the various typologies of historic coptic orthodox church ... “the coptic builders seem to have...

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Eng. Sherif Morgan / Engineering Research Journal 151 (September 2016) A1-A13 A1 The various typologies of Historic Coptic Orthodox Church design Sherif Raouf Amin Morgan 1. INTRODUCTION The Coptic Orthodox Church is a Church that formulated its style and elements in Egypt, affected by its geography, climate, and above all the surrounding civilizations it emerged within. Finding out its way within a paganism society, being Ancient Egyptian locally or the Roman Empire as a ruler of the country, the Coptic Church and people were severely prosecuted. Accordingly, rarely can researchers find information regarding the early buildings of the first three centuries. However, some churches that were first built in the fourth and fifth century 1 after Christianity was formally accepted as a legal religion by the Roman Empire in 313AD 2 and declared the State religion in 381AD 3 are still existing and are subject for research. Although documentation is poor, yet some research has been made regarding the different typologies of the Coptic Orthodox Church design. Finally, the paper aims to review the different literature that classifies the historic Coptic Orthodox Church design. 2. TYPOLOGIES OF HISTORICAL COPTIC ORTHODOX CHURCH DESIGN Typology, a well-known word used to classify things in general, and architectural specifically in this paper, which have similar characteristics. Although it is mostly widely spread between Christians that the Church form follows a Cruciform, Circular or an Ark shape4, yet it is not the real situation within Coptic Orthodox Church designs. Those are mostly symbols that are sometimes used for spiritual meanings and metaphysical significances. Moreover, those shapes are scarcely used by Coptic Architecture. Butler, a well-known historian that wrote 1 Gabra, et al (2007) p.22 2 Watterson, (1988) p.34 3 Gregorius (Bishop), (1982) p.58 4 Malaty (Father), (2004) pp. 57-62

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  • Eng. Sherif Morgan / Engineering Research Journal 151 (September 2016) A1-A13

    A1

    The various typologies of

    Historic Coptic Orthodox Church design Sherif Raouf Amin Morgan

    1. INTRODUCTION

    The Coptic Orthodox Church is a Church that formulated its style and

    elements in Egypt, affected by its geography, climate, and above all the surrounding

    civilizations it emerged within. Finding out its way within a paganism society, being

    Ancient Egyptian locally or the Roman Empire as a ruler of the country, the Coptic

    Church and people were severely prosecuted. Accordingly, rarely can researchers

    find information regarding the early buildings of the first three centuries. However,

    some churches that were first built in the fourth and fifth century1 after Christianity

    was formally accepted as a legal religion by the Roman Empire in 313AD2and

    declared the State religion in 381AD3 are still existing and are subject for research.

    Although documentation is poor, yet some research has been made regarding the

    different typologies of the Coptic Orthodox Church design. Finally, the paper aims

    to review the different literature that classifies the historic Coptic Orthodox Church

    design.

    2. TYPOLOGIES OF HISTORICAL COPTIC ORTHODOX CHURCH DESIGN

    Typology, a well-known word used to classify things in general, and

    architectural specifically in this paper, which have similar characteristics. Although

    it is mostly widely spread between Christians that the Church form follows a

    Cruciform, Circular or an Ark shape4, yet it is not the real situation within Coptic Orthodox Church designs. Those are mostly symbols that are sometimes used for

    spiritual meanings and metaphysical significances. Moreover, those shapes are

    scarcely used by Coptic Architecture. Butler, a well-known historian that wrote

    1 Gabra, et al (2007) p.22 2 Watterson, (1988) p.34 3 Gregorius (Bishop), (1982) p.58 4 Malaty (Father), (2004) pp. 57-62

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    about the Coptic Churches in 1884, which is one of the oldest documented writings

    on the Coptic Church architecture confirms by saying,

    “The Coptic builders seem to have had no liking for or no knowledge

    of the cruciform groundplan…. The result is that in the majority of

    cases the architecture of the Coptic churches is of a mixed type, half-

    basilican and half-Byzantine: while in other cases there is a type

    entirely non-basilican yet not entirely Byzantine. But there is no case, as far as I know, of an architecture unleavened by either of these two

    elements, however variously they enter into combination with each

    other and with other elements.”1 Butler first confirms that there are no cruciform church forms in the Coptic

    Orthodox Churches. Moreover, he classifies the churches into two typologies, the

    first is a mixed half-basilican and half-byzantine, and the second is non-basilican but

    yet not Byzantine. He further mentions some examples regarding the Non-basilican

    and refers to Anba Antonious monastery (Saint Anthony) referred to in the figure-1

    as letters (A) and (B) having two churches with twelve domed roof, three on the

    sanctuary area and nine covering the rest of the church. However, he mentions Saint

    Barbara Church as a Byzantine example, referred to in figure-1 as letters (C) and

    (D). A barrel vault covers the Naïve and main alter. However, the rest of the aisles

    and galleries are covered with a flat horizontal roof.

    Figure 1 Comparison between Non-basilican Church design (A) Ariel view2 and (B) Google earth image of Saint Anthony Church Monastery in the red sea and the Basilican plan (C) Ariel view3 and (D) Google earth image of Saint Barbara

    Church in Old Cairo.

    1 Butler, (1884) pp. 6-7 2 Gabra, et al (2007) p.219 3 Sheehan, (2010) p.60

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    Bishop Samuel and architect Badie Habib did another form of classification

    to the Coptic Orthodox Church designs. The element of which the classification was

    focusing on was the Church Dome and its shape and location within the roof of the

    church. The following is the output of their classification.

    Figure 1 The Coptic Orthodox Church typologies through the classification of the

    Dome distribution on the roof.1

    The previous classification relates the domes locations above churches with relevance to date of construction of the church itself, starting from the fifth until the

    nineteenth century. The fifth and sixth century dome covers either the main altar or

    choir space. The seventh and eighth century dome covers both the altar and choir.

    Eleventh and twelfth century twin domes cover the nave and choir, and a smaller

    dome covers the altar. Fourteenth and fifteenth century churches have multiple

    domes covering the nave and vaults covering the northern and southern aisles.

    Sixteenth and seventeenth century churches had a row of altars at the sanctuary areas,

    making the church increase in its width. Churches are covered with domes of equal

    sizes and heights. Eighteenth and nineteenth century churches are back to three altars

    and the whole church is covered with twelve domes, three above the sanctuary area,

    and nine covering the rest of the church nave and aisles.

    القبة القبطية ,جورجي بديع حبيب ,صموئيل ) األنبا (1

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    In 2002, Capuani came out with a new typological classification. He splits

    the Churches of Egypt into two geographical zones. The first is the Mediterranean

    coast and Delta, where the church style is mostly affected by the Byzantine

    architecture. The second is the Nile Valley, where local cultural impact on the

    Church designs in his point of view is recognized.1 He further analyzes church

    designs chronologically as Bishop Samuel and Badie Habib did, but focused on plan

    design itself and not ceiling design. The following table illustrates the different

    typologies Capuani mentioned, their periods, shape, typology and examples.

    PERIOD SHAPE TYPOLOGY EXAMPLES

    5th to 6th

    Century

    Basilica with transept

    Al-Hawariya

    Sanctuary of

    St.Menas

    Hermopolis

    4th and 6th

    Century

    Basilica with nave

    and four aisles

    Madinat Madi

    Antinoopolis

    Pbow

    Armant

    5th to 7th

    Century

    Church with nave

    and two aisles

    Kellia

    Churches of Old

    Cairo

    Kom Namrud

    Madinat Habu

    5th to 7th

    Century

    Triconch Church

    Monastery of Apa

    Bane

    White monastery

    Red monstery

    Deir Abu Matta

    1 Capuani, et al, (2002) pp.41-44

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    PERIOD SHAPE TYPOLOGY EXAMPLES

    6th Century

    Church with a

    central plan

    Sanctuary of

    St.Menas (east

    basilica)

    Sanctuary of

    St.Menas

    (martyrion)

    7th to 12th

    Century

    Church with a

    khurus (Choir)

    Monasteries of

    sketis

    Monastery of

    Archangel Gabriel

    Al-Naqlun

    10th to 12th

    Century

    Church with naves

    roofed with cupolas

    Monastery of St.

    Victor Naqada

    Monastery of the

    Potter

    Monastery of the

    Martyrs

    Table 1 Capuani’s classification of Coptic Church design typologies1

    From the previous table, one can conclude that most historical churches

    follow a rectangular shape, and differences are internal and in the ceiling. The

    influence of the rectangular shape is purely from the Ancient Egyptian and Jewish

    temples. The Basilican influence is dominant in the architectural plan design,

    however the Churches of the Mediterranean such as in St. Menas show a Byzantine

    effect that is clear in the central dome of the East Church or the huge scale of the

    main Church.

    1 Capuani, et al, (2002) pp.41-44

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    Nicolas in 2004 updated the church classification into a more detailed one

    and discussed the sanctuary design, and at some times mentioned the Dome roofing

    system and locations. The following table illustrates the period, church shape

    sample, remarks and other examples of the same period and typology.

    PERIOD SHAPE REMARKS EXAMPLE

    1st to 4th

    Century

    Building is inside a

    rectangular shape

    Sanctuary with

    Triconch/Triapsal

    Nave is surrounded

    by three aisles

    The Basilica of Al

    Ashmounein

    St.Marina Church

    Shams Al-Din, Oasis

    4th and 5th

    Century

    Building is inside a

    rectangular shape

    External Narthex

    (western or southern)

    Triple Apse

    Nave is surrounded

    by three aisles

    Virgin Mary

    Hanging Church

    St.Sergius and

    St.Bacchus Church

    St.Barbara Church

    (Old Cairo Region)

    5th and 6th

    Century

    Building is inside a

    rectangular shape

    External Narthex

    (western and southern

    or on top of them)

    Sanctuary with

    Triconch/Triapsal

    Nave is surrounded

    by three aisles

    Church of Anba

    Shenouda

    monastery

    White monastery

    Red monastery

    Church inside

    Hatour temple

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    PERIOD SHAPE REMARKS EXAMPLE

    6th and 7th

    Century

    Appearance of the

    area of Chorus of

    Deacons

    Church of Abu

    Fana monastery

    Abu Mina North

    church, Mariut

    Churches around

    Luxor temple

    7th and 8th

    Century

    Central Altar with

    semi circle apse

    Rectangular side

    chambers

    Church in Habo

    city, west Luxor

    St.Mina Church

    complex in Mariut

    8th and 9th

    Century

    Chorus of deacons

    separated from nave

    by walls and doors

    Three sanctuaries

    with the central one

    bigger in size

    Virgin Mary church

    in Syrian

    monastery

    Anba Bishoy

    church in Anba

    Bishoy monastery

    N.B. existing church

    dates back to the 14th

    century

    11th , 12th

    and 13th

    Century

    Appearance of twin

    domes covering the

    nave

    Three rectangular

    sanctuaries

    Anba Hedra

    church, Aswan

    Virgin Mary church

    in Al-Azab and Al-

    Hamam monastery

    in Fayoum

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    PERIOD SHAPE REMARKS EXAMPLE

    14th and 15th

    Century

    Appearance of more

    than three altars

    Shallow nave of two

    rows

    Church orientation is

    in the north south

    direction

    Anba Bedaba

    monastery in

    Nagga Hammady

    St.Demiana and

    Anba Moisys

    monastery

    16th ,17th

    and 18th

    Century

    Appearance of a new

    type in Akhmim

    with three semi

    circular apses with a

    service corridor.

    Nave is divided into

    two rows with four

    columns in between

    Virgin Mary

    monastery in

    Akhmim

    Monastery of the

    Archangel in

    Akhmim

    18th and 19th

    Century

    Appearance of the

    twelve domed

    churches

    3 domes for the

    sanctuary

    6 domes for the nave

    and aisles

    Anba Begol church

    in Minya

    Many churches in

    Delta region that

    have been built in

    this period

    Table 2 Stages of Development of Coptic Church Architecture by Maged Nicolas1

    1 Nicolas, (2004) pp.218-220

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    Several other writers discussed the Coptic Orthodox Church design

    typologies but with no real extra input other than the previously mentioned above1.

    However, in 2012, Professor Sami Sabri2 published an article on the typologies of

    the Coptic Orthodox Historical Churches in the event of the Golden Jubilee of the

    establishment of the Church Ministry of Education. His typologies has classified the

    Coptic Orthodox Churches into nine different types. The focal elements of

    classification are the nave together with its roofing type. Moreover, variations of the

    sanctuary area of the Basilican plan3.

    The following table shows the typology and sample shape to elaborate the

    typology without getting into details of the subdivisions.

    SHAPE TYPOLOGY EXAMPLES

    Churches with

    Domed Nave

    (Single, Double, six,

    nine, or more)

    Church of Virgin Mary Tokh Al-

    Nassara

    Church of St. Marcorious (Al-

    Maymoun monastery)

    Church of Virgin Mary and St.

    Anthony in St. Anthony

    monastery

    Churches with

    Vaulted Nave

    Church of Archangel Mikhail in

    St. Bishoy Monastery

    The Church in the keep of the

    Syrian monastery.

    1 Gabra, et al (2007) pp. 22-29 2 Dean of the Institute of Coptic Studies, and a professor of Architecture and Urban Design in Cairo

    University, faculty of engineering, architectural department. شاكر, )2182( ص 831-828 3

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    SHAPE TYPOLOGY EXAMPLES

    Churches roofed

    with Domes and

    Vaults

    Church of the monastery of Anba

    Thomas, North Akhmim

    Church of the monastery of St.

    Hedra

    Churches with

    Square Nave

    Virgin Mary church in Fisha Al-

    Nassara village

    Virgin Mary church in Sabk El-

    Ahad

    Church of the Martyr Anba

    Sarabamon, Melig village

    Akhmim Churches

    Church of Mar-Guirguis El-

    Hadidy monastery

    Church of Virgin Mary monastery

    in Hawaweesh, Akhmim

    Churches influenced

    by Byzantine

    architecture

    Church of St.Menas (east basilica)

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    SHAPE TYPOLOGY EXAMPLES

    Basilican Plan

    Churches

    Virgin Mary Church, Syrian

    Monastery.

    St.Barbara Church, Old Cairo

    Sr. Sergius and Backhus

    Church, Old Cairo

    Basilican Plan

    Churches

    With Triconch

    Sanctuary

    Monastery of Anba Shenouda,

    Sohag (White monastery)

    Monastery of Anba Bishay,

    Sohag (Red monastery)

    Basilican Plan

    Churches

    With Transept

    St. Menas main church

    Al-Ashmunayn Basilica

    Table 3 Architectural typologies of Historical Coptic Churches, by Dr. Sami Sabri

    Shaker1

    شاكر, )2182( ص 831-828 1

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    3. RESULTS AND CONCLUSION

    From all the previous different classifications of Coptic Orthodox Church

    Typologies, starting by Butler in 1884, then Bishop Samuel and Badie Habib

    between 1962-1981, then Capuani in 2002, then Nicolas 2004, and finally Sami

    Sabri Shaker in 2012. One can conclude that typologies were based on either the

    architectural plan design, or the ceiling design, or both together. The last two

    combine the first two methods of classification, thus results in a deeper

    understanding of the historical Coptic Churches.

    AUTHOR TYPOLOGICAL THEME ERA

    Butler Basilican and Non-Basilican Churches 1884 AD

    Bishop Samuel and

    Badie Habib Dome distribution on the roof 1962-1981 AD

    Capuani Geographical zoning and plan design 2002

    Nicolas Functional zoning, sanctuary, and roof

    design 2004

    Shaker Nave design and roofing system 2012

    Table 4 Comparison of typological classification themes, their authors and its era, by

    researcher

    From these results and conclusions, the researcher would like to recommend

    further research in the typological classifications of contemporary churches. This

    field of research is missing and is causing a gap in science to understand modern and

    contemporary church design outcomes. Moreover, the typologies of Shaker may be

    adopted to classify the Churches of a certain region as an exercise of applying those

    typologies on case studies and checking if the case studies follow some or all of

    those typologies or not.

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    List of References

    1. Butler, Alfred J. (1884). Ancient Coptic Churches of Egypt (Volume 1), Oxford at the Clarendon Press.

    2. Capuani, Massimo, et al (2002). Christian Egypt, The American University in Cairo Press, Egypt.

    3. Gabra, Gawdat and Van loon, J.M (2007). The churches of Egypt: From the journey of the Holy Family to the Present Day, The American

    University in Cairo Press, Egypt.

    4. Gregorius, Bishop (1982). Christianity, the Coptic Religion and Ethnic Minorities in Egypt, GeoJournal, Vol. 6, No. 1, The Nile Countries, pp.

    57-62

    5. Malaty (Father), Tadros Y. (2004). Church, House of God, St. George church, Sporting, Alexandria, Egypt.

    6. Nicolas Kamel, Magued (2004).Design criteria of Coptic Architecture in Egypt, PH.D Degree dissertation, Alexandria University( Faculty of

    Fine Arts)

    7. Sheehan, Peter (2010). Babylon of Egypt: The Archaeology of Old Cairo and the Origins of the City, The American University in Cairo

    press, Egypt.

    8. Watterson, Barbara (1988). Coptic Egypt, Scottish Academic Press Ltd, Edinburgh.

    ,القبة القبطية ,بديع حبيب جورجي ,صموئيل ) األنبا ( .8, مجلة معهد الدراسات القبطية األثريةاألنماط المعمارية للكنائس (. 2182شاكر, سامي صبري ) .2

    القبطية, المجلد التاسع

    List of Figures

    Figure 1 Comparison between Non-basilican Church design (A) Ariel view and (B)

    Google earth image of Saint Anthony Church Monastery in the red sea and

    the Basilican plan (C) Ariel view and (D) Google earth image of Saint

    Barbara Church in Old Cairo. ..................................................................... 2

    Figure 2 The Coptic Orthodox Church typologies through the classification of the

    Dome distribution on the roof. .................................................................... 3

    List of Tables

    Table 1 Capuani’s classification of Coptic Church design typologies .................. 4-5

    Table 2 Stages of Development of Coptic Church Architecture by Maged Nicolas

    .................................................................................................................. 6-8

    Table 3 Architectural typologies of Historical Coptic Churches, by Dr. Sami Sabri

    Shaker ...................................................................................................... 9-11

    Table 5 Comparison of typological classification themes, their authors and its era,

    by researcher……………………………………………………………...12