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FOLKWAYS RECORDS Album No. F J 2805 © 1951 Folkways Records and Service Corp., 701 Seventh Ave., NYC USA

JAZZ VOLUME V CHICAGO NO I

INTRODUCTION AND NOTES ON THE RECORDINGS BY FREDER I C RAMSEY, '"".

THE PLAN or ~AZZ, VOLUME 5, CHICAGO I, HAS BEEN TO DEVELOP, THROUGH A SEQUENCE or RE­CORDINGS MADE FROM 1923 TO 1929, A DOCUMENT THAT CHRONICLES THE ARRIVAL IN CHICAGO OF THE JAZZMEN FROM NEW ORLEANS (SIDE I) (1923-1926) THEN TO SHOW HOW THEIR MUSIC ALTERED OR WAS BLENDED WITH THAT OF OTHER MUSICIANS AS THEY WERE ASSIMILATED INTO THE NORTHERN CITY.

ERSKINE TATE'S ORCHE~TRA AT OLD SUNSET

As rAR AS POSSIBLE, A CHRONOLOGICAL SEQUENCE WAS MAINTAINED; SIDE I BEGINS WITH A RECORD­ING or ~ELLY ROLL MORTON'S STOMP KINGS, DATING FROM CIRCA ~UNE, 1923, AND ENDS WITH A LOUIS ARMSTRONG SELECTION RECORDED NOVEMBER 16, 1926. AN EXCEPTION TO SEQUENCE OCCURS AT THE BEGIN­NING or THE SECOND SIDE, WHERE rOR THE SAKE or GROUPING QUITE VARIED APPROACHES TO STOMPS, AND ALONG WITH THAT TO ENSURE WHAT SEEMED TO BE A MORE INTERESTING MUSICAL rLOW, THREE RECORDS MADE IN 1926 PRIOR TO THE LOUIS ARM­STRONG ~.BUT1ER AND EGG MAN WERE USED.

~IMMY BERTRAND, DRUMS; TEDDY WEATHERFORD, PIANO; vOHN HARE, TUBA; ATKI~S, TROU&ONEj vAYE8 TATE, TRUMPET

IT IS NOT CLAIMED THAT THIS IS A COMPLETE PICTURE OF WHAT HAPPENED, JAZZ-WISE, IN CHICAGO FROM 1923 TO 1929. AS CHICAGO WRITERS PAUL EDUARD MILLER AND GEORGE HOEFER HAVE POINTED OUT, MANY TALENTED MUSICIANS CAME TO TOWN WHO NEVER GOT ON RECORD. MANY MORE DE­VELOPED IN THE NEST OF TALENT THAT WAS BUILT, STRAND BY STRAND, BY THE NEW ORLEANS MUSICIANS AS THEY ONE BY ONE CAME TO CHICAGO AND SETTLED. THERE HAS BEEN NO WISH TO NEGLECT THEM. THEIR STORIES CAN BE FOUND IN THE BOOKS INCLUDED IN THE BIBLIOGRAPHY ATTACHED TO THESE NOTES.

As FAR AS THE EDITOR HAS BEEN ABLE TO DETER­MINE, ALL RECORDS USED IN THIS ANTHOLOGY WERE MADE IN CHICAGO. NO RECORDING OF ANY SIGNIFI­CANCE TOOK PLACE BEFORE 1923, AS ALL COMPANIES WERE RELUCTANT, UP UNT I L THAT TI ME, TO UNDER­TAKE A CATALOG OF NEGRO MUSIC, WHICH WAS FOR THE MOST PART EITHER UNKNOWN TO OR MISUNDER­STOOD BY, WHITE OFFICIALS or THE VARIOUS RECORD CONCERNS. THE PARAMOUNT COMPANY PIO­NEERED IN THIS RESPECT; WITHOUT ITS SERIES OF RECORDINGS OF NEGRO JAZZMEN, BEGUN IN 1923, THERE WOULD BE VERY LITTLE TO SHOW OF A PER­IOD THAT, IN RETROSPECT, SEEMS TO HAVE BEEN ONE OF THE MOST CROWDED AND INTERESTING IN JAZZ HISTORY.

SIDE I EARLY SETTLERS

BAND I BIG FAT HAM, BY JELLY ROLL MORTON'S STOMP KINGS. JELLY ROLL MORTON, PIANO; JASPER TAYLOR, DRUMS; DOMINIQUE, CORNET; TOWNES, CLARINET AND ALTO; ROY PALMER, TROMBONE. COMPOSITION CREDITED TO MORTON. ~ JUNE, 1923.

BAND 2 PLAY THAT THING, BY OLLIE POWERS' HARMONY SYNCOPATORS. ALEX CALAMESE, FIRST CORNET; TOMMY LADNIER, SECOND CORNET; EDDIE VINCENT, TROMBONE; JIMMY NOONE, CLARINET; HORACE DIEMER, ALTO

)I It SAX; GLOVER COMPTON, PIANO; DAGO, BANJO; lIBASSlI MOORE, TUBA; OLL! E POWERS> DRUMS. ORIGINAL RELEASE PARAMOUNT 12059 (MASTER 1502-2), AMERICAN MUSIC 7. RE­CORDED CHICAGO, 1923.

BAND 3 SOlJfHERN STOMPS, BY KING OLIVER'S " II CREOLE JAZZ BAND. JOSEPH KING OLIVER,

LOUIS ARMSTRONG, CORNETS; HONORE DUTREY, TROMBONE; JOHNNY DODDS, CLARINET; LILLIAN • HARDIN ARMSTRONG, PIANO; BABY DODDS,

DRUMS; UNKNOWN BANJO, BASS SAX. ORIGINAL ISSUE PARAMOUNT 12069 (1623-2), 14915. CHICAGO, 1923.

BAND 4. I CAN'T SAY, BY NEW ORLEANS BOOTBLACKS. GEORGE MITCHELL, CORNET; KID ORY, TROMBONE; JOHNNY DODDS, CLARINET; POSSIBLY STOMP EVANS, ALTO SAXOPHONE; LIL ARMSTRONG, PIANO; ~OHNNY ST. CYR, BANJO; BABY DODDS, DRUMS. OR I G I NAL ISSUE COLUMBIA 14465. RECORDED CHICAGO JULY 13, 1926.

BAND 5. MESSIN' AROUND, BY JIMMIE BLYTHE AND HIS RAGAMUFFINS. PERSONNEL PARTIALLY UN­KNOWN. FREDDIE KEPPARD, CORNET; ~OHNNY DODDS, CLARI~ET; JIMMY BLYTHE, PIANO; TRIXIE SMITH, VOCAL. OR I GI NAL I SSUE PARAMOUNT 12376. RE­CORDED CHICAGO, AUGUST, 1926.

BAND 6. STOCKYARDS STRUT, BY FREDDIE KEPPARD'S ~AZZ CARDINALS. FREDDIE KEPPARD, CORNET; EDDIE VINCENT, TROMBONE; ~IMMY O'BRYANT, CLARINET; ARTHUR CAMPBELL, PIANO; ~ASPER TAYLOR, DRUMS. ORIGINAL ISSUE PARAMOUNT 12399. RECORDED CHICAGO, SEPTEMBER 1926.

BAND 7. BIG BlITTER AND EGG f'MN FROM THE WEST, BY LOUIS ARMSTRONG AND HIS HOT FIVE. LOUIS ARMSTRONG, CORNET, VOCAL; KID ORY, TROMBONE; ~OHNNY DODDS, CLARINET AND ALTO SAX; LIL HARDIN ARMSTRONG, PIANO; ~OHNNY ST. CYR, BAN~O. ORIGINAL ISSUE OKEH 8423. RECORDED CHICAGO, NOVEMBER 16, 1926.

SIDE I I

BAND I. STOMP OFF, LET'S GOI BY ERSKINE TATE'S VENDOME ORCHESTRA. LOUIS ARMSTRONG, JAMES TATE, TRUMPETS; FAYETTE WILLIAMS, TROMBONE; ALVIN FERNANDEZ, CLARINETj STOMP EVANS, ALTO, BASS SAX; NORVEL MORTON, TENOR SAX; TEDDY WEATHERFORD, PIANO; ~OHN HARE, TUBA; ETHRIDGE, BANJO; JIMMY BERTRAND, DRUMS. ORIGINAL ISSUE VOCALION 1027. RECORDED CHICAGO MAY 28, 1926.

BAND 2. SLGARFOOT ST~P (D I PPERfvOJTH BLUES) BY KING OLIVER AND HIS DIXIE SYNCOPATORS. ~OSEPH IIKING

lI OLIVER, BOB SCHOFFNER,

TRUMPETS; KID ORY, TROMBONE; ALBERT NICHOLAS, BilLY PAGE, BARNEY BIGARD, CLARINETS AND SAXOPHONESIN REED SECTION; LUIS RUSSELL, PIANO; BUD SOOTT, BANJO; BERT COBB, TUBA; PAUL BAR8ARIN, DRUMS. ORIGINAL ISSUE VOCAL­ION 1033. RECORDED CHICAGO, MAY, 1926.

BAND 3. BLACK BOTTa~ STO~~, BY ~ELLY ROLL MORTON'S RED HOT PEPPERS. GEORGE MITCHELL, CORNET; KID ORY, TROMBONE; OMER SIMEON,

CLARINET; JOHNNY ST. CYR, BANJO; JOHN LINDSAY, BASS; ANDREW HILAIRE, DRUMS; JELLY ROLL MORTON, PIANO. ORIGINAL ISSUE VICTOR 20221. RECORDED CHICAGO, SEPTEMBER 15, 1926.

BAND 4. CCWf ON AND STeM', ST<lw1P, STCl.1P BY JOHNNY DODDS' BLACK BOTTOM STOMPERS. GE6RGE MITCHELL, RUBEN REEVES, CORNETS; GERAL REEVES, TROMBONE; JOHNNY DODDS, CLARINET; CHARLIE ALEXANDER, PIANO; BUD SCOTT, BANJO; BABY DODDS, DRUMS. ORIGINAL ISSUE VOCALION 1148. RECORDED CHICAGO, OCTOBER 8, 1927.

BAND 5. FOUR OR FIVE TIMES, BY JIMMIE NOONE'S APEX CLUB ORCHESTRA. JIMMIE NOONE, CLARINET; JOE POSTON, ALTO SAX; EARL HINES, PIANO; BUD SCOTT, BANJO; JOHNNY WELLS, DRUMS. ORIGINAL ISSUE VOCALION 1185. CHICAGO, MAY 16, 1928.

8AND 6. PARKWAY STa.1P, BY ALBERT WY NN 'S ORE OLE JAZZ BAND. PUNCH MILLER, TRUMPET; ALBERT

WYNN, TROMBONE; LESTER BOONE, OLARINET. AND SAXOPHONE; CHARLIE JACKSON, GUITAR; ALEX HILL, PIANO. UNKNOWN DRUMS. ORIGINAL ISSUE, VOOALION 1220. RECORDED CHICAGO, OCTOBER, 1928.

BAND 7. Bl.lCKTO,~N STavlP, BY JOHNNY DODD I S WASHBOARD BAND. NATTY DOMINIQUE, CORNET; KID ORY, TROMBONE; JOHNNY DODDS, CLARINET; LILLIAN HARDIN ARMSTRONG, PIANO; BILL JOHNSON, BASS; BABY DODDS, WASHBOARD. ORIGINAL ISSUE VIOTOR 38004. REOORDED

CHIOAGO, JULY 6, 1928.

EDITOR - FREDERIC RAMSEY,,JR. PRODUCTION DIREOTOR - MOSES ASCH

B I BLI cmAA-fV

(OUIS AR.-TRONG: ·'S.,NG THAT MUSIC" .36 PP.'NTRCDUCTION BY RUDY VALLEE;

MU81C 8ECTION ED. BY HORAOE GERLACH. LONGMAN8, GREEN & CO., NE. YORK, 1936; LONGMANS, GREEN & CO.LTD., LONDON,1947). Runl BLESH: "8HINING TRUMPETS" - A H 18TORY Of' ,JAZZ" (365 PP. ALf"RED A. KNOPf", NEW YORK,I946i CASSELL & CO. LTD., LONDON, NOT YET PuBLISHED).

RUDI BLESH AND HAN81 ,JANIS: "THEY ALL PLAYED RAGTIME" (338 PP. PLU8 XVIII, ILLU8. ALf"RED A. KNOPf", NE. YORK, 1950).

ORIN BLACK8TONE: ",NDEX TO ,JAZZ" VOLUME8 I TO IV (444 PP. GORDON GULLIOKSON, f"AIRf"AX, VA •• 945-7). DAVE CAREY. ALBERT MCCARTHY AND RALPH VENABLE81 ",JAZZ DIRECTORY" (LONDON). CHARLES DELAUNAY: "THE NE. HOT DIS­COGRAPHY" (608 PP. ED. BY WALTER E. SCHAAP AND GEORGE AVAKIAN, CRITERION MUsic CORP., NE. YORK, ISi8). SIDNEY f"lNKELSTEIN: ",JAZZ - A PEOPLE'S MUSIC" (278 PP. THE CITADEL PREaS, NE. YORK, 1948). ., LDER HOBSON: "AMERICAN ,JAZZ MUSIC" (230 PP. I LLUS ••••• No..TON & co., NE. YORK, 19~; ,J.M. DENT & CO.LTD., LONDON, 1940,. ALAN LOMAX: MISTER ,JELLY ROLL"(:318 PP. ILLU8., DUELL, SLOAN, AND PEARCE, NE. YORK, 1950). ,JOHN A. AND ALAN LOMAXI "NEGRO FOLK SONG8 AS SUNG BY LEADBELLY" ( MACMILLAN & CO., NE. YORK, .936; MACMI LLAN & CO. LTD., LONDON, .938). MEZZ MEZZROW AND BERNARD .OLFEI "REALLY THE BLUE8" (:388 PP. RANDOM HOUSE, INC. NE. YORK, 1946; MUSICIANS PRE88 LTD., LONDON, 1947). THE MY AL-CARNEGIE STUDY: "THE NEGRO IN AMERICAN CULTURE NEGRO MUSIC 8ECliON ED. BY 8TERLING A. BRO.N, HARPER & SONS, NEW YORK, 19i2}. PREDERIC RAMSEY. ,JRI "OHIOAGO DOOU­MENTARY - PORTRA IT Of" A ,JAZZ ERA" (36 PP. ,JAZZ SOOIOLOGICAL 800lETY, LONDON, 1944). PREDERIC RANSEY,,JR. AND OHARLES EDWARD !!!ll!! (EDS. ) ",JAZZMEN" (:360 pP. I LLUS. HARCOURT, BRACE & CO., NEW YORK,'9~).

PAUL EDUARD MILLER: EDITOR ESQUIRE JAZZ BOOKS, 1944, 1945, ,946. SMITH AND DURRELL, NEW YORK. GEORGE HOEFER: ilKID PUNCH iI

, ARTICLE IN PLAYBACK MAGAZINE, V.II NO.1, NEW OR­LEANS 12, LA. PUBLISHEO BY ORIN BLAOK­STONE. AND DOWN BEAT, PASSIM. FREDERIC RAUSEY,.JR.: CHAPTER, HGOIN ' DOWN STATE STREET", IN JAZZWAYS, EDITED BY RAMSEY &SLESH, ROSENTHAL PUBLISHER, OINCINNATI, 1945.

Numerical Listing -Ortler form 'A 2004

'A 200II

'A 2014 =FA2024

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'A 2030

'A 2034 -'''2035 -'A 1031 =FAJ:lOI

TAlCE TlOS HAMMER, 1,oadbo11) Le,aey, Vol I lONNY TERRY'S WASHBOARD BAND.

~~:nsr;~ UNE 1,oadbolly Vol 2 LEADBELLY'S LEGACY Vol 3, Early Hcordin .. GET ON BOARD. Jumb Blue. wtth Terry, MeGhH BLUES BY BROWNIE McGHEE. BI ••• with ",liar EASY RIDER. 1,oadbolly 1,opcy Vol. 4 lONNY TERRY HARMONICA" VOCALS SPIRITUALS. With Ilodt !Wed and V.ra Hall COUNTRY DANCE MUIIC wtlll ... -..rct band ("''''''cltet)

'J 22110

FJ 22112

,J 22113

'A23:1e ='A2377

'A 23M ='A2361

'A 2372

'A 2374

'A 2313

'A 2385

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_'A 2389

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'A3421

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_'A 2484

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'A 2478 ='AMI8

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FA 2656

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BABY DODDS DRUM SOL06. Int.rvI.w, drum example. MARY LOU WILUAMS. Record M .. ton, n­hearl&l ART TA ruM 11RO. Rehea.rw H .. lon, re ­corelln, • • BIG BILL BROONZY • COUNTRY BLUES BROWNIE McGHEE" SONNY TERRY, Folk­blue •• BIG BIL.L BROONZY. Ali-time creat blue •• ON THE ROAD. SoMY Torry, Stick MeGho. , etc. FISK JUBIL.EE SINGERS. World lamOUl. Necro Splrituala NEGRO FOLK RHYTIIMS. Ell. Jenkln. and ,roup. DAVE VAN RONK SINGS. Earthy ballad •• nd blue. MEM PHIS SLIM" WILUE DIXON. BI ••• , ptaro" ca .. MEMPHIS SLIM" WILLIE DIXON. At the Vlllare Gate CAT IRON. Old-Ume Nelro IIOnll and guitar

~tt~' SEC:CER AT CARNEGIE with SoMY

~~r~t ~~~e,."C;RJC VON SCHMIDT. Folk-8Onp" blue •. TRADITIONAL BLUES, Vol I. Su", by Brownie McGbre TRADITIONAL BLUES, Vol 2. Ton ",or. bluu by McGhee MUSIC OF NEW ORLEANS Vol I . Stro.t

:~~I~ ~;r~~r~LEANS Vol a. Eureka Brus Bard MUSIC or NEW ORLEANS VoL 3. MU.IC from Dance HaU. MUSIC OF NEW ORLEANS Vol 4. Tho &!rth of Jazz MUSIC Of NEW ORLEANS Vol 5. Jan Flowertns SNOOKS EAGUN. New Orleans street singer. LEADBELLY SINGS FOLK SONGS. Newly releaHd muten. ONE MAN BAND. Street style music. Kazoo, cow bell, etc. AMERICAN SKlFFLE BANDS. Field r<cord-

~t~:Ct~Rs.!;Mt~HE SOUTH . VoL 1. Co.ntry bru. bands. MUSIC FROM THE SOUTH VoL 2. Horace

~~~~ ~RciM THE SOUTH Vol 3 Horace

:r,~;~N;RJM THE SOUTH VoL 4. Horace

:r~~\~N~~M THE SOUTH Vol 5. Sonl,

~ifsl~ d,~'i.. TIlE SOUTH Vol 8. Elder IOnester, No. 1 MUSIC FROM THE SOUTH Vo l 7. Eld.r aongsle- rs No. 2 MUSIC FROM THE SOUTH Vo l' 8. Young aong.ter. MUSIC fROM THE SOUTH VoL 9. Song" worstup BEEN HERE AND GONE Vol. 10. Colle-ctlona SIX" SEVE N- EIGHTS STRING BAND (While) New Orlean.

F J 2801 fOSTORY OF JAZZ Vol I. The Sooth -F J 2802 HISTORY Of JAZZ Vol 2. The BI ... -F J 2803 HISTORY OF JAZZ Vol 3. OW.land -F J 2804 HISTORY OF JAZZ VoL t. Jazz Slnprs -FJ 2805 HISTORY Of JAZZ VoL 5. Chlcal!O No. I -'J 280& fOSTORY OF JAZZ Vol. 8. Chieal!O No. 2 -FJ 2807 HISTORY OF JAZZ VoL 7. New York IU2-34 -FJ 2808 HISTORY OF JAZZ Vol 8. BII Band. pro-Ii" -'J 2809 HISTORY OF JAZZ Vo L i . Plano

=~~ ~m ~~:~ g~ ~~n ~~t :~: ~..daJ·"'~, K.C. -YJ 2841 JAZZ AT TOWN HALl... The 'to. lreat concert -Y J 2842 Y AMEK.RAW. Ortl1nai comp. Jame_ J. Johneon -FA 2Il4Ia/ bLEADBELLY'S LAST SESSIONS Vol. I, Pt. I -'A 2i4Ie / dLEADBELLY'S LAST SESSIONS VoL I, PI. 2 -FA 2942a/ bLEADBELLY'S LAST SESSIONS Vol 2, Pt. I -FA 2942e/ dLEADBELLY'S LAST SESSIONS Vol. 2, Pt. 2

FG3524 THE REAL BOOGIE WOOGIE OF MEMPK15 SLIM

FG 3526 NEGRO FOLKSONGS" TUNES. Ellubeth Conen

FG 3577 LITTLE BROTHER MONTOOMERY. Country blue. piano

_ FG3529 TWELVE -STRING GUITAR. Folk oonl. and blue.

'G3535 -'G3538 ='Gn38

THE REAL HONKY TONK. M."'phi. 511", CHICAGO BOOGIE WDOCIE. Me",phi. SII", TAM80RINES TO GLORY. Goapel _one_ on Broadway

f c.;354C f c.;3~54 rG3S~~

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fG3585

FG3566

FS 3814

FS 3615

FS 3817

_1'5 3818

f'S 3820

FS 3821

FS 3822

FS 3823

FS 3824

fS 3625 -FS 382&

FS 3827

FS 3839

FS 3857

FS 3858

FS 3864

FE4417

FE4418

1'1:4471

FE 4472

FE 4473

FE44H

FE 4475

w. C. HANDY nLCF.S. Su ll~ In K.a.l~rlllf' HMld y RAHR£LHOtlS AL'C K. Btu('!I;.net b.rrf'lhous~ THE BARRF.L · HO US F: B1.I.;E~ Of SPt' ,Kl ED RED AROW!SIE MI GH EE SI~GS nH: RLl' ES JOSt;PH LAMA PLAYS RA c...r rMF . Stud \ III

rl .SS lt r.~

ESSAY IN RAGTIME. Ann Charttrs ragtime­pla.no BUND WILUE JOHNSON. Oocumenury. onginal recorda. BIG BILL BROONZY STORY. lntervtfwa.nd song •. SLEEPY JOHN ESTES. Ne-w re-co rdlnp of historic alnger VlCTORLA SPIVEY SINGS THE BLUES. Co",­posed by artist BIG BILL BRooNZY , SONNY TERRY, BROWNu: McGHEE BALl..AD6, BLUES AND A SPIRITUAL. Sunl by Dave Van Ronk BIG JOE WILUAMS. Bluea with 9-.tr1ne

~~~ TERRY' S NEW SOUND. Jawharp In blues UCHTNlN' HOPKINS. Blue-s 8tnger redls­cove-re-d FURRY LEWIS. Famous bluu slneu In .ong, Intervlew ARBEE ' S BLUES. Arbe~ Stidham Vld Memptu. Slim WOMEN BLUES Of CHAMPION JACK DUPREE BLUES BY .rAZZ GILLUM, With SUd ham and Memptu.,Sllm BLUES B' R()()5EVEL T SYKES. Ali-time bluu great LITTLE BROTHER MONTGOMERY PLAYS CHURCH MUSIC PIANO PIECES OF KERN, GERSKWIN, YOU­MANS, rlc. 9ONG" DANCE MAN. Recre aUon of the 'gOa, .010" orch. MY TRUE LOVE. Vocal ard aa..xaphoM ln

r6~·~~·i. BLUES WITH PETE SEEGER, BIG BILL BRooNZY NEGRO FOLK MUSIC Of ALABAMA Vol I . Secular . NEGRO FOLK MUSIC OF A~AMA VoL 2. R~hg1.O\.I' NEGRO FOLK MUSIC Of ALABAMA Vol 3. R. Ame rlllon No. I NEGRO fOLK MUSIC OF ALABAMA VoL 4. R. Am~rson No.2 NEGRO FOLK MUSIC OF ALABAMA Vol 5. Spnitual. NEGRO FOLK MUSIC Of ALABAMA VoL 8. R'Rg gamelll, play NEGRO PRISON CAMP WORK SONGS. ChaJn gang, proteat

FE 4502a/ bAFRO-AMERICAN DRUMS. Exa",pl ••• nd 8tylea

fH 5252 AMERICAN NEGRO SONG/; FROM SLAVERY OA YS. M. LaRue

fH 5589 STREET AND GANGLAND RHYTHMS - fW6824 GOSPEL SONGS FROM THE BAHAMAS.

The Mlulo nary Quanf't FC1312 THE STORY OF J AZZ. Introductory r :cord

by L. Hughes. fC 7533 NEGRO FOLKSONGS FOR YOUNG PEOPLE.

FC7652 ~~~il~KYTKM. Simple-,complex rhyttun by Ella Jenkins •

FC7553 RHYTHMS OF C HILDHOOD wit. EI~ Jenklno =F I 8273 ADVENTURES eN CKYTKM. Wo rbhop wlth

Ella Jf'nk..1na FI H3>5 ART OF THf; FOl.K LlLUES \,I'ITAIl h\

.h'rn SJlvt'rnl:!1I Fl 8371ajbTKE 12-STRING GUITAR Pt. I. """I«r play.

1,oadbolly aryle FI 8311c / dntE 12-STRlNC GUITAR Pt. 2. See~r playa

Leadbelly style rR~.801 URB AN HOUNESS SERVICr.. Eldrr 8eclr.'.

Go.~1 Cta!rch fL9718 KENNETH PATCHEN READS WITH JAZZ.

Ala n Nell Quartet. RF -1 COUNTRY BLUES. Early rural reco rd1nca ,

folk arUat.a. Rf·3 HISTORY OF JAZZ-NEW YORK SCENE. Do-

RF - 5

RF -202

RF - 203

cumenu r y reC'urd •. INTRODUCTION TO GOSPEL SONGS. Pono­nlma of goaprl tustory THE JUG BAl'105. Early rrcordln,. of lreal Jug band. THE RURAL BLUES. Exten.lvr .urvey of tradlUonal alngt'ra NEW ORLEANS JAZZ - THE '200. Band. frum th.l. great era

LITHO IN U.S.A.