the jazz mass

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THE EVANGELIST AUGUST 2016 3 2 S unday 3rd July was the first Jazz Mass at St. John the Evangeli , a brilliantly sunny day for the congre- gation of over 110 to experience a brilliantly organized Jazz Mass by Father Alain, the Cel- ebrant. e Goel Hymns were sung fairly well by a Congregation eeped in Anglican Hymnody, who freed themselves to sway with the Goel Rhythms. e Mass setting was the Little Jazz Mass by Bob Chilcott, and Fed- erico improvised the accompaniment of the Propers. e Choir threw themselves into the singing with a double bass, drums and timpani, and saxophone accompaniment. e Address was by Professor Norman Cornett who dis- cussed the Goel in detail. We had a fine sax- ophone recital from the Pulpit by Joel Miller which gave the right Jazz mood to the Congre- gation and keened as it should. Your Editor was moexcited because for eleven years he has tried to get St Johns to have a Jazz Mass. It was a superbly brilliant and joyous Mass. is page, top right: Professor Cornett at the pulpit. Bottom left: Joel Miller delivers his solo. Bottom right: e Celebrant Father Alain with Mother Wendy and Tyson Røsberg During Communion e Jazz Mass BY TONY WHITEHEAD, EDITOR PHOTOS BY JANET BEST is page, top: Conor O’Neill and Claude Vieilleux (basses); Dwain Richardson (tenor); Aura We, Catherine Murray, and Helen Tucker (altos/mezzos); Krial Calvert, Rebecca Bain, and Angèle Trudeau (sopranos). Accompanied by Pierre Cartier (double bass) and Valérie Lacombe (drums).

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Page 1: The Jazz Mass

THE EVANGELIST AUGUST ⁙ 2016 32

Sunday 3rd July was the first Jazz Mass at St. John the Evangelist, a brilliantly sunny day for the congre-

gation of over 110 to experience a brilliantly organized Jazz Mass by Father Alain, the Cel-ebrant. The Gospel Hymns were sung fairly well by a Congregation steeped in Anglican Hymnody, who freed themselves to sway with the Gospel Rhythms. The Mass setting was the Little Jazz Mass by Bob Chilcott, and Fed-erico improvised the accompaniment of the Propers. The Choir threw themselves into the singing with a double bass, drums and timpani, and saxophone accompaniment. The Address

was by Professor Norman Cornett who dis-cussed the Gospel in detail. We had a fine sax-ophone recital from the Pulpit by Joel Miller which gave the right Jazz mood to the Congre-gation and keened as it should.

Your Editor was most excited because for eleven years he has tried to get St Johns to have a Jazz Mass. It was a superbly brilliant and joyous Mass. (

This page, top right: Professor Cornett at the pulpit. Bottom left: Joel Miller delivers his solo.

Bottom right: The Celebrant Father Alain with Mother Wendy and Tyson Røsberg During Communion

The Jazz MassBY TONY WHITEHEAD, EDITOR • PHOTOS BY JANET BEST

This page, top: Conor O’Neill and Claude Vieilleux (basses); Dwain Richardson (tenor);

Aura West, Catherine Murray, and Helen Tucker (altos/mezzos); Kristal Calvert, Rebecca Bain, and

Angèle Trudeau (sopranos). Accompanied by Pierre Cartier (double bass) and Valérie Lacombe (drums).