Irving Buckley. Larry Ransom. Wm. S. Walker, Edna Whitney, Richard Wilson Moran, Harold V. Otvos, Henry Sopkin, Casey Kanalos, Evelyn Kleinod, Maric Lisa Dahl, Milford Allen, Mayer H. Channon, Harold D. Miller, J«. N.

W. O. Bullard, Jackson P. Drayer, Bob Misner, Puss Donahoo, Ernest Filice, Frank Du Bord, Billie Gallagher, Siva Ateljevich, Charles Hobart, Edward............................ Eleanor Allen (Feeley), Don Henry.

Resigned: Cleve Leones io.

Donald Maros, Alvin H. McBurney, Frank T. Messina, Arthur I. Petersberger, Harry F. Slottog, Steve S. Stenzo- ski, James Calvin Webb.

Traveling members: David Mordeai, Giuseppe Volpe, Marjorie Jackson, Bruno Tambelli, Jeanette Scheerer, Wil­liam Cole, all 802.

Transfers issued: Jerry Vaughan Vondras, Joe Petrak,

Phil L. Snyder, H. F. Manthe, Dorothy Grill, Josephine Bond,

Huila Weela Galleg, 6; Frank G.

Broz, Bob C. Cook, Allen John Larson,

Miller, 27; klcanthis Jackmider, 111; Don F. Mohr, 297; Stanley Sterbenz, 400; Elissa McGill, 289; George R. Mackey, 339; Leo Marchioni, 82; John Plata, 15; Mar- velle Smith (Myler), 34; Dan Scharf, 47; A. Ward Stod­dard, 542; Christopher Story, Jr., 16; Al Ware, 232;

Samuel A. Purnell, Johnny P. Johnson, Joseph Ricli, Wm. T. Holyoke, Arthur Jones, Hanson C. Wescott, Elmer Thompson, Melvin G. Koons, Wilbur C. Koons, Paul Young, Clyde M. Stanley, Chas. Mel Green, Torsten A Gyllsdorff (Terry Gyil).

Lawson, Albert Godla. Shirley Odelson. Peter Grcindl, Joseph Manna, Billy S. Carr. Edward Ray Chini, Ronald

Alan Remington, Gregor Balough, Jr., John Margueriti Nyc, Chester Jno. Hribal (Bell),

er. Jr., La Vina R. Allen (Bobbie Allen),

Buckley, ail 802; J. Schaeffer, 77.Returned from service: Joseph Bruno, Arthur J. Bizier

(Ray Arthur), Edward J. Janizan, Mervin Gold, Harold kagan, Leonard G. Sullivan, Edward F. Sullivan, Arthur L. McLellan, Julio Frank Incardone (Don Julio), George S. DeMattia, George Boyen, John C. McAteer, Marttin Takki, Herbert Marsh.

Resigned: Richard St. George, Albert V. Blasi.In service: Abraham Gilman.

Alex Lloyd, 566; Leon Johnson, 63; Clyde Lucas, 802; Herman

FOREIGN AND CANADA 15c Per Copy—12 Issues for <U. S. Currency) If your news dsafer can’t supply you, send your remittance ta

TUNE-DEX DIGEST, 1619 Broadway, New York 19, N. Y.

Henry Hobell, A. C. Hebert, both 148; R. V. Brand, 152.Transfers withdrawn: Nick Brodeur (Brewster), George

Aubry, Harry Edelman, Frank Fonda, Steve Huhcck, Earl Schwaller, Orville Searcy, Thal H. Taylor, all 10; George Kessic, 159; John Carrington, 56; Nicholas D’Amico, Wm. A. Brennan. Harry A. Harris, Al Levine, Arthur T. Por pot a, all 802; Dorothy Donegan, 208; Joe Pat Cudd.

o 30<

Robert Ritchie. 166; Henry Alle, 677; W. Herbert Ander­son, 60; Bob Micek, 777; Calvin R. Huber, 116; Richard M. Jones, 1; Marvelle Smith Myler, 34; Teddy Klinski, 37; Eva Franklin, 802; Kenneth L. Smith, 23; Warren H. Tiedcman, 646; Jerry Wald, Michael Satol, both 802; Janies Ligon, 40; Sol (Buddy) Brantz, 77; Ray Harte (Hartstein). Don Ferrara, Jack Dinerman. Lester Karrk, Luisa Piarulli. all 802; Paul Carbone, 133; C. Bus Michaels, 6; Norris Fisk, 427.

Annulled: Martin P. Horvath.Returned from service: Walter B. Leterman, Herbert A.

2; Charles Holden, Matger, 140; Al Rt

Delling, Frances O’Brien, Walter Wyss, Jacob Jerger, Wm. Bill Ericsson, Seymour Solk, Jack Skarda, Hazel Kleinod, Michael C. Parenti, Avis Kent, Milton Bram, Philip Farkas, Doug Castaneda, Billy S. Carr, Wm. W. Ruscoe. Robert G. Klein, Henry Mar.n, Alice Hopackcr. K. Harrell. Jack Crawford, Harvey Samuels, Clarence Shank. Ben Korrel. Robert E. Beverley, Jack Day» R. E. Singer»

Harrison, Clarence E. Stamps, schild, Lawrence R. Casmer,

Delmon Raymick, Lyle K. Stanley, Isabel M. Simpson, Glasgow B. Fall, George W. Arthur, Lois C. Wendorf, Rex O. McElwain, Ikinald Benedict, Edwin H. Hildwein,

rd Peck. Jas. V. Friede, Harold P. Bush. George Vernon Yocum (Earl

Albert Mayworm, Jules Yanover.In service: George Coltman, Kenneth Errair, William

H. Glencorsc, James F. Lathon, Kenneth E. W. Lowman, Louis Sonshine, Harold L. Wheaton, Jr.

Transfers deposited: Frank Andreolte, 802; Wallace W. Brown, Nick Brodeur (Brewster), George Aubry, Harry Edelman, Frank Fonda, Steve Hubeck, Earl Schwaller, Orville Searcy, Thal H. Taylor, all 10; George Kessie,

Laila Storch, , 802: Virgil

Cowles, 73; 289; Jimmie Joplin, 47;

Important publishers' current publicationsSongs in preparationBest orchestration sellers ni the monthBest sheel music sellers of the monthTop tunes on the air during the monthRecords slated for early releaseElectrical Transcriptions slated for early release Best record sellers oi the monthRecord Fans' favorite artist and records in demand

NewBako', <—r , .. .Constance, Howard Henry Docren, Joseph 1. Ferrera, Francis T. Foster, Harry Greenberg, Harold W. Grimoldby, James Henderson, Lynder Jefferson Henderson, George L. Hoke, Robert Roy Lambert, Willie T. Luker, Robert Manuel, William Meacham, Norman O’Garo, Lawrence parker, Richard R. Perryman, Jr., Anthony Thomas Sab vaggio, Theodore Sheely, Claude Smith, Eugene Wash, Jr., Milton J. (Mickey) Woolf, Samuel Woolf.

Transfer members: Karl G. Kirrkamm, Roxanna Lucas,

*hos. Don io, 802; Geo. Kessic, Harry Lanz, 802; Warren F.

77; William Balthazar, Maes, 69; Florence F

Lenski, Dolores B. McDonough, Dorothy Jean Marshall, Joseph Doucette, Chas. E. Weeks, Calvin Stern, Sam Cnlpino, Lady Lavinia Morgan, Ida Belle Sellard, Lawrence Laino, John J. Prokop, Clint Wright.

Haese, 42; Mario A. Dentino, 66; Byers Williams, Alf. C. Lohse, 578; Bernard Woods, 405; Norman well, 183; Frank W. Benson, 60; Wm. F. Caldwell, John B. Rajcski, 5; Bob Strand, 110; C. G. Sparks,

LOCAL NO. 16, NEWARK, N. J.New members: .Vincent Parisi, Ludwig Parlevecchia.

Anthony Cantalupo, Juan D’Alas, Quipciano Reyes, Albert Della Rosa, Philip Pallia, Jack Posner, Bennie Cruz^

If You Play, Sing or Write Popular Songs YOU NEED THIS LIST!

Letters issued: Carl G. Trost, Marcy Leaver, Hector Ramos.

Letter cancelled: Harry G. Carmichael, 263.Transfers issued: Lucia Pamela. Andy C. Anderson.

Robert Poe, Alex Schwarzman, Gilbert C, Burns, Rudolph Salvini, Mae Jackson, Dick Vance, Larry Vannucci, Albert J. Altorfcr, Hubert H. Armstrong, Roy Abad, Edward P. Murphy, Edward A. Doty, Elmo F. Cozza, Eino W. Girsback. Jean McCrea. Estelle Anderson. Michael Mann. Rocco V. Curcio. Frank H. Forbes, Weid Fairson. Hal Lewis (Hohenstein), George C. (Al) Jennings, Richard Mix (Herbeck Orchestra), James Foell, Florence K. Miller, Herbert Jan Popper, Reno A. Pucci, Reuben Johnson, Lois Feiley, Howard Fredric, Gabriel Mello. Wayne Allen. Ernest Monize, Al Lachtman, Robert Thurlow, Farrell Draper, James Geil, Glenn Tomlinson. Royal O’Reilly,

Nelson Yung, 433; James W. Green, 47.Transfers withdrawn: Norman Coben

Stigliana.Transfen issued: Mrs. Marion Britton»

Morton H. Folstein.Traveling memben: Rae Scott, Mary

LOCAL Na 23, SAN ANTONIO, TEXASTransfer member: Morton H. Folstein.Transfers deposited: Charks George Widmann,

“S£ TONEX

NO. 11, lonsviui , KY.Glenn Keith, Kobert Niehoff,

. James Putnam, 694; James Richard McDaniel, 166; Marsh

New members: Bahr.

5 You won’t boliava your ear« whan you flnl try your tax or dannat proparly pedded with TonaX Parti. The lone hai more volume and clarity. That it because toneX nfloats lone Instead of absorbing it.

—.....—.............. Weston, James■i- Buckley, Frank G. Maio, Thomas P. O’Donnell, James p ,ul- Ralph E. Peterson. Angelo M. Todisco, Gabriel Colangelo, Joseph A. D’Agostino, Pasquale Ficarra, Ben-

Gardner, Edward A. Vieira, RVoland E. Char- boaneau

™retti, Zachary Gass, both 126; Charles Chaplain, 1.18; •mllip Farkas, 10; Eliot B Leonard, 237; Leon Rosen- "08. 166; Marcin Guttin, 100; Domenic Pantalep, .802;■*t Steuart, 79. ’

Transfers withdrawn: Hugo Burghauser, 802; Kichard A Hun toon, 198.

The patented laminated construction of TaneX nite adds to the life of the pads, txhauitive lent have definitely proved that ToneX will outlast Iwo or Ihree sets of ordinary pads.

McGill, 289; Melba Kay (Muhlhauser), 2; James Patter­son, 735; Frank Stanley, Sydney Rose, Pete Towle, all

UX U NO. 9, ■< New members: Frank Bruno,

Miller, 538; James L. Wise, 463; James Masher, 9; Gab W. Alexander, 802; Paul R. O'Conner, 136; Billie Archer Rogers, 498; Richard Getz, 1; Anthony DiNardi,

Rcsignc I: Anthony Emmanuel Scphor, Ellsworth Clauser John Nitu Ballog, Julius Bandy, Charles B.

Cz-ofc- Jan|e» c- C0“’ Norman G, Conley, V m. E. ! trphey. Morris Feld, Robert Armour Hart, Saraleu Liiigsoe’?- Michael Lamagna, Carl G, Martin, Anthony

Stanley F. Skaza. John Siavash, Raymond M.Sintwda Donald N. Talbot, Harty IL Taylor, George VavraTDon Welsh.

ley Belfils, Joseph E. Downing, Vera Roberta Gray, Rich­ard M. Gray, Zita Dillon.

Transfers deposited: Elbert Moncrief, 47; Jack Shore, 99;Ernest L. Kratzinger, 34; Lawrence Swanson (Larry Sharpe), 99; Paul Kula, 655; Armen Hacdorian, 161;

Returned from service: Ralph W. Keating, Howard H.Adler Mitchell Zaremba. ■• In service: Rovin Adelstein, lion L. Church, Jr., Dr.■v «11 Dreyer, Lyle Speer, Paul L. Schneider.

Traveling members: E. C. (Skinny) Ennis Orchestra; lency Goodman Orchestra; Henry Busse Orchestra; I,eorge Paxum

Many leading »ax and clarinet arh«li are ue* ing 1onnX with utmost latisfaction. Any good repairman can install them. How much extra to gel ToneXf The additional cosl usually run* about a dollar—that's all I

INSIST ON TONEX WITH YOUR NEXT OVERHAUL!

Twenty THE INTERNATIONAL MUSICIAN Octobar, 19 <5

ffNLYA GIBSON IS GOOD ENOUGH!

To make the most of your musicianship, be sure to insist upon genuine Gibson strings, first choice of professionals everywhere. Handmade of Mona-Steel and bronze to exacting Gibson specifications which tolerate nothing but the best quality and workmanship. At your dealer’s.

CFV/ * * /NC.KA/AMAZOO. M/CH/GA/V

WCM. NO. 24, AUON, OHIONew member«: Cut T. Curtix, Jr., William L. Wolfe,

William R. Hampton, Victor Hackim, Frank Caetta. Sidney J. Weitienfeid, Bruno Egger, Henry L. Parrub, Jamea A. Horton, Ronald R. VonGunten,

Tramfer member: George S. Dinkins, William B. Prem us.

Transfers deposited: John D. Derr, Cholly Wayne Shel­ton. Sadie Sonya Haddad, James Venuti James DeFranco, Vincent Montana, Jr., Aud King, Donald Lowe, Al Frank Magor, Lyle Davis, Herman Dressel, John Prelich, Joe Matties, Jack Tormay, Randolph Funes, Richard Brobst, Al Trace, Milton Schwanz, Vincent ). Eckholm, Nathan J. Wexler, Bruce Russell, David A. DeVore, Milton Anderson, Elisas Pinsker, George Maddock.

Transfers withdrawn: Bob Carroll, Sherman Hayes, Daniel B. Ferguson. Forrest W. McConnell. Marvin Simon, Frank P. Gevatoski, Jr., Arthur H. Wolf, Salvatore R. Failla, Chris Mircheff, Claude P. Landry, Rafael Niemela. George Sterney, Anthony Valentine, Arnie Palco. Bernard Hellerstein, Stanley Bass, Roy A. Guettler, John D. Derr, James Venuti, James DeFranco, Vincent Montana, Jr., William B. Premia. Al Trace, Milton Schwartz, Vincent J. Eckholm, Nathan J. Wexler, Bruce Russell, David A, DeVore, Milton Anderson. Elias Pinsker. George Maddock.

Transfers issued: Wanda Simmons, lohn Gallus. Merle L. Falor, Helen A. Billings, Ronald R. VonGunten, Koben A. Caruthers. Russell C. Vese.

Traveling members: Ted Weems, Don Ellis, both 10; Kuss Bodine, 6; |oe Gerace, 10; James Simonin. Norwood Carey, Dean Howe, all 47; Harry Nieto, Chester Harris, both i; Clyde Hunter, Michael Costa, both 47; Leslie Martin, 76; Roy Posey, 174: Paul Spielman, 101; Duke Ellington, James Jordon, Ray Lance, Rex Stewxrt, Shelton Hemphill, William Anderson. Claude B. Jones, Lawrence O. Brown, Joseph Nanton, Otto J. Hardwick. Harry H. Carney, Albert O. Sears, James Hamilton, John C. Hodge,

' William Greer. Fred L. Guy, all 802; Alvin Raglin, 7;Andrew Bagni, 802; L. Feldman, 529; Zigmund Talent, Wedo Maraaco, both 802: John West. 9; Jack Fay, Bob Rickey, both 802; Henry Mehl, 120; John Aleesi, 34-, Frank Ryerson. James Fitzpatrick, both 802; Jerry Luonzo, 16: John Bonafeld, 802; Donald fonea, 512: Joseph Ben­nett. 802; Sam Hyster. 73-, Vaughn Monroe. 802; Lea Sexton, 320; Lauric Gautreaux, 11; Howard Trasacil.- 6; Lou Litvin, 9; Steve Myir, 15; Phil Graziano, 51; Russ Irwuy 537, «n Bin»-, Do» Baker, 65is W«. Wbg-

Shaver, 100; Roger Hampdon, 222; Ellis Stykenberg, 240;Henry Busse, 802.

In service; Raymond H. Marcelli.

LOCAL NO. 26, PEORIA, ILL.New members: Richard D. Hanshaw, George L.

Abraham.Transfers issued: Louis A. Skinner. Russell D. Fielder,

Waiter J. Frazee, Herbert L. Knapp, Jr.Transfer returned: Walter Frazee.Returned from service: Louis A. Skinner, Russell D.

Fielder, Raymond P. Olson, Douglas R. Berry.Transfers deposited: Wilbur E. Kohler, Jr., Leonard

Eugene Schaf, Thaddeus Kowalski, iXmald George Tiefer, all 5; Jack Arthur, 67; Freddie Kohlman. Joshua Willis, Walter Lewis, Jr., Don Porter, Samuel Dutrey, Watdren Joseph, alt 496.

Transfers withdrawn: Donald George Teifer, 5; Betty Josephsen, Anita Willens, MarV M. Kennedy, Jayma Moore, Joseph A. Costa, all 10; Joann Fries, 141; Delores J. Mattix, 3; Lucien Babineau, 171; Dawson Bugg, 266.

Transfer revoked: Ralph Howard, Jr., 99.Traveling members: Harry L. (Tiny) Hill, 89; T. R.

Anderson, 46; Ralph Morse, 11; James Turner, 10; Robert Walter, 89; Basl Jones, 10: Elmer Evenson. 166; Douglas Arid, I; Fred B. Lent, Joe Pictrantunio. both 205; R. A. Peterson, 46; Mario Toscarelli, Bob Martino, Eddie De Martino, Benny Weinstone, Irvin Norman Tucker, all 802; Mary Kennedy, Anita Willens. Jayma Moore, Betty Joseph son, all 10; Eleanor Williams, Joann Fries, both 141: Delores Joanne Mattix. 3: Kidd (Lipps) Hackette, 802; Millard Lee, 455; William Lane. Ray Cameron, both 622. John L. Montgomery, 53: Nathaniel Dangerfield, 57; Stande L. Killough, 5; Edwin J. Donns, 802; Jack Arthur, 67: James McLeary, 26; Richard Whatley, 733; Goldie Phillips, 622; David Harris, 208; Wilbur .E. Kohler, Jr., Leonard E. Schaf. Thaddeus Kowalski, Donald G. Teifer, all 5; Duane H. Buchner. 26; Jess Stacy, Alvin Aron. Leonard LeFrisco, Jerry Kenny. John M. Setar, George Crescenzi, all 802; Bob Carris, 203; Frankie Masters, 802; Edward M. Baxter, 47; Sheldon Fonda, 443; Hyman Le»- nick, 4; Don W. Marley, 58; Frederick A. Moore, 5; James D. Na»h, 325; Morton W. Nathan, 9; Samuel Skolnick, 802; Frederic L. Smith, 1; Ervin Trisko, 766; jack Wald; 249; Ernest Workman J 58; William Krieger, 20; Frank Cook, 47; Freddie Kohlman, Samuel Dutrey. Walter J. Lewis, Jr., Don Porter, Jothna F. Willi», Waldron C. Joseph, ail 496; Joe Cota, 10; Dawson Bugg,

LOCAL NO. 30, ST. PAUL, MINN.New members: Floyd W. Anger, Lawrence C. Otte,

Walter H. Bublitz, Albert L. Quinn, Irwin W. Lutz, Louis Krasner, Joseph A. Snyder, Richard O. Koch, I Maxine E. Ingmundson, Irene Romain, Lou Skarn ing, James M. Johnson, Edwin L. Kerchner, Frederick J. Frost, Douglas Carlson, Edw. H. Rasmussen, Donald Ringblom, Heien C. L. Wineski, Albert Rudd.

Transfers deposited: Maurice Dungan, Florence Dungan, both 595; Ralph Klcbsch, 73; Eddie Beach, 99; Alice S. Amundsen, 201.

Transfers issued: Alexis A. Studer, Arne Markusen, Leo Adelman, Hillard 1. Brown, Milton L. Schilling, Karl F. Geisthardt, Floyd F. Tcnhuff, Clifford Reckow, Katherine A. Meagher, Julia M. Halvorson, John Bryant.

* Transfers withdrawn: Eddie Beach, 99; Maurice E. Brennan, 4; John L. Eager, 101; Jas. .Crawford, Frank Capczio, Gene Reinwasser, all 86; ' George Tsitso, 134; Dominic R. Eammclli, 223; Gene Lewis, 10; Vincent F. « LaLoggia, 240.

Transfer members: -Eve D. Johnson, Glenn L. Glasgow, Carl M. Gardner.

Resigned: Eleanor K. Allen, Henry R. LaMotte.Traveling members: Merle Evans, 721; Clarence Bennett,

534; Jos. Dauris, 103; Albert Yoder, 417; Benne Kcnnei, J22; Frank Hoffman, Hennon Kranz, Tony Ramirez, ail 802; H. C. Werner, * Howard Ham, John Holak, Alb. Hiltensnuth, Joe Browning, Martin O’Connor, Dan Rickard. Wm. Loomis, all 427; Fred Dini, 802; Stanley Czerwtnske, 71; Wm. Spielberg, 504; C. A. Schinner, 34; Russell Bader, 160; Lou Bader, 100; Amos Thompson, 596; Andrew Grainger, 141; Frank Clark, 376: Raymond Jensen, 46h Max Ring, 721; Tony Pastor, Chas. Trotta, Sol liardi, Ben Pickering, Leo Burness, Joe Geneii, all 802; Sol Pastor, 499; Louis Obergh, Jr., John S. White, 3; Sol Formica, 499; Richard Komenda, 319; Wm. McDougald, 619; Tony Buonpastorc, 248; Stephen Strohman, 171; Donald Matthew, 750; Jas. V. Faraci, 9; Milton Norman, 650; Otto Stock, Rowland Fosburgh, Mike Hoover, Ken­neth Stock, Frank Briese, all 437; Bob McGovern. Harold Lindgren, Bob Jensen, Cletus McGovern, Jas. Carpenter, George Ritten, Jos. Konchney, Lloyd Koike, Don Brenner, Bob Vaux, all 73; Gene Lewis, 10; Homer I. Jones, 34U; Vincent F. LaLoggia, 240; Maurice E. Brennan, 4; John L. Eager, 101; Jas. Crawford, Frank Capczio, Gene Rcin- wasser, all 86; George Tsitso, 134; Dominic R. Eam- mclli, 223; Lynn Kerns, Karl Orscr, 477; Eddie Lloyd, 17; Clarence Benike, 73; Harry Learned, Don Kricns, both 405; Roy Meadows, Ed Schuller, 413; Jimmy Thomas, 453; George Gordon, 574; Eddie Beach, 99; Maurice Dungan, Florence Dungan, both 595; Ralph Klcbsch, 73; Johnny Farwell, Larry Farwell, Rex Hornback, Bob Johnston, Milton Hetherington, Ronald Knight, Merle Moore, all 345; Jimmy Palmer, 509; Jos. Anzclone, An­thony Rongo, Walter Holland, Nelson Brodbeck, Stanley Weiss, Carl Payne, Chas. Miles, all 82; Lawrence Sabatino, 9; Lloyd Johnston, 311; Nai Stephan, 142; Ed Dix, How­ard Lay, both 34; Hoyt Henry, 282; Boris Anastaroff, 2; Frank Eikenbush, Earl Turnblad, both 73; George Turek, Rose Maric Pckarna, both 565; Jerome J. Hentges, Donna Lea Frank, both 602; Mary Stillman, Cleo Hansen, Hjalmcr Loveland, Art Blodgett, all 345; Amby Meyer, Don Anderson, Kenny Kazebier, Jack Neus, Gene Roark. John Thoma, Wendells Lester, all 477; Loren Belker, 265; Jack Haggerty, 325; Garnett Schlottman, Dorothy Schlottman, both 73; Benny Muelling, 73; George See­man, Bob Spiering, both 602; Donald Franks, 513; Alice S. Amundsen, 201; Sonny Dunham, Shedd McWilliams, Lawrence Molinelli, Bob Cheney, Hy Rubenstein, Don Brindley, John Dillinger, Bert Prager, Jay Calkins, Eddie Garson, Louis Melia, all 802: John Carroll, 9; Joe Gentile, 140; Sam Sherman, 262; John Back, 386; Paul T. Paulson, Evelyn Hjelm, Howard Brunzell, Fred Myhre, Roy Ellcndson, Lee C. Fish, all 73; John Gilbert, Leo Schwegel, James F. Falcon, Harvey Cannon, all 10, George Knorr, 15; Robert J. Beatty, 365; Bill Houck, 147; James K. Meyers, 40; Bob Showe, 103. Ted Weems, Don L. Ellis, Jos. Gcrace, Wm. Walker, al) 10: Russell Bodine, Norwood Carey, Dean Howe, Clyde Hunter, Michael Costa, all 47; Harry Neito, 6: Victor Borachek, 195; Leslie Martin, 76; Roy Pusey, 174; Paul Spee 1 man (Steele), 101; Betty Lee, 73.

In service: Robert E. Hall, Carl Pederson, Norman J. Ravich.

LOCAL NO. 36, TOPEKA, KAN.New member: Jay Ellis.In service: Roy Shoaf.Transfers issued: Dorothy Carroll, Don Hartzell, James

Powell, Phyllis Clements.Traveling members (orchestras): Bill Eckstine, Jimmy

Joy. Nick Payne, Dizzy Gillespie, Sonny Dunham, Del Courtney.

LOCAL NO. 40, BALTIMORE, MD.New members: John Ardon, Bertron W. Blizzard, Mar­

tin Bland, Henry Cedrone, Stanley Cohen, Mrs. Lillian Cedrone, John B. Fuller, Jr., Alvin Gordon, Walter Green, Mrs. Hazel K. Hamlin, Patrick Hoffman, Ray Johnson, Morton Klasmer, George W. Klieves, Edward | T. Perry, W’m. P. Villegas, Mrs. Kathlyn Ludwick, Sam I Monti, .Miss Barna Purvis, Jerome Rosenthal. |

In service: Edmond Scavone, Carson Adler, Bertron W. I Blizzard.

Returned from service: Harold Roll, Charles Brasse. Jr., Edward Tennant, Joseph Bertorelli, John Burgess, Melvin Sherr.

Transfers issued: W. H. Wessels, Agnes Kasper, Betty Glamann, Elizabeth J. Jones, Curly Clements, Burna Purvis, Martin Bland, Joel Chenkin, LeRoy K. Brown, Frank J. Huyge, Harry Roth, Harry D. Steycrt.

Transfers returned: Benj. F. Carr, Walter H. Wessels Catherine Freeman, Laverne R. Walters, Frank Pa me. Bella Gaffen, Donald F. Ainslie, Bryan Wilkie, Alyce Martin, Richard Dashiell, Edwiri W. Householder, Jos. W. Titelman, Richard T. Dashiell, Agnes Kasper, Joel Chenkin.

Transfer deposited: Gilfred Brown.Null and void: Harvey J. Simpson.

LOCAL NO. 52, SOUTH NORWALK, CONN. In service: Haney Cooke.

LOCAL NO. 65, HOUSTON, TEXASNow members: Don C. Hunter, Robert V. Nelson,

L. J. Morrison, James T. Sanders, John T. Williams, Robert L. Lane.

Returned from service: Fred Gutierrez.Transfers deposited: Dale Jones, 47; Donàld A. Rice,

’Joseph Urbanic, Romeo Dominic, Richard D. ( lay, James E. Skomal, all 70; George P. Williams, 307-, Frank Salt­marsh, 5; Anthony J. Franchini, 802; Herbert M. Ross, 4; Donald Raley, L. L. Davis, both 464.

Transfers withdrawn: Dale Iones, 47; Donald A. Rke. Joseph Urbanic, Romeo Dominic, Richard D. Clay, Janus E. Skomal, all 70; George P. Williams. 307: Ruby Alley, Mabel Pullman, Wilma Gower, all 450; Lois Colburn, Bernice Tobin, Mary June Woods, all 10: Don BuzIhx. 53; Wm. Hedges, 66; Vaclaw Kec, 802; Philip King, 4; Eugene Manson, 77; Wm. Roth, 2; T. W. Earl, 425; Frank Saltmarsh, 5; Margaret Bailey, 147.

LOCAL NO. 70, OMAHA, NEB.New members: Jos. ). Van Ackeran, Stanley S. B.

Samuel.In service: Richard Dean Clay.Transfers issued: Alice K. Simpson, Helen French.

Keith Harman, Jos. Urbanic, Ed Wight. Harold Madsen, Ralph Slade, Dale R. Saul, Gordon Smith.

Transfers returned: Ed. Wight, Norman Babbitt, Keith Harman, Donald Allen Rice, Dominic (Dun) Romeo, Richard Dean Clay, Morton Wells, Hal Kennedy, Jus. Urbancc.

Transfer« withdrawn: Vance Horne, Dick Stahl, Jr., John Argas, Charks Hall, Don E. Johnson, Carol Meis­ner, Arthur Ray Hueser, LaVerne Watson, Jas. Dorman, Don M. Robinson, Dean Scandritt, Max Lauchner, Chas. A. Payne, Jos. O. Fetters, Joseph Poretta, Jos. A. Chamb­ers, Fred, L. Schultz, Jos. .Poletti, Robert Masters, Myrna Ruth* Satterfield, Renee Darst, Edna Mai Rosen, Billie Bauer, Hilda, Halbrook, Carolyn Beyer, Irvin Voll (Ozzie Clark)«

Traveling members (August): Dick Magviness, 2; Joe

Zielim 671; 1 Albert pH, Ho«»1 JimW B. W Chas.son. s Recke Venie Cawtb Jack Billy Geta. Sabol, Dinne Jack : «er.J. *• D. B) sU33

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Chrinlenncn Schools «sl Popular .Munlc 754 Kimball Hall Building, Chicago 4. Illinois

DANCE DRt MMERS AND ARRANGERS WHO WANT TO UNDERST AND RUDIMENTS SHOULD BUY

"The Correct Way to Drum" By Ex-Sousa Drummer and University Teacher

No exercises, all explanatory Material. $1.00 Postpaid.

H«*ii«*b School of P«*r«*iiMNioB IBELAND - - FLORIDA

--------------- CROSS-NOTE PUZZLES —THE WAY TO MUSIC AND

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PRICE, $1.00See Your Music Dealer First or Write to

C. M. D ALEO145 West 45th Street, New York IS, N. Y.

Proven SHORT-CUT COURSE InDANCE BAND ARRANGING

Write for FREE LIST OF CHORUSES asPlayed by the "Top Men" in Swing

BIRROWS MISIC SERVICE101 Steams Road. Brookline 46, Mass.

OnCllESTIt ATIOXS’WDANCE, VOCAL AND CONCERT ORCH A

By Best Arrangers. Best discount for 3 or more. Immediate shipment C. O. D. without deposit. We pay the postage and supply any music published. Pref, to Union Members. Write for free Catalog of Orch., Bands, Books and Special Free Offer.

GLADSTONE HALL MUSIC CO._____ 1678 Broadway, New York 18. N. Y. _____

519; Harold Jensen, Do« Layton, Mike Behren», Betty Kennedy, (.has. Hendrickson, Ernest Woods, Gerry. Kopf» all 777; Chas. Hall. 766; Don Robinson, James Dorman, both 34; Dean Scandrett, Ray Hueser, both 504; Cha». Pyne, 123; LaVerne Watson. 334; Donald E. Johnson, 42; Dick Stahl, 504: Carol Ncissner, 405; John Argo», 230; Max Luckner, 278; Renee Durst, 89; Carolyn Beyer, 734; Fdna Mui Rosen, 257; Hilda Halbrook. 464; Billie Bai**» 289. Mvma Sauer field. 532; Arlinc Terry, 34; Harry L. Hill, 89; T. R. Anderson. 46: Ralph Morse, 111 Ja«00 Turner, 10; Robert Walter, 89; Ras Jones, 10; El®0 Evicnser, 166; Douglas Arid, 10; Fred B. Lent, J* Pictrantonio, both 205; R. A. Peterson, 46; Dorothy For* kite, 10; Joseph M. McNamara. Ernest Barton, Chay E. Berg, Samuel DeBonis, William Dee Orr, ail 802; F* Baughman (Boffman), 601; Loren Border, 111; Harwo

I Vigus, 54; Bill «Seibert, 135; Given Goff, 29h Kncnkc, Roy Johnson, both 30; Ivn Staley, lO^^gSj

Ronnie Morrison,Zielinski,Walter Martie,Colcburn,

SUSPENSIONS, EXPULSIONSREINSTATEMENTS

Brantz, 77; Jimmy Smith,Chcmming, C.Townsend,

Bakom, Henry F.

Glenn

Johnson), RobertOlson,Richard Bunn,

REINSTATEMENTS

Appleton,Barbara Bond,Mattice,

802; June - Culbertson,

John E. Murray,

Stanley Czer-

€MIL CORSILLO, IncAmos Thompson, 596.Grainger, -Donald E. Bragg.

Mehegan.Fall River,

BRADFORD,LOCAL NO.

-Harold (Piper) Manning,

Hunt.NO. 94, TULSA, OKLA.

FOR SALE OR EXCHANGE

(Continued from Page Twenty-four)

-Selmer Bb Cornet, gold

J. G DEAGAN, INC., Chicago

in good

Albans 12, Phone:

STOLEN

John

Traveling members (orchestra):

KOKOMO, IND.

•from service: Floyd Orrin Davis.

Clayton, Samuel

FOR SALE—Kotykiewicz Harmonium, condition: reasonable for quick buyer.

E. Cavanaugh. Cedar Rapids, Chicago, 111.,

Dallas, Texas, J. Stuke, Jr.

Detroit, Mich.

Nash, Don Hallberg, David Ackerson, Sunton N. Opdahl, Irving J. Kison.

John Shcvak, 802; Ronald L. Singer,

Local No. 132-Constan.ee R. Formichella.L, Canada, Local No. 406—Clement Auger,

Helena, Mont., Freyler.

Ithaca, N. Y.» 1Montreal, P. Q.

FOR SALE—Bcttony Silvabet Clarinet, like new, new $85; Penzel-Mueller, 20 key wood Clarinet, fair, $75;

good King bell front Baritone and case, $145. Mus 1439 Prospect Ave., Bethlehem, Pa.

Sorgatz, Tim Teninty.Local No. 141—Mon

D Bying, J. Whitwood, G. Garner, R. Harvey, M. Smith, ali 334.

21; Tony Hoffman,

118-39 193rd St.LAurelton 8-6307.

rt 136: Sol B. R. Eich, D.

LOCAL NO. 137, CEDAR

Ruth Cannon, Fred

RAPIDS, IOWA

337—Robert Fredericks,

Saboti, Richard Simoni, Merle Sloan, Paul Carenci.

Herman Kranz, Fred Dini, Frank J.

70; Gene Rinn (Robertson) Aly ene Johnson, 111; Lew

Russell Bader, both

. Glörfeld. Messwarb,

(Bill) Hunter, Leon

Arthur Asher, Jerry Collins.Newark, N. J., Local No. 16—Andrew J.

Garfinkel.

Local No. 642—Kenneth Buckles, Ralph

Harold Roy Greene, 1 Herbert Skolnick, M.all 802. *

Returned from service:

Bertram J. Phelps 765;

F. Harris, 538; Marey E.Returned from service:

Rocco.

Transfers deposited: Richard L.

Featherspoon, on Corsman, Ken Switzer, all 10;

!; RobertSam De-

120—Reuel Hurd, Eddie

Elizabeth, N. J., Local No.

Transfers withdrawn: Leonardo Consoli,

Colbeck, H. Jack.

Rowena Stevenson, Laura E. Louise Ray, Thelma S. Penn

lacquer. No. 447, last model made: like new, used only three months; includes alligator gladstone case; $190 cash. Ruth Land, 934 Pingree Ave., Detroit 2, Mich.

Paul, M T. Hess.

Harry Cooper, Vincent Corcoran, Bud Hall,

Antigo, Wis., Local No. 638—Neil Baker, Paul Masek. Akron, Ohio, Local No. 24—Mary I. Simmons.

Ohio, Local No. 1—Harry Franklin, John

Resigned: Buck Schworm, Marcia Louise Blalock.Traveling members (bands): Jan Garber, Jack Tea­

garden, Wesley Tuttle,

STOLEN—Heckel Bassoon, No. 6698. during residence at 1200 West Sycamore, Denton, Texas, in March; ¡945, $50

reward for recovery. Willard Elliot, 1105 South Jennings Ave., Fort Worth, Texas. •

DR SALE—Violin, old French Lc Marquis Delair, made around 1790, in good condition, fine tone, sacrifice. $150. liver R. Dickhut. 1226 West Vine St., Milwaukee, Wis.

, Local No. 180—Fari Local No. 395—Cecil

FOR SALE—C silver Flute, with ease, in good condition, excellent for beginner. $80. Sgt. John RotclU, 389th

A. S. F. Band, Fort Monmouth, N. J.

p Peters, A. Rayunec, Betty Lee Goldberg, all 10; Edward J. Burgraff, 18; H. A. Sammy Dussault, 166; Larry Luke, 5; Jimmy Page, 10; Leslie F. Larson, 260; Jeanne Thomas. 148; David Brian, 47.

itz, Walter Leavelle, John A. Donald Marti, Genaro Metz

Harry Payne, William Edward

FIRST AMONG THI STARS. When a Mostar of the Mallei* or a Virtuoso of the Vibes takes the spotlight. It it a foregone conclusion that the instrument ho plays bean the Deagan marts.

THE LEWERENZ MOUTHPIECESFor Clarinet, still made from the .fine, hard mouth- .piece rubber; special respnance chamber, scientific

facing, easy free blowing, brilliant tohe. Refacing. Hand-finished reeds. Prices and list free. WM.

T. (Bob) Chester, Eugene Fette, Harold F. Fiebig, Chester S. Krynicki, Edw. H. Nicholson, Vaughn Pelletier, Joseph Rieli, James G. Winston, Harold F. Woodin.

Graf, Walter R. Ray, Marie 1 Patterson.

Transfers deposited: Ben). <Schworn, all 583; Neal F. 1

Transfers withdrawn: Benj.

rtnan, Victory Camera, Joseph Buttner, all 86.Transfers withdrawn: Luther Leon Goodwin, 115; Jean

Finnerty, Elmer R. Lowry, Kent J. Miller, all 10; John S. Seitz, John C. Sheehan, both 19; Jean Jamerson, 245; Betty Lee Goldberg, 10; Mora Peterson, 218; Marvin Lee (Levy), Roy Cohiil, Al A. Zborovan, Wm. Bollam, Frank Long, all 10; Jeanne Thomas, 148; David Brian, 47.

Returned from service: Clayton R. Leach, Kenneth L.

Carr, Buck Schworn, Jimmie Boyd, 10; Happy Bass, 368.

j. Carr, Jimmie Schworn.

Richmond, Calif., Local No. 424—Stanley LaDage, M. LaDage, L. Elif, L. Worrel, Wallace Wells, Georgia Han­sen, R. Chivers, Frank Calletti, Wm. Gallegos, Chester -Krigbaum, Al Mason,. Grant Nichols, Walter Pilgrim, Harry Short, Leo Vcrdusco, Robert O’Brien. •

L. Lockwood, 26: Jean Mattice, 284; Barbara Bond, 70; Gene Rinn (Robertson), 802; lune Culberton, 112; Stewart

all 802; James Downes, 103; Bcnne Kenner, 522: Raymond Jensen, 463; H. C. Werner, Howard Hasn, John Horak, Albert Hiltensmith, Joe Browning, Martin O’Connor, all 427; C. H. Schinner, 451^ Dan Richard, Wm. Loomis, both 427; Clarence Bennet, 534; Frank Clark, 376; Andrew

Scranton, Pa., Local Moore, Ike Frazier.

Toronto, Ont., Canada,

FIRST IN POPULARITY. Deagan Instruments are by far the most widely used Instruments of their kind In Iha world.

Albert Smith, Danny Orton, Louis Michaels, Ralph Car- :ii John Fancolly, Gordon Boore, Warren Allabach,

Howard Judkins, Jr., ail 50; Ai Verdi, 8; Art Kassel,

Lawrence Duchow, John Rislow.Beaver Falls, Pa., Local No. 82—Louis Cattiverà, Rich

ard Howe, Louis J. Marotti, John A. Marotti, Hal Curtis.Boston, Mass., Local No. 9—Angelo Alabiso, James A.

Lanza, Joseph Àbramo, Arthur Geissler, John K. Moora­dian, James Athens, John F. Hogan, Francis J. Mahler, Johnny B. Hart, John F. Kelly, Anthony F. Pedi.

Chicago, Ui., Local No. 10—Harold D. Miller, Frank Levan, Wm. A. Ford, Robert Neville, Tony Naponelli, Donald John Maros, Ralph W. Emerson, Frank Duda, Kenneth Garrett, Josephine Tranpush, Edmund F. Att­wood, Irene Polowy, Max Gabor, Naida Simpson, Casey J. Kanalos, Paul Johnston, Tito Guizar, Alvin H. Mc­Burney, Wm. Gabor, Eugenic Fichtenova, Opal V. Dono­van, Delbert J. McNally.

Cleveland, Ohio, Local No. 4—Don L. Formick, Milton Thomas.

Transfer deposited: William Q. Andrews. 82. Transfer withdrawn: Bruce G. Lippincott. * Returned from service: Harold J. Sweitzer

Brady.

Albert S. Buffalini, Robert Danny Weitzer, James A.

H. S. Jeffs, Stewart Mason, Harry O’Grady, George West­brook, Dorothy Wilkes.

Topeka, Kan., Local No. 36—Roy Shoaf.Tulsa, Okla., Local No. 94—Joe Applegate, Cel land

Anderson, Louis Tirney.Washington, D. C., Local No. 161—Edwin A. Finckcl,

Jerome Rosenthal.

Barnes. Haywood Ellison, all 208.

Ethel Kikta, Bruno J. Legario, John W. Mi Malzte, Ames L. Maz:

New members: Mary Young Vance, Marvin quins, J. L. Jenkins, Alvin Ray Kennon, Aramd bien, Alan S. Swain, Robert L. Barnard, James Edith Louis, R. K. Mullins, Edwin LoVellette, Crossland.

Transfers deposited: Mrs. Kenneth Hayes, 72 A. Walker, 452; Don Cortez, Haywood Bissell,

Ferguson, LeanderHenderson, Armond

In service: Harry Thomas Broad, Frank D. Burkitt, William C. Burkitt, Kenneth W. Chapman, Mack Welling­ton Kelley, alter Charles Lahman, Warren Lee Mc­Connico, Charles Bill Pate, Frank Russell, Daniel Com­stock Thomas.

Minneapolis, Minn., Local No. 73—Sam Ostwald, Robert Chase, Dale Hess, Samuel W'. Segal, F Libert D. Mosher.

Newark, N. J., Local No. 16—A. Cclano, Joe Hollaway, Fred Kress, Joe Piccini.

Transfer withdrawn: Wallace E. Blacker, 802.Transfer deposited: Moira Stewart (Margaret Mary

Hagarty), 60.

San Antonio, Texas, Local No. 23—George Mey< Susan B. Ripley, Mrs. Marion Britton, Alfred J. Colem;

¿" Wood«. 405; John Young, lOj Ralph Devilice, 309; Cbas. Neil, 297; R. Shuman, Frank Bieloski, Kenny Jack- ^n/all 10; Al Loshsey, 578; Nick Lucas, 802; DeWayne

Traveling members: Lew Bader, : 160; Wm. Speilberg, 504; Max Ring, winski, 71; Albert Yoder, 417; Meri

LOCAL NO.New members: Freei

«tt, Edward J. Williar Transfer issued: Milt

Transfers issued: Orville A. Fleming, Ruth C. O’Heron, E. G. (Chick) Erickson, Hazel V. Berry, Virginia Sim­mens, Thomas Talbert. *»

Wm. Betz, Louis J, Dion esc, Albert M.

Morris), Joseph Ventura.Hammond, Ind., Local No. 203—Byron Jones.Montreal, P. Q., Canada, Local No. 406—Lionel Groulx,

Alex Corbo, Howard White, Wm. (Billy) Bushell, Arthur Pincus, Wm. (Billy) Middell, Freddy DiFazio, Reid McLeod, Wilfrid Gillmeister.

Manitowoc, Wis., Local No. 195—Ben Urbanek.

LOCAL NO. 82, BEAVER FALLS, PA.New members: Raymond Baron, Richard Baron, Gregor

LOCAL NO. 90, DANVILLE, ILL.New member: Floyd McKinley Allen.Transfers deposited: James Williams, Curtis Ferguson,

Leander Barnes, Haywood Cowan, Lucius Henderson, Armond Ellison, all 208. -

Transfers withdrawn: Ellis Hunter, Benardo Dennis, Eugene J. Gilmore, Willie Dixon, James Williams, Curt it

Paterson, N. J., Local No. 248—John R. A. Power, George LeVier, Ken Steele. James J. Trainor.

Peoria, Ill., Local No. 26—George E. Mitchell.Quebec, P. Q., Canada, Local No. 119—Henry Tanguay.Redding, Calif., Local No. 113—Roy Snider (George

Spurbick), Lucille Daily, Carl Ooley, Hazel Ooley.St. Cloud, Minn., Local No. 536—Ralph Hoffman, Mrs.

Lawrence Geris.San Diego, Calif., Local No. 325—Tex Ivy, Helen A.

gec’kenthalcr, Bob Lipka, both 137; Eddie Sigoloff, La­Verne Austin, both 413; Bob Summerfield, 504; LeRoy Ciwthorne. 289; Harry Reed, Jr., 450; Roger Faycr, 678; lack Koenig, 434; Earle PKerris, 413; Jerry Wald, 802; Billy (RoKcr$ (Archer), 498; Don Ferrara, 802; Richard Getz, 1; Tony DiNardo, 802; James G. Mosher, 9; Mike Sabol, 802:. James Weiss, 463: Ghas. J. Ligon. 40; Jack njnnerman, Roy Hario, both 802; Norman Peckrandt, 57; Jack N. Bruske, 10; Wm. Alexander, 802; Paul R. O’Con-

ITHACA,V. Ault,

CHORD METHODIUMINATE 5OOT NOTES BY PLAYING

• ■ PIANO THE CHORD WAY ,MUSICAL KNOWLEDGE UNNECESSARY

Sand SLM to BASIC CHORD METHOD, P O. Box M, Dykor Height. Sta. Brooklyn 28. N. Y.

(No ChacM Accaptod*

CLARKE’S METHOD FOR

TROMBONE Ttuchts how to ploy Trombonr

corrtctlyFarnithtt a Definita Pion for

Systematic PracticeUnt FOSTPAII» for *3.30

Pub. by ERNEST CLARKE 18 East 199th St., NEW YORK

★ As every minute movement of a great master's baton unveils thrilling notes of a new symphony, so it is with your Corsillo

Hairpiece ★ Whether your hair is thin, short, broken, partly or entirely gone—a Corsillo Hairpiece re-creates the naturalness which gives so much enduring satisfaction •...

LOCAL NO. 119, QUEBEC, P. Q., CANADANew members: Miss Cecile Juneau. Adalbert Pouliot, Jr. Transfers withdrawn: Leo Romanelli, James MacDonald,

Myer Fogle, Philip Letvak, Oswald Roberts, Scot Lougheed Palm DeLuca, Roy Wodehouse, Norman Hathaway, Eric Traugott, Roy Roberts.

Traveling members: Ken Good, D. Fonger, J. A. Pratt, all 149.

LOCAL NO. 87, DANBURY, CONN.Transfer deposited: W. Jack Higgins, 10.

Transfers withdrawn: Mack Pollack, Abb

LOCAL NO. 73, MINNEAPOLIS, MINN.New members: Mora Peterson, C. Wally Green, Evan

Schlorf, Sidney Philstrom, Wm. D. Bertrand.In service: Boyd Rolando, Robert T. Bryan, Robert E.

LOCAL NO. 120, SCRANTON, PA.members: Milton Gold, Robert Gilroy, Frederick

DeWilde. Jr., Howard C. Williams, Paul Lantolf, Francis Olcnchak, Joseph M. Hannick, Gordon A. Leas.

Returned from service: John Demko, Francis Telesco, Michael Gianetti.

LOCAL NO. 113, REDDING, CALIF.embers: Buck Schworm, Nancy J. Saunders, . Hardin, Arthur E. Rowe, Leta R. Kline Pat-

SUSPENSIONSAsbury Park, N. J., Local No. 399—Gene DeFalco.Charlotte, N. C., Local No. 342-r-Fieet Green.Elizabeth, N. J., Local No. 151—Henry Arands, Michael iminio, Victor Evans, Albert Paul.

P^ew members: Beryl Burke Frazier. Louise Polk, Harold G. Polk, Arthur Polk, Edwin Scrbousek, Freddie James Hunter. . . .

Transfers issued: Max Melton, Alva L. McClenihan.

EXPULSIONSEly, Nev., Local No. 212—Bernard C. Ripper (Chris

...ON EVERY COUNT I

1343 NORTH LA BREA AVENUE

HOLLYWOOD, CALIFORNIA GRanite 0035

DEFAULTERS LIST

DELAWARE

Tn«

NEVADA

ALABAMA

cuntARIZONA

cwcr

Manager andCountry Club.

CLIVIGEORGIA

COLLIImperial Club

DATI

OLDRay DiCarlo ILÏ1

IDAHOFINI

UN

ILLINOIS

KANSAS

Hotel

Club 7!

LOUISIANA

COLORADO

MISSOURI

MARYLAND

Tufo

NORTH CAROLINA

MOUNTAINSIDE: The Chatterbox,

Williamsport, Pa. Terrace Gardens;

Ammor Record Berman, S. R. Bibb, Allen Bologna, Sam, Bommarito, Joe

wun* g*o.

»msn M*

Vickers, Jimmie.Booker** License 2611

Castle Garden*; Youth, Detroit. 'Mich.

ASHEVILLE:Pitmon. EarlVillage Barn,

Mr*. Ralph Overton, Owner.

WATERBURY:Derwiq, Wm. J.Fitzgerald, Jack

Shelton, Fred Walker, Norval Wil*on, Jame* 11.

MIDDLESBORO: Green, Jimmie

OWENSBORO: Cristil, Joe, Owi

PADUCAH:

Pre*.Company

Mgr., Flint. Mich.Woodcliff Park, Poughkeepsie, N. Y.

ELY:Folsom, Mr*. Ruby, Chicken Shack

AMERICAN FEDERATION OF MUSICIANS

CAPE GIRARDEAU:Gilkiion. LoreneMoonglow Club

CHILLICOTHE:Hawes, H. H , Mgr.,

Windmoor Gardens.KANSAS CITY:

Cox, Mrs. EvelynFox, S. M.Holm, Maynard G.Thudium, H, C., A »st.. Mgr.

Orpheum Theatre.Watson, Chas. C.

LEBANON: Kay, Frank

ROCKFORD:Trocadero Theatre LoungeWhile Swan Corporation

SPRINGFIELD:Stewart, Leon H., Mgr.,

Club Congo.STERLING:

Flock. R. W.WAUKEGAN:

Schneider, Joseph M.

BALTIMORE Alber, John J. Continental Arm*,

Old Philadelphia Road.Dell* Sigma Fraternity Demley. Emil E.Earl Club, Earl Kahn, Prop. Erod Holding Corporation Green, Jerry

• Lipsey, J. G

Coar» uiek*

O*rk

LEWES:Riley, J. Carson

NEW CASTLE I Lamon, Ed.

WILMINGTON: Chippey, Edward B. Crawford, Frank Johnson, Thos. "Kid* Kaye. Al.

KANSAS CITY:White, J. Cordell

LEAVENWORTH:Phillips, Leonard

MANHATTAN:Stuart, Ray

TOPEKAiMid-West Sportsmen Association

WICHITA:Bedinger, JohnOver Flow Club. Fred Clemons and

H. E. •'Whitey*' Clinton, Mgis.

«ÏET1 tettar liante

Frankie Horse

Ship Cafe. The.Dennis K. Murphy, Owner.

Taggart, Jack, Mgr.,Oriental Cafe and Night Club.

JAMESTOWN: . Lindstrom k Meyer KIAMESHA LAKE:

Mayfair, TheLACKAWANNA:

Chic's Tavern, Louia Cicarelll LARCHMONT:

Morris, Donald

MONTANAFORSYTH:

-Allison, J.

LEWISTON:Rosenberg, Mn. R. M.

POCATELLO: McNichols, Jame* Reynold*, Bud

ALEXANDRIA:Green, Al, Owner and Operator,

Riverside Bar.Smith, Mrs. Lawrence, Prop., Club

Plantation.Stars and Bars Club, A. R. Conley,

OuAier; Jack Tyson, Mgr.Weil, R. L.

LAKE CHARLES:Veltin, Tony, Mgr., Palms Club

NEW ORLEANS:Hyland, Chauncey A. Mitchell. A. T.

SHREVEPORT:Adams, E A.Farrell, Holland Hosier, J. W. Reeves, Harry A. Williams, Chude

and Vincent Formicclla, Props. ELLENVILLE:

Cohen, Mrs. A.ELMIRA:' Goodwin, MadslynGLENS FALLS:

Tiffany, Harry, Mgr., Twin Tree Inn

PHOENIXiEmile’s Catering Co.Hoshor, JohnMurphy. Dennis K.,

The Ship Cafe.Newberry, Woody,

Owner, The Old

LONG ISLAND (New York)

Mason, Harold, Prop., Club Astoria New Broadway Hotel Stage Door Casino

BETHESDA;Hodges, Edwin A.

FREDERICK:Rev. H. B. Rittenhouse

TURNERS STATION:Thomas, Dr. Joseph H.,

Edgewater Beach.

Conway, Frank. Owner, Conway's Tavern, Black Pike.

AUBURN:Frazier. Whack

BIRMINGHAM:Sellers, Stan

Midway Park; Joseph Paness, Niagara Falls. N. Y.

Rainbow Gardens; A., J. Voss, Mgr., Bryant, Iowa.

Sni-A-Bar Gardens, Kansas City, Mo.Sunset Park: P,aumgart Sisters.

DENVER:Goldfarb, Marvin, Bookers’ License

1882 of the National Enterprises.Sarcooi, Charles

NEWARK:Clark, Fred R.Kruvant, Norman N. A. A. C. P.Robinson, Oliver, Mummies Club Santoro, V.Simmons, CharlesSkyway Restaurant,

Newark Airport Highway.Smith, FrankStewart, Mrs. RosamondTucker, Frank

PATERSON:Marsh, JamesPiedmont Social ClubPyatt, JosephRiverview Casino

PRINCETON:Lawrence, Paul

SOMERS POINT:Dean, Mrs. JeannetteLeigh, Stockton

TRENTON:Laramore, J. Dory

UNION CITY:Head, John E., Owner, and Mi

Scott, Mgr., Back Stage Club.WEST COLLINGSWOOD HEIGHTS:

Advance Theatrical Operation Corp. Jack Broder, “ — -

NORTH KANSAS CITY: Cook, Bert, Mgr,, Ballroom,

Winnwood Beach.ROLLA:

Shubert. J. S.ST. JOSEPH:

Thomas, Clarence H.ST. LOUIS:

Caruth, James, Oper., Club Rhum- boogie, Cafe Society, Brown Ik mber Bar.

SIKESTON: . -Boyer, Hubert

INDIANAEVANSVILLE:

Fox, BenFORT WAYNE:

Fisher, Ralph L.Mecca Grill, Harry Levin, OperatorMitten, Harold R., Mgr.,

Uptown BaUroom.Reeder, Jack

GARY:Gentry, James J.

INDIANAPOLIS:Dickerson, MatthewDickerson Artists’ Bureau Harding, Howard Harris, Rupert,

Greater United Amusement Service Richardson, Vaughn,

Pine Ridge Follies.MARION:

Horine, W. S.Idle Hour Recreation Club

MISHAWAKA;McDonough, Jack Rose Ballroom Welty, Elwood

RICHMOND:Newcomer, Charles, Owner,

Westcott Bar k Grill.ROME CITY:

Kintzel, StanleySOtTH BEND:

DeLeury-Reeder Advertising AgencyVINCENNES:

Vachet, Edward M.

CHICAGO:Birk’s Superb Beer Co.Brydon, Ray Marsh, of the

Dan Rice 3-Ring Circus.Chicago Artists Bureau, License 468Club Plantation, Ernest Bradley,

Mgr.; Lawr. Wakefield, Owner.Cole, Elsie, General Manager, and

Chicago Artists Bureau, License No. 468.

Costello, Chas., Owner, Drum Cocktail Lounge.

Davis, WayneEden Building Corporation 411 Club, The, Iley Kelly, Owner Fine, Jack, Owner,

Play Girls of 1938". Fine, lick. Owner,

"Victory Follies''.Fitzgerald, P. M., Mgr.,

Grand Terrace Cafe.Fox, A liiert Fox, Edward Gentry, James J. Glucksman, E. M.,

Broadway on Parade.Hale, Walter, Promoter Markee, Vince Mays, Chester Novask, Sarge Rose, SamSipchen, R. J., Amusement Co. Sistare, Horace Stanton, James B.Stoner, Harlan T. Taflan, Mathew,

Platinum Blond Revue Taflan, Mathew,

"Temptations of 1941”.Teichner, Cha*. A., of

T.N.T. Productions.Thomas, Olis E.Walton (Jones). Anna, Owner, Casa

Blanca Lounge.DECATUR:

St. Nicholas Hotel, Virgil Longbons, Mgr.

FAST ST. LOUlSiDavis, C. M.

EFFINGHAM: Bchl, Dan

FOX LAKE:Meyer, Harold. Owner,

Cedar Crest Pavilion.FREEPORT:

Hille. Kenneth k Fred March, Art

GALESBURG» Clark. Horace G.

KANKAKEE:Havener, Mrs. Theresa, Prop.,

Dreamland.I.A GRANGE:

Haeger, RobertKlaan Club, LaGrange High SchoolViner, Joseph W. •

PEORIA!Bctar, AlfredHumane Animal Asia.Talk of the Town Chib,

Ray Marsh Brydon, Mgr. POLOs

Clem, Howard A.QUINCY:

Hammond. W.Vincent, Charles E.

NEW YORKALBANY:

Bradl, lohnFlood. Gordon A.Kessler, Sam Lang, Arthur New Abbey Hotel New Goblet, The O'Meara, Jack,

Booker's License 2816.ARMONK:

Embassy AssociatesBINGHAMTON:

Bentley, BertBONAVENTURE:

Class of 1941 of theSt. Bonaventure College.

BRONX:Santoro, E. J.

BROOKLYN:Graymont A. C.Hared Productions Corp.Puma, James

BUFFALO:Christiano. Frank Erickson. J. M. Kaplan, Ken. Mgr.,

Buffalo Swing Club.King, Geo., Productions Co.McKay. Louis M'rhxcls. Max Nelson, Art Nelson, Mrs. Mildred Rush. Chas. E.Shults, E. H.Watts, Charles J.

EASTCHESTER:Starlight Terrace, Carlo Del

This List is alphabetically arranged in States, Canada

and Miscellaneous

ATLANTA:Herren, Charles, Herren's Evergreen

Farm* Supper Club.AUGUSTA*

Kirkland, FredMinnick, Joe., Jr.,

Minnick Attractions.SAVANNAH:

Hotel DeSoto Bellmen's ClubVALDOSTA:

Wilkes, LamarVIDALIA

Pal Amusement Co.

HICKSVILLE:Seever, Mgr., Hicksville Theatre

LINDENHURST: Fox, Frank W.

MASSACHUSETTSALLSTON:

Spaulding, A. W.ATTLEBORO:

St. Moritz Cafe BÖSTON:

Aquatic Shows, Inc., also known as Water Follies of 1944.

Grace, Max L.Gray, Judd, Warmouth’s Restaurant Jenkins, Gordon Lossez, William Mouzon, George Paladino, Rocky Snyder, Sam Sullivan, J. Arnold,

Booker’s License 150.Walker, JulianYounger Citizen* Coordinating

Committee.CAMBRIDGE:

Montgomery, A. Frank, Jr. DANVERS:

Batastini, Eugene FITCHBURG:

Bolduc, Henry HOLYOKE:

Levy, Bernard W., Holyoke Theatre LOWELL:

Porter, R W.NANTASKET:

Sheppard, J. K.NEW BEDFORD:

Rose, ManuelNORTH WEYMOUTHt

Pearl, Morey SPRINGFIELD:

Marsh, Edward

IOWAAUDUBON:

American Legion Auxiliary Hollenbeck, Kirs. Mary

BRYANTVoss, A. J., Mgr., Rainbow Gardens

CEDAR RAPIDS:Alberts, Joe., Mgr.,

Thornwood Park Ballroom.Jurgensen, F. H.Watson, N. C.

DES MOINES:Hughes, R. E„ Publisher,

"Iowa Unionist”.LeMan, ArtYoung, Eugene R.

EAGLE GROVE:Orr, Jesse

IOWA CITY:Fowler, Steve

MARION:Jurgenson, F. H.

OTTUMWA:Baker, C. G.

WHEATLAND:Griebel, Ray, Mgr., Alex Park

PARKS, BEACHES AND GARDENS

INDIVIDUALS, CLUBS, HOTELS, Etc.

ajftn Pal**»1Omi

t*uu‘ *1** FentU

Briggs, Edgar M.Cavanaugh. J. J., Receiver,

Downtown Theatre.Daniels, James M.Downtown Casino. The Kosman, Hyman Malloy. James O'Malley, Jack Paradise Cave Cafe San Diego Club, Nono Minando Schreiber, Raymond, Owner and

Oper., Colonial Theatre.FLINT:

Carpenter, E. M., Mgr., Terrace Gardens.

McClarin, WilliamGRAND RAPIDS:

Huban, JackISHPEMING:

Andriacchi, Peter, Owner, Venice Cafe.

LANSING:Hagen, Lester, Mgr.,

Lansing Armory.Metro Amusement Co.Norris, Elmer, Ir.,

Palomar Ballroom.Tholen, Garry Wilson, L. E.

McMILLAN:Bodctto, Clarence, Mgr., Jeff'*

MENOMINEE:Doran, Francis, Jordan College

NORWAY:Valencia Ballroom,

Louis Zadra, Mgr.ROUND LAKE:

Gordon, Don S., Mgr., Round Lake Casino.

NEBRASKACOLUMBUS:

Moist, DonGRAND ISLAND:

Scott, S. F.KEARNEY:

Field, H. E., Mgr., 1733 ClubLINCOLN:

Johnson, MaxOMAHA:

Davis, Clyde E. Omaha Credit Women's Breakfast

Club.Rosso, Charles

MT. VERNON:Rapkin, Harry, Prop.,

Wagon Wheel Tavern.NEWBURGH:

Matthews, Bernard H.NEW LEBANON:

Donlon, EleanorNEW YORK CITY:

Amusement Corp, of America Baldwin, C. Paul Benrubi, M.Booker, H. E., and All-American

Entertainment Bureau.Broadway Swing Publications,

L. Frankel, Owner. 'Callicchio, Dominick Campbell, Norman Carestia, A. ( hiassarini it Co.Cohen, Alexander, connected »a»

"Bright Lights”. ”Cotton ClubCurrie, Robert W., formerly held

Booker’s License 2595.Davison, Jule*Denton BoysDiener & Dorskind, Inc.Dodge, Wendell P.Dyruff, NicholasEmbree, Mrs. Mabel K. Evans & Lee Fine Plays, Inc. Fliashnik, Sam B, Foreman, Jean Fotoshop, Inc.Fur Dressing & Dyeing Salesmen'*

UnionClyde Oil Product*Grant & Wadsworth and Casmir, lac. Grisman, SamHirliman, George A., Hirliman

Florida Productions, Inc.Immerman, GeorgeJoseph, AlfredKatz, George, Theatrical Promoter Koch, Fred G.Koren, AaronLeigh, Stockton Leonard, John S. Levy, A), and Nat, former owners,

Merry-Go-Round (Brooklyn).Lyon, Allen (also known as Arthur

NEW JERSEYARCOLA:

Corriston, EddieWhite, Joseph

ASBURY PARK:Richardson, HarryRyan, Paddy, Operator,

Paddy Ryan’s Bar A Grill.White, William

ATLANTIC CITY:Atlantic City Art LeagueJones, J. PaulLockman, Harvey

ATLANTIC HIGHLANDS:Kaiser, Walter

BLOOMFIELD:Brown, Grant

CAMDEN:Towers Ballroom, Pearson Lessy and

Victor Potamkin, Mgrs.CLIFTON:

Silberstein, Joseph L., and Ettelson, Samuel.

EATONTOWN:Scheri, Anthony, Owner,

Dubonnctte Room.LAKEWOOD:

Patt, Arthur, Mgr., Hotel Plaza.Seldin, S. H.

LONG BRANCH:Rappaport, A., Owner, The Blue

Room.MONTCLAIR:

Three Crowns Restaurant

MAINE bANFORDr

Parent Hall; E. L. Legere, Mgr.

CONNECTICUTHARTFORD:

Kaotrovitz, Clareacc (Kay)Kaplan, YaleKay, Clarence (Kaatrovita)Russo, JosephShayne, Tony

NEW HAVEN;Nixon. E. C., Dane* Promoter

NEW LONDON*Johnson, Henry

MICHIGANBATH:

Terrace, The, Park LakeBATTLE CREEK:

Magel, MiltonBAY CITY:

Alpha Omega FraternityNiedzielski, HarryWalther, Dr. Howard

DETROIT:Adler, Caesar, and Hoffman, Sam,

Opers., Frontier Ranch.

CALIFORNIABAKERSFIELD:

Charlton, Ned Cox, Richard

BENICIA*Rodgers, Edw. T.

HOLLYWOOD:Cohen, M. J.Dempster, Ann Hanson, Fred Maggard, Jack Morion, J. H. Patterson, Trent Robitschek, Kurt Wright, Andy, Attraction Company

LOS ANGELES:Anderson, John Murray, and

Silver Screen, Inc.Bonded Management, Inc. Brumbaugh, C. E., Prop.,

Lake Shore Cafe.Dalton. Arthur Hanson. Fred Maggard, Jack Newton*. Cecil, Promoter Quodbach, Al., Mgr., Granada Club Sharpe, Helen Williams, Earl Wilshire Bowl

MANTECA:Kaiser, Fred.

NORTH HOLLYWOOD: Lobmuller, Bernard

OAKLAND:l>e Azevedo, SuaretFauset, GeorgeMorkin, Roy

OROVILLE:Rodgers, Edw. T., x

Palm Grove BaUroom,PALM SPRINGgs

Hall, Donald H.SACRAMENTO:

Cole, JoeLeingang, George

SAN DIEGO:Tricoli, Joseph, Operator, Playland Miller, Warren

SAN FRANCISCOSBramy, Al.Kahn, RalphRogers k Chase Co.Shelton, Earl,

Earl Shelton Production*.Tenner, Joe (Hennery)The Civic Light Opera Committee

of San Franciaco; Francia C. Moore, Chairman.

STOCKTON:Sharon, C.

VALLEJO:Rendezvou* Clob, Adeline Cota,

Owner, and Jame* O’Neil. Mgr.YRBKA*

Legg, Archie

MISSISSIPPIGREENVILLE:

Pollard. FlenordJACKSON:

Perry, T. G.

Makler, Harry, Mgr., Foiley Theatre (Brooklyn).

Masconi, CharlesMatlaw, I.Maybohm, Col. FedorMeserole, Ed. P.Miller, JamesMontello, R.Moody, Philip, and Youth Monu­

ment to the Future Organization.Murray, DavidPearl, HarryPhi Rho Pi FraternityRegan, Jack"Right This Way”, Carl Reed, Mgr.Rogers, Harry, Owner,

“Frisco Follies”.Rosenoer, Adolph and Sykes, Open.,

Royal Tours of Mexico Agency, Rusnell, Alfred Ryan, EileenSchulte, RaySeidner, CharlesSolomonoff, HenrySouth Seas, Inc., Abner J. Rubia“SO” Shampoo CompanySpencer, LouStein, BenStein. NormanStraus, WalterStrouse. IrvingSuperior 25 Club, Inc.Wade, FrankWee & Leventhal, Inc.Weinstock, JoeWilder Operating Co.Wiwtsky, S.

NIAGARA FALLS:Paness, Joseph, connected With

Midway Park.ONEONTA:

New Windsor Hotel, Mr. Shepperd, Manager.

PORT KENT:Klages, Henry C., Owner,

Mountain View House.ROCHESTER*

Grnesee Electric Product* Co.Gorin, Arthurl.lovd, GeorgePuhifer. E. H.Valenti, Sam

SARATOGA:Sullivan. Peter, Owner,

Piping Rock Re-taurantSCHENECTADY:

Gibbons, John F.Magill, AndrewMatlick, lobnnie

SOUTH FALLSBURGtSeldin. S. H., Oper.,

Grand View Hotel.SITPERN:

Armitage, Walter, Prei,, County Theatre.

SYRACUSE:Feinglos. NormanHorton, DonSyracuse Musical Club

TONAWANDA:Shuman, George, Oper.,

Hollywood Restaurant.TROY:

DeSina. ManuelTUCKAHOE:

Birnbaum, MurrayRoden, Walter

UTICA:Moinioux. Ale*

VALHALLA:Twin Palms Restaurant,

lohn Masi. Prop.WHITE PLAINS:

Brod. MarioHechizis Corporation. Reis, Let

WHITESBORO:Guido, Lawrence

YONKERS:Colonial Manor Restaurant,

William Babner. Prop.

NEW MEXICOALBUQUERQUE:

Maertz, OusCLOVIS:

Denton» J. Earl, Owner, Plaza

FLORIDACORAL GABLES:

Hirliman, George A., Hirliman Florida Production*, Inc.

HALLANDALE:Singapore Sadie'*

JACKSONVILLE:Sells, Stan

MIAMI:Evant. Dorothy, Inc.

MIAMI BEACH:Amron, lack. Terrace RestaurantHume, JackGalatis, Pete, Mgr.,

International RestaurantWit's End Club, R. R. Reid, Mgr.;

Charles Leveson, Owner.ORLANDO:

Wells, Dr.SARASOTA:

Louden, G. S., Mgr.Sarasota Cotion Club.

STARKE:Camp Blanding Recreation Center.Goldman, Henry

TAMPA:Junior Woman's ClubPegram, SandraWilliams, Herman

WEST PALM BEACH:Walker, Clarence. Principal,

Industrial High School.

KENTUCKYHOPKINSVILLE:

Steele, LesterLEXINGTON:

Hine, Geo. H., Oper., Halcyon Hall Montgomery, Garnett Wilson, Sylvester A.

LOUISVILLE:Greenwell. Allen V., Prop.,

Greenwell's Nile Club.Greyhound ClubNorman, Tom Offutt, L. A„ Jr.

MINNESOTAALEXANDRIA:

Crest Club, Frank GumerBEMIDJI:

Foster, Floyd, Owner, Merry Mixers' Tavern.

CALEDONIA:Elton, Rudy <

FAIRMOUNT:Graham, H. R.

GARDEN CITY:Conkling, Harold C

GAYLORD*Green, O. M

HIBBING*Pitmon, Earl

LUVERNE*Bennett, J. W.

OWATONNA*Bendorf, Clarence R., Bo* 451Smith. Ora T.

SPRINGFIELD]Green, O. M.

ST. CLOUD;Genz, Mike

ST. PAUL*Fox, S. M.

ARKANSASELDORADO:

Shivers, BobHOT SPRINGS*

Sky Harbor Casino,Frank McCann, Mgr.

LITTLE ROCK* Bass, May Clark Bryant, Jame* B. DuVal, Herbert

McGEHEE: Taylor, Jack

MOUNTAIN HOME*Robertson, T. E.,

Robertson Rodeo, Inc.TEXARKANA*

Grant, Auhur *

OHIO

Oper.

OREGONASHLAND*

Halaas, Kermit, Oper.. The ChateauHERMISTON:

•«•eaberg, Mrs. R. M.

RHODE ISLAND

SOUTH CAROLINA '

SOUTH DAKOTASIOUX FALLS:

Magee, Floyd

TENNESSEE

UTAHSALT LAKE CITY:

Allan, George A.

VERMONTBURLINGTON:

Tbotnai, Ray

WEST VIRGINIA

MIDLAND: Mason, Bill

«TRAFFORD:Poinsetta, Walter

NORWICH: Wonder Bar

FLORIDATAMPA: /

Rainbow Tavern, Nick Brown, Prop.

LOUISIANARATON ROUGE:

Bombadears Club Elks Club

NEW YORK

IMS

oariom

Richard

Tweaty-fhreeTHE INTERNATIONAL MUSICIAN

TEXASABILENE:

Sphinx ClubAMARILLO*

Cox, Milton AUSTIN!

Frankl. Tony

WYOMINGCASPER:

Schmitt, A. E.ORIN JUNCTION!

Queen, W., Queen's Dance HaU

DISTRICT OF COLUMBIAWASHINGTON!

Alvis, Ray C.Arcadia Ballroom. Edw. P. Mr at rote.

Owner and Operarne.Archer, Pat

MARYLANDELKTOft:

Tom Howard's Tavern, Tom How­ard, Owner, Booth’s Village.'

MASSACHUSETTSPALL RIVER:

Faria, Gilbert

INDIVIDUALS, CLUBS, HOTELS, Etc.

This Liat la alphabetically arranged In States, Canada

and Mlecellaneoua

CALIFORNIANAPAt

Carneroa Social HallSAN BERNARDINO:

Sierra Park Ballroom, Clark Rogers, Mgr.

CONNECTICUTHARTFORD:

Buck's Tavern, Frank S. DeLucco, Prop.

NEW ORLEANS: Happy Landing Club

NORTH CAROLINA LELANDt

Chatterbox Crab, W. H. Brew, Owner.

NI W YORK CITY!Jenny, Tire (also known ai Ted at

Ed Hardy).OUAQUAGA.

Hanson's Hotel, Otaaquaga LakeSCHENECTADY:

Muric Bar Restaurant, Hany Silverman, Prop.

fU|gJNA BEACH:^»jiau Royal Restaurant,

Ecoaomides, Owner.

pnet»^arnviut-^¿tews, John Owner and Oper.,

Supper Club.Town Pump. Inc.

CtBNSBOROpark Casino and Irish Horan

BCHPOINTtTnimpeters Club, The, j W. Bennett, Pres.

Come. E. F.ISIEIGH:

aürles T. Norwood Post, American Legion.

glUIAMSTON: (W. A* J-

jyjMSTONSALEM:

NORTH DAKOTA ffSMAICK'

IKON:tody Lake Dance Pavilion lyllman Cafe,

George Subrin, Owner and Mgr. gjted, lack. Mgr. and leiste.

tenyGo-Round.UlffON:

Hoh. Jack (0UJCOTHE:

latherford, C. E., Mgr., Club Bavarian.

Scott, RichardCINCINNATI:

Anderson. Albert, Booker’s License 2956.

Black, Floyd Carpenter, Richard Eiaborn, Harry Joies, John Kolb, MattUntz, Myer (Blackie) Lee, EugeneOverton, Harold lainey, Lee Beider, Sam

(UVELANDiAmata, Carl and Mary, Green Derby

Cafe, 3314 East 116th St.Salaaci, Frank J. Tutstone, Velma Weinberg, Nate, Mgr.,

Mayfair or Euclid Casino.COLUMBUS:

Askins, LaneAskins, Mary Bell, Edward Bellinger, C. Robert

DAYTON:Stapp, Philip B.Victor Hugo Restaurant

DELAWARE:Bellinger, C. Robert

ELYRIA:Cornish, D. H.Elyria Hotel

FINDLAY:Bellinger, C. RobertWilson, Mr. and Mrs. Karl, Opern.,

Paradise Club.KENT:

Sophomore Class of Kent State Uni­versity, James Ry back, Pres.

UA1IETTA-Morris, H. W.

MEDINA:Brandow, Paul

OXFORD:Dayton-Miami Association,

William F. Drees, Pres.FORTSMOUTH:

Smith. PhilURDU SKY:

Boalevard Sidewalk Cafe, The Kornett, JohnWonderbar Cafe

MINGFIELD:Prince Hunley Lodge No. 469.

A. B. P. O. E.TOUDO:

Cavender, E. S.Frank. Steve and Mike, Owners and

Mgrs...Frank Bros. Cafe.Dutch Village, A. I. Hand,

Huntley, LuciusWA1REN:

Windom, Chester Young, Lin.

TOUNGSTOWN: Einhorn, Harry Lombrrd, Edward Reider, Sam

ZANESVILLE:Veancr, Pierre

OKLAHOMAADA:

Hamilton, Herman«Lahoma city:

Holiday Inn, Louis Strauch, Owner louis' Tap Room,

Louis Strauch, Owner.The 29 Club, Louis Strauch, Owner

TULSA:Angel, AlfredGokry, CharlesHorn, O. B.Mayfair Club, John Old, Mgr.McHunt, Arthur Moana Company, The Tau, W. J.

PENNSYLVANIAALIQUIPPA:

Cannon, RobertGuinn, Otis ‘ »Young Republican Club

ALLENTOWN:Connors, Earl Whl. Roy

■RDSBOEO:Birdsboro Oriole Home Ano.

•ADPOKD:_Fiuel, Francis A.BROWNSVILLE

Hill, Clifford, Pres., Triangle Amusement

■YX MAWRi Nwi, Mrs. H. J. M.

Canonsburg

COLUMBIA:Hardy, Ed.

CONNEAUT LAKE:Yaras, Max

DRUMS:Green Gables

EASTON:Calicchio E. J., and Matino, Michael,

Mgrs., Victory Ballroom.Green, MorrisJacobson, Benjamin Koury, Joseph, Owner,

The Y. M. I. D. Club.ELMHURST:

Watro, John, Mgr., Showboat Grill EMPORIUM:

McNarncy, W. S.ERIE:

Oliver, EdwardFAIRMOUNT PARK:

-Riverside Inn, Samuel Ottenberg. Pre».

HARRISBURG:Reeves, William T.Waters. B. N.

KELAYRES:Condors, Joseph

LANCASTER:Parker, A. RWeinbrom, Joe

LATROBE:Yingling, Charlea M.

LEBANON:Fishman. Harry K.

MARSHALLTOWN:Willard, Weldon D.

MT CARMEL:Mayfair Club, John Pogesky and

lohn Ballent, Mgrs.NEW CASTLE:

Bondurant, HarryPHILADELPHIA:

Arcadia, The, International Rest.Bryant, G. Hodges Bubeck, Carl P. Fabiani, Ray Garcia, Lou, formerly held

Booker's License 2620.Glass, DaveyHirst, IzzyMargie’s Victory House,

Margie Duflield, Owner.McSbain, JohnPhiladelphia Federation ot BlindPhiladelphia Gardens. Inc.Rothe, Otto Street, Benny Wilner, Mr. and Mrs. Max

PITTSBURGH!Anania, Flores Blandi’s Night Club Ficklin, Thomas Matesic, Frank, Owner,

The Palomar.Sala, Joseph M., Owner,

El Chico Cafe.POTTSTOWN:

Schmoyer, Siri, limaREADING:

Nally, BernardRIDGEWAY:

Benigni, SilvioSCRANTON:

Comerford Publix Theatres Corp, of New York k Pennsylvania.

SHARON:Marino A Cohn, Former Op*.«,

Clover Club.

WASHINGTON:Athens, Peter, Mgr.,

Washington Cocktail Lounge.WEST ELIZABETH:

Johnson, EdwardWILKES-BARRE:

Cohen, HarryKozley, WilliamMcKane, James

YATESVILLE:Bianco, Joseph, Oper., Club Mayfair

YORK:Weinbrom, Joe

NORWOOD:D’Antuono, JoeD’Antuono, Mike

PROVIDENCE:Allen, GeorgeBelanger, LucianGoldsmith, John, PromoterKronson, Charles, Promoter

WARWICK:D’Antuono, JoeD’Antuono, Mike

CHARLESTON:Hamilton, E. A. and James

GREENVILLE:Allen, E. W.Bryant, G. HodgesFields, Charles B.Goodman, H. E., Mgr., Tlie PinciJackson, RufusNational Home Show

ROCK HILLS:Rolax, KidWright, Wilford

SPARTANBURG:Holcome, H, C.

BRISTOL:Pinehurst Country Club, J. C. Rates, Mgr.

CHATTANOOGA:Doddy, NathanReeves, Harry A.

JACKSON: Clark, Dave

JOHNSON CITY:Watkins, W. M., Mgr.,

The Lark ClubMEMPHIS:

Atkinson. ElmerHulbert, Maurice

NASHVILLE:Carter, Robert T.Eakle, J. C.Harris, Rupert,

Greater United Amusement Service

CLARKSVILLE:Dickson, Robert G.

DALLAS:Bandbox Night-Club,

J. C. Morgan, Owner.Carnahan, R. H. -Goldberg, BernardMay, Oscar P. and Harry E.

FORT WORTH:Bauer, Bill

(also known u Joe Bower»).Bowers, J. W.Carnahan. Robert Coo Coo Club Merritt, Morris John Smith, J. F.

GALVESTON:Evans, Bob Page. Alex Purple Circle Social Club

HENDERSON:Wright, Robert

HOUSTON: . -Grigsby, J. B Jetson, Oscar Merritt, Morris John Orchestra Service of America Rev»; Bouldin Richards, O. K.Robinowitz, PaulWorld Amusements, Inc.,

Thomas A. Wood, Pres. KILGORE:

Club PlantationMathew», Edna

LONGVIEW: Ryan, A. L.

PALESTINE: Earl, J. W.

PORT ARTHUR:Silver Slipper Night Club,

V. B. Berwick, Mgr.TEXARKANA:

Gant, ArthurTYLER:

Gilfillan, MaxTyler Entertainment Co.

WACO:William», J. R.

WICHITA FALLS:Dibble», C.Malone, Eddie, Mgr., The Barn

VIRGINIANEWPORT NEWS:

Kay, Bert, Owner, ‘‘The Barn” NORFOLK:

DeWitt Music Corporation, U. H.Maxey, Pre».; C. Coates, V-Pres.

NORTON!Pegram, Mrs. Erma

ROANOKE:Harris, StanleyMorris, Robert F., Mgr.,

Radio Artists' Service.Wilson, Sol, Mgr., Royal Carino

SUFFOLK:Clark, W. H.

WASHINGTONTACOMA!

Ditibenner, CharlesKing, Jan

WOODLAND:Martin, Mrs. Edith

BLUEFIELD:Brooks, Lawson Florence, C. A. Thompson. Charie» G.

CHARLESTON:Brandon, WilliamCorey, LaBabe Hargrcave, Paul White, R. L.,

Capitol Booking Agency.White, Ernest B.

FAIRMONT: Carpenter, Samuel H.

WISCONSINALMONDt

Bcrnatos, Geo., Two Lakes Pavilion APPLETON:

Konzelman, E.Miller, Earl

ARCADIA!Schade, Cyril

BARABOO:Dunham, Paul L.

EAGLE RIVER-Denoyer, A. J.

HEAFFORD JUNCTION:Kilinski, Phil., Prop.,

Phil's Lake Nakomis Resort.JUMP RIVER:

Erickson, John, Mgr., Community Hail.

KESHENA:American Legion AuxiliaryLong, Matilda

MADISON:White, Edw. R.

MALONE:Kramer, Gate

MERRILL:Goetsch'» Nite Club,

Ben Goetsch, Owner. MILWAUKEE:

Cubic, IvaThomas, JameiWeinberger, A. J.

MT. CALVARY:Sijack, Steve

NFOPIT.American Legion,

Sam Dickenson, Vice-Commander. RHINELANDER*

Kendall, Mr., Mgr.,Holly Wood Lodge.

Khoury, TonyROTHSCHILD:

Rhyner, LawrenceSHEBOYGAN:

Bahr, August WSicilia. N.

SLINGER:Bue, Andy, alias Andy Buege

STURGEON BAY:DeFeo. F. G.Larsheid, Mrs. George, Prop.,

Carman HoteLWAUSAU:

Vogl, Charlo '

Burroughs, H. P., Jr.Dykes, John (Jim), Prop.,

Dykes’ Stockade.Flagship, Inc. * - Frattonc, James Furedy, E. 8-, Mgr.,

Trans Lux Hour Glass.Hayden, Phil Hodges, Edwin A. Hoffman. Ed. F.,

Hoffman's 3-Ring Circus.Huie, Lim, Mgr., Casino Royal,

formerly known aa La Paree.Lynch, Buford McDonald, Eatl II. Melody Club Moore, Frank, Owner,

Stu Dust InnO'Brien, John T.Reich, Eddie Rosa. Thomas N. Smith, J. A.Trans Lux Hour Glass,

E. S. Furedy, Mgr.

CANADA

ALBERTACALGARY:

Dowsley, C. L.

ONTARIOBRANTFORD:

Newman, Charle»HAMILTON:

Dumbells Amuicment Co.PORT ARTHUR:

Curtin, M.TORONTO:

Leslie, GeorgeChin Up Producer», Ltd.,

Roly Young, Mgr.Clarke, David Cockerill, W. H. Eden, Leonard Hcnderion, W. J. LaSalle, Fred,

Fred LaSalle Attraction».Local Union 1452, CIO Steel Work­

er»’ Organizing Committee.

QUEBECMONTREAL:

Auger, Henry DcSauteli, C. II Horn, Jack, Operator, Vienna Grill Sourke», Irving

QUEBEC CITY: Sourke», Irving

VERDUN: Scnecal. Leo

MISCELLANEOUSAmerican Negro Ballet Aulger, J. H., Aulger Bros. Stock Co. Bert Smith Revue Bigley, Mel. O.Baugh, Mn. MaryBlake. Milton (also known as Manuel

Blanke and Tom Kent).Blanke, Manuel (also known at Mil­

ton Blake and Tom Kent).Blaufox, Paul, Mgr., Pee Bee Gee

Production Co.. Inc.hrau. Dr. Max, Wagnerian Opera Co. Braunstein, B. FrankBruce, Howard, Mgr., "Crazy Holly­

wood Co.”.Bruce, Howard.

Hollywood Star Doubles.Brugter, Harold

UNFAIR LIST 't*.AMERICAN FEDERATION OF MUSICIANS

BANDS ON THE UNFAIR LIST

Fon Cralo Band k Drum Corps, Rensselaer, N. Y.

Leonardson, Weldon, and his Band, "The Weldonians”, Oakland, Cal.

Libertyville Municipal Band, Thomas Hiddleson, Director, Waukegan, IH.

Southern Pacific American Legion Post Band, San Francisco, Calif.

Southern Pacific Club Band, San Francisco, Calif.

Spencer, Robert (Bob) and his Band, Midland, Mich.

Wucrl's Concert Band, Sheboygan, Wis,

ORCHESTRASBaer, Stephen S., Orchestra,

Reading, Pa.Bailey, Vernon, Orchestra, Napa, Cal.Brewer, Gage and his Orchestra,

Wichita, Kans.Burian, Lorraine, and Her Orchestra,

Friendship, Wis.Cote, George, and his Orchestra,

Westfield, Mass.Downs, Red, Orchestra, Topeka, Kan.Draining, Charles, Orchestra,

Stoughton, Wis.Green, Red, Orchestra, Wichita, Kan.Kross, Walter, Orchestra,

Perth Amboy, N. J.Kryl, Bohumir, and his Symphony

Orchestra.Nevchtols, Ed., Orchestra, Monroe,

Wis..O’Neil. Kermit and Ray, Orchestra,

Westfield, Wis.Rushbolts. Ed., Orchestra,

Dunkirk, N. Y.Weitz Orchestra,

Kitchener, Ont., Canada

Btydoo, Ray Marsh, nf the Dan Rice 3-Ring Circus.

Burns, L. L., and PartnersCarr, June, and

Her Parisienne Creations.Car roll, SamCurrie, Mr. and Mrs. R. C.,

Promoters, Fashion ShowsCurry, R. C.Czapiewski, Harty J.Darragh, Don IseShon, Mr.

"Eckhart, Robert Edmonds, E. E., and His EnterprisesFarrancc, B. F.Feehan. Gordon F.Ferris, Mickey, Owner and Mgr.,

"American Beamier nn Parade'Fitzkce, Dariel .Foley, W. R.Fox, Sam M.Freeman, Jack, Mgr., Follies Gay Paree Freich, Joe C.Gardiner, Ed., Owner, Uncle Ezra

Smith’s Barn Dance Frolics.Grego, PeteHanover, M. L., PromoterHendershott, G. B., Fair PromoterHoffman, Ed. F., Hoffman'» 3-Ring

Circus.Horan, Irish Hyman, S. International Magicians, Producer» ot

"Magic in the Air".Johnson, SandyKatz, GeorgeKauneonga Operating Corp.,

F. A. Scheftel, Sec.Kane, Lew, Theatrical PromoterKent, Tom (also known u Manuel

Blanke and Milton Blake).Keular, Sam, PromoterKeye», RayKimball, Dude (or Romaine)Kosman, HymanKosta, Oscar Larson, Norman J. Lasky, Andre, Owner and Mgr.,

Andre Lasky's French Revue.Lawton, Miss JudithLester, AnnLondon Intimate Opera Co.Maurice, Ralph Maxwell, J.E. McFryer, William. Promoter McKay, Gail B., Promoter McKinley, N. M.Monmouth County Firemen's Asso.Monoff, YvonneMosher, Woody (Paul Woody) Mosko, Maurice Mueller, OttoNash, L. J.Ouellette, LouisPlatinum Blond RevuePlumley, L. D.Richardson, Vaughn, Pine Ridge Follies Robertson, T. E.,

Robertson Rodeo, Inc.Rogers, Harry, Owner, "Frisco Follies" Ross, Hal J.Ross, Hal J., EnterprisesRussell, Ross, Mgr., "Shanghai Nights

Revue".Schulte, RayShavitch, VladimirShayne, TonySinger, Leo, Singer's MidgetsSnyder, Sam, Owner, International

Water FolliesSpontlcr, LesStone, Louis, Promoter Taflan. MathewTemptations ot 1941Thompson, J. Nelson, PromoterTodd, Jack, Promoter

ILLINOISBELLEVILLE:

Turkey Hill Grange CHARLESTON:

Coles County Fair.MATTOON:

U. S. Grant Hotel

INDIANABICKNELL:

Knox County Fair A»tO.MUNCIE:

Muncie Fair Association, Muncie Fair Grounds,

IOWABOONE:

Miner’s HaUDUBUQUE:

Julien Dubuque Hotel ORLEANS.

New Orleans Club, Ralph Billingsley, Owner.

KANSASTOPEKA*

Egyptian Ballroom, Claude Busey, Mgr.

WICHITA:Shadowland Dance Club,

Gage Brewer, Owner and Oper.

KENTUCKYLOUISVILLE:

Parkmoor Recreation Center Swiss-American Home Assn , lac Trianon Nite Club,

C. O. Alien, Prop.

Travers, Albert A"Uncle Ezra Smith Bant Dance Frolic Co."

Waltner, Marie, PromoterWelesh Finn and Jack Schenck,

Theatrical Promoter».. White, Jack. Promoter of Style Show»

Wiley, Walter C., Promoter of the "Jitterbug Jamboree".

Williams, Frederick. Wolfe, Dr. J. A.

Woody, Paul (Woody Musher) Yokel, Alex, Theatrical Promoter "Zorine and Her Nudisu"

THEATRES AND PICTURE HOUSES

Arranged alphabetically aa to States and Canada

CALIFORNIALOS ANGELES:

Paramount Theatre

MASSACHUSETTSBOSTON:

E. M. Loew's TheatresHOLYOKE:

Holyoke Theatre, Bernajd W Uvy

MICHIGANDETROIT:

Colonial Theatre. Raymond Schrei­ber, Owner and Oper.

GRAND RAPIDS!Powers Theatre

MISSOURIKANSAS CITY:

Main Street Theatre

NEW YORKNEW YORK CITY:

Apollo Theatre (42nd St.) I at Theatres. Inc.

LONG ISLAND (New York)

HICKSVILLE!Hicksville Theatre

NORTH CAROLINALUMBERTON!

Carolina Theatre

PENNSYLVANIAHAZLETON

Capitol Theatre, Bud Irwin, Mgr.PHILADELPHIA:

Apollo Theatre Bijou Theatre

TENNESSEEKNOXVILLE:

Bijou Theatre

VIRGINIABUENA VISTA:

Rockbridge Theatre

DISTRICT OF COLUMBIAWASHINGTON:

Universal Chain Theatrical Enter­prises.

MICHIGANFLINT:

Central High School AuditoriumINTERLOCHEN:

National Music CampISHPEMlNGi

Casino Bar k Night Club, Ralph Doto, Prop.

MARQUETTE:Johnston, Martin M.

MUNISING:Corktown BarRamsey, MerleSylvan Inn

NEGAUNEE:Hotel Bar, Napoleon Viana, Prop,

NEBRASKAOMAHA

Jaap, Matt

NEW JERSEYATLANTIC CITY:

Knights of Columbus Hotel andGrille.

BELLEVILLE:Fountain

CLIFTON:Boeckmann, Jacob

GLEN RIDGEsGlen Brook

HIGHLAND PARK»Atkinson, Connie

LI TTLF. IERIY.Charlie's Grill,

Charles Kozler, Owner.UNION CITY:

Cappelletti's Restaurant and Tavern

FRANKFORT!Billis Hotel

LOCKPORT:United Musicians, LIU 1122,

Everett Jepson, Presidem.MASSENAi

Gib and Mac's Night Club, Gilbert Whalen, Prop.

MOUNT VERNUfiStudio Club

OHIO

OKLAHOMA

PENNSYLVANIA

SOUTH CAROLINA

TEXAS

UTAH

WEST VIRGINIA

WISCONSIN

DISTRICT OF COLUMBIA

CANADA

ONTARIO

MISCELLANEOUS

MISSOURI

been dreaming aboutwill be "everything” you'wind instruments. C. G. CONN Ltd., Elkhart, Ind.FIFE AND DRUM CORPS

personally selected by Merle JohnsWANTED

FOR SALE OR EXCHANGE

AT LIBERTYBuck

Huguelet Place, Chicago, III.

3553 North BroadPhone Rad. 3788.

AT LIBERTY symphony, j

COLUMBIA:University of South Carolina

ST. LOUIS: Fox Theatre

all in A-l condition.St., Philadelphia 40, Fa.

OKLAHOMA CITY:Orwig, William, Booking Agent

Clarinets, plain st be of sym-

NORTH OGDEN:Chic-Chick Night Club,

Wayne Barker, Prop.

WANTED—Selmer Balanced Action Alto. Buck Rogers’

WASHINGTON:Star Dust Club, Frank Moore, Prop.

FOR SALE—Selmer Balanced Action Alto, 28.800 seri

ALLIANCE:Dante Alighieri Society

Boehm System; phonic calibre. I L. L, N. Y.

Road, High Point. N. C. Phone: 55483.

FOR SALE—Giuseppe specimen by one of

1880; elegant design,

FOR SALE—Italian Valve Trombone, high grade, Gazani, soloist mode), pearl cylinders, gold lacquer finish, prac­

tically new with ease, only >185. Mary Feller, Apt. 303, 58 Peterboro, Detroit, Mich.

Model; have Selmer Balanced

CHARLESTON:Savoy Club, •’Flop** Thompson and

Louie Risk, Opers.

and Cecil Leeson; alligator comb, case and heavy zi] cover; perfect; all absolutely like brand new. C. Raymer, Nomar Theatre, Wichita 4, Kan,

FOR SALE—Clarinets, Boehm. A and C; National Stain« less Steel Tenor Guitar; Db Mayer Piccolo: Banjo; Eb

Albert Clarinet; Sock Cymbal; 60 classical arrangements:

FOR SALE—String Bass, good condition; $150 witb.K^ cover and bow. Call ACadcmy 2-4500, Apt. 29, IM

West 109th St., New York, N. Y.

FOR SALE—Taylor fitted Double Bass Trunk, good dition, without lock, $75 plus express. Inquire,

Barracks, Fort Mason, San Francisco, Calif.

FOR SALE — French-made Sefaer Clarinet, Hl new; 5 rings: with French pads; make offer.

WANTED—Harp, will pay cash: address K. Atti, 1030 Kush St.. San Francisco 9. Calif.

FOR SALE—Selmer Balanced Action Aho, alligator case with lipper; Selmer Cigar Cutter Alto and Balanced

Tone Clarinet, Buffet Clarinet; Loree Oboe, Tenor Sax, Bb Bass Clarinet, old Violin and Viola, Wood Alto Clari­net. Box S. International Musician, 39 Division St., Newark 2, N. J.

WANTED—Haynes or Powell French Model silver Flute, C pitch, closed G; alao wood Piccolo; send full par­

ticulars. Box R. International Musician, 39 Division St.( Newark 2» N. J.

FOR SALE—Sleeper Bus, truck-trailer combination; bulk especially for traveling band; for details write W. A.

Alsworth. VV 1113 Grace Ave., Spokane 12, Wash. * ’

Gagliano Violin, an interesting the last of tbe Gaglianos around low arching, transparent golden- condition. perfect measurement, investment at $350. Berger, 906

Rogers’ Model and Conn Tenor, will trade either one for Alto or will buy for cash. Joe Lazzaro, 1910 South 10th St., Philadelphia 48, Pa. Phone: Fulton 5750.

FOR SALE—Music Library for small orchestra; over numbers; marches, overtures, selections, waltzes, coin

numbers: all in good condition; price reasonable. F. Tl 1736 Fast 24th St., Brooklyn, N. Y.

AT LIBERTY—Drummer, veteran, wishes work in Florida: reati, fake, sing; also A-l library; neat appearance;

member Local 802. Bill Gormley. 89 Fairview Ave. New York 33, N. Y. Phone: LOrrame 7-9384.

FOR SALE—Like new Bacon Special deluxe gold Te Banio> value $600, will sacrifice for $375. T. X-M

29 Ivanhoe Avc., Somerville, N. J. Phone: 494-J. ’

When we do start delivery of instruments to your music dealer’s store.

coming off the production and we believe it will not

WANTED TO BUY’—Paramount Artists’ Supreme TenorBanjo in excellent condition. Joseph Rothstein, 83

F rank! in St., Somerville, N. J.

FOR SALE—English Horn, Lorie; in best condition; case; write for appointment to inspect. Frank Mi

lian, 295 Fifth Av-e., New York 16, N. Y.

FOR SALE—Bach Stradivarius Model Trombone, i condition; not used much: $130 cash. Glen C.

39 Euclid Ave., Kenmore 17, N. Y.

network radio, recording, chamber i; Union. Eleanor Welch, Winston

AT LIBERTY—Symphony Violinist, age 35; good train­ing. considerable experience: also trio or quartette

work; New York or vicinity. John Tucci, 44 Hillman Drive North, East Paterson, N. J.

THEATRES AND PICTURE HOUSES

American Legion Fife, Drum and Kugle Corp., Perth Amboy, N. J.

Fort Cralo Hand k Iirurn Corps, Bcmiclaer. N. Y.

we assure you that they’ll be the same high quality you’ve learned always to expect from a Conn. The intonation, the tone quality, and the mechanical action

We’re as eager as you are to see those new Conns start line. We’re doing everything possible to speed the day,

BBADDOCXiUxick i Sportiiiien'i Bar

ELLWOOD CITYt .Sons uf Italy

GBFENSBUBGiGeneral Green lodge.

Fraternal Order ot Police.

PITTSBUBGH:BakonadcsNew Penn Inn, Louis, Alex and

Jim Passarella, Prop».

BFADING:Hampden Veterans* Volunteer Assn.

COBPUS CUBIST I- Ccmtincntal Hub

POBT ABTHUBt DeGrasse, Lenore

HAMILTON:Hamilton Arena,

Percy Thompson, Mgr.

POBT STANLEY:Casino-on-tbc Lake Darne Floor

MARYLANDBALTIMOBE:

State Theatre

APPLETON:Appleton Legion Hall

COTTAGE, GBOVE:Cottage Grane Inwn Hall,

John Galvan, Oper.

GBAND MABSH:Patrick's Like Pavilion,

Milo Cushman.

NEW LONDON:Norris Spencer Post, 263,

American Legion.

WANTED—Fine %-sixe String Bass, swell back. Frank Kohyns, Taft Hotel. Detroit 1, Mich.

WANTED—Italian Cello, Bb Bass Clarinet, Aho and Tenor Sax, Trumpet or Cornet, Trombone, Accordion, Bb

Clarinet, English Horn amf woodwinds for school. ‘ Box S, International Musician, 39 Division St., Newark 2, N. J.

HTT/MITY pTT A DTWORTH $S$ IN ARRANGING vnuni/ vn/ini AND HARMONY LESSONSMethod invaluable aid for -ARRANGING*' and "IMPROVISING''. Basie for farming more than 200 c ord combinations. Progressions of minor sevenths and.circle of fifths. Scaifes, aacLng notes to chords, and a brief couree in HARMONY and ARRANGING. ONLY 35c PLUS te POSTAGE.

POCKET FAKE LIST 500 Standard Tunes, key, first note, 35c.LOMAKIN MOHC - - - 4M WOOD STREET, PITTSBURGH 22, PENNSYLVANIA