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CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc.

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Page 1: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

CHAPTER 6Nonverbal Communication

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 2: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Section 1 NONVERBAL COMMUNICATION, DEFINED

Interplay

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 3: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Nonverbal Communication: What Does It Mean?

Nonverbal communication, defined: “messages expressed by nonlinguistic means.”

Why is “communicating without speaking” not an accurate definition for nonverbal communication?

Why is “body language” not a sufficient definition for nonverbal communication?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 4: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Research shows…

Mehrabian (1972): 93% of emotional impact of a message come from a nonverbal source.

Birdwhistell (1970): 65/35 split of actions and words.

Social scientists: Nonverbal communication shapes perceptions.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 5: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Section 2CHARACTERISTICS OF NONVERBAL COMMUNICATION

Interplay

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 6: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

All Behavior Has Communicative Value

Discuss your agreement or disagreement with the statement “you cannot not communicate.”

Research: We aren’t always

conscious of what we and others are communicating nonverbally.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 7: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Nonverbal Communication is Primarily Relational

Nonverbal communication serves in social function.

Defines the relationship we want/have with others.

Convey emotions we are unwilling/unable to express or unaware of.

How does technology impact the relational aspect of nonverbal communication?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 8: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Nonverbal communication is ambiguous.

Describe the various interpretations of silence.

Research: “Positive nonverbal communication is easier to identify than negative nonverbal communication.”

Use perception-checking to clarify others’ nonverbals.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 9: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Nonverbal communication is influenced by culture.

Emblems: Culturally understood substitutes for verbal expression.

Identify some of the cultural similarities and differences in nonverbal behaviors and rules.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 10: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Section 3FUNCTIONS OF NONVERBAL COMMUNICATION

Interplay

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 11: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Creating and Maintaining Relationships

What are the functions of nonverbal behaviors in the early stages of relationships?

Nonverbal cues reveal our attitude about others.

How do nonverbal behaviors gauge the emotional climates in ongoing relationships?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 12: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Regulating Interaction

Regulators: Cues that help control verbal interaction.

What cues reveal that a speaker is finished talking?

How does eye contact regulate nonverbal communication?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 13: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Influencing Others

Nonverbal behavior helps us: Capture attention Show or increase

liking Generate power Boost credibility

What other ways do we use nonverbal communication to influence others?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 14: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Concealing/Deceiving

What do the authors mean by, “The majority of messages we exchange are not completely truthful”?

High self-monitors are better at hiding their deception.

No surefire nonverbal clues indicate deception. Liars make fewer hand and finger movements,

have more speech disturbances, and pause longer before offering answers.

Beware of jumping to conclusions!

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 15: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Managing Identity

Nonverbal cues: May be more important than verbal messages in creating impressions.

Manner: The way we act, stand and move, control facial expressions, vocal adjustments.

Appearance: The way we dress, artifacts we wear, hair, makeup, scents, etc.

Setting: Physical items we surround ourselves with i.e., personal belongings, vehicles, place we live. Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor

Copyright © 2010 by Oxford University Press, Inc.

Page 16: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Section 4TYPES OF NONVERBAL COMMUNICATION

Interplay

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 17: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Face and Eyes

Complicated channel to interpret.

Research: At least 8 distinguishable

positions of the eyebrows and forehead

8 more of eyes and lids 10 lower face

Oculesics: Study of how the eyes communicate. Gazing Interest Conversational turn-

takingInterplay, Eleventh Edition, Adler/Rosenfeld/Proctor

Copyright © 2010 by Oxford University Press, Inc.

Page 18: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Body Movement

Kinesics: Study of how people communicate through body movement.

Posture sends conscious and unconscious messages.

Ambiguous gestures Fidgeting Manipulators

Sign of discomfort… But not necessarily

Gestures measure power and status

Increase persuasiveness/mirroring

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 19: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Touch

Haptics: Study of touching. Touch boosts mood,

increases liking, improves compliance.

Research: “Fleeting touches on hand or

forearm can result in larger tips for restaurant servers.”

Beware unwanted touching: Concern/legal action.

Why do the authors say that the amount of touching decreases with age?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 20: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Voice

Paralanguage: The way a message is spoken Vocal rate Pronunciation Pitch Tone Volume Emphasis

Disfluencies: Reinforce/ contradict message that words convey.

What types of paralanguage contradict content? Research:

Communicators more likely to comply when speakers have same rate as their own.

People often miss vocal nuances of sarcasm. Young children can’t make sense of mixed messages.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 21: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Distance

Proxemics: How communication is affected by use, organization, and perception of space and distance.

We all have a bubble of personal space.

Research: Distance = Good

indication of prejudices. Edward T. Hall:

Intimate distance: Skin contact to 18”

Personal distance: 18” to 4’.

Social distance: 4’ to 12’. Public distance: 12’ to

farthest zone.Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor

Copyright © 2010 by Oxford University Press, Inc.

Page 22: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Distance

What barrier behaviors occur when your “spatial bubble” is invaded?

Territoriality: The area that serves as an extension of our physical being. How we respond to

breaches of territory depends on who enters, what territory is entered, why they enter, and how they enter.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 23: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Time

Chronemics: How humans use and structure time.

Waiting can be an indicator of status.

Use of time is culturally-based, yet rules of time vary within a culture.

Rules of time can vary within the same geographic area.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 24: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Physical Attractiveness

What are some of the advantages and disadvantages of being perceived as attractive?

How may perceptions of attractiveness change?

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 25: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Clothing

Clothing can convey: Economic level Educational

level Trustworthines

s Social position Level of

sophistication

Economic background

Social background

Educational background

Level of success Moral character

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 26: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Clothing

Research: Clothing =

credibility College students

perceive TA’s as having less expertise, based on dress.

Beware of cultural perceptions based on clothing.

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.

Page 27: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

Physical Environment

Research: Impressions of home

designs = remarkably accurate.

Environment shapes interactions within it.

Professors = well-decorated work areas, more credibility.

No doctor’s desk = increase patient comfort.Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor

Copyright © 2010 by Oxford University Press, Inc.

Page 28: CHAPTER 6 Nonverbal Communication Interplay, Eleventh Edition, Adler/Rosenfeld/Proctor Copyright © 2010 by Oxford University Press, Inc

END OF SECTIONInterplay

Interplay, Eleventh Edition, Adler/Rosenfeld/ProctorCopyright © 2010 by Oxford University Press, Inc.