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The Smith Manuscript
Ashley Macdougal
First Published 2013
Copyright © Ashley Macdougal 2013
All rights reserved
ISBN 978-1-4466-5638-9
To Suzy Mac,
my heroin/e
i
Introductory Note
A friend of mine who didn’t want to be named
describes himself as a Bodhisattva - some sort of
Buddhist monk. He sits cross-legged for hours in his
pokey city flat chanting incantations. He once wrote
a proverb in a letter and sent it to me when I was
feeling down. It goes like this:
One summer a Zen master lived by the sea in a small
hut, set on the edge of a flat and barren landscape.
The sea washed warm over the sand and the sand
grains collected and huddled in groups.
In their infinite wisdom the grains of sand formed to
become pebbles.
In time the pebbles became rocks, strong and sturdy
and impervious to the sea.
With an eye to the sky the rocks formed into boulders
and stood proud of the sea and impervious to the
wind.
With the passing of time the boulders became strong
and ambitious and, with an eye to the sun, many
boulders gathered and formed a small mountain.
The aloof sun knew that the mountain would never
reach its own magnificent height, but the mountain,
with the backing of its boulders, rocks, pebbles and
the grains of sand with their infinite wisdom, knew
only of its dreams and expectations and was happy.
Be only like the mountain and never the sun.
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The Zen master who was all knowing and witnessed
what happened took it upon himself to tell the story
of the mountain and the sun.
Maybe my friend (the one who didn’t want to be
named) had smoked too much hash and read too
much Kerouac, but it all made a lot more sense to
me when I found that box buried in the sand on
Spurn Point following the big winter storm in
January of this year. The box had been dug into a
shallow pit in the sand within an old ramshackle hut
that had been used by the shipping pilots years ago,
as described in the manuscript. The storm had
removed just enough sand for the corner to
protrude and Berry (that’s my dog) had been
sniffing and barking and scratting at the corner, and
that’s what drew me over to the box to see what all
the fuss was about. As you’ll find out later, there was
no key for the sturdy lock on the box and so I had
to break off the hinges with a big screwdriver to get
inside.
Inside the box was a bound-up manuscript. Initially I
wasn’t sure what to make of it, and so I contacted
Alison, an editor friend of mine in London. We’d
been in senior high school together and out of all of
us idiots that graduated that year she was probably
the only one who made anything of herself. Not
iii
some weed-smoking hippy, Alison had done well for
herself and had useful contacts in the publishing
business. Together we tried to find out who the
narrator was and to track down some of the people
who you’ll read about later (but of course not all of
them). In the end we drew a blank, and so in an
attempt to find out who these people were, Alison
recommended publishing the story in its full
unedited entirety, and then maybe someone will
contact me and help solve the mystery. She also
told me to write an introductory note about how I
came to be in possession of the manuscript. So here
it is. I was gonna fill this introduction with all kinds
of adjectives to describe the story but Alison just
told me to “let it be, what it is” and not cast my own
opinions on it. She also told me not to include the
Zen proverb, but I kinda like it so that’s staying in.
Ashley Macdougal
The Manuscript:
Contents
Cannes, French Riviera – Late September 2003: ......... 5
Chapter 1 (Encounter?) .................................................... 5
Chapter 2 (Retreat #1) .......................................................
Chapter 3 (Kronies at 72) ..................................................
Chapter 4 (Entrer la Nuit) .................................................
Chapter 5 (Le Salle) .............................................................
Chapter 6 (Happiness Happening) ................................
Chapter 7 (Retreat #2) .......................................................
Chapter 8 (Opening Up) ....................................................
Chapter 9 (Le Farfalla) .......................................................
Chapter 10 (The Dream) ...................................................
Chapter 11 (Stretching Across Town) ...........................
Chapter 12 (A Small Window) .........................................
Chapter 13 (Figs Forgotten) .............................................
Chapter 14 (Murphy’s Bar) ...............................................
Chapter 15 (Shrinking Room) ..........................................
Chapter 16 (Dunes in June) ..............................................
Chapter 17 (Sur la Plage) ..................................................
Chapter 18 (Synergy) ..........................................................
Chapter 19 (Along the Coast) ..........................................
Chapter 20 (The Swirling Night).....................................
Chapter 21 (Monsieur Dubois) ........................................
Chapter 22 (A New Luck) ..................................................
Chapter 23 (Last Tango in Juan) ....................................
Chapter 24 (Back in the Cannes) ...................................
Chapter 25 (Le Farfalla Fella) ..........................................
Chapter 26 (Pursuit Resumed) ........................................
Chapter 27 (Into the Bellybutton) ..................................
Chapter 28 (An Insidious Tic) ..........................................
Chapter 29 (In and Out) ....................................................
Chapter 30 (Over and Out, Retreat #3) .......................
Chapter 31 (Over) ................................................................
Spurn Point, East England – February 2004: ..................
Epilogue ...................................................................................
The Smith Manuscript
5
Cannes, French Riviera – Late September 2003:
Chapter 1 (Encounter?)
In my nightmares I see a man with a
distinctive tattoo. The tattoo is a serpent - inked in a
black tribal style - and it rises up his neck from the
right side of his shirt collar. The serpent’s murderous
intent is obvious, its head is in profile and is
contorted into a chilling sneer with fangs clearly
visible. The man is dressed immaculately in a crisp
white suit and, with the exception of the tattoo,
looks every part the respectable businessman.
With absolute certainty I know that this is
the man who has wrought unbelievable suffering on
my family - a suffering that has compelled me to
find him and bring an end to the nightmares, and
hopefully find peace and perhaps some sort of
justice – whatever that means. The question of my
own teetering sanity had raised itself, with the
decision to come to Cannes on a whimsical
supposition that this was where the tattooed man
would be. That decision appeared now to have been
completely justified.
The exact same tattoo of my tormented,
recurring nightmares was clearly visible on the neck
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6
of a man who was standing less than ten feet away
from me. He was dressed as in the dreams. He
looked happy and strolled along the seafront away
from me now, with what looked like his wife or
lover. They held hands, gazed at the yachts moored
out in the bay and moved with such nonchalance
that they appeared to occasionally stagger
backwards before progressing lazily onwards. They
seemed so carefree. The sun beamed from the
highest point in the sky and cast the blackest
shadows onto the concrete slabs beneath them.
They exchanged penetrating glances and giggled
without a word being uttered. The midday
promenade was a fluster of activity and teemed with
sun-worshipping tourists, transiting to and from the
beach. Some yachty types in comfortable deck
shoes, slacks and polo shirts buzzed around a
restaurant menu display.
With the random ebb and flow of the
beachside brigade serving as an adequate visual
filter against my own lanky appearance, this allowed
me to pursue the man with the tattoo of the dream
unabated, although I dropped back about thirty
metres or so to be certain of evading discovery once
I was sure it was the tattoo. A little further up the
couple crossed the Boulevard de la Croisette and
stopped at the window of a small jewellery store on
the corner of Rue François Einesy, presumably to
admire an array of flawless offerings presented on
miniature crushed velvet cushions. A couple of
The Smith Manuscript
7
minutes passed and then, with an eager leap, the
girl grabbed the man’s arm and they both
disappeared into the store.
Having not yet crossed the boulevard I
perched myself on the promenade wall and
observed from a distance, waiting for the couple’s
reappearance. I hadn’t at this point thought about
how to approach them. I just knew that it had to
happen. Seeing the tattoo that had filled my
dreamscape for so long back in England, and within
just a few short months of arriving in Cannes, had
filled me with a sense of dread. However riding
shotgun with the dread was a feeling of mitigation
at having made the right decisions in pursuit of such
powerful and overwhelming apparitions.
Nevertheless, sitting there on La Croisette in the
bright midday sun knowing where the tattoo finally
was had engulfed me with a nauseating panic. It
was a feeling I had experienced a couple of years
earlier when foolishly agreeing to do a bungee jump
at a local park near my home in England. A drying
of the throat as the crane hoisted the small cradle
into the air; the man going through the routine of
checking the harness and clipping on the bungee
cord to the leg straps, like an executioner coldly
running his final point-checks. I remember seeing
the treetops around the park, way below the level of
the cradle, and yet it kept going upwards. Then the
cradle’s ascension slowed and stopped, and then
just silently rocked to-and-fro in the air. When it
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8
came to the crunch I couldn’t move. I remained
routed to the spot looking down eighty metres or
so towards the small patch of grass below and the
tiny pink faces of the crowd. With the cradle still
swaying gently and calmly in the breeze the most
awful feeling of nauseating panic swept over me.
The park below began to rotate wildly and before
passing out I clearly remember the man who
worked for the bungee company issuing final
instructions: “Just lean for’ard mate,” he said in a
thick Sheffield accent, “Gravity’ll do the rest. Trust
me. You’ll be fine.”
Further up the promenade I could see Benni
swaggering along towards me with a huge smile on
his face. He’d probably just lined himself up with the
wife of some big shot Parisian antique dealer down
in Cannes for a conference. Benni was a real card
and a good friend. He worked at the Majestic
Barrière Hotel serving up twenty-euro cocktails at
the beach bar. With access to the well-heeled
tourists, he may not have been able to afford the
cocktails he served up, but he did milk the role for
everything he could. The Majestic’s beach area has a
jetty that juts fifty metres out from the shoreline. To
set the scene: the jetty is a hive of lone women
strapped into couture Dior and Chanel swimwear,
soaking up the sun whilst their husbands are either
at one of the conference centres or playing poker in
the casino. Benni called these women “la vedovas di
confinò” which, to us at least, meant widows of the
The Smith Manuscript
9
conf [erence and cas] ino or just confinòs for short.
This shortened version also has a rough translation
of “confines” or “confined”, which kind of ironically
ran against the grain for our free-spiritedness, and
particularly for Benni who could never get to grips
with the “confines” of any long-term relationship.
Any milking of the situation by Benni was usually
played out when he was asked to take a
Cosmopolitan or a Martini down the jetty to one of
the “confinòs”. He would throw them a cheeky
Italian smile and a wink, and this was sometimes
enough to tip them over the edge of their
vulnerability. So when returning to collect the
signature for the room tab, Benni would
occasionally receive an additional slip of paper with
a request for some of the off-the-menu services that
even the hotel manager didn’t know about.
The Majestic was my first residence when I
got into town and was my initial base camp from
which I located my second and present residence,
my apartment on Rue des Fréres Pradignac. Benni
was very much an Italian me, so we got on like a
house on fire from day one. The first time I saw him
I was walking along the same stretch of promenade
with my big leather holdall, fresh off the bus, when
he bounded up to me and said, ‘Hey man, you’re
English - no?’
‘Erm, yes that’s right,’ I replied.
‘Are you looking for a room?’
At first I thought he was just some wide boy
Ashley Macdougal
10
touting to get me into a hostel to get his
commission, so I lumbered on and tried to ignore
him. And then he cranked up again: ‘My name’s
Benni, I work at the Majestic beach bar.’ He pointed
to the name tag and the Majestic Barrière logo on
his shirt and then held out a hand. He’d managed to
neutralise the situation because I’d heard of the
Majestic Barrière Hotel. It’s one of the big-time
seafront palace hotels and plan A was considering
asking if they had any rooms available, along with
some of the others on the front. Then he came out
with the plum line that reeled me in: ‘I can get you
25% discount on a room and a free Martini at the
beach bar.’ Bingo, full row, left to right. That’s how I
got into the Majestic for my first couple of weeks.
After that plan B was to get something
more permanent, so I started looking for
apartments. Fortunately Benni had contacts and
knew of someone in real estate, who had an
apartment on his books that was way underpriced
for the area. When Benni came along with me to
view the apartment I think he liked it more than me:
‘This is perfect Smith. Bars around every corner and
only two blocks back from the seafront.’ He had a
good point and to be truthful I’d not seen anything
this good for the price, so I signed on the dotted
line, right there.
He came from a working-class family in
Milan, drawn to the bright lights like many of us
moths are. I normally had a lot of time for Benni, but
The Smith Manuscript
11
today I was going to have to get rid of him quickly.
The couple in the jewellery store were still in there
and I couldn’t let them get away – although if fate
had presented me with this chance encounter for a
reason, then I felt sure I would get a second and
maybe a third shot at this, but I still couldn’t take
that chance – maybe they were only in town for the
weekend.
Benni bounded up to me like a big-faced,
faithful pooch and gave his usual wink. He made a
loud double clacking sound with his tongue on the
roof of his mouth, and then to further cement our
comradeship drew an invisible gun from an
imaginary thigh-slung holster, raised it up to hip
level, pointed it towards me and pulled the non-
existent trigger. ‘Ciao Smith, how are you today my
friend?’
I feigned a slow-mo bullet impact to my
right shoulder by throwing it back and covering the
wound with my left hand. ‘Ciao Benni my boy,’ I
replied, trying to keep focused on the store across
the street. ‘You seem in good spirits, and your aim is
getting better. How goes the confinò hunting?’
‘It goes very well Smith. I am making some
good progress with Rosliné. She is from Paris and
her husband plays cards, which is good for me. She
has, how do you say, a drop-dead body. She is
drinking Champagne like a fish and I expect she will
fall under la seduzione potente di Benni very soon.’
He said this with a nod of the head and a cocksure
Ashley Macdougal
12
semi-grin which all seemed to point toward a done
deal.
‘Well Benni I wish you every success in your
endeavours, you dirty dog. You’ll have to let me
know how things turn out with La Bella Rosliné. For
now, however, I’m afraid I have to attend to other
business.’
‘I too have other business. I have to go to
the Carlton for assistance with re-stocking our
Cristal. It’s been very popular today, with the
Americans as well as with Rosliné.’
‘What time do you finish today?’ I asked.
‘The bar closes at seven.’
‘OK, meet me at Le 72 Croisette at eight
o’clock. I want to hear more about La Bella confinò
Rosliné.’
‘OK. Ciao Smith. See you at eight.’
‘Ciao for now Benni.’
Benni was gone moving down the
promenade and across La Croisette with that
inimitable swagger that made him look like he was
deeply involved in a tune on his iPod, except there
was no iPod, just Italian Benni, swaggering,
inimitably.
I continued to hang around at my lookout
post trying to maintain focus on the jewellery store
across the road, legs feeling like jelly. There was the
continual drone of the traffic and the occasional
blast of a horn. Something I’d always noticed when
coming on holiday to Mediterranean cities when I
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13
was a child with my parents was the excessive use of
the car horn. There seemed to be a fairly simple
mathematical equation at play and you didn’t need
the brains of a NASA man (or woman) to see what
was going on; temperature multiplied by number of
vehicles on the road equals rocketing stress levels
which in turn equals increase in frequency and
amplitude of horn use - therefore the warmer the
climate the more frequent was the sound of
agitated motorists hitting the horn. It does however
seem to carry less weight the more it happens, and
is usually met with an innocuous “what did I do
wrong?” kind of lifting of the hands and shoulders. If
someone toots you in England, the initial retort is
either a one or two fingered gesture, depending on
whether to go with the American singular or the
English plural.
None of these thoughts were particularly
helping with my concentration levels, and after the
initial elation at the sight of the tattoo I was
beginning to get a little frustrated at the lack of
action. There was no apparent movement in the
jewellery store. They must have been in some
serious negotiations back there. Despite my
growing concerns I hadn’t really anticipated making
a move towards the store at this stage, but clearly
my legs had. They were already making their way
towards the pedestrian crossing with body, arms
and head along for the ride. I really had no idea
what I would say. Perhaps just play it cool: ‘Hi - I’ve
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just been following you for the past fifteen minutes,
can I talk to you?’ Yeah right Dufus - maybe an
approach that would allow you to finish the
sentence before getting a fist planted in your face
would be preferential? OK, maybe: ‘Hi there - I’ve
spent the last six months of my life waking up in
cold sweats because of your tattoo and I don’t know
why.’ Better, at least they’ll just run away instead of
resorting to physical violence. I was acutely aware of
the beads of sweat tracing down my forehead now
and dripping off my nose and the insane bouncing
heart in my chest, really insanely bouncing – trying
to get out like a deranged schizoid in a soft cell. I
knew that I wouldn’t have a line prepared by the
time I got there because I was already crossing the
boulevard with a quickening pace. As I zeroed in on
the shop front my pace quickened further, but this
time not out of fear of confronting the couple but
rather out of the opposite – a fear that they may not
be there. No lights were on in the store; there were
no miniature crushed velvet cushions in the window
and a notice taped inside the door unmistakably
read à vendre – for sale. The store wasn’t trading
and clearly hadn’t been for some time. I pinned
myself up against the glass door to take in the
impossible truth; an empty shop and a delusion
fermented in time to create these people that didn’t
exist, hadn’t existed, and then a familiar shockwave
of nausea rushed up from my feet enveloping me.
As I turned to run down the adjacent side street to
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throw up out of public view, the pavement yawed
sadistically, sending me reeling into a crowd of
people, and if that wasn’t bad enough the pavement
then rushed upward to meet me with a clattering
thud before the nausea finally found it’s opening
and very publicly surged out onto the pavement.