modern architectures (umer tariq)

MODERNARCHITECTURES

UMER TARIQ,• ALVIS LATIF CHOHANROLLNO:12014795-004 ,ROLL NO:12014795-028

MODERNISM IN ARCHITECTURES

The defining feature of modern architecture is the modern aesthetic which may be summarized as“plain geometric forms”

Common themes of modern architecture include:

The notion that "Form follows function", expressed by Frank Lloyd Wright's, meaning “The result of design should derive directly from its purpose”

Simplicity and clarity of forms and elimination of "unnecessary detail"

Materials at 90 degrees to each other Visual expression of structure (as

opposed to the hiding of structural elements)

The related concept of "Truth to materials", meaning that the true nature or natural appearance of a material be seen rather than concealed represent something else.

Use of industrially-produced materials; adoption of the machine aesthetic.

How Modern Architectures tooked its roots?

Modern Architecture tooked its roots from the Industrial Age when architects were exploring new materials such as steel and reinforced concrete. The design of buildings are not anymore influenced by religion nor classicism, but rather architecture is inspired by the machine.  Many decades were required for this aesthetic to mature and gain mainstream acceptance, which was finally achieved in the early twentieth century (under the leadership of the Bauhaus).

Modern Architectures mainly surrounds by three factors: Material Steel, Glass, Reinforced concrete

Schools of modernity The Chicago school The Werkbund The Bauhaus

Big three architects Louis Sullivan Walter Gropius Ludwig Mies van der rohe

Materials played a vital role in expanding Modern Architectures

The two principal materials for the new forms and high massive buildings:

  Steel (pioneered in Britain and brought

into general use in America) Reinforced concrete (developed in France)

Steel:

The fundamental technical prerequisite to large-scale modern architecture was the development of metal framing.

 Glass and iron frame:

Crystal Palace, Joseph Paxton, 1851

Eiffel Tower, Gustav Eiffel, 1887

Reinforced Concrete:

Francoise Hennebique in 1892, perfected a system for the best location of steel reinforcement in concrete; the combination of the compressive strength of concrete with the tensile strength of concrete in a homogenous grid was one of the turning points in architectural history.

The First Structures Based on requirements of modern architectures:

Metal Frame building:

The first definitive

skyscraper was the Home

Insurance Building,

Chicago built in 1883-85

by William le Baron Jenney.

Of fireproof construction,

it has a metal frame clad in

brick and masonry.

R.C. Structure :

Church of St. Jean-de

Montmartre ,

Anatole de Baudette,

Paris, 1897.

The first example of

reinforced cement

in church construction.

The ‘Schools’ of Modernity:

The Chicago School The Werkbund The Bauhaus

The Chicago School : Chicago's architecture is famous throughout the

world and one style is referred to as the Chicago School. In the history of architecture, the Chicago School was a school of architects active in Chicago at the turn of the 20th century.

The Chicago fire of 1871 destroyed most of the city and gave an opportunity for architects to design and build new structures.

Chicago’s school shares to Modern Architectures: They were among the first to promote the new

technologies of “steel-frame” construction in commercial buildings.

They developed a spatial aesthetic which co-evolved with, and then came to influence, parallel developments in European Modernism.

The use of steel-frame buildings with masonry cladding, allowing large plate-glass window areas and limiting the amount of exterior ornamentation.

A "Second Chicago School

" later emerged in the

1940s and 1970s which

pioneered new building

technologies and structural

systems such as the 

”tube-frame” structure

Willis Tower, completed in 1973, introduced the bundled tube structural system and was the world's tallest building until 1998

Some of the more famous Chicago School buildings include:

Auditorium Building  Sullivan Center  Reliance Building Gage Group Buildings  Chicago Building  Brooks Building  Fisher Building Heyworth Building Leiter I Building  Leiter II Building  Marquette Building Monadnock Building Montauk Building Rookery Building

Auditorium Building

Chicago June 30, 2012-92

The Sullivan Center was

initially developed because

of the Chicago Great Fire

of 1871. In 1872, the partners

hip of Leopold Schlesinger

and David Mayer began after

their immigration from Bavaria.

The ‘Monadnock’ was commissioned by Boston real estate developers Peter and Shepherd Brooks in the building boom following the Depression of 1873–79.

The Marquette Building, completed in 1895, is a Chicago landmark that was built by the George A. Fuller Company and designed by architects Holabird & Roche.

The Brooks Building in Chicago was

built in 1909–1910 in the Chicago School architectural Style. An early

example steel-framed skyscraper.

Gage Buildings - Chicago, Illinois. These are three buildings located at 18, 24 and 30 South Michigan Avenue, between Madison Street and Monroe Street, in Chicago, Illinois. They were built in 1899-1890 by Holabird & Roche for the millinery firms of Keith, Gage and Asche

The Werkbund:

The Deutscher Werkbund (German Workforce) was a German organization of artists, architects, and designers aiming to refine human craft. It was founded by Peter Behrens, Josef Hoffman, and Richard Riemerschmid in 1907. .

Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets

The organization originally included twelve architects and twelve business firms:

Peter Behrens Theodor Fischecr (who served as its first president) Josef Hoffmann Bruno Paul Richard Riemerschmid. Heinrich Tessenow. Henry van de Velde. Van de Velde tan de Velde Eliel Saarinen Mies Van der Rohe, (who served as Architectural Director).

Key dates of the Deutscher Werkbund: 1907, Establishment of the Werkbund in Munich 1910, Salon d'Automne, Paris 1914, Cologne exhibition, Germany 1920, Lilly Reich becomes the first female Director 1924, Berlin exhibition 1927, Stuttgart exhibition (including

the Weissenhof Estate) 1929, Breslau exhibition 1938, Werkbund closed by the Nazis 1949, Reestablishment

Weissenhoff states:

The estate was built for the Deutscher Werkbund exhibition of 1927, and included twenty-one buildings comprising sixty dwellings, designed by seventeen European architects, most of them German-speaking.

Le Corbusier, was awarded the two prime sites, facing the city, and by far the largest budge

The twenty-one buildings vary slightly in form

consisting of terraced and detached houses

 and apartment buildings, and display a strong

consistency of design. What they have in

common are their simplified facades,

flat roofs used as terraces, window bands,

 open plan interiors, and the high level of

 prefabrication which permitted their erection

in just five months. All but two of the entries

were white. Bruno Taut had his entry, the smallest,

painted a bright red

The Bauhaus School 1919-1933:

The Bauhaus school was founded by Walter Gropius in Weimar. In spite of its name, and the fact that its founder was an architect, the Bauhaus did not have an architecture department during the first years of its existence.

The concept of the school at the beginning was influenced by medieval construction of churches wherein craftsmen and artists collaborated in the completion and details of the building.

The Bauhaus, was a school in Germany that combined crafts and the fine arts, and was famous for the approach to design that it publicized and taught.

The term Bauhaus is German for "House of Building" or "Building School".

The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography.

Bauhaus :

The school provided workshops in: Metalwork Weaving Ceramics Furniture Typography Theatre.

Bauhaus was considered to be the first design school in the modernist style. It influenced the art and architectural trends in the whole world. The school existed in three German cities (Weimar ,Dessau and Berlin), under three different architect-directors: Walter Gropius, Hannes Meyer and Ludwig Mie's van der Rohe until 1933, when the school was closed by its own leadership under pressure from the Nazi regime.

The Big Three:

Louis Sullivan Walter Gropius Ludwig Mies van der rohe

Louis Sullivan:

Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was an American architect, and has been called the "father of skyscrapers" and "father of modernism”.

Prior to the late 19th century, the weight of a multistory building had to be supported principally by the strength of its walls. The taller the building, the more strain this placed on the lower sections of the building; since there were clear engineering limits to the weight such "load-bearing" walls could sustain, large designs meant massively thick walls on the ground floors, and definite limits on the building's height

In 1896, Louis Sullivan wrote in a poem:

It is the pervading law of all things organic and inorganic,

Of all things physical and metaphysical,

Of all things human, and all things super-human,

Of all true manifestations of the head,

Of the heart, of the soul,

That the life is recognizable in its expression,

That form ever follows function.

This is the law. "Form follows function" would become one of the prevailing tenets of modern architects

Louis Sullivan :

The Martin Ryerson Tomb is an Egyptian Revival style mausoleum designed by Louis Sullivan and completed in 1889.

The Wainwright Building (also known as the Wainwright State Office Building) is a 10-story red brick office building at 709 Chestnut Street in downtown St. Louis, Missouri.

Walter Gropius:

Walter Adolph Georg Gropius (May 18, 1883 – July 5, 1969) was a German architect who, along with Ludwig Mies van der Rohe, Le Corbusier and Frank Lloyd Wright, is widely regarded as one of the pioneering masters of modern architecture.

Walter Gropius was the founder of Bauhaus School.

“"Architecture begins where the engineering ends" -Walter Gropius

Educator:

Founded the Bauhaus School of Design (1919-1928)

Founded The Architect’s Collaborative (1945)

Key momentFled Nazi Germany under the pretext of a temporary visit to Britain with the help of architect Maxwell Fry (1934)

Key buildingsThe Fagus-Werk Factory, Berlin (1911)The Gropius House, Lincoln, Mass (1938)The Pan Am Building, New York (1958)

The Fagus Factory (German: Fagus Fabrik or Fagus Werk), a shoe last factory in Alfeld on the Leine.

For the first time a complete facade is conceived in glass.The corners are left without any support, yielding an unprecedented sense of openness and continuity between inside and out.

The Gropius House was the family residence of noted architect Walter Gropius at 68 Baker Bridge Road, Lincoln, Massachusetts.

 Gropius used his new home as a showcase for his Harvard students as well as an example of modernist landscape architecture in America

Walter Gropius:“As to my practice, when I built

my first house in the U.S.A.

—which was my own—

I made it a point to absorb

into my own conception

those features of the

New England architectural

tradition that I found still alive

and adequate. This fusion of the

regional spirit with a contemporary

approach to design produced a house

that I would never have built in Europe

with its entirely different climatic, technical

and psychological background”.

—Walter Gropius, Scope of Total

Architecture (1956) —

Ludwig Mies van der Rohe:

Ludwig Mies van der Rohe (born Maria Ludwig Michael Mies; March 27, 1886 – August 17, 1969) was a German-American architect.

He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings "skin and bones" architecture.

He is often associated with his quotation of the aphorisms, "less is more" and "God is in the details".

American work:Mies worked from his studio in downtown Chicago for his entire 31-year period in America.

His significant projects in the U.S. include in Chicago and the area: the residential towers of 860–880 Lake Shore Dr, the Chicago Federal Center complex, the Farnsworth House, Crown Hall and other structures at IIT; and the Seagram Building in New York. These iconic works became the prototypes for his other projects. He also built homes for wealthy clients

Farnsworth House

The highly-crafted pristine white

structural frame and all-glass

walls define a simple rectilinear

interior space, allowing nature and

light to envelop the interior space.

860–880 Lake Shore Drive

Mies designed a series of four middle-income high-rise apartment buildings for developer Herb Greenwald: the 860–880 (which was built between 1949 and 1951) .These towers, with façades of steel and glass emerges.

Museum of Fine Arts, Houston

Mies designed two buildings for the Museum of Fine Arts, Houston (MFAH) as additions to the Caroline Weiss Law Building. In 1953, the MFAH commissioned Mies van der Rohe to create a master plan for the institution. 

National Gallery, BerlinMies's last work was the Neue Nationalgalerie art museum, the New National Gallery for the Berlin National Gallery. Considered one of the most perfect statements of his architectural approach, the upper pavilion is a precise composition of monumental steel columns and a cantilevered (overhanging) roof plane with a glass enclosure.

S. R. Crown HallS. R. Crown Hall, designed by the German-born Modernist architect Ludwig Mies van der Rohe, is the home of the College of Architecture at the Illinois Institute of Technology in Chicago, Illinois.