the house of sand

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    Running head: THE HOUSE OF SAND

    The House of Sand

    Mrcio Padilha

    Lewis-Clark State College

    ENGL258 Norden

    Fall/2010

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    The House of Sand

    The House of Sand is a very interesting and aesthetically pleasing Brazilian movie.

    Appearing to be encapsulated both in time and place, plot development is very interesting.

    The story starts in 1910 with Vasco de S relocating his family from the City of So Luis to

    the Lenis Maranhenses, a remote desert area of the Brazilian State of Maranho.

    Planning to start a farm there, Vascos dreams are soon quashed as he realizes the area is

    already inhabited by a group of descendants of runaway slaves who call the region The

    Island", the only permanently fertile spot in a sea of sand. Vascos ideals are unrealistic and

    his recurring impertinence causes his pregnant wife urea to seek help from the black

    settlers. Wanting them to take her and her mother Maria away, urea offers them her

    money, worthless in the local barter economy, which they take yet fail to provide the

    promised help. Vasco's workers soon abandon the farm and he dies, leaving the women

    stranded at the Island, fighting for a way to find their way back out of there.

    From its discovery on April 22, 1500 until September 7, 1822, Brazil was a colonial

    Portuguese territory which, nonetheless, was ruled as a monarchy until October 15, 1889.

    Therefore, The House of Sandtakes place in an era when Brazil had recently emerged as a

    republic and, as such, thoughts of monarchy and slavery were still very strongly present in

    the Brazilian social collective mind. Twenty years earlier, a military coup dtat

    extinguished the then-existing monarchic rule and replaced it with a republican form of

    government and now, in 1910, Brazilian society experiences the climate of a presidential

    electoral campaign for the first time ever. As part of this new sociopolitical identity

    acquiring process, Brazilian society was polarized between two opposing ideologies.

    Whereas the social debate between electing either a civilian or a military candidate was

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    intense, to no ones surprise a military president was elected in an electoral process then

    referred to as diseased and suspicious. Soon after taking office, President Hermes da

    Fonseca faced his first crisis, known as The Canning Rebellion. As customary to the era in

    question, all non-white naval officers were subject to physical punishment. Then, after a

    calculated effort by Black Naval Officer JooCndidoFelisberto, an insurgence of over 2000

    non-white naval personnel ensued in Rio de Janeiro, then the national capital. Whereas the

    rebellion was forcefully suppressed by the government, society had been forcefully

    exposed to the reality of social unrest. Nevertheless, Maria and urea, unaware of the

    happenings in the outer world, exist in limbo with Maria, ureas daughter.

    After nearly a decade of seclusion, urea still longs to return to her former life

    beyond the seemingly insurmountable dunes, while her mother seems quite content in

    their new situation. On a frustrated attempt to leave, urea runs into an international

    scientific expedition observing a solar eclipse on May 29, 1919. Besides falling in love with

    Luiz, a young soldier escorting the expedition, urea hears about World War I for the first

    time. Luiz also tells her that he is an officer in Brazils newly formed Air Force, a concept

    which she does not understand. In seeming possession of their ticket out in hand, urea

    returns to their hutfor her mother and daughter. Nevertheless, the sand had moved,

    partially burying their house and entombing Maria, the mother. After making sure that

    Maria, the daughter, is fine and taking some time to recompose from the emotional shock,

    urea and her daughter returned to the place where the scientists were. However, as they

    took longer than expected, they were left behind. Not wanting to stay in the desert forever

    urea confides to her daughter that she misses "music," a concept her daughter does not

    understand.

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    By 1920, the worlds sociopolitical reality was foreign to urea. Albert Einsteins

    Theory of relativity comes into existence. Automobiles are now part of the national

    scenario. There has been a World War. The Anarchist Insurrection tried to overthrow the

    establishment. Three presidential elections have taken place in Brazil since their exile

    began. Maria, the daughter, has never seen a paved road.

    Realizing that she had missed her lifeline back to her world, urea resigns herself to

    her fate and links up with Massu, one of the slave descendants. Maria, the daughter, grows

    older and becomes a drunk and cheap prostitute for the young men of the Island.

    Additionally, not wanting a family, Maria aborts her babies. Both issues deeply disturb

    urea.

    In 1942, their fate is deeply altered. A Brazilian military plane crashes in the ocean

    nearby. A search party, commanded by Luiz, is sent out. He is now married and a high-

    ranking officer with the Brazilian Air Force. As Luiz first sees Maria, he is reminded by her

    of her mother urea. After talking with some slave descendants, he realizes what is

    happening. Eventually, he meets urea in person again who begs him to take Maria with

    him. He abides, promising to look after her, while urea contently stays with Massu in the

    desert. About three decades later, Maria finally returns to the Lenis region. She finds her

    aged mother, sitting by herself at their old kitchen table. After their happy reunion, Maria

    brings deep joy to urea when she plays a tape-recording of "real music," a piece by

    Chopin. Contemplating the moon together, Maria tells her urea that, in 1969, man had

    landed on the moon. urea asks her daughter what they found on the moon. Maria replies:

    Nothing but sand.

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    Bibliography

    Waddington, A. (Director). (2005). The House of Sand[Motion Picture].