title: branding in the n th dimension: measuring brand equity in a...
TRANSCRIPT
Title: Branding in the nth
Dimension: Measuring Brand Equity in a Digital World
Authors: Kyle Findlay and Alice Louw
Abstract: This paper looks at various traditional metrics that market researchers use to measure brand
equity. It briefly reviews the various strengths and weaknesses of each approach, before making a case for
multi-dimensional inputs as the best approach. The paper touches on network theory and systems theory as
means to describe the multi-dimensional concepts we refer to when talking about ‘brand equity’. Finally, the
paper looks at the new tools emerging online that are designed to measure what people are saying about
brands and brand influence, and their applicability to brand equity measurement. What is clear is that a
paradigm shift is occurring: what people consider a brand to be and what they expect from brands is
changing. In light of this, it is necessary for market researchers to also change how they think about brands
and brand equity. Networks and non-linear science concepts will help us to make this transition.
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Introduction
Brand equity is a surprisingly slippery concept. The generally accepted understanding of what
constitutes ‘brand equity’ is the perceptions and associations around a brand name that is unique to
a product, above and beyond the physical attributes and assets, and that confers additional value
onto the product in the mind of customers (in terms of goodwill, prestige, improved perceptions of
quality or reliability, for example).
Joel Axelrod [1992] describes brand equity as “the incremental amount your customer will pay to
obtain your brand rather than a physically comparable product without your brand name”. Paul
Feldwick [1996] more generally breaks brand equity down into three components:
1. Brand valuation - “The total value of a brand as a separable asset – when it is sold, or
included, on a balance sheet”
2. Brand strength - “A measure of the strength of consumers’ attachment to a brand”
3. Brand image - “A description of the associations and beliefs the consumer has about the
brand”
Figure 1: Brand equity refers to the intangible value that the associations around a product's name and symbols
engenders in the market place
These definitions are all fine and well, except they do not imply a single definite method of
measuring the intangible value added by a product’s name and its symbols such as logos,
packaging, shape, etc. Unfortunately, when dealing with such an ephemeral concept, it is very
difficult to measure brand equity directly. Instead, we use proxy measures that purport to quantify
the intangible benefits that accrue to a product based on its name, reputation, packaging, etc.
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Eminent marketing scholar, David Aaker, is one of the most well-known luminaries to have taken a
stab at defining how one measures brand equity. This paper looks at the various dimensions
suggested by Aaker and which are commonly used in the market research industry today. We
summarise the measures’ various pros and cons, include our own learnings from twenty years worth
of measuring brand equity, and cast an eye into the future to better understand the movements afoot
to measure brand equity in the age of the internet and social media.
Aaker suggests four dimensions to measuring brand equity: Loyalty, perceived quality, associations
and awareness.
In addition, major research houses such as Millward Brown, Ipsos, TNS and Synovate all have their
own philosophies when it comes to the dimensions of brand equity (see Appendix 1 for a summary
of the dimensions major research houses use to define brand equity). Undoubtedly, there is some
conceptual overlap across the models, but what stands out quite clearly in both the models
employed by major research houses and those espoused by academics like Aaker, is that there is
more than one dimension to brand equity, and using a single input to derive your measurement will
inevitably lead to a measurement shortcoming.
Diving into this paper, some readers may be hoping for easy answers, but if anything, we will see
that the world of brand equity is a confusing one, and with the introduction of digital technologies
and paradigms, things only get more confusing. What readers should be asking themselves is what
this says about the state of our industry and the guiding paradigms we have so lovingly subscribed
to thus far? Often it is the case in scientific fields that before a unifying theory arises; researchers
are left with a multitude of often contradictory micro-theories. This is the stage we are at now.
Perhaps this is a sign that a unifying theory is not far off. We personally believe that the theory will
come from the areas of systems theory as informed by non-linear science, network theory and chaos
theory.
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Summary of traditional brand equity measures
Loyalty
The term loyalty is subject to a variety of interpretations and is often divided into behavioural
loyalty (based on actual purchasing behaviour) and attitudinal loyalty (based on brand perceptions).
For Aaker, this "core dimension of brand equity" is reflected in two key indicators: price premium
and customer satisfaction / loyalty [Aaker, 1996].
Price Premium refers to the additional amount that a customer is willing to pay for a brand,
compared to another brand offering similar benefits. Although not entirely objective (as products’
features are rarely exactly the same), price differentials do provide a good proxy for the added value
that a customer feels the brand brings to the physical product, and can therefore be good indicators
of intangible value when comparing similar products. The willingness to pay a price premium has
been shown to correlate strongly with brand relationships, and can be a useful indicator of the
strength of a brand's relationship with its customers [Hofmeyr & Rice, 1999].
Figure 2: The above charts show the results of a conjoint analysis combined with a measure of relationship strength in
two markets. In both cases it is clear that the strength of relationship increases the brand's ability to charge a premium.
[Hofmeyr & Rice, 1999]
Although a seemingly straight forward concept, price premium measurement can pose some
challenges. What customers pay for a brand and what they are willing to pay are often not aligned
due to in-market realities. Actual pricing within the marketplace is frequently driven by the trade
rather than the brand itself. A brand's price can differ widely across trade channels and trade
discounting often distorts price-equity relationships. There are also strong brands which do not
command a price premium due to 'scale economy branding' [Feldwick, 1996].
41
9
Strong relationship
19
2
Weak relationship
North America
Percent of consumers that defect as the price of the brand is increased
7773
67
59
51
39
Emerging Market
Percent of consumers retained as the price of the brand is increased
Strong relationship
Weak relationship
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Restricted markets pose another challenge for those attempting to use price premiums as an equity
indicator. In some markets, brands are not able to charge what their equity would allow due to legal
or other restrictions. Cigarettes brands, for example, are often forced by law to charge a minimum
price which might well exceed what their actual equity suggests. In restricted markets such as these,
price differentials are not accurate reflections of brand equity differentials and therefore the price
premium is not a relevant measure of brand equity.
Customer satisfaction / loyalty. Customer satisfaction is a very widely accepted measure to estimate
a brand's equity. However, there are a number of potential pitfalls related to using this measure.
On its own, customer satisfaction cannot fully explain the complexities observed in brand
relationships. High levels of satisfaction do not necessarily result in behavioural loyalty. In markets
where brand choice is of low importance to people, market factors such as price and convenience
often override brand satisfaction. If people do not care which brand they use (either because the
perceived difference between brands is low or they are not strongly involved in the category) high
brand switching can be observed despite the high levels of customers’ satisfaction. Variety seeking
behaviour can also cause seemingly satisfied customers to switch to alternate offerings.
In a survey of published research relating to Customer Satisfaction (from 1983 onwards), Hofmeyr
[2007 - see Appendix] found that the average correlation between customer or brand satisfaction
and behaviour was only R = 0.13, R2 = 0.02. A mere 2% of the variance in behaviour was explained
using customer satisfaction measures.
Another key limitation to using satisfaction and loyalty measures to reflect brand equity is that they
do not apply to non-users of a brand. In order to get a complete measure of a brand's equity within
the marketplace, a measure that looks beyond a brand's customer base and takes into account both
user and non-user equity is necessary.
Attitudinal loyalty is (at a basic level) frequently measured using intend-to-buy questions. Purchase
intention is, however, a notoriously unreliable indicator of what is actually likely to occur. What
people say and what they actually do are often very poorly related. In a survey of published research
on the relationship between purchase intention and real behaviour dating back to 1966, Hofmeyr
[2007 - see Appendix] found that the average correlation between what people said they intended to
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do and what they actually did was only R = 0.30, R2 = 0.09. In other words, 91% of the variance
was not captured by purchase intent!
A more "intense level of loyalty" would be measured using recommendation type questions [Aaker,
1996]. However, this type of measurement has been proven to also relate poorly to actual behaviour
(Molenaar, 2007).
To be valuable in a business context, brand equity measures need to bear some relation to actual
market behaviour - but customer satisfaction / loyalty, as a dimension by itself, does not perform
strongly in this regard.
Perceived quality and leadership
Perceived quality is considered by Aaker [1996] to be one of the "key dimensions of brand equity",
and benefits from the fact that it is applicable across product classes. Comparing quality scores for a
brand of jeans and a brand of chocolate, while based on different product attributes, can still have
meaning.
Quality alone, however, can be a misleading indicator of brand equity. The key reason for this is
that high quality is not always desired or relevant. Quality that is in excess of what people need or
desire, will not contribute to brand equity. Perhaps a more relevant measure would be brand value:
quality in relation to price.
It should also be noted that perceived quality is often circular in nature. Quality ratings have been
shown to be subject to the "big brand effect" - the bigger the brand, the higher the perceived quality
[Ehrenberg, 1993, 1997; Rice, 2008; Sharp, 2009; Amien, 2009].
Leadership. Related to perceived quality, Aaker [1996] mentions brand leadership / popularity as
another potential measure of brand equity. The rationale behind using leadership as a brand equity
construct is that if enough customers are purchasing a brand to make it a sales leader, then it must
have merit. However, the logic that says size is an indicator of merit is inherently flawed.
Researchers such as Watts [2007] and Campbell & Liddle [2008] have shown that success in terms
of market share has a somewhat arbitrary component to it due to phenomena such as cumulative
advantage.
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The use of popularity as a measure of brand equity could be applicable as a point-in-time measure,
but is less relevant as a long-term construct. The life span of “in-products” is often very short (e.g.
Crocs) so a brand's current popularity is not necessarily a good indicator of its long-term success
[Berger & Le Mens, 2009; Ries, 2009].
Awareness
Brand awareness is considered by Aaker [1996] to be an often under-valued component of brand
equity. While brand awareness is of course a vital and necessary component of brand success, it can
be argued that high levels of brand awareness are a result of "a brand's size, ubiquity and /or scale
of promotional activity" rather than an "indication of a brand's strength in the sense of the
consumer's attachment to it or preference for it" [Feldwick, 1996].
There are also various challenges associated with using awareness as a measure of equity:
In markets where brand awareness is very high, awareness can be a poor differentiator between
brands. In these situations, in order for awareness to be a relevant indicator, it would be necessary to
increase the measurement level (e.g. going from basic awareness to top-of-mind awareness.).
Perhaps the most significant pitfall related to awareness as a measure of brand equity is that it does
not differentiate between positive and negative sentiment. High awareness is not always positive. A
brand might have high awareness for negative as opposed to positive reasons (e.g. due to a product
recall or its bad reputation). Used on its own without another measure to qualify it, awareness can
be a potentially misleading proxy for brand equity.
Associations/differentiation
This set of criteria refers to the perceptions that the market has about a brand and can be further
deconstructed into several areas: perceived value, brand personality, organizational associations and
differentiation. The problem with associations and perceptions is that they are often circular in
nature. Research by Ehrenberg [1993, 1997], Rice [2008], Sharp [2009] and Amien [2009] show
that big brands tend to be rated highly on image attributes and brand users tend to rate their brands
highly on image attributes. A large amount of associations can be predicted based purely on the
brand’s size and usage. As a result, association measures become somewhat less reliable.
Regardless, let us have a look at some of the ways in which it has been suggested that brand equity
can be derived based on associations…
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Perceived value is similar to perceived quality. According to Aaker, there is an 80% overlap
between the two measures. As he puts it,
“Perceived quality has a higher association with the prestige and respect that a brand
holds, while value relates more to functional benefits and the practical utility of buying
and using the brand” [Aaker, 1996]
Somewhat more technically, perceived value refers to the differential between what a customer pays
for a brand and what they feel it is worth paying for the brand. The gap between these two amounts
is considered the perceived value and it has been suggested that this gap can serve as a measure of
brand equity.
Brand personality relies on the idea that people can imagine a brand as a person. Working with this
assumption, surveys present respondents with a list of attributes and are asked to associate the
attributes with various brands. Attributes tend to take the form of “Is a brand I trust” or “A brand
that is fun”. A similar problem to that already mentioned arises here. Certain attributes that reflect
positively on a brand such as “friendly” or “has my interests at heart” will tend to be associated
with the brand used by the respondent and the largest brands in the market will tend to get the lion’s
share of associations, thus undermining its usefulness.
A better way to go about measuring brand personality is to use indirect questions which do not rely
on a perfectly rational person. This bypasses our human need to justify our beliefs and choices by
convincing ourselves that our brand choice was the obvious choice and consequently rating it highly
on positive attributes. Possibly the best technique for measuring brand personality (and indeed,
most other attributes) is to do so indirectly using projective association. Taking its cue from best
practices in psychology, which try to avoid any form of priming or prompting as far as possible,
projective techniques expose respondents to images of people, place, events, etc. and ask them to
imagine themselves in the position of the scene depicted in the image. They are then asked how the
people in the photos would either react or what types of attributes would describe them. Doing it
this way distances the respondent from their own ego, thus making them more open to
subconsciously describing themselves through the images. For example, a respondent might be
asked to choose a photograph of another person. They will then generally choose the photograph
that they most identify with. The researcher can then ask the respondent to associate attributes with
the person in the photo, thus circumventing the ego. A researcher might ask the respondent to
describe the person in the photo’s personality – is he/she fun and outgoing or brooding and intense?
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In addition, researchers might ask respondents to pick a photo that best represents a brand and then
ask questions about the person in the photo, with the implication being that the responses relate
back to the brand personality. Some might argue that since projective association techniques have
been employed in the social sciences for decades, they offer a more reliable way of measuring a
brand or respondent’s personality. In addition, further supporting the indirect approach, research by
John Kearon and Mark Earls [2009] shows that people can more accurately report on others’
behaviour than their own.
When it comes to brand personality, there are two schools of thought. Some believe that
understanding the attributes that set your brand apart can give one an understanding of what it is
about your brand that people like, thus giving you an indication of what makes it special in their
eyes and why they buy it, if only one can get around the circular logic of traditional attribute
association. Projective techniques help in this regard.
Others believe that it is not possible to reduce customers’ beliefs down into specific attributes as we
tend to hold generalised feelings about brands that are not reducible [Rice, 2008], which makes the
entire endeavour somewhat meaningless. Such proponents suggest that we use experimental design
to measure behaviour rather than association attributes.
However, assuming that we can measure a brand’s personality using attributes, it can still be
difficult to create a broadly applicable measure of brand equity from personality attributes alone as
it is not clear that brand personality necessarily changes with brand performance. People may stop
buying a brand, but that is not to say that its personality has changed. In addition, not all brands
trade predominantly on their personality – some use market factors to their advantage (e.g. Wal-
Mart globally and Makro in South Africa).
Organisational associations are similar to brand personality associations, except that they refer to
the organisation rather than the brand (or, organisation as the brand). A few contemporary examples
of this might be Google, Microsoft and Apple. All three brands maintain a stable of products that
are relatively distinct from their siblings, but which also all fall under one collective brand – that of
the organisation. In such circumstances, the people and the values of the organisation become very
important associations in customers’ minds. For example, Apple is known for its innovative designs
while Google is known for its idealistic approach, embodied in their unofficial slogan, “Don’t be
evil”. Brands that fall into this category are essentially selling a lifestyle and set of values along
with their products, and it is on the basis of this that they set themselves apart from the competition.
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It is also on the basis of this that their brand equity is measured. However, a now familiar problem
arises in that not all brands trade on the perceptions of their organisation. As a result, organisational
associations are not a strong candidate for a generalisable measure of brand equity.
Differentiation. The three levels of association just discussed (perceived value, brand personality
and organisational associations) are all based on people’s perceptions and arguably all fall under the
more general category of “differentiation”. Differentiation refers to what makes a brand appear
different from its competitors in the eyes of the market. Particularly in markets where product
offerings are essentially the same (e.g. broadband internet providers or computer processors),
brands need to rely primarily on the different perceptions they engender in people.
Indeed, differentiation appears to be a good candidate for measuring brand equity as it strikes at the
heart of what a brand is in the first place (assuming that we can accurately encapsulate the concept
of ‘differentiation’).
In the early days of business markets, brands did not exist to any large degree. In the case of
commodities such as sugar or wheat, one farmer’s produce was pretty much indistinguishable from
the next. However, even in such commodity markets, the quality and reliability of produce varied
from one producer to the next. In order to make it easier for customers to identify which produce
came from their favourite supplier, farmers would mark their goods in recognisable ways, such as a
name or a symbol on their packaging. With this move, brands were essentially born. Now customers
were able to tell similar products apart. In other words, the products started becoming differentiated
from one another. Fast forward a century or so and we find ourselves in today’s business
environment where, with the realisation that customer perceptions are malleable and of vital
importance to business success, branding has becoming ubiquitous to the point that papers such as
this one are written about the phenomenon. As such, we can really say that differentiation strikes at
the heart of what makes a brand a brand – the bundle of associations and experiences that set one
product apart from another, and it is the value of these bundles in so far as they encourage people to
purchase a product that we are trying to measure with brand equity. Again, a point of contention
here is the idea that we can actually reduce such bundles of ‘fuzzy’ brand perceptions into distinct
associations and experiences (we know that people’s beliefs morph and change over time depending
on their own biases, which means that the fidelity of individual associations and experiences can be
diminished).
Examples of commodity brands might be in categories such as toothpicks or sugar, while PR-
focused brands are most likely to be big players such as the aforementioned Google, Apple and
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Microsoft who all carefully manage their public image in terms of social responsibility, innovation,
etc.
Branded goods
Marketing focus…
Distribution,
volumes
Salience,popularity,
functional needs
Commitment, advertising,
emotive needs
Category threats,‘through the line’
communications
PR effect,corporate
responsibility
MARKET
MIND
Commodities
Branded goods
Marketing focus…
Distribution,
volumes
Salience,popularity,
functional needs
Commitment, advertising,
emotive needs
Category threats,‘through the line’
communications
PR effect,corporate
responsibility
MARKET
MIND
Commodities
Figure 3: Brands sit on a continuum defined by their relative focus between market factors and mind factors. Branding
becomes more important as we move to the mind side of the equation where perceptions and associations become
relevant
Market behaviour
Market behaviour in terms of in-market performance measures such as market share and penetration
are perhaps the most intriguing measures in this list since prominent researchers such as Andrew
Ehrenberg argue that they negate the entire concept of brand equity.
Market share is probably one of the most fundamental measures in any business. Understanding the
size of the slice of the pie that your brand enjoys in the market is one of the most concrete and
measurable metrics available.
More intriguing however are claims by Andrew Ehrenberg [1993, 1996] and collaborators such as
Byron Sharp [2009] that market share is actually the only measure of any importance. They argue
that brand equity is a trumped up idea that really only exists in the minds of marketers. To back up
their claims they show that market share is related to:
• The associations received – big brands receive more associations on positive attributes
• Big brands have more loyal customers i.e. customers that buy the brand more often
• Dual usage overlaps more with larger brands [Sharp, 2009]
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Figure 4: Big brands get more than their fair share of the market in terms of perceptions as well as sales. They are more
ubiquitous and thus more likely to be bought by new customers and they are more likely to be top of mind because they
receive more exposure. The phenomenon of “Double Jeopardy” describes the positive feedback loop which shores up
the size of large brands. They benefit from a double whammy effect – not only are they the largest brands in the market,
but their customers actually buy them more often than smaller competitor brands’ customers buy their brands
However, Farr [1998] points to scenarios where brands are able to deviate from patterns predicted
based on size and Margarita Putter [1993] shows that there is no correlation between brand size and
the strength of the relationships that a brand has with its customers. In addition, a short-coming of
brand size is its inability to predict changes in share, whereas certain measures of brand equity, such
as relationship strength, have been shown to dip in anticipation of subsequent declines. Thus,
market share is good at predicting share when things stay relatively the same, but is not so good at
predicting when things change.
Author and epistemologist, Nassim Nicholas Taleb, uses an apt analogy to capture the poor record
of market share as a predictor when it counts: based on its experience from the previous day, it
would be fair and rational for a turkey to assume that tomorrow will be just like yesterday. Indeed,
based on the pattern observed over the past several years, this would seem to be the case. And, the
turkey would be correct every time, except for the day before Thanksgiving, when its prediction
would be horribly out of synch with reality. Predicting based on the previous period works just fine
right up until you land up on the Thanksgiving dinner table (philosophically speaking, this is known
as ‘the problem of induction”, most famously articulated by David Hume).
Regardless of these shortcomings, market share really is a good measure of a brand’s strength. It is
also one that can be relatively easily gleaned without the need for survey research. However, it fails
to strike at the heart of the ephemeral concept of brand equity as distinct from the physical features
and assets that make up a brand.
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Market Price and Distribution Coverage
In order to compensate for differences in pricing which might skew market share (even though this
might be a valid skew), Aaker suggests indexing price relative to the competition in order to give
one a more ‘objective’ measure of where one’s brand stands in the market.
Similarly, indexing the area of distribution coverage relative to the competition can give one a good
idea of the brand’s spatial strength. This can be measured in terms of the number of stores carrying
the brand or the percentage of people who have access to it. However, needless to say, accurately
measuring price-level statistics when faced with messy markets, product variants and varying
channel prices can be a serious challenge.
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The dimensions of brand equity
Based on the authors’ own experiences, we have found the strength of the relationship that a brand
has with its customers to be one of the best measurements of brand equity, for along with a strong
relationship, come the following benefits which can be translated back into actual business success.
Relationship strength…
1. …affects customers’ willingness to pay a price premium i.e. price elasticity
2. …impacts on how much customers will put up with and whether they will go out of their
way to buy your brand e.g. inertia (to stay with your brand)
3. …can be understood as the differential value unique to the brand that customers place in it
relative to other similar brands i.e. differentiation
4. …makes advocates out of your customers that will defend your brand in the face of
criticism
5. …can act as an early warning sign of impending decline for the brand
6. …is comparable across brands and categories
7. …is non-linear, just like the real world. Relationships change suddenly and dramatically
when they reach tipping points. This is directly at odds with traditional linear, Newtonian,
direct measures of brand equity such as loyalty which cannot account for sudden shifts
Understanding the relationship a brand has with its customers really means understanding the extent
to which a brand is resilient in the face of external shocks, at least in the short- to medium-term.
Indeed, brand equity is arguably only valuable to the extent that it persuades customers to stick with
your brand when presented with rational, functional reasons for either switching brands or reducing
their spend. In most markets where competing brands perform relatively similarly at the end of the
day (such as luxury brands or automobile brands), people don’t use brands so much because they
are vastly different, as because they are perceived as being different. It is this perception that
‘relationship’ measures – the idea of attachment, inertia or gravitational pull towards a brand in the
face of similar competing brands that could rationally be substituted as purchase options.
In non-linear systems sciences such as network theory and chaos theory, brands are conceptualised
as points of attraction, with their own gravity, around which customers group. The strength of the
relationship is a measure of the strength of the gravitational effect holding customers in a brand’s
orbit (and attracting nearby potential customers)1. Viewing brands through the lens of cutting-edge
science, we can imagine the multi-dimensional space that brands operate within (see Figures 4 to
1 More technically, such points of gravitational pull (e.g. brands) are referred to as ‘attractors’
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7). Since any single measure of brand equity can only measure one dimension, they are inherently
doomed to miss out on the information that only additional dimensions can provide. Indeed, even
the Net Promoter Score, one of the most popular single measure indicators of brand equity only has
been shown to have particularly low R2
values when equated to actual brand success [Keiningham,
2007]!
As Figure 4 illustrates, complex systems such as brands2 will tend to reach a level of stability over
time, and this is what Ehrenberg’s research shows – big brands stay big and little brands stay small
[1993, 1996]. It often takes disruptive innovation to shake things up. In addition, we can thank the
Double Jeopardy effect for ensuring that a brand stays in its market position due to the positive
reinforcing effect it describes.
Figures 4 to 7 show how systems theory helps us understand a brand’s position in multiple
dimensions.
Figure 2: "Left to their own devices, systems (even a 'system' as simple as a marble in a mixing bowl) tend to sink to a
state of minimum energy and maximum entropy - provided there is no input of energy from outide." [Gribbin, 2004] A
low energy state equates to a stable state, of the kind described by Ehrenberg for brands
2 Brands are complex systems made up of the interactions of marketers, customers, media, the environment, etc.
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Figure 3: "The state that systems settle into is called an attractor. In the example shown [in Figure 4], the attractor is a
single point at the bottom of the bowl. But an attractor can also be a spread-out region, as in this illustration. The marble
on the hill is bound to roll off into the valley, but everywhere in the valley bottom is equally attractive." [Gribbin, 2004]
Different brands come to rest in different basins, or stable states. These basins collectively represent the landscape of
the market, where the depth of each brand’s basin represents the size of its market share.
Figure 4: Brands can be thought of as operating in a multi-dimensional space (i.e. a ‘market’). Thus, in order to derive
an accurate measure of brand equity, we need to measure as many of these dimensions as possible [Source: Wikipedia]
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Figure 5: Non-linear dynamical systems science allows us to visualise branded entities in multiple dimensions, similar
to our understanding of how bodies orbit around each other in our solar system (a 3-dimensional example)
[Source:Wikipedia]
Finally, the last word on this section goes to Paul Feldwick [1996] who sums up the role of multiple
dimensions as follows:
“When we look for an operational definition of brand equity, we are asking the wrong
question. Brand equity is necessarily a vague concept, like ‘personal health and fitness’, or
‘a sound economy’. These concepts imply general questions: how well are we doing now?
How well can we expect to do in the future? Such questions are not answered fully by any
one measure. At certain points in time, one or more measures may be of crucial importance
– such as cholesterol level or inflation. But there is also a danger that continuing to
concentrate on one measure to the exclusion of others creates its own problems (low
inflation leads to unemployment; low cholesterol diets cause depression). Brand equity
needs to be approached in the same spirit.”
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Using tech and social media to measure brand equity
Social media is all the rage these days, with some going so far as to pronounce ‘traditional’ market
research dead in the face of freely available tools and massive sample sizes [for example,
Copernicus Consulting, 2010]. However, some counter that social media is not the Holy Grail, and
that people do not really talk about brands all that much in their daily lives, except in passing.
Often, the people whose voices we hear online are the most vocal and generally the exception to the
rule. These are the people that have a particular axe to grind or message to spread. This raises the
question of whether listening in on online conversations really captures natural conversation and
sentiment.
While the death of traditional survey research may be overrated and despite the concern just
mentioned, let us look at some of the ways in which social media might be able to help us measure
brand equity.
Boutique research house, iCrossing [2009], refers to “connectedness” as the core metric of the
digital age. They describe the concept as follows:
“Connectedness is marketing philosophy. It is a framework for, and a measure of how intimate
a brand is with its audiences. It’s a characteristic of a brand, a ‘state of being.’ Think of it as a
Zen stage in brand evolution. After all, a brand needs to be a living organism in today’s
marketing world, not an object, not a loudspeaker yelling at people. Connectedness is a way of
thinking about how successful brands do marketing: focusing on audiences, not targets;
engaging in dialogue, not shouting; and developing trust that is meaningful and lasting.”
Their definition does a good job of capturing the new idea of what a brand is – that is, a personified
entity that symbolises a set of values and ideals which customers subscribe to, and which they
expect to interact with on a one-on-one level through co-creative exchanges that both define the
brand and themselves. They expect this level of intimacy because technology allows it. As the line
blurs between business and personal life, customers are now willing partners in the collaborative
consumption experience.
iCrossing present three criteria for measuring brand success in the digital age:
1. A greater awareness of a brand’s audiences
2. Agility in its customer-facing infrastructure
3. Real activity and interactions with customers “on the ground” in cyberspace
SAMRA 2010 19
Connectedness refers to a brand’s visibility, its usefulness, its usability and the desire and
engagement it creates with customers. Using this general framework, we can evaluate some of the
other metrics that have been put forward as measures of brand equity in digital environments.
Figure 6: iCrossing's framework for what makes a connected brand
Connections: followers and fans
How many people are listening to what you say? How many publicly label themselves as fans of
your brand? Can this be used as an indication of your brand equity? Intuitively, this seems to make
some kind of sense. Quantifying the number of Facebook and Twitter followers that your brand has
gives one an idea of the critical mass of the “cult” that has grown up around your brand and this
might be used as an indication of the gravitational pull it has.
There are a few places that a brand might want to look at to quantify the number of followers or
connections it has with customers. Facebook, Twitter, Flickr and YouTube are amongst the most
popular websites and thus relevant to most brands.
In addition, it is valuable to know how many unique visitors come to your brand’s website and how
many other sites refer to your website. All of these give you an idea of how many people are
connected to your brand.
SAMRA 2010 20
However, there are a few caveats to such measures. For one thing, there is a difference between
active fans and passive fans – those that engage with your brand and those that ignore your status
updates. Most platforms make it very easy to add new links, often without any further thought to
their existence.
Engagement
Merely knowing how many people follow you does not give you an indication of whether those
people are actively listening to what your brand has to say or engaging in two-way co-creative
experiences. For example, Twitter is a good medium for gaining followers, but in the deluge of
information that flows through most Twitter users’ streams daily, what is to say that they even see
or care about what your brand is saying? Some have suggested that a better way of working out
whether people are really processing what you have to say is to be ‘listed’. Twitter gives users the
option of grouping the people that they follow into ‘lists’ united under similar topics. For example,
someone might put all the celebrities that they follow together under the list ‘People I follow
because they are famous”. It has been argued that because creating lists requires an additional level
of cognitive thought, having your brand listed implies that it has added influence on the person who
listed it and those who subscribe to the list because it stands out from the everyday noise of the
general Twittersphere. [Troy, 2009; Zeigler, 2009] As one blogger put it:
“Anything to do with numbers of followers is now dead. WHAT KIND OF LISTS you are
on will be far more important. Who cares if someone has 145,000 followers if no one will
put him on a list because they don't like his Tweet style?” [Scoble, 2009]
Twitter lists are just the most recently touted measure of engagement online. Other popular
examples are:
• Tweets about your brand
• Shared and recommended links on Reddit.com and Digg.com
• Social bookmarks on Del.ic.ious
• Brand website: visits per person to your site
• Brand website: average length of stay
• Discussions, posts and contributions on Facebook, Flickr, YouTube, etc.
[iCrossing, 2009]
Klout is a tool that measures users’ (and brands’) ‘clout’ or influence on Twitter by looking at the
number of followers an account has. It also looks at how often the account user engages in two-way
conversations with others, how often the user’s messages are ‘retweeted’ (i.e. passed on to others)
SAMRA 2010 21
and how often the user is mentioned by other users. It combines all these measures into a single
number “Klout” score. It also provides more in-depth statistics on the various measures and
attempts to categorise the individual or brand based on their activity (according to Klout, Pepsi is a
“persona”).
Search ranking
Another digital measure of your brand’s perceived strength is its ranking in search engines. Google,
Yahoo and Bing (Microsoft) all employ advanced ranking algorithms to determine the relevance
and influence of search terms (such as your brand name) and websites. They use ‘spiders’ – digital
agents that scour the links between websites, scanning for keywords – to create network metrics
such as incoming links, outgoing links and mentions in other places that determine the position a
concept needs to be placed in the search results for a related concept (e.g. “fast cars” and “Ferrari”).
While the nitty-gritty details of their algorithms are closely guarded secrets (they wouldn’t want you
to game the system after all), one can rest assured that appearing in the top search results for a term
related to your category is a very good indication of your brand’s perceived (and real?) strength.
SAMRA 2010 22
Figure 7: Klout measures both a brand or person's connections and its engagement with its network [klout.com]
SAMRA 2010 23
Figure 8: Nike’s website is the fifth natural search result when searching for the term “running shoes” via Google
SAMRA 2010 24
Sentiment analysis
Sentiment analysis is a slightly more advanced methodology than the raw number of connections or
fans a brand has. Similar to the spiders that search engines employ to scour the web, sentiment
analysis often relies on machine learning and automated agents to scrape brand mentions off
popular blogs, websites and social media platforms. The machine learning comes into play in trying
to automatically deduce the nature of the sentiment displayed in messages that mention a brand. For
example, the word “sad” in the same sentence as “McDonald’s” in a Facebook status update may be
taken as an example of negative sentiment. By collecting and analysing brand mentions, it is
possible to gain an idea of the balance between negative and positive sentiment for one’s brand.
Machine learning and such ‘intelligent’ online agent behaviour may be impressive, but not everyone
is convinced of its effectiveness just yet. As Tom Webster of the blog BrandSavant puts it:
“Actually, I’m not a huge believer in sentiment analysis–yet–for two reasons: it isn’t yet as
accurate as an intern would be, and even if it were–I’m not even sure what you do with it
other than track it over time. There is certainly no correlation I am aware of between
brand mentions and sentiment, or even “social media” sentiment and actual sentiment.
Taking snapshots of sentiment is a lot like day trading–anecdotal events will “spike”
sentiment one way or the other over the short term, and while you should never ignore a
crisis, I don’t think you need sentiment analysis to tell you if you’re in trouble. Sentiment
analysis over the medium and long term, however, may be a useful metric to track the
effectiveness of your social media campaigns over time.” [Webster, 2010]
SAMRA 2010 25
Examples of tools that measure sentiment are TweetFeel and MatterMeter:
Figure 9: When is it able to recognise it, TweetFeel highlights negative mentions of a brand in red and positive
mentions in green [www.tweetfeel.com]
Figure 10: MatterMeter is another sentiment analysis tool. In this case, 85% of users would care if BMW no longer
existed [www.mattermeter.com]
Listening tools
Much online social media research falls under the umbrella of “listening research”. Several
platforms have emerged as tools for brands that want to listen in on what people are saying about
them so that they can join the conversations and manage their relationships.
SAMRA 2010 26
These platforms tend to offer dashboard-like interfaces where metrics are gathered from across the
most popular social media and web platforms, ranging from posts and discussions to sentiment
analysis. Some of the most well-known platforms are:
1. Radian6 – “Radian6 gives you a complete platform to listen, measure and engage with your
customers across the entire social web” (www. radian6.com)
2. Conversition – “Where market research meets social media - evolisten represents the next
generation of full service market research, one that listens to digital word of mouth.”
(www.conversition.com)
3. Trackur – “Online reputation monitoring” (www.trackur.com)
Figure 11: Conversition is an example of a commercial listening tool that purports to offer brand’s a 360° view of their
online presence
As to whether these methods will replace traditional brand equity research, this question is beyond
the scope of this paper. However, given how some major online players are teaming up with
traditional research agencies (e.g. Google and WPP), it seems more likely that the two industries’
paths will criss-cross, with some casualties and some amalgamations along the way.
SAMRA 2010 27
What is clear from all these tools though is that their primary measure is the number, the strength
and the direction of the relationships that online entities have with their stakeholders and networks.
We can think of the relationship as the link that connects brands to customers. Understanding the
strength and nature of this bond is an important area of network research and a good reason to think
of relationship measures as particularly relevant in the digital world.
Relationships are central to understanding brand strength in the digital age where customers
perceive brands as personified entities that they expect to be able to interact with and receive
timeous and authentic responses from.
Conclusion
The world is changing, or at least our conception of it is. Confused? You should be. As technology
hurtles along, we are exposed to more and more information, which increases the challenge of
understanding brands in simple terms. We used to watch television on our rounded 2-dimensional
screens and this was good enough. Then along came 3-dimensional experiences such as James
Cameron’s Avatar which opened our eyes to an entirely new vista of sensory stimulation.
A similar thing is happening today in the market research world thanks to the digital and social
media revolution. We now have more data at our fingertips than we know what to do with.
However, thanks to technology, more information means we are, in theory, capable of seeing brands
in a new light, and this new light has more than one dimension. We need to start thinking in
multiple dimensions and visualising the brands we work with in these dimensions. This is a
necessary step if we are to develop a unified theory for branding that helps us to understand the
complex systems that brands operate in and the subtle ways in which we can shape them.
SAMRA 2010 28
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SAMRA 2010 32
Appendix 1: Major research houses’ dimensions of brand equity
Millward Brown’s Brand Dynamics
1. Presence > Relevance > Performance > Advantage > Bonding
TNS’ Conversion Model
1. Needs Fit/Satisfaction
2. Attractive of alternatives
3. Involvement
4. Ambivalence
Synovate’s Brand Value Creator
1. Brand Relationships
2. Category Involvement
3. Overall Evaluation
4. Importance to Person
5. Relative Appeal
6. Theory of Commitment
Ipsos’ Equity Builder
1. Differentiation
2. Relevance
SAMRA 2010 33
3. Popularity
4. Quality
5. Familiarity
Research International’s Brand Energy
1. Status (emotional and functional)
2. Momentum (emotional and functional)
SAMRA 2010 35
Appendix 2: Results from Longitudinal research linking Purchase Intention to subsequent Behaviour [Hofmeyr, 2007]
Author(s) Product Categories Nature of Study Results
Juster, F.T. (1966) Motor cars, appliances Measure purchase intention using 11-point
probability scale. Correlate with whether
or not product subsequently bought.
R = .43 (motor cars), .24 (appliances).
R2 = .18 and .06 respectively.
Bonfield, E.H. (1974) Brands of grape juice Measure purchase intention using 7-point
likelihood scale. Correlate with whether or
not the brand subsequently bought.
Results are significant.
Average correlation: .40. R2 = .16
Sewall, M.A. (1981) Women’s apparel Mall intercept. Measure purchase
intentions using 5-point scale. Compare
with subsequent purchases.
Results are significant but poor.
R = .27; R2 = .07
Miniard, P.W., C.
Obermiller and T.J. Page
(2982)
Brands of soft drink 0.49
LaBarbera, P.A. and D.
Mazursky (1983)
Margarine, coffee, toilet
paper, paper towels,
macaroni
Diary study: Purchase intention measured
every two weeks for 20 weeks. Correlated
with subsequent brands bought.
Purchase intentiont � Purchase t+1: R =
.24
Average R2 = .06
Morwitz, V.G., E, Johnson
and D. Schmittlein (1993)
Motor cars, PC’s Measure intention to buy in next six
months, every six months. Longitudinal
research measures actual behaviour.
No correlations reported. On average,
29% of those who say they will buy, do;
which means that 71% don’t.
Bemmoar, A.C. (1995) Multiple durable
categories
A meta-analysis of published studies in
which PI was measured and subsequent
behaviour was observed.
No correlations. 64% of those who say
they will definitely buy, don’t. Most
purchases come from those who say they
will not buy.
Chandon, P., V.G. Morwitz
and W.J Reinartz (2005)
On-line grocers, motor
cars, PC’s
Measure purchase intention. Observe next
purchase or purchase within six months
Correlations: .44 (grocer), .12 (motor
cars), .16 (PC’s). Average correlation: .24
(R2: .06)
Seiders, K., G. Voss, D.
Grewal, and A. Godfrey
(2005)
High end clothing and
home furnishings
Measure purchase intention. Correlate with
52 weeks of behaviour in a data-base.
Purchase intention � No of visits: R =
.11, R2 = .01; and Amount spent: R = .10,
R2 = .01
Perkins-Munn, T., l.Aksoy,
T.L. Keiningham, D. Estrin
(2005)
Trucks, Pharmaceuticals Measure respondent attitudes. Record
subsequent behaviour over a 15
month period.
Intentiont � Repurchaset+1: R = .44 and
.65 respectively. Average R2 = .31
Intentiont � SoWt+1: R = .47, .45
respectively. Average R2 = .21
SAMRA 2010 36
Appendix 3: Results from Longitudinal research linking Customer Satisfaction to Retention and Share of Wallet [Hofmeyr, 2007]
Author(s) Product Categories Nature of Study Results
LaBarbera, P.A. and D.
Mazursky (1983)
Margarine, coffee, toilet
paper, paper towels,
macaroni
Diary study: Satisfaction measured every
two weeks for 20 weeks. Correlated with
subsequent brands bought.
Satisfactiont � Purchase t+1: R = .20
Average R2 = .04
Jones, T.O. and W.E. Sasser
(1995)
Manufacturer of industrial
supplies
Longitudinal study: Measures customer
satisfaction and compares with subsequent
retention-defection.
Extremely satisfied customers six times
less likely to defect – but doesn’t report
overall retention-defection rates.
Bolton, R. N. (1998) Telecommunications Longitudinal survey of customers: Two
waves. Models satisfaction and other
inputs against length of customer duration.
Satisfaction accounts for most of the
variance explained (42%). But Bolton
fails to report percent variance explained!
Mittal, V. and W.A.
Kamakura (2001)
Motor cars Customer satisfaction in 33rd
month of car
ownership – compared with whether brand
switched or not when new car bought
Repurchase rate of dissatisfied customers
= 48%; repurchase rate of satisfied
customers = 72%.
Verhoef, P. C. (2003) Financial services Measure attitudes inc. satisfaction.
Modeled against subsequent retention-
defection.
Regression model acceptable: R = .43; R2
= .18. But satisfaction fails to make the
model.
Capraro, A.J., S.
Broniarczyk, and R.K.
Srivastava (2003)
University health plans Measure attitudes inc. satisfaction, one
month before decision. Re-contact after
decision.
Regression model including satisfaction is
significant but R2 is only .08.
Keiningham, T.L., T.
Perkins-Munn, and H.
Evans (2003)
Financial services Measure attitudinal satisfaction. Obtain
customer share of wallet from 3rd
party
sources. Fuse the data and analyze.
A dichotomized satisfaction scale (1-8; 9-
10) lifts SoW from about 10% to 15%.
Average R = .27; R2 = .07
Bowman, D. and D.
Narayandas (2004)
Processed metals Measures attitudes inc. Satisfaction.
Compares with subsequent data-base
information.
Satisfaction correlates poorly with SoW;
and does not correlate with profitability.
Gustaffson, A. M.D.
Johnson, and I. Roos (2005)
Telecommunications Measure attitudinal satisfaction. Correlate
with churn defined as ‘time spent as a
customer’
Satisfaction � Churn: R = .13, R2 = .17
Seiders, K., G. Voss, D.
Grewal, and A. Godfrey
(2005)
High end clothing and
home furnishings
Measure attitudinal satisfaction. Correlate
with 52 weeks of behaviour in a data-base.
Satisfaction � No of vists: R = .07, R2 =
.00; and Amount spent: R = .07, R2 = .00
Perkins-Munn, T., l.Aksoy,
T.L. Keiningham, D. Estrin
(2005)
Trucks, Pharmaceuticals Measure respondent attitudes. Record
subsequent behaviour over a 15
month period.
Satisfactiont � Repurchaset+1: R = .24 and
.22 respectively. Average R2 = .05