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The Arts Live Advisory Board Ron ThomasGraduated from The Art Institute of Chicago {BFA]; Indiana University [MS]; SIU-E [MFA]. Began the Sculpture and Painting Department at St. Louis Community College @ Meramec and also taught 2D @ 3D Design, Drawing and Figure Drawing and Advanced Special Problems courses. Retired after 40 years. Solo exhibitions at St. Louis Art Museum, Laumeier Sculpture Gallery, The Art Foundry in St Charles and other galleries. Winner of The National Endowment for the Arts for “Excellence in Draw-ing”. Currently experimenting with oils on wood and traveling with artist-wife Harriet to museums and art galleries through U.S. and Canada.Email: Ronwthomas@aol.com

Bryan HaynesThe commercial work of the artist has graced the pages of national magazines, international advertis-ing campaigns, CD covers, posters, and book covers from Agatha Christie to the cover of “Scarlett” the sequel to “Gone With the Wind”. Since graduating of the Art Center College of Design in 1983 his artwork has been represented by Bernstein & Andriulli in New York, Ron Sweet in San Francisco, and Foster Represents in St. Louis. Recent corporate and institutional commissions include murals and large scale paintings for; The Kauffman Foundation in Kansas City, The Missouri Botanical Garden’s permanent collection, The Westward Expansion Memorial Museum at the Arch, Novus International Inc., and the Danforth Plant Science Center. Additional patrons include Disney, Estee Lauder, Warner Bros., Toblerone –Switzerland, Universal Studios, IBM, Nike, Sony Music Corp., and Anhueser Busch.www.artbybryanhaynes.com artbybry@aol.com

Vic BarrI design and work with the North American and exotic hardwoods of the world. I create contemporary jewelry chests and towers. I hand turn a lot of writing instruments, pens and pencils. I’ve begun to do some contemporary table-top sculptural pieces. I design custom pieces to meet the needs of individual clients.Email: VicBarr@sbcglobal.net

Sandy KoldeAfter retiring from a long professional career in health care I now devote my life to art, which has always been a vital interest of mine. I have taken many classes at the Craft Alliance, as well as work-shops at Penland School of Fine Craft and Arrowmont. Contemporary ceramic figurative sculpture is my focus and these sculptures have recently been shown in exhibits at William Woods University, and the St. Charles Arts Council. I have served on Boards of Directors of several arts organizations and believe strongly that art contributes to the quality of life for all who are interested in either viewing art as a patron or producing art themselves.Email: sandykolde@charter.net

Adam LongAdam Long is a nationally known sculptor in St. Charles, Missouri. Educated in the St. Louis region he has an MFA in Sculpture from Fontbonne University. He has been an art educator for over fifteen years, working in public middle and high schools and the university level. Locally, his work has been featured in articles in the St. Louis Post-Dispatch, Street Scape Magazine, Suburban Journals Weekend, At Home: St. Louis Magazine, the St. Charles County Post, and LifeScape Magazine and shown on the FOX, CBS, and PBS network affiliates. He has exhibited across the region, including shows at the Arts Incubator of Kansas City, the Schmidt Art Center at Southwestern Illinois College, the Baker Arts Center in Kansas, the Foundry Art Center in St. Charles, the O’Fallon Cultural Arts Center, and the St. Louis Artists’ Guild. His sculptures have received prizes and cash awards in numerous juried exhibitions. His work is in many private, national collections. His work can be viewed at www.AdamLongSculpture.com

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Welcome!The Arts Live connecting and supporting artists, established database, producing an informative goingoutguide sent out twice a month, with a listing of art openings, performances, art happen-ings. The Arts Live Magazine is published 4 times a year digital full color online interactive maga-zine featuring artist, Galleries, and museums.

The primary role of the Arts live will always be to celebrate and support the extraordinary achievements of the arts, artists, galleries, museums and the performing arts.

Arts and culture are part of a broader creative economy and to make an important contribution of economic growth and cultural tourism.

For more information, please contact us at 314.910.0764.

Contact us at 314.910.0764. Joyce Rosen, Founder and publisher of “The Arts Live” jrosen@theartslive.com www.theartslive.com Click Here to subscribe: www.theartslive.com/magazine

The Art of GivingYour contribution will be acknowledged on our web site sponsor page and listing page on the Arts Live magazine. Your contribution will vastly enable The Arts Live to continue and expand our coverage of artists, galleries, performance arts and art organizations in the State of Missouri.

Click here Advertise Rates PDFClick here-Connect with Contact page other ways to support The Arts Live

The Arts Live Magazine is published 4 times a year.Issue magazine is the fastest growing digital publishing platform in the world, but also a very popular destination site where people are engaging with the web’s best publications and where publishers build their audience. Issue is read by national and international audiences. Issue The Arts Live 20,212, Market Volt- going out guide and Magazine. Average readership 18,000. Average Net Circulation 38,212

EDITORSLETTEROn-Line Publication

Publisher and Editor Joyce Rosen

Design The Design Company

Sandy Ferrario

Editorial Assistants Sandra Kolde

Advertising Sales

Digital-Media Direct Sandra Kolde

Photography Marion Noll

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Published 4 times per year, Spring, Summer, Fall, Winter

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Summer2014 ContentsFEATURESStudio VisitsOur goal is encouraging the public to meet artist, see new work, make purchases and nurture potential new collectors. Increase access for the public to see work and meet artists, Interviews with contemporary Artists’ working across the United States in a variety of media, painting, Sculpture, fiber, ceramics and photography.

Allen Kreighauser 6James Scott Morrison 16Patti Gabriel 26Kathryn Fehlig 30

Art View – Catching up with Harry Weber,Victor Wang, Carol Fleming Marks 34

Art Festivals 2014 35

Missouri Galleries & Museum 38

The Arts Live 40

Advisory Board Is made up of artists, persons of knowledge experience and judgment who have an inter-est in the arts. Ron Thomas, Bryan Haynes, Vic Barr, Adam Long and Sandy Kolde

IN EVERY ISSUE

Dialog with Us An open forum on contemporary

art and culture.

Cover Allen Kreighauser

STUDIOVISITS AllenKriegshauser

AllenKriegshauser

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Previous page: TowerGrove Lilies Off to the Side oil 12x24b Left: Down Main St. to the Mississippi Louisiana MO oil 11x14

Right: Allen Kriegshauser‘s studio

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What are your personal goals as an artist?A. I consciously strive to become a more intuitive artist and to improve my technical skills in order to create a sense and feel of reality through an abstract expression using oil paint.

Q. Do you collect art?A. Yes, mostly my own by default. I’ve been slowly acquiring a modest, but cred-ible collection of terrific fellow contempo-rary artists. However, budget constraints limit most acquisitions to bartering paint-ings between me and the other artists. I really need to be more aggressive about bartering because there is so much more art from fellow artists that I would like on my walls.

Q. How do you cultivate your patrons/clientele? A. I have been working for well over 5 years slowly inserting myself in the public consciousness by regular posts to my Facebook, blogspot and website pages. However, it’s a thin line between self pro-motion and self ingratiating behavior. It’s a balancing act between posting enough and too much. The images should be worthy of viewing, have some instructional value or have some kind of narrative. I frequently

post 3 progression shots at rough in and mid-painting followed by the completed work. This allows the viewer to participate in the creation. After all, painting should provide entertainment value to the viewer. In recent years I have acquired most patrons and workshop students by regu-larly competing in plein air competitions. Competing has given me a wider audience both in and out of state along with opportu-nity to access some incredible locations not generally accessible to the public. Gallery shows along with receptions are becoming progressively more produc-tive for me. I have been lucky enough to participate both in both solo and group shows several times a year. With rare exception will I display at art fairs.

Q. Do you have a Favorite Subject Matter? A. I prefer light contrast natural light and shadow. Pretty much any subject can pro-vide me an excuse to paint.

Q. What inspires and motivates you?A. Color, light, solid drawing, texture and some money in the bank. Then life is good!

Q. How has your work changed as you developed as an artist?A. I continue to develop much better

Previous page: King Harbor At Sunset, Redondo Beach, CA, Oil 9x12Left: Down Main St. to the Mississippi, Louisiana, MO 2013 Oil 11x14

Right: Crooked Creek 2014 Oil 16x20

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technical skills in order to translate my 3D visual experience to a 2D surface. I challenge myself each time I paint by not choosing an easy subject or composition. I’m not out to play it safe. I always say “Go big or go home”. As a painter you should have control of the painting. The painting shouldn’t control you or the outcome. As soon as you give up control of the painting by trying to chase a safe translation of real-ity then it’s “game over”. Lately I am leaning more towards a more abstract vision at the far extreme of figurative painting. I frequently say to my workshop students “Don’t let reality get in your way - it just an excuse to deliver color and texture.”

Q. Studio Space where is it and describe your studio what is it like. Do you work in your studio every day? A. I primarily paint direct from life at either a landscape location or at a live model session at various studios around town. I paint from 4–7 days a week. I have 2 studios connected to my house. One was just recently completed on the 2nd floor that has great nature light.

This affords me the opportunity to paint indoors and hold workshops even during bad weather. My previous studio now serves now mostly as a workshop and painting warehouse/display rather a place to paint.

Allen Kriegshauser—Artist Statement

A plain air painter striving to create light through color

I am a St. Louis native, Kirkwood, MO resident, son of an architect/water color-ist father and a mother who was a master tailor. I am a graduate of the Kansas City Art Institute (KCAI) majoring in painting with a minor in print making. When I attended KCAI, the painting de-partment was grounded in impressionist sensibilities requiring the ability to draw and handle color. Fortunately, prior to KCAI, I had a very influential professor of composition who taught me that an artist has the inherent responsibility to entertain the viewer.

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My goals as an artist are . . .. . . to be an intuitive painter “from eye to hand by-passing the brain”.. . . to poke the viewer in the eye.. . . to make my colors play well together on the same plane.. . . to lead the viewer into a 2-dimensional space to place and time called the painting zone.

To these ends I strive.

Left: Old Brown Stone on Mississippi Ave. Lafayette Sq. 2014 Oil 8x10 Right: Richard Garey as MarkTwain Oil 30x24

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STUDIOVISITS

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James Scott Morrison

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Previous page: 4 Canoes at Kanuga 2011! ! watercolor 20 X 29 Above: St. Charles Main Street 1992,watercolor,16 X 22

Right: Flea Market Man

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Q. When did you first realize you were an artist?A. When I was about 6-7. My father then was a syndicated sports comic strip artist. When he was doing his work, he gave me a brush and paper and I drew along with him. We had great times together.

Q. Describe your art and artistic processA. I am always making trips looking for potential subjects to paint. I take my cam-era, a Cannon EOS Rebel, a sketch book and my iPad-yes iPad. I have a program called “My Brushes” which is excellent. It blows my mind what I can do with the iPad, not only on trips looking for paintingsubjects but in the classes I teach. When I am home I look at what images I have. I look at how they might work from a com-position stand point. I pick the ones that I think will work. I look for color, light, shapes and patterns. I use Photoshop. I can correct the colors to what I rememberor to something that I think may have more potential. With the new Photoshop CC which is available along with Lightroom from Adobe Creative Cloud for about $10 per month. I can do so many things. I do not use all of the capabilities. I don’t have the time nor the desire to learn all the capabili-ties. But it gives me so much more creative capability. Let’s say in one of my images that I like has some people that could make an interesting composition. But they are not grouped as I would like. I can take one

person and move him/her to the other side and flip them so that they are facing the way I want by using Photoshop. If there is a telephone pole or car that I don’t like and can remove with a couple of strokes and the program fills in the gap as though there was nothing there in the first place. It helps me to create in ways that I did not have available before, and it lets me see so much more about different possible compositions. Then I do my drawings. And even there, I sometimes go to Photoshopand their “filters’ for help in getting quick rough drawings. This can save me three to four days of drawing time and that is now man-hours available for the painting.

Q. What are your personal goals as and artists?A. Always keep learning. Take risks. Try something new. Always want to improve and move to the next level. And do this knowing that you always need that chal-lenge. If you feel comfortable where you are, then you will soon become stale. If it doesn’t work when you are trying newthings, then you have learned something. Mark Twain once said, “Learning comes from the experiences that we get from our mistakes. You just hope that you don’t get too much learning.”

Q. Do you collect art?Only my own because it is not selling as fast as I would like.

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Q. How do you cultivate your patrons/cliental?A. I send them notices of my most recent paintings, latest awards or upcoming shows and sometimes I have donated a painting for one of their causes. I give demonstra-tions to groups and organizations to intro-duce me to them.

Q. Current medium?A. Watercolor in a realist style which is unusual for watercolor generally.

Q. Do you have a favorite subject matter?A. I have two. The first is the area where I live which is Western North Carolina. It is what I know, and if you paint what you know the chances are better that the paint-ing will turn out well. My second favorite subject is military aviation. Since I was a pilot in the USAF and I sold F-18 forMCDonnell Douglas [Now Boeing] I know aircraft. I do my military art for the military people for nothing because it is my way of saying thank you for what you are doing. I was appointed by the Office of the Secre-tary of the Air Force to the Air Force Art Program which is now on hold due tobudget cuts. We [the artists] spent time with

units, and, because I used to fly, I often got to fly with them on training missions. I met some of the greatest young kids that you can imagine. We had to provide the USAF with at least one painting for each visit. I usually did 5.

Q. Have you been influenced by what artist and why?A. First, Joe Fettingus, who gives regular workshops across the country, gave two workshops here in North Carolina and he got me to painting people. His two work-shops and my high school classes are the full extent of my formal training. But the ones that I try to emulate are Dean Mitchell, Andrew Wyeth, Mary White, Winslow Homer, James Twogood and John Sal-minen. I am a realist in my style as are they generally. I try to see how they simplify a composition. I look at what and how they use color. I look at how they create texture. I guess I just look very intently at all they do and I want to know why and how they do it that way.

Q. What inspires and motivates you.A. Look, I am halfway through my 85th year. There is not a lot of sand left in the

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Above: Ashville Pack Square musicians, 2012, watercolor, 16 X 25Left: Blue Grass, 2013, watercolor, 16 X 20

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hour glass. I am not going to waste it. There is too much to do. If I can create something that brings joy to someone then I have succeeded a little. I also have a slight ego. I say that I wear a size 23 hat and a size 3 collar. I just want to do the best that I can in anything I try. I love teaching. There is no greater feeling than seeing the light come on in a student. And there is tremendous therapeu-tic value in art. I think that I have had every surgery known to man, and I am in 22nd year with prostate cancer. When I think I might be moving to a sinking spell I go into my studio and start painting and in about an hour I am feeling good. I have students that come in and are having a problem with say a mother or father in a nursing home and they are totally stressed. But by the end of class you can almost hear the air coming out of them as they are relaxed from that moment with art. My goal is to make to 100, be a much better artist and I don’t see any reason why it won’t happen.

Q. How has your work changed as you developed as an artist?A. I started reactivated interest in art when I was 34 and had just had a heart attack. My father also a watercolorist, came back to visit me because he was one up on me with two heart attacks. He said you are spending too much time thinking about yourself, and he took me down to the Art Mart in St Louis where we bought art sup-plies. Then we went down and painted for three days on the Mississippi River. After that I was hooked on watercolor. Then my wife’s daughter gave me some acrylic inks and I began to work with those. They were a unique medium for detailed ink drawings. But they were extremely time consuming to produce a decent art work. I went back to watercolor. I started with a loose style. But when I started doing the military art, I be-gan to move to the tighter realism. And that is where I am now. I was recently selected for the International Guild of Realism.

Q. What interests do you have besides art?

Right: Ponte Vecchio, 2003, water-color, 26 X 19

Left: Cane Creek

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Above: South Fork of Mills River, 2013, watercolor ,12 X 16

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A. The Carolina Panthers NFL team and whatever else my wife tells me I like.

Q. Studio space where is it and what is it like?A. I have to thank my wife for my studio. She was looking for a new home after we moved here. She found this home that was listed as three bedrooms. But I think they cheated a little on that third bedroom. It has a full bath [great for a watercolorist] and walk-in closet. I have no idea where the bed would have gone. It faces Northwest. It has two sides of the room facing the outside, and they are filled with two extra large sliding glass doors; so there is plenty of light.The closet gives me outstanding storage space. One thing that I did was to take some of the skirt hangars that my wife formerly used, and I clipped my drawing pads, tracing paper, sketching papers pastel papers, etc. and hung them on the clothes rod. Much more effective in finding what I want. I have an extra art table in the studio that I use when I am doing two paintings at the same time, or I use for one on one student training.

Q. Do you work in your studio every day?A. Generally yes. I usually get a minimum 6 hours per day in the studio. But then my wife and I have days when we go out and do things.

Q. What do you do for fun?A. Well first, the art is terrific fun. But in this area there is just so much to do. We are in the mountains. WE don’t have muggy summers. We don’t have tornados. It is very rare that a hurricane gets this far in-land. Asheville is only 18 miles away, and I call Asheville San Francisco East. There is just so much here and nearby that you never want for something to do for theday. And the town where is live is wonder-ful. It is Hendersonville NC. USA Today about three months ago rated it #1 for the ten best places to retire in the US that “No-body has ever heard of.”

Q. What kind of music do you listen to while your creating?A. I listen to a little bit of everything but tend toward the classical and Jesse Cook guitar. Q. Did your family have any influence on your decision to become an artist?A. Very definitely yes. First was my father.

He had always wanted to be an artist but his father said absolutely no way. He went to Stanford an got a degree in Electrical Engineering. Shortly after graduation he married. Then they had my twin sister and me. This was in the middle of the great depression. About two weeks after we were born, my father got hit by a Greyhound bus and it broke both of his legs. He lost his job. He started drawing cartoons on cock-tail glasses and Gumps - a big department store in San Francisco- bought them. That launched him on a career as a syndicated cartoonist. He always encouraged me in art. Second, and maybe the most important, was my wife. I told here that I would like to take early retirement and become an art-ist and she said, “Go for it.”

Q. Why does the world need art?A. First, art stimulates our thinking. But I often find myself looking at art in a more parochial sense. I have done some research studies on the economical and social value of art when I was involved in the Mosaics Festival in St Charles, MO and later as a member of local arts councils. It contrib-utes to the local businesses when people come to see local exhibitions and art fairs. People spend money for food and lodg-ings. We found that our annual three day art festival that we had in Hendersonville generated several 100 thousands of dollars to the local economy because it brought several hundred visitors from the SC, TN, GA and the eastern part of the state. Studies have shown that kids with four years of art in high school have higher SAT’s, lesstruancy and greater interaction with other students. BMW stated that the availability of the arts in Greenville, SC was a major factor in its selection of that location for its US manufacturing. That had a huge impact on the economy in that state. And I know that there is tremendous therapeutic value in arts.

James Scott Morrison—Artist Statement

Mine is not long. My artist statement is “I have no political, environmental or social message to any of my paintings. I paint what I like and I hope that others enjoy.”

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STUDIOVISITS

Patti Gabriel

Q. When did you first realize you were an artist? A. I had an early interest in drawing, but was rather discouraged and quickly moved to what came easily which was sports. I have a lot of physical energy, so I think it would have been hard to actually sit and work on art when I was a lot younger. I did not become interested in art and photography until college where I took fine art photography under Oliver Schuchard, a mentor and friend to this day.

Q. Describe your art and artistic process? A. All of my personal and commercial work involves people. Over the past 5 years I’ve spent time in both Haiti and India working-Capturing the essence of what is happening in real time is what I love most. When we are open to accepting whatever is revealed, it comes more easily.

Q. What are your personal goals as and artists? A. I am circling back to traditional photographic processes and re-examining the portrait. To simplify and get the essence is the goal.

Q. Do you collect art? A. I don’t have a big collection of art but what I do have is from people that I know and who’s work I admire.

Q. How do you cultivate your patrons/cliental? A. I still find referrals to be the majority of my business. Re-cent shows both at the Sheldon and currently at the International Photography Hall of Fame are giving me a chance to meet new people and good exposure.

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29Sunset in Zimbabwe

Q. Current Medium? A. photography

Q. Do you have a Favorite Subject Matter? People as well as a renewed interest in intimate depictions of more organic forms such as plants & flowers.

Q. Have you been Influenced by what artist and how? A. I’ve always been drawn to the photographers from the days of 30’s and 40’s during the Farm Security Administration -Dorothea Lange and Gordon Parks to name several, but also to Imogen Cun-ningham’s work and life. Cunningham had to balance work, and family which is quite challenging, but she always made time for the creative side of her photography.

Q. Studio Space where is it and describe your studio what is it like. A. I renovated a small building that was a bakery in Clifton Heights, a wonderful little wedge in South City just west of the Hill. Work space is downstairs and I live up-it’s a fantastic set-up.

Q. Do you work in your studio every day? A. I’m either in the studio shooting a portrait or working on post production—-or on location. I find the variety of work interesting and move comfortably between portrait work, wedding photography, and commercial work primarily in the health care field. The common thread in all is a desire to portray people not only creatively but as who they really are, without pretension or overly stylized feel.

Q. What do you do for fun? A. I love to cycle - getting away even for a long day of riding is how I relax. Nature is powerful and so rejuvenating . I have been taking Tai Chi for the past 3 years and this practice influences my daily life and attitude more and more. I am so happy to have found it.

Q. What kind of music do you listen to while creating? A. There isn’t much I don’t enjoy to be honest, as long as it’s loud - anything from blues to opera, but having grown up in the 60s and 70s, the music of that time is hard to beat

Birthplace Born and raised in St. Louis

Current Home Clifton Heights Mo

Price Range of your work: too hard to slot this b/c I do mostly com-missions currently—-

Patti GabrielArtists Statement:

People are what really interest me. I find myself drawn to situations and places where I can explore and become part of the subjects world if only for a little while. The camera is a way in……a vehicle for exploration, both of the subject at hand and of oneself. There is a never-ending challenge to simplify, to get to the essence.

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Kathryn Fehlig

STUDIOVISITS

he first time I thought of myself as an artist was in Mrs.Giles’ fifth grade class at Mary Queen of Peace school in Webster Groves. My family had just moved to St. Louis from Montana. After that I drew lots of horses and worked in pencil, ink, pastel and watercolor. By college age I was studying art for four years and 2 years of graduate school in Indiana and Wis-consin. I studied drawing, oil painting, printmaking, photography and ceramics. It was the 60s so I was only allowed to create abstract expressionism. No more horses.

In 1968 I moved back to my home town of Helena, Montana where I briefly taught art in public school and thereafter quit painting. Abstract art was not valued in Montana at the time, so I temporarily gave up. But I owned and trained show horses and that triggered my artistic sensibility. I bought myself a good set of Rem-brandt pastels and traveled around the state showing my horses and selling my horse image art for about ten years.

After divorce and losing my horses, I studied graphic design and eventually went to work in that field. Upon retirement I started painting again, but this time I painted the landscape (and occasional horses). It was 2003 and pastel was becoming popular after a century of neglect. I added to my pastels, took a few workshops and have been at it ever since. I’ve managed to achieve signature membership in the Pastel Society of America and the Northwest Pastel Society and have garnered my share of awards in juried national/interna-tional shows. I’ve also added acrylic paints to my preferred mediums in the last few years.

Landscape painters in Montana are usually considered “western artists” even without the cowboys and indians. My background is so diverse that I’m not sure where I fit in. I have an abiding love for expressive and painterly strokes and good abstract design qualities. There are quite a few artists that I admire and have studied under including Richard McKinley, Carolyn Anderson, and Colleen Howe Bleinberger.

T

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I am forever inspired by the landscape, something Montana has in abundance. Even during lean times I compulsively paint or design something, anything. My small yard is overrun by colorful flowers in the warm months. All my windows that don’t open are stained glass. I design my ads and website. I cook and sew and take care of my dachshund, Scout.

My studio is in my daylight basement -- not exactly a showplace but I work in it almost every day. Painting and designing, photo trips, walking my dog, interacting with and reading about artists are my ideas of fun. My favorite music is classical and 60s folk---I think iTunes and iPods are miraculous.

My immediate family had no history or experience in the art field and were not too encouraging. But beauty and order are fundamen-tal to my existence. I’m not a political painter nor do I relate to the edgy aesthetic or the dramatic self promotion that permeate the modern art world. I will always paint what I consider beautiful and interesting in this beleaguered world whether it’s popular or not. It’s an high honor if anyone else agrees with my vision.

Kathryn FehligArtists Statement:

This planet is an incredibly beautiful place. I’m fascinated by trees, water, landforms, rocks, sunlight and all the plants and animals that live here with their beautiful colors and forms. If I can create a two-dimensional image in paint, pastel or pencil that speaks of these remarkable things in an compelling and attractive manner, then I’m happy---I also love painting marks and color for their own sake.

Born in Helena, Montana 1944

Lived in St. Louis between 1955 and 1968. (My father, Gene Fehlig, was from an old St. Louis family.)

Currently reside in Helena, Montana

Price range of my work: $200 to $2400

Galleries:Birds & Beasleys Gallery, Helena, Montana

Latigo & Lace Gallery, Augusta, Montana

website: www.fehligdesign.com

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Contemporary Art Museum St. Louis 3750 Washington Blvd. St. Louis, Mo. 63108 314.535.4660 http://www.camstl.org

Holocaust Museum & Learning Center 12 Millstone Campus Dr. St. Louis, MO 63146Phone: (314) 432-0020 www.hmlc.org Photographs, artifacts and audio-visual displays. Resource library and oral history archives. Self-guided audio tour. FREE.

International Photography Hall of Fame and Museum 3415 Olive St. Louis , MO 63103 (314. 535-1999 www.iphf.org

Preserves, promotes and educates on the history of photography through exhibitions, programs and community outreach www.gslaa.org

Arts and its culture are part of our creative economy and

they make an important contribution to economic growth and tourism in the area by promoting the arts.

Saint Louis Art Museum One Fine Arts Drive, Forest Park, St. Louis, Mo 63110 314.721.0071 http://www.slam.org

July, 2014 – February 22, 2015 “Facets of the Three Jewels”

The Art Institute of Chicago111 S. Michigan Ave. Chicago, Il 60603 http://www.artic.edu/exhibitions

July 19- October 5, 2014 -Onchi Koshiro: The Abstract Prints The Nelson–Atkins Museum of Art 4525 Oak Street, Kansas City, Mo 64111

July 2 2014-February 22, 2015 -Highlights from the Collection of the National Museum of Toys and Minatures

Touch Stone Gallery 901 New York Avenue, NW Washington, DC MINISolos@Touchstone

August 1-August 31, 201438 Guest Artists- Including John A. Schaffner, and J. Luray Schaffner Opening Reception Friday, August 1, 2014 6-8:30

ARTVIEW

What is Happening in Your Art World

Luray SchaffnerJohn A. Schaffner

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..................................UPHarry Weber.......... Among other things, earlier this year we moved the state of Lewis and Clark form the Riverfront for restoration after spend-ing eight years in a semi submerged state near the Eads bridge, It will be returned to the Riverfront near the North leg of the Arch in 2015 when the project there is complete. I also completed a maquette for a statue of W C Handy that will become a life sized piece near the new St. Louis Blues Museum on Washington Ave in 2015 The large project this year is a statue of Bill Bradley as a College basketball player to be installed this fall on the campus of Princeton University. this picture shows the finished clay. It is presently being cast at Ad Astra foundry in Lawrence KS. And, just last week we were awarded the commission to do a horse and dog Sculpture for the city of Town and Coun-try. This picture is of the Maquette.

Carol Fleming Marks..... Current news and arts from Studio Terra Nova in Ladue: Updated website- www.car-olfleming.com Started on a water fountain with a five foot tall column for a residence. Recent Projects installed 3 eggs, Begin-nings in Webster Grove, Gore and Kirkam, sculpture garden.. Richmond Height home got a custom Flame Column this May. Artist had a solo installation show at Coca Febru-ary to May, 2014 with four living Bridge Columns. These 8 feet tall columns are available for purchase.

Victor Wang..........Victor is currently working on upcoming solo exhibition at Atrium Gallery, 4814 Washington Ave., St. Louis, Mo. Novem-ber 7 through December 31, 2014, Opening Reception Friday, November, 7, 6-8 pm.My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant re-minder of where I came from. The texture and earthiness on the canvas’s surface are

inspired by the texture of the soil on the farm where I worked in China.

CATCHINGwith

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August 29,30,31 2014Fall Art Fair at Queeny Park

Friday 6-9 Saturday 10-6 Sunday 11-4http://gslaa.org 314.889.0433

September 5 - 7, 2014The Saint Louis Art Fair

Clayton, Missouri For more information: 314.863.0278

http://www.saintlouisartfair.com

September 6 & 7, 2014Cedarhurst Craft Fair, Mt Vernon Illinois www.cedarhurst.org 618.242.1236

Saturday and Sunday 10am-5pm

September 19 -21, 2014Mosaics Missouri Festival for the Arts 20th Annual

Friday 6-10 Saturday 11-10 Sunday 12-5230 North Main, St. Charles, Missouri 63301

For more information:636.946.3433http://www.stcharlesmosaics.org

September 19 - 21, 2014Plaza Art Fair Country Club Plaza 80th

Annual Friday 5-10, Saturday 10-10, Sunday 11-5Kansas City, Missouri 64112

For more information:www.countryclubplaza.com/events/plaza-art-fair

October 4 - 5, 2014Historic Shaw Art Fair

Saturday 9-5 Sunday 10-5St. Louis, Missouri

For more information: 314.771.3101 http://www.shawartfair@aol.com

2014

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We are constantly growing and changing to better serve our increasing number of visitors. Arts and culture are part of a broader creative economy and to make an important contribution of economic growth and cultural tourism. The primary role of the Arts Live will always be to celebrate and support the extraordinary achievements of the arts, artists, galleries, and museums.

The Arts play a vital role in the life and well-being of the community. They serve as a source of inspiration, enrichment and enlighten-ment to people of all ages. The Arts Live mission is to bring together the arts, artists and everyday people through exhibitions, educational programs. Your contribution will enable us to continue and expand our coverage of artists, galleries, performance, and art organizations.

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Art Patron — $250.00 — Art Benefactor — $500.00 - Art Sponsor — $1,000

Benefits You will receive the Arts Live goingoutguide, enhancing your experience in the arts; gallery openings, happenings, art festivals, on-go-ing exhibitions and performances. Spring, Summer, Fall, and Winter, The Arts Live Magazine, Web Site, Artist Database, Gallery, Festivals, and a membership listing. Use our PayPal on contact page- www.theartslive.com/contact or send check to Rosen & Associates, LLC “The Arts Live”, 200 South Brentwood, Ste.5B, St. Louis, Missouri 63105Email: jrosen@theartslive.com web site: www.theartslive.com T: 314-910-0764- F: 314-721-7880

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Readership”goingoutguide” The Arts Live Magazine readership 6,000 plus 20,212 Issuu National and International. 2013 Readership 38,212

The Arts LiveSUPPORT!

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MISSOURICape Girardeau

Edward Bernard Gallery 107 West Drive, Cape Girardeau, Missouri 63703 Tel 573.332.7733 www.edwardbernardgallery.com

Mozaic Art Studio #5 North Main, Cape Girardeau, Missouri Tel 573.339.9510 http://mozaicartstudio.com

Columbia

Columbia Art League 207 S. 9th St., Columbia, Mis-souri 65201 Tel 573.443.2131 Email:info@columbiaartleague.org

PS Gallery 1025 E. Walnut, Columbia, Mo 65201 Tel 573.442.4831 Email: info@perlow-stevensgallery.com

Hannibal

Hannibal Arts Council 105 S. Main Street, Hannibal, Mo 63401 573.221.6545 www.hannibalarts.com

Hannibal Alliance Art Gallery 112 N Main St., Hannibal, Mo 63401 573.221.2275 www.hanibalallianceartgallery.com

Kansas City

Nelson-Atkins Museum of Art 4525 Oak Street, Kansas City, Mo 64111 816.751.1278 http://www.nelson-atkins.org

Kansas City

Museum at Corinthian Hall 3218 Gladstone Blvd., Kansas City Mo 64123 816.483.8300 http://www.kansascitymuseum.org

Kirksville

Kirksville Arts Association 117 S. Franklin Street, Kirksville, Missouri 63501 660.665.0500 www.kirksvillearts.com

Parkville

Northland Exposure Artists’ Gallery 110 Main Street, Parkville, Mo 64152 816.746.6300 www.northlandartists.com

Saint Joseph

The Albrecht-Kemper Museum of Art 2818 Grderick Avenue, Saint Joseph, Missouri 64506 Tel 816.233.7003 http://albrecht-kemper.org

Saint Charles

Foundry Art Centre 520 North Main Center St. Charles 63301 636.255.0270 www.foundryartcentre.org

Framations Art Gallery 218 N. Main Street , St. Charles, 63301 636.724.8313http://www.framations.com

Gallery 501 at Art Glass Array 501 N. Kingshighway, St. Charles, 63301 636.724.0288 http://www.artglassarray.com

Missouri Artists on Main321 S. Main Street, St. Charles, Mo 63301636.724.1260

St. Louis

Art St. Louis 123 Pine StreetSt. Louis, Mo 63103 Tel 314.241.4810 www.artstlouis.org

Bonsack Gallery at John Burroughs School 755 South Price Road, St. Louis Mo 63124 Tel 34.993.4040 www.jburroughs.org

Bruno David Gallery 3721 Washington Blvd., St. Louis, Mo 63108 Tel 314.531.3030 www.brunodavidgallery.com

Coca 524 Trinity Ave. St. Louis, Mo 63130 http://www.cocastl.org

Chesterfield Arts www.chesterfieldarts.org

Atrium Gallery 3721 Washington Blvd., St. Louis, Mo 63108 Tel 314.531.3030 www.brunodavidgallery.com

Galleries & Museums

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MISSOURIContemporary Art Museum 3750 Washington Ave., St. Louis, Mo 63108 Tel 314.535.4660 www.contemporarystl.org

Componere Gallery 6509 Delmar Blvd. St. Louis, Mo 63130 Tel 314.721.1181 www.componere.co

Craft Alliance - Delmar 6640 Delmar Blvd. University City, Mo 63103 314.535.7528 www.craftalliance.org

Craft Alliance- Grand Center 501 North Grand Blvd. 63103 314.535.7528 www.craftalliance.org

Duane Reed Gallery 4729 McPherson Ave. St. Louis Mo 63108 314.361.4100 www.duanereedgallery.com

Gateway Gallery 21 North Bemiston, Clay-ton, Mo 63105 Tel 314. www.gatewaygallery.com

Greenberg Van Doren Gallery 3540 Washington Avenue St. Louis 63103

Pulitzer Foundation for the Arts 4814 Washington Ave., St. Louis, Mo 63108 314.367.1076 http://atruimgallery.net

S

t. Louis Mercantile Thomas Jefferson Library Building, One University Blvd. St. Louis, Mo 63121 314.561.7240 www.umsl.edu/mercantile/about/contact.html

Maryville Morton May Gallery 650 Maryville Library Drive, Creve Coeur Mo 63141 314,529.9381 www.maryville.edu

May Gallery Webster University, Severdrup Building 8300 Big Bend Blvd. Webster Groves Mo 63199 Tel 314.246.7673 www.webster.edu/maygallery

Mildred Lane Kemper Art Museum Washington University One Brooking Drive, St. Louis, Mo 63130 Tel 314.935.4523

Laumeier Sculpture Park 312580 Rott Road, St. Louis Mo 63127 314.615.5278 www.laumeier.org

Mocra 3700 West Pine Mall Blvd. St. Louis Mo 63103 314.997.7170 http://www.mocra@slu.edu Saint Louis Artist Guild Two Oak Knoll, Clayton, Mo 63105314.727.6266 www.stlouisartistsguild.com

Regional Arts Commission 6128 Delmar Blvd, University City 63112 314. 863.6811 www.art-stl.com Saint Louis University Museum of Art 3663 Lindell, St. Louis Mo 63108 314.977.3399 www.slum.slu.edu

Saint Louis Art Museum One Fine Arts Drive, Forest Park, St. Louis Mo. 63110 314.721.0072 www.slam.org

Sedallia

Daum Museum 3201 West 16th Street, Sedalia, Mo 65301 Tel 660 530.5888 http://www.daummuseum.org

Art Impressions Gallery and Framing 412 S. Ohio, Sedalia, Mo 65301 660.826.4343Liberty Center Association for the Arts 111 W 5th Street, Sedalia, Mo 65301 660.827.3228

Springfield

Springfield Art Museum 1111 East Brookside Drive Spring-field, Mo 65807 417.837.5700 http://www.springfieldmo.gov/art

Galleries & Museums

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The Arts Live mission is to bring together the arts, artists and everyday people through exhibitions, educational programs. Your contribution will enable us to continue and expand our coverage of artists, galleries, performance, and art organizations. The Arts Live is honored to be supported by the following. If you or your business is interested in becoming an art sponsor, please call or email: jrosen@theartslive.com 314.910.0764 or 314.721.7337-

Sponsors, Patrons, and MembershipDesign Company

Members and Patrons

Dale Augustin

Kim Carr

Nancy Hammerman

Ida Steinberg

Kathleen Schulte

Brian & Terri Voss

Harry Weber

Shirley Wipfler

Marjoriety Williams