JOHN ffRENCH P 2ECOLOGY, MYTHLOGY,

TECHNOLOGY P 28

A chartered engineer, Úna comes to Kilkenny from Dublin, where her former position was as Industry Director of Engineers Ireland, Ireland’s largest professional body of 23,000 members. There she was responsible for the development and promotion of lifelong learning amongst engineers and promotion of engineering as a career ofchoice to students as well as the provision of services for more than 35 societies. “Even though there are differencesbetween the crafts and engineering industries there are many synergies. From an organisational view point our roles and objectives are very similar, and from an industry perspective the challenges are not too dissimilar either. Education,innovation and life-long learning are key” said Úna.

Previous to this, Úna studied mechanical engineering at Boston’s Northeastern University and is holder of a Mastersof Science in Advanced Manufacturing Systems from Brunel University. She began her career with Braun in bothCarlow and Frankfurt and later moved to parent company Gillette in Boston where she designed and developedmachines used in manufacturing processes.After ten years, she joined Nixdorf Computers as a production engineer.This was followed by engineering and management positions with Bausch and Lomb in their Rayban Sunglass Divisionwhere she later became Global Strategy Manager responsible for implementing change across manufacturing plants in Europe, Asia and the Americas.

In 2000, Úna set up her own business, uPsolutions, offering consultancy to engineering, business and arts organisations.As director, Parsons organised exhibitions and conferences, oversaw print and design production and travelled extensively to international studios and exhibitions. In addition, Úna has served on several executive boards, including:Waterford Chamber of Commerce; Engineers Ireland;Waterford Healing Arts Trust and the Glass Society of Ireland.She is a former lecturer in Operations Management in Waterford Institute of Technology’s MBA programme.Commenting on her new post Úna said: “I am thrilled to have the opportunity to work in such an exciting enterprisesector and to be part of its future success. Over the years I have developed a passion for collecting glass and have travelled extensively to learn more about the techniques and people involved in this ancient art form.The Council’s futurestrategic vision requires leadership, ownership and participation from all active members of the Crafts Industry. Our aim isto create a new public awareness and understanding of craft, encourage and stimulate innovation in product developmentand design, and to provide key market opportunities, business training, and life-long learning. Working together, I am confident that we can forge and secure a compelling future for the crafts Industry for the years ahead. I look forward tomeeting and working with you all”.

Úna Parsons

Úna Parsons, the newly appointed CEO of the Crafts Council of Ireland

“On behalf of the board and staff of the Council I would

like to welcome Úna to her new post. Úna is bringing an

impressive skill set to the Crafts Council of Ireland in her

position as CEO. In particular, her expertise in design,

engineering, management, entrepreneurship and arts

endeavours will guarantee the CCoI’s continued success

in ensuring the long term sustainability and success of

the Irish craft sector” said Gerry Wycherley, Chairman, CCoI.

News and ReviewsP 2 A Life in Colour - John ffrench

P 4 Department Store & Garden Projects

Lifestyle Area & Trend Seminars

P 5 Regional Access

eBay Update

P 6 Craft and Criticism - A New Dialogue

P 12 CRAFT IT - Paypal

EducationP 8 3rd Level Awards Announced

P 11 2nd Level Education Pilot Initiative

RDS Winner Announced

Community NewsP 14 ‘Craft Meets the Catwalk’

… at Louth Craftmark

New Website for Westmeath Craftspeople

Donegal Designer Living Exhibition

P 15 Sculpture in Context

Jane Jermyn exhibits at …

INTO Leitrim

OpportunitiesP 16 CCoI 50% Scheme

CCoI Subsidised Photoscheme

P 17 Trainer sought for CCoI

CCoI Research Missions

P 18 GANS Development Seminar

Workshops / Mentoring Clinics

CCoI 2nd Level Programme Initiative

P 19 Submissions sought for NCG Exhibition

Dates for Diary P 20 Listings

Advertisements P 22 Advertisements

Exhibitions - Events P26 Snapshots - A Light Fantastic

P27 Gallery News

P28 Upcoming Exhibitions

News and Reviews 2

John ffrench, his wife Primm, children and grandchildren madethe journey from Kinvara in Galway and the USA for this muchanticipated showcase of the great artists life’s work. Featuringpieces from 1951 to 2007, guests poured into the gallery to wander through a chronological showcase of his fantasticallycolourful creations.

He acquired his pottery skills in Florence in the early 1950s. His subsequent travels in India and Iceland had brought many other influences to bear on his work, which show up in the different stages of his career. His Irish work was made in Kilkenny and Arklow in the 1950sand 60s prior to his move to the USA in 1969. Since 1993, he has alsobeen producing work from his holiday studio at Kinvara, Co. Galway. Hisimportance lies in the fact that his early work was so different from that ofhis contemporaries, and it predated the revolution that occurred in Irishceramics in the 1970s by some twenty years.

Because John lived in so many places, his work was very scattered andPeter borrowed pieces from family, friends and collectors based all overthe world. He was particularly pleased to see so many of these peopleturn up for the opening. Guests on the day also included Sir ChristopherFrayling, Chairman of the Arts Council of England and Rector of The RoyalCollege of Art.

Extract taken from the John ffrench Exhibition Catalogue, ‘A life in Colour : A RetrospectiveExhibition of Irish Ceramic Artist John ffrench’ by Peter Lamb. See page 3.

Curator Peter Lamb, was the ideal person to put this huge body of worktogether. A collector of Irish pottery, he became passionate about John’swork because it was “so different to everything else. His use of form wasso free, his pieces had a lovely mediterranean sense of colour and,through his many travels, he had a wonderful sense of the freedom ofinternational modernism.”

Peter spent two years studying John’s work for an MA and when theCrafts Council of Ireland decided to honour the artist with their firstever lifetime achievement solo exhibition, he was the perfect man to putit together.

“I was thrilled the Crafts Council of Ireland decided to honour Johnffrench because of the important contribution he has made to Irish pottery. He initiated a trend that was taken up by younger Irish artists artists like Cormac Boydell. This retrospective has a huge educational value” said Peter.

John ffrench, alone in this country, took his inspiration from theMediterranean region, and introduced a much freer style into Ireland.Using bright majolica colours and the experimental forms of Italian

A Life in Colour: A Retrospective Exhibition of Irish Ceramic Artist John ffrenchHundreds turned out for the opening of ‘A Lifein Colour: A Retrospective Exhibition of IrishCeramic Artist John ffrench’ at the openingweek of Kilkenny Arts Festival.

A beautifully illustrated and detailed catalogue accompanies ‘A Life in Colour:A Retrospective Exhibition of Irish Ceramic Artist John ffrench’.

To purchase a copy contact:

The National Craft Gallery Kilkenny.T: 056 7761804,E-mail: ncg@ccoi.ie

News and Reviews3

“….Using bright colours and experimental forms of Italian modernism,

he [John ffrench] introduced an excitement into Irish Pottery that

had not been there before”. Peter Lamb, Exhibition Curator

modernism, he introduced an excitement into Irish pottery that hadnot been there before.

‘A life in Colour’ was opened by Dr. Pat Wallace,Director of the National Museum of Ireland. In hisspeech, he spoke of the immense contribution Johnffrench has made to Irish Ceramics. He also spoke of

the success of the joint purchase scheme between the NationalMuseum and the Crafts Council of Ireland. Now almost five yearsold, he said it has “significantly increased the Museum’s holding ofcontemporary Irish applied art.” He went onto say that he wouldlike to see this fund significantly increased to reflect the hugebody of work now been made by Irish craftspeople. Indeed theMuseum made another purchase on the day, adding one of Johnffrench pieces to their permanent collection.

Perhaps most encouragingly, Dr Wallace also said he had plans todevelop the Design Department in the Museum as a reflection onthe historical significance of national and international design of the20th Century. This will include a look at the work of the KilkennyDesign Workshops, which made a major contribution to moderndesign in Ireland.

The National Museum and the Crafts Council of Ireland will continueto co-operate on future exhibitions both in the Museum and theNational Craft Gallery.

After his speech, Dr Wallace was presented with a piece made byJohn ffrench.

‘A Life in Colour’ runs until 7th October 2007 at the National Craft Gallery,Kilkenny. For gallery opening times see page 28.

Sir Christopher Frayling (Rector Royal College of Ar t also Chairman of theArts Council of England) and John ffrench at John's exhibition of work in

the National Craft Gallery

For more National Craft Gallery News & Reviews see pages 26 - 28

News and Reviews 4

Department Store & Garden Centres Project - an update

After a very productive meeting with interested makers, in the Aisling Hotel in Dublin,a group of 18 makers submitted product for pre-selection and feedback for ArnottsDepartment Store in Dublin and the Arboretum Lifestyle and Garden Centre in Co.Carlow. Buyers from each outlet gave very positive and constructive feedback as tothe type of product that would appeal to their customer base and this informationwas provided to the makers. Discussions are on-going with Arnotts - however, we feelthat offering retailers one point of contact (i.e. one invoice, one delivery, one salesnegotiator) is not currently an option and other alternatives are being investigated.

Indepth discussions took place with the Arboretum team, and a decision was taken toput forward a selection of craft tailored to their consumer in mid September. Theirdepth of understanding as to their consumers needs was impressive and has given themakers involved a real feel for the type of product that will be required.The aim is tohave a dedicated craft area in-store by mid-February 2008.This will act as a pilot andif it is successful we hope to work with other lifestyle-focused Garden Centres aroundthe country.

Both of these projects are part of the Crafts Council of Ireland’s Access strategy - which also includes the Regional Access Programme (see update on page 5) andwhich will include a Retailer Relationship Programme (currently under development)for existing retailers - to encourage them to stock more volume and variety of craftand to assist where possible the promotion of craft to consumers.

If you would like to get involved in future access projects please register your interest in Retail Access Programmes

with Emma or Mary E: info@ccoi.ie and we will keep you informed of opportunities as they arise.

Planning is well under way for Showcase 2008. Following the success of previous years, we will be continuing with theLifestyle Area and the Trend Seminars with MichelleLamb. The next issue of Stopress will feature an interviewwith Michelle - so watch this space.

We are currently finalising the themes or trends that will be depictedin the Lifestyle area and an e-mail will be going out to all CCoIShowcase exhibitors in late September calling for product under thesethemes - so if you are exhibiting in 2008 (either on your own or on agroup stand) please keep an eye out for the e-mail. If you have notbooked or confirmed your stand, please do so as soon as possible toincrease the your chances of inclusion in this promotion.

The purpose of the Lifestyle Area is to highlight to buyers the currentand upcoming trends and to show them how well craft responds tothese trends.This has proven very popular with buyers and membersof the media - often making them look at craft items in a new light.

For further information contact:Nicola Doran T: 056 7796153 E: nicola@ccoi.ie

Lifestyle Area & Trend Seminars

Kieran Forde

eBay - An UpdateCCoI, in conjunction with eBay Ireland, ran an information seminar on the 18th of September aimed at highlighting the potential of eBay as a sales route for Irish craftspeople. eBay Ireland had approached CCoI because they believed from their research andexperience that there is a very real opportunity to sell Irish craft on eBay.

The purpose of the seminar was to enable craftspeople:

• to weigh up if eBay is for them• to learn the tools to get selling• to hear about further options - if they find that eBay is working for them, such as group selling

There is likely to be further eBay Seminar opportunities happening in the regions over the coming months - so keep an eye out in Stopress and/or the CCoI website for further updates, www.ccoi.ie

If you would like to be contacted regarding eBay information or updates: please e-mail info@ccoi.ie to be added to the eBay information mailing list.

Regional AccessTwo New Regional Craft Outlets are Under Development

Congratulations to the two groups that were selected by an independentpanel for the Regional Access 2007 project. In total 11 consortia made up ofgroups of makers and their regional funding bodies applied for participationin the project.

Competition was stiff - and the selectors were very impressed both with the standard of application received and the level ofcommitment from the groups involved.The two groups selected are:

Offaly Westmeath Craft & Design - which will open an outlet in Ballinahown, Co.Westmeath in November 2007 and,Samhlaiocht Chiarrai / Blue Umbrella - a joint initiative by two Kerry based groups, which will develop outlets in Kerryin the near future

“making craft more accessible to consumers in regions where it is currently under-represented”

“This project has been designed to make a very real impact - making craft more accessible to consumers in regions where it iscurrently under-represented in the retail environment” explains Orla Casey of Momentum Consulting who is the Project Manager. “The holistic nature of the project - which brings makers, funders and Crafts Council of Ireland together - will ensurethat it addresses a broad range of needs such as; commercial and business skills, product development, marketing and much more.More importantly it will enable the makers in these regions to make sales - and potentially to open the door to other retailers.”

The aim is that a minimum of 75% of the product stocked will be from the immediate region with the option of sourcing up to25% of the stock from other counties in Ireland - thus opening up sales opportunities from makers throughout the country.

A call out for the next round of the Regional Access project will take place in early 2008

- interested groups should contact Nicola Doran T: 056 7796153 or Orla Casey T: 086 2606304

5 News and Reviews

Craft Community Forum 6

Since posing the question of the need for Opinion/ Analysis/ Criticism in the last issue of Stopress I got a good bit of positive feedback in person, by phone and by email,two of which are printed on the opposite page. It all started when I was at Bruce Metcalf ’s lecture on critical writing of crafts in SOFA last year. The lecture was printed in the last issue of Stopress (July / Aug, Issue 16, 2007).

After the lecture I was involved in a heated conversation on criticism with the writer Patrick O’Keeffe and Eleanor Flegg. Patrick’s book ‘The Hill Road’ was published the year before. He has been the butt of some bad reviews but also has had some great reviews and has won two major literary awards for his book in theUSA. Eleanor will be known to most of you as a contributor to Stopress, a regular writer for the Sunday Times and in interior and gardening magazines. She is the editorof the Design Portfolio in the Irish Arts Review. I’m delighted that she has added to the debate with this article.

So what’s the future of this debate? I believe there is a need for further written analysis of craft in Ireland! So who out there is going to write our leading article for thenext issue? What’s your opinion on the state of crafts in Ireland at the moment? Do you have the know how to write a review of a craft exhibition that’s on at themoment?

Write in to stopress@ccoi.ie (and put ‘dialogue’ in the subject bar) and let’s get the debate moving forward.

Seamus Gill (Silversmith)

Dear Seamus,

Many thanks for raising these interesting questions. I travelled to SOFAChicago in 2006 and attended Bruce Metcalf ’s lecture, which raised severalimportant issues with regard to Irish craft. I’ve long been aware that craftjournalism in Ireland is promotional rather than critical. From a personalpoint of view I’ve tended to avoid writing about work that I didn’t likebecause of the fear of damaging someone’s career. But I’m also aware thatcraft would benefit from critical writing. Unless there is an element ofdebate, writing about craft will quickly become anodyne; a series of prettypress releases will do the craft sector no good at all. If writing about craft isto be taken seriously it must criticise as well as praise.

There has been a general reluctance to launch a media debate on Irish craft,and I can see several reasons for this. At least until recently craft in Irelandhas been perceived as a vulnerable sector.This leads to the assumption thatIrish craft isn’t strong enough to take criticism. My feeling is that craft inIreland has grown through that early and vulnerable phase and is now robustenough to stand up to a bit of debate.

A debate on craft requires many voices, each expressing a particular criticalstandpoint.There are currently too few people writing about craft in Ireland,and too few publications covering craft in depth. For example, there is scantcoverage of craft in the Irish Times. I would like to see more journalists taking an interest in craft, with regular reviews in all the national newspapersand relevant magazines.

I also feel that there is room for many levels of debate. Craft is a specialisedfield and most craft writers don’t have sufficient knowledge to comment onthe technical aspects of particular crafts. It is easy to get out of one’s depth.It’s relatively straightforward to gain an appreciation of the aesthetic qualitiesof craft pieces, and to research their historical background, but when it comes to glazes and firing temperatures, for example, you’re basically takingthe craftsperson at their word. I think that this means that specialists also

need to write and to publish their opinions.The debate has room for theopinions of craftspeople, academics, and collectors as well as journalists.

One of the reasons that I am keen on the idea of generating debate is that I feel that Irish craft has a lot to lose. In my opinion the Irish work at SOFAheld its own in an international context, on its own terms. It had a subtletyand emotional depth that was by no means universal at the show.The Irishwork was much smaller in scale than its American counterparts and itseemed to stem from an older and deeper cultural heritage than many ofthe American pieces.While it avoided the kitsch motifs that have historicallybeen a part of Irish work for the American market, it retained a sense of itsown identity, and of working within the historic traditions of Irish craft.Thework was by no means old fashioned or retrospective, but it was true to itsroots. And that, when combined with an openness to new ideas, is anadmirable quality. A large amount of the American work on display at SOFA2006, especially in glass and ceramic, was too big, too gaudy, and too garish.Some of it was frankly ostentatious. America has fine makers and a highlydeveloped aesthetic, and this was evident at the show, but there were also a large number of regrettable pieces for sale at enormous prices. It is a good and necessary thing that Irish craft is emerging from insularity, but Ihope that it can maintain its character. I hope that Irish craft doesn’t put on the Emperor’s New Clothes.

Finally, I think that the lack of critical writing on craft is it not without benefit. Contemporary art criticism doesn’t always benefit art. In some ways it is self serving, self perpetuating, promotes snobbery, and limits artists.Craft is a remarkably unpretentious environment. Long may it remain so.

Best wishes,

Eleanor Flegg

Craft & Criticism Opinion/Analysis/Criticism

Through the ‘Craft Community’ section of Stopress, CCoI are happy to facilitate a FORUM AREA for constructive debate amongst craft enthusiasts. The views in this forum are therefore the views

of individuals and are not necessarily the views of the Crafts Council of Ireland.

The Craft ForumSubject: Craft & Criticism Response by: Eleanor Flegg, Freelance Writer & Journalist

Craft Community Forum7

Dear Seamus,

I can't begin to tell you how pleased, thrilled even, I was to read yourpiece in the most recent Stopress. It has been a growing preoccupationof mine that there is little or no critical thinking and writing around thesubject of craft beyond the level of, as you say, thinly veiled promotion inthe interiors sections of newspapers, particularly in this country. It hasbecome such a preoccupation in the last year that I signed up to do anMA on the topic with the National College of Art and Design in Dublin,Industrial Design Department.This begins in September, and in fact, sinceenrolling, I've been doing a bit of web-surfing and research, and findingout that there is quite a lot of debate/writing going on in blogs and websites. I'm still at the early days of delving in, but so far, I've found thefollowing websites of interest: www.craftresearch.blogspot.com,www.craftculture.org, http://whats-in-the-making.blogspot.com

What is interesting is the range of connections that can be made with craft: political, sustainability, feminism, art and design issues (eg, ideasabout authorship and value). At the moment I have no idea how I'mgoing to untangle some of these threads. In the meantime I continue toponder the questions posed by Bruce Metcalf in the transcript of his lecture in the last Stopress. I very much hope that this debate/forum can take off in some way, and I look forward to contributing to it in the future.

Thank you for getting the ball rolling.

Laura

The Craft ForumSubject: Craft & Criticism

Response by: Laura Mays, Furniture-maker

Laura is part of ‘Yaffe Mays Furniture’

Dear Seamus,

I enjoyed Seamus Gill’s call for craftworkers to enter into dialogue aboutthe industry and the practice of being a Maker. In particular the idea ofcriticism and the role of the critic got me thinking and here are somethoughts on the subject. Criticism is vital in order for development tooccur. Stagnant work is bad both for the Maker’s confidence and career.But we’re sensitive creatures and take what we do to heart, so we haveto create a way of seeing criticism as a valuable tool to further the workrather than reject it and take ourselves away to lick our wounds. Easiersaid than done but worth the effort. Become your worst critic and therest will sting less.

Criticism has to begin ‘at home’. I believe one of the essential (and undervalued) skills required is to constantly strive to improve our work.Stand back from the work frequently and ask such questions like, in mycase, what if elements were changed ie. scale, form, colour, surface qualityetc? How would these changes inform the piece? True, the answers willprobably put us out of our comfort zone and frustrating times may follow while we try to resolve new ideas. However it is vital to have ahealthy lack of reverence to what we make and to understand the fundamental rule…the next piece might be better. In fact, the next pieceSHOULD be better. As we hone our skills, tune into our materials,research further what we are making and why we are making it, the endresult must surely be a stronger body of work. At least that’s what wehope for and it might not always succeed, but the challenge is excitingand mostly fulfiling. Some days in the studio the voice inside my head isone full of encouragement and anticipation of the thrill of improvedwork. On bad days that voice reminds me of many school reports…“Plenty of ability, must try harder”.Whether the voice is a nurturing mentor or dreaded school teacher it might just be the sparkof an idea or suggestion the presents the challenges that put the excitement back in the work.

Sara Flynn

The Craft ForumSubject: Craft & Criticism

Response by: Sara Flynn, Ceramicist

Craft & CriticismInternational Resources

‘Critical Writing on Crafts: Who Benefits’

Lecture by Bruce Metcalf, published in CCoI newsletter Stopress 16, July/Aug, 2007). Stopress is also available to download from the CCoI website. www.ccoi.ie

Web Resources to bookmark

www.neocraft.ca - Up-coming International Canadian Craft Conference designed to further develop critical thinking, theory and history in relation to the crafts.

www.craftresearch.blogspot.com - Craft Research is the blog for the Craft Research team at Duncan of Jordanstone College of Art & Design, University ofDundee, UK.Their current research is entitled: ‘Past, Present & Future Craft Practice: exploration of the inter-relation between skill, intent and culture’.

www.craftculture.org - Craft Culture is dedicated to publishing articles that respond to new works, ideas and methodologies in contemporary craft. It is publishedby Craft Victoria.

www.whats-in-the-making.blogspot.com - An investigation of the role played by making in the design process.

If you know of any other resources that may be of interest to this forum please send them to stopress@ccoi.ie and put ‘Dialogue’ in the subject bar.

Education

An air of excitement surrounded the CCoI 3rd Level

Awards interviews this year as the panel celebrated

superb skills, remarkable work and flashes of

brilliance. Standards were high all round as the

panel selected the graduate and postgraduate

showing most potential to develop careers as craft

practitioners. This year two awards of €2,500

were made to Gearoid Muldowney, National

College of Art and Design and Derek Wilson,

University of Ulster.

In its second year, the CCoI 3rd Level Awards scheme is already establishing itself as an important element of the hectic run up tofinal undergraduate and postgraduate shows. The process of formulating a proposal for the next steps after graduation and then,in late June, presenting it to an independent panel is proving anexcellent way to focus on continuing creative development towards aprofessional career. The awards can be used to acquire additionalskills or training, for travel, research, equipment or materials, studiocosts or promotional materials.

All eligible colleges made nominations this year : Crawford College of Art andDesign, Galway-Mayo Institute of Technology, Letterfrack Furniture College,Limerick School of Art and Design, National College of Art and Design and theUniversity of Ulster.

Having thoroughly enjoyed the interviewing process last year, the members of theoriginal panel returned to select 2007’s graduate and postgraduate awardees.Ceramicist Jack Doherty, textile artist Alice Kettle and jeweller Grainne Mortonwere delighted to note the overall standard of submissions was even higher this year.

Once again nominees appreciated the positive and relaxed ambience the panelcreate. Jack Doherty explains, “we try to impress on nominees that it is not so

much of an interview where they will be rigorously questioned, but a conversationabout their thinking and their plans. All seemed very comfortable and impressivelyconfident.” Alice Kettle says, “It is a two-way process. We are there to be encouraging and supportive”. Many of the nominees made the most of the panel’sexperience. “We’re all makers and we’ve been in business for a long time and Ithink many of the candidates appreciated the opportunity to ask for advice; somegained quite a lot out of it,” says Grainne Morton.

Out of the 17 nominees, 14 were able to attend the interview.The panel, usingclear criteria to assess proposals, was looking for an indication of how the award would impact on a nominee’s future. “Most were convincing applications,showing how the money would enable them to take some step forward in theirdevelopment,” says Jack Doherty. Alice Kettle agrees: “This year, projects weremuch more clearly defined and well thought through so one could see how theproposal could fit into their practice.”

While merits of several strong contenders for the graduate award needed to bedebated by the panel before they reached a unanimous decision to make theaward to Gearoid Muldowney, when it came to the postgraduate award, allthree members of the panel felt Derek Wilson’s work and proposal were clearly outstanding.

“I see an awful lot of ceramics and I’m very cynical,” says Jack Doherty, “but I wasbowled over by Derek’s work. It is beautifully conceived and beautifully made.

Winners Announced

News and Reviews 8

Derek Wilson, University of Ulster Gearoid Muldowney, NCAD

Crafts Council of Ireland’s

Unusually, I wasn’t disappointed by any aspect of the finished ceramics. He is taking his work in exactly the right direction and demonstrated a way of movinghis career forward. His work and his proposal fitted together perfectly.” JackDoherty predicts that he will be a star.

Grainne Morton agrees:“Derek’s work is superb, already of gallery standard: I candefinitely see him making it. He was more focussed and clearly on a mission towork on the design side.” For Alice Kettle, Derek’s work was sophisticated,thoughtful and unique and had “a kind of refined presence, some quality of excellence”. She recalls the excitement the panel felt at the combination of thework and the proposal that will open Derek’s future in the international field:“He has a wonderful future,” she declares.

For Derek, the future is now bright, but he remembers the weeks leading up tohis final show as something of a nightmare as he mastered the process necessaryto create his exquisite sculptural forms. While coping with a series of “kiln disasters” and completing other MA components, he was also compiling adetailed application for Craft NI’s business start up programme, Making It, as wellas his submission for the 3rd Level Awards.

Derek knew exactly what he wanted to propose to CCoI - a six week residencynext Spring at the International Ceramic Research Centre, Guldagergaard,Denmark - and spent a considerable amount of time over the application. A hubfor professional and emerging ceramicists seeking to advance their artistic development, the centre is an ideal place to begin building an international network. Derek can look forward to workshops, thematic symposiums, lecturesand preparing for an exhibition in Denmark at the end of his stay. “As well as giving me a period away from my comfort zone, I’m looking forward to the inspiring people I’ll meet there and to interacting with the artists in residence.Theidea is to broaden my horizons to reach a more European perspective.”

Graduating from UU with a B.A. Hons. in 1999, Derek realised he didn’t have theskills to make a living: “Degree courses are not skills oriented. It’s all very excitingand experimental, but you are sheltered from the outside world.” He knew theCCoI Pottery Skills Course would be the best route. “Intense, strictly run and afabulous opportunity to learn so many skills,” is how Derek describes the coursefrom which he graduated with a distinction in 2002, before gaining three years’experience as a production potter and going back to UU to focus on his owndesigns through the M.A. in Applied Arts.

Derek is confident about the direction of his next move. “This will give me theopportunity to explore and learn new skills. I aim to try to get into internationalgalleries and build a good reputation not just for myself but for Irish ceramics.”Now that he has been accepted onto the Making It programme, allowing for a

two year residency at UU, Derek sees his award having a beneficial ripple effect.“Because I’ll be coming back inspired by the people I’ve met at Guldagergaard,interacting with students and passing on what I’ve experienced, the award is notjust for me. It is just so rewarding at the end of the MA to have this support fromCCoI. I admire Jack Doherty a lot and to know that he and the other membersof the panel have that faith in me is fabulous,” says Derek. His advice to this year’sfinal year students? “It is such a difficult point in your career - leaving college,stepping out into the big wide world.The 3rd Level Awards are so encouragingfor both BA and MA students and the more you put into the award, the moreyou’ll get out.”

The graduate awardee, Gearoid Muldowney of NCAD, impressed the panel withboth his work and his approach to developing a career as a craft designer. Gearoidspecialised in the metals area while studying in the craft design department, butextensive research into Ireland’s craft traditions and indigenous materials led himin a whole new direction. Following an Erasmus year where he noted how theFinns’ respect for their traditions translates into affordable hand made objects foreveryday use, he set about exploring crafts in Ireland from basketry to textiles towall building. Inspired to use traditional materials and techniques to create something relevant to contemporary life, Gearoid presented leather bags including laptop bags using felted hand knit Aran inside.

“Gearoid seemed to sum up everything these awards are about: refining yourmaking, understanding your materials, pushing out the boundaries,” says AliceKettle. The panel admired his witty approach and willingness to take risks. “Wewere captivated by the uniqueness of what he was doing and his intelligent wayof working, talking to industry, acquiring knowledge. We saw a flash of brilliancethat can be developed and the award gives us the opportunity to say ‘run with it,prove yourself ’”.

Grainne Morton was impressed with the combination of contemporary designer

savvy and craft, business sense and quirkiness. “I could really see Gearoid’s bags

taking off at Barney’s in New York or in the Japanese market. The laptop bags

have a very clever design - using Aran as cushioning and the closing/locking

mechanisms were interesting.”

Jack Doherty liked the way in which Gearoid had set out to do something

different from anyone else, slightly expanding the parameters, setting out to be a

craft designer. “He had a very different approach to how he saw his career

developing, planning to commission other makers and using traditional elements

in a very modern way.”

Gearoid thoroughly appreciated the opportunity the interview provided to have

a debate with makers with years of experience and is thrilled that “the members

News and Reviews9

Derek Wilson

News and Reviews 10

of the panel were excited about my work and able to visualise where it could

go.They all had different ideas of how it could develop”.

Being involved in the 3rd Level Awards, Gearoid has found, keeps the energy

created at the end of the academic year alive and says the opportunity to get

feedback from independent people outside college is invaluable: “Hopefully your

tutors are honest enough to point out what is worth pursuing and what isn’t, but

if not, you might come out completely deluded about your progress. Preparing

for the award interview forces you to take a serious look at what you have done

and explain what could be achieved in the future.”

The award means Gearoid can progress to a feasibility study with a view to

achieving more marketable designs and producing a batch of perhaps 200 of two

of his bags. Long term, he hopes the connections he will make over the next

couple of years, from small factories to craftspeople, will lead to dynamic

collaborations across disciplines.

Alice Kettle reminds all those who did not receive an award that, as nominees,

they are already the best of the best:“It is so important to have confidence when

you leave college, to know that those around you value what you do, so it’s

wonderful to have the endorsement of a nomination. Probably all of the

nominees will do very well so, in a way, the interviews are a celebration of

everything they are doing.”

All 17 nominees should feel extremely gratified to have been selected, says Jack

Doherty, and appreciate the benefits of the awards process. He sympathises with

having blinkers on as the deadline of the degree show approaches: “You tend

to be driven towards the end-of-course exhibition and not see beyond it, but

you are leaving a sheltered environment and will have to find your feet in a

completely different place.Applying for this award allows an opportunity to think

beyond the end of the year and focus on what happens next. Leaving college and

stepping out into the professional world is a precarious and uncertain business:

take every step possible to maximise your chances of succeeding,” says Jack.

Alice agrees:“Whether you win the award of not, the process of filling in the form

and going for the interview will help. It is difficult, but healthy, to think beyond the

end of the year. Otherwise, there may be a big vacuum after the show.” Grainne

Morton points out the awards also offer a great opportunity to get to know

CCoI and discover the range of assistance available for makers.

The panel recognises how small the window of opportunity is around the

interviews, sandwiched between degree shows and New Designers, but Alice

Kettle says colleges this year seemed to have planned ahead to make the most

of all opportunities. “This year it felt as if everyone knew what they were doing.

Colleges and nominees seem to have taken note of the panel’s comments last

time. In particular we had emphasised how important it is to bring samples of

work and everyone did.”

Tutors did an excellent job in identifying those who could benefit from these

awards say the panel and their statements were extremely helpful during the

interviews.There were also fewer “partly formed” submissions this year, says Jack

Doherty “The majority were well researched but there were still a few ‘woolly’

ones from people who saw the money as a top up”. Grainne Morton also noted

that one or two submissions were a little sketchy, but says overall the standard

was much higher than last year.The panel was impressed with the professionalism

of the nominees: “It was interesting to see how they were applying their

presentation skills, using the internet, reaching out to their markets,” says Alice.

For the interview, she suggests limiting supportive materials to the strongest

rather than bringing too many student sketch books.

Alice Kettle sums up the panel’s enthusiasm throughout the interviews. “The

nominees were very strong this year, remarkable in fact, and some of

them will be very, very successful. We felt as though we were witnessing

burgeoning careers.”

“The awards can be used to acquire

additional skills or training, for travel,

research, equipment or materials,

studio costs or promotional materials”.

Gearoid Muldowney

The Crafts Council of Ireland is pleased to be working in partnership with local arts education providers Butler Gallery and Kilkenny County Council Arts Office to pilot a collaborative art/craft based project for transition year students.

The project will run from September - December 2007 and is designed to:

• promote art, craft and design as a realistic career option • improve visual literacy in schools• align fine art and craft practices• encourage cross-pollination of skills between practitioners.

The pilot programme aims to develop a model of practice for artists and craftspeople working in post primary schools, suitable for national replication. It will require a collaborative approach to developing a programme for transition year students, and will facilitate the sharing of skills between visual artists and craftspeople.The in-school programme will run for a period of 20 hours over 10 weeks from September to December 2007.

Following a call out for interested artists and craftspeople, the following have been selected by an independent specialist panel:

• Frances Traynor (glass)• Polly Minett (papermaking)• Anne Harrington-Rees (fibre/basketry)• Brigitta Varadi (textiles)• Anne Mulrooney (sculpture)• Debra Bowden (printmaking)

The Crafts Council would like to thank everyone who expressed an interest in this project, and to congratulate thosewho were selected.We look forward with anticipation to the outcomes of this new venture.

Further information is available from Sharon Rollston,

CCoI Education Programme Manager T: 056 77 61804 E: sharon@ccoi.ie

News and Reviews11

FACT Project: Fine Art & Craft TogetherA 2nd Level Education Pilot Initiative

RDS Announces Winners of National Crafts CompetitionAileen Johnston from Glenealy, Co. Wicklow has been awarded the prestigious Award of Excellence at the 2007 RDS National Crafts Competition for her entry in the contemporary embroidery category. Her magnificent, highly detailed embroidered Bookof Hours with text and illustrations features a mix of hand embroidery, beading andmachine embroidery. Aileen’s work won the admiration of the group of internationaljudges who had the difficult task of selecting this year’s winning works from over 400craft entries.

Second place overall went to Gary Leahy, Newport, Co. Mayo for his hand-made Violin Bow which alsowon the Crafts Council of Ireland Purchase Award.The RDS New Entrants Prize was awarded to Brian

Lofthouse, Castlebar, Co. Mayo, for his F-hole Mandolin in the musical instruments section, while Geraldine Grubb,Clonlara, Co. Limerick, scooped the RDS Graduate Prize for her ceramics entry, Knell.

The RDS Crafts Winners Exhibition will travel to: SpaceCRAFT, Belfast; Craft Granary,Cahir, Co.Tipperary; and, Mullingar Arts Centre, Mullingar, Co.Westmeath before returning to the RDS for the National Crafts & Design Fair in December 2007.

For a full list of 2007 Winners & Exhibition Dates/Venues visit: www.rds.ie or t. 01-2407255

News and Reviews 12

CRAFT-ITPaypalA popular way to send & receive money on-line

In the last issue of CRAFT-IT (July August 2007, No: 16) we looked at the the new

worldwide on-line market opportunities opening up for sellers on E-bay. In this issue we

take a closer look at PAYPAL - a method used by millions of people, businesses and E-bay

sellers and buyers to pay on-line and receive money safely and easily.

With PayPal anyone with an e-mail address can securely, conveniently and quickly send and receive moneyonline. PayPal never shares financial information with the recipient, so privacy is built in. This guide reviews thesimple steps to set up a free PayPal account, send money and request money.

How to open a PayPal Account

1. Go to https://www.paypal.com/. Click on “Sign Up Now!” in the box on the top of the page.

2. Choose a Personal, Premier or Business account and the country of residence: Personal accounts can send payments to and receive payments from anyonewith an e-mail address for free. Business and Premier accounts are charged a small fee to receive credit card payments.

3. Insert personal contact information: In the Account Sign Up page, a user enters his or her name and contact information, including mailing address. Because thisaddress will be used to confirm the credit card or banking information, the user should ensure its accuracy.The phone number is used by PayPal only for accountverification purposes. A user’s financial information is never shared with any seller or merchant.

4. Enter the e-mail address and password: A user’s e-mail address is the account user name.The password must be at least eight characters long and is case sensitive.

5. Choose a security question and answer: In the event of a forgotten password, security questions are used to verify the user’s identity.

6. Read the user agreement and privacy policy: Agreeing to these policies indicates a user understands the rules and procedures for a PayPal account.

7. Confirm the e-mail account: Once this process is complete, PayPal will send an e-mail to the user to confirm the address.The e-mail will request the user toclick on a link.This link directs a user to PayPal’s log-in page where he or she will be asked to enter the password and e-mail address.

8. Add a checking or credit card account: A user enters his or her checking or credit card account details on this page.

9. Confirm the bank account: The user’s bank account must be confirmed before the user can add funds or send money via his or her bank account.To confirm,PayPal will make two small deposits into the bank account that was added.The user should check his or her bank statement within 2-3 business days to find outthe exact amounts of these two deposits.With that information, the user will log into his or her PayPal account, click the “Confirm Bank Account” link and enterthese amounts.This process is an important security measure that increases the safety of PayPal’s payment network.

How to send money with PayPal:

A user purchasing an item online from a seller that accepts PayPal should rest assured that the company will not share any financial information with this seller.

1. Click “Send Money” from the PayPal account overview page: Clicking on the “Items Won eBay” tab under recent activity will also take a user to auction itemsthat require payment.

2. Click on “Pay Anyone,” or “Pay for eBay items:” To send money to anyone, enter the recipient’s e-mail address and the amount for payment.The payment typedrop-down box allows the user to indicate the transaction type (eBay items, auction goods, goods, service, etc.). Click “Continue,” review the confirmation page,and then “Send Money” to complete the transaction.

NOTE: This series of Craft-IT articles is for informational purposes only

News and Reviews13

If a user’s PayPal account is tied to his or her personal bank account and is not backed up with a credit card, the transaction will be based on eChecks, an electronic checking method that will take three to four business days to clear. A user that selects “Pay for eBay items,” should enter his or her eBay user ID andpassword.The recent winning auction items will be listed with the option to pay with PayPal.

3.The funds will automatically be withdrawn from the user’s PayPal account or bank account.

How to receive money with PayPal:

Anytime another user sends money using PayPal, the recipient will receive an e-mail notification indicating the name of the person who sent the money and theamount sent. By following these steps funds will be credited to the recipient’s PayPal account balance.

1. Click on the “Request Money” tab: A user can request money from several people at once by separating the e-mail addresses with a comma. Fill out the formand click “continue.”

2. Review the confirmation page: The confirmation page will display the recipient, recipient’s status and the amount requested. Here, a user can either edit theinformation or finalise the request by clicking “Request Money,” which automatically sends an e-mail request for the funds to the user. Once the user receives thise-mail request, he or she must log into PayPal to send the funds.

3.The funds will appear in the recipient’s PayPal account, instantly, once the user sends them. The funds will appear as a balance on the “Account Overview”page.With PayPal, sending money and making online purchases has never been more convenient or more secure. For more information about opening a PayPalaccount or sending and receiving money, log on to: https://www.paypal.com. For any questions about the safety of buying online visit the PayPal Security Centerat https://www.paypal.com/security or by clicking the “Security Center” link on the bottom of any PayPal page.

eBay and PayPal Online Safety Tip Sheet

Shopping Safely Online

Consumers can take a few simple measures to protect themselves when shopping online. Online fraud can be deterred by using common sense and following safe-shoppingguidelines, such as:

• Learn as much as possible about the product and merchant: Shoppers will feel more secure and confident if they are familiar with the merchants from whom they’rebuying.They can learn about products from reviews and comments by other shoppers, like those available through eBay’s Feedback Profile, where users wear theirreputations on their sleeves based on previous transactions.

• Understand merchants’ refund policies: For merchants without refund policies, consumers should investigate whether buyer-protection programs are offered to ensurethat, if a problem occurs, payment will be covered or refunded. PayPal Buyer Protection offers eBay buyers up to $1,000 of coverage for qualified transactions.

• Choose a secure password to protect account information and change it every 30 days.• Use a secure checkout and payment process, like PayPal, that does not share financial information: PayPal never discloses a buyer’s financial information to a seller,

so privacy is built right into the service.• Do not download attachments, software updates or applications that come in an e-mail: Often, harmful computer viruses or spyware can find and transmit

information from files.• If an offer sounds highly suspicious or too good to be true, it probably is: Practice the same common sense in the online world that applies to shopping offline.

How to Identify and Avoid Spoof

One of the biggest threats to the security of your online accounts and your identity is spoof, or phishing.To avoid spoof and phishing, consumers should look for thefollowing characteristics purporting to be from legitimate companies and banks:

• An urgent request to reveal personal information: Fraudulent e-mails often request the recipient to enter sensitive personal information, such as user IDs, passwordsto online accounts and credit card numbers.Vishing (or voice phishing) is one of the latest iterations of spoof e-mails. These e-mails direct PayPal customers to callphone numbers and enter their account information on an automated voice system. eBay and PayPal will not ask you to enter personal or financial information via e-mail or automated voice system.

• A threat to an account: Some spoof e-mails declare the recipient’s account is in jeopardy and that personal information must be provided via e-mail, in a Web formor calling a phone number to keep the account from being closed. Companies like PayPal and eBay will not ask you to enter personal or financial information throughe-mail, in a Web form or via an automated voice system.

• A request to click on a link in an e-mail, download an attachment or call a phone number: Even if a legitimate company’s name appears in the URL, links that lookas if they connect to a particular site may be fake.To access a site securely, always open a new browser window and manually type in the Web site address. Do notdownload attachments or software updates that come in an e-mail. Neither PayPal nor eBay will ask members to download applications or attachments from an e-mail.

• A fraudulent Web site that looks like a legitimate company or bank site: To help protect its members, eBay developed the eBay Toolbar with Account Guard.TheAccount Guard indicator on the eBay Toolbar changes color to show whether a user is on a verified or a potential spoof Web site, and alerts users with a pop-upwarning when they try to enter their passwords on a site that is not eBay or PayPal.To download the eBay Toolbar, visit http://www.eBay.com/toolbar.

A user who receives an e-mail that he or she suspects may be fraudulent should forward it immediately to spoof@paypal.com or spoof@eBay.com.

• For information and tools for buying and selling safely online, visit the eBay Security Center at http://www.eBay.com/securitycenter or PayPal Security Center athttps://www.paypal.com/security.

In the next issue of Stopess we will look at E-bay (the on-line marketplace) global buyers trends.

For an up-date on the eBay seminar see page 5.

Information supplied courtesy of eBay Ireland.

Craft Community News 14

Craft Meets the Catwalk

Louth Craftmark announces major fashion event!

Louth craftmark will host a major fashion and craft showcase in the Highlanes Gallery inDrogheda on 1st October 2007 at 8pm. Louth Craftmark are delighted that leading fashionconsultant Eddie Shanahan, has agreed to produce the show, which will feature the work ofrenowned Irish designers alongside new collections in accessories, millinery and jewellery,from Louth Craftmark’s own highly talented craftspeople.

At this event, specially made collections by makers such as Cathy Prendergast, Garrett Mallon, Susan Kelly, FionaThornton and many more will be showcased in one of Drogheda’s most glamourous events of the year. In additionthe work of several of Ireland’s most exciting, and up and coming fashion designers will be on show including;Aideen Bodkin, Eilis Boyle, Caoimhe O Dwyer, Michelle Mc Carroll, Maria Cardenas, Edmund Mc Nulty, Edel Tuiteand Jennifer Rothwell, winner of the ‘Brown Thomas Designer mentor programme award.’ Tickets €35.

For further details contact Louth Craftmark T: 041 9803283 E: shop@louthcraftmark.com

The first Designer Living Exhibition, hosted by the DonegalCrafts Guild, recently took place in Letterkenny as part ofthe Earagail Arts Festival.

The event showcased the work of over 20 Donegal designerswho created a series of contemporary living spaces to exhibittheir work. The serene setting of St. Conal’s Church provided aunique backdrop to the event where furniture, fittings, textiles,ceramics, jewellery and glass were collectively displayed to createsitting rooms, dining rooms, bedrooms and outdoor spaces. Eachpiece on display was designed and made in Donegal, includingfurniture by Noel Cronin, Michael Parkinson, PJ Patton andSorcha O’Donnell, artwork by Fiona Higgins and McGonigleGlass, soft furnishings by Eddie Doherty and Clare O’Presco andsculptures by Theresa Downes and Michael Griffin.

Over 500 people visited the exhibition over the weekend and proceeds from the event were donated to the DyslexiaAssociation, Letterkenny Branch.

Designer Living Exhibition

A Huge Success for Donegal Designers

New Website for

Westmeath Craftspeople Following on from the success of their brochure last year,Westmeath

craftspeople have now formally launched their new website so log on

to www.westmeathdesigners.com

Supported by Westmeath County Enterprise Board, the website profiles 26of the county’s new and established craft and design businesses. The website provides a wonderful viewing opportunity to see all that is best inWestmeath design and craft and learn more about individual designers.

Westmeath will also host a 3 day Winter Design fair on 17th-20thNovember in the stunning Belvedere House, Mullingar.

The network can be contacted through: Jillian Shaw at Westmeath CountyEnterprise Board T: 044 9349222

Craft Community News15

Sculpture in Context National Botanic Gardens, Glasnevin, Dublin 9

6th September - 20th October 2007

Sculpture in Context is the largest outdoor sculpture exhibition in Ireland.This independent, artist led exhibition provides a unique platform for artistsand challenges them to respond creatively to a specific location. Participatingartists this year include Alan Ardiff, Anne Harrington Rees, Maureen Bushe,John Coll, Donna Coogan, Cliodna Cussen, Michael Duhan, Ger Garland,Seamus Gill, James Hayes, Cathy Herbert, Leo Higgins, Niall O’Neill, DeirdreRogers, Henry Pim, and Brigitta Seck.

For further information see www.sculptureincontext.com

Jane Jermyn exhibits at the 43rdInternational Ceramic & SculptureWorkshop (Poland)

Jane Jermyn was invited to take part in the 43rd International Ceramic

and Sculpture Workshop in Boleslawiec, Poland 1st - 31st August 2007.

19 artists from five countries took part in the symposium and the resulting workwas exhibited in Boleslawiec Ceramics Museum, with the pieces remaining in theCity's collection. www.janejermynceramics.com

INTO LEITRIM - a new unique online guide

The Leitrim Design House invites you INTO LEITRIM (a new unique onlineguide) to embark on a creative meander through the County. INTO LEITRIMis a gateway into a unique and sustainable way of life. Meet each maker intheir studio, experience the authenticity of the product feel for the inspiration behind each gift. The Leitrim Design House website also offerson-line purchasing facilities.The website launches mid September 2007.

OTHER EVENTS

The Art of Fashion 6th November 2007. Building on the success of a fabulous sell out

fashion show in 2006, the Leitrim Design House brings you the Art Of Fashion produced

by Mr Eddie Shanahan.

Want to do something a little different? This Autumn explore your creativity with the

Leitrim Design House. Learn how to design a hat? Blow glass? Build a pot? Make wooden

toys? The Leitrim Design House offers a range of lifelong learning activities.

For further information contact:

Geraldine T: 071 9650550 W: www.leitrimdesignhouse.ie

Anne Harrington Rees, ‘Linnaean Rope’

Opportunities 16

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CCoI Subsidised Photoscheme - Product ShootThis scheme will enable you to get professional promotional ProductShots at a reduced rate and for use at up-coming shows (Showcase)events and Christmas.

• Closing Date for application is Friday 5th October 2007• Shoot takes place on Friday 26th October 2007• Images are with the craftsperson approximately 2 weeks after the shoot

takes place.

CCoI Photoscheme uses the best professional photographers and is subsidised by the Crafts Council of Ireland, which significantly reduces the cost for craftspeople. Cost: €75 per product shot and €100 per modelshot. Numbers are limited, so if interested apply now.

For an application form contact:

Emma or Mary T: 056 7761804, E: emma@ccoi.ie www.ccoi.ie

CCoI 50% Scheme - Applications now being sought

“the award gave her time to think and develop her ideas...”

The CCoI 50% grant programme enables registered craftspeople to:

• develop new product relevant to the market place • take the opportunity to take time out to learn new skills • explore potential new markets and commercial opportunities • explore and use new materials • develop work to a higher level.

The application process is straightforward. It requires applicants to explain their research and understanding of the target market for the product.An end date for product/range launch is required and an explanation of the product lifespan beyond is encouraged.

“It’s a wonderful scheme for people who know what they want to produce but just don’t have the time to create new work while

running their business, if you know what you want to do then you should just go for it.” Ceramicist, Rachel Quinn

“it’s an excellent tool to move your business on to a different level and just doing the work brings all sorts of benefits so I would

encourage anyone to have a go.” Ceramicist, Rosemarie Durr

To apply: Application forms are available from the CCoI website at www.ccoi.ie or contact Helen Loughran at:T: 048 30833605 E: helen@ccoi.ie

Closing date: 30th November 2007

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Opportunities17

Research MissionsFinancial assistance towards visiting shows

If you want to research an event/show in 2008

and want to avail of assistance with costs, apply now

Closing date: 30th November 2007

For further information an application form go to:

www.ccoi.ie or contact Helen Loughran T: 048 30833605 E: helen@ccoi.ie

Get inspired, read the reviews on www.ccoi.ieAlso visit the Resource Area of the CCoI website for listings

of Design Museums/Craft Fairs & Exhibitions in Europe.

What some participants had to say

Ceramic Art, London

It is a fantastic opportunity to see a great variety of ceramics, there

seemed to be a wider selection than in 2005; all of it of a very high

standard. It is also a great way to make and renew contacts, attend

some interesting talks and buy books on ceramics.

Jane Jermyn,

Ceramic artist visited Ceramic Art, London March 2007

Origin, the London Craft Fair

As a basket maker I was keen to see the work of the two basket

makers at the show. Their work differed enormously, one working in

willow and ash and the other in cane and fine wire. It was good to

get to see their work close up and also to see how they displayed it.

Again a huge contrast due to the style of each individual. I came

home with my head full of ideas and inspiration. I only wish I could

have managed a return trip to see week two.

Teresa Downes,

Basketmaker, visited Origin 2006

Trainer Sought for CCoI Goldsmithing and JewelleryDesign and Production Course

CCoI’s Design and Production Courses in Ceramics and Jewellery, established in 1990 and 1993respectively to address the Irish craft industry’s need for high quality technical training, have over the years evolved to become internationally significant. Both are now two-year 88-week intensivecourses concentrating on design and production skills, and as a result industry entry and retentionlevels of graduates are consistently extremely high.

The Crafts Council of Ireland is currently inviting tenders for the service contract of Trainer to its Goldsmithingand Jewellery Design and Production Course.

Contract Objective:Using CCoI’s course outline, the Contractor will be required to further develop and supply a dynamic training programme and training for a cohort of trainees in the skills of the standards required for the commercial production of high quality designed and manufactured jewellery, as per CCoI’s training mission: to enable its graduates to pursue successful careers in the field of Goldsmithing, thus raising the standard of design and craftsmanship in Ireland.

If interested in tendering for this contract, please contact:Sharon Rollston, CCoI Education Programme Manager,Tel: 056 776 1804 or email sharon@ccoi.ie for further details.

CCoI 2nd Level Programme InitiativeCCoI seeks mentors for Student Enterprise Awards ProgrammeThe CCoI is partnering with Kilkenny CEB (County Enterprise Board) to help nurture tomorrow’s crafts businesses

CCoI is currently seeking craftspeople to mentor transition year students participating in the Kilkenny County Enterprise Board’s ‘Student Enterprise Awards’ programme.

The Student Enterprise Awards (SEA) is a country-wide programme culminating in a national final in May each year.The SEA Programme offers students theopportunity to take a business from the idea stage, through market research to production, selling, record keeping, management and reporting. Participation inthe programme encourages students to consider becoming entrepreneurs in the future, and the Crafts Council is piloting an initiative offering support to thosestudents developing craft businesses under the scheme.

We are seeking people interested in mentoring students on product design and development, and who:

• Run their own craft business• Have excellent communication skills• Have strong design ability allied to good making skills • Preferably have experience in working with groups.

The project will require up to a 10 hour commitment in Jan/Feb ’08. Mentoring sessions will take place either in the craftsperson’s studio or in the participating schools, therefore preference will be given to craftspeople living within a 30 mile radius of Kilkenny.

For further information contact:Sharon Rollston, Education Programme Manager,T: 056 776 1804, E: sharon@ccoi.ie

Opportunities 18

Workshops/Mentoring Clinics

GANS (Guilds, Associations & Networks)

Development Seminar15th & 16th November 2007

In response to requests at our recent AGM the Crafts Council of Ireland are holding aDevelopment Seminar in the Dolmen Hotel, Carlow.This will be a strategic planning meeting for GANS for 2007/2010 and how it fits into the Crafts Council’s Strategic Plan 2007/09.All GANS Representatives welcome.

Annual Network Information Day7th November in Kilkenny

Information will be available on funding for 2008.There will also be an opportunity to hear case studies from groups who have received funding in the past 2 years.

For further information on the above events

contact Mary Whelan, CCoI

T: 056 77 96131 E: maryw@ccoi.ie.

The Crafts Council of Ireland in conjunction with City and County Enterprise Boards

aim to increase understanding of the changing market and how best to access it.This

will be attained through training workshops and mentoring clinics. Up and coming

initiatives include:

Getting your Product to Market:A six-week programme in sales and marketing

The objective of this programme is to equip craft enterprises with the necessary skills to meet the consumer demands of the mainstream and collector markets. Each business will finish with a comprehensive sales and marketing plan.For further information contact: Mary Whelan, CCoI T: 056 77 96131

or Fiona at Kilkenny Enterprise Board T: 056 7752662 E: fiona@kceb.ie

Craft Product Sales & Marketing Weekend clinics in Sligo Friday 19th & Saturday 20th October

Topics include: What does the customer want? | Securing Orders and presenting ones-self to buyers. | Working lunch with Retail Buyers in-group discussion. | How do I gear up to meet ordersand retailer requirements? | What exactly is the retailer looking for? | Merchandising & Display.For further information contact Mary Whelan, CCoI T: 056 77 96131

or Sligo Enterprise Board T: 071 9144779

Making it in Business Pilot - Dublin The course will provide the opportunity for craftspeople to set up their business in their homecounty or county of their choice. Business and marketing of a cutting edge standard will be provided to progress their business. Mentoring support, under the CCoI mentor scheme, for twoyears following completion of the programme. Recruitment will take place through the Third LevelColleges and CEB’s. Selection will be by application and interview. An information evening for allinterested craftspeople will take place in Brooks Hotel, Dublin on Thursday evening 27thSeptember. For further information contact Emer Ferran, CCoI T: 056 7761804

Opportunities19

Submissions Sought for National Craft Gallery Exhibition

Image of LongingCurated by Karel Betman and Martha Haveman of Galerie Beeld and Aambeeld, the Netherlands, this unique exhibition will celebrate the influences and inspirational figures in the personal and professional lives of Irish Craftspeople.

You are asked to nominate a person, charity, institution, which has had a significant influence on your life and career, and if selected to make that special piece for the nominated person, charity, institution.The maker is therefore committing to making a piece for the exhibition and then giving that piece, free of charge, to their nominated recipient. Image of Longing will open in August 2008.

TO APPLY

Craftspeople who are interested in participating in this exhibition are asked to submit 6 images of their work, a CV and a 200 wordsubmission outlining their chosen recipient, what they intend to make, and the reasons why.A catalogue documenting the pieces andthe reasons why particular nominees were chosen will accompany the exhibition.

The Curators will organise an information day in the National Craft Gallery, Kilkenny on Saturday 13th October 2007,11am - 3pm.The Curators will be available to meet and discuss your proposal in group and individual sessions.To book a place contact Brian Byrne at ncg@ccoi.ie by Friday 5th October (booking is essential)

Exhibition proposals and images should be sent to:

Brian Byrne, Image of Longing,National Craft Gallery, Castle Yard, Kilkenny,

No later than Thursday 15th November 2007.

SOUTH-EAST COUNTY ENTERPRISE BOARDS

Enterprise Week 1st to 5th October

An initiative of the South East Spirit of Enterprise Forum.

As a part of enterprise week the Craft’s Council of Ireland will give a presentation on ‘Accessing the Craft Market’ which will be held on:

• 1st October at 11.30am - 1.00 pm in the Craft Granary (1st Floor Gallery) Church St, Cahir, Co Tipperary

• 5th October 12.30 - 2.00 pm in Newpark Hotel, Kilkenny

The main aims of Enterprise Week are to:

• Raise awareness of the important contribution that entrepreneurs and small business make to the local economy

• Inspire and motivate people to think about the possibility of starting up a business

• Highlight and address topics and issues of concern to small business.

To book a place contact: Fiona at Kilkenny Enterprise Board (fiona@kceb.ie) T: 056 7752662 or Helen Shanahan at the Craft Granary T:

052 41473

Opportunities 20

CCoI OPPORTUNITY DIARY DATES BY/ON/CURRENTLY/TBC*

Image of Longing - Information Day on 13th October 2007

Closing Date for Submissions by 15th November 2007

Annual Network Information Day on 7th November 2007

GANS Development Seminar on 15th & 16th November 2007

Research Missions by 30th November 2007

50% Scheme by 30th November 2007

Photoscheme by 26th October 2007

Dates for your Diary*Please note: The November/December issue of Stopress will be

published on 16th November 2007. Please forward all submissions

by 15th October 2007.

Opportunities21

NATIONAL CRAFT GALLERY (NCG) EXHIBITIONS 2007For 2007 Programme contact ncg@ccoi.ie or log onto www.ccoi.ie

NCG, Castle Yard, Kilkenny

The Light Fantastic until 30th September 2007

A Life in Colour until 7th October 2007

Ecology, Mythology, Technology on 13th October - 28th January 2008

INTERNATIONAL TRADE FAIR DATES 2007

Premiere Vision 18th - 21st September 2007

100% Design 20th - 23rd September 2007 www.100percentdesign.co.uk

Origin The London Craft Fair at Somerset House (formerly Chelsea Craft Fair)

2nd - 7th October & 9th - 14th October 2007 www.craftsonline.org.uk

SOFA Chicago 2nd - 4th November 2007

Top Drawer 9th - 11th September 2007

Maison et Objet 7th - 11th September 2007

Pulse London 3rd - 5th June 2007

Home & Gift Harrogate 15th - 18th July 2007

SHOWS IN IRELAND

The Knitting & Stitching Show 1st – 4th November 2007

Plan Expo 8th – 10th November 2007

Art Ireland 16th – 18th November 2007

National Craft Fair, RDS 5th – 9th December 2007

Showcase 20th – 23rd January 2008

For more information on the above events: T: 056 7761804 or e-mail info@ccoi.ie

John ffrench

Advertisements 22

A unique collection of fashion & interior designback issues for sale. 500+issues of Vogue from 1940’s. 105Issues of The World of Interiors,Interior Design Craft, ID FX & FXpublications, Image and ImageInteriors, Habitat Catalogues,Designers Guild, Elle Decorate andElle Marie Claire, WallpaperPublication, Homes and Gardens1960 and 1965 Annuals of CountryLife, Martha Stewart Publications.Not interested in selling individualcopies just collections of publications.Can deliver by arrangement in the UK and Ireland. For further information contact E: wayne.hardman@btconnect.com

Female Display Mannequin(beech wood neck cap, washablecream cover over bust and beechwood finished base - adjustableheight). Hague linker.Various quantities and colours of KilcarraMohair and of Shetland (2/9.1NM),great for felting. For further information contact Cécile T: 00 44 (0) 777 3396 140 or E: happychapo@aol.com

24" planer thickniser. 2 headmultico tennaner. Dewalt radial armsaw. 28-35 KVA Lister genny. Watkinscrosscut including 16ft roler banch.Watkins 71/2" cut rip saw also1”Spalted Beech. For further information contact Pat M: 086 3279840 T: 051 377142

Tarus Mk3 Ringsaw Usedonce, excellent condition, approx 14months old. Good for cuttingstained, dichroic, rippled, fused andslab glass, also stone and plastic. Cutsin all directions. Does inside and outside curves. Grinds as it cuts. Builtin light and face shield.The entireworking part of the saw snaps outof the water bath and can be usedas a portable hand saw for largerpieces. Was £450 will accept £320including delivery. For further information contact HelenAnketell T: +44(0)28 90797459 M: +44(0)7720080182

Dust extractor: Felder AF22, 2(400l)bags hung in hinged frames,mobile unit, takes 120 & 80 mmhoses, single phase, €900 ono.For further information contactTom T: 087 22 49 625

Yarn stock clearance - variousquantities and fibre mixes of mohair,wool, merino wool, metallics andfancy yarns. For further information contact Amanda on T: 086 0634634 E: info@amanda-daunt.com

Passap Electronic 6000knitting machine, immaculatecondition €800 o.n.o. For furtherinformation contact Paula T: 0868257589 E: ishka@eircom.net

“Glimakra” Standard loom.135 cms, countermarch tie-up withraddle, double warp beam and flyshuttle. Warping Mill.Vertical floormodel 1.88 m high and 4 m circumference. Some tools and yarn. Price €3,000 ono. For further information contact T: 0657087153 E: mandrquinn@iol.ie

40 x 12.5 kg bags 1117mBuff Stoneware at €4.95 perbag. Fireclay based, stoneware bodyfor domestic ware.Throws well,turns easily. Plastic, strong and reliable. For further informationcontact Andrea T: 085 7317501 or 059 9724789

Electric kiln, 4 cubic ft or thenearest size. Able to fire to 1300'celcius, stoneware firings. Also interested to buy gas firing kiln.Contact Sinead on 087 1359635

Jewellers Ultrasonic cleaningmachine in good working order withheater Contact T: 087 6301335

For Sale: Beautiful 2/3 bedroom farmhouse on 3/4acre with old stone buildings and hay barn. Architectural drawingsavailable for artists retreat/work-shops. 10 miles from Kilkenny andCarlow. For further information contact Gabriella T: 087 7578255E: gabriellaeviston@gmail.com

Bridge street studios, 97 BridgeStreet, Dundalk.Very reasonablerent. Includes access to 12 cubic ftkiln. Computer and broadband.For further information contact Fiona T: 086 840 5216 E: fionathornton2001@eircom.net

Studio or workshop needed inSouth Dublin for jeweller andgemologist. Good light and safetyessential. App. 400- 600 sq. ft.Please contact Mette O'Connor,E: mette@amoc.dk or T: 087 2132131.

Studio / Warehouse wanted to rentin Dublin city area. For fourceramic graduates from NCAD.Contact Mags Tel: 0861610551 or Meryl Tel: 0863994250 E: magsoconnor3@hotmail.com

Start Your Own BusinessCourse - The Start Your OwnBusiness Programme has beendesigned to address the needs of

those wishing to start their ownbusiness, or those who have recentlystarted trading. It is aimed at providingpractical support, advice and guidancein a broad range of business areas,enabling participants to gain a workingknowledge of how to set up a business and / or to manage anexisting business. Start Date:October 2007. For further information Tel: 042 932 7099 W: www.lceb.ie

The Source Arts Centre,Thurles seeks craftspeople forinclusion in a new exhibition runningfrom December 2007 to the end ofJanuary 2008 at The Source Gallery.Submissions are being sought for allcraft disciplines - pottery, glass,jewellery, textiles and furniture tothe more obscure crafts.Those interested should contact TheSource by 1st October. Full application details are available on The Source’s website www.thesourceartscentre.ie.Click on call to artists or T: 0504 90340

New and exciting productranges wanted for theMarket House, Blacklion,Co. Cavan. The Market House has been in existence for 6 years asa tourist information point and acraft shop and is situated in thehometown of Celebrity Chef NevenMaguire. For further informationcontact T: 071 9853941 E: markethouse1@hotmail.com

Wanted Craftspeople,Sculptors, Artists, Pottersto exhibit in New Gallery opening inprime location, over retail unit, inNewbridge, Co, Kildare. Commissionbasis. All work that is hand crafted isrequired. For further informationcontact E: deirdreray@msn.com

Waterford Homecrafts Co-op is looking for new membersto participate in their annual

STUDIO SPACE

STUDIO SPACEWANTED

OPPORTUNITIES

WANTED

FOR SALE

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exhibitions. For further informationcontact Secretary Ann Camon T:051 852317 M: 086 6069699

Wanted 4 Artists/craftspeopleinterested in being part of aCommunity Arts Project, inLanesboro, Co Longford. Studio 15 x15 ft - very reasonable rent, withCafé and Craft shop to the front ofthe workshop.The project should beup and running in 6 - 9 months.For further information contact T: 087 6306348 or 04330873

West Kerry Craft Guild islooking for new members.To join our established co-operativegallery in Main Street, Dingle. Onlyquality handmade crafts accepted.A great opportunity to develop andmarket your product. For furtherinformation contact Betty T: 066915624 or M: 086 1579392

Link! The New Start UpBusiness Network - is an initiative of the Dublin City EnterpriseBoard which is designed to provideaccess to advice in areas such asmarketing, finance, recruitment,property rental,VAT returns and taxation for smaller and start-upbusinesses. For further informationcontact Miriam E: link@dceb.ie T: 086 234 2789 W: www.dceb.ieEarly booking is recommended as places on

this exciting programme will be limited.

Part time assistant for LizNilsson Textile printingstudio in Dublin 6, is looking for anassistant to help with screen printingand finishing of interior textiles.Suitable for textile graduate or person with similar experience. Lookat www.liznilsson.com to see the

type of work produced in the studio.Apply with CV and short personal letter to Liz at E: nilssonliz@yahoo.ie Start ASAP

Pottery Maker at BallyellandPotter. The ideal candidate wouldbe an experienced and skilledthrower and have great attention todetail. Excellent pay and flexibleworking conditions. For furtherinformation contact Mairead T: 053 9159930 or send CV toBallyelland Pottery, The old Mill,Castlebridge, Wexford

Setter & Goldsmith wantedfor Cubby O'Connor Ltd,jewellery manufacturers, Dublin.Junior Setter for setting cz and diamonds to train with our Diamondmounter. Also a Goldsmith/Polisherwith a few years experience or atleast a very good apprentice.For further information contactJoyce Doyle T: 01 4539164 E: cubby@indigo.ie

Design Assistant requiredfor Klimmek & HendersonFurniture to work with the creative team. Principal responsibilitieswill be developing initial conceptsinto presentation material and generating production drawings.Thesuccessful applicant will be flexibleand a good communicator with aworking knowledge of CAD (2D +3D) and image and/or web authoringsoftware. An interest or backgroundin making or manufacturing and a fullclean driving license would be a definite advantage. For further information please callKnut T: 01 4589877 E: info@klimmek-henderson.comW: www.klimmek-henderson.com

Jewellery/Applied Arts SalesPerson. DesignYard the leadingJewellery and Applied Arts Gallery,wish to recruit enthusiastic, committedand self motivated individual, withlots of initiative who will enjoy working

as part of our sales team. Goodpresentation and organisational skills are essential. An attractive remuneration package will be onoffer to suitable candidates. Interestedpersons should e-mail a covering letter together with CV to LesleyTownsend DesignYard, Cow’sLane, Temple Bar, Dublin 8.E: lesley@designyard.ie W: www.designyard.ie

Professional mould andmodel maker (MA graduates inDesign - Ceramics) offers help inyour own working space with castingunique pieces or mass production of the forms.The plasterworkinvolves using lathe, carving model,mould making (case mould, rubbermould, press mould). Suitable for the technique of slip casting, pressmoulding and casting the polyester.For more information contactBoba T: 0868772068 E: bobachandogova@yahoo.ie

Stained Glass teacherrequired for KinsalePottery and Art School. whois prepared to teach two weekendsin 2008 (and one in 2007 if possible)to groups of 4-8 students. Weekendcourses start at 10.00am onSaturday and finish at 5.00pm.Lunches are provided. Fees andmaterials paid for.You should havesome teaching experience, be pre-pared to design a weekend module(ideally copper foil process, but leadedlight option considered), providetools and materials and have someflexibility on dates.To see what hasbeen provided in 2007, checkwww.kinsaleceramics.com.To apply, contact Adrian T: 0214777758 or email CV to E: adrianwistreich@eircom.net

Marlay House ChristmasCraft Fair. Saturday 24th andSunday 25th November.Application forms now available E: marlaycraftfair@hotmail.com T: Sonja at 087 6753358.

Designer Arts and Crafts,Natural Health/Beauty FairSunday 11th November 2007.Celtic Ross Hotel, Rosscarbery, CoCork. Open to the public 10.30 am- 6pm. Stands Available - 6ft x 2fttables wall tables €140Centre Tables €110. For furtherinformation contact T: Jennie White 023 22868 or T: 086 170 3635

Craft Fair at The LinenhallArts Centre, Castlebar, Co Mayowill be held on Saturday 8thDecember with application formsavailable in September.The cost is€50, and all work must be made in Ireland. For further information contact AlexNicholson T: 087 6320705 E: alecman@eircom.net orBrendan Murphy T: 087 6987340 E: murphyshalfacre@eircom.net

Exhibition space at a vintageand vintage inspired fashion/accessories/jewellery and home-wares fair in Belfast in November.For further information contactEleanor Acheson T : +44 28 90427415 E: eleanor@timematters.biz

‘Art in Ink’ Exhibition atChester Beatty Library from 28thSeptember - 21st October 2007.Workshop: 20th October For further information contact E: info@calligraphy.ie W: www.calligraphy.ieDo come and enjoy - all welcome

WORK WANTED

PLACEMENTS/JOBOPPORTUNITIES

STANDSAVAILABLE

EXHIBITIONS

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'The Turning of the Seasons',an exhibition of members ofFeltmakers Ireland at the PhoenixPark Visitors Centre in Dublin during October.There will also bedemonstrations of felt-making on the Saturday and Sunday afternoonsfrom 2-5pm for the duration of theexhibition. For further informationcontact Eleanor Roche T: 01 8461510 / 087 4180369 or E: eleanorroche@excite.com

The Mill Theatre Gallery,Dundrum Town Centreis delighted to host a solo exhibitionby Katarzyna Gajewska entitled “TERRORS AND PLEASURES” 8thSeptember - 4th October 2007.Open Mon - Sat 10am-6pm.For further information contact Aoife O’Toole The Mill Theatre T: 01 2969340 E: aoife@milltheatre.com W: www.milltheatre.com

The Bridge Gallery- LIFE IN LANDSCAPE anexhibition of new paintings by ShaneJohnson. Opens 6th September 2007 from 6.00pm - 8.00pm.Opening Hours: Monday-Saturday 10am - 6pm, Sunday 2.00 - 5.00pm.For further information contact The Bridge Gallery,6 Upper Ormond Quay,Dublin 7. T :01 8729702 W: www.thebridgegallery.com

Guild Hall Craft Fair, Derry16th - 18th November 2007.Now in its twelfth year, Derry CityCouncil’s annual craft fair will combine a unique selection of contemporary and traditional craftproducts from all over the island ofIreland. For further information seeW: www.derrycity.gov.uk/econom-icdevelopment

Ben Russell's 3-day wood-carving workshops in WestCork Sept 17-19 (Mon-Wed)Oct 3-5 (Wed-Fri)

Nov 9-11 (Fri-Sun, Follow-up course)Ben gives patient guidance for complete beginners and those withsome experience. Learn the basicswith simple exercises and developyour skills with a project: relief carving, bowls and spoons, Celticpatterns, animal carving, lettering etc.Essential information about toolchoice and care, comprehensiveworkshop reference library, selectedwoodcarving tools for sale, convivialhome-produced lunches. Cost €335- lunch, refreshments, tools andmaterials provided. For furtherinformation contact Ben T: 027 66133 E: benr@esatclear.ie

The West Cork Craft & Design Guildis launching a series of exhibitions and a new improved professionalwebsite, to celebrate its first decadeof successful networking and promotion. Celebrations begin witha 10th Anniversary Show curated bySarah Foster (Lecturer at CrawfordArt College) Dec. '07, at The WestCork Arts Centre, Skibbereen, WestCork. The Guild is best known forit's high standard of craftsmanshipand innovative design, inspired by thecreative energy of the West Corklandscape. For further information visit websitewww.westcorkcraft.org

Last call for Jayne Persicofusing classes. The workshopsare very hands-on and students produce a number of individualpieces to take home. All class mate-rials are included in the course fees.See www.pangurbawn.com for fulldetails and booking form or contact Pat Rooney T: 049 8545118E: info@pangurbawn.com

One-day Digital Photographyworkshops in West CorkA one-day workshop on how to get the best from your camera, inand around Bantry House orGougane Barra hotel. Basic coursesand Level 2 courses for experiencedphotographers new to digital. Inassociation with Olympus. €75.Refreshments provided, lovely lunchesavailable at each venue. For furtherinformation contact Ben T: 02766133 E: benr@esatclear.ie

Fabric Forward Workshopa 3 day programme, 4th - 6thOctober 2007. It includes a 2-dayworkshop and an optional 3rd daydrawing tour with a professionalartist to the North Coast ofNorthern Ireland.This workshop willfocus on developing creative practiceand skills by utilising new digital technologies available. A package ofmaterials is included in the price.The workshop is primarily aimed atartists/ designers/ crafts people.Participants will have the opportunityto work alongside trainedresearchers from the centre.Location: Interface, School of Artand Design University of Ulster,Belfast BT15 1ED. Fee: £ 200 for 3day/£150 2 day workshop. Only 8places allocated on a first comebasis. For further information and to book a place please contact Duncan Neil E: df.neil@ulster.ac.uk T: +44 (0)28 90267358.

Calligraphy Classes - Autumn 2007. BeginnersCalligraphy: 10 weeks EveningClasses begin 19th September 2007.Wednesdays - 7.30pm - 9.00pm atMarian College, Ballsbridge, Dublin 4.Tutor : Retta Stringer - 01 269 2611.Beginners Calligraphy: 10 weeksMorning Classes begin 27thSeptember 2007. Thursdays:09.30am - 11.00am at NewDundrum Shopping Centre.Tutor :Ann Cannon 087 644 0632.Intermediate and AdvancedCalligraphy: 10 weeks MorningClasses begin 26th September 2007.Wednesday's 9.30am - 11.00am atNew Dundrum Shopping Centre.Tutor : Noeleen McNamee T: 086 844 1003. Enrolment:10th - 14th September 2007 from10.00am - 12.00pm daily. At:D.A.T.E. Dundrum Town Centre(5th Floor), Dundrum, Dublin 14.For enrolment contact tutors directly.

Waterford Classes is proud topresent exclusive glass blowingcourses at the renowned WaterfordCrystal Factory. 10th - 13th,17th - 20th and 24th - 27thSeptember. For further informationvisit www.waterfordclasses.com.

Spinning Wood Beyond theBasics - a 2-day workshop withAnne field, 28th & 29th September,Birr Castle, Birr, Co Offaly.The work-shop will be useful to those spinnerswho want to spin a variety of yarnswith different sizes and twists perinch. Cost €90. For further information contact Una rice,Guild Treasure, Irish Guild ofWeavers, Spinners & Dyers,Pollerton Big, Carlow.

STONEMAD WeekendWorkshops in Stone Carving,Building in Stone, Hemp Plastering,Basket Making and Rustic ChairMaking. Holycross, Co Tipperary.Throughout summer months.For further contact Philip or Liz T: 0504 43497, 086 2532474 E: stonemad2@eircom.net W: www.stonemad.ie

Surface design and textileprinting - A six-week introductionat LONGBORD printing studio, 54Kenilworth Square, Rathgar, Dublin 6.This is a course that will introduceyou to the fabulously exciting skill oftextile printing, covering the basicsskills and thinking behind surfacedesign as well as different printingtechniques.Tutor : Liz Nilsson,Textileartist and designer. For furtherinformation contact Liz T: 0868307294 or nilssonliz@yahoo.ie

Glass bead making (2 daycourse) Mullranny, Co. Mayo.Oct 16th & 17th 2007. Learn tomake glass beads. Beginner classincludes mastering the round beadand 3 other shapes, decorative surface techniques including dots,stringers and frit. Class size limitedto 6. B&B available €34, €180 2day class.Train station (Castlebar)pick up and delivery €35. For further information contact Suzie Sullivan T: 098 21888 E: suzie@derryauncrafts.com W: www.derryauncrafts.com orW: www.beadventures.com

Derryaun crafts workshopAutumn workshops 2007Sunday 2nd Sept - Kids felt makingworkshop, Monday 3rd Sept - Basic

WORKSHOPS/COURSES

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jewellery making at The Clew BayHotel, James St. Westport.Friday 7th Sept - Needle felting-Fleece Dog Sat 8th Sept. Needlefelted figures at Derryaun CraftsWorkshop, Drummin. Other creativeworkshops upcoming include: Wirework, silk paper making, bead weavingand felt making, dates to bearranged. For further info contactSuzie Sullivan T: 098 21888 E: suzie@derryauncrafts.com W: www.derryauncrafts.com

Hands on creative work-shops in West Cork. A chanceto spend time with top professionals,learning arts or craft skills. A widerange of classes, courses and work-shops, from single days to ongoingday/evening classes in a variety oflocations in West Cork. For further information contact W: www.handsonwestcork.com

Web Design - You take pride inyour craft.We take pride in designinga site for you that represents yourproducts at their best.Visit our sitewww.mckeedesign.co.uk for samplesof work we have done for othercrafts people. For further info contact: T +44 (0) 28 97565681

JDL digital - Have your workprofessionally photographed for publication. Full working photographicstudio 27ft x 14ft with rear access tobring in your larger pieces of artwork Paintings, Jewellery, Pottery,Craft Work. For further info contact John T: 085 144 2270 E: info@jdldigital.com W: www.jdldigital.com

Specialist small deliveryservice for craftspeople and artist.Fully insured. For further info contact Katrina 086 2327541

Irish Woodwool - the idealpackaging material. Very goodabsorbing quality, competitively

priced, clean, antibacterial,sustainable, compostable, ecologicallyrecommended, aesthetically appealing.1 highly compressed bale approx20kg, €20 - discounts available onorders over 50 bales. For furtherinformation contact IrishWoodwool, Clonmel, Co TipperaryT: 087 1252527 or 086 3306366

Designer Websites - As arecent design graduate of NCAD, Ioffer a web design service thatunderstands you, your business andyour requirements. After careful consultation, I can design a websiteas individual and creative as yourbusiness. For further informationcontact T: 086 3001006 W:www.metricdesigns.com

Packaging - WoodenPresentation/GiftwareBoxes. Present your exquisitelyhandmade quality jewellery in ourtop of the range handcrafted woodenboxes created from native and exoticwoods. Commissions also available.Discount on batch purchases.For more information please contact Ian or Kate on T: +44 (0) 28 90843532 or E: ian@hawthornecrafts.com or E: kate@hawthornecrafts.comW: www.hawthornecrafts.com

Designed 4U presentationboxes for a range of gifts andcrafts. All boxes are made to customer requirements.Your companylogo can be included on the box andit can be lined using a range ofmaterials. No minimum order. Noset-up fee. For further informationcontact: Declan McKenna,Designed 4U T: +44 (0)2830850122 F: +44 (0)28 30851011E: info@designed4u-ireland.com

Jem textiles are agents for Bennetts Silks in Ireland, offering acomprehensive range of silks,e.g. dupions, satins, georgette, chiffon,crepes & velvets in an extensiverange of colours, suitable for bridal,fashion & interiors, and at competitivewholesale prices. For further infoplease contact Jacinta T: 059 9152270 M: 087 9952489 or E: jemtextiles@eircom.net

dynamite :: we think with you ::

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Craft Supplies Websitewww.craftsupplies.ie cardmaking,

scrap booking and other craft

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Ships all over Ireland. For

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Fibres for spinning and felt making.Top quality silk and wool tops.Gaywool dyes perfect for dyeingwool and silk. Ashford weaving and spinning equipment. For further information contact Suzie Sullivan T: 098 21888 or E: suzie@derryauncrafts.com W: www.derryauncrafts.com

Adorn.ie. Cardmaking,Scrapbooking and Jewellery makingsupplies for all your crafting needs.Create your own Wedding Invites or choose from our range ofWedding Stationary. For further information contactMarcella T: 061 327857 W: www.adorn.gencodesigns.com

Gifted - The perfect onlinewedding list Gifted is a freshapproach to the traditional weddinglist. We are looking for artists andcreators from all over Ireland, whocan expand our range of products.Gifted are committed to platformingas many home-grown creations as possible. So if you think yourproduct or range are suitable aswedding gifts, contact CateSheeran T: +44(0)2890 603703

M: +44(0)7870 389040E: info@gifted-online.comW: www.gifted-online.com

NOTICEBOARD - Freenewsletter to all Artists and Craftspeople in Ireland. Every two weeksyou will receive information aboutfairs, exhibitions, good suppliers, helpto start your own business.You canalso advertise your own business,products and classes/courses.'Connecting Artists and CraftsPeople in Ireland'. For more infocontact Karen Harper T: 086 8885321 or E: harperkaren@eircom.net

Do you have Tourist’s asking for theVAT back when purchasing goods inyour shop? Moneyback VAT refundsoffer the tourists the best refundsand you can also generate a rebatefor administration. No cost involved.For more information contactAnthony T: 087 7716888 or W:www.moneyback.ie

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ACCOMMODATION WANTED

ADVERTISE ON WWW.CCOI.IE

You can also advertise opportunities

and general advertisements (ie. Craft

Courses, Craft Events, Stands, Fairs,

etc.) on the CCoI website (www.ccoi.ie).

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short description to info@ccoi.ie and

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onto www.ccoi.ie

Exhibition Snapshots - NCG 26

Dr. Pat Wallace (Director of the National Museum of Ireland)at the exhibition openings in the National Craft Gallery

Kim Mawhinney and Killian Schurmann at the opening of The Light Fantastic: Irish Stained Glass in the

National Craft Gallery

John ffrench and Mary Boydell (Collector) at the exhibition openings in the National Craft Gallery

Debbie Dawson (Exhibitor) and friend at the opening of The Light Fantastic: Irish Stained Glass in the

National Craft Gallery

Dr. Pat Wallace (Director of the National Museum of Ireland), Audrey Whitty (Curator,The LightFantastic Irish Stained Glass Exhibition), Primm (John ffrench’s wife) and John ffrench, Mary Boydell

(Collector) at the exhibition openings in the National Craft Gallery

Eva Kelly (Exhibitor) and her husband at the opening of The Light Fantastic: Irish Stained Glass

in the National Craft Gallery

Peadar Lamb (Exhibitor) and Úna Parsons (CEO of the CraftsCouncil of Ireland) at the opening The Light Fantastic: Irish

Stained Glass in the National Craft Gallery

Sandra Miley pictured with her work at the opening of The Light Fantastic: Irish Stained Glass in the

National Craft Gallery

‘The Light Fantastic: Irish Stained Glass’ & ‘A Life inColour’ A Retrospective Exhibition of John ffrench

A Life in Colour and The LightFantastic open at NCG

The opening weekend of Kilkenny Arts Festival saw

two exciting new exhibitions unveiled in the National

Craft Gallery. Hundreds turned out for the opening of

A Life in Colour: A Retrospective Exhibition of Irish

ceramic artist John ffrench and The Light Fantastic:

Irish Stained Glass Art.

Both exhibitions were opened by Dr Pat Wallace, Director of theNational Museum of Ireland. A Life in Colour showcased theartists life’s work, featuring pieces from 1951 to 2007. Guestspoured into the gallery to wander through a chronological showcase of his fantastically colourful creations. (See full article onpage 2 - 3)

Across the arch, in Gallery 2, The Light Fantastic celebratedIreland’s proud history of stained glass art and today’s inspirationalartists. This unique exhibition was curated by Mary Boydell,President of the Glass Society of Ireland, and Audrey Whitty,Curator of Applied Arts at the National Museum of Ireland - Decorative Arts & History, Collins Barracks. “With this exhibition, we wanted to encourage people out of the wholeecclesiastical mindset,” said Audrey Whittey. “Glass art doesn’thave to be sculptural or object-based, it can be a panel on the walland people should bring this wonderful art form into their homesin the same way they bring paintings.”

The work itself provoked a very enthusiastic response from guestson the day and Whitty herself was thrilled with the venue. “Thegallery has so much natural light, it brought the work to life.Natural light is so much better than artificial light when it comesto this material. Visitors to the gallery should come back agin tosee the work in different light conditions, it will look different eachtime.” The Light Fantastic tours to the States in October and willthen visit the National Museum towards the end of 2008.

27 National Craft Gallery - News

Groundbreaking, exciting and innovative: In 2006 contemporary Irishcraft wowed critics and audiences alike at one of the world’s most prestigious art fairs. 2007 will be no different.

Chicago’s Annual Exposition of Sculptural Objects & Functional Art is one of the keyinternational events for contemporary craft and applied art. Over a three-day period,almost 40,000 visitors flock to Navy Pier to see work selected by leading internationalgalleries and dealers. For the first time ever, these visitors had the opportunity to seework by Ireland’s top designer/makers.

At the 13th annual SOFA Chicago, the Crafts Council of Ireland presented the work of our leading artists. Curator Brian Kennedy brought with him beautifully crafted,contemporary pieces in glass, textiles, wood, metal and ceramics. Visitors literally queuedround the block for the chance to see spectacular work that bridges both the decorative and fine arts:Wonderfully organic baskets by Joe Hogan, sculptural, wearableart by Angela O’Kelly and Kevin O’Dwyer’s elegantly crafted silverware.

Perhaps the highlight of Ireland’s debut at SOFA was a major sale achieved by leadingfurniture designer/maker Joseph Walsh. His bespoke, beautifully crafted cabinet, whichcould best be described as an heirloom of the future, was sold on the opening day for $91,000.

Walsh will, once again, be making news in Chicago. This year a spectacular large-scaletable designed and made in his studio in Cork has been selected as one of the majorinstallations of the show. Suspended from the ceiling in Navy Pier, this floating work ofart will take centre stage, signposting clearly the quality and beauty of Irish work.

Following on from last year’s success, two prominent figures in the contemporary artscene at home have also been invited to speak at the event. Audrey Whitty (Curator ofApplied Arts at the National Museum of Ireland) will give a key lecture on the Museum’s important collection of contemporary applied arts and Liam Flynn (Exhibitorand leading Woodturner) has been selected as a panelist for another key lecture organised by the Collectors of Wood Art.

But, perhaps most importantly, Ireland’s most inspirational artists will once again be taking centre stage in Chicago, presenting to an international audience their one-of-a-kind masterworks.

Exhibitors:

Baskets Joe Hogan

CeramicsSara FlynnJane JermynKathleen Moroney

FurnitureJoseph Walsh

GlassKarl Harron

TextilesNicola Henley

CCoI RETURNS TO SOFA, CHICAGO

JewelleryBerina KellySonja LandweerRachel Mc KnightAngela O KellyInga Reed

MetalErika MarksKevin O Dwyer

WoodRoger Bennett Liam FlynnGlenn Lucas

A Life in Colour - A Retrospective Exhibition of Irish Ceramic Artist John ffrench, 1951-2007

11th August - 7th October 2007

National Craft Gallery, Kilkenny

For review of opening see Pages 2 - 3

Upcoming Exhibition - NCG 28

All notices and advertisements are published in Stopress for general information purposes only,at the risk of the advertiser and at the discretion of the Crafts Council of Ireland (CCoI). CCoImake no representations or warranties about any of the information contained in any notice oradvertisement and accept no responsibility for the accuracy of any information contained in a noticeor advertisement. Advertisements in Stopress do not indicate endorsement by CCoI. It is theresponsibility of the reader to check that goods and services are described fully and accurately.

CCoI expressly excludes liability for direct or indirect consequential loss or damage which mayarise in respect of Stopress or purchase of the goods and services.

CCoI does not accept any responsibility for or necessarily endorse the views expressed by thirdparty contributors to Stopress.

All copyright, database rights, trade mark design rights and any other intellectual property rightswhatsoever in Stopress are, owned by and the property of CCoI.

Crafts Council of Ireland, Castle Yard, Kilkenny t: 353 56 7761804 f: 353 56 7763754e: info@ccoi.ie www.ccoi.ie

FOR NATIONAL CRAFT GALLERY NEWS TURN TO PAGE 23

The copydate for the Nov/Dec issue of Stopress is 15th October 2007.Publication date is 16th November 2007.

Advertising in Stopress is free and is welcomed. Submissions for articles fromcraftspeople and those interested in craftare also always welcome.Please contact:

Stopress, Crafts Council of Ireland t. 056 7761804 e:stopress@ccoi.ie

While every care has been taken in the compilation of this Stopress, the publisher cannot take responsibility for errors or omissions

For further information on the National Craft Gallery: T: 056 7761804 E: ncgpress@ccoi.ie W: www.ccoi.ieThe National Craft Gallery 2007 opening times are: January - March: Monday - Saturday 10am - 6pm (Closed Sunday)

April - December: Monday - Saturday 10am - 6pm, Sunday 11am - 6pm

Ecology, Mythlogy, TechnologyNational Craft Gallery

13th October 2007 - 28th January 2008

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Challenging existing notions about Ireland and examining the possibilities we face over

the next decade. Innovative work for tomorrow's interior by Irish Designer Makers.

In creating this innovative showcase, curator Brian Kennedy has chosen an exhibition

concept of Ecology, Mythology and Technology. Marrying these concepts with the

pioneers of Irish design, he presents us with the possibilities and challenges that face

us over the next decade.

Ecology will feature furniture design with sustainability at its heart. Designers have

addressed issues of recycling while working with sustainable and native materials.

Mythology evaluates traditional and vernacular design as opportunities for innovation

rather than nostalgia. Here, the artists have drawn from our history without aping it.

And Technology tackles the changing face of urban Ireland. Inspired by the current

debate on higher densities and taller buildings, designers have come up with

innovative solutions for apartment living. The architectural brief for each of the

themes was prepared by three leading Irish architectural practices.

EMT is a wonderful opportunity for these exceptional Irish craftspeople. Given the

freedom to turn away from the demands of the market place and be inspired by

their own philosophies, desires and dreams, they have created an exciting vision of

the future.

More National Craft Gallery News on pages 26 - 27