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Patti Conley TIMES STAFF PITTSBURGH — Bob Lohrman cut to the quick when he talked about the Pittsburgh Civic Light Opera’s new cabaret show “Shear Mad- ness.” After all, in 19 years he’s direct- ed 16 productions of the interac- tive whodunit comedy so fashion- ing the show’s premiere for a Pitts- burgh-area audience is like trim- ming a longtime customer’s hair. A snip there, highlights here, and voila, soon “Shear Madness” has its own Pittsburgh “do.” Each city’s show is somewhat different, yet basically the same, he said. Sort of like hair. It comes in all sorts of colors, textures and lengths, but it’s still hair. The show is permanently set in a beauty salon called “Shear Mad- ness,” a hub for glamour and gos- sip among the staff and regulars. In Pittsburgh, the fictional Shear Madness is at 1818 East Carson St. on the city’s South Side. In each locale, the landlady who lives upstairs, is murdered, with — you guessed it — a pair of hair dresser’s shears. Here, the lady’s name is Isabelle Frick Turney, a world famous piano player turned recluse. And in each production it’s always up the audience to straight- en up the matted murder mess. Since audiences — like hair- styles — change, the outcome is different from show to show, Lohrman said in a recent phone interview. The audience has its say. “They vote. They question the subjects. They look at the evi- dence,” Lohrman said. “They get to follow the threads of wherever their suspicions go.” That poses a task for the actors. “The actors have to know exact- ly what they did and said and when they said what. And they have to know what the truth is and what secrets they are keeping, which changes every night,” the director said. The actors are prepared with basic scenarios and their lines are spritzed with all sorts of Pitts- burgh references and the talk of the town these days. At the start of rehearsal, That’s about right, but there’s more. Film- maker George Lucas created a complicated flawed fictional hero in Indiana Jones, and the three movies that he dominates are studded with clues to his identity. More biographical details are embedded in “The Young Indiana Jones Chronicles,” Lucas’ TV series now available on DVD, and in a bot- tomless trove of Jonesiana. The fourth movie, “Indiana Jones and the Kingdom of the Crystal Skull,” which opens May 22, will doubtless bring more clues, but here’s the Jones boy’s dossier thus far: Henry “Indiana” Jones Jr. was born on the cusp of the new century — July 1, 1899, in Princeton, N.J., according to his enter- prising biographer, James Luceno. Luceno ought to know: He ransacked the world of Indiana Jones novelizations, comics, game books and other materials for his book, “Indiana Jones: The Ultimate Guide.” As a child, Indiana traveled around the world with his father, Henry Jones, and mother, Anna, on a lecture tour. As a youth, he survived the trenches of World War I to return to the United States to study archeolo- gy at the University of Chicago, disappointing his father so much that they didn’t speak for decades. SECTION D SUNDAY MAY 18, 2008 Wow, talk about underground music. The JamBaloosa festival in Wampum has added a third stage that’s 150 feet below the surface within the limestone-lined walls of a former mushroom mine. Fans will congregate in that cave on June 27 to 29 to witness techno and bluegrass acts, while a bevy of jam bands performs above ground on two stages inside the Mines & Meadows ATV park off Route 18. “People have never experi- enced anything like this,” said Jay Rogovin, the western New York- based production manager for JamBaloosa. “There have been raves in caves, but we’re putting on live bands.” Confirmed for the underground stage is EOTO, a drumming duo composed of Jason Hahn and Michael Travis from the nationally known jam band String Cheese Incident. The cave stage also will wel- come Johnny Rabb, who the Guin- ness Book of World Records has recognized as the planet’s fastest drummer. The above-ground stages will feature acts like Burning River Band, Papadosio, Jones for Revival and Lotus Grove — from the Ohio cities of Columbus, Athens, Youngstown and Kent, respectively — along with acts like the Slow Learners from Maryland and Digital Frontier from Ver- mont. THE MAN, THE HERO He has braved entertainment events in and around Beaver County for 11 years but can SCOTT TADY find the hidden treasure and save us all before time runs out? Indiana Jones has nothing on our hometown hero. THEATER WHAT’S ON NOW Who is Indy? Tish Wells, McClatchy Newspapers A s the Army intelligence offi- cer in the movie “Raiders of the Lost Ark” describes him: “Professor of archeology, expert on the occult, and, uh, how does one say it? Obtainer of rare antiquities.” Subterranean hometown jam Scott Tady TIMES ENTERTAINMENT EDITOR PITTSBURGH — Imagine a band of gypsies with indie-rock atti- tude and European folk instru- ments, fronted by a Roy Orbi- son-ish singer crooning songs worthy of an authentic Mexican restaurant. There, you’ve just imagined DeVotchKa. Or something simi- lar to DeVotchKa, the genre- jumbling Denver band that entertains Wednesday at Diesel on Pittsburgh’s South Side. Best known for the evocative soundtrack work on the Oscar- nominated “Little Miss Sun- shine,” DeVotchKa is winding up a world tour supporting its critically celebrated fourth album, “A Mad and Faithful Telling.” While in Europe, Jeanie Schroder, the band’s tuba, sousaphone and upright-bass player, granted an e-mail inter- view that touched on late-night sandwiches and the big money the band rejected from a fast- food giant. Q: Your songs are so roman- tic, intense and at times haunt- ing. Could you write a silly bub- blegum pop song if you tried? A: Probably. We could for fun. Q: There’s such a wide range of styles and instrumen- tation in your music. At the ear- liest point in your songwriting process, what instrument do you use or hear in your head? A: A lot of stuff gets started on keyboard or guitar and then later on is switched to another instrument. Q: On May 21 you play Pitts- burgh, a city that holds a strong attachment to its Eastern Euro- pean heritage, which is one of your main musical influences. What are your most prominent memories of Pittsburgh? A: One of the times we played there was at Mr. Small’s The- atre, and we all remember the small brick streets and sort of WHAT’S UP Event: DeVotchKa in concert. Time: 7 p.m. May 21. Place: Diesel, South Side. Tickets: $17.50 and $19.50. Information: www.dieselpgh.com Mad mix up DeVotchKa to offer its variety at Diesel WHAT’S UP Event: “Shear Madness” Where: Pittsburgh Civic Light Opera Cabaret, downtown Pittsburgh. When: Now through Sept. 28. Performances: 7:30 p.m. Wednesday through Saturdays; mati- nees at 2 Saturdays and Sundays; matinees at 1 on select Thursdays. Tickets: evenings, $39.50; mati- nees, $34.50. Information: (412) 456-6666 or www.CLOcabaret.com Cabaret stage show is ‘Shear Madness’ for audience, actors “There have been raves in caves, but we’re putting on live bands.” Jay Rogovin, the western New York-based production manager for JamBaloosa SCOTT SUCHMAN SHOWN is a scene from Pittsburgh Civic Light Opera’s “Shear Mad- ness.” DON’T BE RUDE: PUT YOUR CELL PHONE AWAY Concerts are being ruined by technology. D8 See INDY, Page D3 See TADY, Page D2 See DEVOTCHKA, Page D8 See MADNESS, Page D8 Photo/PAUL SCHODER

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Patti ConleyTIMES STAFF

PITTSBURGH — Bob Lohrman cut tothe quick when he talked aboutthe Pittsburgh Civic Light Opera’snew cabaret show “Shear Mad-ness.”

After all, in 19 years he’s direct-ed 16 productions of the interac-tive whodunit comedy so fashion-ing the show’s premiere for a Pitts-burgh-area audience is like trim-ming a longtime customer’s hair. Asnip there, highlights here, andvoila, soon “Shear Madness” hasits own Pittsburgh “do.”

Each city’s show is somewhatdifferent, yet basically the same,he said. Sort of like hair. It comesin all sorts of colors, textures andlengths, but it’s still hair.

The show is permanently set ina beauty salon called “Shear Mad-ness,” a hub for glamour and gos-sip among the staff and regulars.In Pittsburgh, the fictional ShearMadness is at 1818 East Carson St.on the city’s South Side.

In each locale, the landlady wholives upstairs, is murdered, with— you guessed it — a pair of hairdresser’s shears. Here, the lady’sname is Isabelle Frick Turney, aworld famous piano player turnedrecluse.

And in each production it’salways up the audience to straight-en up the matted murder mess.

Since audiences — like hair-styles — change, the outcome isdifferent from show to show,Lohrman said in a recent phoneinterview.

The audience has its say. “They vote. They question the

subjects. They look at the evi-dence,” Lohrman said. “They getto follow the threads of wherevertheir suspicions go.”

That poses a task for the actors.“The actors have to know exact-

ly what they did and said andwhen they said what. And theyhave to know what the truth is andwhat secrets they are keeping,which changes every night,” thedirector said.

The actors are prepared withbasic scenarios and their lines arespritzed with all sorts of Pitts-burgh references and the talk ofthe town these days.

At the start of rehearsal,

That’s about right, but there’s more. Film-maker George Lucas created a complicatedflawed fictional hero in Indiana Jones, and thethree movies that he dominates are studdedwith clues to his identity.

More biographical details are embedded in“The Young Indiana Jones Chronicles,” Lucas’TV series now available on DVD, and in a bot-tomless trove of Jonesiana.

The fourth movie, “Indiana Jones and theKingdom of the Crystal Skull,” which opensMay 22, will doubtless bring more clues, but

here’s theJones boy’sdossier thus far:

Henry “Indiana”Jones Jr. was born on thecusp of the new century —July 1, 1899, in Princeton,N.J., according to his enter-prising biographer, JamesLuceno. Luceno ought to know: Heransacked the world of Indiana Jonesnovelizations, comics, game books andother materials for his book, “IndianaJones: The Ultimate Guide.”

As a child, Indiana traveled around theworld with his father, Henry Jones, andmother, Anna, on a lecture tour. As a youth,he survived the trenches of World War I toreturn to the United States to study archeolo-gy at the University of Chicago, disappointinghis father so much that they didn’t speak fordecades.

SECTION DSUNDAY MAY 18, 2008

C M Y K

C M Y K

C M Y K

Wow, talk about undergroundmusic.

The JamBaloosa festival inWampum has added a third stagethat’s 150 feet below the surfacewithin the limestone-lined walls ofa former mushroom mine.

Fans will congregate in thatcave on June 27 to 29 to witnesstechno and bluegrass acts, while abevy of jam bands performs aboveground on two stages inside theMines & Meadows ATV park offRoute 18.

“People have never experi-

enced anything like this,” said JayRogovin, the western New York-based production manager forJamBaloosa. “There have beenraves in caves, but we’re puttingon live bands.”

Confirmed for the undergroundstage is EOTO, a drumming duocomposed of Jason Hahn andMichael Travis from the nationallyknown jam band String CheeseIncident.

The cave stage also will wel-come Johnny Rabb, who the Guin-ness Book of World Records has

recognized as the planet’s fastestdrummer.

The above-ground stages willfeature acts like Burning RiverBand, Papadosio, Jones forRevival and Lotus Grove — fromthe Ohio cities of Columbus,Athens, Youngstown and Kent,respectively — along with acts likethe Slow Learners from Marylandand Digital Frontier from Ver-mont.

THE MAN,THE HERO

He has braved en ter ta inment even t s in andaround Beaver Coun ty for 11 years bu t canSCOTT TADY f ind the h idden t reasure andsave us a l l be fore t ime runs ou t? Ind ianaJones has no th ing on our hometown hero .

THEATER WHAT’S ON NOW

Who is Indy?

Tish Wells, McClatchy Newspapers

A s the Army intelligence offi-cer in the movie “Raiders ofthe Lost Ark” describes

him: “Professor of archeology,expert on the occult, and, uh, howdoes one say it? Obtainer of rareantiquities.”

Subterranean hometown jam

Scott TadyTIMES ENTERTAINMENT EDITOR

PITTSBURGH — Imagine a bandof gypsies with indie-rock atti-tude and European folk instru-ments, fronted by a Roy Orbi-son-ish singer crooning songsworthy of an authentic Mexicanrestaurant.

There, you’ve just imaginedDeVotchKa. Or something simi-lar to DeVotchKa, the genre-jumbling Denver band thatentertains Wednesday at Dieselon Pittsburgh’s South Side.

Best known for the evocativesoundtrack work on the Oscar-nominated “Little Miss Sun-shine,” DeVotchKa is windingup a world tour supporting itscritically celebrated fourthalbum, “A Mad and FaithfulTelling.”

While in Europe, JeanieSchroder, the band’s tuba,sousaphone and upright-bassplayer, granted an e-mail inter-view that touched on late-nightsandwiches and the big moneythe band rejected from a fast-food giant.

Q: Your songs are so roman-tic, intense and at times haunt-ing. Could you write a silly bub-blegum pop song if you tried?

A: Probably. We could for fun.Q: There’s such a wide

range of styles and instrumen-tation in your music. At the ear-liest point in your songwritingprocess, what instrument doyou use or hear in your head?

A: A lot of stuff gets started onkeyboard or guitar and thenlater on is switched to anotherinstrument.

Q: On May 21 you play Pitts-burgh, a city that holds a strongattachment to its Eastern Euro-pean heritage, which is one ofyour main musical influences.What are your most prominentmemories of Pittsburgh?

A: One of the times we playedthere was at Mr. Small’s The-atre, and we all remember thesmall brick streets and sort of

WHAT’S UPEvent: DeVotchKa in concert.Time: 7 p.m. May 21.Place: Diesel, South Side.Tickets: $17.50 and $19.50.Information: www.dieselpgh.com

Madmix upDeVotchKa to offerits variety at Diesel

WHAT’S UP● Event: “Shear Madness”●● Where: Pittsburgh Civic LightOpera Cabaret, downtown Pittsburgh.●● When: Now through Sept. 28.● Performances: 7:30 p.m.Wednesday through Saturdays; mati-nees at 2 Saturdays and Sundays;matinees at 1 on select Thursdays.● Tickets: evenings, $39.50; mati-nees, $34.50. ● Information: (412) 456-6666 orwww.CLOcabaret.com

Cabaret stage show is ‘Shear Madness’ for audience, actors

“There have been raves in caves,but we’re putting on live bands.”

Jay Rogovin, the western New York-based production manager for JamBaloosa

SCOTT SUCHMAN

SHOWN is a scene from Pittsburgh Civic Light Opera’s “Shear Mad-ness.”

DON’T BE RUDE: PUT YOUR CELL PHONE AWAYConcerts are being ruined by technology. D8

See INDY, Page D3

See TADY, Page D2

See DEVOTCHKA, Page D8

See MADNESS, Page D8

Phot

o/PA

UL

SCH

OD

ER