the cathedral church of st. philip, birmingham the...
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The Cathedral Church of St. Philip, Birmingham
The appointment of a new Head of Music
BACKGROUND
Thank you for your interest in the role of Head of Music at Birmingham Cathedral.
The cathedral building demonstrates daily its attraction as a house of prayer to the people of
the city and its international visitors. Alongside daily worship the cathedral hosts diocesan,
regional and national events and is responsive to immediate community needs for celebration
and lament. With growing confidence and a newly refurbished interior the cathedral has a
clear vision and strategy. The published five-year plan focusses on Living Worship; Growing
Disciples; Connecting Communities, supported by care for the building, sustainable financial
growth and good order. With the recent appointment of a new Dean, Birmingham Cathedral
has a clear sense of direction and confidence.
The cathedral is the seat of the Bishop of Birmingham and plays its part in promoting the life
and mission of C of E Birmingham, as mother church. The cathedral enjoys close working
relations with diocesan clergy and staff and the cathedral clergy and staff share offices with
diocesan support staff at 1 Colmore Row. C of E Birmingham is at an exciting stage with the
‘Growing Younger’ initiative, part of the Transforming Church plan. The cathedral is playing a
full part in this important and innovative work.
The cathedral is blessed with a choir of adults, boys and girls of the highest standard and offers
unrivalled opportunities for music in this great city. After over 30 years outstanding service
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as Director of Music, Canon Marcus Huxley retired in August 2017, which gives the cathedral
an exciting opportunity to recruit a successor.
We are looking for a colleague who is excited by these opportunities and wishes to work
with people, liturgy and music to the glory of God. You will be joining a friendly and growing
cathedral team who will support you to learn new skills and reach your potential.
We hope that this pack, alongside the supporting documents gives you a good briefing, please
do not hesitate to contact the Chief Executive (Cathedral Administrator) for more
information at [email protected].
Please be assured of our prayers as you make your discernment about the next stage of your
ministry.
THE MUSIC DEPARTMENT
The Head of Music leads the Music Department, which includes the Assistant Head of Music,
Organ Scholar, Choral Scholars and Lay Clerks.
The Assistant Head of Music and Organ Scholar are responsible to the Head of Music for the
playing of the Organ and for deputising for the Head of Music when necessary, including
conducting of services and rehearsals, and attending meetings.
The current Organ Scholar is a student at the Royal Birmingham Conservatoire. He has held
the position for approximately six months. The cathedral enjoys a good relationship with the
Organ Department of the Birmingham Conservatoire, with many past Organ Scholars
graduating to successful appointments in churches and cathedrals around the country.
There are two librarians working with the Head of Music, and a singing tutor, doing
approximately four hours a week of teaching. A Liturgy and Administration Officer is also in
post.
THE CHOIRS
“He who sings, prays twice” Martin Luther
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In an average week, in the region of 50 – 80 people take part in leading the worship through
singing in the cathedral, with an age range from 8 – 75.
There are currently five choirs at the Cathedral: The Boys’ Choir, the Girls’ Choir, the Lower
Voices, the Schola Philippi and the St Philip’s Singers.
All the members of the Choirs (with the exception of the Choral Scholars and Lay Clerks)
are voluntary. The boys and girls are drawn from a variety of schools in the area. The Head
of Music is responsible for recruitment into the choirs.
Tours and recordings have been an important feature of the Cathedral Choir, with recent
visits to the Thomaskirche in Leipzig, Notre-Dame de Paris, Chartres Cathedral and Durham
Cathedral. Recent recordings have included the CD After the Sabbath (2017), and A Song of
the Light. The Cathedral Choir have also done recent broadcasts on BBC Radio 3 Choral
Evensong in 2014 and 2016.
The Cathedral Choir is currently made up of 18 boys, 24 girls (including one soprano
Choral Scholar), and four lower voices (3 Lay Clerks and 1 Choral Scholar). The Lower Voices
are also regularly augmented by deputies, and most of the Choral Scholars and Lay Clerks
have recently studied at the Royal Birmingham Conservatoire or the University of
Birmingham.
The choir sings five services a week, and have additional rehearsals. For midweek services,
the choir sings a shortened form of Choral Evensong. This includes the preces, psalm(s), one
canticle, the Lord’s Prayer and Amens from the responses, and an anthem.
The current Music Department schedule is as follows:
Monday: Boys’ Choir rehearsal and music theory session.
Tuesday: Girls’ Choir rehearsal and Shorter Choral Evensong (either Girls and Lower Voices or Lower Voices alone), followed by a Lower Voices rehearsal after Evensong.
Wednesday: Boys’ Choir rehearsal and Shorter Choral Evensong (usually Boys’ only, but
sometimes Boys and Lower Voices), followed by a rehearsal after Evensong.
Thursday: Girls’ Choir rehearsal and singing lessons.
Friday: Boys and Lower Voices sing Full Choral Evensong, followed by a rehearsal
afterwards.
Sunday: Choral Eucharist and Choral Evensong, alternating between Girls’ and Boys’ Choirs with Lower Voices (Girls and Lower Voices for Eucharist, Boys and Lower Voices
for Evensong, alternating every week).
There is no choir school. The vast majority of singers in the Girls’ Choir currently come from
King Edward VI Camp Hill School for Girls. The Boys’ Choir have members from a variety of
different schools, including King Edward VI Boys’ School, West House Preparatory School,
Bishop Vesey Secondary School, and the Blue Coat School. All the children are educated
locally and maintaining links with these schools is essential.
The Schola Philippi are a chamber choir made up of the Lower Voices and senior members
of the Girls’ Choir, as well as being augmented by extra singers based in the West Midlands.
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The Schola often perform more challenging music and don’t have any rehearsal time prior to
the day, so often sing at weekday feasts such as Candlemas, Ascension Day, All Souls’ Day
and Corpus Christi.
The St Philip’s Singers are a voluntary choir, led by the Head of Music and the Organ
Scholar. They rehearse on a Wednesday lunchtime, and sing in the Book of Common Prayer
Holy Communion Service once a month.
INSTRUMENTS AND FACILITIES
The Cathedral Organ was built by Nicholson’s, and thanks to the great generosity of the
Bigbury Trust, it was possible to commission Nicholson’s to have the organ rebuilt in 1993.
They have now had care of the organ for over 100 years. New stops added in the rebuild
include a Great 4-ft. Flute, Tierce and two Mixtures; Swell Oboe, 2ft. Flute and Mixture; Choir
Larigot and Mixture; Solo 8-ft. Flute; Pedal 32-ft, Trumpet and upperwork. The Sesquialtera
has moved from Choir to Swell, where it is useful both in a "solo" combination and as a
constituent of an English "Full Swell". The Trompeta Real now has a bottom octave and the
Cor Anglais has reverted to 8-ft. pitch. The stops that have made way are the Swell 1-ft, the
Great 5 1/3' and the Pedal Open Wood. More information about the specification of the organ
can be found on the National Pipe Organ Register page:
http://www.npor.org.uk/NPORView.html?RI=D02703
There is a Song School in the undercroft of the cathedral. The Song School consists of a song
room (which can accommodate up to around 40 people) with an electric piano for taking
rehearsals. There is also a grand piano in the nave of the cathedral, allowing separate
rehearsals with probationers and individual singing tuition to take place. The Song School also
has a kitchen area for choir teas, the choir library and its’ own toilets. The cathedral library is
well stocked, with a modest annual budget to purchase music.
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FUNDING AND THE FUTURE
Music is a vital part of the mission and outreach of Birmingham Cathedral, and a significant
proportion of the cathedral’s financial resources are directed towards the work of the
Department. Nevertheless, the huge increase in scale and scope of the Music Department
activity in recent years has made the sourcing of additional funding essential.
The Parents of Birmingham Cathedral Choristers (POBCC) is a group of parents who work
to raise funds for tours and organise social activities for the choristers. The Music Department
has also been very fortunate for the continued generosity of the Friends of Cathedral Music,
who regularly grant money for special projects and regular costs.
MANAGEMENT STRUCTURE
The Head of Music is appointed by the Chapter of Birmingham Cathedral. The Canon
Precentor is the Chapter representative in the Music Department and as such is the line
manager of the Head of Music. Together with the Canon Precentor, the Head of Music is
responsible to the Dean for all music in the cathedral, whether liturgical or non-liturgical.
The Head of Music manages and appraises the professional staff in the Music Department: the
Assistant Head of Music, the Organ Scholar, the Choral Scholars and Lay Clerks, the singing
tutor and the choir librarian.
MAIN DUTIES
The principal task of the Head of Music is to plan and realise music in Birmingham Cathedral
as a significant part of its liturgical life and, both within and without this context, to place the
cathedral’s music at the heart of the wider community.
Within that framework, the main duties of the Head of Music may be outlined as follows:
to recruit and train members of the cathedral choirs in order to ensure the high
standard of performance expected;
to play the organ to a high standard;
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to manage the departmental budget in consultation with the Canon Precentor;
to oversee the Music Outreach Programme;
to administer the department efficiently, working with the Liturgy and Admin Officer;
with the Canon Precentor, to take part in the pastoral oversight of choristers and
staff;
to prepare and create the music lists and calendars, having agreed choir holidays with
the Canon Precentor to be approved by the Dean;
to work closely with the Canon Precentor in order that the music and liturgy of the
cathedral can be effective in partnership;
to attend meetings - such as the Dean’s Executive meeting – on an ongoing basis;
to be responsible for arranging or giving the ‘in house’ concerts and other
musical/choral events, including the bi-weekly Monday Lunchtime Recital series;
to have responsibility for the recruitment, preparation and participation of visiting
choirs in consultation with the Canon Precentor;
to act as line manager to the Organ Scholar, Assistant Head of Music and other staff
as appropriate;
to take an active part in the musical life of the diocese, acting as a resource for the
Bishop and ambassador for the cathedral and its music;
to manage the Child Protection and Safeguarding Policy of the cathedral and ensure
that it is implemented and adhered to by all staff and volunteers in the department;
to be responsible for the implementation, where applicable, of the policies and
procedures contained in the Staff Handbook;
to plan and execute successful choir tours which will help strengthen relationships
with other cathedrals and grow the reputation of Birmingham Cathedral on the
national and international stage;
to provide a rota of duty organists from the departmental staff for every Sunday and
also at occasional offices during choir holiday periods;
to ensure that the cathedral’s organs and other instruments are maintained and tuned;
to be a member of the Parents of Birmingham Cathedral Choristers Committee.
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PERSON SPECIFICATION
The applicant must be able to demonstrate the following criteria through their application
Criteria Essential Desirable
Education, Qualifications and Training:
Degree in Music or equivalent performance diploma √
Postgraduate or equivalent performance qualification √
High level ability as a choral conductor √
Thorough knowledge of the Anglican liturgy, and the annual cycle
of the Church’s year
√
Familiarity with English and Latin international church music
repertory, from the late middle ages to the present day, including
Gregorian Chant, Viennese Masses and contemporary choral
music.
√
An accomplished organist √
FRCO or equivalent √
Knowledge of orchestral conducting √
Skills as a composer and/or arranger √
Ability to manage and deal with children and adults and their
safeguarding
√
Work and other relevant experience:
Proven record as a choral conductor with adults and children √
Experience conducting a choir of men and boys √
Church music professional √
Experience of working in a voluntary environment √
Familiarity with Cathedrals and/or greater Parish Churches √
Experience in planning service music √
IT literate √
Experience in recruiting children and adults to choirs √
Management skills √
Working in a team environment √
Personal Qualities:
In sympathy with the ethos and values of the Church of England √
A communicant member of the Anglican Church or a member of
CTBI
√
Excellent communicator by word and gesture √
Flexible and enthusiastic, able to motivate staff and volunteers √
Shows flair, vision and imagination in his or her work √
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CONDITIONS OF SERVICE
Salary: £33,000 p/a
Hours: 37 per week. Working pattern to be agreed with your line manager and may be varied
to meet the needs of the cathedral. The cathedral may require you to work at any times that
the cathedral is open to visitors or for services or events, including early mornings, evenings
and weekends.
Holiday Entitlement: 28 days p/a plus bank holidays
Pension: The cathedral operates a contributory pension scheme, which you will be enrolled
into following three months service. Employer contribution is 8%; additional voluntary
contributions may be made.
Review: The post is subject to a three-month probationary period. You can expect regular
supervision time with your line manager and an annual appraisal to support your professional
development.
Location: Birmingham Cathedral, Colmore Row, Birmingham B3 2QB, and associated offices
at ONE Colmore Row, Birmingham, B3 2BJ.
This position is subject to enhanced DBS clearance.
APPLICATIONS
Please submit your application by means of a completed application form and covering letter
sent either electronically to: [email protected] or by post (marked
‘confidential’):
FAO: Anna Pitt
Birmingham Cathedral
ONE Colmore Row
Birmingham B3 2BJ
We are an equal opportunities employer. We welcome applications from all suitably qualified persons.
However, as those from minority ethnic groups are currently under-represented in our staff team, we
would particularly welcome applications from those groups.
RECRUITMENT TIMETABLE
Deadline for Applications: Friday 6th April 2018
Shortlisting: Monday 9th April 2018 Interview: Saturday 12th May 2018
Expected start date: start of September 2018
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2017 MUSIC REVIEW
Context of review
2017 has been a year of significant change at Birmingham Cathedral. Canon Marcus Huxley
retired as Director of Music after more than 30 years in office, a new Dean has been appointed
and a new Canon Liturgist (now known as Canon Precentor) has taken office. The cathedral
chapter therefore felt that this created an opportunity to reflect on the role of music past,
present and future at Birmingham Cathedral, both within the cathedral and in the context of
the city before embarking on recruitment of a new Head of Music.
Purpose of review
The review was intended to take an independent look at the current situation, the
opportunities and challenges in the future, and give an outline of available options for
continued development in the pursuit of excellence in every aspect of the cathedral’s musical
life.
Credentials
Jeffrey Skidmore was commissioned to undertake the review. Jeffrey is the Artistic Director
and Founder of Ex Cathedra, a Birmingham-based professional classical choir. Jeffrey sang as
a boy chorister and Lay Clerk at the cathedral; he has taught music in schools and is a lecturer
at Birmingham Conservatoire. He has developed Ex Cathedra into a world-class musical
resource for the city and region, and as such has an established knowledge and understanding
of the role of cathedral music and the context of music in the city.
Current situation
Birmingham as a city is culturally rich and diverse, and the musical context is unique. The city
is benefitting from the current emphasis on funding arts in the regions and a number of arts
organisations are being encouraged to relocate from London to Birmingham to broaden the
reach of and accessibility to the arts. Birmingham is in a changing place of music in the city,
and a leading centre of musical and artistic innovation. The cathedral is well placed both at
the physical and spiritual heart of the city to engage with the musical richness of the
community and region.
Music at the cathedral is in an exciting period of transition following the departure of the long-
serving Director of Music, Canon Marcus Huxley. This gives the cathedral an excellent
opportunity to assess its musical needs and abilities, examine its current praxis and envisage
its future direction.
Review Process
The process involved consultation over some months with various stakeholders, including
many members of the cathedral community, current and former choir members, senior clergy
and other external parties such as the CBSO and the Conservatoire.
Cathedral priorities
Music at Birmingham Cathedral cannot be considered in isolation as a standalone activity but has to be considered in the context of the cathedral priorities –
Living Worship, Growing Disciples, and Connecting Communities.
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Strengths
The report highlighted that the Music Department at the cathedral has significant
strengths, including:
A strong and long tradition of performing choral music to a high standard;
A healthy team of talented and dedicated musicians;
A good standard of choral music consistently performed on a weekly basis;
A desire to move forward and positively develop the cathedral’s musical tradition with confidence and creativity.
Challenges
The report also highlighted that the Music Department at the cathedral currently faces
some challenges, including:
The retention of choristers, deputies and lay clerks (pay rates, vocal coaching,
opportunities)- the turnover of choir members is fairly high;
The depth of resources required to meet singing commitments (rotas, team size and mix) – and the ability of the music budget to realistically resource the
desired standard and scope of music at the cathedral;
The comparative limitations of rehearsal time available due primarily to the
lack of a choir school;
The challenge of how to better engage with a mixed economy of worship and music styles which represent the cathedral community and city more broadly;
A limited historical ability to attract and retain social diversity (partnership
working).
Opportunities
The report suggests that the following opportunities present themselves for the future:
The ability to play a larger and wider role within the diocese (making links outwards) – including a role in other diocesan churches and contexts.
Embryonic work in this area has already begun with choir exchanges and visits.
The potential to build on the boys’ and girls’ choirs – widening the net
(including a greater outreach to schools and churches). Recruitment is possibly
the strongest it has been in many years, and this could be built upon.
Exploring other genres (possibly as distinct delivery opportunities rather than mixing a number of genres within one service); there is some desire to explore
alternatives to choral music for various contexts and occasions.
Developing participative engagement in cathedral music (through, for example,
congregational singing, workshops).
Developing wider partnership working, with particular emphasis on collaborative partnerships with other music groups across the city and region,
both sacred and secular.
Using music as a tool to create inter-faith dialogue. This could be particularly
exciting and fruitful in a diverse a context as Birmingham city centre.
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What next?
The appointment of a new Head of Music presents an opportunity to build on the strengths
of the past, embrace Birmingham and where it is now musically, and develop music for the
future within the wider context of cathedral priorities
To that end it is the opinion of the Cathedral Chapter that the new Head of Music should:
- Maintain the choral tradition and excellence of Birmingham Cathedral;
- Uphold the standards for which we are recognised and regarded across the city and region;
- Recognise the role of cathedral music in delivering the wider cathedral strategy;
- Have a broad vision of choir in the city and how creative and enterprising partnerships can be established;
- Stretch and surprise us.
Five initial action points to consider
1. Enhance the cathedral’s relationships with schools in the diocese and broaden
recruitment to reflect a more representative mix of socio-economic contexts;
2. Develop the musical resources available to deliver services and events of a different
musical emphasis, perhaps with a broader use of instruments and more contemporary
artistic styles;
3. Initiate the building of creative and sustainable partnerships with other large musical
organisations and institutions in the city;
4. Explore issues around choir retention; examine how this can be improved and how
consistency in delivery can be achieved on a long-term basis;
5. To identify ways in which the cathedral’s music and choirs can be used creatively as a
resource-generating asset to enable some level of financial self-sufficiency within the
department.
The new Head of Music needs to be a first-rate musician with strong leadership
qualities. They will need to bring creativity and imagination to the role and an
openness to team working. This is a unique context which holds the potential to
be a particularly rewarding, creative and innovative role for the right person.