signature and name of invigilator omr sheet no....however, allowed to carry original question...

Signature and Name of Invigilator

1. (Signature)

(Name)

2. (Signature)

(Name) PAPER - IIIMASS COMMUNICATION AND

JOURNALISMTime : 2½ hours] [Maximum Marks : 150

Number of Pages in this Booklet : 32 Number of Questions in this Booklet : 75

Instructions for the Candidates1. Write your roll number in the space provided on the top of

this page.2. This paper consists of seventy five multiple-choice type of

questions.3. At the commencement of examination, the question booklet

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paper seal on the edge of this cover page. Do not accepta booklet without sticker-seal and do not accept an openbooklet.

(ii) Tally the number of pages and number of questions inthe booklet with the information printed on the coverpage. Faulty booklets due to pages/questions missingor duplicate or not in serial order or any otherdiscrepancy should be got replaced immediately by acorrect booklet from the invigilator within the periodof 5 minutes. Afterwards, neither the Question Bookletwill be replaced nor any extra time will be given.

(iii) After this verification is over, the Test Booklet Numbershould be entered on the OMR Sheet and the OMR SheetNumber should be entered on this Test Booklet.

4. Each item has four alternative responses marked (1), (2), (3)and (4). You have to darken the circle as indicated below onthe correct response against each item.

Example : where (3) is the correct response.

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10. Use only Blue/Black Ball point pen.11. Use of any calculator or log table etc., is prohibited.12. There are no negative marks for incorrect answers.13. In case of any discrepancy in the English and Hindi versions,

English version will be taken as final.

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•Ê¬∑§Ù ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ÃÕÊ ©‚∑§Ë ÁŸêŸÁ‹ÁπÃ ¡Ê°ø ∑§ Á‹∞ ÁŒÿ¡Êÿ¢ª, Á¡‚∑§Ë ¡Ê°ø •Ê¬∑§Ù •fl‡ÿ ∑§⁄UŸË „Ò —(i) ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê πÙ‹Ÿ ∑§ Á‹∞ ¬ÈÁSÃ∑§Ê ¬⁄U ‹ªË ∑§Êª¡ ∑§Ë ‚Ë‹ ∑§Ê

»§Ê«∏ ‹¢U– πÈ‹Ë „Èß¸ ÿÊ Á’ŸÊ S≈UË∑§⁄U-‚Ë‹U ∑§Ë ¬ÈÁSÃ∑§Ê SflË∑§Ê⁄U Ÿ ∑§⁄¢U–(ii) ∑§fl⁄U ¬ÎDU ¬⁄U ¿U¬ ÁŸŒ¸‡ÊÊŸÈ‚Ê⁄U ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ∑§ ¬ÎDU ÃÕÊ ¬˝‡ŸÙ¢ ∑§Ë

‚¢ÅÿÊ ∑§Ù •ë¿UË Ã⁄U„ øÒ∑§ ∑§⁄U ‹¢U Á∑§ ÿ ¬Í⁄U „Ò¢U– ŒÙ·¬ÍáÊ¸ ¬ÈÁSÃ∑§ÊÁ¡Ÿ◊¢ ¬ÎDU/¬˝‡Ÿ ∑§◊ „Ù¢ ÿÊ ŒÈ’Ê⁄UÊ •Ê ªÿ „Ù¢ ÿÊ ‚ËÁ⁄Uÿ‹U ◊¢ Ÿ „Ù¢•ÕÊ¸Ã˜ Á∑§‚Ë ÷Ë ¬˝∑§Ê⁄U ∑§Ë òÊÈÁ≈U¬ÍáÊ¸ ¬ÈÁSÃ∑§Ê SflË∑§Ê⁄U Ÿ ∑§⁄¢U ÃÕÊ©‚Ë ‚◊ÿ ©‚ ‹Uı≈UÊ∑§⁄U ©‚∑§ SÕÊŸ ¬⁄U ŒÍ‚⁄UË ‚„Ë ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ‹‹¢– U ß‚∑§ Á‹∞ •Ê¬∑§Ù ¬Ê°ø Á◊Ÿ≈U ÁŒÿ ¡Êÿ¢ª– ©‚∑§ ’ÊŒ Ÿ ÃÙ•Ê¬∑§Ë ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê flÊ¬‚ ‹Ë ¡ÊÿªË •ı⁄U Ÿ „Ë •Ê¬∑§Ù •ÁÃÁ⁄UQ§‚◊ÿ ÁŒÿÊ ¡ÊÿªÊ–

(iii) ß‚ ¡Ê°ø ∑§ ’ÊŒ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ∑§Ê Ÿ¥’⁄U OMR ¬òÊ∑§ ¬⁄U •¢Á∑§Ã ∑§⁄¢U•Uı⁄U OMR ¬òÊ∑§ ∑§Ê Ÿ¥’⁄U ß‚ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ¬⁄U •¢Á∑§Ã ∑§⁄U Œ¢–

4. ¬˝àÿ∑§ ¬˝‡Ÿ ∑§ Á‹∞ øÊ⁄U ©ûÊ⁄U Áfl∑§À¬ (1), (2), (3) ÃÕÊ (4) ÁŒÿ ªÿ „Ò¢–•Ê¬∑§Ù ‚„Ë ©ûÊ⁄U ∑§ flÎûÊ ∑§Ù ¬Ÿ ‚ ÷⁄U∑§⁄U ∑§Ê‹Ê ∑§⁄UŸÊ „Ò ¡Ò‚Ê Á∑§ ŸËøÁŒπÊÿÊ ªÿÊ „Ò–©ŒÊ„⁄UáÊ — ¡’Á∑§ (3) ‚„Ë ©ûÊ⁄U „Ò–

5. ¬˝‡ŸÊ¥ ∑§ ©ûÊ⁄U ∑§fl‹ ¬˝‡Ÿ ¬ÈÁSÃ∑§Ê ∑§ •ãŒ⁄U ÁŒÿ ªÿ OMRU ¬òÊ∑§ ¬⁄U „Ë•¥Á∑§Ã ∑§⁄UŸ „Ò¥– ÿÁŒ •Ê¬ OMRU ¬òÊ∑§ ¬⁄U ÁŒÿ ªÿ flÎûÊ ∑§ •‹ÊflÊ Á∑§‚Ë•ãÿ SÕÊŸ ¬⁄U ©ûÊ⁄U ÁøqÊ¢Á∑§Ã ∑§⁄UÃ „Ò¥, ÃÙ ©‚∑§Ê ◊ÍÀUÿÊ¢∑§Ÿ Ÿ„Ë¢ „ÙªÊ–

6. •ãŒ⁄U ÁŒÿ ªÿ ÁŸŒ¸‡ÊÙ¢ ∑§Ù äÿÊŸ¬Ífl¸∑§ ¬…∏¢U–7. ∑§ìÊÊ ∑§Ê◊ (Rough Work) ß‚ ¬ÈÁSÃ∑§Ê ∑§ •ÁãÃ◊ ¬ÎDU ¬⁄U ∑§⁄¢U–8. ÿÁŒ •Ê¬ OMR ¬òÊ∑§ ¬⁄U ÁŸÿÃ SÕÊŸ ∑§ •‹ÊflÊ •¬ŸÊ ŸÊ◊, ⁄UÊ‹ Ÿê’⁄U,

»§ÊŸ Ÿê’⁄U ÿÊ ∑§Êß¸ ÷Ë ∞‚Ê Áøq Á¡‚‚ •Ê¬∑§Ë ¬„øÊŸ „Ê ‚∑§, •¥Á∑§Ã ∑§⁄UÃ„Ò¥ •ÕflÊ •÷Œ˝ ÷Ê·Ê ∑§Ê ¬˝ÿÊª ∑§⁄UÃ „Ò¥, ÿÊ ∑§Êß¸ •ãÿ •ŸÈÁøÃ ‚ÊœŸ ∑§Ê¬˝ÿÊª ∑§⁄UÃ „Ò¥, ¡Ò‚ Á∑§ •¥Á∑§Ã Á∑§ÿ ªÿ ©ûÊ⁄U ∑§Ê Á◊≈UÊŸÊ ÿÊ ‚»§Œ SÿÊ„Ë ‚’Œ‹ŸÊ ÃÊ ¬⁄UËˇÊÊ ∑§ Á‹ÿ •ÿÊÇÿ ÉÊÊÁ·Ã Á∑§ÿ ¡Ê ‚∑§Ã „Ò¥–

9. •Ê¬∑§Ù ¬⁄UËˇÊÊ ‚◊Ê# „ÙŸ §¬⁄U ◊Í‹ OMR ¬òÊ∑§ ÁŸ⁄UËˇÊ∑§ ◊„ÙŒÿ ∑§Ù ‹Uı≈UÊŸÊ•Êfl‡ÿ∑§ „Ò •ı⁄U ¬⁄UËˇÊÊ ‚◊ÊÁ# ∑§ ’ÊŒ ©‚ •¬Ÿ ‚ÊÕ ¬⁄UËˇÊÊ ÷flŸ ‚ ’Ê„⁄UŸ ‹∑§⁄U ¡Êÿ¢– „Ê‹Ê¥Á∑§ •Ê¬ ¬⁄UËˇÊÊ ‚◊ÊÁ# ¬⁄U ◊Í‹ ¬˝‡Ÿ-¬ÈÁSÃ∑§Ê ÃÕÊ OMR¬òÊ∑§ ∑§Ë «ÈUå‹Ë∑§≈U ¬˝ÁÃ •¬Ÿ ‚ÊÕ ‹ ¡Ê ‚∑§Ã „Ò¥–

10. ∑§fl‹ ŸË‹/∑§Ê‹ ’Ê‹U åflÊßZ≈U ¬Ÿ ∑§Ê „Ë ¬˝ÿÊª ∑§⁄¢U–11. Á∑§‚Ë ÷Ë ¬˝∑§Ê⁄U ∑§Ê ‚¢ªáÊ∑§ (∑Ò§‹∑È§‹≈U⁄U) UÿÊ ‹Êª ≈U’‹ •ÊÁŒ ∑§Ê

¬˝ÿÙª flÁ¡¸Ã „Ò–12. ª‹Ã ©ûÊ⁄UÊ¥ ∑§ Á‹∞ ∑§Êß¸ Ÿ∑§Ê⁄UÊà◊∑§ •¥∑§ Ÿ„Ë¥ „Ò¥–13. ÿÁŒ •¥ª˝¡Ë ÿÊ Á„¥ŒË Áflfl⁄UáÊ ◊¥ ∑§Êß¸ Áfl‚¥ªÁÃ „Ê, ÃÊ •¥ª˝¡Ë Áflfl⁄UáÊ •¥ÁÃ◊

◊ÊŸÊ ¡Ê∞ªÊ–

N 1 76 3

1 P.T.O.N-06317 !N-06317-PAPER-III!

Roll No. (In words)

Roll No.

(In figures as per admission card)

OMR Sheet No. : .......................................................... (To be filled by the Candidate)

0

2N-06317 !N-06317-PAPER-III! Paper-III

MASS COMMUNICATION AND JOURNALISM

PAPER - III

Note : This paper contains seventy five (75) objective type questions of two (2) marks each. Allquestions are compulsory.

1. The first Indian language newspaper was :

(1) Bangadoota (2) Samachar

(3) Digdarshan (4) Mirat - ul - Akhbar

2. In wheel type of communication, _________ is dominant.

(1) One person (2) One group

(3) One chain (4) One nation

3. The concept of mindful journalism has drawn inspiration from :

(1) Hinduism (2) Daoism

(3) Christianity (4) Buddhism

4. According to Haebermas, modern mass media are influenced by :

(1) A high degree of ethical conduct (2) New cultural trends

(3) Massive public participation (4) Empty political spectacle

5. Jean Baudrillard has described mass media as a :

(1) Social powerhouse (2) Prosperous middle man

(3) Political institution (4) Speech without response

6. When an operating model of communication represents some aspect of reality , itrepresents :

(1) Stimulation (2) Stagnation (3) Simulation (4) Stratification

3 Paper-IIIN-06317 !N-06317-PAPER-III!

¡Ÿ‚¥øÊ⁄U •ÊÒ⁄U ¬òÊ∑§ÊÁ⁄UÃÊ

¬˝‡Ÿ¬òÊ - III

ŸÊ≈U — ß‚ ¬˝‡Ÿ-¬òÊ ◊¥ ¬ø„ûÊ⁄U (75) ’„È-Áfl∑§À¬UËÿ ¬˝‡Ÿ „Ò¥– ¬˝àÿ∑§ ¬˝‡Ÿ ∑§ ŒÙ (2) •¢∑§ „Ò¥– ‚÷Ë ¬˝‡Ÿ •ÁŸflÊÿ¸ „Ò¥–

1. ÷Ê⁄UÃËÿ ÷Ê·Ê ∑§Ê ¬„‹Ê ‚◊ÊøÊ⁄U¬òÊ ÕÊ —

(1) ’¥ªŒÍÃ (2) ‚◊ÊøÊ⁄U

(3) ÁŒÇŒ‡Ê¸Ÿ (4) Á◊⁄UÊÃ-©‹-•$π’Ê⁄U

2. ø∑˝§ SflM§¬Ëÿ ‚¥øÊ⁄U ◊¥ ¬˝◊Èπ „Ò —

(1) ∞∑§ √ÿÁÄàÊ (2) ∞∑§ ‚◊Í„

(3) ∞∑§ oÎ¥π‹Ê (4) ∞∑§ ⁄UÊC˛

3. ’ÊÒÁh∑§ ¬òÊ∑§ÊÁ⁄UÃÊ ∑§Ë ‚¥∑§À¬ŸÊ ∑§Ë ¬˝⁄UáÊÊ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚‚ ‹Ë ªß¸ „Ò?

(1) Á„¥ŒÈàfl (2) ŒÊ•ÊflÊŒ

(3) ß¸‚Êß¸ œ◊¸ (4) ’ÈÁhc≈U

4. „’⁄U◊Ê‚ ∑§ •ŸÈ‚Ê⁄U •ÊœÈÁŸ∑§ ¡Ÿ ◊Êäÿ◊ ÁŸêŸÁ‹ÁπÃ mÊ⁄UÊ ¬˝÷ÊÁflÃ „ÊÃÊ „Ò —

(1) ©ìÊ SÃ⁄UËÿ ŸÒÁÃ∑§ •Êø⁄UáÊ (2) Ÿß¸ ‚Ê¥S∑Î§ÁÃ∑§ ¬˝flÎÁûÊ

(3) ¡ŸÃÊ ∑§Ë ’«∏Ë ÷ÊªËŒÊ⁄UË (4) ‡ÊÍãÿ ⁄UÊ¡ŸËÁÃ∑§ ¬Á⁄UŒÎ‡ÿ

5. ¡ËŸ ’ÊÒÁ«˛U‹Ê«¸U Ÿ ¡Ÿ ◊Êäÿ◊ ∑§Ê ÁŸêŸÁ‹ÁπÃ ∑§ M§¬ ◊¥ ÁøÁòÊÃ Á∑§ÿÊ „Ò —

(1) ‚Ê◊ÊÁ¡∑§ ‡ÊÁÄàÊ-ªÎ„ (2) ‚ê¬ÛÊ Œ‹Ê‹

(3) ⁄UÊ¡ŸËÁÃ∑§ ‚¥SÕÊ (4) ©ûÊ⁄U Áfl„ËŸ ÷Ê·áÊ

6. ¡’ ∞∑§ ¬˝øÁ‹Ã ¬˝ÁÃM§¬ flÊSÃÁfl∑§ÃÊ ∑§ ∑È§¿U •ÊÿÊ◊Ê¥ ∑§Ê ¬˝ÁÃÁŸÁœàfl ∑§⁄UÃÊ „Ò, Ã’ ß‚∑§ ’Ê⁄U ◊¥ •Á÷√ÿÄàÊ ∑§⁄UÃÊ„Ò —

(1) ©à¬˝⁄UáÊÊ (2) ∆U„⁄UÊfl (3) •ŸÈM§¬ÃÊ (4) SÃ⁄UáÊ


7. In symbolic interaction, artificial signs that produce highly predictable responses are knownas :

(1) Signals (2) Signs (3) Symbols (4) Variants

8. Initial stage of interpersonal communication is called :

(1) The phatic stage (2) The intimate stage

(3) The personal stage (4) The public stage

9. ‘Mental images’ that enable people to classify objects and to structure responses are knownas :

(1) Stereotypes (2) Verbal commands

(3) Non verbal cues (4) Typifications

10. In cultivation analysis, when viewers identify the television contents with their daily events,this phenomenon is known as :

(1) Redundancy (2) Cultural cues

(3) Proxy (4) Resonance

11. The post-modernist media studies hinge on :

(1) Collectivism (2) Religious leadership

(3) Inspirational illusions (4) Aesthetic politics

12. Media audiences respond selectively to the media due to their own interpretation of ________of their daily life.

(1) Social discourses (2) Creative production

(3) Unwanted innovations (4) Unclear conformities

13. Critical theories of mass communication are ________ in character.

(1) Political (2) Insignificant (3) Symbolic (4) Iconic

14. The Vernacular Press Act 1878 was also called as :

(1) Lytton’s Act (2) Gagging Act

(3) Full control law (4) Coercive control law


7. ‚Ê¥∑§ÁÃ∑§ ‚¥√ÿfl„Ê⁄U ◊¥ ¡Ê ∑Î§ÁòÊ◊ ‚¥∑§Ã ¬Ífl¸ ∑§ÕŸËÿ •ŸÈÁ∑˝§ÿÊ∞¥ ÁŸÁ◊¸Ã ∑§⁄UÃ „Ò¥, ©ã„¥ ∑§„Ã „Ò¥ —

(1) ‚¥∑§Ã (2) Áø„˜Ÿ (3) ¬˝ÃË∑§ (4) ¬Á⁄UflÃ¸

8. •¥ÃflÒ¸ÿÁÄàÊ ‚¥øÊ⁄U ∑§Ë •Ê⁄¥UÁ÷∑§ •flSÕÊ ∑§Ê ∑§„Ã „Ò¥ —

(1) •Ê⁄¥UÁ÷∑§ •flSÕÊ (2) •Ê¥ÃÁ⁄U∑§ •flSÕÊ

(3) flÒÿÁÄàÊ∑§ •flSÕÊ (4) ‹Ê∑§ •flSÕÊ

9. ∞‚Ë “◊ÊŸÁ‚∑§ ¿UÁfl” Á¡‚‚ ‹Êª flSÃÈ•Ê¥ ∑§Ê flªË¸∑§⁄UáÊ ∑§⁄UÃ „Ò •ÊÒ⁄U ©ûÊ⁄U ∑§Ê …UÊ¥øÊ ÃÒÿÊ⁄U ∑§⁄UÃ „Ò¥, ©‚ ∑§„Ã „Ò¥ —

(1) S≈UËÁ⁄UÿÊ≈UÊß¬ (2) flÊÁø∑§ ÁŸÿ¥òÊáÊ

(3) ªÒ⁄U-flÊÁø∑§ ‚¥∑§Ã∑§ (4) Á≈UÁ¬Á»§∑§‡ÊŸ

10. ¬Á⁄Uc∑§Ê⁄U Áfl‡‹·áÊ ◊¥ ¡’ ŒÎ‡Ê∑§ •¬ŸË ŒÒÁŸ∑§ ÉÊ≈UŸÊ•Ê¥ ∑§ ‚ÊÕ ≈U‹ËÁfl¡Ÿ ∑§Ë Áfl·ÿ-flSÃÈ ∑§Ë ¬„øÊŸ ∑§⁄UÃÊ „Ò, ∑§Ê∑§„Ã „Ò¥ —

(1) ÁŸ⁄UÕ¸∑§ÃÊ (2) ‚Ê¥S∑Î§ÁÃ∑§ ‚¥∑§Ã

(3) ¬˝ÊÄ‚Ë (4) •ŸÈŸÊŒ

11. ©ûÊ⁄U-•ÊœÈÁŸ∑§ÃÊflÊŒË ◊ËÁ«UÿÊ •äÿÿŸ ¬⁄U ÁŸ÷¸⁄U ∑§⁄UÃÊ „Ò —

(1) ‚¥∑§‹ŸflÊŒ (2) œÊÁ◊¸∑§ ŸÃÎàfl

(3) ¬˝⁄UáÊÊ¬⁄U∑§ ÷˝◊ (4) ‚ÊÒ¥Œÿ¸¬⁄U∑§ ⁄UÊ¡ŸËÁÃ

12. •¬Ÿ ŒÒÁŸ∑§ ¡ËflŸ ◊¥ •¬ŸË ‚◊¤Ê ∑§ •ŸÈ‚Ê⁄U ◊ËÁ«UÿÊ ∑§ üÊÊÃÊªáÊ ÁŸêŸÁ‹ÁπÃ •ÊœÊ⁄UÊ¥ ¬⁄U Sflÿ¥ ∑§Ê •Á÷√ÿÄàÊ∑§⁄UÃ „Ò¥ —

(1) ‚Ê◊ÊÁ¡∑§ Áfl◊‡Ê¸ (2) ‚Î¡ŸÊà◊∑§ ©à¬ÊŒ

(3) •ŸøÊ„Ê ŸflËŸË∑§⁄UáÊ (4) •S¬C SflË∑Î§ÁÃÿÊ¥

13. ¡Ÿ-‚¥øÊ⁄U ∑§ ª¥÷Ë⁄U Á‚hÊãÃ •¬Ÿ ◊Í‹ øÁ⁄UòÊ ◊¥ „Ò¥ —

(1) ⁄UÊ¡ŸËÁÃ∑§ (2) ◊„àfl„ËŸ (3) ‚Ê¥∑§ÁÃ∑§ (4) ¬˝ÁÃ◊Ê¬⁄U∑§

14. fl·¸ 1878 ∑§ flŸÊ¸∑È§‹⁄U ¬˝‚ ∞Ä≈U ∑§Ê ÿ„ ÷Ë ∑§„Ê ¡ÊÃÊ ÕÊ —

(1) Á‹≈Uã‚ ∞Ä≈U (2) •Á÷√ÿÁÄàÊ ’¥œŸ ∑§ÊŸÍŸ

(3) ‚¥¬ÍáÊ¸ ÁŸÿ¥òÊáÊ ∑§ÊŸÍŸ (4) ∑§«∏Ê ÁŸÿ¥òÊáÊ ∑§ÊŸÍŸ


15. __________ of the statement is not a defence in a criminal proceeding against defamation.

(1) Interpretation (2) Public approval

(3) Power (4) Truth

16. The operation of Article 19 of the Indian constitution can be suspended under :

(1) Article 358 (2) Article 372 (3) Article 378 (4) Article 387

17. The International Federation of Journalists is based in :

(1) Amsterdam (2) Frankfurt (3) Brussels (4) Vienna

18. For Jan Servaes, cultural diversity belongs to the cluster of :

(1) Normative concepts (2) Contextual concepts

(3) Strategic concepts (4) Advocacy concepts

19. The element of compensatory rivalry usually happens with :

(1) The researcher (2) The control group

(3) The experimental group (4) The staticians

20. External validity can be achieved through :

(1) Random samples (2) Intervening variables

(3) Concealing errors (4) Small samples

21. Equal appearing intervals are a characteristic of :

(1) Likert scale (2) Arbitrary scale

(3) Thurstone scale (4) Cumulative scale

22. The reactions of respondents to experimental situations are identified as :

(1) Varied response (2) Control variables

(3) Demand characteristics (4) Natural recall


15. __________ ∑§Ê Áflfl⁄UáÊ, ◊ÊŸ„ÊÁŸ ∑§ Áπ‹Ê»§ •Ê¬⁄UÊÁœ∑§ ∑§Êÿ¸flÊ„Ë ◊¥ ’øÊfl Ÿ„Ë¥ „Ò–

(1) ÁŸfl¸øŸ (2) ¡Ÿ •ŸÈ◊ÊŒŸ

(3) ‡ÊÁÄàÊ (4) ‚àÿ

16. ÷Ê⁄UÃ ∑§ ‚¥ÁflœÊŸ ∑§ •ŸÈë¿UŒ 19 ∑§Ê ÁŸ‹¥Á’Ã Á∑§ÿÊ ¡Ê ‚∑§ÃÊ „Ò mÊ⁄UÊ —

(1) •ŸÈë¿UŒ 358 (2) •ŸÈë¿UŒ 372 (3) •ŸÈë¿UŒ 378 (4) •ŸÈë¿UŒ 387

17. •¥Ã⁄U⁄UÊC˛Ëÿ ¬òÊ∑§Ê⁄U ‚¥ÉÊ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚ SÕÊŸ ¬⁄U •ÊœÊÁ⁄UÃ „Ò?

(1) •Êê‚≈U«¸U◊ (2) »˝Ò¥§∑§»§≈¸U (3) ’Í̋‚À‚ (4) ÁflÿÊŸÊ

18. ¡ÒŸ ‚flÊ¸‚ ∑§ •ŸÈ‚Ê⁄U ‚Ê¥S∑Î§ÁÃ∑§ ÁflÁflœÃÊ ÁŸêŸÁ‹ÁπÃ ‚¥∑È§‹ ◊¥ „ÊÃË „Ò —

(1) ◊ÊŸ∑§Ëÿ ‚¥∑§À¬ŸÊ (2) ‚¥ÁflŒÊà◊∑§ ‚¥∑§À¬ŸÊ

(3) ⁄UáÊŸËÁÃ∑§ ‚¥∑§À¬ŸÊ (4) ¬ˇÊÉÊ⁄U ‚¥∑§À¬ŸÊ

19. •ŸÈ∑¥§¬Ê ¬˝ÁÃm¥mÃÊ ∑§Ê Ãàfl ‚Ê◊ÊãÿÃ— ÁŸêŸÁ‹ÁπÃ ∑§ ‚ÊÕ „ÊÃÊ „Ò —

(1) ‡ÊÊœ∑§ÃÊ¸ (2) ÁŸÿ¥òÊáÊ ‚◊Í„

(3) ¬˝ÿÊªÊà◊∑§ ‚◊Í„ (4) ‚Ê¥ÁÅÿ∑§ËÁflŒ

20. ’Ês ÁflÁœ◊ÊãÿÃÊ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚∑§ ◊Êäÿ◊ ‚ ¬˝ÊåàÊ ∑§Ë ¡Ê ‚∑§ÃË „Ò?

(1) ÿÊŒÎÁë¿U∑§ ¬˝ÁÃøÿŸ (2) „SÃˇÊ¬ ¬Á⁄UflÃ¸∑§

(3) ªÈåàÊ ÷Í‹ (4) ‹ÉÊÈ ¬˝ÁÃøÿŸ

21. ‚◊ÊŸ ‹ªŸ flÊ‹Ë •¥Ã⁄UÊ‹ Áfl‡Ê·ÃÊ „Ò —

(1) ∞∑§‚◊ÊŸ ◊ÊŸ (2) ÿÊŒÎÁë¿U∑§ ◊ÊŸ

(3) ÕS≈UÊÒ¸Ÿ ◊ÊŸ (4) ‚¥øÿË ◊ÊŸ

22. ¬˝ÊÿÊÁª∑§ ÁSÕÁÃÿÊ¥ ∑§ ¬˝ÁÃ ©ûÊ⁄UŒÊÃÊ•Ê¥ ∑§Ë ¬˝ÁÃÁ∑˝§ÿÊ ∑§Ê ÁŸêŸÁ‹ÁπÃ ∑§ M§¬ ◊¥ ¡ÊŸÊ ¡ÊÃÊ „Ò —

(1) •‹ª-•‹ª ©ûÊ⁄U (2) ÁŸÿ¥òÊáÊ ¬Á⁄UflÃ¸∑§

(3) ◊Ê°ª Áfl‡Ê·ÃÊ∞¥ (4) ŸÒ‚Áª¸∑§ ◊Ê°ª


23. The audience fragmentation has increased the demand for :

(1) Trend studies (2) One - shot studies

(3) Historical studies (4) Consultative studies

24. The people’s meter used by Nielsen Media Research records :

(1) TV commercials

(2) The programmes watched by people during sweeps

(3) The programmes watched by people at specific times

(4) The names of people in households who participate in Nielsen ratings

25. The issue of content management has to do with :

(1) The movie industry controlling the content and subject matter of films

(2) The movie industry’s desire that the films be broadcast on TV at the highest qualitypossible

(3) The movie industry’s attempt to have copy protection on movies that are broadcast

(4) The movement on the part of the consumer to have good content in all TV broadcasts

26. Electronic flash memory data storage device used for storing digital information :

(1) Tripod (2) Flash card (3) Flash Drive (4) Memory card

27. __________ is used to protect private information stored in computers.

(1) Professional (2) Puller (3) Phisher (4) Firewall

28. Which is the parent company of Google ?

(1) Alphabet (2) Oracle (3) Dell (4) Microsoft

29. The film that has won Oscar Award for 2017 is :

(1) La La Land (2) Moonlight (3) Hidden figure (4) Lion


23. üÊÊÃÊ•Ê¥ ‚◊Í„ ∑§ Áfl÷Ê¡Ÿ ‚ ÁŸêŸÁ‹ÁπÃ ∑§Ë ◊Ê¥ª ’…∏Ë „Ò —

(1) ¬˝flÎÁûÊ ¬˝œÊŸ •äÿÿŸ (2) ∞∑§ ‹ˇÿËÿ •äÿÿŸ

(3) ∞ÁÃ„ÊÁ‚∑§ •äÿÿŸ (4) ¬⁄UÊ◊‡ÊË¸ •äÿÿŸ

24. ŸË‹‚Ÿ ◊ËÁ«UÿÊ •ŸÈ‚¥œÊŸ •Á÷‹πÊ¥ mÊ⁄UÊ ¬˝ÿÈÄàÊ ¡Ÿ ◊Ë≈U⁄U „Ò —

(1) ≈UË flË flÊÁáÊíÿ

(2) SflË¬ ∑§ ŒÊÒ⁄UÊŸ ‹ÊªÊ¥ mÊ⁄UÊ Œπ ¡ÊŸ flÊ‹Ê ∑§Êÿ¸∑˝§◊

(3) ÁflÁ‡Êc≈U ‚◊ÿ ◊¥ ‹ÊªÊ¥ mÊ⁄UÊ Œπ ¡ÊŸ flÊ‹ ∑§Êÿ¸∑˝§◊

(4) ÉÊ⁄U ∑§ ‹ÊªÊ¥ ∑§ ŸÊ◊ ¡Ê ŸË‹‚Ÿ ∑˝§◊Ê¥∑§Ÿ ◊¥ ÷Êª ‹Ã „Ò¥

25. Áfl·ÿ-flSÃÈ ¬˝’¥œŸ ∑§Ê ◊ÈgÊ ÁŸêŸÁ‹ÁπÃ ‚ ‚¥’¥ÁœÃ „Ò —

(1) Á»§À◊ ©lÊª, Á»§À◊Ê¥ ∑§Ë ‚Ê◊ª˝Ë •ÊÒ⁄U Áfl·ÿ-flSÃÈ ∑§Ê ÁŸÿ¥ÁòÊÃ ∑§⁄U ⁄U„Ê „Ò–

(2) Á»§À◊ ©lÊª øÊ„ÃÊ „Ò Á∑§ ≈UË flË ¬⁄U ¬˝‚ÊÁ⁄UÃ ∑§Ë ¡ÊŸ flÊ‹Ë Á»§À◊¥ ÿÕÊ‚¥÷fl ©ìÊ ªÈáÊflûÊÊ flÊ‹Ë „Ê–

(3) Á»§À◊ ©lÊª ¬˝‚ÊÁ⁄UÃ ∑§Ë ¡ÊŸ flÊ‹Ë Á»§À◊Ê¥ ∑§Ë ¬˝ÁÃ ∑§Ë ‚È⁄UˇÊÊ ∑§Ê ¬˝ÿÊ‚ Á∑§ÿÊ ¡Ê∞–

(4) ©¬÷ÊÄàÊÊ•Ê¥ ∑§Ê ¬˝ÿÊ‚ „Ò Á∑§ ‚÷Ë ≈UË flË ¬˝‚Ê⁄UáÊÊ¥ ∑§Ë Áfl·ÿ-flSÃÈ •ë¿UË „Ê–

26. ß‹Ä≈˛UÊÚÁŸ∑§ ç‹Ò‡Ê ◊◊Ê⁄UË «U≈UÊ S≈UÊ⁄U¡ ©¬∑§⁄UáÊ ∑§Ê ©¬ÿÊª ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚∑§Ë Á«UÁ¡≈U‹ ‚ÍøŸÊ ∑§ S≈UÊÁ⁄¥Uª ◊¥∑§Ë ¡ÊÃË „Ò?

(1) ≈˛UÊß¬Ê«U (2) ç‹Ò‡Ê ∑§Ê«¸U (3) ç‹Ò‡Ê «˛UÊßfl (4) ◊◊Ê⁄UË ∑§Ê«¸U

27. __________ ∑§Ê ¬˝ÿÊª ∑¥§åÿÍ≈U⁄U ◊¥ S≈UÊ⁄U ∑§Ë ªß¸ ÁŸ¡Ë ‚ÍøŸÊ ∑§Ë ‚È⁄UˇÊÊ ∑§ Á‹∞ ¬˝ÿÊª ◊¥ ‹ÊÿÊ ¡ÊÃÊ „Ò–

(1) √ÿÊfl‚ÊÁÿ∑§ (2) ¬È‹⁄U (3) Á»§‡Ê⁄U (4) »§Êÿ⁄UflÊ‹

28. ªÍª‹ ∑§Ë ◊Í‹ ∑¥§¬ŸË ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ ∑§ÊÒŸ „Ò?

(1) •À»§Ê’≈U (2) •Ê⁄UÊ∑§‹ (3) «UÀ‹ (4) ◊Êß∑˝§Ê‚Êç≈U

29. Á»§À◊ Á¡‚Ÿ 2017 ◊¥ •ÊS∑§⁄U ¬È⁄US∑§Ê⁄U ¡ËÃÊ „Ò —

(1) ‹Ê ‹Ê ‹Ò¥«U (2) ◊ÍŸ‹Êß≈U (3) Á„«UŸ Á»§ª⁄U (4) ‹ÊÿŸ


30. Grid card is related to :

(1) Broadcast media (2) Newspapers

(3) Outdoor media (4) Magazines

31. Sirius is a/an :

(1) Internet radio (2) Satellite radio

(3) Internet streamer (4) Satellite TV station

32. A time period that precedes or follows prime time on television is identified as :

(1) Stage time (2) Trial time (3) Adjacent time (4) Fringe time

33. The media that has been facing decline in advertising revenue in the Western world is :

(1) Newspaper industry (2) Radio

(3) Television (4) Google

34. The ABC’s(India) digital measurement service is supported by :

(1) Arbitron (2) Gallup (3) Harris (4) A.C. Nielsen

35. In the commercial world, Public Relations and Advertising are associated with :

(1) Propaganda (2) Marketing (3) Diplomacy (4) Secret service

36. Cover×frequency will lead to :

(1) Hard facts (2) Direct exposure

(3) Gross rating points (4) Tie - in

37. According to Lang and Lang, when individual opinions merge into public opinion, the modelthat emerges is :

(1) Collective dynamics (2) Hot public opinion

(3) Public opinion mainstreaming (4) Collateralisation

38. The First World Assembly of Public Relations Associations was held in :

(1) Mexico city (2) New York (3) London (4) Tokyo


30. Áª˝«U ∑§Ê«¸U ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚‚ ‚¥’¥ÁœÃ „Ò?

(1) ¬˝‚Ê⁄UáÊ ◊ËÁ«UÿÊ (2) ‚◊ÊøÊ⁄U¬òÊ

(3) ’Ês ◊ËÁ«UÿÊ (4) ¬ÁòÊ∑§Ê

31. Á‚Á⁄Uÿ‚ ∞∑§ —

(1) ß¥≈U⁄UŸ≈U ⁄UÁ«UÿÊ „Ò (2) ‚≈U‹Êß≈U ⁄UÁ«UÿÊ „Ò

(3) ß¥≈U⁄UŸ≈U S≈˛UË◊⁄U „Ò (4) ‚≈U‹Êß≈U ≈UË flË S≈U‡ÊŸ „Ò

32. ≈U‹ËÁfl¡Ÿ ¬⁄U ¬˝◊Èπ ‚◊ÿ ÉÊÁ≈UÃ ÿÊ ø‹Ê∞ ¡ÊŸ flÊ‹Ê ‚◊ÿ ∑§„‹ÊÃÊ „Ò —

(1) •flSÕÊ ∑§Ê‹ (2) ¬⁄UËˇÊáÊ ∑§Ê‹ (3) ÁŸ∑§≈UflÃË¸ ∑§Ê‹ (4) ‚Ë◊Ê¥Ã ∑§Ê‹

33. ¬Á‡ø◊Ë ¡ªÃ ◊¥ ÁflôÊÊ¬Ÿ ⁄UÊ¡Sfl ◊¥ Áª⁄UÊfl≈U ¤Ê‹Ÿ flÊ‹Ê ◊ËÁ«UÿÊ „Ò —

(1) ‚◊ÊøÊ⁄U ©lÊª (2) ⁄UÁ«UÿÊ

(3) ≈U‹ËÁfl¡Ÿ (4) ªÍª‹

34. ∞ ’Ë ‚Ë (÷Ê⁄UÃ) Á«UÁ¡≈U‹ ◊Ê¬Ÿ ‚flÊ ∑§Ê ‚◊Õ¸Ÿ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚∑§ mÊ⁄UÊ Á∑§ÿÊ ¡ÊÃÊ „Ò?

(1) ◊ÊäÿSÕ◊˜ (2) ª‹•¬ (3) „ÒÁ⁄U‚ (4) ∞.‚Ë. ŸË‹‚Ÿ

35. flÊÁáÊÁíÿ∑§ ¡ªÃ ◊¥ ¡Ÿ-‚¥¬∑¸§ •ÊÒ⁄U ÁflôÊÊ¬Ÿ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚‚ ‚¥’h „Ò?

(1) ¬˝øÊ⁄U (2) Áfl¬áÊŸ (3) ∑Í§≈UŸËÁÃ (4) ªÈåàÊ ‚flÊ

36. ∑§fl⁄U × »˝§ËÄfl¥‚Ë ‚ „ÊªÊ —

(1) ∑§∆UÊ⁄U Ãâÿ (2) ¬˝àÿˇÊ ¬˝∑§≈UŸ

(3) ‚∑§‹ ¬˝∑˝§◊ Á’¥ŒÈ (4) ≈UÊß-ßŸ

37. ‹Ê¥ª ∞á«U ‹Ê¥ª ∑§ •ŸÈ‚Ê⁄U ¡’ √ÿÁÄàÊ ∑§Ë ⁄UÊÿ ‚Êfl¸¡ÁŸ∑§ ⁄UÊÿ ◊¥ Á◊‹ ¡ÊÃË „Ò ÃÊ ¡Ê ¬˝ÁÃM§¬ ©÷⁄UªÊ ©‚ ∑§„Ã „Ò¥ —

(1) ‚Ê◊ÍÁ„∑§ ªÁÃ‡ÊË‹ÃÊ (2) ª◊¸¡Ê‡Ê ¡Ÿ◊Ã

(3) ‹Ê∑§◊Ã ∑§Ë ◊ÈÅÿœÊ⁄UÊ (4) •ÊŸÈ·¥Áª∑§ÃÊ

38. ¬Áé‹∑§ Á⁄U‹‡ÊŸ ∞‚ÊÁ‚∞‡ÊŸ ∑§Ê ¬˝Õ◊ Áfl‡fl ‚ê◊‹Ÿ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ ∑§„Ê¥ •ÊÿÊÁ¡Ã Á∑§ÿÊ ªÿÊ ÕÊ?

(1) ◊ÒÁÄ‚∑§Ê Á‚≈UË (2) ãÿÍ ÿÊ∑¸§ (3) ‹¥ŒŸ (4) ≈UÊÄÿÊ


39. Banner advertisement is a type of :

(1) Outdoor Advertising (2) Interactive Advertising

(3) Corporate Advertising (4) Paid Advertising

40. Bipolar objectives are used in :

(1) Likert scale (2) Thurstone scale

(3) Gutman scale (4) Semantic differential

41. Social marketing theory is essentially ________.

(1) Content - dominated (2) Source - dominated

(3) Receiver - dominated (4) Channel - dominated

42. _________ refers to the number of billboards used for an advertisement.

(1) Cumes (2) Counter boards (3) Facings (4) Deckers

43. Who commands higher advertising prices globally for now ?

(1) Digital music (2) Digital news (3) Digital video (4) Television

44. Transition from one scene to another in a TV commercial is referred to as :

(1) Movement (2) Linkage (3) Bridge (4) Run - in

45. The tabloid version of earlier broadsheet newspaper is called :

(1) Contact print (2) Compact (3) Tab (4) Compressor

46. The estimation of story length is called :

(1) Casting off (2) Copy fit (3) Space check (4) Line estimate


39. ’ÒŸ⁄U ÁflôÊÊ¬Ÿ ÁŸêŸÁ‹ÁπÃ ∑§Ê ¬˝∑§Ê⁄U „Ò —

(1) ’Ê„˜ÿ ÁflôÊÊ¬Ÿ (2) ‚¥√ÿfl„Ê⁄UË ÁflôÊÊ¬Ÿ

(3) ÁŸª◊ ÁflôÊÊ¬Ÿ (4) ¬˝ŒûÊ ÁflôÊÊ¬Ÿ

40. Ámœ˝ÈflËÿ ©Œ˜Œ‡ÿ ∑§Ê ¬˝ÿÊª ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚◊¥ Á∑§ÿÊ ¡ÊÃÊ „Ò?

(1) ‹Êß∑§≈¸U ◊ÊŸ (2) Õ˝S≈UÊŸ ◊ÊŸ

(3) ªÈ≈U◊ÒŸ ◊ÊŸ (4) •œ¸ªÃ Áfl÷Œ∑§

41. ‚Ê◊ÊÁ¡∑§ Áfl¬áÊŸ ∑§ Á‚hÊãÃ •ÁŸflÊÿ¸Ã— „ÊÃÊ „Ò —

(1) Áfl·ÿ-flSÃÈ ¬˝œÊŸ (2) dÊÃ ¬˝œÊŸ

(3) ¬˝ÊåàÊ∑§ÃÊ¸ ¬˝œÊŸ (4) oÎ¥π‹Ê ¬˝œÊŸ

42. _________ ‚ ÃÊà¬ÿ¸ ÁflôÊÊ¬Ÿ ∑§ Á‹∞ ¬˝ÿÈÄàÊ Á’‹’Ê«UÊZ ∑§Ë ‚¥ÅÿÊ ‚ „Ò–

(1) ÄÿÍê‚ (2) ∑§Ê©¥≈U⁄U ’Ê«¸U‚˜ (3) »§Á‚¥ª (4) «U∑§‚¸

43. •Ê¡∑§‹ flÒÁ‡fl∑§ M§¬ ‚ ©ìÊ ÁflôÊÊ¬Ÿ ∑§Ë◊ÃÊ¥ ∑§Ê ∑§ÊÒŸ ÁŸÿ¥ÁòÊÃ ∑§⁄UÃÊ „Ò?

(1) Á«UÁ¡≈U‹ ‚¥ªËÃ (2) Á«UÁ¡≈U‹ ‚◊ÊøÊ⁄U (3) Á«UÁ¡≈U‹ flËÁ«UÿÊ (4) ≈U‹ËÁfl¡Ÿ

44. ≈UË flË flÊÁáÊíÿ ◊¥ ∞∑§ ŒÎ‡ÿ ‚ ŒÍ‚⁄U ŒÎ‡ÿ ◊¥ ¡ÊŸÊ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ ÄÿÊ ∑§„‹ÊÃÊ „Ò?

(1) ‚¥ø‹Ÿ (2) ‚¥¬∑¸§Ÿ (3) ‚ÃÈ (4) ⁄UŸ-ßŸ

45. ¬È⁄UÊŸ ’˝Ê«U‡ÊË≈U ‚◊ÊøÊ⁄U¬òÊ ∑§ ¬ÁòÊ∑§Ê M§¬ ∑§Ê ∑§„Ã „Ò¥ —

(1) ∑§Ê¥≈UÄ≈U Á¬˝¥≈U (2) ∑¥§¬ÒÄ≈U (3) ≈U’ (4) ∑¥§¬˝‚⁄U

46. ‹π ∑§Ë ‹¥’Êß¸ ∑§Ê •ŸÈ◊ÊŸ ∑§„‹ÊÃÊ „Ò —

(1) ∑§ÊÁS≈¥Uª •ÊÚ»§ (2) ∑§ÊÚ¬Ë Á»§≈U (3) S¬‚ øÒ∑§ (4) ‹ÊßŸ •ŸÈ◊ÊŸ


47. On Spec in journalistic parlance means :

(1) Commissioned article (2) Uncommissioned article

(3) Additional editorial (4) First page feature

48. Fan writing is characterised as a type of textual :

(1) Preacting (2) Problematisation

(3) Poaching (4) Presumption

49. Screamer is a/an _________ mark normally seen in headlines.

(1) Question (2) Quotation

(3) Exclamatory (4) Semicolon

50. Assertion (A) : Modern mass media are responsible for destroying the folk communities.

Reason (R) : The media fare provides scope to have individual judgements to decidewhat is amoral and what is not.

Code :

(1) Both (A) and (R) are true.

(2) Both (A) and (R) are true, but (R) is not the correct explanation of (A).

(3) (A) is true, but (R) is false.

(4) (A) is false, but (R) is true.

51. Assertion (A) : Television is central to ‘global mass culture.’

Reason (R) : The flow of television programmes from different directions is morepronounced than ever before to the West.

Code :






47. ¬òÊ∑§ÊÁ⁄UÃÊ ∑§Ë ÷Ê·Ê ◊¥ “•ÊÚŸ S¬∑§” ‚ ÃÊà¬ÿ¸ „Ò —

(1) ‚¥øÊÁ‹Ã ‹π (2) •‚¥øÊÁ‹Ã ‹π

(3) •ÁÃÁ⁄UÄàÊ ‚¥¬ÊŒ∑§Ëÿ (4) ¬˝Õ◊ ¬ÎD ∑§Ë M§¬⁄UπÊ

48. »Ò§Ÿ ‹πŸ ∑§Ë Áfl‡Ê·ÃÊ ÁŸêŸÁ‹ÁπÃ ◊¥ ‚ Á∑§‚∑§Ê ¬Ê∆U ¬˝∑§Ê⁄U „Ò?

(1) ¬Ífl¸Á∑˝§ÿÊ (2) ‚◊SÿÊ∑§⁄UáÊ

(3) ‹πÊ¥ ∑§Ë øÊ⁄UË (4) •ŸÈ◊ÊŸ

49. S∑˝§Ë◊⁄U _________ ∑§Ê Áø„˜Ÿ „Ò ¡Ê ‚Ê◊ÊãÿÃ— ‡ÊË·¸∑§Ê¥ ◊¥ ŒπÊ ¡ÊÃÊ „Ò–

(1) ¬˝‡Ÿ (2) ©Œ˜œ⁄UáÊ

(3) ÁflS◊ÿ¬⁄U∑§ (4) ‚Á◊∑§Ê‹Ÿ

50. •Á÷∑§ÕŸ (A) : •ÊœÈÁŸ∑§ ¡Ÿ ◊Êäÿ◊ ‹Ê∑§ ‚¥S∑Î§ÁÃ ∑§Ê ŸC ∑§⁄UŸ ∑§ Á‹∞ Á¡ê◊ŒÊ⁄U „Ò–

Ã∑¸§ (R) : ◊ËÁ«UÿÊ ∑§Ë Áfl·ÿ-flSÃÈ ‹ÊªÊ¥ ∑§Ê ÿ„ ÁŸáÊ¸ÿ ‹Ÿ ∑§Ê •fl‚⁄U ¬˝ŒÊŸ ∑§⁄UÃË „Ò Á∑§ ÄÿÊ •ŸÒÁÃ∑§„Ò •ÊÒ⁄U ÄÿÊ Ÿ„Ë¥–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, ‹Á∑§Ÿ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, ‹Á∑§Ÿ (R) ‚„Ë „Ò–

51. •Á÷∑§ÕŸ (A) : ≈U‹ËÁfl¡Ÿ ““flÒÁ‡fl∑§ ‚Ê◊ÍÁ„∑§ ‚¥S∑Î§ÁÃ”” ∑§Ê ◊Í‹ „Ò–

Ã∑¸§ (R) : ÁflÁ÷ÛÊ ÁŒ‡ÊÊ•Ê¥ ‚ ≈U‹ËÁfl¡Ÿ ∑§Êÿ¸∑˝§◊Ê¥ ∑§Ê ¬˝flÊ„ ¬Á‡ø◊ ◊¥ •Ê¡Ã∑§ ¬˝‚ÊÁ⁄UÃ ∑§Êÿ¸∑˝§◊Ê¥ ∑§Ë•¬ˇÊÊ •Áœ∑§ ◊Èπ⁄U „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, ‹Á∑§Ÿ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–


52. Assertion (A) : The liberal model of media is positive to the growth of democracy.

Reason (R) : Market orientation makes media responsive to public issues.

Code :





53. Assertion (A) : Market based media ownership aims to create an informed citizenry.

Reason (R) : Such an architecture of media system delivers enormous amounts of newson public affairs.

Code :





54. Assertion (A) : Video podcasting and peer-to-peer networking represent a new architectureof aesthetics.

Reason (R) : Technological evolution has hindered the public access to media.

Code :






52. •Á÷∑§ÕŸ (A) : ◊ËÁ«UÿÊ ∑§Ê ©ŒÊ⁄UflÊŒË ÁŸŒ‡Ê¸ ‹Ê∑§Ã¥òÊ ∑§Ë ¬˝ªÁÃ ∑§ Á‹∞ ‚∑§Ê⁄UÊà◊∑§ „Ò–

Ã∑¸§ (R) : ’Ê¡Ê⁄UÊã◊ÈπË ŒÎÁC∑§ÊáÊ •¬ŸÊŸ ∑§ »§‹SflM§¬ ◊ËÁ«UÿÊ ¡ŸÃÊ ∑§ ◊ÈgÊ¥ ∑§ ¬˝ÁÃ ©ûÊ⁄UŒÊÿË „Ê ¡ÊÃË„Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥, Á∑§ãÃÈ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

53. •Á÷∑§ÕŸ (A) : ’Ê$¡Ê⁄U-•ÊœÊÁ⁄UÃ ◊ËÁ«UÿÊ SflÊÁ◊àfl ∑§Ê ©g‡ÿ ‚¥‚ÍÁøÃ ¡Ÿ◊ÊŸ‚ ∑§Ê ‚Î¡Ÿ ∑§⁄UŸÊ „Ò–

Ã∑¸§ (R) : ◊ËÁ«UÿÊ Ã¥òÊ ∑§Ë ∞‚Ë ¬∑§«∏ „ÊŸ ∑§ »§‹SflM§¬ ‚⁄U∑§Ê⁄UË ∑§Êÿ¸ ‚ ‚¥’¥ÁœÃ ‚◊ÊøÊ⁄U ’„ÈÃ •Áœ∑§¬˝‚ÊÁ⁄UÃ „Ê ¬ÊÃÊ „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

54. •Á÷∑§ÕŸ (A) : flËÁ«U•Ê ¬ÊÚ«U∑§ÊÁS≈¥Uª •ÊÒ⁄U ‚◊∑§ˇÊËÿ Ÿ≈UflÁ∑Z§ª ‚ ‚ÊÒ¥Œÿ¸ ∑§Ë ∞∑§ Ÿß¸ ‚¥⁄UøŸÊ ÁŸM§Á¬Ã „ÊÃË „Ò–

Ã∑¸§ (R) : ¬˝ÊÒlÊÁª∑§Ëÿ Áfl∑§Ê‚ ∑§ ∑§Ê⁄UáÊ •Ê◊ ¡ŸÃÊ ∑§Ë ◊ËÁ«UÿÊ Ã∑§ ¬„È¥ø ◊¥ •«∏øŸ ©à¬ãŸ „ÊÃÊ „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–


55. Assertion (A) : The synergy of modern economy with modern mass media is the other faceof sophisticated media manipulation.

Reason (R) : Sale of physical and entertainment products is the sole aim of today’scorporate media which aims to maximise profits.

Code :





56. Assertion (A) : In the present day democracy, the rights and duties of publics tocommunicate has become less acceptable.

Reason (R) : Because of commercialisation and professionalisation, media viewpoints ofothers are of little consequence in media content selection.

Code :





57. Assertion (A) : Language and communications are not only social practices, but alsopolitical.

Reason (R) : Human communication has the primary objective of self - preservation.

Code :






55. •Á÷∑§ÕŸ (A) : •ÊœÈÁŸ∑§ •Õ¸√ÿflSÕÊ ∑§Ê •ÊœÈÁŸ∑§ ¡Ÿ‚¥¬∑¸§ ◊Êäÿ◊ ‚ ◊‹ ‚◊ÈãŸÃ ◊ËÁ«UÿÊ ∑§ ¿UŒ˜◊Á„Ã‚ÊœŸ ∑§Ê •ãÿ ¬ˇÊ „Ò–

Ã∑¸§ (R) : ÷ÊÒÁÃ∑§ •ÊÒ⁄U ◊ŸÊ⁄¥U¡Ÿ ©à¬ÊŒÊ¥ ∑§Ë Áfl∑˝§Ë •Ê¡ ∑§ ∑§ÊÚ⁄U¬Ê⁄U≈U ◊ËÁ«UÿÊ ∑§Ê ∞∑§◊ÊòÊ ‹ˇÿ „Ò Á¡‚∑§Êäÿÿ ◊ÈŸÊ»§Ê ∑§◊ÊŸÊ „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

56. •Á÷∑§ÕŸ (A) : flÃ¸◊ÊŸÿÈªËŸ ‹Ê∑§Ã¥òÊ ◊¥ ¡ŸÃÊ ∑§ ‚¥¬˝·áÊ ‚¥’¥œË •Áœ∑§Ê⁄U •ÊÒ⁄U ∑§ûÊ¸√ÿ •¬ˇÊÊ∑Î§Ã ∑§◊ „Ê ªÿ„Ò–

Ã∑¸§ (R) : ◊ËÁ«UÿÊ ∑§ flÊÁáÊíÿË∑§⁄UáÊ •ÊÒ⁄U √ÿfl‚ÊÿË∑§⁄UáÊ ∑§ ∑§Ê⁄UáÊ ◊ËÁ«UÿÊ ∑§Ë Áfl·ÿflSÃÈ ∑§Ê øÿŸ ∑§⁄UŸ∑§ ∑˝§◊ ◊¥ •ãÿ √ÿÁÄàÊÿÊ¥ ∑§ ŒÎÁC∑§ÊáÊ ∑§Ê ∑§Êß¸ »§‹Ê»§‹ Ÿ„Ë¥ ÁŸ∑§‹ÃÊ „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

57. •Á÷∑§ÕŸ (A) : ÷Ê·Ê •ÊÒ⁄U ‚¥øÊ⁄U Ÿ ∑§fl‹ ‚Ê◊ÊÁ¡∑§ ¬˝Á∑˝§ÿÊ „Ò •Á¬ÃÈ ⁄UÊ¡ŸËÁÃ∑§ ÷Ë „Ò–

Ã∑¸§ (R) : ◊ÊŸfl ‚¥øÊ⁄U ∑§Ê ¬˝ÊÕÁ◊∑§ ©g‡ÿ •Êà◊-¬Á⁄U⁄UˇÊáÊ „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(2) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò, Á∑§ãÃÈ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–


58. Assertion (A) : The invention of Internet was basically not for democratising the globalcommunication system.

Reason (R) : It was initiated for the US military to control centres to communicate in theeventuality of a nuclear war.

Code :





59. Assertion (A) : People watch television because they are very fond of news.

Reason (R) : Some news channels are not objective and neutral in their coverage of news.

Code :

(1) (A) is true but (R) is not the correct explanation of (A).

(2) (R) is true but (A) is not the correct explanation of (R).

(3) Both (A) and (R) are correct.

(4) Both (A) and (R) are incorrect.

60. Assertion (A) : Print media is less socially responsible than the electronic media.

Reason (R) : Because the electronic media depend heavily on commercial revenue andas such they have to protect their commercial interests.

Code :





61. Assertion (A) : Guerilla television and video are more than media tools.

Reason (R) : They reflect the images of rebellion of the oppressed against modernimperialism.

Code :






58. •Á÷∑§ÕŸ (A) : ß¥≈U⁄UŸ≈U ∑§Ê •ÊÁflc∑§Ê⁄U ◊Í‹Ã— flÒÁ‡fl∑§ ‚¥øÊ⁄U Ã¥òÊ ∑§Ê ¡ŸÃÊ¥ÁòÊ∑§ ’ŸÊŸ ∑§ ¬˝ÿÊ¡Ÿ ‚ Ÿ„Ë¥ Á∑§ÿÊªÿÊ ÕÊ–

Ã∑¸§ (R) : ß‚∑§Ê ‡ÊÈ÷Ê⁄¥U÷ •◊⁄UË∑§Ë ‚ŸÊ mÊ⁄UÊ ¬⁄U◊ÊáÊÈ ÿÈh „ÊŸ ∑§Ë Œ‡ÊÊ ◊¥ ‚¥øÊ⁄U ∑§ãŒ˝Ê¥ ∑§ ÁŸÿ¥òÊáÊ ∑§ Á‹∞Á∑§ÿÊ ªÿÊ ÕÊ–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

59. •Á÷∑§ÕŸ (A) : ‹Êª ≈U‹ËÁfl¡Ÿ ŒπÃ „Ò¥ ÄÿÊ¥Á∑§ ©ã„¥ ‚◊ÊøÊ⁄U ∑§Ê ‡ÊÊÒ∑§ „Ò–

Ã∑¸§ (R) : ∑È§¿U ãÿÍ¡ øÒŸ‹ ‚◊ÊøÊ⁄U ∑§ ∑§fl⁄U¡ ◊¥ ÁŸ⁄U¬ˇÊ •ÊÒ⁄U Ã≈USÕ Ÿ„Ë¥ „Ò–

∑Í§≈U —

(1) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R), (A) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(2) (R) ‚„Ë „Ò, Á∑§ãÃÈ (A), (R) ∑§Ë ‚„Ë √ÿÊÅÿÊ Ÿ„Ë¥ „Ò–

(3) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–

(4) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ª‹Ã „Ò¥–

60. •Á÷∑§ÕŸ (A) : Á¬˝ã≈U ◊ËÁ«UÿÊ ß‹Ä≈˛UÊÚÁŸ∑§ ◊ËÁ«UÿÊ ∑§Ë ÃÈ‹ŸÊ ◊¥ ‚Ê◊ÊÁ¡∑§ ŒÎÁC ‚ ∑§◊ Á¡ê◊flÊ⁄U „Ò–

Ã∑¸§ (R) : øÍ¥Á∑§ ß‹Ä≈˛UÊÚÁŸ∑§ ◊ËÁ«UÿÊ √ÿfl‚Êÿ ∑§ ¡Á⁄U∞ ¬˝ÊåàÊ ⁄UÊ¡Sfl ¬⁄U ’„ÈÃ •Áœ∑§ ÁŸ÷¸⁄U „Ò •ÊÒ⁄U ß‚Ë∑§Ê⁄UáÊfl‡Ê ©ã„¥ ©Ÿ∑§ √ÿÊfl‚ÊÁÿ∑§ Á„ÃÊ¥ ∑§Ë ⁄UˇÊÊ ∑§⁄UŸË ¬«∏ÃË „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–

61. •Á÷∑§ÕŸ (A) : ªÈÁ⁄UÀ‹Ê ≈U‹ËÁfl¡Ÿ •ÊÒ⁄U flËÁ«UÿÊ ◊ËÁ«UÿÊ-‚ÊœŸÊ¥ ‚ ∑§„Ë¥ ’…∏∑§⁄U „Ò–

Ã∑¸§ (R) : ßŸ◊¥ •ÊœÈÁŸ∑§ ‚Ê◊˝ÊíÿflÊŒ ∑§ ÁflL§h ‡ÊÊÁ·Ã flª¸ ∑§ ÁflŒ˝Ê„ ∑§Ë ¿UÁfl ¬Á⁄U‹ÁˇÊÃ „ÊÃË „Ò–

∑Í§≈U —

(1) (A) •ÊÒ⁄U (R) ŒÊŸÊ¥ ‚„Ë „Ò¥–


(3) (A) ‚„Ë „Ò, Á∑§ãÃÈ (R) ª‹Ã „Ò–

(4) (A) ª‹Ã „Ò, Á∑§ãÃÈ (R) ‚„Ë „Ò–


62. Identify the correct sequence of emergence of different types of journalism :

(1) Citizen journalism, advocacy journalism, new journalism, alternative journalism

(2) Alternative journalism, advocacy journalism, citizen journalism, new journalism

(3) New journalism, alternative journalism, advocacy journalism, citizen journalism

(4) Advocacy journalism, new journalism, citizen journalism, alternative journalism

63. Identify the correct chronological sequence of the following statutes :

(1) The contempt of Court Act, the copyright Act, the Right to Information Act, the youngpersons (Harmful publications) Act

(2) The copyright Act, the young persons (Harmful publications) Act, the Right toInformation Act, the contempt of Court Act

(3) The Right to Information Act, The young persons (Harmful publications) Act, thecopyright Act, the contempt of Court Act

(4) The Young Persons (Harmful publications) Act, the copyright Act, the contempt ofCourt Act, the Right to Information Act

64. The correct chronological sequence of the following theories is :

(1) Libertarian, authoritarian, social responsibility, communist

(2) Social responsibility, communist, authoritarian, libertarian

(3) Communist, libertarian, authoritarian, social responsibility

(4) Authoritarian, libertarian, communist, social responsibility

65. The sequence of language wise circulation of newspapers, as per ABC report of (Jan - June2016) is :

(1) English, Malayalam, Tamil, Hindi

(2) Hindi, English, Malayalam, Tamil

(3) English, Hindi, Tamil, Malayalam

(4) Hindi, Malayalam, English, Tamil


62. ¬òÊ∑§ÊÁ⁄UÃÊ ∑§ ÁflÁ÷ÛÊ SflM§¬Ê¥ ∑§ ©÷⁄U∑§⁄U ‚Ê◊Ÿ •ÊŸ ∑§Ê ‚„Ë ∑˝§◊ „Ò —

(1) ŸÊªÁ⁄U∑§ ¬òÊ∑§ÊÁ⁄UÃÊ, ¬ˇÊ¬ÊÃË ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÍÃŸ ¬òÊ∑§ÊÁ⁄UÃÊ, flÒ∑§ÁÀ¬∑§ ¬òÊ∑§ÊÁ⁄UÃÊ

(2) flÒ∑§ÁÀ¬∑§ ¬òÊ∑§ÊÁ⁄UÃÊ, ¬ˇÊ¬ÊÃË ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÊªÁ⁄U∑§ ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÍÃŸ ¬òÊ∑§ÊÁ⁄UÃÊ

(3) ŸÍÃŸ ¬òÊ∑§ÊÁ⁄UÃÊ, flÒ∑§ÁÀ¬∑§ ¬òÊ∑§ÊÁ⁄UÃÊ, ¬ˇÊ¬ÊÃË ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÊªÁ⁄U∑§ ¬òÊ∑§ÊÁ⁄UÃÊ

(4) ¬ˇÊ¬ÊÃË ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÍÃŸ ¬òÊ∑§ÊÁ⁄UÃÊ, ŸÊªÁ⁄U∑§ ¬òÊ∑§ÊÁ⁄UÃÊ, flÒ∑§ÁÀ¬∑§ ¬òÊ∑§ÊÁ⁄UÃÊ

63. ÁŸêŸÁ‹ÁπÃ ¬Á⁄UÁŸÿ◊Ê¥ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ ÄÿÊ „Ò —

(1) ãÿÊÿÊ‹ÿ •fl◊ÊŸŸÊ •ÁœÁŸÿ◊, Á‹åÿÊÁœ∑§Ê⁄U •ÁœÁŸÿ◊, ‚ÍøŸÊ ∑§Ê •Áœ∑§Ê⁄U •ÁœÁŸÿ◊, ÿÈflÊ √ÿÁÄàÊ(„ÊÁŸ∑§Ê⁄U∑§ ¬˝∑§Ê‡ÊŸ) •ÁœÁŸÿ◊

(2) Á‹åÿÊÁœ∑§Ê⁄U •ÁœÁŸÿ◊, ÿÈflÊ √ÿÁÄàÊ („ÊÁŸ∑§Ê⁄U∑§ ¬˝∑§Ê‡ÊŸ) •ÁœÁŸÿ◊, ‚ÍøŸÊ ∑§Ê •Áœ∑§Ê⁄U •ÁœÁŸÿ◊,ãÿÊÿÊ‹ÿ •fl◊ÊŸŸÊ •ÁœÁŸÿ◊

(3) ‚ÍøŸÊ ∑§Ê •Áœ∑§Ê⁄U •ÁœÁŸÿ◊, ÿÈflÊ √ÿÁÄàÊ („ÊÁŸ∑§Ê⁄U∑§ ¬˝∑§Ê‡ÊŸ) •ÁœÁŸÿ◊, Á‹åÿÊÁœ∑§Ê⁄U •ÁœÁŸÿ◊,ãÿÊÿÊ‹ÿ •fl◊ÊŸŸÊ •ÁœÁŸÿ◊

(4) ÿÈflÊ √ÿÁÄàÊ („ÊÁŸ∑§Ê⁄U∑§ ¬˝∑§Ê‡ÊŸ) •ÁœÁŸÿ◊, Á‹åÿÊÁœ∑§Ê⁄U •ÁœÁŸÿ◊, ãÿÊÿÊ‹ÿ •fl◊ÊŸŸÊ •ÁœÁŸÿ◊,‚ÍøŸÊ ∑§Ê •Áœ∑§Ê⁄U •ÁœÁŸÿ◊

64. ÁŸêŸÁ‹ÁπÃ Á‚hÊãÃÊ¥ ∑§Ê ‚„Ë ∑§Ê‹∑˝§◊ „Ò —

(1) ©ŒÊ⁄UflÊŒË, ¬˝÷ÈÃÊflÊŒË, ‚Ê◊ÊÁ¡∑§ ŒÊÁÿàfl, ‚ÊêÿflÊŒË

(2) ‚Ê◊ÊÁ¡∑§ ŒÊÁÿàfl, ‚ÊêÿflÊŒË, ¬˝÷ÈÃÊflÊŒË, ©ŒÊ⁄UflÊŒË

(3) ‚ÊêÿflÊŒË, ©ŒÊ⁄UflÊŒË, ¬˝÷ÈÃÊflÊŒË, ‚Ê◊ÊÁ¡∑§ ŒÊÁÿàfl

(4) ¬˝÷ÈÃÊflÊŒË, ©ŒÊ⁄UflÊŒË, ‚ÊêÿflÊŒË, ‚Ê◊ÊÁ¡∑§ ŒÊÁÿàfl

65. (¡Ÿfl⁄UË-¡ÍŸ, 2016) ∑§Ë ∞ ’Ë ‚Ë Á⁄U¬Ê≈¸U ∑§ •ŸÈ‚Ê⁄U ‚◊ÊøÊ⁄U¬òÊÊ¥ ∑§ ¬Á⁄UøÊ‹Ÿ ∑§Ê ÷Ê·Ê-flÊ⁄U •ŸÈ∑˝§◊ ÁŸêŸÊŸÈ‚Ê⁄U„Ò —

(1) •¥ª˝¡Ë, ◊‹ÿÊ‹◊, ÃÁ◊‹, Á„ãŒË

(2) Á„ãŒË, •¥ª˝¡Ë, ◊‹ÿÊ‹◊, ÃÁ◊‹

(3) •¥ª˝¡Ë, Á„ãŒË, ÃÁ◊‹, ◊‹ÿÊ‹◊

(4) Á„ãŒË, ◊‹ÿÊ‹◊, •¥ª˝¡Ë, ÃÁ◊‹


66. Match the following :

List-I List-II

(Theory) (Author)

(a) Play Theory (i) C.R. Wright

(b) Media Dependency Theory (ii) De Fleur and Ball - Rokeach

(c) Political Socialisation Theory (iii) William Stephenson

(d) Functional Analysis (iv) Patterson and Mc clure

Code :

(a) (b) (c) (d)

(1) (i) (iii) (ii) (iv)

(2) (ii) (iv) (i) (iii)

(3) (iii) (ii) (iv) (i)

(4) (iv) (i) (iii) (ii)


List-I List-II

(Author) (Concept)

(a) Harold D Lasswell (i) Multistep flow

(b) Paul Lazousfeld (ii) Propoganda Techniques

(c) Carl L. Hovel (iii) Information Theory

(d) Claude and Shannon (iv) Persuasion in communication

Code :

(a) (b) (c) (d)

(1) (ii) (i) (iv) (iii)

(2) (iv) (iii) (ii) (i)

(3) (iii) (ii) (i) (iv)

(4) (i) (iv) (iii) (ii)


List-I List-II

(Concept) (Focus)

(a) Normative concept (i) Community mapping

(b) Context concept (ii) Knowledge management

(c) Strategic concept (iii) Social movements

(d) Technique concept (iv) Social inclusion

Code :

(a) (b) (c) (d)

(1) (i) (iv) (iii) (ii)

(2) (iii) (i) (iv) (ii)

(3) (i) (ii) (iv) (iii)

(4) (iv) (iii) (ii) (i)


66. ŸËø ŒË ªß¸ ‚ÍÁøÿÊ¥ ∑§Ê ‚È◊‹Ÿ ∑§⁄¥U — ‚ÍøË-I ‚ÍøË-II

(Á‚hÊãÃ) (‹π∑§)(a) π‹ Á‚hÊ¥Ã (i) ‚Ë.•Ê⁄U. ⁄UÊß≈U(b) ◊ËÁ«UÿÊ ÁŸ÷¸⁄UÃÊ Á‚hÊ¥Ã (ii) Œ ç‹Í⁄U ∞¥«U ’Ê‹ ⁄UÊ∑§Ë‡Ê(c) ⁄UÊ¡ŸËÁÃ∑§ ‚◊Ê¡Ë∑§⁄UáÊ Á‚hÊ¥Ã (iii) ÁflÁ‹ÿ◊ S≈UË»§ã‚Ÿ(d) Á∑˝§ÿÊà◊∑§ Áfl‡‹·áÊ (iv) ¬Ò≈U‚¸Ÿ ∞fl¥ ◊Ò∑§ Ä‹Í⁄U∑Í§≈U —

(a) (b) (c) (d)(1) (i) (iii) (ii) (iv)(2) (ii) (iv) (i) (iii)(3) (iii) (ii) (iv) (i)(4) (iv) (i) (iii) (ii)


(‹π∑§) (•flœÊ⁄UáÊÊ)(a) „Ò⁄UÊÚÀ«U «UË. ‹Ê‚fl‹ (i) ’„ÈSÃ⁄UËÿ ¬˝flÊ„(b) ¬ÊÚ‹ ‹¡ÊÒ‚»§À«U (ii) ¬˝Á⁄UÃ ¬˝øÊ⁄U Ã∑§ŸË∑¥§(c) ∑§Ê‹¸ ∞‹. „ÊÚfl‹ (iii) ‚ÍøŸÊ Á‚hÊ¥Ã(d) Ä‹Ê«U •ÊÒ⁄U ‡ÊÒŸŸ (iv) ‚¥øÊ⁄U ◊¥ •ŸÈŸÿ∑Í§≈U —

(a) (b) (c) (d)(1) (ii) (i) (iv) (iii)(2) (iv) (iii) (ii) (i)(3) (iii) (ii) (i) (iv)(4) (i) (iv) (iii) (ii)


(•flœÊ⁄UáÊÊ) (∑¥§Œ˝ËÿÃÊ)(a) ◊ÊŸ∑§ •flœÊ⁄UáÊÊ (i) ‚◊ÈŒÊÿ •Êë¿UÊŒŸ(b) ‚¥Œ÷¸ •flœÊ⁄UáÊÊ (ii) ôÊÊŸ ¬˝’¥œŸ(c) ‚Ê◊Á⁄U∑§ •flœÊ⁄UáÊÊ (iii) ‚Ê◊ÊÁ¡∑§ ‚¥ø‹Ÿ(d) Ã∑§ŸË∑§ •flœÊ⁄UáÊÊ (iv) ‚Ê◊ÊÁ¡∑§ ‚◊Êfl‡ÊŸ∑Í§≈U —

(a) (b) (c) (d)(1) (i) (iv) (iii) (ii)(2) (iii) (i) (iv) (ii)(3) (i) (ii) (iv) (iii)(4) (iv) (iii) (ii) (i)



List-I List-II

(Organisation) (Platform)

(a) Google (i) Skype

(b) News corporation group (ii) NBC

(c) Microsoft (iii) Instagram

(d) Comcast (iv) Myspace.com

Code :

(a) (b) (c) (d)

(1) (iii) (iv) (i) (ii)

(2) (i) (ii) (iv) (iii)

(3) (iv) (iii) (ii) (i)

(4) (ii) (i) (iii) (iv)


List-I List-II

(Inventor) (Invention)

(a) Ts’ai Lun (i) Lithography

(b) Johannes Gutenberg (ii) Movable types

(c) Alois Senefelder (iii) Printing Press

(d) Bi Sheng (iv) Paper

Code :

(a) (b) (c) (d)

(1) (i) (iv) (ii) (iii)

(2) (iii) (iv) (i) (ii)

(3) (iv) (iii) (i) (ii)

(4) (i) (ii) (iv) (iii)


69. ŸËø ŒË ªß¸ ‚ÍÁøÿÊ¥ ∑§Ê ‚È◊‹Ÿ ∑§⁄¥U —

‚ÍøË-I ‚ÍøË-II

(‚¥ª∆UŸ) (å‹≈U»§Ê◊¸)

(a) ªÍª‹ (i) S∑§Êß¬

(b) ãÿÍ$¡ ∑§Ê¬Ê¸⁄U‡ÊŸ ª˝È¬ (ii) ∞Ÿ’Ë‚Ë

(c) ◊Êß∑˝§Ê‚ÊÚç≈U (iii) ß¥S≈UÊª˝Ê◊

(d) ∑§ÊÚ◊∑§ÊS≈U (iv) ◊Êß¸S¬‚.∑§ÊÚ◊

∑Í§≈U —

(a) (b) (c) (d)

(1) (iii) (iv) (i) (ii)

(2) (i) (ii) (iv) (iii)

(3) (iv) (iii) (ii) (i)

(4) (ii) (i) (iii) (iv)

70. ŸËø ŒË ªß¸ ‚ÍÁøÿÊ¥ ∑§Ê ‚È◊‹Ÿ ∑§⁄¥U —

‚ÍøË-I ‚ÍøË-II

(•ÊÁflc∑§Ê⁄U∑§) (•ÊÁflc∑§Ê⁄U)

(a) à‚Êß¸ ‹ÈŸ (i) Á‹ÕÊª˝Ê»§Ë

(b) ¡Ê„ÊŸ‚ ªÈ≈UŸ’ª¸ (ii) ‚ø‹ ≈UÊß¬

(c) •‹Êß ‚Ÿ»§À«U⁄U (iii) Á¬˝¥Á≈¥Uª ¬˝‚

(d) ’Êß¸ ‡Ê¥ª (iv) ∑§Êª¡

∑Í§≈U —

(a) (b) (c) (d)

(1) (i) (iv) (ii) (iii)

(2) (iii) (iv) (i) (ii)

(3) (iv) (iii) (i) (ii)

(4) (i) (ii) (iv) (iii)


Read the following passage carefully and answer questions from No. 71 to 75.

The practice of being “embedded” has a long history : “from the earliest correspondents

in the nineteenth century through to... the Second World War and Vietnam” and most recently

with the unprecedented numbers of embedded journalists in the Iraq war. In 2003 the US

Pentagon offered over 700 embedded slots to US and non-US journalists. The American

taxpayers, rather than news organizations, paid the bill for the training, outfitting,

transporting, sheltering, and feeding of the journalists. It became quite difficult for all but

the hardest - nosed reporters to be absolutely honest about the soldiers who fed them,

transported them, gave them the power they needed for their equipment, and (when

necessary) saved their lives from the enemy. That mere word, “enemy”, shows how a mind

set was created...If you are with one side in a war, your fortunes and those of the soldiers

you are with are pretty tightly intertwined ; deep down you are praying that they won’t fail.

This is a common criticism of embedding : it allows the journalist to become too close to those

he or she is scrutinizing. Could embedded journalism fulfill the watchdog function of Western

journalism when the journalists are embedded with the very people they are meant to be

scrutinizing ? The US Pentagon claimed that the significance of embedded journalists was

“to tell the factual story - good or bad”, but reporting in such a situation is in danger of being

reduced to the tokens of patriotism, standing against the “enemy” who is trying to take away

“our way of life”. It concluded that embedded journalism in the opening of the 2003 war

produced stories that promoted patriotism more than stories that encouraged deliberation.

Embedded journalists admittedly reported feeling conflicting loyalties and commented on

the one-dimensional nature of their reports. Impartial reporting is not easy when sharing

lived experience, and is that much more difficult when the experience is in such an extreme,

life-or-death situation. Frontline correspondent Allan Little criticized the reporting done by

“embeds”. He argued that the journalist’s job is that of scrutiny and the “hi, mom” reporting

done by journalists of their host-soldiers was not scrutinizing anything. Journalists are reliant

on multiple sources and in the case of being an “embed”, military sources are the only sources

available. The normal practice for journalists to gather information from multiple sources is

severely limited when embedded with one battalion or when restricted to safe-zones in

Baghdad. The journalist is not in a position to observe what the war is doing to the civilians.

As the stand-in eyes and ears of the public, the embedded journalist is unable to provide

witness to the consequences of the war in which their government is engaged. It was weeks

before the embedded journalists had the opportunity to observe and interview the Iraqi people.

The Project for Excellence in Journalism conducted a content analysis of US television coverage

from the first week of the war produced by embeds: “The reports avoided graphic material;

not one of the stories in the study showed pictures of people being hit by weapons fire”. The

Cardiff School of Journalism had similar findings of reports filed by British embeds; the

coverage was “full of action, but without the grisly consequences”. Both Gulf Wars lacked

detailed coverage of the suffering of the Iraqi people. At the start of both Gulf Wars, Western

audiences largely witnessed war without consequences.


ŸËø ÁŒ∞ ª∞ ªlÊ¥‡Ê ∑§Ê äÿÊŸ ‚ ¬…∏∑§⁄U ¬˝‡Ÿ ‚¥ÅÿÊ 71 ‚ 75 Ã∑§ ∑§Ê ©ûÊ⁄U Œ¥–

•ãÃSÕÊ¸¬Ÿ ∑§Ê ‹¥’Ê ßÁÃ„Ê‚ „Ò — ““©ãŸË‚flË¥ ‡ÊÃÊéŒË ∑§ ¬˝Ê⁄¥UÁ÷∑§ ‚¥flÊŒŒÊÃÊ•Ê¥ ‚ ‹∑§⁄U ÁmÃËÿ Áfl‡flÿÈh •ÊÒ⁄UÁflÿÃŸÊ◊ Ã∑§”” •ÊÒ⁄U •÷Ë ÁŸ∑§≈U •ÃËÃ ◊¥ ß⁄UÊ∑§ ÿÈh ∑§ ŒÊÒ⁄UÊŸ •÷ÍÃ¬Ífl¸ ‚¥ÅÿÊ ◊¥ ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê •ãÃSÕÊ¸¬Ÿ– ‚Ÿ2003 ◊¥ •◊Á⁄U∑§Ê ◊¥ ¬¥≈UÊªŸ Ÿ 700 ‚ •Áœ∑§ •◊Á⁄U∑§Ë ÃÕÊ ªÒ⁄U-•◊Á⁄U∑§Ë ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê •¥ÃSÕÊ¸Á¬Ã ∑§⁄UŸ ∑§Ê ¬˝SÃÊflÁ∑§ÿÊ ÕÊ– ßŸ ¬òÊ∑§Ê⁄UÊ¥ ∑§ ¬˝Á‡ÊˇÊáÊU, ‚Ê¡Ê‚Ê◊ÊŸ ‚ ‹Ò‚ ∑§⁄UŸ, ÿÊÃÊÿÊÃ, •ÊflÊ‚Ÿ ÃÕÊ ÷Ê¡Ÿ ∑§Ë √ÿflSÕÊ Á∑§‚Ë‚◊ÊøÊ⁄U ‚¥ª∆UŸ ∑§ ’¡Êÿ •◊Á⁄U∑§Ë ∑§⁄UŒÊÃÊ•Ê¥ ∑§ ¬Ò‚ ‚ ∑§Ë ªß¸– ∞‚ ◊¥ ©Ÿ ‚ÒÁŸ∑§Ê¥ ∑§ ’Ê⁄U ◊¥ ’„ÈÃ ß¸◊ÊŸŒÊ⁄UË ‚∑È§¿U ÷Ë Á‹πŸÊ ’„ÈÃ Ÿ∑§ø…∏ Á∑§S◊ ∑§ ¬òÊ∑§Ê⁄UÊ¥ ∑§ Á‹∞ ÷Ë ∑§Á∆UŸ „Ê ªÿÊ ÕÊ ¡Ê ©Ÿ∑§ πÊŸ-¬ËŸ, ÿÊÃÊÿÊÃ,©¬∑§⁄UáÊÊ¥, ∑§Ë √ÿflSÕÊ ∑§ ‚ÊÕ „Ë ¡M§⁄UÃ ¬«∏Ÿ ¬⁄U ‡ÊòÊÈ•Ê¥ ‚ ©Ÿ∑§Ë ¡ËflŸ ⁄UˇÊÊ ∑§⁄U ⁄U„ Õ– ∑§fl‹ “‡ÊòÊÈ” ‡ÊéŒ ‚ „Ë¬ÃÊ ø‹ÃÊ „Ò Á∑§ ∑Ò§‚Ë ◊ŸÊŒ‡ÊÊ ¬ÒŒÊ „Ê ¡ÊÃË „Ò.... ¡’ •Ê¬ Á∑§‚Ë ÿÈh ◊¥ Á∑§‚Ë ¬ˇÊ ∑§ ‚ÊÕ „Ê¥ ÃÊ •Ê¬∑§Ê •ÊÒ⁄U ‚ÊÕ∑§ ‚ÒÁŸ∑§Ê¥ ∑§Ê ÷ÊÇÿ ’„ÈÃ ŒÎ…∏ÃÊ ‚ ∞∑§ ŒÍ‚⁄U ∑§ ‚ÊÕ ªÈ¥Õ ¡ÊÃÊ „Ò; ◊Ÿ ∑§Ë ª„⁄UÊßÿÊ¥ ◊¥ •Ê¬ ∑§„Ë¥ ¬˝ÊÕ¸ŸÊ ∑§⁄U ⁄U„ „ÊÃ„Ò¥ Á∑§ •Ê¬ Á¡Ÿ∑§ ‚ÊÕ „Ò¥, fl •‚»§‹ Ÿ „Ê¥– ÿ„ •ãÃSÕÊ¸¬Ÿ ∑§Ë ‚Ê◊Êãÿ •Ê‹ÊøŸÊ „Ò — ß‚ ÁSÕÁÃ ◊¥ ¬òÊ∑§Ê⁄U ©‚∑§’„ÈÃ Ÿ¡ŒË∑§ „Ê ¡ÊÃÊ „Ò Á¡‚∑§Ë fl„ ‚¥flËˇÊÊ ∑§⁄U ⁄U„Ê „ÊÃÊ „Ò– ÄÿÊ •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§ÊÁ⁄UÃÊ ¬Á‡ø◊Ë ¬òÊ∑§ÊÁ⁄UÃÊ ∑§‚øÃ Œ˝CÊ ∑§Ë ÷ÍÁ◊∑§Ê ∑§Ê ÁŸflÊ¸„ ∑§⁄U ‚∑§ÃË „Ò ¡’ ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê ©ã„Ë¥ ‹ÊªÊ¥ ∑§ ’Ëø •ãÃSÕÊ¸Á¬Ã ∑§⁄U ÁŒÿÊ ¡Ê∞Á¡Ÿ∑§Ë ©ã„¥ ‚¥flËˇÊÊ ∑§⁄UŸË „Ê? ¬¥≈UÊªŸ Ÿ ŒÊflÊ Á∑§ÿÊ Á∑§ •¥ÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê ◊„àfl ÿ„ „Ò Á∑§ fl “ÃâÿÊà◊∑§‚◊ÊøÊ⁄U-•ë¿UÊ ÿÊ ’È⁄UÊ” Á‹π ‚∑§Ã „Ò¥, ‹Á∑§Ÿ ∞‚Ë ¬Á⁄UÁSÕÁÃÿÊ¥ ◊¥ Á⁄U¬ÊÁ≈ZUª ⁄UÊc≈˛U÷ÁÄàÊ ∑§ ¬˝Œ‡Ê¸Ÿ •ÊÒ⁄U “„◊Ê⁄U ¡ËŸ ∑§Ã⁄UË∑§” ∑§Ê ŸC ∑§⁄UŸ ¬⁄U ©ÃÊM§ “‡ÊòÊÈ” ∑§ ÁflL§h π«∏ „ÊŸ Ã∑§ Á‚◊≈U ¡ÊŸ ∑§ πÃ⁄U ◊¥ ¬«∏ÃË „Ò– ß‚∑§Ê ÁŸc∑§·¸ ÕÊ Á∑§•ãÃSÕÊ¸Á¬Ã ¬òÊ∑§ÊÁ⁄UÃÊ Ÿ 2003 ∑§ ÿÈh ∑§ •Ê⁄¥UÁ÷∑§ ŒÊÒ⁄U ◊¥ ∞‚ ‚◊ÊøÊ⁄U ÁŒ∞ Á¡Ÿ‚ ‹ÊªÊ¥ ◊¥ ß‚ ◊Ê◊‹ ◊¥ ÁfløÊ⁄U-Áfl◊‡Ê¸ ∑§ SÕÊŸ ¬⁄U Œ‡Ê÷ÁÄàÊ ∑§Ê ÷Êfl ¬ÒŒÊ „È•Ê– •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄U ∑§ M§¬ ◊¥ ∑§Ê◊ ∑§⁄U ⁄U„ ¬òÊ∑§Ê⁄UÊ¥ Ÿ •Êà◊SflË∑Î§ÁÃ∑§Ë Á∑§ fl •¬ŸË ÁŸDÊ•Ê¥ ∑§ ≈U∑§⁄UÊfl ∑§Ë ÁSÕÁÃ ◊„‚Í‚ ∑§⁄U ⁄U„ Õ •ÊÒ⁄U ©ã„Ê¥Ÿ •¬ŸË ∞∑§-ÁŒ‡ÊËÿ ¬˝∑Î§ÁÃ ∑§Ë Á⁄U¬Ê≈UÊZ ∑§’Ê⁄U ◊¥ ÷Ë Á≈Uå¬ÁáÊÿÊ° ∑§Ë¥– ÷ÊªÊ „È•Ê •ŸÈ÷fl ‚Ê¤ÊÊ ∑§⁄UÃ ‚◊ÿ ÁŸc¬ˇÊ Á⁄U¬ÊÁ≈ZUª •Ê‚ÊŸ Ÿ„Ë¥ „ÊÃË •ÊÒ⁄U ÿ„ Ã’ •ÊÒ⁄U∑§Á∆UŸ „Ê ¡ÊÃË „Ò ¡’ •ŸÈ÷fl ßÃŸÊ ∑§Á∆UŸ •ÊÒ⁄U ¡ËŸ-◊⁄UŸ ∑§Ë ÁSÕÁÃÿÊ¥ ‚ ¡È«∏Ê „Ê– •Áª˝◊ ¬¥ÁÄàÊ ∑§ ‚¥flÊŒŒÊÃÊ ∞‹ŸÁ‹Á≈U‹ Ÿ •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ∑§Ë Á⁄U¬ÊÁ≈ZUª ∑§Ë •Ê‹ÊøŸÊ ∑§Ë „Ò– ©Ÿ∑§Ê Ã∑¸§ „Ò Á∑§ ¬òÊ∑§Ê⁄U ∑§Ê ∑§Ê◊ „Ò Á∑§‚Ë ◊Ê◊‹∑§Ë ª„⁄UË ¡Ê°ø-¬«∏ÃÊ‹ •ÊÒ⁄U “„Êÿ ◊ÊÚ◊” ¡Ò‚Ë •ÊÒ¬øÊÁ⁄U∑§ Á⁄U¬ÊÁ≈ZUª ∑§⁄UŸflÊ‹ •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ∑§Ë ‚ÒÁŸ∑§Ê¥ ∑§ ’Ê⁄U◊¥ Á⁄U¬ÊU≈ZU Á∑§‚Ë Ã⁄U„ ∑§Ë ¡Ê°ø-¬«∏ÃÊ‹ Ÿ„Ë¥ ∑§⁄U ⁄U„Ë ÕË¥– ¬òÊ∑§Ê⁄U ‚Ê◊ÊãÿÃ— ’„ÈÃ ‚ dÊÃÊ¥ ¬⁄U ÁŸ÷¸⁄U ∑§⁄UÃ „Ò¥ •ÊÒ⁄U•¥ÃSÕÊ¸Á¬Ã „ÊŸ ¬⁄U fl ∑§fl‹ ‚Òãÿ dÊÃÊ¥ ¬⁄U ÁŸ÷¸⁄U „ÊÃ „Ò¥– ¬òÊ∑§Ê⁄UÊ¥ ∑§Ë ÁflÁflœ dÊÃÊ¥ ‚ ‚ÍøŸÊ ¬˝ÊåàÊ ∑§⁄UŸ ∑§Ë ‚Ê◊Êãÿ¬˝flÎÁûÊ Ã’ ª¥÷Ë⁄U M§¬ ‚ ’ÊÁœÃ „Ê ¡ÊÃË „Ò ¡’ fl Á∑§‚Ë ∞∑§ ’≈UÊÁ‹ÿŸ ∑§ ‚ÊÕ •ãÃSÕÊ¸Á¬Ã „Ê¥ ÿÊ ’ªŒÊŒ ∑§ Á∑§‚Ë“‚È⁄UÁˇÊÃ ˇÊòÊ” ◊¥ „Ê¥– ÿ ¬òÊ∑§Ê⁄U ÿ„ ŒπŸ ∑§Ë ÁSÕÁÃ ◊¥ Ÿ„Ë¥ „ÊÃ Á∑§ ÿÈh ∑§Ê ŸÊªÁ⁄U∑§ ¡ËflŸ ¬⁄U ÄÿÊ ¬˝÷Êfl „Ê ⁄U„Ê „Ò¥–¡ŸÃÊ ∑§ ¬˝ÁÃÁŸÁœ •Ê¥π-∑§ÊŸ ∑§ M§¬ ◊¥ •¥ÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄U ‚⁄U∑§Ê⁄U mÊ⁄UÊ ‹«∏ ¡Ê ⁄U„ ÿÈh ∑§ ¬Á⁄UáÊÊ◊Ê¥ ∑§ ‚Êˇÿ ŒŸ◊¥ •‚◊Õ¸ ⁄U„Ã „Ò¥– ß⁄UÊ∑§ ª∞- •¥ÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê ∑§ß¸ „çÃÊ¥ ∑§ ’ÊŒ ß⁄UÊ∑§Ë ŸÊªÁ⁄U∑§Ê¥ ‚ Á◊‹Ÿ •ÊÒ⁄U ©Ÿ‚’ÊÃøËÃ ∑§⁄UŸ ∑§Ê •fl‚⁄U Á◊‹Ê ÕÊ– ¬˝Ê¡Ä≈U »§ÊÚ⁄U ∞Ä‚‹¥‚ ßŸ ¡Ÿ¸Á‹í◊ Ÿ ÿÈh ∑§ ¬„‹ ‚åàÊÊ„ ◊¥ •ãÃSÕÊ¸Á¬Ã¬òÊ∑§Ê⁄UÊ¥ mÊ⁄UÊ ∑§Ë ªß¸ ≈U‹ËÁfl$¡Ÿ ∑§fl⁄U¡ ∑§Ê ∑§âÿ Áfl‡‹·áÊ Á∑§ÿÊ ªÿÊ ÕÊ — ““ßŸ Á⁄U¬Ê≈UÊ¸Z ◊¥ Á∑§‚Ë ¬˝∑§Ê⁄U ∑§ ª˝ÊÁ»§∑§Ÿ„Ë¥ Õ; ∞∑§ ÷Ë ‚◊ÊøÊ⁄U ∞‚Ê Ÿ„Ë¥ ÕÊ Á¡‚◊¥ ‹ÊªÊ¥ ∑§Ê „ÁÕÿÊ⁄UÊ¥ ∑§Ë ◊Ê⁄U ∑§Ê Á‡Ê∑§Ê⁄U „ÊÃÊ ÁŒπÊÿÊ ªÿÊ „Ê–”” ∑§ÊÁ«¸U»§S∑Í§‹ •Ê»§ ¡Ÿ¸Á‹í◊ Ÿ ÷Ë ∞‚ „Ë ÁŸc∑§·¸ Á’˝Á≈U‡Ê •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ mÊ⁄UÊ Á‹πË ªß¸ Á⁄U¬Ê≈UÊZ ∑§ ’Ê⁄U ◊¥ ¬˝ÊåàÊ Á∑§∞;ßŸ Á⁄U¬Ê≈UÊZ ◊¥ ∑§Ë ªß¸ ∑§Ê⁄¸UflÊß¸ ∑§Ê ÃÊ Á¡∑˝§ ÕÊ ‹Á∑§Ÿ ßŸ◊¥ ∑§„Ë¥ ÷Ë ßŸ∑§ flË÷à‚ ¬Á⁄UáÊÊ◊Ê¥ ∑§Ê ©À‹π Ÿ„Ë¥ ÕÊ– ŒÊŸÊ¥πÊ«∏Ë ÿÈhÊ¥ ◊¥ ß⁄UÊ∑§Ë ‹ÊªÊ¥ ∑§Ë ∑§Á∆UŸÊßÿÊ¥ ∑§ ÁflSÃÎÃ ∑§fl⁄U¡ ∑§Ê •÷Êfl ÕÊ– ŒÊŸÊ¥ πÊ«∏Ë ÿÈhÊ¥ ∑§ ¬˝Ê⁄¥UÁ÷∑§ ŒÊÒ⁄U ◊¥¬Á‡ø◊Ë Œ‡ÊÊ¥ ∑§ ¬Ê∆U∑§Ê¥-Œ‡Ê¸∑§Ê¥ ∑§Ê íÿÊŒÊÃ⁄U ¬Á⁄UáÊÊ◊„ËŸ ÿÈh ŒπŸ ∑§Ê Á◊‹Ê–


71. Who paid for the practice of embedded journalism in the United States ?

(1) News organisations (2) The US Pentagon

(3) The American taxpayers (4) Journalists themselves

72. Embedded journalism affected the media function of :

(1) Supply of news (2) Respecting the soldiers

(3) Objective reporting (4) Standing against the enemy

73. What was the issue faced by embedded journalists during the 2003 war ?

(1) Consequences of factual reporting

(2) Absence of conflicting loyalties

(3) Availability of multiple news sources

(4) One - dimensional reports

74. Embedded reporting is restricted by :

(1) The inability to observe the consequences of war

(2) Sharing lived experience

(3) Impartial reporting

(4) Opportunities to observe

75. Till date embedded reporting of wars has made people witness :

(1) Coverage with grisly consequences

(2) Safe-zones in conflict areas

(3) Suffering of Iraqi people

(4) War with one-sided focus

- o O o -


71. •◊Á⁄U∑§Ê ◊¥ •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ¬⁄U „È∞ √ÿÿÊ¥ ∑§Ê fl„Ÿ Á∑§‚Ÿ Á∑§ÿÊ?

(1) ‚◊ÊøÊ⁄U ‚¥ª∆UŸÊ¥ Ÿ (2) •◊Á⁄U∑§Ë ¬¥≈UÊªŸ Ÿ

(3) •◊Á⁄U∑§Ë ∑§⁄UŒÊÃÊ•Ê¥ Ÿ (4) ¬òÊ∑§Ê⁄UÊ¥ Ÿ Sflÿ¥

72. •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§ÊÁ⁄UÃÊ Ÿ ◊ËÁ«UÿÊ ∑§ Á∑§‚ ∑§Êÿ¸ ∑§Ê ¬˝÷ÊÁflÃ Á∑§ÿÊ „Ò?

(1) ‚◊ÊøÊ⁄U •Ê¬ÍÁÃ¸ (2) ‚ÒÁŸ∑§Ê¥ ∑§Ê ‚ê◊ÊŸ

(3) ©g‡ÿ¬ÍáÊ¸ Á⁄U¬ÊÁ≈ZUª (4) ‡ÊòÊÈ ∑§ ÁflL§h L§π •ÁÅÃÿÊ⁄U ∑§⁄UŸÊ

73. 2003 ∑§ ÿÈh ◊¥ •ãÃSÕÊ¸Á¬Ã ¬òÊ∑§Ê⁄UÊ¥ ∑§Ê Á∑§‚ ‚◊SÿÊ ∑§Ê ‚Ê◊ŸÊ ∑§⁄UŸÊ ¬«∏Ê?

(1) Ãâÿ¬ÍáÊ¸ Á⁄U¬ÊÁ≈ZUª ∑§ ¬Á⁄UáÊÊ◊Ê¥ ∑§Ê

(2) ¬⁄US¬⁄U-Áfl⁄UÊœË ÁŸDÊ•Ê¥ ∑§ •÷Êfl ∑§Ê

(3) ÁflÁflœ ‚◊ÊøÊ⁄U dÊÃÊ¥ ∑§Ë ©¬‹éœÃÊ ∑§Ê

(4) ∞∑§-ÁŒ‡ÊËÿ Á⁄U¬Ê≈UÊZ ∑§Ê

74. •ãÃSÕÊ¸Á¬Ã Á⁄U¬ÊÁ≈ZUª ∑§Ê ‚ËÁ◊Ã ∑§⁄UÃÊ „Ò —

(1) ÿÈh ∑§ ¬Á⁄UáÊÊ◊Ê¥ ∑§Ê Œπ ¬ÊŸ ∑§Ë •‚◊Õ¸ÃÊ

(2) ÷ÊªÊ „È•Ê •ŸÈ÷fl ‚Ê¤ÊÊ ∑§⁄UŸÊ

(3) ÁŸc¬ˇÊ Á⁄U¬ÊÁ≈ZUª

(4) ¬˝ˇÊáÊ ∑§ •fl‚⁄U

75. •’ Ã∑§ ÿÈhÊ¥ ∑§Ë •ãÃSÕÊ¸Á¬Ã Á⁄U¬ÊÁ≈ZUª Ÿ ‹ÊªÊ¥ ∑§Ê ÁŒπÊÿÊ „Ò —

(1) •L§Áø∑§⁄U ¬Á⁄UáÊÊ◊Ê¥ ∑§Ë ¡ÊŸ∑§Ê⁄UË ŒŸ flÊ‹Ë ∑§fl⁄U¡

(2) ÿÈh ˇÊòÊÊ¥ ◊¥ ‚È⁄UÁˇÊÃ ˇÊòÊ

(3) ß⁄UÊ∑§Ë ‹ÊªÊ¥ ∑§Ë √ÿÕÊ∞°

(4) ∞∑§ ¬ˇÊ ◊¥ ∑¥§ÁŒ˝Ã ÿÈh

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