bbc psb uhd hdr wcg hlg dvb - omg! · 2018-08-28 · review of spectrum 470-960mhz in region 1 ......
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Design + Engineering
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PUBLIC SERVICE UHD & HDR
BBC PSB UHD HDR WCG HLG DVB - OMG!
A N D Y Q U E S T E D - B B C L E A D P R O D U C T I O N S TA N D A R D S
2018-08-24
Design + Engineering
The broadcasting world is beginning to change International Telecommunication Union Review of Spectrum 470-960MHz in Region 1
BBC BROADCASTING DILEMMA
World Radio Conference 2019 resolves… … to carry out sharing and compatibi l i ty studies, as appropriate, in the frequency band 470-694 MHz in Region 1 between the broadcasting and mobile services, taking into account relevant ITU-R studies, Recommendations and Reports
2018-08-24
Design + Engineering
The BBC is changing too
– iPlayer is the primary brand – More than just “catch-up” – More directly delivered content – Everything on demand – This is what the audience expects
INNOVATE TO SURVIVE
2018-08-24
Design + Engineering
Apps mean business
– No App no audience! – New Apps simplify access – Allows experimental technologies
• VR • AR • Object Based Audio • UHD • High Dynamic Range
APPS WITH EVERYTHING!
2018-08-24
Design + Engineering
Everyone LOVES Apps…
– New Apps simplify access
• Only if you can use them • Only if you can find them • Only if they mean something
– Or they are just part of the wallpaper!
APPS WITH EVERYTHING!
2018-08-24
Design + Engineering
BBC UHD
What’s this got to do with BBC UHD? No Spectrum for more services!
– We must evolve to • Compete • Be viable • To deliver the BBC public service values;
– Inform – Educate – Entertain
– Broadcasting to • Started National • Became Regionalised • Evolved to Localised
2018-08-24
Design + Engineering
BBC UHD
What’s this got to do with BBC UHD? No Spectrum for more services!
– We must evolve to • Compete • Be viable • To deliver the BBC public service values;
– Inform – Educate – Entertain
– Broadcasting to • Started National • Became Regionalised • Evolved to Localised • Now we must Personalise
2018-08-24
Design + Engineering
BBC UHD BLUE PLANET II
Social Media analytics Capita
– There was lots of social media activity with over 80% of twitter feedback being positive or neutral.
– The main themes were: • Comments on how good Blue Planet 2 in UHD was • Complaints about a specific device not being supported • Complaints about having to wait for the Samsung Firmware
update
2018-08-24
Design + Engineering
BBC UHD BLUE PLANET II
National Press comments – Blue Planet in UHD made national news in a significant number of
publications.
2018-08-24
Design + Engineering
BBC UHD BLUE PLANET II
HotUKdeals & YouTube Feedback – Hotukdeals users voted the Blue Planet II
UHD post incredibly hot reaching over 5000 degrees!
– Comments were overwhelmingly positive: • “I would genuinely buy a 4k TV just for this” • “Worth the licence fee alone” • “It looks absolutely gorgeous” • “one notch above the [4K] SDR presentation” • “Buffering is kept to a minimum” • “Quickest and most seamless user experience I’ve seen
from a streaming service”
2018-08-24
Design + Engineering
BBC UHD Programmes will be HDR Almost all professional camera sensors are HDR!
– “4K” BT.709 is no longer acceptable as UHD – Many cameras exceed 14 stops dynamic range – Low black level noise is important – Not all camera electronics can handle HDR – Few codecs handle HDR – Camera set-ups are vital
UHD CONTENT
2018-08-24
Design + Engineering
Viewing in the field (EBU TECH 3320) HDR Portable Displays
– HDR • HLG • PQ • SLog3
– 1500cd/m2 display – Onboard recording – 3840 x 2160 10bit – Cost - under $1200 US!
LOCATION IS TOUGH
2018-08-24
Design + Engineering
Backup and Store Consumer prices for broadcast requirements!
– DO NOT process HDR images without good monitoring! • File transfers – no different to UHD • File Sizes – 5% to 10% larger than equivalent UHD • Hardware – the usual! • Cloud or local
– Local now – under $200 4TB – Cloud with 5G
LOCATION IS TOUGH
2018-08-24
Design + Engineering
EBU R118 Noise
SESSION 3 - HDR CAMERA USE
2018-08-24
Design + Engineering
HDR is about low-lights not high-lights Very low noise cameras
– Allow natural look shoots – Bring out colour detail in low-light areas – HDR means
• Highlights aren’t clipped • Shadow detail isn’t crushed • Fire and candles look natural
– HDR does not reduce the lighting bill!
BLACK IS THE NEW BLACK
2018-08-24
Design + Engineering
Simplify! Think process not formats
POST PRODUCTION
Mastering & Delivery
HD Offline EDL Data
Pre Grade Noise
Reduction Grading Data
UHD/HDR Grade
Noise Reduction
Finishing On-line
Mixed Media Files
SAN Nearline Mixed Media
Special FX Preparation &
Transcode Processing
Special FX
Conform Format & Colour Space
Conversion
Final Video FX & Burnt In
Graphics/Text
HD Proxy Processing
2018-08-24
Design + Engineering
Simplify! Don’t transcode until delivery
POST PRODUCTION
Mastering & Delivery
EDL Data
Pre Grade Noise
Reduction Grading Data
UHD/HDR Grade
Noise Reduction
Finishing On-line
Special FX Preparation &
Transcode Processing
Special FX
Conform Format & Colour Space
Conversion
Final Video FX & Burnt In
Graphics/Text
HD Offline
Mixed Media Files
SAN Nearline Mixed Media
HD Proxy Processing
– Working with Mixed Media Formats • Do not transcode masters • RAW, 4:4:4, 4:2:2, 4:2:0 • Captured image size • Captured frame rate
– Process off-line HD proxies • Maintain ”focus” quality • Off-line L.U.T. to convert to SDR • BT.709 colour acceptable
2018-08-24
Design + Engineering
HD Offline EDL Data
Pre Grade Noise
Reduction Grading Data
Mixed Media Files
SAN Nearline Mixed Media
Special FX Preparation &
Transcode Processing
Special FX
Final Video FX & Burnt In
Graphics/Text
HD Proxy Processing
Mastering & Delivery
UHD/HDR Grade
Noise Reduction
Finishing On-line
Conform Format & Colour Space
Conversion
Simplify! Only process once – not once for each format
POST PRODUCTION
– Conform and convert only what’s needed • Master format matches highest delivery option • Master codec matched highest delivery requirement
– Grade and Finish in HDR only • Noise reduction is important especially for dark scenes • Monitor SDR at the same time • How do we make sure the HDR is comfortable to watch?
2018-08-24
Design + Engineering
Just the same as loudness Except eyes “accommodate”
– The eye will adapt to bright images fairly fast – The next dark scene will appear too dark – Sudden dark to bright can hurt – Sudden bright to dark will appear to loose detail – BBC R&D testing has developed a simple brightness tool
BRIGHTNESS CONTROL
2018-08-24
Design + Engineering
2018-08-24
Design + Engineering
Just the same as loudness Average Brightness Changes
– Testing on volunteers found this
BRIGHTNESS CONTROL
g
a
r
Transitions that are not annoying
Transitions that are slightly annoying
Transitions that are annoying
Region with no annoying transitions
Region with some annoying transitions
2018-08-24
Design + Engineering
Next Generation Audio is bigger and better – Dolby Atmos
• One of the most well know home and cinema systems – “Dolby Atmos for the home brings the ultimate cinema sound experience to
your home theatre to create powerful, moving audio that flows around you”
– DTS:X • The other most well know home and cinema systems
– “DTS:X places sound where it would occur naturally in space, creating the most lifelike, multi-dimensional audio experience ever”
– MPEG-H • A standard that’s very interesting to broadcasters
– MPEG-H offers consumers more accurate sound and the ability to adjust the sound to their preferences to hear it as it at its best on their own devices
AUDIO FOR UHD
2018-08-24
Design + Engineering
AUDIO FOR UHD
Next Generation Audio is in the home now But this will never happen…
2018-08-24
Design + Engineering
AUDIO FOR UHD
Next Generation Audio is in the home now Can these solve the problem…
2018-08-24
Design + Engineering
What is our audience doing and expecting? Qualcomm Five Audio Trends
WE ALWAYS FORGET AUDIO IS CHANGING TOO
The Way We Listen Over 80 percent of consumers use their smartphones to store and stream music, taking advantage of the ease and variety offered by streaming services such as Spotify, TuneIn, and others.
Embracing Wireless People want quality audio everywhere, they also want devices they can use all day, every day, and take anywhere — whether it’s a pair of truly wireless earbuds they use when working out, or a portable speaker that they can take to the beach.
Demand For Quality What started as an audiophile requirement has gained momentum in mainstream consumer electronics. Consumers are now demanding wireless audio that doesn’t compromise on audio quality.
Expecting Smart Speakers and Virtual Assistants Consumers now want to be educated, entertained, or informed, simply by asking a question or giving a command. As cloud-connection grows, smart assistant capability is expected to be included in many more (if not all) devices.
Using “Hearable” Devices “Hearables” reflects the convergence of features from traditional audio devices and wearable technology in ultra-small form factors. Users want high quality audio combined with advanced features, including the addition of sensors for biometrics, algorithms for voice recognition, and support for cloud-connected ecosystems.
2018-08-24
Design + Engineering
MASTERING
HD Offline EDL Data
Pre Grade Noise
Reduction Grading Data
UHD/HDR Grade
Noise Reduction
Finishing On-line
Mixed Media Files
SAN Nearline Mixed Media
Special FX Preparation &
Transcode Processing
Special FX
Conform Format & Colour Space
Conversion
Final Video FX & Burnt In
Graphics/Text
HD Proxy Processing
Mastering & Delivery
Localisation is new for Television Traditional work flows make versioning expensive
– Master files for each version • Take up space • Duplicate content many times • Make changes time consuming • Are a logistical nightmare
2018-08-24
Design + Engineering
INTEROPERABLE MASTER FORMAT
2018-08-24
Design + Engineering
15TH August 2018 SMPTE and the UK DPP announced
– The first SMPTE Technical Specification • SMPTE TSP 2121-1:2018 • Targeted at the way television programmes are made • Solves the duplication of content issue • Makes content management much more simple • Dramatically reduced storage requirements • Changes can be made across all version easily
IMF FOR BROADCAST AND ON-LINE
2018-08-24
Design + Engineering
Business Driven Requirements Designed for Television Mastering and Exchange
– International distribution and quality requirements • Minimum data rates for maximum quality • 1920 x 1080 & 3840 x 2160 • 4:2:2 & 4:4:4 • Progressive images only • ITU- BT.2100 10 & 12 bit HLG & PQ • Multi-channel Audio (Object based to be added) • Up to 128 x 128 Audio Channels • Capable of adding production metadata without re-wrapping media
THE BUSINESS OF MASTERING
2018-08-24
Design + Engineering
Television Content Exchange Business Requirements in SMPTE ER 2121-3:2018
– Television specific business requirements • SMPTE RDD 6 Audio metadata • Air Master Production Metadata • International delivery metadata • Access Service metadata • QC Data (EBU.IO/QC)
– Output to • 50 Hz AS-11 X1 (UHD), AS-11 X2 (HD), AS-11 V1.1 (legacy HD & SD) • 60Hz AS-11 X9 (HD) & AS-11 X8 (legacy HD) • SMPTE Application #2e (Netflix)
THE BUSINESS OF MASTERING
2018-08-24
Design + Engineering
Doctor Who Storage Each version 77 minutes duration
– Television Versions • 31 ProRes 27MB/s files • 30GB each = 4TB
– Cinematic Versions • 75 DCP 2K @192MB/s files • 890GB each = 67TB
– Total storage requirement = 70TB! – Over 90% of the material is duplicated MANY times
MASTERING IN TERABYTES
2018-08-24
Design + Engineering
Doctor Who Storage What an IMF Workflow can achieve
– Television Versions • 31 ProRes 27MB/s files • 30GB each = 4TB Using IMF = 90GB
– Cinematic Versions • 75 DCP 2K @192MB/s files • 890GB each = 67TB IMF = 2.6TB
– Total storage requirement = 70TB Using IMF <2.6TB – 0% of the material is duplicated
MASTERING IN TERABYTES
2018-08-24
Design + Engineering
Published this week – Digital Production Partnership User Guide – IMF for Production – How IMF works and when to use it
MASTERING USER GUIDE
2018-08-24
Design + Engineering
Published this week – Digital Production Partnership User Guide – IMF for TV and On-line – Targeted at Production – How IMF works and when to use it – Easy to understand graphics – Free for download!
MASTERING USER GUIDE
https://www.digitalproductionpartnership.co.uk/publication/#publication-9789
2018-08-24
Design + Engineering
Final Thoughts – Broadcasters will benefit from a graceful, non-disruptive introduction of
HDR. – The majority of the audience will watch programmes on non HDR
televisions for many years. – It is vital that the HDR systems allow easy automated conversion of an
HDR programmes to Standard Dynamic Range (SDR). – Mapping of SDR to HDR will be key to mixing old and new content in HDR
programming and distribution. – Creative practices in production should not have adverse effects such as
visual fatigue or discomfort when viewed for a significant period of time
HDR FOR BROADCAST AND ON-LINE