NEW ORLEANS kL 1

F O R E W O R D One of the really significant contributions of the Twentieth Century to

music . . . and a strictly American development . . . is the jazz idiom. Although authorities are not in complete agreement, many believe that this spontaneous movement had its origin in New Orleans, in the honky-tonk aniusement section of the city, centred around Basin Street. From there, it spread northward up the Mississippi Valley to Memphis, St. Louis, Kansas City, Chicago, and eastward to New York. During the past fifty years American jazz in its popular forms has captured the imagination of youth throughout the world. Modern composers, among them Ravel and Stravinsky, have not hesitated to draw upon jazz rhythms and inflections.

While the development of its counterpart in New York and other more cosmopolitan centres of the nation has attained much sophistication and refinement, New Orleans jazz has remained simple and close to the source

- of its origin. Therefore, in these collections it is the intention of the com- poser to present basic examples ranging from a genuine blues treatment in "New Orleans Nightfall", through a relaxed and humorous "Dixieland Combo" in the spirit of the early 1920's, to an intensely rhythmic, brassy impression, "Bourbon Street Saturday Night".

The ten pieces of New Orleans Jazz Styles are written for pianists of intermediate level. The composer-teacher believes that every stu- dent's musical education should include experiences in a variety of popular stylings, including jazz, as a serious and recurring phase of his studies. The player should also be encouraged to deviate from the written notes with his own improvisations if he desires, for spontaneity is an essential ingredient of the jazz idiom.

WILLIAM GILLOCK

New Orleans Jazz Styles

(Eloquently devised for the keyboard and pianistically patterned).

By William L. Gillock. For piano solo. Willis. Later Intermediate

Level. Jazz. SMP Level 6 (Late Intermediate). Collection.

Introductory text. 12 pages. Willis Music #9573. Published by Willis

Music (HL.415931).

ISBN 1423490932 9781423490937

The tunes in New Orleans Jazz Styles are written for piano students

of intermediate level. The composer-teacher believes that every

student's musical education should include experiences in a variety

of popular stylings, including jazz, as a recurring phase of his or her

studies. Students should also be encouraged to deviate from the

written notes with their own improvisations if desired, for

spontaneity is an essential ingredient of the jazz idiom

This title has selections that range in difficulty from SMP Level 4-6.

To Alice Kiewit

C o n tents

NEW ORLEANS NIGHTFALL . . . . . 2 THE CONSTANT BASS . . . . . . . 4

MARDI GRAS . . . . . . . . . . . 6 DIXIELAND COMBO . . . . . . . . 8

FRANKIE AND JOHNNY (Theme and Variations) . . . . . . 10

NEW ORLEANS NIGHTFALL S O N G STYLE; SOMEWHAT FLEXIBLY (d = about 54)

4, WILLIAM GILLOCK

FASTER. with a beat (J = about 160)

W. M. Co. 957.3 (87114)

- -

4 5

0 MCMLXV, by T h e Willis Music Co. Chappell & Co. Ltd., 50 New Bond Street, London, W.1

International Copyright Secured Printed in England

TEMPO I, but with a more pronounced beat 3

T I , I1 A

THE CONSTANT BASS STEADILY (J - about 132) WILLIAM GILLOCK

5 light staccato throughout

W. M. Co. 9573

@ MCMLXV, by T h e Willis Music Co. Chappell & Co. Ltd.. 50 New Bond Street, London, W.1

International Copyright Secured Printed in England

W. M. Co. 9573

MARDI GRAS WILLIAM GILLOCK

FRENZIED (A = about 96)

no pedal

W. M. Co. 9573

@ MCMLXV, by T h e Will is Music Co. Chsppell & Co. Ltd., 50 New Bond Street, London, W . l

International Copyright Secured Printed in England

I I I decreasing I

DIXIELAND COMBO WILLIAM GILLOCK

UNSOPHISTICATED; in the e&ly jazz style (Jzabout 152))

\ L I I I I 1 1 ' I I 1 1 I I I 4

w ? MCMLXV. bv The Will is Music Co.

W. M. Co. 9973 Chrppell dr Co. Ltd., 50 ~ e w Bond Street, London, W.l

International Copyright Secured Printed in England

\4. M. Co. 957.3

' THEME AND VARIATIONS FRANKIE AND JOHNNY

Bold and Brassy (J = about 176) WILLIAM GILLOCK

3 VAR. I

W. M. Co. 9573

Q MCMLXV, by T h e Willis Music Co. Chappell & Co. Ltd., 50 New Bond Street, London, W . l

International Copyright Secured Printed in England

11 VAR. I1

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

VAR. 111

8va - - - - - - - - - - - - - - - - -- a 7 loco

' W. M. Co. 9573 Printed by Lowe and Brydone (Printers) Limited, London.

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THEMATICS

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cmcmwar* - r a FIFTY NEW BOND STREET, LONDON, W.1

No. 3978

New Orleans Jazz StylesCoverForewordIsbn 1423490932 9781423490937IntroductionContentsNew Orleans NightfallThe Constant BassMardi GrasDixieland ComboTheme And VariationsFrankie And Johnny

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