COMPILED AND ARRANGED BY
LIZ AND JIM BELOFF
]lul
~~ HAL• LEONARD® IIIIIIIIICORPORATION
7777 W . BLUEMOUNO RD. P. O . BOX 138 I 9 MILWAUKEE. WI 53213
Edited by Ronny S. Schiff
Cover and Art Direction by Elizabeth Maihock Setoff
Graphics and Music Typography by Charylu Roberts
Illustrations by Pete McDonnell
Chord Chart ......................................... 12
Songs For Children ........................... 311-333
Your Notes Here ................................. 334-335
Acknowledgements And Bio ............................ 336
Also available: (Songbooks) Jumpin' Jim's Ukulele Favorites; Jumpin' Jim's Ukulele
Tips 'n' Tunes; Jumpin' Jim's Ukulele Gems; Jumpin' Jim's Ukulele Christmas; Jumpin'
Jim's '60s Uke-In; Jumpin' Jim's Gone Hawaiian; Jumpin' Jim's Camp Ukulele; Jumpin'
Jim's Ukulele Masters: Lyle Ritz; Jumpin' Jim's Ukulele Beach Party; Jumpin' Jim's
Ukulele Masters: Herb Ohta; Jumpin' Jim's Ukulele Masters: Lyle Ritz Solos; Jumpin'
Jim's Ukulele Spirit; Jumpin' Jim's Gone Hollywood; Jumpin' Jim's Ukulele Island;
Jumpin' Jim's Ukulele Masters: John King-The Classical Ukulele; Jumpin' Jim's
Ukulele Country; Jumpin' Jim's The Bari Best; Ukulele Fretboard Roadmaps (with Fred
Sokolow); Jumpin' Jim's Happy Holidays; Jumpin' Jim's Ukulele Masters: Lyle Lite;
Blues Ukulele; Bluegrass Ukulele. (Pictorial History) The Ukulele: A Visual History.
}ollJllJJoJui
A long with an apple a day, a daily allowance of vitamins and minerals and a daily consti­ tutional.. .playing music regularly is one of the healthiest lifestyle habits you can practice. It makes you smarter. It makes you laugh . And it even has romantic advantages. For those
of you who have played a musical instrument, or total beginners who have always longed to play, this book, along with a ukulele, is your key to musical health and happiness. In The Daily Ukulele you'll find easy arrangements of hundreds of great, time-tested tunes at your fingertips.
One thing we've learned in all of our years of publishing ukulele songbooks is that the uke is a very social musical instrument. This would explain the recent growth of ukulele clubs through­ out the United States and the rest of the world . It's a good bet that at any given moment some­ where on the planet a group of players is gathered together having a great time strumming and singing a bunch of favorite songs.
Part of this is due to the modest nature of the ukulele. Although the uke has always attracted its fair share of virtuosos, most players are perfectly happy to use it as an accompaniment to a song. And when groups of like-minded strummers gather, it can be a memorable experience. For those who have visited a well-established ukulele club, it can seem like a cross between a secret society gathering and a tent revival. Typically, these clubs create their own culture and tradi­ tions with regular meetings, special events and gigs, guest performances, and sometimes even annual festivals. At the center of it all are the songs the members are passionate about playing and singing together.
We created The Daily Ukulele with these songs in mind. The idea was to pull together 365 well­ known songs with easy arrangements in uke-friendly keys that are especially fun to play and sing with others or on your own. Everything from Stephen Foster to Irving Berlin, The Beatles and Bob Dylan, kids songs, gospel songs, Christmas carols, Broadway and Hollywood tunes and even a couple of tributes to the ukulele. And, all bound together in one convenient volume.
Over the years we've seen many worn copies of our other Jumpin ' Jim's songbooks. We take special pride in seeing these especially "loved" copies because they clearly have been enjoyed. Here's hoping that this copy of The Daily Ukulele will become just as "loved."
Keep on strummin',
Ukulele 101 C or 3rd •--- -- +E or 2nd
The songs in this book are arranged for ukuleles in C tun­ ing. In this tuning, the individual strings from the top (closest to your nose) to bottom (closest to your toes)
are tuned GCEA. A lot of chords can be made with one or two fingers and many of the songs in this book require six chords or less.
G or 4th •-- - ---+Aorist
Uke C Tuning
One easy way to tune a uku­ lele is with a pitchpipe or electronic tuner matching the strings with the notes.
This corresponds to that famous melody:
Here are the notes on the piano:
Keeping In Tune
J j J J II My dog has fl eas
liillJ]]J / C E G A
(middle C)
Most ukuleles have friction tuners that include a small screw at the end of the tuner. The secret to staying in tune is to keep these screws tight enough so that the tuners don't slip, but loose enough that the tuners still turn.
Holding The Uke
Press your uke against your body about 2/3rds of the way up your forearm. Your strumming hand should naturally fall on top of the upper frets (not over the soundhole). Hold the neck of the uke between your thumb and first finger of your other hand, so that your fingers are free to move about the fretboard.
Note: See fumpin' Jim's Ukulele Tips 'N' Tunes if you need a basic ukulele method book.
6
Nut----+
A ---tL--+-+--++1
Making The Chords ~ r ~ , ~1 1 = Index finger
You make chords by putting various combinations of """ ! ....-/ ~ ~ J 2 2 = Second fin ger
fingers on the fretboard. In this songbook you'll find \ I ~'---.!_) 3 3 = Ring fin ger
chord diagrams that show where to put your fingers ~ 4 4 = Pinky
to make the right sound. The vertical lines in the diagrams represent strings and the horizontal lines represent the frets. The numbers at the bottom of the chords shown below indicate what fingers to use.
C Chord
G7 Chord
Remember to:
1. When pressing down the strings, use the tips of your fingers. 2. Always press down in the space between the frets, not on them. 3. Press the strings down to the fingerboard. If you hear a buzz it may be because you are
not pressing hard enough or are too close to a fret. 4. Keep your thumb at the back of the neck, parallel to the frets .
Making The Strums
The Common Strum: This is the most basic up/down strum. It can be produced solely with your index finger going down the strings with the fingernail and up with the cushion of your fingertip. You can also try this with the pad of your thumb running down the strings and the tip of your index finger going up. This strum will work fine on most of the songs in this book. A good example would be "King Of The Road."
Waltz Strum: This % rhythm can be produced simply with your thumb or index finger in sets of three down strums. You can use this on 3,4 songs like "Are You Lonesome Tonight" and "Around The World."
Island Strum: This lilting, syncopated strum is a combination of quick up and down strums plus a roll. In a typical 4-beat measure it would look like this:
,., = downstroke
v =upstroke
,., roll v v ,., v One and Two and Three and Four and .. .
Hae"s how to make the roll stwm.
Play the downstroke with your thumb and the upstroke with your index finger. The roll is made by running the ring, middle and index fingers quickly in succession across the strings. Ideal songs to use this on are "Under The Boardwalk" or "Up On The Roof."
Tremolo: This is used often as an ending flourish for a song. It's produced by running your index finger across the strings rapidly. If you are performing, this will suggest to your audience that you are finishing the song and they should get ready to applaud. Try this at the end of any song where you want a "big finish."
7
How To Use This Book
T he best way to use this songbook is, well, daily. Because there are 3~5 songs, you can play a different song each day for a whole year. (You get one day off dunng a leap year!) The songs are not always in strict alphabetical order, so consult the index in front when in
doubt. We did create two special sections: The first is "Songs For Holidays And Celebrations," where you'll find Christmas carols and other holiday-related material. This section is organized around the calendar year starting with "Auld Lang Syne" for New Year's Eve. The other special section is "Songs For Children" which are tunes that are appropriate for kids to play or parents who want to play for their children.
Many of the songs included here should be easy for you to play and sing right away. Here are a few things to note that will make this songbook especially enjoyable:
1. Chord Grids: Just in case you need a reminder of how to make a certain chord, the chord grids for each song are directly under the title, in order of their appearance. The Chord Chart on page 12 shows suggested fingerings.
2. First Note: This shows the first singing note of the song. Keep in mind that the lowest note on a GCEA-tuned "my dog has fleas" uke is middle C. As a result, when the first note of a song is below middle C (for example the B in "Are You Lonesome Tonight") the note shown is actually an octave above. Sing that note and then find the octave below.
3. Instrumentals: There are a few songs included here that have instrumental sections built into the arrangement. An example of this is in "How Sweet It Is." You are welcome to ignore these sections entirely or take a real solo. Often solo uke performers will make a trumpet or trombone sound with their mouths. Harmonicas and kazoos will work here, too.
4. N.C.: Whenever you see N.C. above the staff that means "no chord," a place in the song where you should stop playing until you get to the next chord. This "break" can be a nice flourish that will add drama to your performance. A well-known example is in the sixth line of "Five Foot Two, Eyes Of Blue."
There are some additional symbols that you'll see used throughout the arrangements in this songbook. We've listed a few below with their meanings:
II= =II Repeat Signs: These mean that the section within the signs should be performed again before going on to the next section.
!1. First Ending: Play through the measures under this bracketed area and then go back to the beginning of that section. Then look for further endings.
8
D.C. Da Capo: This means "from the beginning." Go back to the beginning of the music.
D.S. Dal Segno: Means to look for the % sign and repeat that section from the sign.
-$- Coda: Ending section. When you see "To Coda.._, jump ahead to the closing section that begins with this symbol
The Arrangements
Over the years of publishing our jumpin' Jim's songbooks, we've fine-tuned our approach to arranging songs for the ukulele. Often it 's a careful balancing act between finding a uke-friendly playing key while also keeping the melody in a comfortable singing range. For The Daily Ukulele we had an additional goal of keeping the arrangements as streamlined as possible.
The most uke-friendly playing keys for ukuleles in C tuning (GCEA) are C, F, G, D and A, with C and G being the easiest. For a mixed audience of male and female voices of all ages, we try to keep the melodies between G below middle C and C above middle C. That means that the melo­ dy in many cases can include single notes that are too low to be picked on a re-entrant, high G, "my dog has fleas" ukulele. For those who want to pick those lower notes, a C-tuned uke with a lowered G string will do the trick.
Transposing
Hopefully, most of the songs in this book are in keys that are easy for you to play and sing. In case a particular song feels too high or too low, you have the option of transposing it to a more comfortable key. If the song is in G and it feels a little high, try dropping the song one whole step down to F. That should be fairly easy to do, since every chord in the arrangement comes down one whole step. G drops to F, C drops to Bb and D7 drops to C7 and so on. If the song is in F and feels a bit low try going up to G and raising the chords a whole step. With a bit of experience, you should be able to do this in real time, as you are playing the song in tempo. The same would apply for transposing songs from A to G and D to C. If the song still feels too high or low, you may want to try a more dramatic transposition, like G to C or F to C and vice versa.
With some experience you'll become very familiar with the chords that typically appear in uke-friendly keys and will be transposing easily and quickly from one key to the next. This is especially true for simpler songs with a minimum of chords like blues and many kids' and folk tunes. The transposing chart below will help you keep track of the essential chords in the most uke-friendly keys:
Chords in c c F G7 Am Dm E7
D D G A7 Bm Em F#7
F F B~ C7 Dm Gm A7
G G c D7 Em Am B7 A A D E7 F#m Bm C#7
For example, if you wish to transpose a song in the key of C to the key of D, you would
The Original Chord The New Chord Change C to D Change F to G Change G7 to A7 Change Am to Bm Change Dm to Em Change E7 to F#7
In this case, everything moves up one whole step.
9
Sotne Chord Alternatives and Shortcuts Hawaiian D7
The traditional D7 is made by placing your index finger (or middle finger) across all four strings of the second fret and then putting your middle finger (or ring finger) on the third fret of the A string. There is an alternative D7 that is made by putting your middle finger on the second fret of the G string and ring finger on the second fret of the E string. Because this chord form is popular in Hawaii, it is often known as the Hawaiian D7. Besides being easier to play, this D7 has a more open and mellower sound. Part of that is due to the fact that there is no D note in the chord. While either D7 form is fine, we've come to prefer the Hawaiian version and you'll see it used throughout this book.
Barred 07 Chord
The Challenging B~ Chord
Two-Finger "Hawaiian" 07 Chord
For new players, the B~ is one of the more challenging chords to make on a ukulele. Typically, most players make a B~ by holding down the first frets of both the A and E string with your index finger and then putting your middle finger on the second fret of the C string and ring finger on the third fret of the G string. A stronger squeeze between your fingers and your thumb is recommended to make a clean-sounding B~ (no string buzz).
One alternative is to barre the chord. This means laying down your index finger across all the strings on the first fret while adding the middle and ring finger as previously described. For some, stretching the index finger across four strings is easier than holding down two strings with the first joint. (It's also good to practice making these barre chords as often as possible, since they will open up numerous chord possibilities further up the fretboard.) Another even simpler solution is to play the B~, but leave the top G string open so that it looks like your play­ ing a Gm7. Not having to stretch your hand to the G string makes the chord easier to produce. However, you need to be careful not to strum the G string, only the top three strings. If you accidentally strum the G string, the chord will sound odd, not like a B~! This alternative is especially appropriate when you just need to play a B~ for only a brief time (a measure or less).
10
The Dramatic Diminished Chord
You'll find a lot of diminished chords in this book. Most can be found in the older Tin-Pan-Alley songs like "For Me And My Gal." These chords do have a unique, dramatic personality and are especially prominent in the soundtracks of early black and white short films . Most players use all four fingers to make these chords, but they can be barred as well. If you barre the chord with your index finger, you can use your middle and ring finger to cover the remaining notes and thus avoid using your little finger. Another easier option is to play a G 7 shape in the same place that calls for a four-finger diminished . As long as you on ly strum the top three strings, it will sound okay, especially if you 're only using the chord for a measure or less.
Four-Finger Diminished Chord
The Pinky G
(x = Do not play this string.)
Most ukulele instruction books recommend playing a G chord with the index, middle and ring fingers. This allows the new player to avoid having to use their weakest finger, the pinky. This is okay to start playing quickly, but it's not very efficient when moving from a G chord to a G7, which is a common transition. In order to do that, all three fingers need to lift and regroup to make the G7. If, on the other hand, the G is made with the middle finger on the second fret of the C string, the ring finger on the second fret of the A string and pinky on the third fret of the E string you need only lift the pinky and place the index finger on the first fret of the E string to make the same transition.
There are other advantages to playing a G chord with your little finger. For example, look at how easily you can make a first position E7 coming from a pinky G in the arrangement of "Are You Lonesome Tonight." Fingered correctly, many of the chords in that song will fall into each other naturally. In fact, over time you may realize that you're making your first position C chord with your pinky because it frees up the three other fingers to plop down on a variety of follow­ up chords. And, keep in mind that the sooner you're able to use your pinky, the sooner you can start using those rich, jazzy and nuanced 4-finger chords that the master players employ. It 's
helpful to think of this fingering as part of the overall art of moving from chord to chord. Ulti­ mately it is the ease with which you can move from one chord to the next that will accelerate your progress.
Non-Pinky G Chord
Major Chords A~ C~ D~ F; G~
A B~ B C Db D Eb E F G~ G A~
I i I I I I I I I I I ,I Am
Mm B~m Bm Cm
Minor Chords
Dm oam Ebm Em Fm Gm
I i I I .I I I I I I I I Dominant Seventh Chords
ca1 o~1 C7 Ob7 D7 E~7 E7
Minor Seventh Chords
F7 F~7 G~7 G7
A~m7 cam7 oam7 F~m7 G~m7 Am7 B~m7 Bm7 Cm7 Dbm7 Dm7 E~m7 Em7 Fm7 Q bm7 Gm7 A~m7
1111111111001 Major Sixth Chords
M6 C~6 0~6 Fa6 G~6 A 6 B~6 B6 C6 Ob6 06 Eb6 E6 F6 G~6 Q6 Ab6
111111111111 Minor Sixth Chords
A~ c~ ~~ F~m6 oam6 Arn6 Bbm6 Brn6 Cm6 Obm6 Dm6 Ebm6 Em6
11111111 iii i Major Seventh Chords
Mmaj7 C~maj7 oamaj7 Famaj7 aamaj7 Arnaj7 Bbmaj? Bmaj? Crnaj7 Obmaj7 Dmaj? Ebmaj7 Emaj7 Fmaj7 Gbmaj7 Gmaj7 Abmaj7
D I I I I I I I I I I I A+ B+
A dim Bdirn
C+ Db+ D+ Eb+ F+
Diminished Seventh Chords (dim) cadim oadim
Cdim Obdirn Ddim Ebdim Edim Fdim F~dim Gbdim Gdim
a a dim Abdim
FIRST NOTE e Moderately G
~#2 PJ I J J. k: J' I ,] j1 I J J
Are you lone- some to- night, do you miss me
E7 Am D7
drift-ed a- part? __ Does your mem - o - ry stray
G G7
.._.-
Words and Music by ROY TURK and LOU HANDMAN
j] I J J J to- night? Are you sor - ry we
1 J I J J to a bright sum - mer day, when I
c
J J I J J }I J J jd kissed you and called you sweet- heart? __ Do the chairs in your par - lor seem emp- ty and
A7 D7 G
~# J J J ' J --k" ,. I J J I J. J I J I jl I J. I J J J ~J J ~
bare? Do you gaze at your door- step and pic - ture me there? Is your heart filled with
A7 D7 G
~# J j uJ lr J p I ,J ,. J I J J J I J J J I W££2JJ II ~J
pain, shall I come back a - gain? Tell me, dear, are you lone-some to - night? __
TRO- © Copyright 1926 (Renewed) Cromwell Music, Inc. and Bourne Co. (ASCAP), New York, NY
13
Music by TURNER LAYTON
II= ]. ] Aft er you've gone,_ Aft - er I'm gone,_
J J. j J~ J. there's no de-ny - ing: you're gon - na wake up ...
07
to let some- bod
E7
Am Cm
when you grow lone ly, blue and down- heart ed,
Em A7
you'll want me on back where you start
D7
i
Cm
7' J. and left me cry - ing, aft - er we break up,
A7
G
J j. ~ I )' est pal you've ev y come and change
~ • JP) p J. now don't for- get it,
we've been to- geth - er,
Am
- er. Some
J. I J. j ly, aft er ed, aft er
I.
aft er you've gone_ aft - er I'm gone_
0 7
J er
J J there'll come a time,_ their joy and tears,_
E7
will break like mine_ to be
J you've
aft - er I'm gone a way ________ __
© 2010 Flea Market Music, Inc.
14
Music by THOMAS "FATS" WALLER and HARRY BROOKS
C Dm G7 C7 F Fm Am E7 A 7 D7
' ' '
7 )' FJ ~ F P I
F ~ J J
12. c Fm
1. No one to ta lk with, all by my - self, the one I love,
do n 't care to go, 2. I know fo r cer -tain 3. I don ' t stay o ut late,
Fm c Am Om G7
..____..-
on_ the shelf; ain't mis -be -hav -in ', I'm sa v- in' m y think - in ' of; ain't mis -be -hav- in' , I'm sav - in' my ra di - o; ain 't mis -be -hav- in ', I'm sav -in' m)'
To nexr srrain 11 3. Fine I c E7 c Am F
IJ 7 - II i j II s 0 ~ I I s 0 ..
-e-...._....
no o ne to walk with, but I'm through with flirt - in ', it 's I'm home a - bout eight, just
I. E7 A7 0 7 G7
J )'I I J 0 ..__..... love fo r you. ___ love for love for
Am
~ J I s 0 ~ J you. ___ you. Like j ack Hor-ner in the cor-ner, don 't go no -where,
A7 G
Am 07 G7
r r r 1 r F r J I J Your kiss - es are worth wa it - in '
Copyright © 1929 1.>)1 M ills Music Inc. Copyright Renewed, Assigned to lvlills Music, Inc.,
Chappell &. Co. and Hazaf Music Co. in the Uni ted Statl!s
for,
FIRST NOTE
9 Jauntily
A7
F7
c Ap7 07
~ J J ,J J lqJ think that's kind of neat?
07
II. c
I;
See her com - ing down the str~et! } Look her o - ver once or twtce.
I z. 07 c F7
=II J r p r ~pr sweet?
nice? Just cast an eye
c Dm 07
I( r r r I r J££±J. * Ain 't that per - fee - tion? __
c E7 A7
J -k". lj QsJJ J 7 .e1 r r r r And ask you ver - y con - fi- den - tial-ly,
© 1927 WARNER BROS. INC.
C E7
7 J l'lr r r r 1 Now I ask you ver - Y
c
It r r r I v J in her di - rec - tion._
c Ab7 07
I A .w lqJ 7 j }I re - peat, don't you
D7 07 c
ain't she sweet?_
©Renewed EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc. and WARNER BROS. INC.
Words by GUS KA HN and RAYMOND B. EGAN
Ain't We Got Fun?
Music by RICHARD A. WH ITING
FIRST Non: aaeeootmage
J
87
c 07
j In the mean - time, in
G7
lg J #J J I * J J J ev ' ry eve ning, ain't we got
owe the gro cer, don't we have
J J lg J J J mon ey, oh! but hon ey, lee tor's get ting clos er,
F ToCoda'(jt
The rent's un paid, dear, ___
There's noth ing
Am Em
l o I a J uJ J car. But an y
D.C. a/ Coda Em G7
j FJ #J IJ * II
we'll stay as we are.
c Am
'IF f FJ IJ F J J get rich and the poor get poor er.
G7 c
J #J J I *
J qJ J 1;. F=l be - tween time, ain't we got fun?
© 20 10 Flea Mark~t Music, Inc.
17
All I Have To Do Is Dream Words and Music by
BOUDLEAUX BRYANT FIRST NOTE
feel blue
G7 c
J~ J J ; I J and all your charms, when - ev - er to hold me tight, when - ev - er
Am F
Em
Dm
:J
G7
G7
Am
F
F c
dream. When
:IIJ~~ dream. _______ _
Dm G7
IJ J
;I is
C7
can make you mine, taste your lips of wine an - y - time, night or
C7 F Em
jJ J J J j day. On - ly trou - ble is,
way. need you so
G7 c
J I J j J~ J J and that is why when - ev - er
Dm G7
~
that could die. love you so
Am F G7
J J J I; J J J J. want you_ all have to do
c F c
;IJ~. dream. _____ _ All have to do is dream. ______ _
Copyright (Q 1958 by HOUSE OF BRYANT PUBLICATIONS, Gatlinburg, TN Copyright Renewed
All Foreign Rights Controlled by SONY/ATV MUSIC PUBLISHING LLC 18 All Rights for SONY/ATV MUSIC PUBLISHING LLC Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West, Nashville, TN 37203
a -
is
II
II: J g;Q) I . Close your eyes and I' ll
that I'm kiss _ you _
dreams
c
IJ J D }J J r IV while I'm a - way,_ I 'll write home
1. G7 c
J I; -e- IJ J J ---- ------------lov -ing_ to you.
Am G#+
If] J --- )' I J I J J J ------ lov -ing_ j __ will send to
G#+ To Coda. c
Words and Music by JOHN LENNON and PAUL McCARTNEY
I
c
the li ps
Bb
ev - 'ry day ___ _ and I'll
Tacet
c
I; $
Am
f] ?'"""- I J I J ~4 r -----------All_ my lov - ing,
Am
I~ F' r EF*c j F' lov- ing __ I will send
Copyright © 1963, 1964 Sony/A TV Music Puhlishlng LLC Copyright Renewed
----------I ~ F all_
~ I ,; to you.
All Righ ts Adm l n ls tcr ~;>d by Sony/ATV Music l)ubllsh lng LLC, H Musk Square West, Nash v iii ~. TN 37203
Close your
It # II
FIRST NOTE
All Of Me F A 7 07 Gm7 Dm G7 C7 B~m6 Am7~5
e;aaooe~Jea Medium swing
and GERALD MARKS
,---3--, A7
&~IJ J g J IJ J J J IJ #J g J -e-
&~ D7
Gm7 ,---3-----,
) ~J J I; J -u J lg #g J ..._.., ....___........ you see I'm no good with - out you?
Dm G7 ,---3-----,
IJ ~J) J lg #J J rl__1, IJ. J -------my lips, I want to lose them; take
C7 F ,--j--, II J IJ J ~J 0 0 J ] J ------------I'll nev - er use them. Your good- bye
D7
Bbm6 F
J IJ J J IJ J IJ -u --------you? You took the part that once
G7 C7 F Bbm6
J I ;J J J I ~ ~ (I
'---- so why not take all of me?
Copyright© 1931 Sony/ATV Music Publishing LLC, Gerald Marks Music and Mariong Music Corp. Copyright Renewed
All Rights on behalf of Sony/ATV Music Publishing LLC and Gerald Marks Music Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
~} J ---- my arms, _ _
,--j--, J J
left me with
Am7b5
dwells a - mong the
&» r· J au, un
' c Am
Aloha 'Oe C G 07 G7 aeae
G
1 v· J I J j I r· 'oe, a lo ha 10e, thee, fare well to thee,
G7 c
I J J I j 61 I v· po. One fond em brace ers. One fond em brace
G
----we meet_ a gain. we meet __ a gain.
© 2010 Flea Market Music, Inc.
Amazing Grace C C7 F Am G7 aeaee
C7
c
c
J a be
07
charm ing one wllo
ho 'i a 'e fore now de-
G
F
I; I : ~ ---- ~ but
see. 2. 'Twas iieved.
3. Through many dangers, toils, and snares 4. When we've been there ten thousand years, bright shining as the sun, I have already come;
'twas grace that brought me safe thus far, and grace will lead me home.
we've no less days to sing God's praise, than when we first begun .
© 2010 Flea Market Music, Inc
21
IRVING BERLIN
C7
R i j I J • I r 4 1). 1;. J~ i J I J I'll be lov-ing you, a! - ways with a love that's true,
A
c[_Li 1;. ) J j I J I j. ways. When the things you've planned need a help-ing hand,
A C7 F
#1) - ,JJJ I F' I#F rJ I J :J 1;. ) i j IJ will un - der - stand, a! - ways a! - ways. Days may not be fair,
D7 Cm Gm
4 1). I J. } #f] I F' I''E r?Sir lr· Jl £J 1 ways. __ That's when I'll be there, al - ways. __ Not for just an
F G7
IJ. 1'; :J I J not for just a day,
C7 F
i:J. J IJ J I J not for just a year, but a! - ways. __
©Copyright 1925 by Irving Berlin Copyright Renewed
II
America, The Beautiful Words by KATHERINE LEE BATES G D 07 c Gldim A7 G7
FIRST NOTE fit e a 00 II g e e Patriotically
,#1 J G D c 07
IJ. Jl J J IJ. I; :::j J J J J • Oh, beau ti - ful for spa cious skies, for am - ber waves
'# G D G~dim A7
J. Jl J J I ~ J) ~ I.J ~ r J •· J pur pie moun - tain maj es - ties a bove the fruit ed
4# G D c 07 c D7
r· v J J IJ. Jl J J IJ J J I • mer i - ca! A mer i - ca! God shed His grace on
'# c G c 07
J ) J J IJ Jl J J IJ J J crown thy good with broth er - hood from sea to shin
© 20 10 Flea Market Music, Inc.
America Words by (My Country 'Tis Of Thee) SAMUEL FRANCIS SMITH F Gm C7 Dm Gdim B~ aeeeee FIRST NOTE a Slowly and Proudly
F Gm
&~2 J J C7 F Gm
I J. Jl J I J J r I My coun try, 'tis of thee, sweet land of
4~ Gm F C7 F
J J J IJ v J 1 r r r 1 r·
of thee sing. Land where my fa thers died,
Gdim F Bb F
&~ r· Jl J I J £] j J I J v r '-----"'
Bb F
I(} J
G 07
07
Music from THESAURUS MUSICUS
C7
C7 F
J IJ II Pi I - grim's pride, from ev 'ry_ moun tain- side let_ free - dom ring.
@ 2010 Flea Market t-.•lush..·, Inc
23
Anchors Aweigh Words by ALFRED HART MILES and ROYAL LOVELL Additional Lyric by
Music by CHARLES A. ZIMMERMAN
GEORGE D. LOTTMAN
9m19GIJI9 Em G D7
IJ IJ J I ;J out to sea, fight our bat
G Gdirn 07 G A7
G
I J j I J :J lA J I; J
24
we'll nev - er change our course, so vi - cious foe steer shy - y - y - y.
G
G D7 G c
I o I J J I £jjJj; N . T. an - chors a - weigh._ Sail on to
G 07 G
J I J ; ~J J I ££JJJJ l sink their bones to Oa vy Jones hoo - ray! __ _
© 2010 Flea Market Music, Inc.
II
an and
AnyTime
A7
I) J J J time _____ _ you're feel ing time _____ _ your world gets
G7
0 jJ J J time ______ _ you're feel - find ______ _ true friends
F Fm
----------time _____ _ time _____ _
Words and Music by HERBERT HAPPY LAWSON
07
gain, love,
....__...... time _____ _ you're think ing 'bout me, time _____ _
G7
© 2010 Flea Market Music, Inc.
the right time,
r--3-----, E7
H ~w r J I 0 --------think - ing of you. all will do.
07
J I J J J J you want me back a you want on ly my
c
G
IJ
07 D+ C6 E7 and HAROLD ADAMSON
J I J J~ J J I A - round the world I've searched for you, I trav-eled on, when hope was gone, to keep a
Am D7 Am 07 Am D7
&u j IJ J IJ J I J J I J I g. J~ j J I J d ren dez - vous. knew some - where, some - time, some - how, you'd look at
&u D+ G
J. ) j J I J. J~ j J IJ IJ J IJ J IJ J IJ J I J me, and I would see the smile you're smil - ing now. It might have been in Coun - ty
&u G#dim Am C6
J. ) j J I J. J) j J lllJ. J~i J I r J I j J I
j J Down, or in New York, in gay Pa - ree, or e-ven Lon don Town. No more will
C#dim G
4 • J. J #i 01 I ;J E7 Am D7
J IJ. ~)' J ~J IJ qJ IJ
G
J I l LJ ............. II
go all a - round the world, for I have found my world in you.
Copyright© 1956 by Victor Young Publications, Inc. Copyright Renewed, Assigned to Cebco Music and Liza Music Corp.
All Rights for Cebco Music Administered by The Songwriters Guild Of America
26
FIRST NOTE
just be
longed to hear her
close to my
A7
07 G7
IJ J J g morn - ing mem -'ries fore I sailed
G7
heart, I pressed
G7
Om
I
c
stray a · cross the sea way, she said the word
I * J J J IJ J J And as the night is fall
I ten - der ly ca - ressed
J J J J that bliss - ful all en - thrall up - on that gold -en yes
J IJ J J lj g .._...-
in Av . a Ion __ be
IJ J lu J g lg ..._...
love in Av -a - Ion
A7
Fm c
Om G7 c
27
BRIAN HOLLAND, EDWARD HOLLAND
C C7 A 7 Dm F6 F Em G7 and LAMONT DOZIER
FIRST NOTE ltiJiiiGfiiJOO ~ Moderately
&
&
F6
Why you do
c
treat me bad, __ whole life through,_
like you do, __ _
c
J IJ J Wan-na knowwhat did do Why you do me like you
So deep in love with
To Coda.
why I
IJ J ~ --jJ p need you, oh how must we sep need ya, oh how
F6
J J J break my heart and I nev-er love no
af - ter I've been
c
leave me sad. __ one but you. __ true to you? __
Em
J---·-·-J i
wrong ___ to make you stay a do? I guess it's me __
you. Ba - by, ba by __
c
28
way so long. 'Cause ba - by love, ooh. Need to hold_ you ooh. 'Til it
A7 Dm
miss-ing ya, miss_ kiss-ing ya. warm __ em brace my love.
F6 c
t ) p J p :J J IJ J let's start some kiss- ing and mak-ing
please don't do me this
F Em
lone - li - ness has
C7 A7
c
& J J 1 J JSI J J hurt me, 'til it hurt me. Ooh_
my ba - once a - gain
J In - stead of
F6
by love, been my love, feel your
J
c
J Don't Not
J
ba-by love, don't throw our love a- way.
© 1964 (Renewed 1992) JOBETE MUSIC CO., INC. All Rights Controlled and Administered by EM! BLACKWOOD MUSIC INC. on behalf of STONE AGATE MUSIC (A Division of JOBETE MUSIC CO., INC.)
Baby, Won't You Please Come Home Words and Music by CHARLES WARFIELD
and CLARENCE WILLIAMS
FIRST NOTE ~~fi~OO~IiHIJ ~~ Mo:erate Blues A
7
o &~ ~ F] £3 j 07 G7
IF] £3 J J In Sa - by won't you please come home, 'cause your mam - rna 's all a
C7 Dm
&~ 4) ? 3
j J J. I~J, ~J J I J F
J J j ~
G7 C7 F A7
&~ J J } J Lfo I FjJ £3 j J more to call your name._ When you left, you broke my
07 Gm7 A7
&~ } J. J. J1 I j. 3 j. 3 J gJ I J J 3 ~ heart be - cause I nev er thought we'd part. Ev ' ry
Bp Bdim F 07 G7 C7
&~ j. n3 Q) j. ,13 I,,J JQ ) I 1JJ £] J1 J hour in the day~ you will hear me say,_ ba by won't you please come
F 3 07 G7 C7 F
4~ J j g) J } J. I J j Gt F F) I J ) .. # II I -.._...-...__..-
home. Dad - dy needs Mam - rna, ba by won't you please come home.
~ 2010 Flea Markl·t Music. Inc.
29
FIRST NOTE
99flm19
trou- ble, tal,_ her,_
p p-g And if you
J of he
1bJ.r * j J 1
- ca - go is the gam -bier and he week a - go,
c ~ J J J l J i' ~ 7 7
there,_ you bet - ter just be And he
go down like to edge ofthe
wave_ his dia- mend And at the bar_ sat a girl name
l
& r lr Now Le got a cus Well, he cast
J t I) you see he stand_ 'bout six - foot - four __ he got a El do - ra - do, too. __
and the trou ble soon be - gan, __
c
- -
A7
lp J. J J bad- dest part of like his fan - cy Le - roy shoot - in'
)ftj j j ware_ of a rings_ in front of of Dor is, and
J ~ FJ roy more than tom Con - ti - nen - his eyes up - on
; ~ m All the
J J J er," all the
thir ty-two gun_ ____ in his pock - et for fun. __ he got a Le - roy
4# D7
4# A7
Brown,_ he learned a les - son 'bout mess in'
G % l J J J tJJJ t ; j IJ t J t lp J call him "Sir."_} in his shoe._ And he's bad, bad Le-roy
jeal-ous man._
man_ in the whole damned town,_ bad - der than
To Coda •11., 2. I 3. D7 G G
j' J) IJ J J J J J IJ t r =II J and mean-er than a junk- yard dog. 2. Now
3. Well dog.
© 1972 (Renewed 2000) TIME IN A BOTTLE PUBLISHING and CROCE PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.
with the
)jJ. Is;
-(j} c~a
* J J
A7 n I -1<- ;;? J. 7 J1 J j I p
took to fight- in', and when they pulled
c D7
n I J1 J t) J J J I n like a jig-saw puz - zle with a cou-ple
B7
D7
and mean - er than a
Baby Face
J J I I s J J J I J J 0 -----by face,_ you've got the cut - est
I
G D.S. a / Coda
J J I :J *
.,J J r r than old King
G
Words and Music by BENNY DAVIS an d HARRY AKST
D7
G E7
J IJ J J #J lqJ J J -e- lj J
---------there's not an - oth - er one could take your place._ Ba by --------face,_
A7 D7
'# :J J JJJ J J J I J J ,J 4 I) J w ~w 1 J G
my poor heart_ is jump-in'; you sure have start ed some- thin' . Ba by face,_
B7 '# s J J J I J J J J I#J Em G7
J I :J
c
J 1J I A §J J ___ l I'm up in heav - en when I'm in your fond em brace. __ did - n' t need a shove,_
Gdim
G E7 A7 D7 G
I :J J J I:J J #J I :J #J -------fell in love_ with your pret - ty ba - by face. __ _
Copyright © 1926 (Renewed) B & G AKST I'UII LIS ~IING CO. ond BENNY DAV IS MUSIC All Rights for U & G AKST I'UBl.ISHING CO. Administered by THE SONGWIUTERS GU ILL> 01' AMERICA
Harry Akst Reversionary lntercs l Contro lled by BOURNE CO. (f\SCAP)
31
The Battle Hymn Of The Republic Words by JULIA WARD HOWE
FIRST NOTE
,~ G
eve - ning dews fore His judg
B7
dim and flar ju bi - !ant,
&u J. } J.
G m G
j J the Lord;
- cling camps. re - treat.
- ment seat.
a J3 lr Glo - ry, glo - ry hal - le - lu
&u J. } J. a :J?) lr Glo ry, glo - ry hal - le - lu
c 07 B7 Em Am
It e fl II 9
a J. j J. have seen the glo Him in the watch ed forth the trum
c
J. j IJ ~ J j He is tram - pling out the
They have build ed Him an He is sift - ing out the
G
J. a IJ. a J. j He hath loosed the fate ful I can read His right eo us
Oh, be swift, my soul, to
. !" ~ ... Am D7
J iJ J J J His truth is march ing His day is march ing our God is march ing
c
J l IJ. ) j. 0 J. jah! Glo - ry, glo - ry hal
Am D7
a ry
fires pet
G
f
Q J. J tage where the tar in the of men be -
a J ~
J J
J IJ J =II jah! His truth is march-ing on.
•• © 2010 Flea Market Music, Inc.
FIRST NOTE
I 2 r f 1. Beau - ti 2. Sounds of
G7
lulled by the
Dm
r IJ. IJ I J fu l dream er, wake the rude world heard
IJ J J IJ J J dew - drops are wait - ing for
moon -light have all passed a
G7
D7
c
G7
I J f J I J J beau - ti ful dream - er,
c G7
f r lr J J I J ti ful dream - er a - wake
e 2010 Flea Market Music, Inc.
#J J un to in the
I. c
I J.
li
G7
I[ F lr r J thee with soft mel - 0
Dm
c
J I J J J I J. -------a - wake un to me.
c
un to me.
D
9~1 G D A7
J J IJ JJ£JJ. IJ. )J I J J J I J beau- ti - ful brown eyes, __
G
A7 D
lt±J eyes, __
'd# J. J~J IJ J J IJ [jj[J J IJ J J IJ J J I J. I J ~
a- gain. __
II
'N
'N
'N
34
beau - ti- ful, beau- ti - ful brown eyes, __ I'll nev - er love blue eyes
free.
J come
Additional Lyrics
1. Willie, my darling, I love you, 2. Down to the barroom he staggered; staggered and fell at the door.
The
~w and
J the
J to
love you with all of my heart. Tomorrow we might have been married, but drinkin' has kept us apart.
The very last words he uttered: "I'll never get drunk any more."
Refrain Refrain
3. Seven long years I've been married. I wish I was single again. A woman never knows of her troubles until she has married a man. Refrain
© 2010 Flea Market Music, Inc.
The Best Things In Life Are Free Words and Music by
B.G. DeSYLVA, LEW BROWN, G Am 07 G7 C A 7 E7 and RAY HENDERSON
~;rgg~ggg G Bbdim
lg J I J J I J J j I J J I J ...._....
moon be - longs to ev - 'ry - one, __ the best things in life are
Am D7
J IJ J IJ j I J J J2£JjJ. J I J #J J I
The stars be long to ev - 'ry - one, __ _ they gleam there for
G D7 G7 c
I u g. J ------- IJ J J 4 j). J IJ J J me. The flow - ers in spring,_ the rob - ins that sing,_
A7 Am D7 G
IJ r J rGtf· J I j. J I j. J lg J sun- beams that shine,_ they're yours, they're mine! And Jove can
E7 Am D7 G
I J J ;j I ;j J I tj -.._.-- J J I J j II ev - 'ry - one; __ the best things in life are free. __ _
Copyright© 1927 by Chappell & Co., Stephen Ballentine Music Publishing Co. and Ray Henderson Music Co. Copyright Renewed
Bill Bailey, Won't You Please Come Home
D A7 07 G B7 E7 FIRST NOT[ 99f!§ltiG
Brightly
J J I J nJ J J lg J Won't you come home, Bill Bai ley, won't you
A7
&#n J J J I tJ A IQ~~ She cries the whole day long.
&#n J J J J lg J J I 0 lg J J cook- ing, hon ey, I'll pay the rent. I know I've
D
'## ' ------- J -------- t:. lg I J J J r J J nJ· ....._.... wrong. 'Mem-ber that rain - y eve that
07 G
J J 0
E7 D
&#11 J J J I j. J I J A J know I'm to blame, well, ain't that a
E7 A7 D
&#11 J J #J J I J J I I J ~ ...__._... Bai ley, won't you please come home?
© 2010 Flea Market Music, Inc.
Words and Music by HUGHIE CANNON
J I I I
I ,J r done you
lg J J I drove you
If· J
* II
35
Blowin' In The Wind A D E7 Flm Words and Music by
BOB DYLAN FIRST NOTE gggg
0
D
&-#~ A
&-#~ D
&·~" A F#m
roads must a man walk __ down be -
E7 A
him a man? Yes 'n' how man - y
D E7
J J IJ. J lj J J lj J J --- u- '-..._..../ -----dove_ sail, be - fore ___ she sleeps in the sand?_
D A
J J lA J J I ) J. J J IJ. J "---"
man - y times must the can-non - balls_ fly, be -
E7 D E7
J J I ~ g. j lj J j IJ. J ~
ev - er banned? __ The ans wer my friend, is
D E7 A
lj J =II J 'J. J J I; J. J g -e- -e- blow- in'
36
......._....... in the wind, the ans wer is blow-in' in the wind. ___
Additional Lyrics
2. How many times must a man look up, before he can see the sky? Yes 'n' how many ears must one man have, before he can hear people cry? Yes 'n' how many deaths will it take 'til he knows, that too many people have died? The answer my friend, is blowin' in the wind, the answer is blowin' in the wind.
3. How many years can a mountain exist, before it is washed to the sea? Yes 'n' how many years can some people exist, before they're allowed to be free? Yes 'n' how many times can a man turn his head, pretending that he just doesn't see? The answer my friend, is blowin' in the wind, the answer is blowin' in the wind.
Copyright~ 1962 Warner Bros. Inc. Copyright Renewed 1990 Special Rider Music
Blue Hawaii Words and Music by LEO ROBIN
G c E7 A7 07 G7 and RALPH RAINGER
FIRST NOTE 00 00 g g g g 9 Moderately
G G E7 c ,#1 J. 3
#} J I * #J J. ~} lqJ J &J 3 I * r r· p I J ~
A7
Night and you and blue Ha - wa1 i, the night
07 G A7 07
{iQ l~l r--3---,
#} J I * r· I J J J J IJ. i• -----en - ly and_ you are heav-en to me.
c G E7 3
#} J I * #J J. ~} lqJ J &J 3 J I I r r· ~ ly you and blue Ha - wa1 i, with all
D7 G c G G7
#) J It {J r· ) I~ ~ - li - ness, there_ should be love.
G
p ,[ I) I J J IJ J j J J IJ * ------with me while the moon is on the sea,
07
is young and so are we.
c G E7 3
#) J ll #J J. ~} lqJ J &J 3 J I * r r· ~
come true in blue Ha - wa1 and mine
07 G c G
#) J I * (jJ r· Jl ll ) J. Jl lo come true this_ mag ic night of nights with you.
Copyright !!} 1936, 1937 Sony/ATV Music rubllshing LLC Copyright Renewed
All Rights Administered by Sony/A"IV Music Publishing U.C, 8 Music Square Wt~st , Nashvi lle, TN 372<H
is
Fm
sing-ing a
me, ____ _ noth-ing but noth -ing but noth-ing but
2. Blue birds, ___ _ song, ____ _ 3. Blue days ___ _ all of them gone, ____ _
blue blue blue
~ skies ___ _ birds ___ _ skies ___ _
' j J 3 J J Nev - er saw the sun
' J J 3 J J No - tic - ing the days
FIRST NOTE
9 Moderato
F Cm D7
Fm
c Fm
©Copyright 1927 by Irving Berlin Copyright Renewed
Bye Bye Blues
c
IJ J J J II my how they fly.
Words and Music by FRED HAMM, DAVE BENNETI,
BERT LOWN and CHAUNCEY GRAY
F I Cm 07 G7 C7 Fdim Gm7
fl [I g lt§Jtlli C#7 F Cm D7 G7 C7
I&U IJ l lqu ----- I J -e- '-J ----- l I I) I I)
0
Fdim Om7 C7 F C#?
IJ J lrJ J I J J ,, I& I J
shin - ing, no more pin - ing. Just we two, __ _
07 C7 F F
IJ l lu 0
I ,, ,, 0 " IJ. t II &~II" -e- -----smil - ing through;_
38
Bye bye blues. __
Words and Music by VAN MORRISON
FIRST NOTE 009009
'E;ll: - J F C G7 c
J J J I Jd- Is 7 tJJ i'l Hey, where did we_ go? Days_ when the rains_ came, down. in the
F c G7 c F
]' J J JJJIJ\J j jji}J )JJJ hol-low play- in' a new_game, laugh-ing and a- run-ning, hey~ hey,
c G7 c F c
J J JjiJ\J J J J J Jji' J tJ J I s J skip-ping and a - jump-ing. In the mis - ty morn ing fog_ with our
G7 F
& J i J__) J J I J. G7 C Am F
I $ v J J -----hearts a - thump- in', and you, my brown eyed girl. ___ _ You, my
G7 C G7 c
J - J J J j I J J J i' J 41 i JIJJ J I • '"---"' '-----"' brown eyed girl._ Do you re - mem - ber when we used to sing:_ sha Ia_ Ia la,_
c G7 c
}]J J ]' J j J I J ttl ..__..
Ia Ia __ Ia Ia, __ Ia Ia Ia te da. __ Sha la__ la Ia,_
!I. . 2. 113. c G7 C F F c
VJ til w l'J n 1 J II '-----"'-----_ la la_ la la,__ la la Ia te da,_ !a te da. _____ _
Additional Lyrics
2. Whatever happened to Tuesday and so slow going down the old mine with a transistor radio. Standing in the sunlight laughing,
3. So hard to find my way, now that I'm all on my own. I saw you just the other day, my, how you have grown . Cast my memory back there, Lord;
hiding behind a rainbow's wall. Slipping and a-sliding, all along the waterfall with you, my brown eyed girl, you, my brown eyed girl. Do you remember when we used to sing:
Chorus
sometime I'm overcome thinking 'bout making love in the green grass behind the stadium, with you, my brown eyed girl, with you, my brown eyed girl. Do you remember when we used to sing:
Chorus
Copyright © 1967 UNIVERSAL MUSIC I'UBLISHING INTERNATIONAL LTD Copyright Renewed
All Rights for !he U.S. and Cnnnda Controlled nnd Administered by UNIVERSAL· SONGS OF POLYGRAM INTERNATIONAL. INC.
39
Buffalo Gals (Won't You Come Out Tonight) fiRST NOTE c a G7 g
Words and Music by COOL WHITE OOHN HODGES) a Fast and Spirited
c &H I; J J J IJ J As was walk- ing down the
& J J J J J J IJ J pret-ty lit - tle girl chanced to meet,
&ur J
G7
J IJ J J J street, down the street, down the
G7 c
J :J I J j j J J J 1;. and we danced
G7
c •
s
} J Buf- fa - lo Gals won't you come out to- night, come out to- night, come out to- night,
&or G7
J j j • J ) J I Jl J "' I ,p
c
j j J J J 1;. Buf - fa - lo Gals won't you come out to- night, and dance by the light of the moon.
© 2010 Flea Market Music. Inc.
Bye Bye Blackbird
Words by MORT DIXON
Music by RAY HENDERSON
F B~ Am C7 Gm7 Bdim G~+ Gm F7 Cm Fidim B~m G7 D7
F!RSTNOTE a e till e e a e a oo a G e a ~~ Moderately, with a jazzy feel
° F Bb F Am C7 Gm 7 F
&~rJ JJJir J JJiJJJJIJ J J 11 .. Bdim Gm7 C7
I a I tj J I a -.___.- Pack up all my care and woe, here I go sing- ing low. Bye bye, Black - bird._
&~ Gm Gb+ Gm7 C7
r r r r lr r r l lr J J l IJ J J l Ia F
I I) I J J I I) ___...... Where some- bod - y waits for me, sug-ar's sweet, so is she. Bye bye, Black - bird._
&~ F7 Cm F#dim Gm Bbm F G7 Bbm C7
J r r r lr r J J Ia 1# .. IJ r r r lr J J J I., I a No one here can love and un - der -stand me. Oh, what hard luck stor-ies they all hand me.
F Bb F Am C7 Cm 07 Gm C7 F
&~ ~ ~ ~ ~ lr ~ ~ l IJ J J l I J#J J IJ ratr l J I IJ J l II lti ~
Make my bed and light the light, I'll ar-rive late to-night. Black- bird,_ bye bye. ___ _
© 1926 (Renewed 1953) by OLDE CLOVER LEAF MUSIC (ASCAP)/ Administered by BUG MUSIC and RAY HENDERSON (ASCAP)/ Administered by RAY HENDERSON MUSIC
40
0
C7
I J )jJ 1. There goes my ba by_ 2. I'm through with ro mance,
C7
&~J I J J IJ bJ • she sure looks hap PY- I'm through with count ing_
F7 Bp
4~J J J J I r· v f She was my ba by And here's the rea son
4~1 r r J IJ )j)££]) Good- bye to ro mance
my lov in' ba by
&~ Bp F Bp
r r lzl lr r Bye bye, love, bye bye,
F C7 F
&~ J n J 7 Jl J J J J J I J '---" ----
I s
I s
F
J J J I ·c__. I with some -one new; I'm through with love;
F
'til he stepped in. that I'm so free:
F
is through with me.
hap pi - ness,_ he! - Io
Bp F
s lr r I j • lone- li - ness, I think I'm gon - na cry._ Bye bye, love,
Bp ,.;~ r
F Bp
sweet ca- ress;_ he! lo
I. F C7 F
J I J I J J J J I J .___........ J die. __ Bye bye, my love, bye bye.
Copyright <!:> !957 by HOUSE OF 81\YANT I'UIJLICAT!ONS, Gatlinburg , TN Copyright Renewf.>d
All Foreign 1\ights Controlled b)' SONY/ATV MUSIC i'UDLISHING LLC
F
J J J J .._.. 7 J I emp ti - ness;_
12. F
t==tll .. )
bye.
All Rights for SONY/A'fV MUSIC PUBLISHING i.I.C Administered by SONY/ATV MUSIC PUBLISHING LLC, 8 Music Square West. Nosl1v ille, TN 37203
41
HAROLD R. ATTERIDGE G7 C F Em A7 07
FIRST NOTE
~ Spritely 90090099
&e J qJ nJ I j qJ aJ 1. By the sea, by the sea, by the
2. 0 ver and un der and
' c
r qJ .w lj qJ aJ lj you and I, you and I, Pa is rich, Ma is rich,
To Coda.
& r F J 422±9 II; J hap - py we'll be. When each
what do we care? __
' G7
j nJ lj nJ J IJ roll ing in, we will duck
& c N.C.
J * #J J lr F J J IJ swim, and we'll float and fool a - round
-(j}-coda F Em
' J. lr J #J l
J. r p F I r· J love to be be - side your side, be- side
G7
aJ J r~l ti - ful sea_ up for air,_
J F oh how so now
J J comes a -
J J ,J be - side the
nr II sea side, ___ _ by the beau - ti ful sea. _____ _
© 2010 Flea Market Music, Inc.
42
A7
By the light ___ _ of the sil - ver-y moon,
G G#dim D7
J J J J J lj J I J J
J
G
spoon, to my hon-ey I' II croon love's tune. Hon - ey- moon __ _
c E7 Am G D7
J r r I r J J r keep a- shin - ing in June, _ __ _ your sil - v'ry beams will bring love
G c G
£3 £] J I~
drea ms, we'll be cud - dling soon, _ __ _ by the sil - ver - y moon.
© 2010 Flea Market Music, In c.
Come And Go With Me D D7 G A7
9 f! e 9 Spiritual FIRST NOTE
Moderately D
~~d J o= tw D7 G
J I J IJ J J J IJ J • J J Come and go with m e to that land, come and go with me to that
D
" j J J J I J I J J I (] J J •
A7
~
land, come and go with me to that land where I'm bound. __ _
D D7 G
'II# j F3 J lr J r J IJ J J J IJ J J J Come and go with me to that land, come and go with me to that
D A7
'II# j J J J I J J J J IJ J J D
lj II land, come and go with me to that land where I'm bound.
Additional Lyrics
2. There will be freedom in that land ... 3. There will be singing in that land ... 4. There will be peace in that land ... S. Come and go with me to that land ...
© 2010 Flea Market Music, Inc.
43
JOHN KANDER
C G7 C7 F Fldim Em7 A7 Dm Fm Am 0 7 Em
FIRST NOTE e~r~eaeeeaeea With vigor
c G7
Ill= g J J IJ J 1. What good is sit - ting 2. Put down the kn it-ting, 3. No use per - mit - t ing 4. Start by ad - mit - ing
' C7 F
c G7
,J IJ qJ J l££0 a - lone in your room?_
the book and the broom,_ some proph - et of doom_ from era - die to tomb, __
To Coda-$- F~im
c
r IJ J J IJ A Come hear the mu - sic time for a hoi -
to wipe ev - 'ry smile a it is - n' t that long a
A7 Dm
chum,_ come to the
ret . Come taste the wine. Come hear the band.
-
.Coda
44
lr v lr J r r lr r r r horn, start eel - e - brat- ing, right this way, your
A7 Dm G7
Ji±lQ I J J I ?
F F r r chum,_ come to the cab a - ret.
Copyright © 1966, 1967 by Alley Music Corp. and Bug Music-Trio Music Company Copyright Renewed
c 11;
If=· * II
FIRST NOTE a With movemen t
4 e: J J I. 0 ver 2. 'Til our
' ; lJ trail, and pride to keep
' ; J J
00999110000 c
I ; J J I ; J J ll hill, 0 - ver dale, as we hit fin a! __ ride, it will a!
G7 c
Words and Music by EDMUND L. GRUBER
J1 J J the dust y
ways be our
I; * J J ____....
} the Cais - sons go roll - ing
those Cais-sons a - roll - ing a - long. a - long. In and
I ; J J I 1 ;;:::=::::::::'
J1 J J I ; J J out, hear them shout: "Coun - ter march_ right a bout" and the
G7 c G7 c
' J j J I J ,] J I; * J J I v v -e---------Cais- sons go roll - ing a long. For it's hi! hi!
Am F c Am D7
' ; J J I J r F J lo lr v r IJ r r J heel In the field ar til ler - y, shout out your num-bers loud and
G G7 c E7 F
' o:= 1? J J IV v I 0 IJ r r J
strong. For wher - e'-er you go, you will a! ways
c G7 c
' ; J J I J j J I J A J IJ :!1 -e-----know, that the Cais - sons go roll ing a - long.
@ 20 10 Flea Market Music, Inc
45
MICHELLE PHILLIPS
FIRST NOTE i9fii99ii'
&~
&~
J J JJJI iJJ33JI 1-
F
A7 Dm B~6
A7
Dm C
{ I'd be safe and warm,_ If I did - n 't tell her,_
c A7sus A7 Dm To Coda-$­ C
...._.-
} if was in L. A. __ I could leave_ to -day._
Cal - i - for - nia dream in'_
c A7sus A7 Dm c c A7sus
7 J~ J J ] Jl I J l J j J 31 J 0 ...._.,.- I 7 J J 3 J. J 1-e- on such a win - ter's day.__ Stopped in - to a church, I passed a- long the way.
F A7 Dm A7
J • Jl J J J 3 I j ~ ...._-
Oh, I got down on my knees, and I pre - tend_ to pray_
~
17 } J C A7sus ,---3--,
J J J I_ You know the preach-er likes the cold, __ he knows I'm gon - na stay.
Dm C B~ C A7sus A7 D.S. al Coda
J 3 J J I FJ J I s 7 J~ J J J J I 't !) J J J j II Cal - i - for- nia dream -in'_ on such a win-ter's day .. __ _ All the leaves are
-(j}-coda B~ c Dm c B~ c
&b I 7 J~ J J J I * 7 ) J J J 3 I [J ~ r v--~ r t on such a win-ter's day (Cal - i - for- nia dream - in') on such a win-ter's
c c B~maj7 Om
u ~ r 7 "~ J J J 3 I 't II day. (Cal-i-for-nia dream- in') on such a win-ter's day. ___________ _
Copyright © 1965 UNIVERSAL MUSIC CORP. Copyright Renewed
California, Here I Come
Bbctim
"Don't be late."_
, ~ J J B7
G+ c D7
Gl Gl I J Gl J I I J J I J 0
------- for - nia , here I come,_ right back where
Bbctim D7
I ~ J I J I I J J J I • • 0 .._... of flow - ers bloom in the sun._
D7 G
I J J ,J J I J #J J J I J bird - ies sing and ev ' ry- thing. A sun
D7 E7
IJ J I J J I J J That's why can hard-ly
Em A7 Am
J J]J J J I Gl J I J J up that Gold-en Gate;_ Cal-i - for nia, here I
Copyright © 1 92 ~ {Renl."wed) JoRo Music Corp., New York , NY, Stephen Ballentin(' Musk, New York, NY and Wa rner Bros. Inc.
J I
and JOSEPH MEYER
sta rt -ed from ._
Am
"'---" wait._ 0 pen
47
no!
48
Can't Buy Me Love Words and Music by JOHN LENNON and PAUL McCARTNEY
Bright shuffle Bm7 Em Bm7
v r v-srrr 77C£Jtar l l 7 v?Tt7 TtJ--1 Can't buy me love, oh, _ _ love oh,_
Am D * G
&72 :J p r fl(~ 7t£tttr l l 7 ) II= r D ~r tJI can't buy me love, oh._ I'll buy you a dia-mond ring,_
2. give you all I've got_ 3. Jnstmmental
:J -k I J j I~J I :J J tlJ~ :J )jjjJ l 7 }
my friend,_ if it makes you feel al - right._ I'll to give,_ if you say you love me too. __ I
G
r D ~F .g I~ :J )j£) p ~~~~ I :J J tlJ~ :J l£1 - t -- thing,_ friend,_ if 3 it makes feel a! right._ you an - y - my you -
not have a lot __ to give,_ but what I've got I'll give to you._
D C7
7 } 1r r r r I' F ~p p f J) lr r r D ~r }JI 'Cause don't care too much for mon-ey, for mon-ey can't buy me love._ 'Cause don't care too much for mon-ey, for mon-ey can't buy me love._
2., 3. G Bm7 Em
' ) =II J :J p r v?Jo I f l l ' ~p--1 -...__/
I'll Can't buy me love,_ oh, ev -
Bm7 Em Am
~w J J • Jl J )JJ :J p r @TEo lr l • I Jl J f-1
'ry - bod-y tells me so._ Can't buy me love,_ oh, no no no_
G
I r j r p ~r ;@ • 111 J )j). f) ~ I J J ~~J~ J )JJo
Say you don't need no dia - mond rings_ and I'll be sat - is - fied._
CoJ?yright © I 964 Sony/ A TV Music Publishing LLC ' Copyright Renewed
All Righ~dministered by Sony/A TV Music Publishing LLC. 8 Music Square West, Nashville, TN 37203
C7 G ;u r r r r ~ ~r J I)) J }jl ljJl I J J ,,;) J }do Tell me that
f f
To Coda.
D.S. al Coda (Take 2nd ending)
u * ~ don't care too much for mon-ey, mon-ey can't buy me love. ______ !Scream)
-$- Coda C7 ;u r r r
mon -ey can 't buy me
Bm7 Em
Am D G
Careless Love
C G7 C7 F oo e a oo 0
' '
Moderately C G7 c
,, J J I; J J J lg I J. -e-...__.- J I )' l
1. Love, oh love, oh 2. When I wore my
G7 c
F
0'--g IJ j J. I J 4J I J .......__.... J 'J love, low
c
G7
J I; J. J what love has done low me through rain
oh I
J to
IL. 2 .• 3. C G7
-e-.__.- '--.__... me. ______ _ snow. ____ _
14. c
=II J .___.,
3. Now my apron strings don't pin. 4. I cried last night and the night before. Now my apron strings don't pin . I cried last night and the night before. Now my apron strings don't pin . I cried last nigh t and the night before. You pass my door and you don't come in. Gonna cry tonight and cry no more.
Cl 2010 Flea Market Music, Inc.
J J care - less
JIM BELOFF
G c G
II= J J J J 3 J J J lr J J J J J ------1. It's no se - cret that we love the u - ku - le - le; it is a seems as if the world is on your shoul - ders; __ your skies are
D7
,~J J l • ------- G c
J IJ IJ J J J [ J J J J J J J J
pas - sion __ we can't de - ny. And the rea - son 's clear - ly writ - ten on our gloom - y,, __
fac - sun
blue.
D7
G N.C.
.._.... PY-- to tell you why.l us __ and smi - le too.
'# J2_j 3 J J IJ. J J IJ J #3 J smile, can't help but smile. When we play the u - ku -
Am '# i z Ji ;E J I! J D7
j' J J J IJ j' J J g IJ can't help but smile. Can't help but sing, can't help but strum,
,~ G G7 c
J J J J J J j J IJ l J lj l J lj feel like we're on some Ha - wai- ian isle. So fine, so fun,
A7 D7 N.C. G E7
&-w p j J J J IJ IJ lj J 7 l J J ) J J all play to-geth - er as one. And life is good, for a - while,
I. 12.
,~ Am D7 G G
J J j J j j j r IJ I J 1 =II J sing, can't help but strum, can't help but smile. 2. When it
smile. © 2004 Flea Market Music, Inc.
50
E7
j' J J J I can't help but
l I j I J when we
j' -it' ,..
l II
Modera tely slow c Em
Can't Help Falling In Love C Em Am F G7 Om B7 A 7
009tmtllt9R§m Am F c G7 F G7
Words and Mu sic b y GEORGE DAVID WEISS,
HUGO PERETTI a n d LU IGI CREATOR£
&1:r j l:r. F ] IJ J J
c Dm 3 ,--- ---,
' c
c G7 Dm 3 ,- ----.,
on - ly fools rush
Would it be a
Em B7
:II j J 3 J J Like a ri - ver fl ows
G7 c Em Am
in,__ but sin?__ If
F c
can 't help fall-ing can ' t help fa ll -ing
Em 87
c F G7 c ~3--, c G7 c
J l:r J J J IJ J -e-
you,__ for can 't help fall-ing in love with you . Copyright IC• 1%1 ; Renewed 1989 Gladys Music (ASCA P)
Wo rldwide Rights for G ladys Music Administered by Cherry Lane Music Publishing Compnny. Inc.
Clementine
PERCY MONTROSE
l. ln
J er
J in oh
J er, er,
my da r - ling, o h,
G7
dread - ful sor - ry
' ......
G7
J 3 I J ing for a mine, ling Clem- en - tine!
lt.-3 . Chorus c
' 1) ·-. J. j Clem - en - tine. Oh my Clem- en -
Addition a l Lyrics
2. Light she was and, like a fairy, and her shoes were number nine; herring boxes, without topses, sandals were for Clementine.
3. Drove she ducklings to the wa ter, every mo rning just at nine; hit her foot against a splinter, fell in to the foam ing brine.
Chorus 4. Ruby lips above the water
blowing bubbles soft and fine; but alas I was no swimmer, so I lost m y Clementine.
Chorus
Choms
II tine!
Words by GUS KAHN
Carolina In The Morning
9i!iciii9i Dm6 D#dim F A7 D7 G E7 Am C7
FIRST NOTE 0099190011900
1. Noth - ing could 2. Stroll - ing with
!lo in g. in g.
morn dawn
I Dm
in g.
C6 C~dim
J j. J IJ. j j. j J. j j. j er than to be in Car - 0 - \i - na in the ie where the dew is pearl - y ear - ly in the
A+ Dm7
J J. J J. J IJ. J J. J be sweet - er than my sweet - heart when I all flut - ter up and kiss each lit - tie
F c
IFJ v J I J J Where the morn ing - glo - ries
Music by WALTER DONALDSON
Dm6
J. J J. J meet her in the but - ter- cup at
F
D.C. al Coda D7 G E7 Am D7 07
I~J J ,J ts.J #J lr r lr F F ..........
r I II r F 0
door, whis-per-ing pret ty sto - ries I long to hear_ once more.
c C7
I F. J J. j £ ] J. j I ~- • J J j :d ......_.. in g. If had A - lad din's lamp for on - ly a day,_
F 07 07 c Am
' r J7]j ~ I [ [J r I j. j j. j £) J75ij I • s I'd make a wish and here's what I'd say:_ Noth - ing could be fin - er than to
' c j. j j.
c
II be in Car o - \i - na in the morn in g.
© 2010 Flea Market Music, Inc.
52
ELLIE GREENWICH, and JEFF BARRY
FIRST NOTE ii9009 ~ Mode~tely
'# ij;ll: * J
j j j j I I J J J I *
J Q j J I 4CJ[£) J •
Go in' to the chap - el and we're gon na get mar ried,
Am D7 Am D7 G
* 4 ~ J J J I J uW =I I * t~n J I pl?· J I $ r = F I - f • r r r < f
go in' to the chap - el and we're gon - na get mar ried. Gee,_ I real-ly
Am
r ~r ~r Is r -= IF#~ lr v 0 f u f f love you and we're gon na get mar ried, go in' to the
D7 G Fine D7 G D7
E] J I:J ,----- 3 -----. J r r I 0:: tr· * I $ r J J J I * r ~
chap-el of_ love. ___ Spring is here, the __ sky is Bells will ring, the __ sun will
G ,--3-., Am D7 Am D7
j J J .w I * v f IJ J I * v f lo ~
blue, wo, birds will sing as if they knew. shine, wo, I'll be his and he' ll be mine.
G D7 G E7 Am
* f f J 0 I * f r J lr J r IJ j J To - day's the day we'll say, "I do," } and we'll nev er be
We'll love
un -
Ia I * J J J :II 0
more. Be - cause we're more.
Copyright © 1964 UNIVEil~AL- SONGS 01' POLYGRAM INTERNATIONAL, INC., BUG MUSIC-TIUO MUSIC CO!vli'ANY and MOTH Ell BERTHA MUSIC, INC
COp)•right Rene\-ved
D7
I *
All Rights for MOTHER BERTHA MUSIC, INC. Controlled and Adm inistered by EMI APRIL MUSIC INC
D.C. a/ Fine I
53
FIRST NOTE
G a e e i fi i a e tm a FREDASHER
Medium bounce
*c Dm Em7 A7 Dm G7
II r· t J r I r· ~ J J I J J J 4 J ./ ,/
1. Chi ca go,_ Chi - ca go,_ that tod - dl - in ' town, State Street,_ that great street,_ I just wan - na say,_
Dm G7 Dm G7 To Coda~ c
& ~ C l: F-~ J IJ. J) J J I J. ) J J I; J J J J '-""' '-""' . .._..... tod- dl - in' town,_ Chi - ca - go,_ Chi - ca - go,_ I'll show you a- round._ just wan -na say,__ they do things they
Dm G7 c D7
& J. } lj J J J " J k: lr J1zfJ I J. J 7 J. tt' ,p r • J J '"-'
love it! Bet your bot- tom dol- Jar you 'll lose the blues_ in Chi - ca - go,_ Chi -
Dm G7 Dm G7 c G7 D.S.alCoda
'"-' '-""'
ca - go._ The town that Bill - y Sun- day could not_ shut down. 2. On
-(j}- Coda
&7 E7 Am A7 F
J J) l 1#-e- IJ J } J J J -e- -don't do on Broad way. Say, they have the time, the time_
B~7 c
& J • J • J £] I:Fl J J j J J I J ; [jr -
of their life. saw a man and he danced with his wife in Chi -
c
ca go,_ Chi ca - go, my home - town .
© 2010 Flea Market Music, Inc.
54
D7
Music by JEAN SCHWARTZ
IJ J I J J I Chi - na - town, my Chi-na-town,_ where the lights are low __ Hea rts that know no
Em A7 D7 G
&' n g 's IJJIJJI;J 161 IJ J IJ J lfJ J IJ I J J I .._.
oth-er land,_ drift-ing to and fro . __ Dream-y, dream- y, Chi-na- town,_ al-mond
Cm G E7 A7 D7 G
I) f I J J I J J J I J. )I J J I J J I 61£1) 2 £ II eyes of brown._ Hearts seem light and life seems bright_ in dream-y Chi-na - town._
© 2010 Flea Market Music, Inc.
Cindy D A7 G
Southern Appalach ian Folksong
g g It D A7 D
lfl J. 0 I J J J) I fJ §J I J J) I fJ J. 0 I You ought to see my Cin- dy, she lives a -way down South, and she's so sweet, the
D A7 D Ch o rus G
E F j IJ J J J I J II J J E J. ~ 1--a J J J E hon - ey - bees_ swarm a - round her mouth. Get a -long home, Cin dy, Cin-dy, get a-long
G D A7 D
J I J J J j I J. home, Cin - dy, Cin - dy, get a-long home, Cin - dy, Cin- dy, I' ll mar - ry you some - day.
2. I wish I was an apple, a-hangin' on the tree,
Additional Lyrics
3. I wish I had a needle, as fine as I could sew.
and every time that Cindy passed, she'd take a bite of me.
I'd sew that ga l to my coattail, and down the road we'd go.
Chorus
4. Cindy in the springtime, Cindy in the fall, if I can't have my Cindy, I'll have no gal at all.
Chorus
Chorus
:II
55
(They Long To Be) Close To You Lyric by Music by HAL DAVID G
BURT BACHARACH F E7sus4 E7 Em7 Am Cmaj7 Em Asus4 A7 F(add9)
FIRST NOTE a 00 tit ~ 9 e ~ 9 I I IJ a Slowly, with a steady beat 0
&tg 1. Why 2. That
Em7
F
' j
stars
' F
Am ~ j I r· J
you are near? all a - round.
Cmaj7 •
i j I; J to be close to to be close to
E7sus4 E7
j J j J IJ fall down from the sky
t:J I; J me,_ they long
F
IJ 3 J J J On the day that you
Asus4
J J J J J J I r· to ere - ate a dream come true.
r r r r r star - light in your eyes
J J - den - ly
ev - 'ry time
A7
F
Fine
you walk by?
close to you. -.,.
IJ 3 J J J J J J an - gels got to - geth - er and de -
Fadd9
r r r r in your hair of
D.C. a/Fine N.C.
Copyright © 1963 (Renewed) Casa David and New Hidden Valley Music
FIRST NOTE
1. Con
G#dim
one part
Am 07
------of the fam - i- ly. __ _ of the fur - ni - ture. _ _
D D#ctim
IJ $ 7 I J $ 7 I clear we're cares what
07
G7
G
G
lg J #J J. I J. --------tak-en to you __ is - n't a lot
I. A7 D 07
J " J' I J 7 J. get a - long! 2.Con got we
Words and Music by LIONEL BART
lg J #J J. .._.... sid - er your-self_ sid - er your-self_
87 Em
2. D 07
share! If it should
c
,#,,J )' J. IIIJ } J } IIIJ } J. I J. J I1J1 I J #J) J ....___- -...__.-
chance to be we should see some hard - er days, __ emp ty lard er days,_
Em A7
i#J. nJ. I :g___LJ 7 J I1J uJ I J J1 J. I J ) J J1 I J J1 J. I = why grouse? __ Al-ways a chance we'll meet some- bod-y to foot the bill,_
D Em 07 G 07
'# J. J }I J. J. I J ul I zf I) j ' J. lo J#J J. I J. r· ~
then the drinks are on the house! __ Con sid- er your - self __ our
G E7 Am E7 Am G
4/ W£21J zt. I) 7jiJ #) .
7 J l j J nJ J I J r· I I r r Jl I -----mate. __ We don't want to have _ _ no fuss. For af - ter some con-
Om E7 Am 07 G
'# #) J1 I 11J lul I ?" [( J I LZIJ £· r f r· r· (£] rs p sid - er - a - tion, we can state: Con - sid- er your-self __ one of us.
© Copyright 1960 (Renewed} Lakeview Music Co. Ltd., London, England TRO. Holl is Music, Inc., New Yo rk, controls a ll pllbllcaUon righ ts fo r tht> U.S.A. and Canada
57
FIRST NOTE
~3-----,
C A7 ~ ,-3~
F 07
,_--3-----J
feel - in'
0 -- blue. _____ _
I £1l jJ. knew ____ _ you'd love me as long as you want- ed, _____ _
G7
c c F
some - day _____ _ you'd leave me for some- bod - y new _____ _
,_--3-----J
I; J J ,_--3-----J
r r J c
1#1~ i SL_ ___ Jti Wor- ry, __ why do let my - self wor - ry,, ______ _
,---3-----J ,---3-----J G7 Dm G7
I J #J J r r J 0 Jio - won - d'rin'_ what in the world did do?
C A7 -J:. ,---3----,
J J J Dm
lfJJ J. ld· ---------era - zy, _____ _ for think-ing that my love could hold you, _____ _
J I'm
' r-j-, r J
era - zy for
I J J J } ,-3-----,
J ~J J IJ ~g era - zy for cry- in', and I'm era - zy
Copyright© 1961 Sony/A TV Music Publishing LLC Copyright Renewed
J for
J Iov -
All Rights Administered by Sony/A TV Music Publishing LLC, B Music Square West, Nashville, TN 37203
J in' you!
Traditional Irish Melody
c C7 F Fm
) J J J J I J 3 J J J :J J '-...._.; ------3 J IJ.
l .Oh, Dan - ny Boy, the pipes, the pipes are call ing, __ from glen to 2. And when you come, and all the tlow'rs are dy ing, __ and I am
Dm G7 c C7
lj I 3 J J IJ. J1 J J J J • .___......
c Am
' l ) J J 3 J
glen, and down the moun-tain - side. The sum-mer's gone, and all the ro ses dead, as dead I well may be. You'll come and find the place where I am
F Fm c G7
' J 3 J 3 J j IJ. J1 :J j J J J '------' -----fall ing, 'tis you, 'tis you must go and must ly ing, and kneel and say an A ve there for
c F G7 c
' J J J J I r· J J J J If] J J J J j J p .___...... ~
'-"' bide. But come ye back when sum-mer's in the mead - ow~ or when the me. And I shall hear, tho' soft you tread a - bove_ me, __ and all my
Am F Dm G7
' r· p J J J J lj J j j j
---------val ley's hush'd and white with snow. 'Tis I'll be grave will warm er, sweet - er be. For you will
c F c Fm
' r- p F F r F I :J J J 3 3 J j '------' -----there in sun shine or in shad ow, oh, Dan - ny
bend and tell me that you love __ me, then I shall
c Am Dm G7 c
' J J J J j J J J :II -e-
Boy, oh Dan ny Boy, love you so! sleep in peace un til you come to me!
© 2010 Fh.!il M<1rkt:>l Music, Inc.
59
Words and Music by JOHN SEBASTIAN
FIRST NOTE
~G E7 Am
&•n 1 J ~J J J 3 .w :lJ I s £ J ~ c ~ ~ 1. What a day for a day - dream,_ what a day for a 2. I've been hav-ing a sweet_ dream,_ I've been dream-in' since I
D7 3
G E7 ,. r--- ~
I s ;J£1) J J J J J UJ r"" J J J- j J 7
~~ ------:______./ day - dream - in' boy __ And I'm lost in a day dream, __
woke up to - day. __ It's star - ring me and my sweet_ dream, __
Am D7sus4
D7
J J dream- in' 'bout my bun- die of joy_
'cause she's the one makes me feel_ this way_
G E7 c A7
,~
c 3
7 J j J j I'm blow-ing the To - mor- row I'll
Am 3
7 } J J j FJ and fall on my face on
a pie in the face for
-$-coda Am 3 ,., ) J J j J
it's one of those days for tak-ing a walk out side. __ _ could-n't care less a - bout the dues you say ! __ got.
A?
J_ j J_ j day to take a pay the dues for
I. 3 D7sus4
some- bod - y's new mown be - in' a
3 D7
G
J- II
sleep - y bull - toad._
7 I 1 J"J j J Jatl or you may be day- dream- in' for a thou-sand years._ What a day for a day -
E7 Am
f]IJJJJJ G
cus-tom -made for a day-dream -in' boy_
Copyright© 1966 by Alley Music Corp. and Bug Music-Trio Music Company Copyright Renewed
And I'm lost in a day-
Am
D7sus4 D7 C 3 A7
II: ' J j D~JO 131 f J j j I j J j ]jJ dream- in ' 'bout my bun -dle of joy._ Whistles
c
3
J J A7 G
J a j lp
And you can be sure that if you're feelin' right, a daydream will last 'til long into the night. Tomorrow at breakfast you may pick up your ears, or you may be daydreamin ' for a thousand years.
Dinah
SAM M. LEWIS and JOE YOUNG Music by
HARRY AKST
FIRST NOTE
J j j
I would hop
show 'er to me._
4~ Dm
J1 J 4) !J Di-nah mighL
j I I J J J j j I v ,f J • ._____.. nah, is there an - y - one fin er, na h with her Dix - ie eyes blaz in', nah, if she wan- dered to Chi na,
C7 I. F
J J I • IV tt I) D 0 j I J J. of Car - 0 li na? If there is and you know 'er, to sit and gaze in an o - cean lin er,
Fi11e F 2., 3.
:II ? :0 J J J J I ·~LJ to the eyes of Di - nah Lee.
just to be with Di-nah Lee.
Dl>+ F G7 C7
I J1 J j1 J I) J F r why do [ __ shake with fright, ____ _ be cause my
G7 c D.C. a/ Fine
I J1 J j D II ' p =:1 Jl J iil 0 -- change her mind_ a - bout me. _____ _
© l 92S MILLS MUSIC. INC. © Renewed MO RLEY MUSIC CO .• U & G AKST I'UULIS ~IING CO. and MILLS MUSIC, INC.
Harry Akst lteversionar)' Interest Controlled by BOURNE CO. (ASCAP)
61
c Dm Em F Am 07 G7 JOHN STEWART
FIRST NOTE 9 9 a 9 a HI e 9 Moderately
c Dm Em F 0 4tt J J J II= J J J lj J J IJ J J J lg, 7 )I
I . Oh, I could hide 'neath the wings of the blue- bird as she sings; the 2. rings and I rise, wipe the sleep out of my eyes. My
I. 2. c Am D7 G7 c Am
4 J J J J 1;. J ) J. I IJ t J J :II J J ) j. u ~
six o' - clock a - !arm would nev - er ring. But it shav-ing raz-or's
Dm G7 c ~ F G7 Em
4 J J l
I@ J~ J. J I; t I r· Jl t J -e-'-.._.; ~ cold_ and it stings. Cheer up sleep - y Jean. __
F G7 Am F c F
4 J k: J. j. • k: J tf IJ J J I t J J I tt' j. J J Oh, what can it mean to a day - dream be - liev - er and a
4 c Am D7 G7 c Dm
t J J J J J I IJ s II= J J J lj J J J ~ 0 ----- r home - com-ing queen. You once thought of me as a
good times start and end with- out
I.
4 Em F c Am D7
'-._-'
white knight on a steed. Now you know how hap-PY I can be. dol - Jar one to spend, but
2. D.S. and fade G7 c Am Dm G7 c 4) 7 J J J =II J J ) j. lj J. J I; s II J -e-- .___..,. Oh, and our
how much, ba-by, do we rea - ly need?
© 1967 (Renewed 1995) SCREEN GEMS-EM! MUSIC INC.
62
BOUDLEAUX BRYANT
I' TRSTNOTE a Slowly 0 c G7 G7 c F Em
'e· J J J J l j 3 J IJ J J J lfj J I J J J J I Dar- ling, you can count_ on me 'til the sun dries up_ the sea. Un - til then I' ll
Dm
J J I J J J G7 C
J I J 3 J J aJ - ways be de - vot ed to you. I' ll be yours through end - less time,
G7 c F Em Dm C F G7
J J J I J 3 J 1J J J J IJ J J J I ,J I'll a - dore your charms_ sub- blime; guess by now you know that I'm de vot ed
c Dm Em Am Dm G7 C
J J lj i ] J J I J J 0 J IJ J 3 J J 10 to you. I'll nev-er hu rt you, I'll nev- er lie, I'll nev -er be un true.
Dm
' J
J G7
J J ; ] J t_J IJ IJ j J J IJ J I' ll nev- er give you rea - son to cry, I'd be un-hap- py if you were blue._
G7 c G7 c
J J J lj 3 J IJ J J J I J 3 J Through the years my love_ will grow, like a riv er it__ wi II flow.
F Em Dm c F G7 c G7 c
' J J J J IJ J J J lj L±IJ J F1 It can't die be - cause I'm so de - vot ed to
Copyrl~hr © 1958 b)' liOUSEOF 81lYANT PUBLICATIONS, Gatlinburg, TN Copyrigh t Renewed
All Foreign Rights Cont rolled by SONY/ATV MUSIC PU BLISHING LLC
-----you. __ _
63
Words by Deep In The Heart Of Texas
JUNE HERSHEY D A7 e I J I J $ J lj J IJ
FIRST NOTE
9 Lively 0 0
'ti~ 2 J II: g 1. The stars at night are big and bright,
2. coy - otes wail a - long the trail
A7
&ti~ J r IJ Ji£___J). J I; J lj #
heart of Tex- as The prair - ie sky heart of Tex- as. The rab - bits rush
D
I # J J J deep in the deep in the
I; J wide and
- round the
'UD j II J J J IJ r IJ ct_J) l J high, deep in the heart of Tex - as. The brush, deep in the heart of Tex - as. The
&uft J J IJ l J I J J I J I l J J J sage in bloom is like per fume, deep in the cow - boys cry, " Ki - yip pee yi," deep in the
'j# A7
J r IJ E___j). J I; J heart of Tex - as. Re - minds me heart of Tex as. The do gies
,.fi j l J I; J IJ I l J J J I J r of the one love, deep in the heart of
bawl, and bawl and bawl, deep in the heart of
l. 2. D A7 D
&uft J ce lj l =II J J I J II J .---' Tex - as. 2. The
Tex - as.
64
~ Vigorously G
JJJ) "--"" ·--·
D7
I was born in,
I j j l 0 I l 0 J J J J old times there are not for- got- ten} ear - ly on one frost - y morn- in' look a-
.-1.-G------,lz.G C
rn 1 w. f'biJ nla 1'5 =llg niB J3iJ,J ;I ~ .
way! Look a- way! Look a- way! Dix-ie Land. In_ Land. Then I wish I was in Dix- ie, hoo-
ray!
D7
D7
G C G D7 G
J) I D J3 I i J £ J I FJ Pj I J) J J) I J. In Dix - ie Land, I'll take my stand to live and die in Dix- ie; a - way, a -
,~ J. D7
J IFJ G
§' ;;c I i J II way, a - way down south in Dix- ie. A - way, a - way, a - way down south in Dix - ie.
© 2010 Flea Market Music, Inc.
Do Lord G G7 C 87 Em 07 Traditional
FIRST NOTE
~ Wi~Spirit
G7 c
f f I I I J ~-w J J • a J
I've got a home in glo - ry - land that out-shines the sun, I've got a home in
,~ G
J J J J I t J J J I IJ 0 J J J J IJ J J J
glo - ry - land that out- shines the sun, I've got a home in glo - ry - land that
,~ 87 Em G D7 G
J f f J Ia I t r J lf3 J Ia IJ J J I J J J I out- shines the sun, 'way be- yond_ the blue. Do Lord, oh do Lord, oh
,~ G7 c
r· ~ f J IJ J J IIJ IJ J uJ IJ J J ll G
J J J I 0
do re-mem-ber me. Oh Lord- y, do Lord, oh do Lord, oh do re-mem-ber me.
87 Em G D7
~ J J J IJ J J I r· ~ f J Ia H r J I(J G
Jb) II Do Lord, oh do Lord, oh do re-mem-ber me, 'way be -yond _ the blue.
© 2010 Flea Market Music, Inc.
65
Don't Be Cruel (To A Heart That's True) Words and Music by
OTIS BLACKWELL and ELVIS PRESLEY G C Am 0 7 D
FIRST NOTE 1199119 ~ Medium br~ht
0 &*q II) c p r ll=-? IJ J J J J IJ J J 1. You know
2. Ba-by if
please let's for- get the
D7
to a heart that 's to a heart that's
c D
IJ J
I[J J
sit - ting home all a - lone, some-thing I might have said,
J IJ J J round, past,
at the
least, please tel - e - phone. Don't be Don't be fu - ture looks bright a - head.
I. 2. G G
true. true.
I
I
&* J J J J IJ J J J IJ j J I lg, t I) g - u-
want no oth - er love, ba - by, it's ...____..
just you I'm think-ing of.
4* II' G
&*
Then you'll know
G
J IJ J tJ IJ r J J ' ...... __ ...
and love me, you know what I want you have me, and I'll know I'll_ have
G
J J g J to a heart that's to a heart that's
IJ~. true. _ ____ _ true. _____ _
c D
) IJ J J J I J J g d real - ly love you, ba - by, cross my ba - by, it's just you I'm think-ing
Copyright© 1956; Renewed 1984 Elvis Presley Music (BMI)
"I do."
c
I don't want no
I u- 4 . ......____.... heart. ___ _
All Rights for Elvis Presley Music Administered by Cherry River Music Co.
t J I Come
J =II
D7
------ J J g J 1 0~1 cruel ____ _ to a heart that's true. ____ _
Am G c
J J ggiJ J J J ~ ~-
Don't be cruel to a heart that's true. ____ _ I don't want no oth - er
c D G
IJ J J J IJ J I u- 8. II
---------love, ba - by, it's just you I'm think-ing of. ____ _
Down By The Riverside FIRST NOTE F C7 B~ F7 African American Spiritual
9 0
a mea J IJ J tJ It J J.
1. Goo - na lay down my sword and shield_ down by the riv - er - side,_
C7
'~ * :l :J. ~11 b} J F
J<J J t_J J J I J J down by the riv-er - side,_ down by the riv-er - side._ Gon-na lay down my
C7 F
J iJJ~r 1j In sword and shield_ down by the riv - er - side,_ and stud-y ___ _ war no more._
Chorus F7
C7
1. F F7
F
I J~ J. J J IJ J J J J stud-y war no more, I ain't gon-na
2. F D.C.
I
&~ J J~r 1J J I <[ I) J J £J =II ,c_g * * II stud-y war no more ain't gon-na
Additional Lyrics
2. I'm gonna join hands with everyone, down by the riverside, down by the riverside, down by the riverside. I'm gonna join hands with everyone, down by the riverside, and study war no more.
Chorus
more.
67
FIRST NOTE
I. G
A7
J J j J J ~d)· could - n't bear it with -out __ they'd have asked me a - bout_
07
Cm
I
} J ....._..
Gmaj7 07
&•g. :FQ I) w f J 'J. ._.. my mind's_ more at ease,_
Bm7 D7 ,. ]" ~ J. 0 J~ J • I J) f • J1 ..._.-
why stir up mem - 0 . 7 nes. __ Been
,. E7 .. I f Jl j J J "U"
might have gone, but what for?
A7 07
E7
got as far as the door;
D7
07 c
I j w FAg I L ___ Dar ling, I guess_
c C#m7P5
G ..
Aw - f'lly dif - f'rent with - out_
G Cm G
I
,. J. ) J i ) J #J J J &3 qj I II
68
Copyright© 1942 Sony/ATV Music Publishing LLC and Music Sales Corporation Copyright Renewed
All Rights on behalf of Sony/ATV Music Publishing LLC Administered by Sony/A TV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
'ijll J hang
Down In The Valley D A7 e e Traditional American Folksong
A7
I J I J. I J. I J J J I J I J I J -------- -------- --------1. Down in the va l ley, va l ley so low, Hear the wind blow, dear. ___ Hear the wind blow,
2. See additional lyrics D
J J IJ I J. IJ I J J J I J. I J. I J. ..._......_... your head 0 ver, hear the wind blow.
Additional Lyrics 2. Roses love sunshine, violets love dew; 4.
angels in heaven , know I love you. Know I love you dear, know I love you. angels in heaven know I love you.
If you don ' t Jove me, love whom you please, throw your arms ' round me, give my heart ease. Give my heart ease. love, give my heart ease. Throw your arms ' round me, give my heart ease.
3. Build me a castle forty feet high , so I can see him as he rides by.
5. Write me a letter, send it by mail.
As he rides by love, as he rides by. So I can see him as he rides by.
Send it in care of Birmingham jail. Birmingham jail. love. Birmingham jail. Send it in care of Birmingham jail.
© 2010 Flea Market Music, Inc.
Dream A Little Dream Of Me
l
:II
Music by WILBUR SCHWANDT F? and FABIAN ANDREE
FIRST NOTE g
I. Stars 2. Say 3. "Sweet
whis - per, "I love tell me you'll miss wor ries be hind
I. D E7
J qJ J :J J "Dream a lit - tie dream
Bp
Bp7 A7 D
J 3 lj J l j bright a bove you, night night" and kiss me. just sun- beams find you; sweet
Em7
IJ J 3 birds sing - ing in the syc
While I'm a - lone and blue But in your dreams what - ev
lz .. 3. Fine D Gm7 A7 D
:II J qJ J :J IIJ J IJ. dream a lit - tie dream of me. dream a lit - tie dream of rne. 11
g
dreams that
J seem tight leave
J a m o re tree, as ca n be, er they be,
J to
and all
Bp ,----3---,
Bp
A7
J l~r ,IJ J I .. II I ling-er on, dear, still crav-ing your ki ss; I'm long-ing to lin-ger ' til dawn, dea r, just say-ing this:
TRO · €> Copyright 1930 (ltcnC'wed) and 193 1 (Renewed) Essex Music, Inc., Words and Music, Inc., New York, NY, Don Swan Publicatio ns, Miami, FL and Gilbert Keyt>s Music, Ho ll ywood, CA
69
Words and Music by BOBBY McFERRIN
FIRST NOTE 999 9 B~ghtly
&t r Dm F
c c
lit - tie song I wrote._ You to lay_ your head._
ain't got_ no style._
F
t J ~flj Jr IS~ J I; J f t.. & 2
i
sing came
Don't Don't Don't
wor-ry, wor-ry, wor-ry,
be be be
&
70
In ev- 'ry life we have_ The land lord say your rent_
hap-py. hap-py. hap-py. 'Cause when you worry your face_
~} EF ............ r r---"'t _____ -= Jlif? but when you wor - ry you make_ it dou -
He may have to lit i - gate. and that will bring ev'ry- bod y down. _
c
be hap-py. Don't wor-ry be
ble. Don't Don't Don't
trou - ble, late._ frown_
be hap-py. Spoken: Look at me. hap-py now.} I'm happy. Oo. ______ _
be hap-py. Don't wor-ry be ha- py now.
Dm F
r I u l r Oo. _______ _ Don't wor-ry, 00.-------- Be
c
hap-py. ~ { Don't wor - ry be hap - py. }
Oo. Spoken: Here, I give you my