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Dear Friends,We are happy to let you know that you can view and register for our summer adult and young artists classes online at my.cia.edu/ceco!

Most adult classes start the week of June 3 and we will have two, two-week long young artists sessions: June 17–June 28 and July 22–August 2.

We have classes for graduate credits available as well as some intensive studio workshops. We also have middle and high school-friendly adult classes—so Mom and Dad, sign-up yourself and your student for a class and learn something together!

Pay-as-you-go life drawing classes will be available Wednesday evenings (June 5–August 21) 7–9pm. $15 at the door and bring your favorite drawing supplies!

We’ll see you at CIA this summer!

Best wishes from our family to yours!

Thank you,

Lisa Kramer Reichel Director of Continuing Education + Community Outreach

Designer: Erik Mace Photography: Robert A. Muller ’87

The Cleveland Institute of Art gratefully acknowledges the citizens of Cuyahoga County for their support through Cuyahoga Arts and Culture.

NEW!

Adults

MondayAcrylic Portrait PaintingBack to Basics: Jewelry + Metalsmithing 101Black + White PhotographyIt’s Not a Reality Show, It’s My Home!Mosaic Pet PortraitThe Stitched CanvasWatercolor LandscapesZentangle Inspired Art Journal

Tuesday Abstract PaintingBeginning Digital PhotographyEtching BasicsFurniture Design: Create an Accent TableMaking Movies: Technical Basics

to Storytelling Secrets Metal FabricationPastels: Pure Color Magic for BeginnersWarm Glass Fusing I

Wednesday Acting + DirectingEnamel JewelryFaux Finishing + Mural Design BasicsHandmade BooksIntermediate/Advanced Digital PhotographyMonoprint MadnessPay-as-you-go Life DrawingThe Artful Science ClubWeaving

Thursday (no classes July 4)Alternative Photographic ProcessesAnatomyDesign Within ReachFurniture Design: Create a Shelving UnitIntroduction to Picture Book IllustrationOil Painting: The Basics Made SimplePainting with Light: Impressionistic

Landscapes in Colored Glass FritsVideo BasicsWarm Glass Fusing I

Saturday / June 16 Color MasteryFine Art Photography Special Projects

Young Artists

Session 1: June 17–June 28 / Monday–FridayArt ExplorationsBeginning/Intermediate Jewelry + MetalsmithingCanvas Collage PaintingCreative Clay StudioCreative Painting for KidsDinosaur Painting AdventureExercise the Creative MindExperimental WeavingGraphic DesignMosaic MadnessOld Clothes/New LookPainting with FirePortfolio PreparationPortraitureSculptural Body FormsStudio FoundationsStop-Motion Animation/ClaymationStudio Photography: Photo Shoot to Print for Young ArtistsYoung Artists Photography

Session 2: July 22–August 2 / Monday–FridayArt ExplorationsBeginning/Intermediate Jewelry + MetalsmithingCanvas Collage PaintingCreative Painting for KidsDinosaur Painting AdventureExercise the Creative MindExperimental WeavingGlass on MetalGlassblowing for Young ArtistsMosaic MadnessOld Clothes/New LookPhotoshop Digital ScrapbookPortfolio PreparationPortraitureSculptural Body FormsStop-Motion Animation/ClaymationStudio Photography: Photo Shoot to

Print for Young ArtistsYoung Artists Photography

Design Courses for Credit

Digital ColorDigital Synthesis

Summer in the Studio

Independent + Advanced Jewelry Making Independent Glassblowing WeekendsIndependent Projects in Ceramics Stone Lithography IntensiveWood-Fire Kiln Workshop

Summer 2013 CoursesClasses are held on the day of week indicated. Most classes run for multiple weeks. Please refer to individual class descriptions for specific dates and times.

REGISTER my.cia.edu/ceco

Independent Glassblowing WeekendsCEGL900.01 Friday–Sunday, May 17–May 19CEGL900.02.DR Friday–Sunday, July 26–July 28Friday, 6:30–9:30pmSaturday + Sunday, 10am–6pm 3 sessions eachroom: M403cost: $350 (most supplies included)

Open to anyone having completed the Advanced Glassblowing course at the Cleveland Institute of Art. These weekends are intended for the glass student capable of working independently in consultation with a technical assistant. If you are hooked on glassblowing, but want to refine your skills in CIA’s wonderful glass studio—mark your calendar and send in your registration today. Bring your project ideas and let’s start blowing glass!

Robert Coby ’11 (first session) Mike Davis ’12 (second session)

Stone Lithography IntensiveCEPM125.00Monday–Friday, June 17–219:30am–4:30pm 5 sessionsroom: G209cost: $550 (most supplies included)

Learn all aspects of stone lithography from graining a stone to drawing, etching, and printing your own edition of lithographs. Come prepared with a solid working idea or sketches of what you would like to print so that we can hit the ground running! Basic drawing materials and paper are included in the cost of the class. You can purchase additional inks and papers as needed from the Printmaking Department.

Karen D. Beckwith ’87

Independent + Advanced Jewelry Making CEJM700.00Tuesdays, June 4–July 236–9pm8 sessionsroom: G113cost: $370

Open to anyone having completed the Back to Basics: Jewelry + Metalsmithing 101 course at the Cleveland Institute of Art. This class will serve those of you who would like the opportunity to continue to use the excellent jewelry and metals facilities at CIA. It will allow you to work on projects in order to further your jewelry work with guidance from the instructor. It is also a class where there is potential for more advanced techniques to be introduced and explored. The process of casting will be open to those who have experience and desire to continue exploring the process in their work. Sessions will be tailored based on the interest and needs of the students in the class.

Elizabeth Staiger ’09

Independent Projects in CeramicsCECR700.01Thursdays, June 6–June 27CECR700.02.DRThursdays, July 11–August 1

GL CECR5700.01graduate credit tuition: $250 1 graduate credit GL CECR5700.02.DRgraduate credit tuition: $250 1 graduate credit

6–9pm4 sessions eachroom: M402cost: $165

In this course, intermediate and advanced students will have the opportunity to work on an independent ceramics project with guidance from a technical assistant. Propose a project to develop throughout this course using the CIA ceramics facilities in a structured, open-studio environment. This course is intended for the ceramics student capable of working independently in consultation with a technical assistant. All studio work must take place during class time. Please bring a proposed project and timeline the first day of class.

Andrew Simmons (first session) Amy Krusinski Sinbondit (second session)

OPPORTUNITIES FOR THE CRAFT CONNOISSEUR!

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Book Arts

Handmade BooksCEFM150.00Wednesdays, June 5–July 246:30–9:30pm7 sessionsroom: G111cost: $285

Join us and learn to work with basic bookbinding tools and materials. Both adhesive and non-adhesive techniques will be covered as well as several stitching methods including Coptic stitch, pamphlet stitch, kettle stitch, long stitch, and Japanese side stitch. Classes will be very hands-on and most work will be completed during class time. Some out-of-class prep work will be assigned.

Lindsey Felice ’08

Zentangle® Inspired Art JournalAdults + students in grades 6-12 HS CEDR150.00Mondays, June 3–July 226:30–9:30pm 8 sessions room: G210cost: $275

Express yourself through a very unique art journal. Part “Smash” book, a little altered book, some paper engineering, mixed media and Zentangle®. This non-traditional journal helps to organize thoughts, feelings and words through experimental techniques and projects. This is a beginning through advanced level class. Basic Zentangle Level One will be covered and may be a review for some. New “Tangles” will be taught each week in combination with a technique and project. Most materials and supplies will be provided. Some outside class work may be required. Inspired by the Zentangle method of creating abstract art through repetitive pattern—to learn more go to www.zentangle.com.

Launie McDevitt

Craft

The Stitched CanvasCEFD100.00.DRMonday–Wednesday, July 8–109:30am–4:30pm3 sessions room: G210 cost: $325

Discover the potential of non-traditional textile techniques to create mixed-media paintings and assemblages. Using pre-stretched canvases, loose canvas and paper, and quilted surfaces as an art-making structure, you will explore and combine methods of image making into one of several works. Techniques include image transfer on fabric with gel medium, creating and altering patterns and imagery with acrylic paint, and incorporation of non-traditional materials like photographs, tin, and aluminum. You will also learn to use gel medium to fabric-wrap canvases as an artwork structure and presentation option. Supplies can be purchased from the instructor for $50.

Jennifer A. Reis

WeavingCEFM200.00 Wednesdays, June 5–July 246:30–9:30pm8 sessions room: G309cost: $375

GL CEFM5200.00graduate credit tuition: $600 3 graduate credits

For more than 8,000 years weaving has been used as a method for constructing functional textiles and art in many parts of the world. Although there have been significant developments in technique and technology over the centuries, the essential principles of weaving have remained unchanged. During this course, you will develop a working knowledge of the basic practices of weaving and learn to orchestrate the three primary weave structures (plain, twill, and satin) to extract the

Throughout the catalog, look for the following symbols to help choose the right course for you:

W West Side Offering HS Middle + High School Friendly Adult Class GL Graduate Credit Class

Unless otherwise noted, materials will be the responsibility of the student for adult courses. Registered students will be emailed a supply list one week before class begins.

infinite potential for variation that lies within this ancient tradition. You will learn drafting, color sequencing, material properties, loom preparation and maintenance, as well as the actual process of weaving. This is a project driven, hands-on course—great for the material-minded who might also have an interest in color and pattern. Following the completion of the introductory project, you will execute self-driven projects. Experimentation is encouraged! No previous weaving experience is necessary!

Jessica Pinsky

Back to Basics: Jewelry + Metalsmithing 101 CEJM100.00Mondays, June 3–July 226–9pm8 sessionsroom: G113cost: $370

This class is a great introduction to various processes for jewelry and metalsmithing. We will begin with basic techniques such as sawing, filing, drilling, sanding, and polishing, and then progress to riveting and soldering (using natural gas and air torches). Texture and forming sheet metal will be introduced to give your ideas some dynamic effects (stamping and hammering). What do you want to make? Pendants, earrings, bracelets, boxes, sculptural objects…the possibilities are endless. No experience at all? No problem—this class is great for beginners. It is also perfect for those who want to polish up on skills and techniques, or would like to gather knowledge about what is needed for a home studio.

Elizabeth Staiger ’09

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5Enamel JewelryCEJM150.00Wednesdays, June 5–July 246:30–9:30pm8 sessionsroom: G112cost: $370

This is a class for beginning to advanced students who want to expand their creative knowledge. Enamel is the colorful result of fusing powdered glass to metal in a kiln. This process yields instant results with saturated permanent color. You will learn a variety of enameling techniques. Beginning with the basics such as sifting, wet packing, and firing, we will then create depth by layering enamel with stencils and last but not least, delve in to cloisonné. You will use a combination of metal processes to create finished jewelry pieces in various formats. Bring ideas and sketches of projects you want to create.

Amy Green ’11

Etching BasicsCEPM200.00 Tuesdays, June 4–July 236:30–9:30pm8 sessions room: G209cost: $365

GL CEPM5200.00graduate credit tuition: $600 3 graduate credits

Learn how to make etchings. You will learn the basics of hard ground line etching, dry point, soft ground, and as well as the basics of aquatint. You will have the opportunity to create small editions and gain the skills needed to successfully wipe and print a copper plate. We will also explore the techniques of Chine-collé (incorporation of images) as well as printing with color.

Christi Birchfield ’06

Monoprint MadnessCEPM300.00 Wednesdays, June 5–July 246:30–9:30pm8 sessions room: G209cost: $365

GL CEPM5300.00graduate credit tuition: $600 3 graduate credits

Painterly techniques of printmaking will be explored in this monoprinting course. We will experiment with stencil, relief, and paper litho techniques. Layering and combining various processes, including collaging, and cannibalizing prints to become elements in new prints will be focused upon as well. You will learn proper modification for colored inks and the ins-and-outs of printing on the press. Come and experience the intuitive processes of monoprinting!

Christi Birchfield ’06

Metal FabricationCESC200.00Tuesdays, June 4–July 236:30–9:30pm8 sessionsroom: M212cost: $410

Power tools—we know you love them! So come and learn how to use them to cut, form, and weld steel creations from your own designs. You will learn about armatures and how to plasma cut and torch and arc weld. Steel rod and welding supplies will be provided. This class is open to beginners as well as experienced sculptors. Be sure to wear protective clothing (no polyester please), sturdy shoes, and bring leather gloves.

Scott Stibich ’10

Mosaic Pet PortraitCEFM350.00Mondays, June 3–July 226:30–9:30pm8 sessionsroom: G117cost: $275

Learn the art of mosaic as you create a portrait of your beloved pet. Capture the character and personality of your pet in a mosaic likeness based on a photograph. You will learn basic mosaic skills including the use of tools, cutting techniques, proper adhesive use, and grouting as you receive instruction on how to translate a photo into a mosaic design. We will experiment with color and texture using many different materials. This course is appropriate for the beginner to mosaics as well as continuing mosaic students. No experience is necessary. The instructor will work with each student to develop a project that is suited to their individual skill level and ability. Picture frame base, glass, grout, and glue are available to be purchased directly from the instructor; approximate fee is $70. You are encouraged to bring in items such as tags, collar buckles, or any other items of significance to include in their mosaic pet portrait. Photos of the pet will need to be emailed to the instructor at least one week prior to the first class. Details will be sent upon enrollment.

Lisa Ruschman

The Gift of ArtWe have the perfect gift for the artist in your life! Gift certificates are available in any denomination for courses in the Continuing Education program. Surprise and support the artists in your life with a gift certificate for one of our engaging courses. Gift certificates are valid for one year from the date of purchase and are transferable. Great for birthdays, retirements, and graduations. To purchase a gift certificate, please contact the Office of Continuing Education at 216.421.7460 or my.cia.edu/ceco.

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7Warm Glass Fusing I WS CEGL125.01 Tuesdays, June 4–July 237–9:30pm8 sessions each

CEGL125.02Thursdays, June 6–August 1 (no class July 4)

location: Daniel Pruitt Glass Studio, room 289, Templar Industrial Park (Lakewood) cost: $350 (most materials included)

This course offers opportunities to work in warm glass fusing, a medium that has the beauty, color, and sparkle of glass and the versatility of painting with light and color. We will work with a wide range of approaches and techniques. You will work as a painter using colored frit on a glass canvas to create a bowl, plate, or trivet using decorative and imaginative colorful designs; design and make a glass pendant in Dichroic glass; and explore the fascinating concept of the mask as developed in various cultures around the world. Glass saws, grinders, and various hand tools will be utilized. We will focus on projects and techniques that will enable the artist to develop unique and highly personal approaches to creative expression with glass frits, stringers, and sheets cut by hand and with the glass saw. This class is designed for the beginning to intermediate student.

Daniel Pruitt

The Artful Science Club WS CEGL130.01 Wednesdays, 9–11:30am June 5–July 24 WS CEGL130.02 Wednesdays, 7–9:30pm June 5–July 24

GL CEGL5130.01graduate credit tuition: $600 3 graduate credits GL CEGL5130.02graduate credit tuition: $600 3 graduate credits

8 sessions eachlocation: Daniel Pruitt Glass Studio, room 289, Templar Industrial Park (Lakewood)cost: $375 (most materials included)

This unique and innovative course is designed to engage K-12 students of all levels in a greater understanding of science, mathematics, and art through project-based activities. Art teachers, grab your science and math colleagues and come together to create fused glass projects in three primary areas of study: biology, chemistry, and algebra. Assignments will be aligned with state and national standards in art and science which will assist you in guiding your students in reaching higher levels of analytical and critical thinking as we employ the scientific method, along with an artistic approach through the incorporation of the elements and principles of design.

Daniel Pruitt

Painting with Light: Impressionistic Landscapes in Colored Glass Frits WS CEGL135.01 Thursday–Saturday, June 13–15 9am–4pm WS CEGL135.02.DR Thursday–Saturday, July 18–20 9am–4pm

GL CEGL51350.01graduate credit tuition: $575 2 graduate credits GL CEGL5135.02.DRgraduate credit tuition: $575 2 graduate credits

3 sessions eachlocation: Daniel Pruitt Glass Studio, room 289, Templar Industrial Park (Lakewood)cost: $450 (most materials included)

This three-day workshop offers you the opportunity to create two fused glass panels in the style of a graphic artist and an 19th Century Impressionist painter. You will create a finished monochromatic fused glass panel and a full-color fused glass panel using a “Painting with Light” approach. We will endeavor to capture the fleeting moments of light and color as the Impressionists did with rich, vibrant color on fused glass. Our first painting will involve working monochromatically to create an outdoor scene from nature or buildings set in an architectural framework. We will organize and manipulate black powder frit on a white pre-fused panel to develop detail, textures, and nuances to enhance our subject matter. Fine glass stringers will be added to sharpen detail. Our second work will involve developing a scene from nature. You will select specialized glasses, powders, stringers, and frits, and arrange your composition to show saturated light and Impressionistic details in a vibrant, colorful scene with trees and flowers. It is helpful to have some painting and glass fusing background for this workshop, which is an intermediate-level event; however beginners are welcome.

Daniel Pruitt

Drawing, Painting, + Illustration

Introduction to Picture Book IllustrationCEIL200.00Thursdays, June 6–August 1(no class July 4)6:30–9:30pm8 sessionsroom: M200cost: $325

Children’s book illustration is quite possibly the broadest expression of illustration in today’s applied art world. There is virtually no style or vision that is not approached. We will focus on the picture book niche of children’s books and simplify some of the common principles. Areas to be covered include history and overview of children’s book illustration; development of consistent character drawings; animation of children; story development; study of the form of a picture book; sequential art and storyboarding; and discussion and demonstration of materials on request. You will create an 8-12-page picture book mockup as well as a two-page spread of finished art. Previous drawing experience and proficiency in one or two media will ensure your success in this course. Let’s create a book!

Lincoln Adams ’98

AnatomyCEDR350.00Thursdays, June 6–August 1(no class July 4)6:30–9:30pm8 sessionsroom: G117cost: $325

Loosen up your drawing skills and strive for excellence in design and overall concept. Live models will be utilized in this classical drawing adventure. We will explore a variety of mediums including conté, graphite, silverpoint, charcoal, oil or acrylic wash, pastels, and watercolor. Bring five of your best pieces of work to the first class. All levels welcome.

Elinore M. Korow, O.W.S., A.S.A, ‘57

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CEDR175.00Tuesdays, June 4–July 236:30–9:30pm8 sessionsroom: M200cost: $345

Learn to use soft pastels with confidence and freedom by following this comprehensive class for beginners and intermediate students. You will receive instruction on techniques, color theory, step-by-step demonstrations, and practical exercises to help you build your confidence and improve your skills in this beautiful medium. Use of under painting, direct application, toned surfaces, and direct color application will be covered as well as the essentials of composition and picture making. We will also discuss popular subject matter including still life, landscape, floral, and people. Trips to The Cleveland Museum of Art and the Cleveland Botanical Garden will be interspersed with studio time. Use of a camera is encouraged.

José Paul Sacaridiz

Color MasteryCEPT.125.00Saturdays, June 15–August 31:30–4:30pm8 sessionsroom: G111cost: $325

Analyze one of the artists’ most critical ongoing stumbling blocks to really good painting—color. This course will help you develop your understanding of color and how to make it work for you in exciting and unexpected ways. We’ll begin with what you presently know and proceed step-by-step into exploring other familiar and not-so-familiar ways of seeing and working with color. Collect your best work (coloristically) and bring three to four pieces to the first class for evaluation. All levels welcome.

Elinore M. Korow, O.W.S., A.S.A, ‘57

Abstract PaintingCEPT350.00 Tuesdays, June 4–July 236:30–9:30pm 8 sessionsroom: M202cost: $325

GL CEPT5350.00graduate credit tuition: $600 3 graduate credits

Abstract painting is a conscious departure from realism, a break from tradition that occurred over a century ago. Since then, many abstract artists have made important contributions to the art world. Perhaps one of the most significant contributions was changing the public perception of what art should represent. Abstract painting is an individualistic approach to image making. This class will introduce concepts and techniques used by masters of abstraction. Ideas and techniques covered in class will include color as subject, painting as object, and multiple process application. Color mixing and specific color palettes will be presented through instructor demonstrations. Acrylic paints are preferred.

Terry J. Clark II ’02

Oil Painting: The Basics Made SimpleCEPT250.00Thursdays, June 6–August 1(no class July 4)6:30–9:30pm8 sessionsroom: M202cost: $325

Have you ever had a desire to paint? Learn the basics of working in oils from preparation to final painting. We will cover the fundamentals of language, color, value composition, and materials. Working from a limited palette, you will learn how to mix various color combinations, use a variety of painting knives, brushes, painting tools and mediums in application of materials. We will start by working from photographs for a literal translation of the image, color fidelity, and continue with lessons in atmospheric perspective. We will progress toward still life painting, and, if weather permits, plein air painting. Use of a camera is encouraged. Some drawing experience is helpful.

José Paul Sacaridiz

Acrylic Portrait PaintingCEPT100.00Mondays, June 3–July 226:30–9:30pm8 sessionsroom: M200cost: $325Mirror, mirror on the wall—who is the fairest of them all? Join us and look at your reflection in a whole new light! We will use acrylic paint to study the art of portraiture. We will sketch from models, study facial anatomy, and also focus on expressive forms of interpretation. Beginners welcome!

Melissa Oberdoester

Watercolor LandscapesCEPT375.00 Mondays, June 3–July 226:30–9:30pm 8 sessionsroom: M202cost: $325

GL CEPT5375.00graduate credit tuition: $600 3 graduate credits

You will be introduced to the foundation of working with watercolor paints in the studio environment. Some of the unique qualities of watercolor painting include vibrant colors, transparency effects, and immediacy. Many color theory and watercolor painting techniques will be demonstrated and incorporated throughout each project. A step-by-step process will guide your first three landscape paintings from beginning to end. Individual attention and written instructions will aid in your painting’s focus and direction. The novice painter will be encouraged and the experienced painter will be challenged.

Terry J. Clark II ’02

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9Design: Environment

It’s Not a Reality Show, This is My Home! CEIN.150.00Mondays, June 3–July 226:30–9pm8 sessionsroom: G105acost: $290

There are reality-TV home improvement shows galore—but how realistic are they? Turn off the TV and join us on an adventure to help make your house a cool and cozy home. Throughout this process, you will learn the principles and theory of interior design as applied to residential and commercial interior environments. Fundamentals of universal design, space planning, and sustainability will be introduced. Basic skills and techniques of both visual and oral presentations will be used to develop a project of your choice.

Savannah Farris Dugan ’06

Furniture Design: Create a Shelving UnitCEID110.00Thursdays, June 6–August 1(no class July 4)6–9:30pm8 sessionsroom: G116cost: $410

Join us and learn about design theory, the elements of good design, and woodworking techniques. We will begin with machine safety practices and demonstrations on how to design and build your own shelving unit (single or two-tiered shelves which can hang on a wall or be free standing). We will focus on miters and spines as our main construction method. Each class will include design critiques and open discussions.

Domenic Fiorello

Furniture Design: Create an Accent TableCEID120.00Tuesdays, June 4–July 306–9:30pm9 sessionsroom: G116cost: $450

Perhaps you need an accent table instead of a shelf…join us and learn about design theory, the elements of good design, and woodworking techniques. We will begin with machine safety practices and demonstrations on how to design and build your own accent table. Bridal joints will be our main construction method, but we can experiment with other methods to help turn your design ideas into a usable piece of furniture. Each class will include design critiques and open discussions.

Domenic Fiorello

Faux Finishing + Mural Design BasicsAdults + students grades 10-12 HS CEIN250.00Wednesdays, July 24–August 14 6–8pm 4 sessions room: G117 cost: $145

Rejuvenate your home! Learn painting techniques for walls and trim and create beauty for your home that rivals any professional wallpaper or faux painter. You will be guided through a step-by-step process of how to create the look of ivy, stone, marble, brick, and rag rolling. Mural designs will begin on paper with your personal design and end in a color design sample for your personal use.

Linda Zolten Wood ’87

BFA Degree Program

Digital Color FDN103D.00.DRMonday–Friday, July 15–July 199am–5pmroom: TBDcost: $2,062.50 1.5 BFA degree program credits

This one-half semester course introduces color in additive synthesis (light). The course explores color theory, perception, and application, through a series of fundamental color investigations offering opportunities for multiple compositional solutions and the development of digital skills. In tandem with its companion course, Foundation Material Color, students pursue a personal color sensibility, in preparation for any art or design field. Course structure consists of introductory concept lectures, technical instruction, lab time with guidance and group critique of finished assignments.

Kidist Getachew

Digital Synthesis FDN104D.00.DRMonday–Friday, July 22–August 99:30am–3:30pmroom: TBDcost: $4,125 3 BFA degree program credits Prerequisite: Digital Color—FND103D

Explores crucial and far-reaching concepts associated with digital art and technology as these concepts interface with foundational concepts of aesthetics and visual communications. Digital synthesis explores: the assembly and creation of imagery from different source materials; time- based images using various approaches to animation; the structure and logic of narrative storytelling with digital video; and the structure and logic of interactivity through the creation of work where the structure, sequence and outcome is influenced by the participation of the viewer. Course structure consists of introductory concept lectures, technical instruction, lab time with guidance and group critique of finished assignments.

Kidist Getachew

“ I really enjoyed learning new techniques and experimenting with new materials.”

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Making Movies: Technical Basics to Storytelling SecretsAdults + students grades 10-12 HS CEVI200.00Tuesdays, June 4–July 236:30–9:30pm8 sessionsroom: M323cost: $325

Get your ticket and join us for this comprehensive overview of the art and craft of movie making—including feature films, shorts, and documentaries. Through a series of concentrated hands-on workshops, you will learn how to integrate technical skills and storytelling techniques. You will become familiar with professional terminology, script structure, film grammar, scene analysis, and how to enhance theme with color and composition. The fundamentals of photography will be explored as you become familiar with a variety of equipment including cameras, lights, microphones, editing software, and digital cinema technology and media management. You will also have the opportunity to see what it is like on both sides of the camera by role playing as an actor as well as a director. Our efforts will culminate in the creation of a short movie. Please bring your own video camera.

Ted Zbozien

Acting + DirectingAdults + students grades 10-12 HS CEFD025.00Wednesdays, June 5–July 246:30–9:30pm8 sessionsroom: M323cost: $325

This is an introductory course designed for aspiring actors and directors who wish to pursue a career in film making. Directors will produce short scenes focusing on the development and execution of performance on screen. Beyond the responsibility of successful execution of a project, directors will also switch roles with the actor to better understand the acting process and what kind of direction an actor needs to perform according to another director’s vision. You will develop effective methods of clear communication between actor and director, as well as techniques to encourage natural, believable performance.

Ted Zbozien

Design Within ReachCECG150.00Thursday–Saturday, August 8–10Thursday + Friday, 9am–4pm Saturday, 9am–12pm 3 sessions room: G110cost: $325

Roll up your sleeves and dive into the design process! This crash course will expose the beginner and intermediate designer to the capabilities of Adobe Creative Suite 6. You will be exposed to mini-lectures of design and logo trends, color theory, font usage, image usage, color specifications (i.e. RGB, CMYK, duotones), and how three software packages (InDesign, Illustrator, and Photoshop) will be integrated to create your final piece, from concept to print and web. You will learn the difference between vector and raster-based art as well as the importance of having a game plan in place to create a cohesive design package for your clients. While this course will revolve around projects, it will support personal growth and creativity by supplying the groundwork allowing you to get up to speed quickly. This course is packed with industry-based tips and design trends, all in a fun, creative environment that will allow you to interact with your peers as you create and explore design. Good design is within reach! Please bring a portable drive and a bag lunch on Thursday and Friday.

Lisa Gruber Gebby ’93

Video BasicsCEVI100.00Thursdays, June 6–August 1(no class July 4)6:30–9:30pm8 sessionsroom: G110cost: $325

Explore the world of video editing in this introductory class. You will learn to shoot video, import it into Final Cut, and perform some basic editing functions. Lectures will introduce you to contemporary artists and animators. You will create a video work which will be screened during the final class.

Lauren Voss ’05

Photography

Beginning Digital PhotographyAdults + students in grades 10-12 HS CEDA100.00Tuesdays, June 4–July 16(no class July 9)6:30–9:30pm6 sessionsroom: GS32cost: $390

Using your personal digital camera, you will learn to shoot, re-touch, correct, and how to prepare your images for archival digital photographic printing. We will work in a lighting studio where you will learn and practice artificial lighting techniques. You will work with both traditional photographic methods (manual camera settings, artificial lighting) and digital photographic methods (Photoshop correction, manipulation, digital printing). Out-of-class assignments will be given to maximize the time spent in class for demonstrations, discussions, and critiques. Becoming a better photographer is the emphasis of this course as you create several new portfolio pieces. You will have the opportunity to have your work printed at CIA’s Digital Output Center ($45 computer print credits are included in the cost of this class, fees beyond this will be the responsibility of the student). Intermediate and advanced photographers can opt to take this session and the next session, but beginning students must begin with this first session.

Michelle Marie Murphy ’04

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Wood-Fire Kiln Workshop

CECR800.00 Monday, July 1, 2013, 9am–12pm (at CIA, M402)Monday–Thursday, July 22–25 + Saturday, July 27 (at Kirtland Kiln site)times: 9:30am–5pm (times will vary according to firing + weather conditions)6 sessionscost: $375

GL CECR5800.00graduate credit tuition: $600 3 graduate credits

Grab your Cone-10 work, put on your boots, and journey with us into the woods of Kirtland to experience the wonderful, outdoor wood-fire kiln built by CIA faculty and students!

In this workshop we will load and fire a Train Style wood kiln. This kiln produces Anagama style results but with a shorter firing schedule and higher temperature clay bodies that do

well in reduction. We will fire to Cone-10 reduction and hold the temperature for some time. We will have all-day load and wood preparation sessions and will fire the kiln in shifts over a 24-hour period. You will have the opportunity to fire a small body of work. While the kiln cools, we will go over the design and construction of the kiln and also discuss some of the clay body and glaze applications used in wood firing. We’ll rest on Friday, July 26 and come back on Saturday to wrap-up.

Before we head out to the Kirtland site in late July, we’ll start with an information session in early July to discuss clay bodies and surface information. Stoneware and porcelain body will be available that are well suited for wood firing (these can be purchased if needed). The information session is advised, but not mandatory.

Please bring bisque-fired, Cone-10 work to be fired in the kiln. Note that we will not make work during this workshop. Bad weather and firing issues may necessitate date and time adjustments.

William Brouillard

William Brouillard is a professor in the Ceramics Department at the Cleveland Institute of Art. His work is represented in the collections of: Northern Clay Center, Minneapolis, MN; Nara National Museum, Nara, Japan; Tokyo National Museum, Tokyo, Japan; Tom Judy Collection, Washington, DC; The Detroit Museum of Art [DIA], Detroit, MI; and The Cleveland Museum of Art, Cleveland, OH. Bill received his MFA from New York State College of Ceramics, Alfred University and his BA from State University of Wisconsin-Stout at Menomonie; State University of Wisconsin at Madison.

SEE HOW THIS SPECIAL KILN WAS BUILT

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esIntermediate/Advanced Photography HS Adults + students in grades 10-12 CEDA400.00Wednesdays, June 5–July 17(no class July 10)6:30–9:30pm6 sessionsroom: GS32cost: $390

This class is designed for intermediate and advanced photographers to focus on your developing photography skills, and to use those skills to produce personal projects. You are expected to own a camera and to have some knowledge of Adobe Photoshop and manual camera settings. Class time will be used to cover contemporary concepts in art photography, improve your camera knowledge, and study digital photographic techniques and tools including Adobe Photoshop, Bridge, re-touching, compositing, and digital output. We will work in a lighting studio where you will practice artificial lighting techniques. This class will yield you a new photo portfolio printed on digital archival paper. For the first class bring a brief written statement of your proposed personal project for this session. Include information that you would like the instructor to focus on to help with the development of your personal vision. Your ability to create a portfolio (from camera process to execution) is the emphasis and goal of this course! You will have the opportunity to have your work printed at CIA’s Digital Output Center ($45 computer print credits are included in the cost of this class, fees beyond this will be the responsibility of the student).

Michelle Marie Murphy ’04

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13Fine Art Photography Special ProjectsAdults + students in grades 11-12 HS CEPH300.00Saturdays: June 8, June 15, June 29, + July 139am–12pm4 sessionsroom: M315cost: $260

This class is designed for Intermediate/Advanced photographers (including professional photographers and mature high school students) to jump-start and create a personal fine art photographic series. You are expected to own a digital camera and to have comprehensive knowledge of digitally processing your own images, and manual camera settings. These four meetings will be used for you to present your developing body of work to receive constructive feedback from your peers and the instructor. The instructor will cover contemporary concepts in art photography and provide shooting assignments, and reading/research assignments for each student to refine their specific photographic project. Additional field trips will be recommended but not required. This class will yield an advanced photographic series which you may use to market your work or to apply for an exhibition opportunity. Before the first meeting, provide a brief written statement of your proposed personal project for this session; include any images previously taken and any information that you would like the instructor to focus on to help with the development of your personal vision. This course is not recommended for beginners. Your refined photographic portfolio is the emphasis and goal of this course! You will have the opportunity to print your work at CIA’s Digital Output Center ($45 computer print credits are included in the cost of this class, fees beyond this will be the responsibility of the student).

Michelle Marie Murphy ’04

Black + White PhotographyCEPH100.00Monday, June 3–July 226:30–9:30pm8 sessionsroom: M315cost: $390

You will learn the traditional black and white photographic processes including the use of a manual camera, film developing, and darkroom printing. This course will explore the use of these processes through guided assignments and group critique sessions. Various techniques will be explored based on the group’s interest and/or experience. You are required to have a manual 35mm medium or large format film camera to take this class. Beginner and intermediate students are welcome.

Joseph Minek ’11

Alternative Photographic Processes CEPH400.00Thursdays, June 6–August 1(no class July 4)6:30–9:30pm8 sessionsroom: M315cost: $650 (most materials included)

Late in the twentieth century a revival of interest in alternative photographic processes appeared and continues to grow. We will pursue this revival and explore a variety of processes dating from the beginning of photography through contemporary digital practice. Some of the processes include Cyanotypes, Van Dyke Browns, Pinhole Photography, Polaroid Transfers, and Digital Negatives. You will learn the history of these processes while experimenting with multiple cameras and tools to produce unique photographic prints.

Joseph Minek ’11

CIA in partnership with the Cleveland Museum of Art

Coils: shapes, forms, and surfaces with CIA’s Amy Krusinski Sinbondit

Tuesday–Thursday, July 30–August 1 9:30am–3:30pm Cost TBD; includes parking, and certification of participation

Explore how coil-building processes have been used for centuries to create sophisticated vessels. This course will expand upon the basics of this additive process requiring precision, skill, and time. We will work with basic coil rolling and then explore extruding which allows for making a variety of shaped coils such as square, oval, hexagon, and hollow tubes. For decorating surfaces, we will formulate engobes and terra sigillata in the glaze lab to apply to the clay either while it is wet or bone dry. Finally, this course will utilize once-firing which is often employed with these types of surfaces.

This 3-day workshop will take place on the campuses of both CIA and CMA and is open to educators of all skill levels as well as potters and sculptors. Participants may be eligible to receive college credit from Ashland University for an additional fee.

For additional information about course curriculum, contact Dale Hilton at 216.707.2491 or dhilton@clevelandart.org. To register, please call the CMA Ticket Center at 216.421.7350.

“ I appreciated the suggestions from the instructor on how to carry my work to the next level—professionally and artistically.”

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We’ve got you covered! Unless otherwise noted, materials are included in the cost of Young Artists classes.

Session 1: June 17–June 28

Young Artists Photography Grades 1-3YAPH100.01Monday–Friday, June 17–2810am–12pm10 sessions room: M315cost: $145

This class will encourage creativity through photography. You will be introduced to key elements of photography including composition, portraits, landscapes, and more. Through experimentation and demonstrations, you will create images and begin to understand the medium as an art form. Emphasis will be placed on enjoyment, fun, and creativity. Please bring your own camera—any point-and-shoot model will do.

Kaetlyn McCafferty ’12

Creative Painting for KidsGrades 1-3YAPT100.01Monday–Friday, June 17–211–3pm5 sessions room: G117cost: $115

Using water-based paints, you will create paintings about the things that you like best. These paintings on canvas will reflect your personality and will be ready for hanging at home when our session is completed. You will be encouraged to think conceptually while developing your technical painting and problem-solving skills. Emphasis will be placed on line, color, texture, content, and enjoyment! Please come prepared to paint—bring a paint smock or old adult t-shirt with you to class.

Susan Danko ’98

Dinosaur Painting Adventure Grades 1-4YAPT310.01Monday–Friday, June 24–281–3pm 5 sessions room: G117cost: $115

Go back in time and paint with the dinosaurs! During this fun and educational workshop we’ll tour the dinosaur exhibition at the Cleveland Museum of Natural History and learn all about the lives of these fascinating creatures. At the Museum, you will create a dinosaur journal filled with notes, drawings, and interesting scientific facts. Back in our classroom we’ll use our journals, our imaginations, and assorted library reference materials to make paintings on canvas about our fun dinosaur adventure.

Susan Danko ’98

Art Explorations Grades 3-4YAFD110.01Monday–Friday, June 17–June 28 9:30am–12pm10 sessionsroom: G107cost: $210

Delve into the lives and work of prominent artists as you gain inspiration to create your own original artwork. We’ll explore fundamental elements of drawing, painting, and design through the use of pencil, ink, paint, collage, and mixed media. Basic art concepts such as color, shape, texture, and line will also be explored.

Maura Kinsella-Paige ’83

Creative Clay StudioGrades 3-6YACR350.00Monday–Friday, June 17–281–4pm 10 sessionsroom: M402cost: $275

Young artists are welcome to the clay studio at CIA to explore this tactile material through making pottery and sculpture. Come to develop your imagination as you learn to translate ideas into three-dimensional works of clay by hand building and wheel throwing. You will use our high temperature (2350° F) glazes in the glaze lab and learn to load work into our professional level kilns. You’ll surely get messy, so please wear appropriate clothing and footwear (sneakers are best; no open-toed shoes.) All skill levels are welcome.

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Art ExplorationsGrades 5-6YAFD120.01Monday–Friday, June 17–289:30am–12pm10 sessionsroom: G111cost: $210

We will begin by learning bookbinding skills to create your own sketchbooks. These will be used for practice and planning throughout the course. We will draw on the rich cultural resources of University Circle for inspiration as you work on a series of two- and three-dimensional projects in a variety of media including paint, clay, printmaking, and more.

Stephanie Miller-Davis

“I am able to see much more in this world as art.”

“I have always loved art—this class made me love it more!”

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Grades 5-8YAJM150.01Monday–Friday, June 17–289:30am–12pm10 sessionsroom: G112cost: $310

Experience the intriguing process of fusing glass on metal via enamel. Enamel is ground glass in an unlimited range of color that is fused to metal in a kiln. The process of enamel is instantly gratifying and produces results with saturated permanent color. You’ll learn the various skills for creating art and objects that will range from work for the wall, to jewelry, accessories and more. Throughout the course you will complete pieces in one class. You will revel in the beauty of this unique form of art. Come with ideas and you’ll leave with some very cool creations!

Amy Green ’11

Mosaic Madness Grades 5-8YAFM100.01Monday–Friday, June 17–28 9am–12pm10 sessions room: G117cost: $310

Allow your imagination to go wild while you learn about the “green” art of mosaics. You will learn several different mosaic techniques as you complete projects such as stepping stones, a “toad abode,” an upcycled stained glass window, and a framed mosaic self portrait suitable for hanging. Learn why mosaics are an environmentally friendly art form by using a wide variety of recycled and re-purposed materials. All materials are provided, but you will be encouraged to search out and bring in your own “treasures” such as broken dishes, small toys, marbles, rocks, and costume jewelry to make your pieces truly unique.

Lisa Ruschman

Exercise the Creative MindGrades 5-8YAFD210.01Monday–Friday, June 17–289:30am–3:30pm10 sessionsroom: M200cost: $390

Are you creatively inclined and eager to explore multiple artistic connections? Join us and come full-circle in your artistic endeavors. Each class will center around individual or group exercises to help you develop and expand your artistic skills while nurturing your creative expression. We will explore many avenues including: journaling; creative writing; idea-generating and reference-building in sketchbooks; the use of alternative materials to develop and expand new ideas; and the kinesthetic correlation of visual art and the musicality of design, including the harmony and dissonance of color and art elements. We will also examine the therapeutic effect of using art to focus and calm the mind and body with the ultimate goal of learning to let go of expectations and create your best artwork ever! We will travel to various organizations within University Circle to enhance our artistic journey. Please bring a bag lunch.

Candice Dangerfield

Canvas Collage PaintingGrades 6-9YAPT350.01Monday–Friday, June 17–June 289:30am–12pm10 sessionsroom: M202cost: $265

You will learn how to combine traditional paints with new media and not-so-familiar techniques. Explore new possibilities with your artwork and create pieces that expand your creativity and imagination as you create a self-portrait canvas, a Fauvism Landscape, a Boogie-Woogie Abstraction, and an Ekphrastic Response (or a response to one art form with another). You will express in your painting how you feel about a poem or song.

Louise Spanos ’79

Sculptural Body FormsGrades 6-9YASC200.01Monday–Friday, June 17–June 281–3:30pm 10 sessionsroom: M202cost: $265

Learn how to utilize the classical methods of additive and subtractive sculpture to create personal expressions of both human and animal configurations. The parameters of traditional sculpture will be stretched with the use of found objects to explore new possibilities as you create a self-portrait armature bust, a full-portrait walking figure, a Mardi-Gras mask, and a morphed-animal gargoyle.

Louise Spanos ’79

Studio Foundations Grades 7-12YAFD135.00Monday–Friday, June 17–281–4pm10 sessionsroom: M201cost: $325

In this introduction to drawing and painting in the studio environment, exposure to basic concepts and materials will offer you a strong foundation on which to build. The essential tools of an artist are the pencil and brush. You’ll use both, separately and combined, to generate multiple exercises and images. The elements and principles of color, perspective, shape, shading, and pattern are explored through projects. All of the projects will be guided by individual and written instructions. Every new challenge and concept will promote both your artistic confidence and vocabulary.

Terry J. Clark II ’02

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Stop-Motion Animation/ClaymationGrades 7-12YAAN300.01Monday–Friday, June 17–2812:30–4pm 10 sessionsroom: GS32/G303cost: $325

Learn how to bring your creative storytelling to life visually, through stop-motion animation! You will write, draw, sculpt, paint, take photos, and edit! If you like to make up stories, take pictures, and make artwork using mixed media, this class is for you! We will begin our class by watching many funny, serious, and amazing stop-motion animations by a variety of artists and learn to recognize and put into effect the principles of animation. Working with a partner or individually, you will make up a short story and write it down. You will learn how to draw an effective storyboard to help tell your story visually. Then you will create your sets and characters using a combination of paper, clay, objects, toys, paint, etc. You will follow your storyboard to shoot your animation using your digital camera and tripod. We will edit and create sound for our animations using Final Cut. We will experiment with pixilation, claymation, paper animation, and object animation. Armatures and tie downs will be utilized to make your character magically walk or dance. You will create 1-3 animations each depending on your ideas. Get ready to have some fun! You will take home your animation(s) on a disc. Please bring your own digital camera and tripod.

Adri Nerone ’07

Graphic Design Grades 7-12YACG300.00Monday–Friday, June 17–289:30am–3:30pm10 sessionsroom: M203cost: $390

Are you interested in magazine design? Would you like to create an eight- to sixteen-page magazine about your favorite subject, hobby, sport, or fashion? We’ll explore all types of magazines and create one using Adobe Photoshop. You’ll create advertisements, features, and use your own photography and research to develop a unique individual publication. We’ll post your finished

magazine online at Issuu.com for all of your friends and family to read. Take a look at a whole new world of digital publishing. Issuu.com (an online world of publications) is the leading digital publishing platform delivering exceptional reading experiences of magazines, catalogs, and newspapers. No previous experience required. Please bring a bag lunch.

Irene Eve Chudzik ’89

Experimental WeavingGrades 9-12YAFM300.01Monday–Friday, June 17–289:30am–12pm 10 sessionsroom: G214cost: $275

Find out how the ancient technique of weaving can be utilized in new and exciting ways. We will experiment with various materials and basic weaving techniques to build your own new creation. Whether you create a piece of art or a functional object, weaving can be a fun and rewarding technique.

Natalie Grieshammer

Old Clothes/New LookGrades 9-12YAFM200.01Monday–Friday, June 17–281–3:30pm10 sessionsroom: G214cost: $275

Do your clothes need a face lift? Explore how to fix up your old clothes to make them fresh and fun with the use of a variety of techniques. Summer is the perfect time to experiment with tie dyeing, dye painting, shibori (Japanese dyeing), and bleaching. Scour your closet and gather up your forgotten frocks and we’ll kick-up that floral shirt and tie dye your once-favorite old t-shirt!

Natalie Grieshammer

Beginning/Intermediate Jewelry + Metalsmithing Grades 9-12YAJM100.01Monday–Friday, June 17–281–3:30pm10 sessionsroom: G113cost: $310

Learn the fundamental skills needed to create jewelry and small metalwork. You’ll use copper and brass to create samples in sawing, filing, stamping, casting, soldering, and finishing. A final project will be worked on throughout the class and completed by the end of the class. Projects could include bracelets, earrings, rings, necklaces, or small metal sculptures. These can be made in sterling silver at an extra cost, if desired. Open to beginners as well as intermediate students. More advanced students will be encouraged to work on independent projects. Most materials are included in the cost of the class.

Emily Hunziker

Studio Photography: Photo Shoot to Print for Young ArtistsGrades 9-12YAPH225.01Monday–Friday, June 17–289:30am–3:30pm10 sessionsroom: M315cost: $390

Join us and learn the whole process of studio photography from preparation of a shoot to editing within Photoshop to the final print. You will shoot within a studio and outdoors using various types of lighting to create photographs. This course is for anyone wanting to learn to use light creatively for fine art or commercial photography. Please bring a digital SLR camera and a bag lunch.

Joseph Minek ’11

18 Portraiture Grades 10-12YAPT400.01Monday–Friday, June 17–281–3:30pm10 sessionsroom: G305cost: $310

Mirror, mirror on the wall – who is the fairest of them all? You’ll look at your reflection in a whole new light! We will use acrylic paint to study the art of portraiture. We will sketch from models, study facial anatomy, and also focus on expressive forms of interpretation.

Melissa Oberdoester

Portfolio PreparationGrades 10-12YADR700.01Monday–Friday, June 17–289am–12pm10 sessionsroom: G304cost: $375

This course will help you to put together a stronger portfolio needed in applying to art colleges, as well as the fabulous benefits of improving your drawing skills, the joys of trying different drawing materials, along with showing you what an art college is actually looking for in your portfolio. Besides enjoying the classroom explorations and drawings assigned outside the classroom, you will get to engage in the occasional critique in a fun and informative way. The goal of this course is to help you reach a higher level of skill in the creation of your own artwork. Parent permission is required for life drawing because of nude models.

Eddie Mitchell ’87

Session 2: July 22–August 2

Young Artists Photography Grades 1-3YAPH100.02.DRMonday–Friday, July 22–August 21–3pm10 sessions room: M315cost: $145

This class will encourage creativity through photography. You will be introduced to key elements of photography including composition, portraits, landscapes, and more. Through experimentation and demonstrations, you will create images and begin to understand the medium as an art form. Emphasis will be placed on enjoyment, fun, and creativity. Please bring your own camera—any point-and-shoot model will do.

Kaetlyn McCafferty ’12

Creative Painting for Kids Grades 1-3YAPT100.02.DRMonday–Friday, July 22–July 261–3pm5 sessions room: G117cost: $115

Using water-based paints, you will create paintings about the things that you like best. These paintings on canvas will reflect your personality and will be ready for hanging at home when our session is completed. You will be encouraged to think conceptually while developing your technical painting and problem-solving skills. Emphasis will be placed on line, color, texture, content, and enjoyment! Please come prepared to paint—bring a paint smock or old adult t-shirt with you to class.

Susan Danko ’98

Dinosaur Painting Adventure Grades 1-4YAA310.02.DRMonday–Friday, July 29–August 21–3pm 5 sessions room: G117cost: $115

Go back in time and paint with the dinosaurs! During this fun and educational workshop we’ll tour the dinosaur exhibition at the Cleveland Museum of Natural History and learn all about the lives of these fascinating creatures. At the Museum, you will create a dinosaur journal filled with notes, drawings, and interesting scientific facts. Back in our classroom we’ll use our journals, our imaginations, and assorted library reference materials to make paintings on canvas about our fun dinosaur adventure.

Susan Danko’98

Art Explorations Grades 3-4YAFD110.02.DRMonday–Friday, July 22–August 29:30am–12pm10 sessionsroom: G107cost: $210

Delve into the lives and work of prominent artists as you gain inspiration to create your own original artwork. We’ll explore fundamental elements of drawing, painting, and design through the use of pencil, ink, paint, collage, and mixed media. Basic art concepts such as color, shape, texture, and line will also be explored.

Maura Kinsella-Paige ’83

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19Art ExplorationsGrades 5-6YAFD120.02.DRMonday–Friday, July 22–August 29:30am–12pm10 sessionsroom: G111cost: $210

We will begin by learning bookbinding skills to create your own sketchbooks. These will be used for practice and planning throughout the course. We will draw on the rich cultural resources of University Circle for inspiration as you work on a series of two- and three-dimensional projects in a variety of media including paint, clay, printmaking, and more.

Stephanie Miller-Davis

Mosaic Madness Grades 5-8YAFM100.02.DRMonday–Friday, July 22–August 2 9am–12pm10 sessions room: G117cost: $310

Allow your imagination to go wild while you learn about the “green” art of mosaics. You will learn several different mosaic techniques as you complete projects such as stepping stones, a “toad abode,” an upcycled stained glass window, and a framed mosaic self portrait suitable for hanging. Learn why mosaics are an environmentally friendly art form by using a wide variety of recycled and re-purposed materials. All materials are provided, but you will be encouraged to search out and bring in your own “treasures” such as broken dishes, small toys, marbles, rocks, and costume jewelry to make your pieces truly unique.

Lisa Ruschman

Sculptural Body FormsGrades 6-9YASC200.02.DRMonday–Friday, July 22–August 2 9:30am–12pm10 sessionsroom: M202cost: $265

Learn how to utilize the classical methods of additive and subtractive sculpture to create personal expressions of both human and animal configurations. The parameters of traditional sculpture will be stretched with the use of found objects to explore new possibilities as you create a self-portrait armature bust, a full-portrait walking figure, a Mardi-Gras mask, and a morphed-animal gargoyle.

Louise Spanos ’79

Canvas Collage PaintingGrades 6-9YAPT350.02.DRMonday–Friday, July 22–August 21–3:30pm10 sessionsroom: M202cost: $265

You will learn how to combine traditional paints with new media and not-so-familiar techniques. Explore new possibilities with your artwork and create pieces that expand your creativity and imagination as you create a self-portrait canvas, a Fauvism Landscape, a Boogie-Woogie Abstraction, and an Ekphrastic Response (or a response to one art form with another). You will express in your painting how you feel about a poem or song.

Louise Spanos ’79

Stop-Motion Animation/Claymation Grades 7-12YAAN300.02.DRMonday–Friday, July 22–August 212:30–4pm 10 sessionsroom: GS32/G303cost: $325

Learn how to bring your creative storytelling to life visually, through stop-motion animation! You will write, draw, sculpt, paint, take photos, and edit! If you like to make up stories, take pictures, and make artwork using mixed media, this class is for you! We will begin our class by watching many funny, serious, and amazing stop-motion animations by a variety of artists and learn to recognize and put into effect the principles of animation. Working with a partner or individually, you will make up a short story and write it down. You will learn how to draw an effective storyboard to help tell your story visually. Then you will create your sets and characters using a combination of paper, clay, objects, toys, paint, etc. You will follow your storyboard to shoot your animation using your digital camera and tripod. We will edit and create sound for our animations using Final Cut. Armatures and tie downs will be utilized to make your character magically walk or dance. You will create 1-3 animations each depending on your ideas. Get ready to have some fun! You will take home your animation(s) on a disc. Please bring your own digital camera and tripod.

Adri Nerone ’07

Old Clothes/New LookGrades 9-12YAFM200.02.DRMonday–Friday, July 22–August 29:30am–12pm10 sessionsroom: G214cost: $275

Do your clothes need a face lift? Explore how to fix up your old clothes to make them fresh and fun with the use of a variety of techniques. Summer is the perfect time to experiment with tie dyeing, dye painting, shibori (Japanese dyeing), and bleaching. Scour your closet and gather up your forgotten frocks and we’ll kick-up that floral shirt and tie dye your once-favorite old t-shirt!

Natalie Grieshammer

20 Experimental WeavingGrades 9-12YAFM300.02.DRMonday–Friday, July 22–August 21–3:30pm10 sessionsroom: G214cost: $275

Find out how the ancient technique of weaving can be utilized in new and exciting ways. We will experiment with various materials and basic weaving techniques to build your own new creation. Whether you create a piece of art or a functional object, weaving can be a fun and rewarding technique.

Natalie Grieshammer

Photoshop Digital Scrapbook Grades 9-12YACG350.00.DRMonday–Friday, July 22–August 29:30am–3:30pm 10 sessionsroom: M203cost: $390

Explore Photoshop software by creating daily digital photos from walking trips within the University Circle area. These digital scrapbooks can also include personal drawings, photos, and mementos. Each day will begin with a thought, concept, or specific purpose for which we will then capture images of an object, person, or scene. The scrapbook will be a daily record of our occurrences, experiences, and observations. Upon arrival back to the computer lab, you will upload your photos and drawings and learn how to use Adobe Photoshop to manipulate your images into daily visual journals of our travels. Completed digital scrapbooks will be posted on Issuu.com, a leading digital publisher. Adobe Photoshop experience is not necessary. Your own digital camera is required to participate in this class. Please bring a bag lunch as well.

Irene Eve Chudzik ’89

Exercise the Creative MindGrades 9-12YAFD210.02.DRMonday–Friday, July 22–August 29:30am–3:30pm10 sessionsroom: M200cost: $390

Are you creatively inclined and eager to explore multiple artistic connections? Join us and come full-circle in your artistic endeavors. Each class will center around individual or group exercises to help you develop and expand your artistic skills while nurturing your creative expression. We will explore many avenues including: journaling; creative writing; idea-generating and reference-building in sketchbooks; the use of alternative materials to develop and expand new ideas; and the kinesthetic correlation of visual art and the musicality of design, including the harmony and dissonance of color and art elements. We will also examine the therapeutic effect of using art to focus and calm the mind and body with the ultimate goal of learning to let go of expectations and create your best artwork ever! We will travel to various organizations within University Circle to enhance our artistic journey. Please bring a bag lunch.

Candice Dangerfield

Beginning/Intermediate Jewelry + Metalsmithing Grades 9-12 YAJM100.02.DRMonday–Friday, July 22–August 29:30am–12pm10 sessionsroom: G113cost: $310

Learn the fundamental skills needed to create jewelry and small metalwork. You’ll use copper and brass to create samples in sawing, filing, stamping, soldering, and finishing. A final project will be worked on throughout the class and completed by the end of the class. Projects could include bracelets, earrings, rings, necklaces, or small metal sculptures. These can be made in sterling silver at an extra cost, if desired. Open to beginners as well as intermediate students. More advanced students will be encouraged to work on independent projects. Most materials are included in the cost of the class.

Emily Hunziker

Glass on MetalGrades 9-12YAJM150.02.DRMonday–Friday, July 22–August 29:30am–12pm10 sessionsroom: G112cost: $310

Experience the intriguing process of fusing glass on metal via enamel. Enamel is ground glass in an unlimited range of color that is fused to metal in a kiln. The process of enamel is instantly gratifying and produces results with saturated permanent color. You’ll learn the various skills for creating art and objects that will range from work for the wall, to jewelry, accessories and more. Throughout the course you will complete pieces in one class, up to a few weeks. You will revel in the beauty of this unique form of art. Come with ideas and you’ll leave with some very cool creations!

Amy Green ’11

Studio Photography: Photo Shoot to Print for Young ArtistsGrades 9-12YAPH225.02.DRMonday–Friday, July 22–August 29:30am–3:30pm10 sessionsroom: M315cost: $390

Join us and learn the whole process of studio photography from preparation of a shoot to editing within Photoshop to the final print. You will shoot within a studio and outdoors using various types of lighting to create photographs. This course is for anyone wanting to learn to use light creatively for fine art or commercial photography. Please bring a digital SLR camera and a bag lunch.

Joseph Minek ’11

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21Middle + High School Friendly Adult Classes

Refer to the page numbers below for full course information.

+ Zentangle Inspired Art Journal Page 4

+ Faux Finishing + Mural Design Basics Page 9

+ Making Movies: Technical Basics to Storytelling Secrets Page 10

+ Acting + Directing Page 10

+ Beginning Digital Photography Page 10

+ Intermediate/Advanced Photoshop Page 12

+ Fine Art Photography Special Projects Page 13

Glassblowing for Young Artists Grades 9-12YAGL100.00.DRMonday–Friday, July 29–August 29:30am–3:30pm5 sessionsroom: M403cost: $375

This introductory-level glassblowing class will teach you the basics of manipulating hot glass. Starting with the bubble, you will learn ways to develop blown forms out of glass. We will use basic functional shapes like cups, vases, and ornaments as building blocks to gain an understanding of how glassblowing works. Each class we will add a different type of blown form to try; however, you will be encouraged to bring ideas of shapes and forms that you would like to blow. Please bring a bag lunch.

Chadd Lacy

Portraiture Grades 10-12YAPT400.02.DRMonday–Friday, July 22–August 21–3:30pm10 sessionsroom: G305cost: $310

Mirror, mirror on the wall—who is the fairest of them all? You’ll look at your reflection in a whole new light! We will use acrylic paint to study the art of portraiture. We will sketch from models, study facial anatomy, and also focus on expressive forms of interpretation.

Melissa Oberdoester

Portfolio PreparationGrades 10-12YADR700.02.DRMonday–Friday, July 22–August 29am–12pm10 sessionsroom: G304cost: $375

This course will help you to put together a stronger portfolio needed in applying to art colleges, as well as the fabulous benefits of improving your drawing skills, the joys of trying different drawing materials, along with showing you what an art college is actually looking for in your portfolio. Besides enjoying the classroom explorations and drawings assigned outside the classroom, you will get to engage in the occasional critique in a fun and informative way. The goal of this course is to help you reach a higher level of skill in the creation of your own artwork. Parent permission is required for life drawing because of nude models.

Eddie Mitchell ’87

“I enjoyed being able to make anything I wanted with metal.”

“I loved my class!”

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23Lincoln Adams is a Gund Award winner and alumnus of the Cleveland Institute of Art who has worked for 15 years as an illustrator, storyboard artist and designer. His projects have included magazines, television shows, character design, book covers, and greeting cards. Lincoln was selected to the 47th Annual Society of Illustrators West Show in Los Angeles. Recently he finished work on the popular animation, Veggie Tales. He is also currently working with Disney sculptor and CIA alumnus Zack Petroc on a sculpted novel, as well as his third picture book. Lincoln resides in Peninsula with his wife, two daughters, and son.

Karen D. Beckwith is a Tamarino Master Printer who graduated from the Tamarino Institute of Lithography in 1998. She received her BFA from the Cleveland Institute of Art in 1987. Karen is currently the Technical Specialist and Master Printer in the CIA Printmaking Department.

Christi Birchfield received her BFA in printmaking from the Cleveland Institute of Art in 2006 and in 2010, received her MFA in visual art from Columbia University. That following summer she attended Skowhegan School of Painting and Sculpture. Christi’s work is part of the permanent print and drawing collection at the Cleveland Museum of Art and the Cleveland Clinic Contemporary Collection. She has exhibited work both nationally and internationally in cities such as New York, New Orleans, and Qijiang, China. Most recently, Christi had solo exhibitions at William Busta and SPACES galleries in Cleveland.

Irene Eve Chudzik received her BFA and MA from the Cleveland Institute of Art and Case Western Reserve University, respectively. She is a visual communication art teacher with East Cleveland City Schools.

Terry J. Clark II earned his MFA in painting from Kent State University in 2004 and his BFA from the Cleveland Institute of Art in 2002. Terry’s artworks have been featured at the Cleveland Museum of Art, Ingenuity Festival, Asterisk Gallery, and CSU Art Gallery. Terry has taught 2D and 3D design at Cleveland State University and drawing at CIA. Terry paints with acrylic and watercolor paints and makes sculpture from found objects. His subject matter inspiration comes from Earth Sciences and observing the natural world. The concepts of natural light, optics, and color are reoccurring themes found in his artworks.

Robert Coby has gained glassblowing experience working with glass artists in the region, but developed most of his glassworking knowledge through time spent at the Cleveland Institute of Art, where he received his BFA in 2011. He has also worked with the Cleveland Museum of Art co-curating the exhibition Studio Glass in Focus: Dialogue and Innovation. Robert is currently a member of Benchmark Studio, working to expand his own body of blown work.

Candice Dangerfield is an artist, educator, and advocate for creative learning through the arts. Her undergraduate education includes study at Cleveland Institute of Art and Bowling Green State University where she earned her BFA in drawing and painting in 2001. She then completed a post-graduate teacher licensure program at Notre Dame of Ohio. Candice is an instructor at Cleveland Museum of Art, CIA, and also conducts on-site art activities in home-school and non-traditional settings. Her artwork is currently on display at several Cleveland venues including Grovewood Wine Tavern in North Collinwood, POLITIX ultra lounge in Mayfield, and she is a featured artist at Cleveland Hopkins International Airport. Her work has been exhibited and awarded the National Scholastic Hallmark Gold recognition at The Corcoran Gallery of Art in Washington, DC.

Susan Danko has been creating and exhibiting her paintings both nationally and internationally since receiving a BFA from the Cleveland Institute of Art in 1998. Susan has participated in juried, solo, and invitational exhibitions at a variety of venues including the Cleveland Botanical Garden, The Butler Institute of American Art, and SPACES. Susan’s paintings may be seen at Bonfoey Gallery, Cleveland; Harris-Stanton Gallery, Akron; or at dankoart.com.

Mike Davis currently lives in Cleveland and is working at his studio in Midtown. He received his BFA from the Cleveland Institute of Art in 2012. Mike uses many small pieces of colored glasses, called murrini or murrine, which are applied to the glass while hot. Those pieces of glass are combined to create patterns that he uses in his vessel series. Mike is a guild member at the Kennedy Heights Art Center in Cincinnati. He also shows work at Artful Living Boutique in Gordon Square’s art district. You can see more of Mike’s work at mikedavisglass.com.

Savannah Farris Dugan received her BFA in interior design from the Cleveland Institute of Art. Savannah is currently an interior designer with Bialosky + Partners in Shaker Square, working on a variety of commercial projects. She is a Leadership in Energy + Environmental Design (LEED) Accredited Professional with a specialty in Building Design & Construction (LEED AP BD+C) and has studied sustainable design intensively. Savannah has also worked with the Green Building Certification Institute on developing questions for LEED exams.

Lindsey Felice received her BFA in fiber and material studies from the Cleveland Institute of Art in 2008. She has also instructed courses in bookbinding and printmaking for the Interlochen Center for the Arts, the Temple-Tifereth Israel, and the Lorain Public Library system. Lindsey currently works for Oberlin College’s Special Collections Library and Preservation departments.

Domenic Fiorello is a graduate from Rochester Institute of Technology’s furniture design program. Upon graduation, he was asked to attend the program as a Studio Resident. He has shown in prestigious exhibitions such as Regeneration: Fine Woodworkers Under 30 in Maine, and Model Citizens NYC during Design Week in SOHO, NY. His work has been published in magazines worldwide including Modern in Denver, AWM in Netherlands, Artbox Magazine in UK, and many others.

Lisa Gruber Gebby received her BFA from the Cleveland Institute of Art in 1993 and is Principal of GruberDesign, LLC. GD is a design and interactive firm located in Cleveland focusing on creating highly engaging experiences that inspire and educate. They solve problems using Design, Print, Web, and interactive technologies while empowering their clients with education to be sustainable. Visit GruberDesignllc.com.

Kidist Getachew was born in Addis Ababa, Ethiopia. She came to the United State in 1982 and has been living and working in Cleveland since 1983. Artist and educator, having received her MFA in Digital Arts, Kidist currently teaches at the Cleveland Institute of Art and spends the rest of her time working on various projects between Cleveland and her native country, Ethiopia. Her artwork closely and poetically observes cultural and social interactions. Kidist’s video works have been exhibited in and around Cleveland and Washington DC since 2002 and have won her prestigious awards.

24 Adri Nerone received her BFA in T.I.M.E.–Digital Arts at the Cleveland Institute of Art in 2007. She has taught at the Cleveland Institute of Art, Cuyahoga Community College, John Carroll University, and The Cleveland Museum of Art. You can view Adri’s work at adrijanana.wordpress.com.

Melissa Oberdoester received her BA from Cleveland State University. She has shown her work in galleries throughout the Cleveland area, most recently at Walleye Gallery in the Gordon Square Arts District. Melissa has worked as a scenic painter for the Chagrin Valley Little Theater, and over the last year has curated exhibitions at various galleries including Walleye Gallery and Serafino Gallery in Little Italy.

Jessica Pinsky received her BFA from New York University and her MFA from Boston University in 2009. Her work is a bridge between painting and sewing as she continues to manipulate fabric as one would create a painting. Jessica is the Technical Specialist in CIA’s department of Fiber + Material Studies and she is also an adjunct professor in Foundation department.

Daniel Pruitt has been professionally involved in glass fusing for the past 12 years. He holds a BS in Art Education and an MFA from Kent State University. In 2003 he was invited to present at the Bullseye Glass Company’s 1st Annual BeCon International Educator’s Conference in Portland. His presentation dealt with the connections between chemistry and glass fusing in the art classroom. He and his chemistry colleague developed frit color concentrates in the chemistry lab to be used by art students who then created glass pendants in the art classroom. Dan taught art for 21 years at North Olmsted High School and was selected as Teacher of the Year 2010 for the North Olmsted City Schools. Dan’s work has been exhibited in numerous galleries, the Cleveland Museum of Art, and is held in private collections. His article “The Three Keys to Successful Grant Writing Revealed” was published in the July 2011 issue of Glass Craftsman. He currently operates and teaches at the Daniel Pruitt Studio located in the Lake Erie Screw Building in the Templar Industrial Park in Lakewood, OH.

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Stephanie Miller-Davis recently retired after teaching art for 35 years in public schools. In 2001, she was recognized as an Outstanding Art Teacher by the Ohio Art Education Association. Her preferred medium is clay. Stephanie’s work has recently been featured at Tri-C Eastern Campus Gallery, Heights Arts, and the River Gallery in Rocky River. She is currently working in a new warehouse studio location producing mainly functional ceramics.

Joseph Minek received his BFA in film, video, and photographic arts from the Cleveland Institute of Art in 2011 and his MFA in photography and film from Virginia Commonwealth University. He has exhibited his work throughout the United States in spaces such as the Cleveland Museum of Art, Photostop Gallery, Anderson Gallery, and the Cleveland Foundation. Joseph has received numerous awards including the Joyce Seid Memorial Scholarship for Excellence in Photography.

Eddie Mitchell received his BFA from the Cleveland Institute of Art in painting and drawing in 1987. While having maintained a full-time studio for the past 26 years, Eddie has taught art classes at Lakeland Community College for the past 19 years. His work is represented in several galleries across the country. Eddie has been in over 150 art shows, created numerous commissioned pieces for public locations, and to this point, he has sold over 1,000 paintings.

Michelle Marie Murphy creates photography and video art about beauty tools. She received a BFA in photography from the Cleveland Institute of Art in 2004. Michelle’s artwork has been published and exhibited internationally, including exhibitions in Geneva Switzerland, Chicago, and San Francisco. She is a professional photographer at the NASA Glenn Research Center and co-curator of the art and culture online magazine MAKE8ELIEVE. In 2012/2013 her work was featured in DISCOVER Magazine, Buzzfeed, Art & Science Journal, DivineCaroline, SFMOMA Tumblr, NATIVE Publications, Maybelline NY Tumblr, Newsweek and the Daily Beast—Picture Dept Tumblr, 20×200, Popular Photography magazine, and the Drawing Center Viewing Program.

Amy Green received her BFA in jewelry + metals with an emphasis in enamel from the Cleveland Institute of Art in 2011. Since then she has been the Artist in Residence for the Enamel department. Amy is a life-long Cleveland-area resident and is the owner of Forever Keepsake Designs. Visit foreverkeepsakedesigns.com for more information.

Natalie Grieshammer will receive her BFA in fiber and material studies from the Cleveland Institute of Art in 2013. She loves Cleveland and is excited to be a part of the art scene.

Emily Hunziker, from Los Angeles, came to Ohio specifically for the jewelry + metals program at CIA. She will begin her fourth year in the major and is thrilled to be given the opportunity to teach. Emily has been interested in the arts her whole life and plans on furthering her career as an artist jeweler.

Maura Kinsella-Paige earned a BFA in graphic design with a minor in painting from the Cleveland Institute of Art. She is a freelance artist focusing on graphic design and portrait painting. Maura has taught several classes in portrait painting and has been teaching in CIA’s Young Artists Program for the many years.

Elinore M. Korow, a nationally known portrait artist, is a graduate of the Cleveland Institute of Art. She was a designer for American Greetings Corporation and has had her own portrait studio since 1973. She has been in numerous major national and international exhibitions including National Academy of Design, New York; Grand National at the World Trade Center, New York; Rocky Mountain National Water Media Show, Golden, CO; and American Watercolor Society National Traveling Show, Washington, DC. Elinore is an Ohio Watercolor Society charter member.

Chadd Lacy received his BFA from Tyler School of Art in Philadelphia and has been the Technical Specialist in the Glass department at CIA since 2005. Chadd works with blown and cast glass techniques and has exhibited internationally. Check out Chadd working in the glass studio on YouTube—go to CIA Studio Spotlight: Glass.

Kaetlyn McCafferty received a BFA from the Cleveland Institute of Art in 2012 with a major in drawing and minor in photography. Kaetlyn has exhibited her work internationally in spaces such as the The Courthouse Gallery in Ennistymon, Ireland and the Cleveland Foundation. Her work is within permanent collections in Florida, Ohio, Kentucky, and Ireland. Kaetlyn’s work encompasses ideas about myth and lore. She is currently focusing on her studio practice.

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25Jennifer A. Reis, currently faculty at Morehead State University, received undergraduate and graduate degrees in Studio Art and Museum Studies from Columbus College of Art and Design, Syracuse University, and Morehead State University, as well as numerous fellowships and awards for her textile artwork. As an actively exhibiting and award-winning artist, her work has been shown at Womanmade Gallery, Kentucky Museum of Art and Craft, Turchin Center for the Arts, National Quilt Museum, Dairy Barn Art Center, Indianapolis Arts Center, Art St. Louis, Reece Museum, Southern Ohio Museum, Appalachian Artisan Center, among others. Jennifer’s work has been featured in Art in America, ArtForum, Fiber Arts, Fiber Art Now, Surface Design Journal, and she was a featured artist in Creative Quilting with Beads; a Lark Crafts publication. As a teaching artist, she has worked with the Society of Contemporary Craft, Surface, Design Association (Confluence Conference), Craft Alliance, CIA, Kentucky Museum of Art and Craft, and the University of Kentucky.

Lisa Ruschman is a mosaic artist with nearly 20 years of technical experience designing and fabricating commissioned works for residential as well as public installations. She has built a reputation for creating functional mosaic art, using a variety of traditional and contemporary mosaic techniques. Lisa is the owner of Stained Glass Garden in Mentor, Ohio and is also a certified Zentangle® instructor.

José Sacaridiz studied art and painting at Pratt Institute and the National Academy of Fine Arts in Florence, Italy. He received his BA with a concentration in fine arts and creative writing from the State University of New York. He has repeatedly been chosen by the Haystack Mountain School as a resident artist. In 2004 he traveled to Peru, teaching art throughout the country. Upon his return, he accepted the position of Faculty Artist at the Vermont Center for the Arts. His teaching has spanned a wide range of ages and disciplines from pre-K to senior citizens. The result has been a mastery of many mediums and a diverse body of work. He is currently Artist in Residence at the Cuyahoga Valley Arts Center.

Andrew Simmons graduated from The Ohio State University with a degree in ceramics in 2002. He worked as a studio assistant in a porcelain shop in NYC for several years before returning to Ohio for graduate school in 2009. Andrew graduated with an MFA in ceramics from Kent State University in 2011 and worked as a sabbatical replacement at the Cleveland Institute of Art. He makes sculpture with clay, makes drawings with paint, and loves all kinds of things.

Amy Krusinski Sinbondit is a ceramic artist with an MFA from the Rhode Island School of Design and a BFA from the University of Toledo. Most recently, she was commissioned as a featured artist in the Cleveland Museum of Art’s new Gallery One which includes Amy’s instructional videos and interactive application. Amy was also awarded an Ohio Arts Council Individual Excellence Award in 2009 for her ceramic sculptures which explore capturing paths of movement in the form of three-dimensional lines and further investigate the rhythm, harmony, and interactions of these pathways through form, surface and color. Currently, Amy works as a studio artist and at the Cleveland Institute of Art as the Technical Specialist in Ceramics. For more information please visit amysinbondit.com.

Louise Spanos has taught in the Avon Lake City School District for over 25 years. She studied Art as a student at the Cleveland Institute of Art, Case Western Reserve University, and abroad in Rome, Italy, and holds a Master’s Degree in Curriculum and Instruction. Louise has raised two children of her own who are the pride of her life!

Elizabeth Staiger received her BFa from the Cleveland Institute of Art in 2009. In that same year, she was awarded a Windgate Fellowship from the Center for Craft Creativity and Design. Elizabeth is an active working metalsmith who maintains her own studio. She is also currently the Technical Specialist in the Jewelry + Metals department at CIA and truly enjoys teaching Continuing Education classes. To learn more see her work visit elizabethstaiger.com.

Scott Stibich is a Cleveland-based artist who holds a BFA from the Cleveland Institute of Art in sculpture. His work has been on display at The Sculpture Center, the Cleveland Museum of Art, and the Urban Institute of Contemporary Art in Grand Rapids, MI. Recently Scott was recognized by Cleveland Public Art with the See Also Award and was selected to install a site-specific temporary installation in the Cleveland Public Library Eastman Reading Garden in the spring of 2012.

Lauren Voss is a freelance video artist, animator, and editor as well as a musical performer and recording artist. She has worked for many small production houses as well as several local television stations including PBS ideastream. She has also exhibited her video art in several galleries across Cleveland and performs regionally with her two musical projects Arms & Armour, and Blaka Watra. Currently, she is filming her first full-length documentary. Lauren received her BFA in T.I.M.E. from the Cleveland Institute of Art in 2005. She has two cats and loves chocolate.

Linda Zolten Wood earned her BFA from CIA in 1987 and began as a theater properties artist at the Cleveland Play House and a set painter at Cain Park. Her work is influenced by travels in India where her palette was greatly expanded, and their ethic of ‘no waste’ where everything is fixed or reused in some way, changed her approaches the material world. Linda has been commissioned by Ingenuity Festival and Cleveland Public Theater, where she co-designed an installation and poster for Atomic Vaudeville, 1995. Among her solo exhibits is The Corning Gallery in Cleveland Museum of Natural History. Linda recently received a CPAC Artist in Residence Grant for her Collinwood Painted Rain Barrel Project, where she led a jury to select ten local artists to paint their designs on 50 gallon rain barrels which are then auctioned to the community. She wants to encourage water conservation, while supporting artists and foster pride in the owners of these beautiful works of practical art. See the artists’ work at the Collinwood Painted Rain Barrel Project on facebook and view Linda’s work online at Zolten Wood Design.

Ted Zbozien is currently an Assistant Professor at CIA teaching classes in Digital Cinema and Acting and Directing. He has over 20 years of experience in all aspects of film and video production—working with many studios, agencies and production houses in Cleveland, New York, and LA. Ted has worked on feature films, television commercials, and music videos. Two documentaries that he created for PBS were nominated for Emmy Awards.

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Registration Begins April 3, 2013Adult Courses Begin June 3, 2013Young Artists Courses Begin June 17–June 28, 2013 and July 22–August 2, 2013

Cleveland Institute of ArtContinuing Education + Community Outreach11141 East BoulevardCleveland OH 44106

Lisa Kramer Reichel, Director216.421.7461 phone

Tom Berger, Assistant Director216.421.7460 phone

ce@cia.edu | cia.edu/continuinged

Registration + FeesRegistration begins April 3, 2013 and runs until the first day of each individual class. Early registration is advised as classes tend to fill quickly. Full tuition must be received at the time of registration. You are not considered registered for a course until full tuition is received. You will receive confirmation of registration by mail from the registrar within two weeks of payment. Please be advised that if you register less than two weeks before classes begin, you will not receive a confirmation in time for the first class. A $35 insufficient funds fee will be charged for returned checks.

Online: my.cia.edu/ceco

FaxFax your completed registration form with MasterCard, VISA, or Discover number to 216.421.7333. Only MasterCard, VISA, and Discover are accepted.

MailMail your completed registration form with a check payable to the Cleveland Institute of Art or MasterCard, VISA, or Discover number to:

Cleveland Institute of ArtBusiness Office11141 East BoulevardCleveland OH 44106

Walk-inRegister in person at the office of Continuing Education + Community Outreach11141 East BoulevardCleveland OH 44106Room G218-1M-F, 9am–5pm

RefundsTo obtain a tuition refund, please send written notification. There is a $50 non-refundable processing fee for all refunds not initiated by the Institute. Processing of refunds may take up to three weeks.

Refund Schedule+ Written notification received one week (seven days) prior

to class start date will receive 100% tuition refund minus the non-refundable processing fee of $50.

+ Notification received four to five days prior to the start of the class will receive a 50% tuition refund minus the processing fee of $50.

+ Notification received three days prior to the start of the class, 0% tuition will be refunded.

Please note: Decisions to run the course are made based upon the number of paid registrations.

CancellationsClasses may be cancelled due to low enrollment. If you are registered for a class that is cancelled you will be offered the opportunity to enroll in another available course or have your full tuition refunded. Decisions on class cancellations are made up to three days before courses begin. Early registrations lead to more courses that run, so we suggest that you register early.

Missed Classes If you are unable to attend a scheduled class, we regret that we will not be able to excuse you from payment or reimburse you for the missed class. Informing your instructor of an anticipated absence would be appreciated. If an instructor cancels a class, we will attempt to reschedule that class.

Emergency School ClosingsClass cancellations will be announced via local Cleveland-area TV and radio stations. Classes closed due to an emergency will not be rescheduled, nor will tuition be reimbursed. If an emergency prompts the closing of the same class for a second time within the same semester, that class will be rescheduled.

Where is my class?

Classrooms beginning with M: Joseph McCullough Center for the Visual Arts11610 Euclid AvenueCleveland Ohio 44106

Classrooms beginning with G: Gund Building11141 East BoulevardCleveland Ohio 44106

The gates at the parking lots will be open 30 minutes before classes begin.

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es28 BASIC Workshops for Art Instructors

Through the Basic Art Support in the Curriculum Program (BASIC), CIA sponsors visits designed to offer art enrichment opportunities to art educators in Northeast Ohio’s primary and secondary schools. Next workshop dates are: Thursday + Friday, July 11 + 12, 2013 and Saturday, October 19, 2013. Please check out our website for more information: cia.edu/continuinged.

This program is made possible with the generous support of The Martha Holden Jennings Foundation.

Pre-College

We will offer several two-week long residential Pre-College classes this summer, July 7 to July 20, 2013. This is a perfect opportunity for high school students considering art school or a career in art + design to get a taste of the real thing! Class options will include: Abstraction + Expression through Drawing, Animation, Biomedical Art: Anatomy for the Artist, Ceramics, Digital Imaging: The Still + Moving Image, Exploring Identity through Print + Enamel, Fashion-Jewelry-Accessories, Foundation in Art + Design, Game Design, Glassblowing, Graphic Design, Industrial Design, Interior Architecture, and The Poetry of Painting.

+ Study with professional artists and designers

+ Learn about careers in art and design+ Earn college credits+ Experience college life+ Meet with a CIA admissions counselor+ Build your portfolio

For more information on CIA’s Pre-College program, check out our website: cia.edu/precollege.

Fall Classes

Our fall adult classes will start the week of September 23, 2013. Our young artists session will begin on Saturday, September 28, 2013. Look for our fall catalog of offerings to be available in July.

Special Cinematheque Discount for Continuing Education Students

Show your class registration form at the Cleveland Institute of Art Cinematheque box office and you will be admitted for the member price of $7 (instead of $9) for most movies! You can check out the Cinematheque film schedule at cia.edu/cinematheque. The Cinematheque is proud to have been named “one of the country’s best repertory movie theaters” by The New York Times.

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“ This was an intense glimpse of college that let me dip my fingers into as much experience as possible.”

29Experience Art: Save the Date!

Reinberger Galleries in Gund Building + Project Site in Joseph McCullough Center for the Arts

Where + when: The Gund Building is at 11141 East Boulevard. Summer gallery hours: Monday–Friday, 10am–5pm. Closed Saturdays and Sundays. Project Site is located in the Joseph McCullough Center for the Arts located at 11610 Euclid Avenue.

The Institute distributes a monthly e-newsletter with announcements of exhibitions, receptions, public lectures, and other events. To subscribe to the e-newsletter, please contact friends@cia.edu.

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March 18–April 20, 2013, Project Site Technical Spectacle highlights the talents of CIA’s Technical Specialists, featuring works in a variety of mediums including fibers, glass, ceramics, painting and printmaking.

March 29–May 4, 2013, Reinberger GalleriesJenny Perlin, Brooklyn-based artist, pays tribute to artistic blunders and manual missteps. She draws on history, cultural studies, literature and linguistics with deliberate illusive presence, interpreting moving images as weightless and enigmatic speech.

Steve Roden is a visual and sound artist from Los Angeles. Roden’s work evolves out of the unlikely pairing of the conceptual and the tactile; think squeaky snow. If you listen carefully you might hear John Cage recite Walter Benjamin.

Beat Zoderer, a Swiss-born artist, makes his United States solo show debut with a liberation of color and form. Improvisatory and idiosyncratic, Zoderer will be on hand for two-weeks during which he will set up a wildly engaging installation of hardware store materials.

Bill Smith, born in in Belleville, Illinois in 1961, combines mechanical engineering, biology, and sculpture into playful Newtonian puffballs. His elaborate installations are vibrant and complex experiences of nature, intricate constructions that dangle and dazzle the eye. Bill Smith’s sculpture invokes the wonderment of science in a mad-scientist-tinkering-in-his-lab sort of way. —The New York Times

May 20–August 9, 2013, Reinberger Galleries + Project SiteCIA Student Summer ShowWith over 1,200 objects of art and design exhibited throughout the Joseph McCullough Center for the Visual Arts in a one-week span, CIA’s Bachelor of Fine Arts Thesis reviews are easily the most comprehensive visual art event of the year in Northern Ohio. The Student Summer Show presents the best of this year’ BFA Thesis Show work as well as a selection of notable work by CIA’s sophomores and juniors.

+ BASIC Workshops for Art EducatorsJuly 11 + 12, 2013 and October 19, 2013

Art educators, join us for enlightening, informative, and fun day-long workshops in drawing, enamel, jewelry, and more at the Cleveland Institute of Art. The fee includes a workshop, a delicious lunch, and all materials. CEU credits are available. Visit cia.edu/continuinged or call 216.421.7460 for more information.

+ Pay-As-You-Go Life DrawingWednesday evenings, 7–9pmJune 5–August 21 $15 per session

Attend eight Life Drawing Sessions for the cost of six and save $30! Purchase a Life Drawing Pass for $90! Passes will be available at each Life Drawing session.

Bring your favorite drawing supplies for this opportunity to improve your drawing skills, moderated by Eddie Mitchell. No advance registration. Pay at the door. Call 216.421.7460 or email tberger@cia.edu for more information.

Help us save a tree! If you receive duplicate catalogs, please let us know. Email tberger@cia.edu and note your full name and address as it appears on this catalog. Thank you!

Cleveland Institute of ArtContinuing Education + Community Outreach 11141 East BoulevardCleveland OH 44106

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P A I DCLEVELAND, OHPERMIT NO. 3639