the author a ub k · h. shirai. he also learned philippine arnis, kobudo and nihon jujutsu. during...

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KOBUDO SAI-JUTSU Sai-Jutsu is one of the traditional Japanese martial arts. This special martial art has its origin on the Ryu Kyu islands of Okinawa. In this book, the beginner will find a systematic introduction into the basics of Sai-Jutsu fighting techniques. The advanced student will get important insights into training instructions and will learn detailed patterns of traditional forms, the Kata, which are not well-known. Some of the most important correlations of historical development are discussed. Several famous Okinawan Masters are introduced in this book. The contents of Kobudo Sai-Jutsu are based on the experience which the author gained during numerous studies in Japan and on the island of Okinawa. Therefore authentic Kobudo is presented in this book, originating from the roots of real Japanese martial arts. Helmut Kogel learned a modern system of Karate fighting combinations with a western point of view in the beginning of training. Lateron Kogel began with Shotokan Karate and became a student of A. Nagai, W. Vovcak and P. Bürger. He trained under H. Kanazawa, H. Nishiyama, Ikio Higushi, Kazuo Sakai and H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa, he became experienced in several martial arts. Under the guidance of Japanese grandmasters he achieved the degree of 5th Dan in Karate Renshi, 5th Dan in Kobudo and 2nd Dan in Nihon Jujutsu. THE BOOK THE AUTHOR www.m-m-sports.com $ 19.95 US/£ 14.95/ f 19.95 ISBN 978-1-84126-245-1

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Page 1: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

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UU Sai-Jutsu is one of the traditional Japanese martial arts. This special martial arthas its origin on the Ryu Kyu islands of Okinawa. In this book, the beginner will find a systematic introduction into the basics ofSai-Jutsu fighting techniques. The advanced student will get important insightsinto training instructions and will learn detailed patterns of traditional forms,the Kata, which are not well-known. Some of the most important correlationsof historical development are discussed. Several famous Okinawan Mastersare introduced in this book.

The contents of Kobudo Sai-Jutsu are based on the experience which the author gained during numerous studies in Japan and on the island of Okinawa.Therefore authentic Kobudo is presented in this book, originating from theroots of real Japanese martial arts.

Helmut Kogel learned a modern system of Karate fighting combinations with a western point of view in the beginning of training. Lateron Kogel began with Shotokan Karate and became a student of A. Nagai, W. Vovcak and P. Bürger.He trained under H. Kanazawa, H. Nishiyama, Ikio Higushi, Kazuo Sakai and H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu.

During several studies in Japan, especially in the Dojo of Tetsuhiro Hokamain Okinawa, he became experienced in several martial arts. Under theguidance of Japanese grandmasters he achieved the degree of 5th Dan inKarate Renshi, 5th Dan in Kobudo and 2nd Dan in Nihon Jujutsu.

THE BOOK

THE AUTHOR

www.m-m-sports.com$ 19.95 US/£ 14.95/ff 19.95

ISBN 978-1-84126-245-1

Kobudo Sai Jutsu Umschlag 09.05.2008 10:22 Uhr Seite 1

Page 2: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

Kobudo

Sai-Jutsu

Kobudo Sai Jutsu I (1-84) 15.05.2008 14:24 Uhr Seite 1

Page 3: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

WarningThe techniques described in this book and the techniques of any martial art are

dangerous. You have to train under the supervision of an expert. Please use caution

when handling with any weapons and consult a qualified teacher. Please use

restraint when practicing techniques described in this book. Neither the author nor

the publishers of this book are responsible for the results of your choice to practice

these techniques. Please respect the law and order of your country.

Kobudo Sai Jutsu I (1-84) 15.05.2008 14:24 Uhr Seite 2

Page 4: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

Helmut Kogel

KOBUDOSAI-JUTSU

Technique – Training – Kata

Meyer & Meyer Sport

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Page 5: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

Kobudo – Sai-JutsuHelmut Kogel

Maidenhead: Meyer & Meyer Sport (UK) Ltd., 2009

ISBN: 978-1-84126-245-1

All rights reserved. Except for use in a review, no part of this publication may be reproduced,

stored in a retrieval system, or transmitted, in any form or by any means now known or here-

after invented without the prior written permission of the publisher.

This book may not be lent, resold, hired out or otherwise disposed of by way of trade in any form, binding

or cover other than that which is published, without the prior written consent of the publisher.

© 2009 by Meyer & Meyer Sport (UK) Ltd.

Aachen, Adelaide, Auckland, Budapest, Cape Town, Graz, Indianapolis,

Maidenhead, New York, Olten (CH), Singapore, Toronto

Member of the World

Sport Publishers' Association (WSPA)

www.w-s-p-a.org

Printed by: B.O.S.S Druck und Medien GmbH

ISBN: 978-1-84126-245-1

E-Mail: [email protected]

www.m-m-sports.com

Kobudo Sai Jutsu I (1-84) 15.05.2008 14:24 Uhr Seite 4

Page 6: THE AUTHOR A UB K · H. Shirai. He also learned Philippine Arnis, Kobudo and Nihon Jujutsu. During several studies in Japan, especially in the Dojo of Tetsuhiro Hokama in Okinawa,

CONTENTSPreface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8Acknowledgements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

A General Part: History and Background . . . . . .12

1 The Origin of the Sai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .132 Okinawa’s Kobudo Masters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .163 Anatomy of the Sai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .234 Movement Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .265 Basic Tactical Principles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .316 Basic Rules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Holds (Mochi) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37Etiquette (Re, Yoi, Hajime, Naore) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

B Special Part: Techniques and Forms . . . . . . . . . . . .44

1 Basic Techniques I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45Stance (Dachi) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46Blocks (Uke) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .54Strikes (Uchi) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64Thrusts (Tsuki) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .74Lunge Punch (Nuki Tsuki) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .76Hooks (Hikkakeri) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80Special Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84

(Hijate) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84

Throws and leverage (Nage Waza, Tuite) . . . . . . . . . . . . . . . . . . . . . . .85

2 Basic Techniques II . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .88Combinations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .90

3 Special Techniques with Partner III . . . . . . . . . . . . . . . . . . . . . . . . . . .96Basic Kumite with Partner (Kihon Kumite) . . . . . . . . . . . . . . . . . . . . . .97

4 The Sai Kata (Forms) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108

Closing Remarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .125Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .127

5

Contents

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