ukulele tab edition british invasion ukulele - alfred music · ukulele tab edition british invasion...
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ISBN-10: 1-4706-1435-9ISBN-13: 978-1-4706-1435-5
Cover Photos Central image models: Katrina Hruschka and Andrew Callahan / Photographer: Brian Immke, www.adeptstudios.com
3 Cherry uke: courtesy of C.F. Martin & Co • Moon: courtesy of The Library of Congress Classic Routemaster double decker bus: © tkemot / Shutterstock.com • MP3 player: © istockphoto / tpopova
VOX AC30 amplifier: courtesy of VOX Amplification Ltd. • Handstand: © istockphoto / jhorrocks • Jumping woman: © istockphoto / Dan Wilton Vintage record player: © trekandshoot / Shutterstock.com • Sneakers: © istockphoto / ozgurdonmaz
Background: image copyright Elise Gravel, 2009, used under license from Shutterstock.com
Produced byAlfred Music P.O. Box 10003 Van Nuys, CA 91410-0003
alfred.com
ukulele tab edition
british invasion ukulele
12 Songs from the 1st wave of moptops & mods
Contents19th Nervous Breakdown . . . . . . . . . . . . . . . . . . . . . . . . . The Rolling Stones . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
As Tears Go By . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marianne Faithfull . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Dedicated Follower of Fashion . . . . . . . . . . . . . . . . . . The Kinks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
I Saw Her Standing There . . . . . . . . . . . . . . . . . . . . . . . . The Beatles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
The Kids Are Alright . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Who . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Please Please Me . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beatles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
(I Can’t Get No) Satisfaction . . . . . . . . . . . . . . . . . . . . The Rolling Stones . . . . . . . . . . . . . . . . . . . . . . . . . 30
Shapes of Things . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Yardbirds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
She’s Not There . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Zombies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Tell Her No . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Zombies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
When You Walk in the Room . . . . . . . . . . . . . . . . . . . . The Searchers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
You’ve Got Your Troubles . . . . . . . . . . . . . . . . . . . . . . . . . . The Fortunes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Ukulele Chord Dictionary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
4
&
TAB
&
TAB
# # # #
# # # #
44
44
∑
œœœ œœœ œœœ œœœ œœœ œœœ
4
44
4
56
4
56
4
44
4
44
4
44
E4fr.
Intro:Moderately fast Œ = 184
*
*Follow notation for rhythm figure.
∑
œœœ œœœ œœœ œœœ œœœ œœœ œœœ
4
56
4
56
4
56
4
44
4
44
4
44
∑
œœœ œœœ œœœ œœœ œœœ œœœ œœœ
4
56
4
56
4
56
4
44
4
44
4
44
Ó Œ œ œ1. You’re the
2 2
œœœ œœœ œœœjœœœ ...œœœ
4
56
4
56
4
56
4
44
Cont. in slashes
&
TAB
# # # # ..
..
! ! ! ! ! ¿5
œ œ œ jœ œ jœ
(3.)�still(2.3.)�were
kind ofain
per -child,school
sonyou
when
youwereyou
2 0 04 4
E7
1 2 3
Verse:%
! ! ! ! ! ¿œ œ œ jœ .œ
meettreat-had
atedthat fool
cer - tain
who
œ œ œ œ œ
kind, but you were
4 2 2 0
œ œ œ œ œ
dis -nev -real -
mal,erly
dullbroughtmessed
af -up
your
fairs.right.mind,
4 40 0 0
Cont. rhy. simile
˙ Œ œ œ
Cen -You
and
terwere
42 2
&
TAB
# # # #9
œ œ œ jœ œ jœofal -af -
awayster
crowd,spoiledthat
talk -withyou
ingaturned
2 0 04 4
œ œ œ œ œ œmuchthou -
toosandyour
loud,toys,back on
run-but
ning
4 2 2 0 0
œ œ œ œ œupstilltreat -
andyouing
downcriedpeo -
theallple
stairs.night.kind.
4 40 0 0
˙ ‰ Jœn œ
Well, itYourOn
45 5
Words and Music byMICK JAGGER and KEITH RICHARDS
19th Nervous Breakdown - 5 - 1
© 1966 (Renewed) ABKCO MUSIC, INC., 85 Fifth Avenue, New York, NY 10003All Rights Reserved
19th NERVOUS BREAKDOWN
5
&
TAB
# # # #13
œn œ œ Jœ œ Jœseems
ourmoth -
toer
first
mewhotrip
thatne -I
youglect -tried
5 4 4 2 2
A7
1
Jœ œ jœ jœ œ jœhaveedso
seenyouhard
tooowes
to
muchare -
0 04 4
jœ œ jœ jœ œ jœmil-
inlionar -
toodol -range
fewlarsyour
years,tax,mind,
2 2 0 0
˙ Œ œand
but
œ œ
and your
2
&
TAB
# # # #17
œ œ œ jœ œ jœ
af -fa -
though you’vether’s
ter
triedstillwhile
youper -
I
justfect -re -
2 0 04 4
E7
1 2 3 jœ œ jœ œ œcan’tingal -
hidewaysized
yourof
œ œ
you were
2 2 0
œ œ œ jœ œ jœeyesmak -dis -
areingar - rang -
edgedseal -
withinging
tears.wax.mine.
4 40 0 0
˙ ‰ jœ œ œ
You bet-ter
4 4 42
}
To Coda fi
&
TAB
&
TAB
# # # #
# # # #
21
œ Œ Óstop,
2
œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ2
4
23
2
4
24
2
4
24
2
4
23
2
4
23
2
4
23
B
3 2 1 1
Ó Œ œ œlook a -
4 4
œœœœ œœœœ œœœœjœœœœ ....œœœœ
2
4
24
2
4
24
2
4
24
2
4
23
jœ .œ Óround.
00
˙˙̇̇ œ œ œ
0
2
01
5 77
A
2 1
Ó jœ .œHere it
0 0
wn
5
&
TAB
# # # #25
œ .˙comes,
2 4
E7
1 2 3
Chorus:
Resume rhy. simile
˙jœ .œ
here it
0 0
œ .˙comes,
0 2
Ó Jœn .œ
here it
5 5
19th Nervous Breakdown - 5 - 2
6
&
TAB
# # # #29
œn .˙
comes,
5 7
A7
1
Ó Jœn .œ
here it
5 5
œn .˙
comes,
5 7
Ó Œ œ
here
7
œ œn œ œ
comes your nine - teenth
7 5 5 4
E7
1 2 3
&
TAB
# # # # ..
..
34
œ œ œ œ œ œner - vous break - down.
4 2 0 0 2
1.
˙ Ó ∑ ∑ Ó Œ œ œ2.�When you
2 2
&
TAB
# # # #39
2.
˙ Ó�
2
∑
To Next Strain(To Bridge:)
3.
˙̇n Ó�
2
∑ ∑ ∑
&
TAB
# # # #45
œœœ œœœ œœœ œœœ œœœ œœœ
4
44
4
56
4
56
4
44
4
44
4
44
E4fr.
œœœ œœœ œœœ œœœ œœœ œœœ œœœ
4
56
4
56
4
56
4
44
4
44
4
44
œœœ œœœ œœœ œœœ œœœ œœœ œœœ
4
56
4
56
4
56
4
44
4
44
4
44
œœœ œœœ œœœjœœœ ...œœœ
4
56
4
56
4
56
4
44
Cont. in slashes
&
TAB
# # # #! ! ! !49
w
Oh,
6
B
3 2 1 1
Bridge:
! ! ! ! !.œ Jœ
.œ Jœ
who’s to blame,
6 6 6
œ Œ Ó
4
Cont. rhy. simile
Ó Œ œthat
2
19th Nervous Breakdown - 5 - 3