the edithorial_ comedy's 2,500th birthday

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The Edithorial Saturday, 30 May 2015 Comedy's 2,500th Birthday This week has been all about comedy. On Wednesday I spent my birthday present money rediscovering the therapeutic power of laughter at the musical Book of Mormon. My rib‐ cage ached and my mascara ran after two straight hours of hilarity. The work is a trenchant satire on imperialism. Its climax—the Ugandan villagers’ riotously obscene musical‐pageant reprise of the Mormon foundation story, complete with artificial phalluses and frog‐shagging—is the nearest thing any of us will ever experience to Greek Old Comedy. This is not surprising, given that Trey Parker (of South Park), one of Book of Mormon’s creators, has previously milked an ancient Greek text, the Odyssey, in his cultish Cannibal: the Musical! And I’ve achieved a long‐held ambition by making it onto the cover of the June issue of the admirable magazine History Today with an article about the birthday of comedy. It was exactly 2,500 years ago, in 486 BCE, that comic theatre was born when it was integrated, for the very first time, in the drama competitions of the democratic Athenian state. In an outdoor theatre in the sanctuary of the wine‐god Dionysus, a musical chorus of men dressed in obscene costumes accompanied knockabout actors who yelled versified abuse at an audience of tipsy citizens. Supremely Aristophanic 'Joseph Smith, American Moses' number Join this site with Google Friend Connect Members (104) More » Already a member? Sign in Followers Edith Hall Follow 59 View my complete profile About Me 2015 (22) May (5) Comedy's 2,500th Birthday WHY I HATE THE MYTH OF PHAEDRA AND HIPPOLYT US Robots & Utopia Ancient & Modern The Woman Demosthen es Told to Run for President Odysseus, the EU, & the Dispossess ed of Lampedus a April (4) March (4) February (4) January (5) 2014 (52) 2013 (52) 2012 (56) 2011 (15) Blog Archive 6 Más Siguiente blog» [email protected] Escritorio Salir

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The Edithorial

Saturday, 30 May 2015

Comedy's 2,500th Birthday

This week has been all

about comedy. On

Wednesday I spent my

birthday present money

rediscovering   the

therapeutic power of

laughter at the musical

Book of Mormon. My rib‐

cage ached and my mascara ran after two straight hours of

hilarity. 

The work is a trenchant satire on imperialism. Its climax—the

Ugandan villagers’ riotously obscene musical‐pageant reprise of the

Mormon foundation story, complete with artificial phalluses and

frog‐shagging—is the nearest thing any of us will ever experience to

Greek Old Comedy. This is not surprising, given that Trey Parker (of

South Park), one of Book of Mormon’s creators, has previously

milked an ancient Greek text, the Odyssey, in his cultish Cannibal:

the Musical!

And I’ve achieved a long‐held ambition by

making it onto the cover of the June issue of

the admirable magazine History Today with

an article about the birthday of comedy.   It

was exactly 2,500 years ago, in 486 BCE, that

comic theatre was born when it was

integrated, for the very first time, in the

drama competitions of the democratic Athenian state.   In an

outdoor theatre in the sanctuary of the wine‐god Dionysus, a

musical chorus of men dressed in obscene costumes accompanied

knockabout actors who yelled versified abuse at an audience of

tipsy citizens.

Supremely Aristophanic 'Joseph Smith, American Moses' number

Join this sitewith Google Friend Connect

Members (104)  More »

Already a member? Sign in

Followers

Edith Hall 

Follow 59

View my completeprofile

About Me

▼  2015 (22)

▼  May (5)

Comedy's2,500thBirthday

WHY I HATETHE MYTHOFPHAEDRAANDHIPPOLYTUS

Robots &UtopiaAncient &Modern

The WomanDemosthenes Told toRun forPresident

Odysseus, theEU, & theDispossessed ofLampedusa

►  April (4)

►  March (4)

►  February (4)

►  January (5)

►  2014 (52)

►  2013 (52)

►  2012 (56)

►  2011 (15)

Blog Archive

6   Más    Siguiente blog» [email protected]   Escritorio   Salir

The inventor of comic

theatre was a man called

Sousarion. The prize for the

best comedy in that first

competition was a basket of

figs and no fewer than forty

litres of wine. The actors

will have worked up a thirst

mocking anybody who ‘put

their head about the

parapet’ in public life. They talked freely about sleaze, corruption,

and personal toilet habits. They subjected gods and powerful

humans to trial by vitriolic laughter which makes most modern

equivalents—Private Eye, Spitting Image, Not the Nine O’clock

News—look half‐hearted in comparison. Eleven Athenian

democratic comedies survive, all by one dramatist, Aristophanes.

In 486 BC, when

that epoch‐

making first

competition in

comic theatre

was held, a

comic attitude

to life was of

course not new.

The ancient

Greeks were cracking jokes from the first minute in history when

we can hear their voices: the Cretans who lived in Bronze‐Age

Knossos must have had their tongues in their Mycenaean cheeks

when their called their ploughing cows ‘Nimble’, ‘Swift’ and

‘Chatterbox’, names we can read in the early script, Linear B.

Celebrants of festivals connected with fertility and viticulture had

for centuries hurled abuse at local individuals while they processed

in mummers’ costumes through the villages. The stem kom‐ in

komoidia, ‘comedy’, means ‘revel’ or ‘carousal’, while also

sounding like the Greek word for an unwalled rural village:

komoidia thus means a ‘revel‐ode’, with rustic overtones.

But ad hominem satire incorporated into a musical drama, along

What is in the basket on his head? Frogs? Figs? 

The Actor on the right plays a King or Tyrant (eagletopped sceptre)