contents - morningstar music · veni emmanuel 42, 44 wem in leidenstagen 21 winchester old 52 oh,...

15
Contents Foreword 4 Performance Considerations 5 Learning Sequences 6 Manuals Only Learning Sequence 6 Pedal Point Learning Sequence 7 Alternate Toe Pedaling Learning Sequence 7 Alternate Toe Pedaling with Occasional 7 Toe-Heel Pedaling Learning Sequence Hymn Settings 8–52 Performance Notes 54 Church Year Index 59 Tune Genre Index 59 Title Ah, Holy Jesus 38 All People That on Earth Do Dwell 8 Angels We Have Heard on High 10 Christ Jesus Lay in Death’s Strong Bands 12 Comfort, Comfort Now My People 14 Creator of the Stars of Night Chant Setting 16 Metrical Setting 18 Glory Be to Jesus 21 God, Who Made the Earth and Heaven 22 He Never Said a Mumbalin’Word 48 How Firm a Foundation 24 I’ll Praise My Maker While I’ve Breath 26 Joyful, Joyful, We Adore Thee 28 Let Us Break Bread Together 30 Love Consecrates the Humblest Act (Setting 1) 32 Love Consecrates the Humblest Act (Setting 2) 33 Now Thank We All Our God 34 Now the Green Blade Rises 36 O Dearest Jesus 38 O God, Our Help in Ages Past 41

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Page 1: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

ContentsForeword 4

Performance Considerations 5

Learning Sequences 6

Manuals Only Learning Sequence 6

Pedal Point Learning Sequence 7

Alternate Toe Pedaling Learning Sequence 7

Alternate Toe Pedaling with Occasional 7 Toe-Heel Pedaling Learning Sequence

Hymn Settings 8–52

Performance Notes 54

Church Year Index 59

Tune Genre Index 59

Title Ah,HolyJesus 38

AllPeopleThatonEarthDoDwell 8

AngelsWeHaveHeardonHigh 10

ChristJesusLayinDeath’sStrongBands 12

Comfort,ComfortNowMyPeople 14

CreatoroftheStarsofNight Chant Setting 16 Metrical Setting 18

GloryBetoJesus 21

God,WhoMadetheEarthandHeaven 22

HeNeverSaidaMumbalin’Word 48

HowFirmaFoundation 24

I’llPraiseMyMakerWhileI’veBreath 26

Joyful,Joyful,WeAdoreThee 28

LetUsBreakBreadTogether 30

LoveConsecratestheHumblestAct(Setting 1) 32

LoveConsecratestheHumblestAct(Setting 2) 33

NowThankWeAllOurGod 34

NowtheGreenBladeRises 36

ODearestJesus 38

OGod,OurHelpinAgesPast 41

Page 2: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

Tune

Ar hyd y nos 22

Break Bread Together 30

Christ lag in Todesbanden 12

Conditor alme siderum 16,18

Foundation 24

Freu dich sehr 14

Genevan 42 14

Genevan 113 26

Genevan 134 8

Gloria 10

Herzliebster Jesu 38

Hymn to Joy 28

Let Us Break Bread 30

Noël Nouvelet 36

Nun danket alle Gott 34

Old 113th 26

Old Hundredth 8

St. Anne 41

St. Anthony’s (Anthony) Chorale 50

Stille Nacht 46

Sufferer 48

Twenty-Fourth (Setting 1) 32

Twenty-Fourth (Setting 2) 33

Veni Emmanuel 42,44

Wem in Leidenstagen 21

Winchester Old 52

Oh,Come,Oh,Come,Emmanuel(OCome,OCome,Emmanuel) Chant Setting 42 Metrical Setting 44

PraiseGod,fromWhomAllBlessingsFlow 8

SilentNight 46

TheyCrucifiedMyLord 48

We,ThyPeople,PraiseThee 50

WhenAllYourMercies,OMyGod 52

Page 3: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

Foreword

Thesettingsinthiscollection,intendedasaccompanimentsaswellasintroductionstohymnsinging,werewrittentomeettheneedsofbothparishandstudentorganists.

Forthoseorganistsintheearlystagesofplayingtheorgan,fingeringandpedalingareindi-catedineachsetting.Performanceconsiderationsandlearningsequencesarefoundonpages5–7.Registrationsuggestions,articulations,andotherinformationforindividualsettingsareincludedintheperformancenotesbeginningonpage54.

Itishopedthatthiscollectionwillbeusefultobothparishandstudentorganistsastheyde-velopproficiencyinhymnplaying,thegreatestchallengeofallorganistswholeadcorporatesonginworship!

MichaelBurkhardtJanuary2011

4

Page 4: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

Performance Considerations As a setting is being learned, consider the following:

• Whatregistrationwouldbeappropriateforeachstanzaoftext?

• Woulditbeappropriatetochangethephrasingfromonestanzatothenext(i.e.,ifbreathsmightbeaddedordeletedforthesakeofthesenseofthetext)?Thephrasingindicatedinthescoreissug-gestedforthetextofstanza1.

As a setting is being performed in a variety of acoustical environments, consider:

• howthearticulationofthesettingmightbemodifiedoradaptedtofittheenvironment(i.e.,morelegato,lesslegato,etc.).

Learning Sequences Thefollowingpageslisthymnaccompanimentsinorderofincreasingdifficultybycategory:

• Manuals Only

• Pedal Point

• Alternate Toe Pedaling

• Alternate Toe Pedaling with Occasional Toe-Heel Pedaling

Theindividuallearningsequencesaremerelysuggestions,andmaybepairedwithoneanotherforsimultaneous,reinforcement,and/orextensionlearning.

Forexample,theManuals OnlysettingofSt. AnnemayprecedetheAlternate Toe PedalingsettingsofOld HundredthandWinchester Old.

Likewise,theManuals OnlysettingofChrist lag in TodesbandenmayprecedetheAlternate Toe Ped-alingsettingofFreu dich sehr.

Inalloftheaboveinstances,themanualtechniqueandmusicianshiputilizedintheManuals Onlyset-tingsisreinforcedandextendedinthesettingswithpedal.

5

Page 5: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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8

MSM-10-797

All People That on Earth Do DwellPraise God, from Whom All Blessings Flow

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: William Kethe, d. ca. 1593, and written in 1561 (PD).Text: Thomas Ken, 1637-1711, and written in 1674 (PD).Tune: OLD HUNDREDTH (GENEVAN 134), Louis Bourgeois, ca. 1510-ca. 1561, and written in 1551 (PD).Music: Newly composed, and copyright © 2011 with this publication.

William KetheThomas Ken

Page 6: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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10

MSM-10-797

Angels We have Heard on High

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

*For stanza 1 only (“echo”).

Text: French carol; translation Henri F. Hemy, Crown of Jesus, Part II, 1862 (PD).Tune: GLORIA, an 18th century French carol (PD).Music: Newly composed, and copyright © 2011 with this publication.

  French carol

Page 7: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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2

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24

œ ˙ œ œ œ˙ œ œ

˙œ

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ple;ness

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542

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- - -

14

MSM-10-797

Comfort, Comfort Now My People

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: Johann G. Olearius, 1611-1684; translated 1865, Catherine Winkworth, 1829-1878 (PD).Tune: FREU DICH SEHR (GENEVAN 42); harmonization Johann Jeep, ca. 1581/2-1644 (PD).Music: Newly composed, and copyright © 2011 with this publication.

Johann G. Oleariustr. Catherine Winkworth

Page 8: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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throughwe

belifeendthen

toe

lessour

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53

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MSM-10-797

21

Glory Be to Jesus

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: 18th century Italian Hymn; translated Edward Caswall, 1814-1878 (PD).Tune: WEM IN LEIDENSTAGEN, Friedrich Filitz, 1804-1876 (PD).Music: Newly composed, and copyright © 2011 with this publication.

Italian Hymntr. Edward Caswall

Page 9: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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theing,

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earthguard

andus

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en,ing,

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--- -

22

MSM-10-797

God, Who Made the Earth and Heaven

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text, Stanza 1: Reginald Heber, 1783-1826, alt. (PD). Text, Stanza 2: Richard Whately, 1787-1863, alt. (PD).Tune: AR HYD Y NOS, a Welsh folk melody (PD).Music: Newly composed, and copyright © 2011 with this publication.

Reginald Heber, St. 1Richard Whately, St. 2

Page 10: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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founamery

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tion,you,als

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24

MSM-10-797

How Firm a Foundation

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: J. Rippon, A Selection of Hymns, 1787, alt. (PD).Tune: FOUNDATION, an early American tune (PD).Music: Newly composed, and copyright © 2011 with this publication.

  J. Rippon, A Selection of Hymns

Page 11: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

&

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1.  Joy2.  All3.  Mor

ful,thytals,

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ful,withthe

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w

15

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asurpy

dore

choround

thee,

rusthee,

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wœ œ œœ

^

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,

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ofandthe

glo

mornheav’n

ry,re

ing

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wœ œ œ œ

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28

MSM-10-797

Joyful, Joyful, We Adore Thee

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: Henry van Dyke, 1852-1922, and written in 1907 (PD).Tune: HYMN TO JOY, from Ludwig van Beethoven, 1770-1827, and written in 1824, adapted (PD).Music: Newly composed, and copyright © 2011 with this publication.

Henry van Dyke

Page 12: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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thankmay

praise

wethisand

allbountthanks

oureous

to

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5

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3

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heartsallFa

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andbebe

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hasfulit

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whomblessreign

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14

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es;us,en,

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4

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2

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,

-- -

--

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- -

-

34

MSM-10-797

Now Thank We All Our God

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: Martin Rinkhart, 1586-1649, and written in 1663; translated Catherine Winkworth, 1829-1878, alt. (PD).Tune: NUN DANKET ALLE GOTT, Johann Crüger, 1598-1662 (PD).Music: Newly composed, and copyright © 2011 with this publication.

Martin Rinkharttr. Catherine Winkworth

Page 13: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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36

MSM-10-797

Now the Green Blade Rises

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Tune: NOËL NOUVELET, a French carol (PD).Music: Newly composed, and copyright © 2011 with this publication.

Page 14: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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38

MSM-10-797

O Dearest JesusAh, Holy Jesus

  

Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: “O Dearest Jesus,” Johann Heermann, 1585-1647, and written in 1630; translated Catherine Winkworth, 1829-1878, and translated in 1863 (PD).Text: “Ah, Holy Jesus,” Johann Heermann, 1585-1647, and written in 1630; translated Robert Bridges, 1844-1930, and translated in 1899 (PD).Tune: HERZLIEBSTER JESU, Johann Crüger, 1598-1662, and written in 1640 (PD).Music: Newly composed, and copyright © 2011 with this publication.

Johann Heermann tr. Catherine Winkworthtr. Robert Bridges

Page 15: Contents - MorningStar Music · Veni Emmanuel 42, 44 Wem in Leidenstagen 21 Winchester Old 52 Oh, Come, Oh, Come, Emmanuel (O Come, O Come, Emmanuel) Chant Setting 42 Metrical Setting

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lentlentlent

night,night,night,

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Alternate Toe Pedaling

Man. I

Man. II

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46

MSM-10-797

Silent Night

  Michael Burkhardt

Copyright © 2011 Birnamwood Publications (ASCAP)A division of MorningStar Music Publishers, Inc., St. Louis, MO

Reproducing this publication in any form is prohibited by law without the permission of the publisher.

Text: Joseph Mohr, 1792-1848, and written in 1818; translated John F. Young, 1820-1885, and translated in 1863 (PD).Tune: STILLE NACHT, Franz Gruber, 1787-1863, and written in 1818 (PD).Music: Newly composed, and copyright © 2011 with this publication.

Joseph Mohrtr. John F. Young