super size me scene analysis

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Super Size Me Scene Analysis Critical Quote - “Filmmakers are not creating true documentaries but partisan propaganda.” - Amber Day The 1st Phone Call - 1:23:51 Spurlock attempts to phone Jim Cantalupo, the CEO of McDonald’s On his 1st and 3rd attempt he is put through to the media line and denied interaction with Cantalupo A hand-held camera is used to show his progressive frustration with the phone lines On his 3rd attempt the camera slowly zooms into his face as he is once again denied an interview Interestingly Spurlock’s response to the phone calls is not filmed, cutting away once the phone operator has finished speaking - similar to the bank scene in Michael Moore’s Bowling for Columbine when he asks “Do you think it’s a little dangerous handing out guns in a bank?” The audience could be positioned to view the company in a specific light, befitting of Spurlock’s argument. Not allowing a true reflection of the events. Cuts to a family standing outside of the white house, where they are unable to pledge their allegiance to the Flag – Yet they can pledge their allegiance to McDonalds Non-diegetic music “I hope you got fat!”

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Page 1: Super Size Me Scene Analysis

Super Size Me Scene Analysis

Critical Quote - “Filmmakers are not creating true documentaries but partisan propaganda.” - Amber Day

The 1st Phone Call - 1:23:51● Spurlock attempts to phone Jim Cantalupo, the CEO

of McDonald’s● On his 1st and 3rd attempt he is put through to the

media line and denied interaction with Cantalupo● A hand-held camera is used to show his progressive

frustration with the phone lines● On his 3rd attempt the camera slowly zooms into his

face as he is once again denied an interview● Interestingly Spurlock’s response to the phone calls

is not filmed, cutting away once the phone operator has finished speaking - similar to the bank scene in Michael Moore’s Bowling for Columbine when he asks “Do you think it’s a little dangerous handing out guns in a bank?”

● The audience could be positioned to view the company in a specific light, befitting of Spurlock’s argument. Not allowing a true reflection of the events.

● Cuts to a family standing outside of the white house, where they are unable to pledge their allegiance to the Flag – Yet they can pledge their allegiance to McDonalds

● Non-diegetic music “I hope you got fat!” ● Spurlock can be heard behind the camera suggesting

the performative nature of this documentary - additionally the family seems to have a range of age groups ranging from an elderly woman to a young child. Spurlock might have selected this specific family to evoke an emotional response from audiences as it shows the inescapable nature of McDonald’s

● Fades to a line of McDonald’s Happy Meal toys in front of the White House - this could be mocking the family or America in general as the fast food chains dominates their lives as referenced in the exposition of the film