20/20 2014
DESCRIPTION
Artwork by recent graduates of the BFA Fine Arts Department, School of Visual Arts, New York - 2014 SVA NYCTRANSCRIPT
![Page 1: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/1.jpg)
![Page 2: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/2.jpg)
![Page 3: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/3.jpg)
![Page 4: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/4.jpg)
Students experience their graduate exhibition dif fer-
ently. Some will be thrilled with their show and view it
as the crowning achievement of their time in school.
Others will be more doubtful. Maybe it wasn’t their
best work. Maybe it could have been better. Maybe it
should have been better.
Thankfully, none of these concerns will be of any con-
sequence in a couple of years. Whatever the success
of a graduation show may be, it ’s ultimately the start,
not the finish of a project that will last the rest of your
career. That project is your creative life.
There are a lot of ways to embark on this project, but
it 's important to know from the outset, that living the
life of a professional artist requires more than just
going to the studio. It ’s figuring out how to get the bills
paid and the hours free to spend the time you need
to on your art. For the many who will graduate with
student loans, it will mean taking on another job. My
advice to students who need to do this: choose your
day job wisely. A job that pays well, but offers no satis-
faction, can kill the creative spirit.
Maintaining a life in the arts involves sacrifice. Some-
times it ’s financial; investing in yourself costs money.
Sometimes it ’s social; investing in yourself takes time
that might otherwise be spent with friends and family.
Sometimes it ’s studio time—investing in an art-making
practice means getting out of the studio, attending gal-
lery and museum openings and visiting other studios.
Some of these sacrifices won’t seem like sacrific-
es at all, but others can be painful. There’s always
something you don’t want to do, or wish you could
do without giving up something else in return. In my
experience, though, the benefits of a creative life far
outweigh the costs. Nothing is more satisfying than
solving problems, which is something I see artists do-
ing all the time, inside and out of their studios.
There are more problems than ever to be solved by
artists. Living in city centers means dealing with rising
real estate prices. Finding support for projects outside
the commercial market has never been more dif ficult.
And yet, despite these challenges, today’s young art-
ists are making some of the best and most challenging
work we see today.
At SVA’s BFA Fine Arts Open Studios we get a glimpse
at some of that emerging talent. Perhaps on a foun-
dational level there is a real thirst for change amongst
many students—coupled by a sense of disenfranchise-
ment. Cassidy Toner addressed some of these issues
by launching 30 events in 30 days; the project seeks
to curtail a general malaise and apathy amongst SVA
students. A color-coded calendar with events like busi-
ness card exchange day and Easter egg painting day
decorated the walls of her studio. When I visited, she
was preparing for an opening in the Fine Arts building’s
lobby—a brilliant activation of a pre-existing space.
Similarly creating public space interventions, Andrew
K. Phan chose a place outside the studio and created
fake subway advertisements. “Looking directly at a
passenger directly across from you may cause them
discomfort” reads one announcement. In true New
York fashion, no one seems to notice.
SVA students engage in, and are critical of a variety of
issues affecting their lives. Christine Dulgarian exam-
ines the structural problems of the art world, writing
in a piece reasons why she doesn’t want to be an art-
ist—that committing to a life of uncertainty has more
drawbacks then perks. Meanwhile Daniel Fairbanks
examines gay sexual identity and discrimination by
creating works that give importance to the anonymous
gay men in his work by partially obscuring images of
their faces and placing them on a pedestal or on the
wall. The works look like relics from another time—a
memory not so distant, yet not clear enough to see.
![Page 5: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/5.jpg)
Material, always a source of inspiration amongst
artists, brings to life the work of many artists at SVA.
Kate O'Dell's beautiful, colorful, abstract assemblages
made with window blinds and other common materials
are a joy to look at, as are Sojung Kim’s paintings of
lush interiors and architectural spaces, and Gabriella
Price’s molds of sealed bags make the eye linger.
Many artists engage digital technology. The possi-
bilities of 3D printing are brought to life by Thibaut
Dapoigny’s enormous rhino resting on its nose. The
scale alone impresses. Jeremiah Lewis started with
a maquette of an apartment building filled with live
cockroaches and mercifully encased in Plexiglas, and
then pointed small video cameras at the art work. The
artist projected the results of the surveillance live. The
piece speaks to the subpar living conditions in the city.
Some works defy categorization or interpretation. Jun
Sung Kim’s video of a group of dancers in athletic
wear projected in the loading dock is one such work.
We saw dancers in American Apparel-type wear
workout and dance in a gym against glit tering gold
backdrops and create a multi-armed Indian God. It
could have been a portrait of youth in New York, but
then again, it could also have been a simple non-linear
narrative, defying any interpretation.
Perhaps most remarkable of all, though, is the ambi-
tion many SVA students bring to their studios. From
Toner’s energizing and seemingly endless efforts to
engage public space and other students to Lewis’s live
building surveillance, it ’s clear students are pushing
art in new directions. That makes this next stage in
the life of an artist—building and sustaining a creative
practice—all the more exciting.
PADDY JOHNSON
2014
![Page 6: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/6.jpg)
I R E N E C H I N
Left Untitled, 2013, plastic, acrylic paint, cinderblock, dimensions variable (photo: Irene Chin)
Right Untitled, 2013, Barbie doll clothes, wire, 9 x 10’ (photo: Raul Gomez Valverde)
![Page 7: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/7.jpg)
![Page 8: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/8.jpg)
![Page 9: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/9.jpg)
Left and right The Bachelorette Party, 2014, HD video, 11:19 min, dimensions variable (photo: Irene Chin)
![Page 10: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/10.jpg)
A N N E C L I N T O N
![Page 11: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/11.jpg)
Brandon's Frog, 2013, colored plaster rapid protoype, petri dish, 4 x 3 x 2” (photo: Raul Gomez Valverde)
![Page 12: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/12.jpg)
![Page 13: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/13.jpg)
Mother Monster, 2014, vinyl adhesive, dimensions variable (photo: Raul Gomez Valverde)
![Page 14: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/14.jpg)
![Page 15: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/15.jpg)
Left top Deer Lady 3 (left), Deer 1 (middle), Deer 2 (right), 2014, colored plaster rapid prototype, 7 x 3 x 2”, 5 x 5 x 4”, 4 x 3 x 3” (photo: Henry G. Sanchez)
Left bottom Deer Lady 1 (left), Dear Lady 2 (right), 2014, colored plaster rapid prototype, 7 x 3 x 2” each (photo: Henry G. Sanchez)
Right Deer Lady 1, 2013, computer model tif, dimensions variable (photo: Anne Clinton)
![Page 16: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/16.jpg)
T H I B A U T D A P O I G N Y
![Page 17: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/17.jpg)
Left and right bottom Rhinos, 2014, colored plaster rapid prototypes, 5 x 2 x 2” each and 2 x 2 x 2” each (photo: Beatriz Meseguer)
Right top 6 prototypes (render of the project Légère Absurdité – Absurde Légèreté), 2014, digital inkjet print, 24 x 46” (photo: Thibaut Dapoigny)
![Page 18: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/18.jpg)
![Page 19: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/19.jpg)
Left and right Légère Absurdité – Absurde Légèreté, 2014, CNC cut foam,
resin, fiberglass, wood and video projection (untitled), 7 x 4 x 4’ (photo:
Henry G. Sanchez)
![Page 20: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/20.jpg)
M A R T H A D I M I T R A T O U
![Page 21: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/21.jpg)
Navigators, 2014, video stills, dimensions variable (photo: Martha Dimitratou)
![Page 22: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/22.jpg)
![Page 23: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/23.jpg)
Left and right Navigators, 2014, video stills and multimedia installation, dimensions variable (photo left: Martha Dimitratou, right: Raul Gomez Valverde)
![Page 24: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/24.jpg)
D A N I E L F A I R B A N K S
All of My Boyfriends, 2014, plaster, archival prints, acrylic, 12 x 16” (photo: Daniel Fairbanks)
![Page 25: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/25.jpg)
![Page 26: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/26.jpg)
Top left Luigi’s Gayz, 2014, pillowcase, laser jet prints, acrylic picture frame, 8 x 17” (photo: Daniel Fairbanks)
Top right Layered Boxer, 2014, magazine covers, laser jet prints, 9 x 11” (photo: Daniel Fairbanks)
Right Red Triangle (left), Layered Boxer (center), All of My Boyfriends (right), 2014, mixed media, dimensions variable (photo: Daniel Fairbanks)
![Page 27: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/27.jpg)
![Page 28: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/28.jpg)
![Page 29: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/29.jpg)
Left Myrtle Heart (detail), 2014, shadowbox, glass, sand, 16 x 20” (photo: Raul Gomez Valverde)
Right Luigi’s Gayz (left), Myrtle Heart (center), A Roll in the Hay (right), 2014, mixed media, dimensions variable (photo: Raul Gomez Valverde)
![Page 30: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/30.jpg)
J O R D A N Y G E N A O
Left Ambiguous Gaze, 2013, unprimed canvas, rose pink thread, gold button, gold zipper, oil, 18 x 15” (photo: Henry G. Sanchez)
Right, upper left Creating a habitat out of habituated forms, 2013, unprimed canvas, pastel blue thread, 15 x 33” (photo: Henry G. Sanchez)
Right, upper right and below El Ombrigo Frio (Cold Belly Button), 2013, oil, packing tape, green felt, dark green thread, 15 x 10” (photo: Henry G. Sanchez)
![Page 31: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/31.jpg)
![Page 32: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/32.jpg)
![Page 33: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/33.jpg)
Left Untitled (detail), 2013, photograph, fabric, foam, 12 x 3 x 14” (photo: Henry G. Sanchez)
Right Untitled, 2013, foam, dyed athletic fabric, yellow athletic fabric, photograph, sheer fabric, avocado seeds, 14 x 13” (photo: Henry G. Sanchez)
![Page 34: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/34.jpg)
S E O N G W O N J E O N
![Page 35: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/35.jpg)
Left Landscape, 2014, oil on canvas, 48 x 36” (photo: Henry G. Sanchez)
Right Landscape, 2014, oil on canvas, 30 x 24” (photo: Henry G. Sanchez)
![Page 36: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/36.jpg)
Installation view, (left) Landscape, 2014, oil on canvas, 30 x 24", (center) Untitled, 2014, oil on canvas, 19 x 14", (right) Landscape, 2014 oil on canvas, 48 x 36"
(photo: Henry G. Sanchez)
![Page 37: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/37.jpg)
![Page 38: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/38.jpg)
A L E X A K E S H T G A R
Left Untitled, 2014, ink, thread, stuffing, fabric, 43 x 20 x 20’’ (photo: Raul Gomez Valverde)
Right Untitled, 2013, silkscreened on fabric, dimensions variable (photo: Henry G. Sanchez)
![Page 39: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/39.jpg)
![Page 40: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/40.jpg)
![Page 41: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/41.jpg)
Left Untitled, 2014, standard Barbie doll, plaster, liquid plastic, 15 x 10.5” (photo: Henry G. Sanchez)
Right Installation view, 2014, mixed media, dimensions variable (photo: Raul Gomez Valverde)
![Page 42: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/42.jpg)
M I N C H A E K I M
![Page 43: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/43.jpg)
House, 2013, 35mm black-and-white photo, dimensions variable (photo: Minchae Kim)
![Page 44: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/44.jpg)
![Page 45: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/45.jpg)
Left top Untitled (detail), 2014, photos, dimensions variable (photo: Henry G. Sanchez)
Left bottom Installation view, 2014, photos, flat screen monitor, videos, mixed media, dimensions variable (photo: Henry G. Sanchez)
Right House, 2013, 35mm black-and-white photograph, dimensions variable (photo: Minchae Kim)
![Page 46: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/46.jpg)
S O J U N G K I M
![Page 47: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/47.jpg)
Left Where I Am, 2013, acrylic on canvas, 46 x 36” (photo: Sojung Kim)
Right With You (ll), 2014, acrylic on canvas, 48 x 64” (photo: Sojung Kim)
![Page 48: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/48.jpg)
![Page 49: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/49.jpg)
Left With You (detail), 2014, acrylic on canvas, 48 x 64” (photo: Raul Gomez Valverde)
Right With You, 2014, acrylic on canvas, 48 x 64” (photo: Raul Gomez Valverde)
![Page 50: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/50.jpg)
P A U L A R T H U R L E M A R Q U I S
Greenland Landscape, 2014, digital inkjet print, 44 x 65” (photo: Paul Arthur Lemarquis)
![Page 51: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/51.jpg)
![Page 52: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/52.jpg)
Left Gowanus Landscape, 2012, digital inkjet print, 44 x 66” (photo: Paul Arthur Lemarquis)
Right EU Dreams, 2015, multimedia installation, European Union flag, hazmat suit, 23 min video: EU Dreams (produced by Résultat d'Experience), dimensions variable
(photo: Henry G. Sanchez)
![Page 53: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/53.jpg)
![Page 54: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/54.jpg)
K A T E O ' D E L L
![Page 55: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/55.jpg)
Installation view, 2014, mixed media, dimensions variable (photo: Raul Gomez Valverde)
![Page 56: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/56.jpg)
![Page 57: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/57.jpg)
Left and right top 4 us (detail), 2014, mixed media, 94 x 109” (photo: Raul Gomez Valverde)
Right bottom 4 us, 2014, mixed media, 94 x 109” (photo: Raul Gomez Valverde)
![Page 58: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/58.jpg)
F R E D E R I C K P A X T O N
Europe's Edges Ice Core Sampling, 2012, HD video, projection, multi-coated perspex screens, dimensions variable (photo: Raul Gomez Valverde)
![Page 59: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/59.jpg)
![Page 60: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/60.jpg)
![Page 61: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/61.jpg)
Left and right Europe's Edges Ice Core Sampling, 2012, HD video, projection, multi-coated perspex screens, dimensions variable
(photo left: Raul Gomez Valverde, right: Frederick Paxton)
![Page 62: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/62.jpg)
A N D R E W K . P H A N
Visualizing Surveillance, 2014, computer graphics, appropriated image, dimensions variable (photo: Andrew K. Phan)
![Page 63: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/63.jpg)
![Page 64: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/64.jpg)
![Page 65: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/65.jpg)
Left and right bottom TDOR 2013, 2013, chalk, lasercut cardboard, acrylic paint, dimensions variable (photo: Andrew K. Phan)
Right top Visualizing Surveillance, 2014, computer graphics, appropriated images, mylar, dimensions variable (photo: Andrew K. Phan)
![Page 66: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/66.jpg)
G A B R I E L L A P R I C E
Installation view, 2014, silicone, urethane foam, plaster, acrylic paint, dimensions variable (photo: Henry G. Sanchez)
![Page 67: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/67.jpg)
![Page 68: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/68.jpg)
![Page 69: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/69.jpg)
Left Untitled, 2014, plaster, mesh, acrylic paint, 7 x 3.5 x 9” (photo: Henry G. Sanchez)
Right top Untitled, 2014, plaster, wool, 7 x 8 x 5” (photo: Henry G. Sanchez)
Right bottom Installation view, 2014, silicone, urethane foam, plaster, acrylic paint, dimensions variable (photo: Henry G. Sanchez)
![Page 70: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/70.jpg)
J U R I R H Y U
![Page 71: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/71.jpg)
Left (Big title) Self portrait, 2014, mixed media, 90 x 80” (photo: Henry G. Sanchez)
Right Self portrait, 2014, glass, bottles, acrylic paint, 20 x 10 x 16” (photo: Henry G. Sanchez)
![Page 72: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/72.jpg)
(Left) Sweetie, (center left) When I looking at you I feel, (center right) State of liberation, (right) Red house on the cloud, 2014, mixed media, dimensions variable
(photo: Henry G. Sanchez)
![Page 73: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/73.jpg)
![Page 74: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/74.jpg)
S I E R R A V I L L A R E A L S A N T I A G O
![Page 75: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/75.jpg)
Left and right In her armor: Frail salvation, 2013, lucite, string, dimensions variable (photo: Sierra Villarreal Santiago)
![Page 76: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/76.jpg)
![Page 77: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/77.jpg)
Left Through the skin, 2014, lucite, latex, wood stand, 8 x 4' (photo: Raul Gomez Valverde)
Right Barrier, 2014, fabric, trimming, 6 x 6' (photo: Raul Gomez Valverde)
![Page 78: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/78.jpg)
M A X I M I L I A N O S I N A Ñ I
Left Slipper, 2011, slipper, blue dispersion, 5 x 4 x 3” (photo: Maximiliano Siñani)
Right Cup, 2012, McDonald's cup, human hair, 6 x 3 x 3” (photo: Maximiliano Siñani)
![Page 79: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/79.jpg)
![Page 80: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/80.jpg)
![Page 81: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/81.jpg)
Left and right Beetles, 2014, 1972 & 1974 Volkswagen Beetles, 160 x 120 x 58” (photo left: Henry G. Sanchez, right: Raul Gomez Valverde)
![Page 82: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/82.jpg)
![Page 83: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/83.jpg)
Sponge, 2013, sponge, toothpicks, 4 x 6 x 12” (photo: Maximiliano Siñani)
![Page 84: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/84.jpg)
N O E S O S A
Left Sueño profundo y no puede ser nada (Deep sleep and I couldn’t help them) (left), The tree house that feeds itself (center), Into and out of (right), 2014, fabric,
lumber, oil, dimensions variable (photo: Henry G. Sanchez)
Right Into and out of, 2014, AC plywood, pine, scrap lumber, oil, dimensions variable (photo: Henry G. Sanchez)
![Page 85: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/85.jpg)
![Page 86: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/86.jpg)
Left Sueño profundo y no puede ser nada (Deep sleep and I couldn’t help them), 2014, fabric, oil on wood, 6 x 8’ (photo: Henry G. Sanchez)
Right Su pelo era café y su amiga era una niña (Her hair was brown and her friend was a little girl), 2014, fabric, oil on wood, 8 x 5’ (photo: Henry G. Sanchez)
![Page 87: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/87.jpg)
![Page 88: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/88.jpg)
C A S S I D Y T O N E R
Left top 30 Days: An Attempt at a Community (Week 1 Schedule Crossed-out), 2014, digital inkjet print, A.P., 16 x 20” (photo: Raul Gomez Valverde)
Left bottom 30 Days: An Attempt at a Community (Weeks 1-5 Crossed-out), 2014, digital inkjet print, A.P., 16 x 20” each (photo: Raul Gomez Valverde)
Right 30 Days: An Attempt at a Community, 2014, mixed media, dimensions variable (photo: Raul Gomez Valverde)
![Page 89: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/89.jpg)
![Page 90: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/90.jpg)
![Page 91: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/91.jpg)
30 Days: An Attempt at a Community (Complaint Day) (left), 30 Days: An Attempt at a Community (Face Painting Day) (right), 2014, digital inkjet print, A.P., 40 x 30”
(photo: Raul Gomez Valverde)
![Page 92: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/92.jpg)
![Page 93: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/93.jpg)
CHAIR'S CHOICES
20/20
![Page 94: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/94.jpg)
M I C H A E L C A U D O
![Page 95: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/95.jpg)
Left (above) C, 2014, acrylic, magnets, screws on steel in 6 parts, 130 x 65"; (center) News, 2014, acrylic on steel, 24 x 36”; (photo: Henry G. Sanchez)
Right top (above) C, 2014, acrylic, magnets, screws on steel in 9 parts, 130 x 105”; (center) Comic, 2014, acrylic on steel, 10 x 17”, (photo: Henry G. Sanchez)
Right bottom Installation view, 2014, mixed media, dimensions variable (photo: Henry G. Sanchez)
![Page 96: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/96.jpg)
![Page 97: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/97.jpg)
Left Nephew, 2014, oil and acrylic on canvas, 78 x 82” (photo: Henry G. Sanchez)
Right Swope, 2014, acrylic on steel, 27 x 29” (photo: Henry G. Sanchez)
![Page 98: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/98.jpg)
K E N N E D Y K E E G A N
Left Untitled, 2014, ceramics, rocks, acrylic, wood, dimensions variable (photo: Raul Gomez Valverde)
Right Untitled (detail), 2014, ceramics, rocks, acrylic, wood, dimensions variable (photo: Raul Gomez Valverde)
![Page 99: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/99.jpg)
![Page 100: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/100.jpg)
Left top Installation view, 2013, telescope, electrical pipe, plaster, burlap, hydrocal, dimensions variable (photo: Raul Gomez Valverde)
Left bottom Untitled, 2014, plaster, wood, burlap, 8 x 8 x 8’ (photo: Henry G. Sanchez)
Right Installation view, 2014, mixed media, dimensions variable (photo: Henry G. Sanchez)
![Page 101: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/101.jpg)
![Page 102: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/102.jpg)
J E R E M I A H L E W I S
Left Déjà Vu, 2013, casters, epoxy adhesive, inkjet print, 4 x 3 x 2.5” each (photo: Jeremiah Lewis)
Right Sitting at the Dock, 2013, video projection, house lamp, studio trash, plastic vellum, trunk, pillows, dimensions variable (photo: Raul Gomez Valverde)
![Page 103: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/103.jpg)
![Page 104: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/104.jpg)
![Page 105: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/105.jpg)
Left and right Dealey Plaza, 2014, live video projections, HD video cameras, paper, wood, Plexiglas, live dubia roaches, dimensions variable (photo: Raul Gomez Valverde)
![Page 106: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/106.jpg)
D A R Y A W A R N E R
![Page 107: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/107.jpg)
Left and right top Pirocystis Fusiformis (detail), 2014, fabric, foam, LED lights, fish tanks, Plexiglas, aeration, pumps, tubes, inoculation rods, flagellate microorganisms,
111 x 168 x 96” (photo: Henry G. Sanchez)
Right bottom Musa (banana stack), 2013, glass, 8 x 10” (photo: Raul Gomez Valverde)
![Page 108: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/108.jpg)
![Page 109: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/109.jpg)
Left and right top Tribute to Epiphytes, 2013, wood, airplants, tubes, acrylic paint, 96 x 6 x 48” (photo: Raul Gomez Valverde)
Right (bottom) String Theory 42, 2014, neon light, hemp string, mirrored mylar, 15 x 20 x 40" (photo: Raul Gomez Valverde)
![Page 110: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/110.jpg)
J U N S U N G K I M
![Page 111: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/111.jpg)
Left and right Archaeology of SVA, 2014, HD video still, multimedia, HD video projection, 18 min, dimensions variable (photo: Henry G. Sanchez)
![Page 112: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/112.jpg)
![Page 113: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/113.jpg)
Left and right Archaeology of SVA, 2014, HD video projection, multimedia, dimensions variable (photo: Henry G. Sanchez)
![Page 114: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/114.jpg)
![Page 115: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/115.jpg)
![Page 116: 20/20 2014](https://reader030.vdocuments.mx/reader030/viewer/2022020223/5790735e1a28ab6874ab12e2/html5/thumbnails/116.jpg)